1923 CATALOGUE
OF
VICTOR RECORDS
WITH
Biographical Sketches
Op era Blots , New Bortraits
&? Special TJed Seal
Section
VICTOR
TALKING MACHINE COMPANY
Qamden , lew Jersey
U. S. A.
Copyright 1912, 1913, 1914, 1915, 1916, 1917, 1918, 1919, 1920, 1921, 1922
By the Victor Talking Machine Company
THE VICTOR RECORD CATALOGUE
THE idea of a strictly alphabetical record catalogue origi¬
nated with the Victor Talking Machine Company and
established a new standard in publications of this kind.
It is a catalogue and much more, for not only does it contain “all
the music of all the world,” but it serves also as a musical
encyclopedia which is both authoritative and convenient for
reference purposes.
It will be observed that this catalogue has no index —
or rather, it is all index — every title, subject, singer,
organization and composer being in its proper place, with every record
alphabetically indexed, each with its number, size and catalogue price printed
plainly after the title. In every case where a double-faced record is listed
both titles are given. For example, take double-faced record No. 45305. This
appears under the E’s, as follows:
How to use
fEspana Rapsodie (Chabrier) Two Pianos Maier-Pattisonl
l Waltz (from Suite for Two Pianos) ( Arensky ) Maier-Pattison /
45305
10
1.00
And this record will also be found under the W’s, with titles reversed, thus :
{Waltz (Arensky, Op. 15) ( from Suite for T wo Pianos)
Espafia Rapsodie (Chabrier) Two Pianos
Maier-Pattisonl [
Maier-Pattisonir530
10
1.00
Each title appears in its proper alphabetical order, with the name
of the selection on the other side of the record indented and printed
in italic type in order that it may keep the alphabetical column per¬
fectly clear.
In order to make the Catalogue complete, we
frequently list the same selection under different
headings. An operatic record may be listed under the name of the
opera from which it is taken; under the name of the artist recording it,
and under the name of the composer. A standard song or instrumental
composition may be listed in somewhat similar manner; by title, by the
name of the artist, and by the name of the composer. Dance records and
March records are grouped under "Dance” and under “March” or under
Subject Headings
the name of the Bands or Orchestras making them and they will always be
found indexed alphabetically by their individual title.
This classification extends to many other kinds of musical compositions;
suppose, for example, you are looking for Home Songs, you will find a list
of these grouped under “Home.”
Because of the great labor involved in com¬
piling so comprehensive a catalogue, some
mistakes occasionally occur. The editor wishes to thank those who have
called attention to errors and suggested various changes. Corrections or
suggestions for further improvement of the next edition, or communications
on any subject pertaining to records, will be gladly received. Just address
Victor Catalogue Editor, Camden, N. J.
Suggestions invited
The Red Seal records besides being listed in their
places in the body of the Catalogue, have been
repeated in a special Pink section for the convenience cf customers who
are specially interested in Red Seal records.
Red Seal Section
Thumb guides in conspicuous type, both right and left
hand, to facilitate turning to any desired page ; every
record in alphabetical order under title of selection ; every double-faced
record in alphabetical order under title of each selection in its turn.
Records of standard compositions under name of composer ; many records
under one or more subject headings for ready reference ; every opera with
place and date of first performance ; sketches of the operas ; scenes from
the operas ; every operatic record under title of the opera ; all selections from
opera in exact order they are sung or played in the opera, with acts and
scenes indicated; list of selected records for new Victor customers; special
Red Seal section on pink paper; sketches of prominent composers;
sketches of the careers of the various artists ; reference list of Victor singers
and players; list of subject headings; pronunciations of composers, artists
and opera titles ; a page of musical terms. The last four features will be
found at the end of the catalogue.
Features
The great majority of Victor Records (vocal solos,
duets, quartets and instrumental solos, etc.) are
made with orchestral accompaniments. The few exceptions are many of
the violin solos, certain songs which especially call for pianoforte accom¬
paniments and a list of male quartets unaccompanied.
Accompaniments
It seems almost unnecessary, but we say
again to Victor customers “ Use only good
needles,” “ don’t play records at various speeds,” and “ don’t use a steel
needle more than once.” Victor records are made with the greatest care
and if properly played will last indefinitely, and so to aid new customers in
keeping records in good condition we offer the following suggestions:
How to get best results
Set the regulator so that the turntable
of your Victrola revolves seventy-eight
times per minute, and never change it unless for some special purpose.
When using Victrola and piano together, it is occasionally necessary to
change the speed slightly to get the two instruments exactly in tune ; and
sometimes the dancers wish a little variation to suit the steps. Test the
speed occasionally by placing a slip of paper under the edge of the record,
and while it is playing, see that the paper revolves 78 times in one minute.
78 Revolutions per minute
Don’t try to drop the needle or Tungs-tone
Stylus exactly into the first record groove. If you
do, it is likely to make a hole, and you will hear a little “tick” when the
needle passes over the spot. The proper way is to start the instrument and
then wait two or three seconds until it is running at full speed (you can
give the turntable a little “push” to facilitate this), carefully lower the sound
box so that the needle or stylus rests on the smooth outside rim of the disc;
then let go and it will glide gently into the first groove of the record. Please
be especially careful to place a Tungs-tone Stylus GENTLY on the record to avoid
bending the point.
Starting the record
A Selected List From Which to Choose Your First Records
To assist customers in making selections from the thousands of records listed
in this catalogue, we give below a carefully selected list, which will be of particular
assistance to those who are beginning to interest themselves in the great variety of
musical entertainment which is made available by the Victor.
Opera Numbers
Aida — Celeste Aida In Italian Ciovanni Martinelli
Barbiere — Una voce poco fa (A Little Voice I Hear) In Italian
Lu isa Tetrazzini
Boheme — Racconto di Rodolfo In Italian Giovanni Martinelli
Boris Godounow — Farewell of Boris Feodor Chaliapin
Carmen — Habanera (Love is Like a Wood Bird) In French
Geraldine Farrar
Cavalleria Rusticana — Voi lo sapete (Santuzza’s Air, “Well You Know,
Good Mother”) In Italian Emma Calve
Don Carlos — Dio, che nell’ alma infondere In Italian Martinelli De-Luca
Elisir d’amore — Una furtiva lagrima (A Furtive Tear) Act II In Italian
Enrico Caruso
Faust — Dio possente (Even the Bravest Heart) In Italian De Luca
Faust — Salve, dimora (All Hail, Thou Dwelling Lowly) In Italian
Beniamino Gigli
Gioconda — Barcarola, “Pescator, affonda L’esca” In Italian Titta Ruffo
Girl of the Golden West — Ch’ella mi creda (That She May Believe)
In Italian Edward Johnson
Hamlet — Brindisi, “O vin, discaccia la tristezza” In Italian ( with La
Scala Chorus ) Titta Ruffo
Juive, La — Rachel! quand du Seigneur la grace tutelaire In French
Enrico Caruso
Lohengrin — Elsas Traum (Elsa’s Dream) In German Maria Jeritza
Lucia — Sextette In Italian
Galli-Curci, Egener, Caruso, de Luca, Journet and Bada
Martha — Quartetto notturno (Good Night Quartet) In Italian
Alda, Caruso, Jacoby and Journet
Pagliacci — Serenata d’Arlecchino (Harlequin’s Serenade) In Italian
Tito Schipa
Pagliacci — Vesti la giubba (On with the Play) In Italian Enrico Caruso
Rigoletto — La donna e mobile (Woman is Fickle) In Italian Enrico Caruso
Rigoletto — Quartet In Italian Caruso, Abott, Homer and Scotti
Samson et Dalila — Mon coeur s’ouvre a ta Voix In French Louise Homer
Tales of Hoffmann — Barcarolle (Night of Love) In French Farrar-Scotti
Tosca — E lucevan le stelle (The Stars Were Shining) In Italian
Enrico Caruso
Traviata — Addio del passato (Farewell to the Bright Visions) In Italian
Lucrezia Bori
Traviata — Sempre Libera (I’ll Fulfill the Round of Pleasure) In Italian
Amelita Galli-Curci
Trovatore — Miserere In Italian
Caruso, Alda and Metropolitan Opera Chorus
List
Number
Size
Price
74424
12 $1.75
88301
12
1.75
74381
12
1.75
88661
12
1.75
87210
10
1.25
88086
12
1.75
89160
12
2.00
88339
12
1.75
74633
12
1.75
74687
12
1.75
88394
12
1.75
64886
10
1.25
88619
12
1.75
88625
12
1.75
74749
12
1.75
95212
12
3.50
95210
12
2.50
66045
10
1.25
88061
12
1.75
87017
10
1.25
96000
12
3.00
88199
12
1.75
87502
10
1.50
87044
10
1.25
87178
10
1.25
64820
10
1.25
89030
12
2.00
Standard Songs
At Dawning (Eberhart-Cadman) John McCormack 64302 10 1.25
By the Waters of Minnetonka (Indian Love Song) (Cavanass-Lieurance)
Frances Alda 64908 10 1.25
(Chip of the Old Block, A (Simpson-Squires) Royal Dadmun)) ln . nn
i Give a Man a Horse He Can Ride (JThomson-0’ Hara) Royal Dadmun]
Dream, A (Cory-Bartlett) Evan Williams 64078 10 1.25
{Evening Brings Rest and You (Whaley-Bishop) Lambert Murphy 1 1n . nn
Kashmiri Song ( Hope-Woodforde-Finden) Lambert Murphy]
Fiddle and I (Goodeve) ( Pianoforte acc.) Gluck-Zimbalist 89093 12 2.00
A Selected List of Records— Continued
Standard Songs — Continued
Number Size
Gypsy Love Song (from “The Fortune Teller”) (SmitH-Herbert)
Reinald Werrenrath 64897
E1®.ie Bak,er}l8045
Llsie Halier J
Sophie Braslau 64633
Marsh-Cho.) a.
Marsh-Dunlapr
Olive Kline and Criterion Qt.),-,,-
Elsie Baker r*6™
/Home, Sweet Home (Payne-Bishop)
\ My Old Kentucky Home {Stephen Collins Foster)
I Love You Truly (Carrie Jacobs-Bond)
/ Italian Street Song (“Naughty Marietta”) (Herbert)
\ Tales of Hoffman — Barcarolle ( Offenbach )
J Lilly Dale (H. S. Thompson)
\ The Gypsy’s Warning ( Henry A. Coard)
Little Town in the Ould County Down (Pascoe-Carlo-Sanders)
John McCormack 64994
/ Longing, Dear, for You (John H. Densmore) Olive Kline \.Mn7
\ Rockin’ in de Win' (A Negro Lullaby) ( Neid linger) Olive Kline J
Mocking Bird, The (Winner) Gluck-Kellogg 74465
Old Folks at Home (Swanee River) (Stephen C. Foster) Schumann-Heink 88620
/Robin Hood, Gems from— Part 1 (Smith-de Koven) Victor Opera Co,
( Robin Hood. Gems from — Part / / ( Smith-de Koven)
/Smilin’ Through (Arthur Penn)
{ Think Love of Me ( Frank H.Grey)
{Sweet and Low (Royce- Johnson)
A Southern Lullaby ( Rob't . Huntington Terry)
(Tramp, Tramp, Tramp (George Frederick Root)
\ Old Black J oc ( Stephen Collins Foster)
Venetian Song (Stephenson-Tosti)
o:}
Victor Opera Co.
Reinald Werrenrath).-. __
Reinald Werrenrath /
Elsie Bakerl......
Elsie Baker f45174
Criterion Quartet)----.
Peerless Quartet /
Homer-Stires 87578
10
10
10
10
List
Price
$1.25
.75
1.25
1.00
10 1.00
10
10
12
12
1.25
1.00
1.75
1.75
35413 12 1.25
10
10
10
10
1.00
1.00
.75
1.50
Sacred Songs
{Angels Ever Bright and Fair (Handel)
Unfold Ye Portals! ( From “Redemption”) ( Gounod )
Ave Maria In Latin (Gounod) ( Piano acc.)
{Carry Your Cross with a Smile (Ogdon-Gabriel)
Tell Me the Story of Jesus ( Crosby-Sweney )
\
Saviour. Like a Shepherd Lead Us (Thrupp-Bradbury)
fHoly Ghost, with Light Divine (Gottschalk)
Holy , Holy , Holy I ( Heber-Dyb.es )
I Need Thee Every Hour (Hawks-Lowry)
Just for To-Day (Partridge-Abbott)
Lead, Kindly Light (Newman-Dykes)
{Life’s Railway to Heaven (Abbey-Tillman)
The Harbor Bell ( Yates-Sanf^ey )
fMighty Fortress is Our God, A (M. Luther)
( Oh God, Our Help in Ages Past ( Watts-Croft )
Open the Gates of the Temple (Mrs. Joseph Knapp)
j Palms, The (Jean Faure)
The Holy City (Adams)
JSacred Songs — No. 1
Sacred Songs — No. 2
J When the World Forgets (0 Gospel Hymn) (Ackley)
In the Garden (Miles)
Whispering Hope (Hawthorne)
Lucy Marsh'
Trinity Choir ,
[•35075
12
1.25
Gluck-Zimbalist
89091
12
2.00
Rodeheaver
Rodeheaver
J 18720
10
.75
eth) Kline-Baker
Kline-Baker j
[45306
10
1.00
Trinity Choir 1
Trinity Choir J
[ 16966
10
.75
Gluck-Homer
87533
10
1.50
Mme. Louise Homer
87329
10
1.25
Schumann-Heink
87340
10
1.25
Harrison-Cairns)
Harrison-Cairns j
[l8925
10
.75
Trinity Male Choir 1
Trinity Male Choir J
[l8897
10
.75
Evan Williams
74198
12
1.75
William Robyn 1
Harry Macdonoughj
16408
10
.75
Victor Mixed Chorus 1
[35613
12
1.25
Victor Mixed Chorus \
Rodeheaver!
Asher- Rodeheaver J
[ 18020
10
.75
Gluck-Homer
87524
10
1.50
Band and Orchestra Records
{Anchors Aweigh — March (C. A. Zimmermann)
Yorktown Centennial — March (Sousa)
Blue Danube Waltz; (J. Straus)
Carmen — Aragonaise (Prelude to Act 4) (Bizet)
/Chimes of Liberty March (Goldman)
\ Sagamoi e March (Goldman)
/Golondrina, La — Waltz Mexican
\ Give Me a Kiss (Bolero Cubano) (L. C. Romero)
U. S. Marine Band!
U. S. Marine Band J
[ 18817
10
.75
Philadelphia Orchestra
74627
12
1.75
Toscanini-La Scala Or.
64999
10
1.25
The Goldman Bandl
The Goldman Band J
j 18952
10
.75
Orquesta Max Dolin)
Orquesta Max Dolin )
[73171
10
.75
A Selected List of Records— Continued
{'
Band and Orchestra Records — Continued
— . " ~ _ Number
Victor Orchestral,
V iclor Orchestra j
Arthur Pryor’s Band)
n a Clock Store (Descriptive Fantasie) (Orth)
A Hunt In the Forest ( Descriptive ) ( Voelker )
( King Cotton March (Sousa)
1 Officer of the Day March ( Hall) Arthur Pryor's Band
(Kiss Me Again (from “Mile. Modiste”) (Blossom-Herbert) Herbert’s Orch.
) Humoresque ( Antonin Dvorak)
(Lucia Sextette (Donizetti)
) Jewels of the Madona — Intermezzo ( Wolf -Ferrari)
Moment Musical (Schubert)
{Naughty Marietta — Intermezzo (Herbert)
Babes in 7 oyland — March of the Toys l Herbert)
Oberon — Overture — Part 1 (Weber)
Oberon — Overture — Part 2 (Weber)
>35324
| 16386
Herbert' s Orchestra
Vessella’s Italian Band)
45165
{Parade of the Wooden Soldiers, The (Jessel)
Twinkling Star (Paul Lincke)
{Stars and Stripes Forever March (Sousa)
Fairest of the Fair (Sousa)
Tannhauser Overture — Part 1 (Wagner)
Tannhauser Overture — Part 2 (Wagner)
Tannhauser Overture — Part 3 (Wagner)
(Traviata, La — Prelude (Verdi)
) Casse Noisette — False des Fleurs (Tschaikowsky)
(Washington Post March (Sousa)
I El Capitan March (Sousa)
Vessclla’s Band J
Philadelphia Orchestra 66098
Herbert’s Orchestra)
Herbert's Orch. J 55054
Mengelberg-N. Y. Orchestra 74766
Mengelberg-N. Y. Orchestra 74767
1-73366
>16777
International Novelty Or.).
International Novelty Or.)
Sousa’s Band) ^
Sousa 's Band j
Philadelphia Orchestra 74758
Philadelphia Orchestra 74759
Philadelphia Orchestra 74768
Victor Symphony Orchestral .... 7
A Victor Symphony Orchestra)
Sousa’s Band),-,..,
Sousa's Band) 17J0Z
Instrumental Solos — Duets — Hawaiian, Etc.
Alice, Where Art Thou (J. Ascher) Violin
Ave Maria (Schubert-Wilhelmj) Violin
Capriccio Valse (Waltz Caprice) (Wieniawski) Violin
Caprice Viennois (Kreisler) Violin
Capricieuse (Morceau de Genre) (Op. 17) (E. Elgar)
(Drowsy Head — Medley Waltz Hawaiian Guitars
) Isle of Paradise — Medley Waltz
{Faust — Waltz from Kermesse Scene Accordion
Medley of Favorite Operatic Airs Accordion
(Hawaiian Waltz Medley Hawaiian Guitars
\ Kilima Waltz Hawaiian Guitars
(Herd Girl’s Dream, The Violin-Flute- Harp
) Happy Days (Strelezki) Violin-Flute- Harp
(Hungarian Fantasie — Part 1 (Liszt)
\ Hungarian Fantasie — Part 2 (Liszt)
f Hungarian Fantasie— Part 3 (Liszt)
\ Hungarian Fantasie — Part 4 (Liszt)
(Mighty Lak’ a Rose (Nevin) Harp
\ Last Rose of Summer (Moore) Harp
(Minuet (Boccherini) Violin-Flute-' Cello- Harp
\ Traumerei (Schumann) Violin-Flute-’ Cello- Harp
Nocturne (A. Borodin)
Nocturne in B Flat (Paderewski) Piano
(Old Folks at Home (S. C. Foster) Banjo
) Cradle Song (Brahms) Cornet
Paradise (Krakauer-Kreisler) Violin
Mischa Elman
Jascha Heifetz
Erika Morin i
Fritz Kreisler
Jascha Heifetz
Ferera-Franchini)
Ferera-Franchini J
Pietro)
Pietro )
Lua-Kaili)
Lua- Kaili j
Neapolitan Trio) jgggy
■io j
74724
74563
74686
74197
64760
[18771
[■ 18883
1-17701
Neapolitan Trioj
De Greef-Royal Albert Hall Or.1
DeGreef- Royal Albert Hall Or.]
55158
De Greef-Royal Albert Hall Or.lecien
De Greef-Royal Albert Hall Or.]
Alberto Salvi\.-,t-
Alberto Said J45J15
Florentine Q t ) 9
Florentine Qt - i
Flonzaley Quartet 74733
Ignace Paderewski 74765
Fred Van Eps)17,17
Michele Rinaldi and Band )
Fritz Kreisler 66023
Prelude in C Snarp Minor (Rachmaninoff) Piano Rachmaninoff 66016
{Rakoczy March Two Pianos Guy Maier-Lee Pattison) .4531 j
Scherzo (Arensky) Two Pianos Guy Maier-Lee Pattison)
(Ross’ Dog Trot Banjo Eddie Ross\j
\ Ross' Reel Banjo Eddie Ross)
Serenade (Franz Drdla) Violin Mischa Elman 66048
Simple Confession (Simple Aveu) (Thome) ’Cello Hans Kindler 66011
Spring Song (Mendelssohn) Piano Olga Samaroff 66075
(Sweet Genevieve (Cooper-Tucker) Violin-’ Cello- Piano McKee Trio) j
) When You and I Were Young, Maggie (Johnson-Buttcrfeld) McKee Trio)
18815
>18130
List
Size Price
12 $1.25
10
.75
10
1.00
12
1.25
10
1.25
12
1.50
12
1.75
12
1.75
10
.75
10
.75
12
1.75
12
1.75
12
1.75
12
1.25
10
.75
12
1.75
12
1.75
12
1.75
12
1.75
10
1.25
10
.75
10
.75
10
.75
10
.75
12
1.50
12
1.50
10
1.00
10
.75
12
1.75
12
1.75
10
.75
10
1.25
10
1.25
10
1.00
10
.75
10
1.25
10
1.25
10
1.25
10
.75
A Selected List of Records — Continued
Comic Monologues, Recitations, Etc.
{Boy in the Bleachers — Comic Monologue Ralph Bing
My Possum Hunt — Darky Story Ralph Bin
/Casey at the Bat (Thayer) Recitation De Wolf Ho
\ Man Who Fanned Casey {Reply to "Casey at the Bat'") Digbi
{Cohen at the Telephone ( Comic Monologue) Barney Ber
Goldstein Goes in the Railroad Business Barney Be\
{Cohen Gets Married (Silver) Monroe S
Cohen On His Honeymoon { Silver ) Monroe .
(Ma and the Auto (E. A. Guest) Recitation Edgar C
\ (I) / 1 Could n t be done (2) Wail Till Your Pa Comes Home Edgar
(Mr. Gallagher and Mr. Shean — “Positively, Mr. Gallagher?”
■( Gallagher-Sl
' Mr. Gallagher and Mr. Shean — " Absolutely . Mr. Shean!" Gallagher-'
/No News, or “What Killed the Dog” Nat M. '
\ The Three Trees { From “ Spring Maid") Tom McNau
{There is Somebody Waiting for Me (Lauder) Sir Harry La
Bounding Bounder, or On the Bounding Sea Sir Harry Li
{Trixie from Dixie (Lauder) Sir Harry La
She s the Lass for Me ( Lauder ) Sir Harry Lt
{Uncle Josh on a Street Car (Stewart) Cal Ste
Uncle Josh and Nancy Visit New York { Stewart ) Cal St
{Virginian Judge {Southern Court Scene — First Session — Parti) 1
Virginian Judge {Southern Court Scene — First Session — Part II)
{Washing Baby {Humorous Monologue) Marie Cahill
Shopping {Humorous Monologue) Marie Cahil
Dance Records
{Birds of a Feather — Fox Trot (McGowan-Moran) All
Leave me with a Smile — Fox Trot { Koehler-Burtnett) All Star Trio and Or.
{Cho-Cho-San — Fox Trot (Puccini-Frey) Whiteman’s Orchestrr
Song of India — Fox Trot {Rimsky- Korsakow-Whiteman) Whiteman’s Or
/Dapper Dan — Fox Trot (Albert Von Tilzer) Club Royal Orchestre
\ The Sheik — Fox Trot {Ted Snyder) Club Royal Or chest rt
/Hot Lips — Blues Fox Trot (Busse-Lange-Davis) Whiteman’s Orchestrr
\ Send Beck My Honeyman — Fox Trot {Lou Handman) The Virginian:
{I’ll Build a Stairway to Paradise — Fox Trot (Gershwin) Whiteman’s Or
You Remind Me of My Mother — Fox Trot {G. M. Cohan) Whiteman s Or
{Kitten on the Keys — Fox Trot (Zez Confrey) Confrey and His Orch.
Pick Me Up andLay Me Down in Dear Old Dixieland — Fox Trot Club Royal Or
{Lonesome Mama Blues — Fox Trot (Billie Brown) The Virginians
Memphis Blues — Fox Trot {W.C. Handy) The Virginian:
{Lovely Lucerne-Waltz (Felix Godin) Great White Way Orchestra
Romany Love — Fox Trot (J. S. Zamecnik) Whiteman's Orchestra
{Moon River — Waltz (Lee David) Green Brothers’ Marimba Orch.
Love Sends a Little Gift of Roses — Medley Waltz
/Perfect Day, A Waltz (Carrie Jacobs-Bond)
\ In W intertime Waltz {McKee) Met
{Popular Songs of Yesterday — Medley Waltz No. 1 Hackel
Popular Songs of Yesterday — Medley Waltz No. 2 Hac
/Suez — Fox Trot (F. Grofe-P. De Rose) Clyde Doerr and His Orch.
\ I Wish I Knew — Fox Trot {Spencer- Anderson-Bryant) Doerr and His Or.
{Swanee River Moon — Medley Waltz (Intro. “Indiana Lullaby”)
International Novelty Orch.
Do It Again!— Fox Trot (G. Gershwin) Whiteman’s Orch.
/Three O’clock in the Morning — Waltz (J. Robledo) Whiteman’s Orch.
\ Oriental Fox Trot {Cui's "Orientate" Whiteman s Orch.
/To-Morrow — Fox Trot (R. Turk-J. Robinson) Great White Way Orchestra
\ You Gave Me Your Heart — Fox Trot {Snyder) Great While Way Orchestra
{Tuck Me to Sleep — Fox Trot (Lewis- Young-Meyer) Benson Orchestra
Wabash Blues — Fox Trot {Fred Meinken) Benson Orchestra
/Why Should I Cry Over You? — Fox Trot (Miller-Cohn)
\ Blue — Fox Trot {Lou Handman)
Number
List
Size Price
McKee’s Orchestra
[} 35490
12 $1.25
^ j-35290
12
1.25
|| 18029
10
.75
;jl8501
10
.75
|| 45258
10
1.00
i J* 18941
V
10
.75
jj 17222
10
.75
^55121
12
1.50
|45210
10
1.00
•j 16227
10
.75
jj>45180
10
1.00
[|45265
10
1.00
| 18834
10
.75
1 j-18777
10
.75
j|l8831
10
.75
jj 18920
10
.75
j 18949
10
.75
| 18900
10
.75
18895
10
.75
| 18966
10
.75
|l8907
10
.75
j 35511
12
1.25
}35713
12
1.25
|l8947
10
.75
| 18882
10
.75
J 18940
10
.75
| 18964
10
.75
| 18820
10
.75
} 18933
10
.75
1923 Catalogue of
VICTOR RECORDS
A
A — For titles beginning with the word “A” see next word
Aberystwyth (Jesus, Lover of My Soul) In Welsh and English
Glyndwr Male Choir?
Bydd Myrdd O Rhyfeddodau (Babel) In Welsh Glyndwr Choir)
Abide With Me — Gospel Hymn by W. H. Lyte and C. H. Monk
By Geraldine Farrar (Soprano)
By Alma Gluck and Louise Homer (Soprano-Contralto)
By Kline and Baker (Soprano-Contralto) and Whispering Hope — Kline-Baker
ABOTT, BESSIE, Soprano
Rigoletto — Quartet with Caruso, Homer and Scotti
(Abou Ben Adhem (Hunt) (2) Annabel Lee (Poe) Burbeckl
1 The Last Leaf (Holmes) (2) L’Envoi (Kipling) F. Bur b eel f
Absent (Glenn-Tirindelli) Baritone Emilio de Gogorza
Absent (Glenn-Metcalf) Tenor Evan Williams
(Absent (Glenn-Metcalf) Contralto Christine Miller!
I The Slumber Boat (Riley-Gaynor) Christine Miller /
Number
N
t/5
13 Ck.
72813
10
.75
87076
10
1.25
87527
10
1.50
17782
10
.75
96000
12
3.00
16989
10
.75
64628
10
1.25
64109
10
1.25
45075
10
1.00
ACCORDION SOLOS — By Berg, Franzen, Frosini, Kimmel, Lager, Olsen, Pietro
and Prince. (For contents of Medleys see “ Medleys, Instrumental”)
American Nat. Airs 18361
Amoureuse Waltz 16434
Ball in Karlstad (Duet) 69 1 33
Barber of Seville Ov. 35524
Beautiful Days Waltz 17551
Blaze Away March 1 792 1
Bridal Rose Overture 35345
Ciribiribin (2) La
Spagnuola 17643
Comedy Overture 35503
Diadem Quick Step 18037
Estudiantina Waltz 17865
Faust — Waltz 18883
Geese in the Bog 18193
Guarany Selection 35488
Honest Toil March 18037
Hummer Medley 1 7609
Hungarian Rag 17609
Irish Reels — Medley 1 7849
Irish Reels — Medley 18207
Italian-Span. Favor. 17802
Life in the Woods
(Duet) 73175
Light Cavalry Over. 35367
Luna Waltz 17531
Marsovia Waltz 18770
Medley of Irish Jigs 18727
Medley of Irish Jigs 18207
Medley — Operatic
Airs 18883
Medley Popular Reels 1 6948
My Sahara Rose 18702
My T reasure W altz 18770
On Heel (Duet) 73175
Over the Waves 17950
Pagliacci — Vesti la
giubba 17941
Patriotic Airs Allies 18361
Pietro’s Return M’ch 17531
Pique Dame Over. 35569
Poet and Peasant 35569
Rigoletto Quartet 35367
Romeo and Juliet 35524
Russian Rag 18743
Sharpshooters March 17551
Sirens Waltz 1 7950
Sousa Med. March 17921
Spagnuola, La
(2) Ciribiribin 1 7643
Stack of Barley 18193
Stop It — One-Step 18702
Stradella Overture 35345
Styrmans — W altz 69 1 33
Talisman of Luck 72602
Tranquillo Overture 35488
Trieste Overture 35503
Turkey in Straw 1 8743
Verona Waltz 17802
Wedding-Night Polka 72602
Wedding of Winds I 7865
(Achenu Kol Beth Israel Teile I (Our Brother) Hebrew Rosenblattl
l Achenu Kol Beth Israel Teile II (Our Brother) Hebrew Rosenblatt }
f Across the Still Lagoon (Loge) Violin- Harp- Flute Neapolitan Trio)
l Spring Song (Weil) Violin- Harp- Flute Neapolitan Trio )
Adagietto (From “L’Arlesienne”) (Bizet) (with String Quartet) Kreisler
(Adagio — 4th Symphony (Beethoven) Vessella’s Italian Band 1
l Leonore Overture, No. 3 (Part lit) Victor Concert Orchestra)
45204
10
17435
10
64601
10
35269
12
1.00
.75
1.25
1.25
VICTOR RECORDS
Number -5 § £
La Forgej
55030
12
87312
17787
16900
35718
87330
74436
16197
88115
55152
10
10
10
12
1.50
{Adagio from 5th Concerto (Beethoven) Pianoforte ( with orch .)
Scarf Dance — Air de Ballet ( Chaminade ) La Forge
ADAM, ADOLPHE CHARLES ( Ah-dam ) (Paris 1803— 1856)
French composer of Ballets, Songs and Light Operas — See
“Holy Night,” “Noel,” and “Toreador”
ADAMS, STEPHEN (1844-1913) Compositions by— See “ Holy City,”
“ Nancy Lee,” “ Star of Bethlehem ” and “ Warrior Bold ”
Addio a Napoli (Farewell to Naples) (Cottrau) In Italian Caruso
fAddio a Napoli (Farewell to Naples) Neapolitan Triol
l Osolemio (My Sunshine) (di Capua) Violin-Flute-Harp Neapolitan Trio)
fAddio a Napoli March (Farewell to Naples) (Ascolese) Vessella’sBl
l Maria, Mari (Di Capua) Vessella’s Italian Band)
Address at Hoboken, May 23, 1921 Pres. Warren G. Harding
(On return from burial of 5,212 American Soldiers, Sailors, Marines
and Nurses)
Address at Washington, November 12, 1921 Pres. Warren G. Harding
(At Opening of International Conference for Limitation of Armament )
Adeste Fideles (Oh, Come, All Ye Faithful) (Christmas
Hymn) (Oakeley-Portugal)
By Ernestine Schumann-Heink (Contralto)
By John McCormack (Tenor) In Latin with Male Chorus and Chimes
By Criterion Quartet and Home Over There — Peerless Qt.
By Trinity Choir (with Chimes) and Joy to the World — Trinity Choir 16996
By Westminster Chimes and Lead, Kindly Light — Westminster Chimes 16053
AdorablesTourments (Love’sTeasing) (Barthelemy) French Caruso
{Adoshem moloch geus (The Lord Reigneth) Hebrew Rosenblatt)
Yistabach (Praised Be Thy Name) Hebrew Cantor Rosenblatt /
AEROPLANE SONG — See “Wait Till You Get Them Up in the Air”
AFRICANA (Af-ree-kah' -nah) French title, L’Africaine ( Laf-ree-kahn )
Opera in five acts ; text by Scribe ; music by Meyerbeer. Produced Paris, 1 865 ;
London, 1865; first N. Y., 1865. Revived in 1906 at the Metropolitan, with Caruso.
L’Africaine tells of the adventures of V asco di Gama, the explorer, who is betrothed
to Inez, daughter of the King of Portugal. The King tries to marry his daughter to Don
Pedro, telling her that the explorer has been shipwrecked, but Vasco suddenly appears with
two slaves, Selina and Nelusfyo, whom he found off the coast of a strange land. Vasco,
when the Council refuses to furnish him with a ship to explore the unknown country,
denounces their parsimony and is ordered to prison. To save him, Inez consents to wed
Don Pedro, who takes his wife and the slaves and sails away to find the land sought by
the explorer. Don Pedro’s ship is wrecked on the coast of India through the treachery
of Netusko, and most of the crew massacred. Vasco, who has followed them, becomes
fascinated with Selika, who proves to be a Queen of India, but just as he is about to
wed her he hears the voice of Inez and deserts the Queen. Selina, concealing her feelings,
generously sends the lovers back to Spain, then kills herself with the blossoms of the poisonous
mancanilla tree while Nelusko, finding her body, himself inhales the deadly perfume.
NOTE — The selections in Africana and other operas in this catalogue are printed in the order of
their occurrence in the opera. Africana records are sung in Italian except as noted.
ACT III
1.25
.75
.75
1.25
1.25
1.75
.75
.75
.75
1.75
1.50
_ -THE DECK OF DON PEDRO'S SHIP
All ’erta, Marinar 1 (What Ho, Mariners 1) Titta Ruffo
Adamastor, re dell* onde profonde (Adamastor, Ruler of Ocean) Ruffo
ACT IV - EXTERIOR OF A TEMPLE IN INDIA
OParadisol (Oh, Paradise !) Enrico Caruso
OParadisol (Oh, Paradise I) Giovanni Martinelli
Oh Paradise! (OParadisol) In English Evan Williams
Scena di Selika, Parti — “Gia l’odio m’abbandona " (All Thought of Hate)
and Part II — “ Su bianca nuvoletta” (On Yon White Cloud) Maria Baldini
87223
10
88622
12
88054
12
74440
12
74148
12
67658
10
1.25
1.75
1.75
1.75
1.75
.75
VICTOR RECORDS J Number [ Jj | ~ £
SCENES FROM l’aFRICAINE
Vasco before the Council — Act I The Indian Paradise — Act IV
Scene in the Prison — Act II The Massacre Act III The Fatal Tree — Act V
f After All (Callahan-Roberts)
l Lonesome — That’s All (Bradley- Roberts)
/After a While — Fox Trot (Arden-Green)
l I’m Happy — Fox Trot ( Arden-Green )
Reinald Werrenrath)
Lambert Murphy)
All Star Trio — Orch)
All Star Trio — Orch )
| After the Rain — Fox Trot Paul Whiteman and His Orchestral
l Jimmy — Fox Trot (I Love But You ) Whiteman and His Orch)
f Afterwards (Lemon-Mullen) Frank Coombs)
l By the Old Cathedral Door (Lamb-Solman) Peerless Quartet)
/After You’ve Gone (Creamer-Layton) Marion Harris 1
\ I’m Glad / Can Make You Cry ( McCarron-Morgan ) Henry Burr)
Afton Water (Burns-Spillman) See “Flow Gently, Sweet Afton”
Agnus Dei (Lamb of God) (Bizet) In Latin Schumann-Heink
Agnus Dei (Lamb of God) (Bizet) In Latin Enrico Caruso
A Granada (To Granada) (Gras-Elias y Alvarez) In Spanish Caruso
/Ah! Cupid ( From “Prince Ananias”) (Herbert) Cornet Clarke)
l Birds in the Forest ( Strange ) Violins-Flute Rattay-Witzmann-Barone)
Ah, Love, but a Day (Browning-Protheroe) Evan Williams
f Ah, Love, but a Day (2) Year’s at the Spring Littlefield)
l Irish Folk Song ( Arthur Foote) Laura Littlefield)
Ah! Moon of My Delight (From “In a Persian Garden”) McCormack
/Ah! Moon of My Delight (“In a Persian Garden”) Althouse)
l Onaway! Awake, Beloved! ( Longfellow-Coleridge-Taylor ) Althouse)
(Aiaihea — Hula Shouting Song Hawaiian Quintette)
l Kumukahi (Song of the Forest) Hawaiian Quintette)
45162
10
1.00
18928
10
.75
18872
10
.75
17175
10
.75
18509
10
.75
88416
12
1.75
88425
12
1.75
88623
12
1.75
16296
10
.75
64327
10
1.25
35693
12
1.25
74232
12
1.75
55059
12
1.50
18578
10
.75
VICTOR RECORDS
Number
AIDA (Ah-ee -dah) ( All records an in Italian unless otherwise noted)
Opera in four acts. Text translated from Locle by Ghislanzoni; music by Verdi.
First produced in Cairo, 1871 ; Milan, 1872; Paris, 1876; London, 1876; N. Y., 1873.
Aida, daughter of Amonasro, King of Ethiopia, has been captured by the Egyptians
and is a slave at Memphis, where she and the young soldier, Rhadames, have .fallen in love
with each other. Rhadames goes to the Egyptian war, and during his absence the King's
daughter, Amneris, discovers the attachment and is furious, as she herself loves Rhadames.
Rhadames returns, covered with glory and bringing many prisoners, among them
Amonasro, Aida’s father. The King releases all the prisoners, except Amonasro, and
bestows his daughter on the unwilling Rhadames.
In the next scene Amonasro forces his daughter to persuade Rhadames to become a
traitor. The latter’s love for Aida and his distaste for the approaching union with Amneris
lead him to consent. Amneris, however, has overheard the plot, and after vainly trying to
induce Rhadames to abandon Aida, in a jealous rage she denounces him as a traitor, and
he is condemned to be buried alive. When the vault is sealed he discovers Aida, who
has concealed herself there that she might die with him, and the lovers slowly suffocate.
ACT - PALACE OF THE KING AT MEMPHIS
Celeste Alda (Heavenly Alda I) Giovanni Martinelli
Celeste Alda (Heavenly Alda !) Enrico Caruso
Celeste Alda — Althouse and Standchen (.Schubert) Reimers
Ritorna vincitor (Return Victorious ! ) Johanna Gadski
Ritorna vincitor (Return Victorious 1 ) and O patria mia — Marsh
Nume custode e vindice (Guardian and Avenger) Paoli, Segurola and Cho
ACT 11 — Scene II — without the city walls
Grand March and Rondo Capriccioso — Vessella’s Band
ACT 111 - BANKS OF THE NILE
O patria mia (My Native Land) Emmy Destinn
O patria mia (My Native Land) and Ritorna vincitor — Marsh
Fuggiam gli ardori (Ahl Fly with Me) Marsh-Althouse
and Madama Butterfly — O quanti — In Italian— Kline-Althouse
ACT IV — Scene I— a room in the palace
Gi& i sacerdoti adunansi (The Priests Assemble) Homer and Caruso
Alda a me togliesti (Alda Thou Hast Taken) Homer and Caruso
Ohimd I Morir mi sento (Death Approaches) de Casas and Cho
74424
12
1.75
88127
12
1.75
55045
12
1.50
88137
12
1.75
55135
12
1.50
89120
12
2.00
35265
12
1.25
88469
12
1.75
55135
12
1.50
55058
12
1.50
89050
12
2.00
89051
12
2.00
88270
12
1.75
Number
WO
to
—a a.
89028
12
2.00
74225
12
1.75
89029
12
2.00
74398
12
1.75
35195
12
1.25
35559
12
1.25
17864
10
.75
18757
10
.75
18812
10
.75
74292
12
1.75
64390
10
1.25
35656
12
1.25
55105
12
1.50
18575
10
.75
18585
10
.75
45203
10
1.00
18669
10
.75
89083
12
2.00
87272
10
1.25
17784
10
.75
VICTOR RECORDS
AlDA RECORDS — Continued
ACT IV - Scene II - THE JUDGMENT HALL - BELOW. AN UNDERGROUND CELL
La fatal pietra (The Fatal Stone) Final duet. Part 1 Gadski and Caruso
La fatal pietra (The Fatal Stone) (Solo from above duet) Nicola Zerola
O terra addio (Farewell, Oh Earth) Final duet, Part II Gadski and Caruso
O terra addio (Farewell, Oh Earth) Marsh and McCormack
MISCELLANEOUS AlDA RECORDS
SELECTION — Chorus, " Glory to Isis ” — Chorus of Victory, Act 2, "Celeste
Alda” — Triumphal March, Act 2 — Finale, Act 2, Pryor’s Band
and Attila — Grand Trio (Verdi) Krpl’s Bohemian Bana
SELECTION — Chorus of the People — Grand March. Act 2
and Lucia Sextette — Hurtado Bros. Roual Marimba Band
(Ainahau (Music by Princess Likelike) Irene West Royal Hawaiians)
l Meleana (Hula) Irene West Royal Hawaiians )
Benson Orchestra)
Benson Orchestra)
Peerless Quartet)
Peerless Quartet)
(Ain’t We Got Fun — Fox Trot (Whiting)
( Scandinavia — Fox Trot ( Ray Perkins)
(Ain’t You Conning Out Malinda?
I My Sunny Tennessee ( Kalmar-Ruby )
Air for G String (Johann Sebastian Bach)
By Mischa Elman Violin
By Jan Kubelik Violin
By Victor Concert Orchestra and Gavottes (Bach) V. Concert Or
By Victor Herbert’s Orch. and Marche Slave ( Tschaikowskv ) Herbert' s Or
(Akahi Hoi (I Love But Thee) (Kalakaua) Hawaiian Quintette)
l Pua i mohala (My Love is Like a Blooming Flower ) Hawaiian Quintette)
(Akahi Hoi Toots Paka Hawaiian Troupel
l Kalai o Pua Toots Paka Hawaiian Troupe)
(Alabama Moon (Geo. H. Green) Olive Kline — Elsie Baker 1
1 That Naughty Waltz (Take Me in Your Arms Again) Kline-Baker)
(Alabama Moon — Waltz (Geo. H. Green) Hawaiian Trio)
l Wild Flower — Waltz (Mary Earl) Frank Ferer a- Anthony Franchini)
A la Luz de la Luna (In the Moonlight) Spanish Caruso-de Gogorza
Alba separa dalla luce l’ombra (Day Banishes the Night)
(D’Annunzio-Tosti) In Italian Enrico Caruso
( Album Leaf (Wagner) Violin-Flute- ’Cello-Harp Florentine Qt)
l Twilight (Massenet-Hubay) Violin-’Cello-Harp Venetian Trio /
ALCOCK, MERLE. Contralto
Merle Alcock, contralto, has taken high place among American
singers. Though she actually ‘‘comes from Missouri,’’ having been
born there, she has had to be shown but little. She began as a
church singer in New York. Since then she has sung with practi¬
cally every important symphony orchestra in the United States, and
at many of the larger music festivals. Her name is permanently
associated with the great Bach festivals in Pennsylvania. Her voice
is a deep, serene contralto, unusually rich and beautiful; its quality is
attested by her Victor records.
RECORDS BY MISS ALCOCK
Gentle Annie 45169
Good-Bye, Sweet
Day 45178
I Cannot Sing the Old 452 1 6
I Have a Dream 45216
Meeting of the Waters 45178
Monastery Bells 45247
My Trundle Bed 45302
Old Road 45254
Rock-a-Bye Baby 45302
Ship o’ Dreams 45254
’Tis All That
1 Can Say 45 1 69
Violets 45313
Virgin’s Lullaby 45257
{Alcoholic Blues (Laska-Von Tilzer)
Ja-Da (Bob Carleton)
Billy Murray) I
Arthur Fields) 18522
10
.75
VICTOR RECORDS
ALDA, FRANCES, Soprano ( Ahl'-dah ) (See “Alda” in Pink Section)
Alice Blue Gown — From “Irene” — See “Irene”
Alice Where Art Thou (Gumsey-Ascher)
By Evan Williams (Tenor)
By Mischa Elman Violin
By McKee Trio Violin-’Cello-Piano and Come Back to Er in — McKee Trio
By Bourdon-Barone * Cello-Flute and Silver Threads — Oakland
(All By Myself (Irving Berlin) Aileen Stanley 1
l Anna in Indiana ( Gorman-Rose ) Arthur Fields)
Allegro Moderato (de Beriot) (“ Seventh Concerto ”) Violin Powell
Allegro Moderato (Haydn) (“Quartet in D Major”) Flonzaley Qt.
Aller au Bois (Go to the Forest) (Rimsky-Korsakow) In French Gluck
/All Erin is Calling Mavourneen (Ward-O’Hara) Harrison)
l Ireland Must Be Heaven, for My Mother Came from There — Harrison)
fAllerseelen (All Souls’ Day) (Strauss) In German Werrenrath)
l Zur Ruh’, zur Ruh’l (To Rest) (Kerner- W olf) German Werrenrath /
(All for the Love of Mike (Pease-Nelson-Tobias) Miss Patricola)
l Hot Lips ( He’s Got Hot Lips When He Plays Jazz) Miss Patricola /
(All for You — Happiness — Medley Fox Trot Whiteman’s Orch)
X Moonbeams — Pining — Medley Fox Trot All Star Trio-Orch)
All Hail the Power of Jesus’ Name — Coronation (2) Doxology — - 1
“Praise God From Whom All Blessings Flow” Trinity Choir?
Sanctus from * ' Messe Solennelle” ( Gounod ) Trinity Choir)
(All Men. are Sinners — March Apollo Orchestra)
l It was in Schoneberg — March Apollo Orchestra)
(All Over Nothing at All — Fox Trot Whiteman’s Orch)
l Homesick. — Fox Trot ( Berlin ) Whiteman and His Orch)
f All Over Nothing at All (Brennan-Rule) Stanley-Murray)
l I’ll Stand Beneath Your Window To-Night Stanley-Murray)
Number
Size
- 1 t=x
64271
10
1.25
74724
12
1.75
17995
10
.75
16786
10
.75
18774
10
.75
74493
12
1.75
74726
12
1.75
64421
10
1.25
18111
10
.75
17179
10
.75
18967
10
.75
35708
12
1.25
35110
12
1.25
69145
10
.75
18963
10
.75
18943
10
.75
and Their Orchestra
ALL STAR TRIO
After a While
Answer — Fox Trot
Birds of a Feather
Dotty Dimples
French T rot
Hand-Painted Doll
Hortense — Medley
I Ain't Nobody’s
Darling
I Like It
Ho
I'm Happy
I’m Laughing
I’m Nobody’s Baby
Just Keep a Thought 18766
Just Because You’re
You 18924
Leave Me With Smile 1 8834
Listening 18773
Lonesome Land 1 8896
Mazie — Fox Trot 18738
Mimi — Fox Trot 18790
Moonbeams — Pining 35708
My Sweet Gal 1 8835
Never Mind 18863
No Use Crying 18888
Old Man Jazz 18699
Rose-Nightingale 18733
Rose of Wash. Sq. 18659
Rosy Cheeks — FoxT. 18801
Round the Town 18750
Siren of a So. Sea 35707
Somewhere in Naples 18851
Soothing — Fox Trot 18910
Swanee 1 865 I
Teach Me 18750
Teasin' 1 8888
I2th Street Rag 18713
Vamping Rose 18787
Venetian Moon 18651
Who Believed in You 18890
Why Don’t You ? 35707
You Ain’t Heard 18659
( Saxophone-Xylophone-Piano)
18928
18738
18834
18713
18932
18896
18863
18802
18766
18790
18928
18835
18773
(All That I Need Is You — Fox Trot Club Royal Orchestra)
l Granny, You’re My Mammy’s Mammy Club Royal Orchestra)
f All the Way My Saviour Leads Me (Lowry) Macdonough)
l He Will Hold Me Fast (Hardness) Criterion Quartet )
(All the Way to Calvary (Rev. A. H. Ackley) Homer Rodeheaver)
l Where the Gates Swing Outward Never Asher- Rodeheaverl
All Through the Night (Old Welsh Air) (Harold Boulton)
By Julia Culp (Contralto)
By Evan Williams (Tenor)
18843
10
16239
10
18780
10
64414
10
74100
12
.75
.75
.75
1.25
1.75
VICTOR RECORDS
(Almost Persuaded (Bliss) Macdonough and Hemusl
l Shall IV e Meet Beyond the River ( Hastings-Rice ) Mac-Hemus )
Aloha Land — Hawaiian Waltz (W. Herzer) Hawaiian Guitars
(with Mandolin Qt.) Helen Louise-Frank Ferera)
Hawaii, I’m Lonesome for You ( 2 ) Along the Way Louise-Fereral
Aloha Oe (Farewell to Thee) Hawaiian Folk Song (Liliuokalani)
By Alma Gluck and Orpheus Quartet In English
By E. K. Rose (Tenor with Guitar) ( In Hawaiian and English) and Pua Sadinia
By Hawaiian Quintette (Male Voices) and Kuu Home-Kaiawe
By Lua-Kaili (Hawaiian Guitars) and The Rosary — Pale K. Lua
By Herbert Clarke (Cornet with Band) and From an Indian Lodge — Band
By Benne Henton (Saxophone with Band) and When You and I—Henlon
By Victor Band and Home, Sweet Home Medley Waltz — Conway’s Band
By Pryor’s Band and Maui Girl — Hawaiian Quintette
(Alpine Flower (Edelweiss) Victor Orchestral
l A Thousand Kisses — Waltz Hungarian Gypsy Orchestra)
(Alpine Specialty — Popular Yodels
l Emmett’s Favorite Yodel
(Alpine Violet (Alpenveilchen) (Andre)
l Evening Bells ( Abendlauten ) (with Bells)
ALTHOUSE, PAUL, Tenor
Ah! Moon of My
Delight 55059
Aida — Celeste Aida 55045
{Amanecer, El — Tango
Mi Ricurita — Tango
George P. Watson)
George P. Watson)
Venetian Trio)
Venetian Trio)
Number
Sire
2 £
—3 CL
17356
10
.75
18380
10
.75
74534
12
1.75
35622
12
1.25
18577
10
.75
17803
10
.75
17035
10
.75
18344
10
.75
17733
10
.75
18579
10
.75
73174
10
.75
16968
10
.75
18070
10
.75
Aida — Fuggiam
Boris Godounow
Madama Butterfly
(Roberto Firpo) Victor Dance Orchestral
( Osman Perez Freire) Victor Dance Orchestra)
55058
76031
55058
Onaway! Awake 55059
Pagliacci — Vesti la 45055
Tosca — Elucevan 45055
AMADI, ALBERTO, Tenor— See “ Mefistofele” and “ Traviata”
(Amaryllis — Old French Rondo Victor Orchestral
l Minuet in G Major (Op. / 4, No. /) ( Paderewski ) Victor Orchestra /
AMATO, PASQUALE, Baritone (See “Amato” in Pink Section)
America (My Country ’Tis of Thee) (Dr. S .F. Smith-Henry Carey)
By Clarence Whitehill (Baritone)
By Reinald Werrenrath (Baritone) and Star-Spangled Bannet — Werrenrath
By Billy Sunday Chorus of 2500 Voices and Sail On — Chorus
By Victor Mixed Chorus and Columbia, the Gem of the Ocean — Victor Mixed
Chorus
By Victor Military Band and Columbia, the Gem of the Ocean — Victor Mil. Band
By Sousa's Band and A merican Patriotic A irs — Pryor’s Band
By Chimes and My Old Kentucky Home — Chimes
(America Forever! (Tobani) (See “Medley No. 36”) Pryor’s Bandl
l Marsovia Waltzes — For dancing (Blanke) Pryor’s Band)
(American Airs — Medley (See “ Medley No. 37”) Marimba Band)
l Artist’s Life Waltz ( Strauss ) Hurtado Bros. Royal Marimba Band)
(American Eagle March (Boehme) Pryor’s Band)
l Loveland Waltzes ( Holzmann ) Pryor’s Orchestra)
(American Fantasie (See “ Medley No. 38”) (Herbert) Pryor’s B1
l Skater's Waltz (Les Patineurs) ( Waldteufel) Sousa’s Band)
(American Fantasie — Part I (See “Medleys”) Herbert’s Orch)
l American Fantasie — Part II ( Herbert ) Herbert’s Orchestra)
(American Flag (Drake) Recitation Wm. S. Battisl
l Name of Old Glory (Riley) Recitation Wm. S. Battisl
(American History March (Rogers) Drum, Fife and Bugle Corps'!
I Just Before the Battle, Mother (Root) Campbell- Burr!
17981
10
.75
16474
10
.75
64677
10
1.25
45135
10
1 .00
18322
10
.75
17578
10
.75
17580
10
.75
16137
10
.75
16160
10
.75
35112
12
1.25
35557
12
1.25
16089
10
.75
35119
12
1.25
55093
12
1.50
35692
12
1.25
16418
10
.75
VICTOR RECORDS
40”)
Pietro)
Pietro )
| American National Airs (See “Medley No-
l Patriotic Airs of the Allies Accordion
( American Patriotic Airs Pryor’s Band
J Hail Columbia — Columbia, the Gem of the Ocean (Red, White and Blue)
[ America (My Country ’ Tis of Thee) Sousa’s Band.
AMERICAN PATRIOTIC SELECTIONS - See “ National and
Patriotic Airs — America ”
{American Patrol (Patriotic Medley with Fife and Drum) Sousa’s B1
La Sorella March (La Mattchiche) (Gallini) Sousa’s Band )
AMERICAN QUARTET - See the following titles:
Number
Site
— J Ch
18361
10
.75
16137
10
.75
16523
10
.75
Army Blue
Benny Havens. Oh
Casey Jones
Childhood Days
Down on the Mississippi
Everybody Loves Irish Song
Farmyard Medley
Floatin’ Down to CottonT’wn
Grizzly Bear
High Brown Blues
I’ll Be Glad to Get Back
In the Gloaming
I t's a Long Way to Tipperary
Little Red School House
Mandy “N” Me
Negro Medley
Nellie Kelly, I Love You
Nestle in Your Daddy’s Arms
On the Banks of the Wabash
On the 5.15
Over There
’Round Her Neck She Wears
Some Sunny Day
Stand Up and Sing
Stop! Look! Listen!
Strut Miss Lizzie
There is Silver Now
They All Had a Finger in Pie
When You Wore a Tulip
You’re a Grand Old Flag
(American Serenade — Fox Trot Waldorf-Astoria Dance Orch'l
\ Maytime Waltz (‘ ‘ Will You Remember?”) Waldorf-Astoria Dance Ori
AMERICAN SONGS — See “National and Patriotic Airs — America”
(American Valor March Mandolin and Guitar Siegel and Butin)
\ Sounds from the Hudson — Valse Brilliante Cornet Herbert Clarke)
(America the Beautiful (2) Stars of Summer Night Victor Band)
l Speed the Republic (2) Onward, Christian Soldiers Victor Band)
Amherst Songs — See “Lord Geoffrey”
{Amina — Serenade (Lincke) Pryor’s Band)
Marsooia Waltzes (B/anke- Belcher) United States Marine Band)
AMLETO — See “ Hamlet ”
Amor Mio (My Love) Vocal Waltz (Ricciardi) Italian Caruso
Amoureuse Waltz (Berger)
By Charles Kellogg Bird Voices with Orchestra and Humoresque Kellogg
By Victor Concert Orchestra and Village Swallows Waltz Victor Orch
ByGuidoGialdini Whistling and Old Black Joe {Trombone Qt.) ChicagoGleeC
By P. Frosini Concertina and Swiss Shepherd ( Morlarchi ) Ocarina Tapiero
By Sousa’s Band and Blue Danube Waltz ( Strauss ) Pryor's Band
Am Springbrunnen (At the Fountain) (Schumann) Violin Morini
(Am Springbrunnen (The Fountain) (Zabel) Harp AdaSassoli)
l V alse de Concert (Hasselsmans) Harp Ada Sassoli )
AN — For titles beginning with the word “An ” see next word
{Anchors A weigh— March (Zimmermann) U. S. Marine Bandl
Yorktown Centennial — March ( Sousa) United States Marine Band)
ANCONA, MARIO, Baritone
Pearl Fishers — Del tempio al limitar (Bizet) Italian with Caruso
Andante Cantabile (From String Quartet, Op. ll) (Tschaikowsky)
Violin with String Quartet Fritz Kreisler
Andante Cantabile (From String Quartet, Op. 11) Elman String Qt
{Andante from Concerto No. 2 (de Beriot) Violin Samuel Gardner 1
Serenata Napoletana (Sgambati) Violin Maximilian Pilzer)
Andante from Concerto in A Minor (Goldmark) Violin Heifetz
18432
16679
18627
16959
87176
45061
35655
16838
16434
17228
66074
55102
18817
89007
74487
74575
18175
74764
.75
.75
.75
.75
1.25
LOO
1.25
.75
.75
.75
1.25
1.50
.75
2.00
1.75
1.75
.75
1.75
_ VICTOR RECORDS _
Andante from Quartet in D Major (Mozart) Flonzaiey Quartet
Andante from Quartet in G Major (von Dittersdorf) Elman String Qt
Andante from the various Symphonies — See “Symphonies”
Andantino (Martini-Kreisler) Violin Fritz Kreisler
ANDREA CHENIER (. Sheh-nee-eh ) (Milan, 1896) (Giordano)
Come un bel dl di maggio (As Some Soft Day in May) In Italian Caruso
Nemico della Patrie? (Enemy of His Country) Italian Ruffo
Son sessant’ anni (Sixty Years Hast Thou Served Them) Italian Ruffo
Un di all’ azzurro spazio (Once O’er the Azure Fields) In Italian Caruso
(Berlin)
Arthur Fields'!
Murray )
/And That Ain’t All (Green-Stept)
\ I’ve Got My Captain Wording for Me Now
And the Glory of the Lord — See “ Messiah "
/And Then I Laughed — Laughing Song
l Two Jolly Sailors (Porter- Israel)
(Angel Child (Price-Silver-Davis)
l Some Sunny Day (Irving Berlin)
(Angel Child — Fox Trot (Price-Silver-Davis) Benson Orchestral
l My Mammy Knows — Fox Trot (De Costa-] erome) Benson Orch)
Angel Face (Victor Herbert) — See “ I Might Be Your Once-in-a-While”
(Angel of Love Waltz (Ange d’ Amour) (Waldteufel) Pryor’s Band!
1 Blue Danube Waltz (Strauss) Victor Dance Orchestra )
Cal Stewart)
Porter and Harlan)
Campbell-Burr)
American Quartet)
Angel’s Dream — Waltz (A. Herman) Conway’s Band'
“ Angel’s Serenade” (Braga) — ‘"Spring Song” (Mendelssohn) —
“ Kreutzer Sonata” (Beethoven) — “ Nocturne” (Chopin)
Nightingale Waltz (Czibulk.a) Conway’s Band,
Angels Ever Bright and Fair (“Theodora”) (Handel) Alma Gluck
(Angels Ever Bright and Fair (Handel) Lucy Isabelle Marsh)
l Unfold Ye Portals I (From" Redemption”) (Gounod) Trinity Choir)
(Angels from the Realms of Glory (Christmas Hymn) (Tune — 1
j “ Regent Square ”) (Montgomery-Smart) Trinity Choir r
l Oh, Little Town of Bethlehem ( Christmas Hymn) Trinity Choir)
Angel’s Serenade (Gaetano Braga)
By Alma Gluck and Efrem Zimbalist
By Frances Alda and Mischa Elman In Italian
By John McCormack and Fritz Kreisler
By Elsie Baker and Ave Maria (Cavalleria Rusticana) Raymond Dixon
By Victor Herbert's Orchestra and Largo ( HandeD Herbert’s Orch
By Rattay and Bourdon Violin-’Cello and Fifth Nocturne — Rattay
(Angels (We Call Them Mothers Down Here) Henry Burr)
l Over the Hill (Klein-Allen-Rubens) Charles Hart)
Angel’s Whisper (Samuel Lover) ’Cello (Piano acc.) Herbert
(Angelus, The (“Sweethearts”) (Herbert) MacDonald- Werrenrath)
l Natoma — Dagger Dance Act II Herbert’s Orchestra)
(Angelus, The (“Scenes Pittoresques”) (Massenet) Victor Concert Or)
l Valse Triste (Jean Sibelius) (Op. 44) Vidor Concert Orchestra)
ANIMAL IMITATIONS — See “Barnyard Serenade” — “Farmyard
Medley” — “ Imitations of Farm Animals ” — “In a Zoological Garden”
— “Morning in Noah’s Ark” — “Old Dog Sport” — “Santa Claus” —
“Teddy Bears’ Picnic ” and “Three Sioux Scouts”
{Annabel Lee (Poe) (2) Abou Ben Adhem (Leigh Hunt) Burbeckl
The Last Leaf (Holmes) (2) L’Envoi (Kipling) F. Burbec\ )
Number
4>
C/5
M
74579
12
1.75
74525
12
1.75
64315
10
1.25
87266
10
1.25
88626
12
1.75
87325
10
1.25
88060
12
1.75
18604
10
.75
17418
10
.75
18903
10
.75
18870
10
.75
16391
10
.75
35500
12
1.25
74559
12
1.75
35075
12
1.25
35594
12
1.25
89092
12
2.00
89130
12
2.00
89103
12
2.00
35466
12
1.25
55040
12
1.50
16410
10
.75
18736
10
.75
64240
10
1.25
55113
12
1.50
35437
12
1.25
16989
10
.75
VICTOR RECORDS
Arthur Fieldsl
Aileen Stanley l
{Anna in Indiana (Gorman-Rose)
All By Myself { Irving Berlin)
Annie Laurie (William Douglass-Lady John Scott)
By Geraldine Farrar (Soprano)
By Nellie Melba (Soprano)
By Louise Homer (Contralto)
By Elsie Baker (Contralto) and Ben Bolt — -Elsie Baker
By John McCormack (Tenor)
By Charles Schuetze Harp and Believe Me, If All Those Young Charms — Place
By Samuel Gardner V iolin and My Old Kentucky Home — Gardner
By Victor Military Band and Drink to Me Only — Victor Band
An Open Secret (Anonymous-Woodman) Frances Alda
Answer (Robyn) In English Evan Williams
Answer — Medley Fox Trot (intro, “All She’d Say”) (Vocal Chorus)
All Star Trio-Or
Mazie — Fox Trot {Caine- Dawson-Gold) {Vocal Cho.) All Star Trio-O.
ANTHEMS — See “Sacred Songs”
ANTHONY and HARRISON - Tenor and Baritone Duets
Close to Thee 17024 | Some Sweet Day 16688 I Valley of Peace
Looking This Way 17024 I 'Tis ButaLittle Flower 1 721 7 I
Anvil Chorus — See “Trovatore”
ANVIL EFFECTS, Records— See also “Trovatore — Anvil Chorus” —
— “Clang of the Forge” — “Forge in the Forest” — “Jolly Coppersmith”
(Anvil Polka (Parlow) Victor Orchestra)
l Dance of the Honey Bees {Bird effects by Belmont) Victor Orchestral
Any Place is Heaven if You Are Near Me (Lohr) McCormack
(Anytime, Anyday — Fox Trot (Kortlander) Whiteman’s Orchl
\ W ang- W ang Blues — Fox Trot {Mueller-Johnson-Busse) Whiteman’sOl
(Aooah (Love Song) (2) Her Blanket Princess Watahwaso)
l By the Weeping Waters {Lieurance) Princess Watahroasol
APOLLO ORCHESTRA
All Men are Sinners — March 69145 I It was in Schttneberg — March 69145
Faust — Selections 68332 I
APPLE BLOSSOMS (Operetta by LeBaron-Jacobi-Kreisler)
Who Can Tell Violin Fritz Kreisler
You Are Free and I Might Be Your Once-in-a-While — Kline
’APPLE BLOSSOMS — Gems from Victor Light Opera Company'
Chorus, “The Second Violin”; Duet, “You Are Free"; Chorus,
"When the Wedding Bells are Ringing"; Solo, "Brothers”; Solo,
“Star of Love"; Chorus, "Little Girls, Good-Bye”.
Gems from' 'Irene” ( McCarthy-Tierney ) Victor Light Opera Company
Apple Blossoms — Medley One-Step and Carolina Sunshine — Smith's Or
(Apple Blossoms — Reverie (Roberts) Victor Orchestral
l Unrequited Love Waltz {Linc^e) Sousa’s Band /
IApprenti Sorcier (Sorcerer’s Apprentice) (Dukas) i
Royal Albert Hall Orch i
Apprenti Sorcier — Part 2 {Scherzo Symphonique) Royal Albert Hall Or)
Aprile (April) (Tosti) In Italian Luisa Tetrazzini
/April Showers (From “Bombo”) (DeSylva-Silvers) C. Harrison")
l Leave Me With a Smile {Koehler- Burtnett) Chas. Harrison }
(April Showers — Fox Trot (“Bombo”) Whiteman’s Orchl
l Weep No More My Mammy — Fox Trot {Pollack) Whiteman’s Orl
(April Smiles Waltz (Depret) Victor Orchestral
l High School Cadets March {Sousa) Sousa’s Bandl
Number
5
List
prc.
18774
10
.75
88052
12
1.75
88551
12
1.75
87206 10
1.25
16388 10
.75
64138 10
1.25
1741610
.75
17756
10
.75
18177
10
.75
64960
10
1.25
74205
12
1.75
18738
10
.75
16853
\
‘Anvil Polka,!
1
16175
10
.75
64699
10
1.25
18694
10
.75
18418
10
.75
64902
10
1.25
45173
10
1.00
35697
12
1.25
18646
10
.75
35101
12
1.25
55169
12
1.50
88306
12
1.75
18862
10
.75
18825
10
.75
16200
10
.75
VICTOR RECORDS
Arabesque in A Flat (Leschetitzky) (2) Finlandisch Dance
Piano Benno Moiseivitch
Impromptu in F Sharp Major ( Chopin ) Piano Moiseivitch
Arabian Melody (Melodie Arabe) (Glazounow) ’Cello Kindler
{Arab Love Song (Hein) Harry Macdonoughl
Sweet Adeline ( Armstrong ) Hayden Quartet I
{Arcadians, The — Favorite Melodies Pryor’s Band!
The Dream Waltz (From “A Waltz Dream”) ( Strauss ) Victor Orchi
ARDEN, VICTOR and OHMAN, PHIL— Piano Duets
I’ve Got the Wonder 18867 I Saturday 18809
Oh Joy! (In Fox Trot tempo) 18809 | Say, Persianna 18867
ARDITI, LUIGI (Ahr-dee' -tee) (Italy, 1822; d. Brighton, Eng., 1903)
Italian Opera conductor and composer. See “ Bacio,” “ Kiss Waltz,”
“ Leggiero invisibile,” “ Parla Valse ” and “ Se saran rose ”
{Are Y ou from Dixie (’Cause I’m from Dixie Too) Murray-Kaufmanl
Don’t Bite the Hand That’s Feeding You Irving Kaufman)
(Are You Playing Fair? — Fox Trot (Cohen-Siegrist) Confrey’s Or)
l The Sneak! — Fox Trot ( Nacio Herb Brown) Club Royal Orch )
Castle House Orchestra)
Castle House Orchestra)
Joseph Moskowitz)
Joseph Moskowitz )
(Arganarez — Tango (Firpo)
l Enticement Tango ( G . Noceti)
(Argentine Dance Cembalom
l Inspiration— Spanish V alse Cembalom
ARGENTINE REPUBLIC, Patriotic Airs of — See “National Airs”
{Arkansaw Minstrels (Contents under Minstrels) Victor Minstrel Col
Louisiana Minstrels Victor Minstrel Company)
{Arkansaw Traveler — Parody (Lovenberg) Arthur Pryor’s Band!
The Girl I Left Behind Me — Humoresque Arthur Pryor’s Band)
(Arkansaw Traveler (American Folk Dance) Victor Bandl
\ Soldier’s Joy (American Folk Dance) Victor Military Band)
{Arkansaw Traveler — Specialty with Violin Len Spencer!
Rabbit Hash — Negro Specialty Billy Golden)
ARLESIENNE — Orchestral Suite by Georges Bizet (Written as
incidental music to Daudet’s Play of “ L’ Arlesienne”)
Adagietto Violin Fritz Kreisler and String Quartet
Farandole Toscanini and La Scala Orchestra
Farandole — Part IV — Vessella’s Band and Caprice Espanol — Vessella’s Band
Minuet Piano Sergei Rachmaninoff
Arm, Arm, Ye Brave (“Judas Maccabaeus”) (Handel) ^Vitherspoon
ARMENIAN RECORDS -See “Victor Armenian Catalogue”
{Armide — Musette Ballet (Gluck) Victor Orchestral
Chanson Triste (Tschaikowsky) Victor Concert Orchestra)
Armorer’s Song — See “Robin Hood”
(Army Blue (West Point Song) American Quartet 1
l Benny Havens, Oh l (West Point Song) American Quartet)
Army Bugle Calls — See “Bugle Calls”
(Army 2-4 March (“Flowers of Edinborough” and “Blackberry 1
Blossoms”) Field Music 7th Regt. N. Y. National Guard [
Quick-Step 6-8 March Field Music 7th Regt. N. Y. National Guard)
Number
uo £
■J a.
55157
12
1.50
66026
10
1.25
16803
10
.75
16923
10
.75
17942
18921
17556
18155
35213
18055
18331
16199
64601
64986
17908
66085
74505
18314
17500
18299
10
10
10
.75
.75
.75
.75
1.25
.75
.75
.75
1.25
1.25
.75
1.25
1.75
.75
.75
.75
VICTOR RECORDS
Number & 5 £
ARNDT, (The Late) FELIX, Piano Solos — See also “Celesta Solos’
Desecration Rag
17608
Marionette
18284
From Soup to Nuts
17558
Narcissus
1831 1
Hacienda
17608
Nola Fox Trot
18056
Hesitation Waltz
17558
Operatic Nightmare
18056
Humoresque (Dvorak)
18311
Valse Bleue
18284
ARNE, Dr. Thomas Augustine (1710-1773)
Born in London, designed for the law. Practiced music secretly. Became one of the most
prolific of English composers. Wrote 30 operas and other works. Trained his own sister,
Mrs. Colley Cibber, famous actress. Composer of “ Rule, Britannia,” first written for a
royal masque. First introduced women’s voices into oratorio. For compositions see "Lass
with the Delicate Air,” “Rule, Britannia,’’ and Shakespeare — “As You Like It.”
(Asleep in Jesus (Bradbury)
l Only W aiting ( Maeo - Williams)
ARRAL, BLANCHE, Soprano — Valse d’oiseau (Bird Waltz) French Varney]64099
(Arrival of the Robins (Warbling) (Allen) Belmont and Orch!
I Robin Red Breast (Bird Effects) (JDeKooen) Macdonough and Belmont)
(Artful Artie Two-Step (Pryor) Pryor’s Band!
l Day at West Point ( Military Piece) ( Bendix ) Pryor’s Band)
(Artist’s Life Waltz (Strauss) Royal Marimba Band)
l American Airs — Medley Hurtado Bros. Royal Marimba Band)
As a Beam O’er the Face of the Waters (Moore) Alma Gluck
ASHER, MRS. WILLIAM, Contralto— See “In the Garden,” “Nobody
Like Jesus,” “Old Rugged Cross,’’ and “Somebody Cares”
Lyric Quartet!
Frederick, Wheeler !
(Asleep in the Deep (Petrie) Wilfred Glenn!
I Rocked in the Cradle of the Deep ( Knight ) Wilfred Glenn)
Asthore (Bingham-Trotere) John McCormack
AS YOU LIKE IT (Shakesp eare) (See " Shakespeare
As Y ou Were — If You Could Care (Wimperis-Darewski) Frances Alda
(At a Georgia Camp Meeting (Mills) Sousa’s Bandl
l Dixie ( Emmett ) Criterion Quartet)
Atalanta — Come, Beloved (Handel) Alma Gluck
(At an Old Trysting Place (2) To a Wild Rose Herbert’s Orch!
I The Rosary (Ethelbert Nevin) Victor Herbert’s Orchestra)
At Dawning (Eberhart-Cadman) John McCormack
(At Dawning (Cadman) Victor Herbert’s Orchestral
l The Waltzing Doll ( Poupee Valsante) ( Poldini ) Herbert’s Orch )
ATHENIAN MANDOLIN QUARTET, Mandolins and Guitar
Cadiz March and Mo-Ana (Hawaiian Waltz) Athenian Mandolin Qt
At Parting (Frederic Peterson-Jas. H. Rogers)
At the Brook (Boisdeffre) Violin with Harp acc.
(At the Brook (Boisdeffre) Violin-’Cello- Pianoforte
1 Serenade ( Drigo ) Violin-’ Cello- Flute- Harp
Geraldine Farrar
Maud Powell
Tollefsen Trio!
Florentine Quartet /
Charles R. Taggart 1
Charles R. Taggart)
(At the County Fair
l Pineville Band ( with Violin specialty)
At the Fountain — See “Am Springbrunnen”
•
(At the Jazz Band Ball — One-Step Original Dixieland Jazz Band!
I Ostrich Walk — Fox Trot (Larocca-Shields) Dixieland Jazz Band!
16094
16021
35557
64415
17389
17309
74299
64859
16402
74504
45187
64302
45170
18057
87319
64103
17600
17794
18457
1.25
.75
.75
1.25
1.25
.75
.75
1.75
1.25
.75
1.75
1.00
1.25
1.00
.75
1.25
1.25
.75
.75
.75
VICTOR RECORDS
(At the Levee on Revival Day
l The Darktown Editors
{At the Mountain Inn Idyl (Labitzky)
Melody of Love (H. Engelmann)
< Attila — Grand Trio (with Comet, T rombone and Euphonium — T rio by
Collins and Harlan 1
Golden and Heins)
with Bells Neapolitan Triol
Florentine Quartet)
(Verdi)
Kryl’s Bohemian Band
Pryor’s Band,
Fritz Kreisler
Kryl, Cimera and Cinconne )
l Aida Selection (Verdi)
Aubade Provenqale (Couperin) Violin
AUBER, DANIEL FRANCOIS ESPRIT (Oh' -bair) (Caen, 1782; d
Paris, 1871). French composer of operas. See “Fra Diavolo,”
“Manon Lescaut”
Au Clair de la Lune (In the Moonlight) French Farrar-CIen
Au Clair de la Lune — See also “Three Little Songs for Children'
f Auf Fltigeln des Gesanges (On Wings of Song) German Reim
l Wohin ? (Whither ?) ( Schubert ) In German Pianoforte acc. Paul Rein
Auf Wiedersehn (From “The Blue Paradise’’) (Reynolds-Rombefg)
By Julia Culp (Contralto).
By Green-Macdonough and Teach Me to Smile — Green
Auld Lang Syne (Old Scotch Air) (Poem by Robert Burns)
By Julia Culp (Contralto)
By Evan Williams (Tenor)
By Peerless Quartet (Unacc) and College Days-Shannon Four
By Westminster Chimes and Turkey in the Straw — Medley — Banjo — V an Eps
(Auld Scotch Sangs (Oh Sing to Me) (Bethune-Leeson) Lauder)
l Mary of Argyle ( Jejferys-Nelson ) Sir Harry Lauder)
(Auld Scotia — Lauder Songs (See “ Medley No. 43”) Pryor’s Band)
l Fortune Teller Selection (Victor Herbert) Pryor’s Band)
{Aunt Mandy (Darky Sketch) Golden and Hughes)
The Ghost of the Banjo Coon (Coon Song) Arthur Collins)
(Aunt Shaw’s Pet Jug (Recitation) (Day) Henry Allan Price)
l Little Orphant Annie (James Whitcomb Riley) Henry Allan Price)
{Auntie Skinner’s Chicken Dinner Collins and Harlan)
Little Ford Rambled Right Along Billy Murray /
Au Printemps (To Spring) (Gounod) In French Geraldine Farrar
(Au Printemps (Spring Song) (Gounod) Zither
l Dew is Sparkling (Es blin^t der Tau) Zither
(Aus der Jugendzeit (Radecke) In German
X Wer nicht liebt Wein, Weib und Gesang In German
( Automobile Parody (See “Medley No.l ”)
Number
Size
List
prc.
17300
10
.75
17747
10
.75
35195
12
1.25
64202
10
1.25
87509
10
1.50
45065
10
1.00
74523
12
1.75
17858
10
.75
64418
10
1.25
64105
10
1.25
D. Wormser)
D. Wormser)
Emil Muench)
Emil Muench )
Nat M. Wills)
l Pineville School Board
Charles Ross Taggart)
18792
16390
45256
35224
17011
16831
17755
87313
17861
16409
35601
AUTOMOBILE SELECTIONS — See “Automobile Parody,” "Little
Ford,” “Ma and the Auto,’’ “Mr. Rastus Johnson’s Joy Ride.
“O’Brien’s Automobile,” “Uncle Josh Buys an Auto”
(Autumn (Saviour, Breathe an Evening Blessing)
l God is Love (Shelley)
(Avalon (Al. Jolson- Vincent Rose)
l Rock-a-Bye Lullaby Mammy
{Avalon — Just Like a Gypsy — Med. Fox Trot (Rose)
Best Ever — Medley One-Step
Trinity Choir)
Lyric Quartet)
Chas. Harrison)
Peerless Quartet )
Whiteman’s Or)
Whiteman ’s On
.75
.75
1.00
1.25
.75
.75
.75
1.25
.75
.75
1.25
17096
18707
35701
10
10
12
.75
.75
1.25
VICTOR RECORDS
Ave Maria (Johann Sebastian Bach — Charles Francois Gounod)
By Nellie Melba and Jan Kubelik In Latin
By Alma Gluck and Efrem Zimbalist In Latin
By Frances Alda and Mischa Elman In Latin
By Emma Eames and Josef Hollman In Latin
By Emmy Destinn In Latin
By John McCormack and Fritz Kreisler In Latin
By Marie Michailowa In Latin
By Elizabeth Wheeler In Latin and I Heard the Voice — Mr. and Mrs. Wheeler 16490
Ave Maria (Kahn) Violin obbligato In Latin Caruso and Elman
Ave Maria (Luigi Luzzi) In Latin Renato Zanelli
Ave Maria (Franz Peter Schubert)
By Julia Culp In German
By John McCormack and Fritz Kreisler
By Maud Powell (with String Quartet and Harp)
By Mischa Elman V iolin
By Jascha Heifetz Violin
By Beatrice Harrison ’ Cello and Meistersinger — Prize Song — Harrison
By Lucy Isabelle Marsh (with Harp acc.) and Hail to the Chief — Male Quartet
Ave Maria (Adapted to the “ Intermezzo" from “ Cavalleria Rusticana")
(Weatherly-Mascagni) McCormack and Kreisler
(Ave Maria (Weatherly-Mascagni) In English
l Angel s Serenade {Braga) Violin obbligato
Ave Maria — Otello — See “Otello”
AVON COMEDY FOUR, Male Quartet
Cohen’s Wedding 35602
Ginsberg’s Speech 35606
Hungarian Restaurant Scene 35602
My Mother's Rosary 18081
(Away Down South (Lewis- Young- Akst)
Raymond Dixon
Elsie Baker )
Professor’s Birthday
Way Out Yonder
Yaaka Hula Hickey
18081
Peerless Quartet]
’Way Down Yonder in New Orleans {“Strut Miss Lizzie” ) Peerless Q/J
(A wee Deoch an’ Doris
l Bonnie Maggie Tamson
Ay-Ay-Ay (Creole Song)
Ay-Ay-Ay (Creole Song)
(Azalea Waltz (B. Hartz)
Sir Harry Lauder]
Sir Harry Lauder)
(Osman Perez-Freire) In Spanish Zanel!
(Osman Perez-Freire) In Spanish Schip
Mandolin Dr
Italian Favorites {LaSpagnuola Waltz and Ciribiribin) Accordion Pietro)
B
(Babes in Toyland — March of the Toys (Herbert) Herbert’s Orch]
l Naughty Marietta — Intermezzo Herbert’s Orchestra J
fBabes in Toyland — Military Ball Victor Herbert’s Orch]
l Badinage (Herbert) Victor Herbert’s Orch)
(Baby (Bertrand Brown) Olive Kline]
l Little Home With You {Teschemacher- Forster) Dadmun J
/Baby Dreams (Harbach-Hammerstein-Stothart) Baker]
l Mill By the Sea {Furber- Adams) Elsie Baker J
/Baby in Love — Fox Trot (“From Last Waltz”) Hackel-Berge Qr]
( Last Waltz — Medley Waltz {From “ Last Waltz”) Hackel-Berge QrJ
(Baby Jim (John B. Archer) Elsie Baker]
l Chinese Lullaby {From ” East is West”) {Bowers) Kline .
(Baby’s Sweetheart — Serenade (Corri) Conway’s Band
l Farmyard Caprice ( Thurban) Conway ’s Band.
Number
Size
—a a
89073
12
2.00
89091
12
2.00
89129
12
2.00
88016
12
1.75
88562
12
1.75
89104
12
2.00
61131
10
1.25
16490
10
.75
89065
12
2.00
74747
12
1.75
64489
10
1.25
89107
12
2.00
74177
12
1.75
74339
12
1.75
74563
12
1.75
55067
12
1.50
55052
12
1.50
87546
10
1.50
35466
12
1.25
18942
10
.75
55120
12
1.50
64951
10
1.25
74753
12
1.75
17643
10
.75
55054
12
1.50
55104
12
1.50
45308
10
1.00
45264
10
1.00
18788
10
.75
45167
10
1.00
17215
10
.75
VICTOR RECORDS
Number
4J i *-»
rj c n
& I —3
BACH, JOHANN SEBASTIAN (Bahkh)
Born Eisenach, Prussia, 1685. Family very musical and was
taught violin by father. Afterward studied clavichord. Chorister
at Luneberg, 1 700. Organist, Armstadt, 1 704 ; appointed court
organist at Weimar, I 707; then Concertmeister. Kapellmeister at
Coethen 1717 to 1 723, then director of several Leipsic churches.
Married twice; 20 children. Was greatest master of fugue and
counterpoint, and first to introduce present method of fingering for
pianoforte. Works numerous, including 300 church cantatas, many
organ works, suites, concertos, etc. Larger works include Mass in
B Minor, Christmas Oratorio, Passion of St. John and St, Matthew.
Bach died in I 750, after having become almost blind.
BACH
RECORDS OF BACH COMPOSITIONS— See “Air for G String,” “Ave Maria,” “Con¬
certo for Two Violins,” “Gavotte,” “My Heart Ever Faithful,” and “Suite in D
Major”
Bacio (Vocal Waltz — “The Kiss”) (Arditi) In Italian Nielsen 74107
BACON, F. J. Banjo — West Lawn Polka and Ciribiribin IValtz — Gialdini 17129
f Badinage (Herbert) _ Victor Herbert’s Orch'l
l Babes in Toyland {The Military Ball) ( Herbert )
BAD1NI, ERNESTO, Baritone — See “ Barbiere,”
“Cristoforo” and “Traviata”
Herbert’s Orchf
“ Cavalleria,”
55104
BAGPIPE RECORDS— See “ Ennis,” “ Highland Fling,” “ Hundred
Pipers,” “Lovat Bagpipe Band,” “March Past of the Cameron High¬
landers,” “Neil Gow,” “Sutcliffe Troupe,” also “Hail to the Chief”
fBake Dat Chicken Pie (Dumont) Collins and Harlan-!
I The Preacher and the Bear ( Arzonia ) Arthur Collins I
BAKER, ELSIE, Contralto — See also, “Educational”
Elsie Baker comes of a Philadelphia musical family. She began
at the piano as a child, then studied singing under various teachers,
including Oscar Saenger. Unlike most singers, she believed the true
school for the American voice was in the church, where she had
wide experience. She has made lengthened tours in concert and
oratorio, and had many triumphs. She has been at the head of her
own company, touring the United States from coast to coast. Her
Victor records, made either alone or in collaboration with other artists,
have won her an enviable place in American musical life.
1.75
.75
1.50
PHOTO APEOA
BAKER RECORDS
Angel’s Serenade 35466
Annie Laurie 1 6388
Baby Dreams 45264
Baby Jim 45167
Ben Bolt 16388,35162
Blue Bird 45156
Calvary 1 7240
Dearie 17189
Dear Little Boy 45161
Elijah — Oh Rest in
the Lord 35699
Erminie — Lullaby 17345
Faust — Flower Song 35086
Gypsy's Warning 45329
Hiawatha’sChildhood3561 7
Holy City — Eye Hath 35455
Home, Sweet Home 18045
Home, Sweet Home 35398
Homing 45249
Hush-a- Bye-Baby 45241
1 Love You Truly 17121
I’m a-Longin’ Fo’ You 18044
In an Old-Fashioned
Town 45147
In the Afterglow 45200
In the Gloaming 17806
It Was the Time 45247
John Anderson, MyJol7366
Leave It With Him 45322
Leaves’ Party 18074
Long, Long Ago 17343
Loreley 17181
Love’ s Old SweetSong 17366
Lullaby 17181
Mammy Dear 45241
Messiah — He Shall
Feed 45144,35699
Mill by the Sea 45264
BAKER
My Old Ky. Home 18045
No Night There 45322
Oh, Promise Me 17806
Old Folks at Home 35398
Old Folks at Home 16389
One Fleeting Hour I 7968
One Sweetly Solemn
Thought 1 7564
Our Yesterdays 45 1 68
Perfect Day 17387
Pickaninny’s Lullaby 17039
Silent Night 17164
Silver Threads 17474
Sing Me to Sleep 16196
Sing Me to Sleep 35136
Sleep, Little Baby 17212
Slumber Sea 17212
Southern Lullaby 45174
Sweet and Low 45174
_ _ VICTOR RECORDS
BAKER RECORDS — Continued
dumber
Sweet is True Love 18146
That Sweet Story 1 8287
Two Roses 18044
Voices of the Woods 1 7 121
Duets in which Miss
Baker sings
Abide With Me
Alabama Moon
By and By You Will
Canoe Song
Come Thou Fount
Drowsy Baby 45200
For Better or Worse I 7882
Indiana Lullaby 45309
Jesus. My All 45314
Jesus My Saviour 45177
Let the Lower Lights 45177
Little Tin Soldier 45251
Maiden in Grey 17475
March^ta 45309
Night Hymn at Sea 18178
O Happy Day 17343
Over the Stars 1 7387
Saviour, Like
a Shepherd 45306
Soldier Rest 18987
That Naughty Waltz 45203
There’s a Corner 4525 I
Venetian BoatS 45172
We Would See Jesus 45314
When Twilight 17312
Where Lazy Miss 45252
Whispering Hope 17782
Wonderland 45325
17782
45203
17312
45172
45306
BALALAIKA ORCHESTRA, Russian Imperial Court (Bal-lah-lavee -kah)
The balalaika is a primitive folk instrument with a tone similar to that of a mandolin,
formerly much used in Russia. This instrument is a kind of guitar, with only three strings,
being made in several sizes, from that of a mandolin to something near a double bass.
BALALAIKA RECORDS (For
Bright Moon 73153
Coquette Polka 73504
Czardas 73089
Lezginka 73210
On Wings of Song 18060
song with Balalaika accompaniment
Polonaise 73089
Remembrance of
Gatshina 18060
Russian Dance 73210
Serenade Falet 18058
see “ Solitude )
Song of Volga
Boatmen 73153
Spanish Waltz 73504
Toreador and
Andalouse 18058
BAL COSTUME — See “Toreador et Andalouse’’
BALFE, MICHAEL WILLIAM
Born Dublin, 1808. Violinist at Drury Lane, London, 1824. First baritone, Paris
Opera, 1828. First opera was produced in Italy. Married Lina Rosa, Hungarian singer.
Wrote 31 operas, including Bohemian Girl, sung in many languages and popular the world
over. Wrote many songs in addition. Died 1870, Rowney Abbey, England.
RECORDS OF BALFE S COMPOSITIONS — See “Bohemian Girl,’* “Come
Into the Garden, Maud,” “ Excelsior” and “ Killarney ”
BALLADS, OLD TIME— See “Old Time Ballads”
/Ballet Egyptien — Part I (Allegretto) (Luigini) Victor Orchestra)
l Ballet Egyptien — Part II ( Andante Sostenuto ) Victor Concert Orch!
BALLET MUSIC — See “Armide,” “Casse Noisette,” “Coppelia,”
“Egyptien,” “Faust,” “Gioconda,” “Naila Intermezzo,” “Orpheus,”
“Sylvia” and “Vespri Siciliani”
Ballet Music from Rosamunde (Schubert) ( Orchestra acc.) Kreisler
/Ball in Karlstad — Schottische John Lager-Eric Olson)
l Styrmans — Waltz Accordion Duct John Lager-Eric Olson )
BALLO IN MASCHERA ( Bal-loh een Mahs -keh-rafi) See “Masked Ball”
Ballynure Ballad (2) Next Market Day John McCormack
/Baltimore Buzz — Fox Trot (& “Honeysuckle Time”) Blake and Or)
l Bandana Days — One-Step Eubie Blake and Shuffle Along Orchl
{Baltimore Centennial March (Herbert) Conway’s Band)
Patrol of the Scouts ( Boccalari ) Conway’s Band)
BANDA DE ALABARDEROS (Spanish Military Band)
Minuet (Military Symphony) (Haydn) and Samson — Chorus and Bachanal
(Bandana Days — One-Step (Intro. “I’m Just Wild”) Blake and Orch)
l Baltimore Buzz — Fox Trot Eubie Blake and Shuffle Along Or)
(Band of Gideon Fisk University Jubilee Quartetl
l My Soul is a Witness Fisk University Jubilee Quartetl
18329
10
64670
10
69133
10
64926
10
18791
10
18241
10
62660
10
18791
10
16864
10
.75
1.25
.75
1.25
.75
.75
.75
.75
.75
VICTOR RECORDS
BAND RECORDS (For School Marches see “Educational Records )
NOTE — Complete information about any hand record in this list — such as the full title, composer,
flr — can always be found under the title of the selection in its alphabetical place. For contents of
Medleys see “ Medleys. ”
Band records for dancing Bostons, Hesitations, Tangos, One-Steps, Maxixes,
Waltzes, etc., will be found under “Dance Records”
Adagio — 4th Sym. 35269
Addio a Napoli 16900
Aida — Mch. 35265
Aida Selection 35195
Aloha Oe and Hawaii
Ponoi.See “Aloha”
America 16137, 17580
America Forever 35112
American Eagle 16089
American Fantasie 35119
American Pat. Airs 16137
American Patrol 16523
America the Beautiful 1 8627
Amina — Serenade 16959
Amou reuse Waltz 17228
Anchors Aweigh 18817
Angel of Love Waltz 16391
Annie Laurie 18177
Arcadians — Melodies 16923
Ark. Traveler 18055, 18331
Arlesienne. L’, Suite 1 7908
Artful ArtieTwo-Step 16021
AtaGa, C’p-mect’g 16402
Attila — Grand Trio 35195
Auld Scotia 35224
Baby’s Sweetheart 17215
Baltimore Centennial 18241
Bartered Bride Over. 35148
Battle of Gettysburg 18339
Battle of the Nations 18121
Battleship Conn. 16113
Bay State Com. Mch. I 7402
Belgium Nat. Air 17668
Believe Me, if All 18145
Ben Hur Chariot R 17110
Blaze Away March 16307
BlueDanube W 1 7228.35289
Blue- White March 18209
Boheme Sel. 35077, 35353
Bohemian Girl
16287. 35081
Bombasto March 16316
Boston Commandery 16817
Boy Scouts of Am. 18209
Bugle Calls of
British 69013. 69014
Bulletsand Bayonets 18752
Canadian Nat. Airs 1 7304
Capitan March, El 17302
Cappa’s 7th Reg. M. I 7080
Caprice Espanol 1 7908
Carmen Sel. 35000. 35610
Cavalleria Rusticana
See "Cavalleria”
Chicago, We’re True 18382
Children’s Games 35497
Children's Songs 35497
Chimes of Liberty 18952
Chimes of Normandy
16385, 35134
China Nat. Air 67066
Chocolate Soldier Sel 3521 7
Chopin’s Funeral M. 35157
Circie, No. 2 18616
Columbia, Gem 1 7580
Cornin’ Thro’ Rye 17444
Comrades of Legion 18683
Coronation March
35610. 35683
Cosmopolitan Over. 35282
Cossack Grenadier 6962 1
Count of Luxem¬
bourg 36206
Creme de la Creme — 35263
Creole Belles I 7252
Cujus Animan — See
“Stabat Mater’’
Czarine Mazurka 16287
Dance of Nymphs 16891
Da nee Records — see
“Dance Records”
Danse Macabre 35381
Dansk Potpourri M. 67586
Daughter of Reg 35191
Daughters of Am. 1 7402
Day at West Point 16021
Dead March (“Saul ”) 16980
Dear One 68535
Death of Custer 35028
DeMolay Comman¬
dery 1 8084
Dixie 16819,17583
Don Carlos — March 17133
Dove Waltz 67982
Dream of Wagner 35230
Dream Pictures 35247
Drink to Me Only 181 77
Dying Poet 35467
Evolution of Dixie 35600
Fackeltanz 35505
Fairest of the Fair 16777
Farandole (French) 18368
Farmyard Caprice 17215
Faust — Ballet Music 17284
Faust — Prison Scene 35449
Favorita — Fantasia 35449
Felix Diaz March 35045
Fille de Mme. Angot 65456
Fille du Tambour 65456
Finlandia 35505
First Brigade March 17648
Flatterer 35022
Folks up Willow C’k 17493
Forest Whispers 16113
Forge in the Forest 1 723 1
Fortune Teller Sel. 35224
Forza del Destino
35215, 35512
Fra Diavolo 35109,35191
Frangesa March 16760
Free Lance M. 1 6383
Freischiitz Overture 35000
French National Airs
— “See National Airs
— France”
French Reel 18600
Froman IndianLodge 17035
From Foreign Parts
— Spain 18078
Funeral March
(Chopin) 35157
Funeral March
(Beethoven) 35426
Funiculi-Funicula 16899
Gallant Seventh
March 18929
Garde du Corps Mch. 17957
Gate City March 16299
Gen. Mixup, U.S. A. 17142
General Pershing 18607
Gioconda — Prelude 35459
Girl I Left Behind
18055, 18371
Gliding Girl, The 17976
Glory of Yankee
Navy 17229
Golden Star 35709
Golondrina 17515
Good-bye. Dolly 18339
Gotterdammerung —
Siegfried’s March 35369
Guard Mount 16316
Hail Columbia 17581
Hallelujah Chorus 35484
Hands Across the Sea 16190
Happy Days March 16001
Heavens Are Telling 35484
Hiawatha Two-Step 17252
High School Cadets
16200, 35208
Hot Time in Town 18371
Hull’s Victory 18367
Humoresque 16974
Hungarian Rhapsodie,
35122.35352
Illinois Loyalty Mch 18382
In Dreamland Waltz 67982
Inglesina March 16891
In Lovers’ Lane 17227
In the Park March 18017
Invincible Eagle Mch 16273
I talian Patriotic Airs 16136
VICTOR RECORDS
BAND RECORDS — Continued
I talian Riflemen Mch 16796
It’s a Long Way 17651
Ivanhoe — Two-Step 16112
Jack Tar March 16151
Japanese Air 67066
Jewels of Madonna 35356
Jolly Coppersmith 16396
Jolly Fellows Waltz 35161
Jolly General — Mch 35608
Jolly Robbers Over 35077
Juanita (2)01d Folks 18519
Keeping Step-March 18929
Kentucky Kut-Ups 16755
King Christian 67586
King Cotton 16386, 35284
King of Rags 16821
Lambs’ March, 1 7976
Land of the Maple 1 6593
Largo (Handel) 16525
Last Hope, The 35467
Liberty Forever 18471
Liberty Loan March 18430
Light Cavalry Over. 35045
Lights Out 18498,35285
Lincoln Centennial 16299
Lohengrin Selection 35114
Loreley Paraphrase 18078
Love’s Old Sweet S 18177
Lucia Sextette 35356
Madama Butterfly
35148, 35331
Madelon — One-Step 18534
Man Behind the Gun 16395
Manhattan Beach 16383
Manola — Serenade 17785
Maple Leaf Forever 17999
Marche Francaise 18534
Marche Heroique 16980
Marche Indienne 35258
Marche Lorraine 6962 1
Marches — A complete
alphabetical list will be
found under ‘ ‘ Marches
Marche Slave 35167
Marche Turque 18894
March Shannon 17110
Marcia Militaire 35258
Maria, Mari 16900
Marine Corps Insti. 18785
Marriage of Figaro 35109
Marsovia Waltzes
16959, 35112
Martha Overture 35133
Massa’s in de Cold 18519
Medleys — For complete
list with contents see
“ Medleys ”
Mefistofele — Selec. 35512
Melodious Memories 35600
Memories of War 35525
Merrymaker’s Dance 181 64
Merry Widow Waltz 16024
Messenger — March 18894
(See also “ Dance Records")
Military Escort 1 7368
Minuet (Haydn) 62660
Minuet (Boccherini) 67896
Mirella Overture 68471
Monastery Bells 16397
Montenegro Nat. Air 67067
Moonlight Sonata 35426
Morning in Noah’s
Ark 16955
Morning, Noon and N 35276
Mr. Rooster 16955
My LittleSweetheart 73305
My Md. Fantasia 35028
My Maryland Mch. 17142
My Old Ky. Home 18145
Naila Intermezzo 35134
Napoleon’s Last
Charge 18121
Narcissus 1 6029, 1 6525
National Airs — See
“National and Pa¬
triotic Airs” of the
various countries
Nat’l Airs, Allies 35472
Nat’l Capital Mch. 18768
National Emblem
17957, 18498
Naval Reserve March 18360
Nearer, My God
16817, 17848
New Tipperary Mch. 16024
Norma Over 35166
Nutcracker Ballet 16974
Oberon Overture 35 1 66
O Canada 1 7999
Officer of Day 16386, 35284
Old Black Joe 18519
Old Comrades March 17470
Old Folks at Home 18519
Old Zip Coon 18356
One-Steps — See
“Dance Records”
On the Campus 18752
On the Wing Galop 17368
Onward Christian
Soldiers 17848, 18627
On Wisconsin March 17781
Orpheus in Hades 35215
Otello — Fantasia 35459
Our Director March
16795, 35204
Overtures — For complete
list see "Overtures”
Paderewski Minuet 35152
Paloma 16529
Parisian Polka 18600
Pasadena Day March 17781
Pastoral Dance 18164
Patriotic Medley
35608,35657
Patrol of the Scouts 18241
Peer Gynt Suite 35007
Pere de la Victoire
17712, 67373
Perjura Danza 17515
Pilgrims’ Chorus 16537
Poet and Peasant 16385
Polonaise Militaire 35241
Pomp and Circumstance
March 35247
Popular Medleys — See
“Medleys ”
Portland Fancy 18616
Pres. Harding March 18768
Prince of Pilsen Sel. 16919
PrivateTommyAtkins I 765 I
Puritani — Quartet 68471
Radetzky March 67965
Rainbow Division 18559
Rakoczy March 67965
Regiment de Sambre 17712
Regimental Marches
69009, 69011
Reminiscences Verdi 35230
Repasz Band — Mch 18607
Rhapsodie Hongroise
No. 2 See Hun-
Rienzi Overture 35387
Rifle Regiment 18785
Rigoletto — Quartet 35239
Robin Hood — Airs 16919
Romeo and Juliet 35234
Rondo Capriccioso 35265
Rose of Schiras Wal tz 35 1 52
Royal March of Italy 16136
Royal Trumpeters’
16273,35204
Sabre and Spurs Mch 18504
Sagamore March 18952
Samson et Dalila 35234
Sardinia March 17162
Scarf Dance 35022
School Records — For
Folk Dances and
records for March¬
ing, Calisthenics,
Drills, etc., see
Educational”
Second Connecticut 16416
Secret, Le 1 7689
Semiramide Overture 35 167
Semper Fidelis March
16190, 35208
Serbia Nat. Airs 67067
Serenade (Drdla) 17785
7th Regiment
Cappa’s 17080
7th Regiment (Gray
Jackets) 17162
Sextette Lucia — See
“Lucia”
Shepherd’s Life 35282
Skater’s Waltz 35119
Skyrocket March 17080
Slavonic Dance 35507
Slidus Trombonus 18117
Sobre las Olas Waltz 16529
Soldiers’ Joy 18331
VICTOR RECORDS
BAND RECORDS — Continued
Soldiers of the King 17639
Solid Men to the
Front 18504
Sorella March 16523
Southerner M 17648,35531
Southern Roses W 16395
Souvenir de Bee¬
thoven 35263
Speed the Republic 18627
Spirit of Indepen¬
dence 18559
Spirit of Peace 35472
Stabat Mater — For
several records see
"Stabat Mater”
Standard Bearer
16307, 35657
Stars and Stripes
16777, 35709
Star-Spang’d Banner 17581
Stephen Foster,
Gems 35525
Stradella Overture 35276
Sunny South — Med. 16819
Swedish Guard M 16875
{See also “ Dance Records”)
Tales of Hoffmann —
Venetian Scene 35507
Tannhauser — For
several records see
Tannhauser ”
Tarantella 73305
Tearin’ o’ the Green 17444
Teddy Bears’ Picnic 16001
Tenth Regiment Mchl8017
Thunderer Mch 3553 1,16151
Traumerei 17272
Traviata Selection 35076
Trovatore — Home to
Our Mountains 35239
Uncle Tom’s Cabin 17493
U. S. Field Artillery 18430
United States — Pa¬
triotic Airs — See
"National Airs”
Universal Peace 17229
Unrequited Love 35101
Varsity March 17672
Vespri Siciliani 35434
Victorious America 18084
Victors, The 17672
Vienna Beauties 16522
Volunteers March 18471
Walkiire Sel 35387, 35369
Warbler’s Serenade 17380
Washington Post
17302,35283
Wedding March 35683
Wedding of the Rose 17476
Whispering Flowers 35161
Whistler and His Dog 17380
Whistlers 17396
Whistling Johnnies 17396
White Rose March 18360
Who’s Who in Navy 18683
William Tell — See
“William Tell”
W i th Sword and Lance 1 6397
Woodland Whisper¬
ings 35217
Yankee Doodle 17583
Yankee Shuffle 16795
Yelva Overture 35081
Yorktown Centennial 1 88 1 7
Yuletide Medley 35261
BAND AND ORCHESTRA RECORDS — Descriptive — For complete information
regarding titles, artists, numbers, etc., see titles in alphabetical position.
Baby’s Sweetheart
Battle of Gettysburg
Battle of the Nations
Day at West Point
Death of Custer
Farmyard Caprice
Forge in the Forest
Hunt in the Forest
In a Clock Store
Jolly Fellows Waltz
Morning in Noah’s Ark
Napoleon’s Last Charge
Nightmare in the Desert
Shepherd’s Life in the Alps
Teddy Bears’ Picnic
Whistler and His Dog
BAND RECORDS FOR CONGREGATIONAL USE — For complete information regarding
titles, artists, numbers, etc., see titles in regular alphabetical position.
America, the Beautiful (2)
Stars of Night 18627
Nearer My God to Thee 1 7848
Onward Christian Soldiers
(2) Speed the Republic 18627
Onward Christian Soldiers 1 7848
BANDS AND ORCHESTRAS, WITH VOCAL CHORUS — For complete information
regarding titles , artists , numbers , etc., see titles in regular alphabetical position.
Answer
Birds of a Feather
College Life March
Dangerous Blues
Frangesa March
Funiculi Funicula
Glow-Worm — Idyl
Glow-Worm Intermezzo
In a Monastery Garden
In My Tippy Canoe
Jolly Coppersmith
Kisses (In Fox Trot Tempo)
Madelon — One-Step March
Mammy’s Lullaby — Waltz
Mary — Fox Trot
Mazie — Fox Trot
Mickey
Mimi — Fox Trot
Peggy — Medley Fox Trot
Royal Garden Blues
Smiles — Fox Trot
St. Louis Blues .
Tell Me — Fox Trot
Till We Meet Again — Waltz
Vamp, The — Fox Trot
Yoo-Hoo — Fox Trot
BANDS WITH WHISTLING CHORUSES— See “Whistling”
BANDURRIAS AND GUITAR — See “ Santiago”
BANJO ACCOMPANIMENT, RECORDS WITH — For information regarding titles,
artists, numbers, etc., see titles in regular alphabetical position.
Darky’s Oration on Woman Insect Powder Agent Pickin’ Cotton
Darky Waiters Love-Sick Darky Trip to Paradise
Death of Towser Matrimonial Difficulties
BANJO, MANDOLIN, GUITAR - See “Instrumental Duets, Trios”
VICTOR RECORDS
Number ] £ j § £
BANJO ORCHESTRA — Banjo, Piano, Drums or Saxophone (For Dancing)
I Wonder What Will I Original Fox Trot 17677 I Razzberries 18376
Wra. Tell 17799 I I
BANJO SOLOS — By Vess Ossman, Fred Van Eps, F. J. Bacon and “Eddie Ross”
Buffalo Rag 16779
Bunch of Rags 1 6667
Cupid’s Arrow 16855
Daly’s Reel 18116
Dance of the Bugs 1 7834
Four Little Blackber¬
ries 16488
Frolic of the Coons 1 7369
Gay Gossoon 16092
Infanta March 16847
Keep Off the Grass 16266
Lamb’s Gambol 17457
Lobsters’ Promenade 17033
Medley of Southern
Melodies 18116
Old Folks at Home 17417
Pearl of the Harem 1 6969
Ragging the Scale 18085
Rag Pickings 16934
Red Pepper 1 7033
Ross’ DogTrot 18815
Ross’ Double Shuffle 18926
Ross’ Juba 18926
Ross’ Reel 1 88 1 5
Silver Heels 16266
Turkey in the Straw 16390
Way Down South 16755
W est Lawn Polka 17129
(Banjo Song - Negro Dialect Poem
l Roll Jordan Roll
(Dunbar) Rev. J. A. Myers)
16466
10
Fisk University Jubilee Quartet /
Banjo Song, A (Weeden-Homer)
Louise Homer
87074
10
Banjo Song (Weeden-Homer) Mme. Homer-Mme. Homer Stires
BARBAINI, AGUSTO, Tenor {Bahr-bah-ce' -nee) — See “Pagliacci”
87572
10
(Barbara Allen (Hatton-Faning)
Royal Dadmunl
45310
10
1 O No, John {Farnsworth- Sharp)
Royal Dadmun)
.75
1.25
1.50
1.00
BARBIERE DI SIVIGLIA ( Bahr-beay' -reh dee See-veel'-yah )
The plot of Barber is very simple. Count Almaviva loves Rosina, the ward of
Dr. Bartolo, a crusty old bachelor, who secretly wishes to marry her himself. Almaviva
persuades the village barber, Figaro, to arrange a meeting for him, and gains entrance to
the house disguised as a dragoon, but is
arrested by the guardian. Not discouraged,
he returns, pretending to be a substitute
for Rosina ’s music teacher, who, he says,
is ill. The appearance of the real music
master, Don Basilio, spoils this plan,
and the Count retreats for the second
time, having, however, arranged a plan
for elopement. Bartolo finally arouses
Rosina j jealousy by pretending that the
Count loves another, and she promises to
forget him and marry her guardian. When
the time for the elopement arrives she meets
the Count, intending to reproach him, but
he convinces her of the base plot of Bar¬
tolo, and the lovers are wedded by a
notary, just as Bartolo arrives with offi¬
cers to arrest the Count. The opera by
many is considered Rossini’s masterpiece.
(For complete description, with many illus¬
trations, see the Victrola Book of the
Opera.)
BARBER OF SEVILLE RECORDS (/„ Italian)
THE FAMOUS SHAVING SCENE IN ACT II
ACT 1 - Scene I - A STREET IN SEVILLE
Overture Accordion and Romeo and ] uliet Selection — Accordion — Pietro
Largo al factotum (Room'for the Factotum) Titta Ruffo
Largo al factotum (Room for the Factotum) Pasquale Amato
Largo al factotum (Room for the Factotum) de Gogorza
Largo al factotum (Room for the Factotum) de Luca
35524
12
88391
12
88329
12
88181
12
74514
12-
1.25
1.75
1.75
_ VICTOR RECORDS
BARBER OF SEVILLE RECORDS— Continued.
Number
<U
OO
ACT 1 — Scene II — room in bartolo’s house
Una voce poco fa (A Little Voice I Hear)
Una voce poco fa (A Little Voice I Hear)
Una voce poco fa (A Little Voice I Hear)
La calunnia (Slander’s Whisper)
La calunnia (Slander’s Whisper)
Barcarolle — Tales of Hoffmann (For records see
Marcella Sembrich
Luisa Tetrazzini
Amelita Galli-Curci
Marcel Journet
Feodor Chaliapin
88097
88301
74541
74104
88648
“Tales of Hoffmann”)
12
12
12
12
12
1.75
1.75
1.75
1.75
1.75
(Barcarolle — Waltz Hesitation (See “Medley No. 44”) Military B1
l Passing of Salome — Waltz Hesitation {Joyce) Victor Military Band)
Barcarolle — See also “ Gioconda,” “ Gondolier,” “ Masked Ball,”
“My Skylark Love,” “ Visione Veneziana” and “ William Tell”
Barefoot Trail (Marion Phelps- Alvin S. Wiggers) John McCormack
BARIT ONE SOLOS See” Amato, ”“Battistini,”"Campanari,”“ Cart¬
wright,” “ de Gogorza,” “ de Luca, ” “Gilibert,” “Hamilton,” “Har¬
rison,” "Hemus,” “Janpolski,” “MacFarlane,” “ Renaud,” “Rode-
heaver,” “Ruffo,” “Scotti,” “Turner,” “ Werrenrath,” “Wheeler,
Frederick,” “ Whitehill,” “Zanelli.” Also several hundred solos by
various baritones, to be found under the opera headings.
{Barnyard Serenade (with animal imitations) Spencer and Holtl
The Buffalo Rag ( Turpin ) (Piano acc.) Banjo Ossman)
BARONE, CLEMENT (Bah-roh' -nee) — See “Chant du Rossignol”
f Bartered Bride Overture ( Prodana Nevesta) (Smetana) Pryor’s B1
l Madama Butterfly — Selection ( Puccini ) Pryor’s Band)
35383
64878
16779
35148
12
10
10
12
1.25
1.25
.75
1.25
BARTON, WARD — Yodels with Guitar, assisted by Frank Carroll
Hawaiian Love Song 17965 I Sleep. Baby, Sleep 17965
Rock-a-Bye Baby 18035 I When the Moon 18035
BASEBALL RECITATIONS — See “Boy in Bleachers” and “Casey”
BASS AND BASSO PROFUNDO SONGS— See “Chaliapin,”
"Cowles,” “Glenn.” “Hooley ” “Journet,” “Plan9on,” “Stanley.”
“Whitehill” and “Witherspoon”
BASSOON SOLO — See “Hungarian Fantasie” (Record in which
the Bassoon is prominent, “ Dance of the Wood Nymphs,” 16891)
BATTIS, WM. STERLING — Dramatic Reader and Character Impersonator
William Sterling Battis is justly considered the greatest American interpreter of the
writings of Charles Dickens. For several years he has been a great attraction in
Lyceum and Chautauqua work, his special feature being the presentation of “Life Portrayals”
of Dickens’ characters in complete costume, with appropriate monologues arranged from the
novel in which each character appears. These impersonations are given with great faithful¬
ness as to voice, dialect and mannerisms, exactly as the great novelist describes them.
In addition to a wide experience on the stage, Mr. Battis has had exceptional advan¬
tages as a student and teacher of rhetoric in some of the best-known schools.
BATTIS RECORDS
American Flag 35692
Call to the Colors 18297
Capt’n Cuttle 35616
Columbus 35653
God Give Us Men 35653
How Tom White¬
washed 35563
Landing of Pilgrims 35653
Meaning of Our Flag 18297
Micawber 35556
Name of Old Glory 35692
Our Guide in Genoa 35563
Paul Revere’s Ride 35555
Rising of ‘76 35555
Scrooge — Marley’s
Ghost 35566
Scrooge — Ghost of
Christmas 35567
Squeers, the School
master 35616
Uriah Heep 35556
BATTISTINI, MATTIA, Baritone — See “ Battistini ’’ in Pink Section
Battle Cry of Freedom (George F. Root)
By Edward Hamilton (Baritone) with Orpheus Qt. and Hail Columbia —
Dixon miih Ql. 18316 10
By Raymond Dixon (Tenor) and Song of a Thousand Years (Work) Dixon 175821 10
.75
.75
{
{
{
{
{
{
_ _ VICTOR RECORDS _
Battle Hymn of the Republic (Howe) Werrenrath)
Columbia, the Gem of the Ocean Lambert Murphy and Orpheus Qt)
Battle Hymn of the Republic (Air “John Brown’s Body ”) (2) My
Old Kentucky Home (For School Singing) Victor Band
Believe Me, If All Those Endearing Young Charms ( 2 ) Home,
Sweet Home ( School and Community Singing) V ictor Band)
Battle of Gettysburg (Descriptive March) (Pauli) Conway’s Bandl
Good-bye, Dolly Gray — March Conway’s Band)
Battle of Killiecrankie (2) Will Ye No Come Sutcliffe Troupe)
Scotch Medley March Bagpipes and Drums Sutcliffe Troupe)
Battle of Stirling (Scotch Ballad) (Sinclair-Chisholm) Murray)
Wi’ a Hundred Pipers (Scotch Ballad) Farquhar Murray)
Battle of the Nations (Descriptive March) (Pauli) Conway’s B)
Napoleon ’s Last Charge Conway ’s Band)
Battleship Connecticut March (Fulton) Pryor’s Band)
Forest Whispers ( Losey ) Pryor’s Band)
number
Size
2 e
— J 0.
45121
10
1.00
18145
10
.75
18339
10
.75
17140
10
.75
18265
10
.75
18121
10
.75
16113
10
.75
BATTLE SONGS — See “National and Patriotic " and “ War Songs”
BAVARIAN HIGHLAND ZITHER TRIO
Hunter’s Greeting and My Heart’s Delight Zither Trio
73078
10
.75
BAYES, NORA
Nora Bayes, with her inimitable foolery and clean
fun, her admirable imitations and clever and witty songs,
became in a very short time one of the greatest favorites
on the American stage, and she continues to hold the
attention as well as the admiration of her audiences —
through sheer talent.
Miss Bayes is the life of every production with
which she is connected, and gives a zest to every moment
she is on the stage. This talented artist has sung for the
Victor some of her greatest successes and the records
are among the most entertaining in the catalogue.
BAYES RECORDS
COPY*! IRA L. HILL'S STUDIO, N.Y.
BAYES
Broken Doll 45136
Daniel in the Lion’s
Den 45123
For Dixie and U. S. 45100
Homesickness Blues 45 1 00
How Can They Tell 55101
Please Keep Out of
My Dreams 45 1 36
Pull the Cork Out of
Erin 45123
What Good is Water 55101
{
{
{
{
{
{
{
Bay State Commandery March (Burrell) Conway’s Bandl
Daughters of America March (Lampe) Conway’s Band)
Beale Street Blues — Fox Trot (Handy) Fuller’s Famous Jazz B1
Old Grey Mare — Fox Trot Earl Fuller’s Famous Jazz Band)
Bear Story — That Alex Yist Maked Up His Own Se’f — Parti — Humphrey )
Bear Story — Part II (James Whitcomb Riley ) Harry E. Humphrey)
Beau Soir (A Beautiful Evening) (Bourget- Debussy) 7n French de Luca
Beautiful Annabelle Lee (Bryan-Mehlinger-Meyer) Hart-Shawl
Louisiana (Freed- Wallace) Sterling Trio)
Beautiful Days Waltz (Bei giorni) Accordion Pietro)
Sharpshooters March (Bersaglieri) (Metallo) Accordion Pietro)
Beautiful Hawaii — Waltz (Mary Earl) Guitars Ferera-Franchini)
Hawaiian Twilight— -Fox Trot (Sherwood) Hawaiian Trio)
Beautiful Helen, The Petru Laicu and His Orchestral
Ring Dance from Bucovina Petru Laicu and His Orchestra)
17402
10
18369
10
35378
12
64934
10
18726
10
17551
10
18689
10
73494
10
.75
.75
1.25
1.25
.75
.75
.75
.75
Number
f-J
*7)
to J-j
— ) a.
64411
10
1.25
64428
10
1.25
16700
10
.75
16008
10
.75
35259
12
1.25
64817
10
1.25
45161
10
1.00
18526
10
.75
16563
10
.75
64372
10
1.25
87122
10
1.25
64133
10
1.25
64430
10
1.25
64970
10
1.25
45323
10
1.00
64279
10
1.25
17473
10
.75
64076
10
1.25
18446
10
.75
VICTOR RECORDS
Beautiful Isle of Somewhere (Mrs. J. B. Pounds-J. S. Fearis)
By Evan Williams (Tenor)
By John McCormack (Tenor)
By John B. Wells (Tenor) and Dear Lord and Fathei — Mr. and Mrs. Wheeler
By Harold Jarvis (Tenor) and Christ Arose (Lowry) Hayden Quartet
(Beautiful Isle of the Sea (Cooper-Thomas) Frank Coombs)
l Till the Sands of the Desert Grow Cold ( Graff -Ball ) Alan Turner)
Beautiful Ohio — Waltz (Mary Earl) Violin Kreisler
(Beautiful Ohio Olive Kline-Marguerite Dunlap)
l Dear Little Boy of Mine ( Brennan-Ball ) Elsie Baker)
(Beautiful Ohio — Waltz (Mary Earl) Waldorf-Astoria Dance O)
1 Till We Meet Again — Waltz ( Vocal Cho .) Nicholas Orlando’s O)
(Beautiful Valley of Eden (Sherwin) Mr. and Mrs. Wheeler)
l The New Born King ( L ’ Espoir ) Hamilton Hill >
Beauty’s Eyes (Weatherly-Tosti) Emilio de Gogorza
Because (Edward Teschemacher-Guy d’Hardelot)
By Enrico Caruso (Tenor) In French
By Evan Williams (Tenor)
By John McCormack (Tenor)
Because You’re Here (Robe-Gitz Rice) Edward Johnson
(Becky is Back in the Ballet (Merrill-Edwards) Brice)
l Sheik of Avenue B {Kalmar- Ruby -Friend-Downing) Brice)
Bedouin Love Song (Pinsuti) Clarence Whitehill
(Bedouin Love Song (Pinsuti) Alan Turner)
l In Old Madrid ( Bingham-Trotere ) Frederick Wheeler)
Bee, The (Schubert) (2) Minute Waltz (Chopin) Violin Maud Powell
(Been a-Listenin’ (2) Good Lord, I Done Tuskegee Singers)
l I Want to Be Ready {2) Get on Board Tuskegee Institute Singers)
BEETHOVEN, LUDWIG VAN {Bay -toh-ven) (1770-1827)
Born Bonn, Germany, 1 770. Began study of music at age 4.
Played at concert at 8. Began composition at 10, writing a cantata
and “nine variations.” Assistant to concert organist at II, at 12
conductor of Court Opera Orchestra (without pay!). When 14
was granted a salary of 150florins (about $80 a year!). In 1787 made
first visit to Vienna, a great event for the boy. Compositions not
important until 1 795, but from then to his death wrote 260 works.
Only opera, Fidelio, produced Vienna, 1805.
Beethoven’s influence on art of music very great and can hardly
be estimated. He died March 26, 1827 ; buried in Vienna.
BEETHOVEN
RECORDS OF BEETHOVEN COMPOSITIONS — See “Symphonies,” also “Adagio,”
“Chorus of Dervishes,” “Coriolan Overture,” “Cottage Maid,” “Country Dance,”
“Egmont Overture,” “Fidelio,” “Funeral March,” “Heavens Resound,” “In questa
tomba oscura,” “Ivy Green,” “Leonore,” “Menuett,” “Minuet,” “Moonlight Sonata,”
“Quartet in C Major,” “Souvenir de Beethoven,” and "Turkish March”
Before the Crucifix (Wrede-La Forge) English Schumann-Heink
Behind Your Silken Veil — Medley Fox Trot Yerkes Jazzarimba O)
Roses at Twilight — Medley Waltz Yerkes Jazzarimba Orchestral
Behold and See — “Messiah” (Handel) Evan Williams
BELGIUM — Patriotic Airs — See “National and Patriotic”
88548
12
18636
10
74126
12
1.75
.75
1.75
Number
TT
<Si
to «
-J ex.
64180
10
1.25
87025
10
1.25
16401
10
.75
17416
10
.75
17871
10
.75
18145
10
.75
55153
12
1.50
73111
10
.75
18644
10
.75
64844
10
1.25
VICTOR RECORDS
Believe Me, If All Those Endearing Young Charms
Moore — Sir J. Stevenson)
By John McCormack (Tenor)
By Geraldine Farrar (Soprano)
By Elizabeth Wheeler (Soprano)
By Wm. Place, Jr. Mandolin
By Samuel Gardner Violin
(Thomas
and Sally in Our Alley — Whitney Qt
and Annie Laurie — Harp — Chas. Schuetze
and Last Rose of Summei — Gardner
By Victor Band and My Old Kentucky Home — Victor Band
(Bella McGraw (Back to Where the Heather Grows) Lauder)
l Waggle o ’ the Kilt ( Lauder ) Sir Harry Lauder )
BELL, D1GBY, Comedian - See “ Man Who Fanned Casey ”
BELL EFFECTS — Records with. See “Chimes,” “Florentine Quartet
“Neapolitan Trio” and “Venetian Trio”
(Belle of the North (Nortena) Mexican Song Intern’!. Orch.)
l White Race ( Raza Blanca) Fox Trot International Orchestra)
{Bell Hop Blues (Goodman- Piantadosi) A1 Bernard)
You Know What I Mean ( Dubin-Rath ) Al Bernard )
BELLINI, VINCENZO ( Bel-lee -nee) (Catania, Sicily, 1801; d. Puteaux,
near Paris, 1835.) Italian Opera composer — See “Norma,” “Puritani”
and “Sonnambula”
BELLS OF CORNEVILLE - See “ Chimes of Normandy”
Bells of St. Mary’s, The (Furber-Adams) Frances Alda
BELL SOLOS (Orchestra Bells) For Chimes see “ Ch
Black Forest Polka 16538
Boulanger March 16659
Brightest Days
Gavotte 1 6428
Cupid’s Garden 18018
Dance California I 7357
Heather Bells 17178
Little Flatterer 17337
Menuett (Gluck) 17917
Spoontime Two-Step 17337
BELMONT, JOSEPH — Whistler
Arrival of Robins 16094
Birds and Brook 16052
Blue Jays 17891
Cricket’s Serenade 17521
Danceof Honey Bees 16175
Dance of Song Birds 17521
Sunbeam Dance
Robin Red Breast
Whistle While You
Walk
Beloved, It is Morn (E. Hickey-F. Aylward Evan Williams
Ben Bolt (Dr. Thomas Dunn English-Nelson Kneass)
By John McCormack (Tenor)
By Elsie Baker (Contralto) and Annie Laurie — Elsie Baker
By Elsie Baker (Contralto) and The Old Brigade — Macdonough-Stanley
Bendemeer’s Stream (Moore — Arr. by Gatty) Julia Culp
Beneath the Moon of Lombardy (Lockton-Craxton) McCormack
(Ben Hur Chariot Race March (Pauli) Sousa’s Band)
\ March Shannon — Irish Novelty ( Willis ) Pryor’s Band)
(Benny Havens, Oh ! (West Point Song) American Quartet)
l Army Blue (West Point Song) American Quartet)
74404
12
64433
10
16388
10
35162
12
64720
10
64962
10
17110
10
17500
10
BENSON ORCHESTRA of
Ain’t We Got Fun 18757
Angel Child 18870
Biddy 18718
Bimini Bay 18824
Birdie 18937
Black Eyed Blues 18874
Crooning 18765
Deedle Deedle Dum 18917
Do I? 18954
Don’t Bring Posies 18931
Fair One 18697
Chicago
I’d Love to Fall
Asleep 1 8697
I’ll Keep on Loving 18765
I Love You Sunday 18701
In Bluebird Land 18871
It Must Be Someone 18804
June Moon 18833
Just Like a Rainbow 18823
Little Thoughts 18912
Ma One-Step 18819
My Mammy Knows 18870
My Sunny T enn.
Na-Jo — Fox Trot
No One’s Fool
Oh Geel Oh Goshl
One Kiss — Fox Trot
On the Alamo
Oogie Oogie Wa Wa
Railroad Blues
San — Oriental Fox T
Say It While Dancing
Scandinavia
16678
16094
17891
1.75
1.25
.75
1.25
1.25
1.25
.75
.75
18819
18779
18833
18701
18823
18931
18917
18850
18779
18938
18757
_ VICTOR RECORDS
BENSON ORCHESTRA RECORDS— Continued
Somebody 18718
Stuttering 1 8948
Swanee Bluebird 18924
Tee-Pee Blues 18874
T en Little Fingers 18871
Those Longing Blues 18948
Toddle 18756
Toot, Tootsie 18954
| Number | J|§ g,
Tuck Me to Sleep 18820
V enetian Love Boat 1 8868
Virginia Blues 18868
Wabash Blues 18820
BENSON ORCHESTRA OF CHICAGO
Berceuse (Chopin, Opus 57) Pianoforte Alfred Cortot
fBerceuse (Chopin, Opus 57) Pianoforte Frank La Forge 1
l Les Sylvains (The Fauns) (Chaminade, Op. 60) Frank La Forge)
Berceuse (Juon) (2) Valse du Ballet Raymonde Violin Heifetz
fBerceuse (Jamefelt) Victor Concert Orchestral
l Praeludium ( Jamefelt ) Victor Concert Orchestra)
Berceuse from Jocelyn (Benjamin Godard)
By Alma Gluck (Soprano) In French
By John McCormack (Tenor) and Fritz Kreisler
By Edmond Clement (Tenor) In French
By Kline-Dunlap- Wheeler and Blow, Trumpet — Orpheus Quartet
By Victor Sorlin ' Cello and IVed ding of the Winds — IValtz — Pryor ’s Band
By Venetian Trio Violin-’ Cello-Harp and Humoresque — Venetian Trio
By Victor Orchestra and Melody in F ( Rubinstein ) Florentine Quartet
By Rosario Bourdon ’Cello and Sweet Longings — Railay-Barone
fBerceuse (Lullaby) (Renard, Op. 20) Violin Sascha Jacobsonl
l Traumerei (Schumann, Op. 15, No. 7) Violin Sascha Jacobson)
Berceuse — Mignon (Thomas) In Italian Marcel Journet
Berceuse (Lullaby) (Townsend) Violin Fritz Kreisler
Berceuse Romantique (Slumber Song) (Kreisler) Violin Kreisler
Berceuse Slave (Neruda, Opus 11) Violin Maud Powell
BERG, ERIC — Accordionist
Life in the Woods and On Heel
BERGER, MME. KITTY— Harp-Zither
Fisher Boy (Abt) and Heather Bells ( Losey ) — Reitz
Bergere Legere (2) L’adieu du Matin French Edmond Clement
74623
12
1.75
55031
12
1.50
74660
12
1.75
18323
10
.75
74369
12
1.75
89106
12
2.00
64233
10
1.25
35581
12
1.25
16387
10
.75
17454
10
.75
16696
10
.75
35700
12
1.25
17385
10
.75
74270
12
1.75
64319
10
1.25
64565
10
1.25
64027
10
1.25
73175
10
.75
17178
10
.75
64223
10
1.25
VICTOR RECORDS
BERLIOZ, LOUIS HECTOR ( Bair-k-ohz ) La Cote St. Andre, near
Grenoble, 1803; d. Pans, 1869. French composer and writer on
music. Profoundly affected the art of orchestration. Was considered
with Wagner and Liszt, a pioneer in the “romantic” movement in the
middle of the nineteenth century. See “Carnival Romain” and
“Damnation.”
BERNARD, AL — Comedian
You Know What I Mean and Bell Hop Blues — A l Bernard
BERNARD, BARNEY— Hebrew Dialect Comedian
Cohen at Telephone and Goldstein Goes in Railroad Business — Barney Bernard
BERNARD, RHODA — Hebrew Dialect Songs
Cohen Owes Me Ninety-Seven Dollars and Nat’an — Rhoda Bernard
BESALU, B. — See “Cavalleria Rusticana”
BESANZONI, GABR1ELLA — Contralto (See “Besanzoni” in Pink Section)
Best Ever — Medley One-Step (Ponchielli-Macbeth) Whiteman’s Or
(Introducing "Dance of the Hours" and "Love in Idleness”)
Avalon — Medley Fox Trot Whiteman and His Orch
/Beulah Land (Sweeney) Hayden Quartet)
l Vesper Service - — Favorite Hymns, Chimes and Doxology Hayden Qt /
BEYLE, LEON, Tenor— See "William Tell ”
(Beyond the Smiling and the Weeping (Stebbins) Peerless Qt
l Softly Now the Light of Day {Goltschalk) Mr. and Mrs. Wheele
BIBLE READINGS
Bible Reading — Luke 2 18086 | Twenty-third Psalm and Lord’s Prayer 16362
/Biddy — Fox Trot (Zamecnik) Benson Orchestra)
Somebody — Medley One-Step Benson Orchestral
Bid Me Good-Bye (Weatherly-Tosti) Sophie Braslau
BILLING, JOHN — See “Only a Beam” and “Saved by Grace” also “American
Quartet”
BIESE, PAUL, AND HIS NOVELTY ORCHESTRA
Mystery! 18647 1 Oh|— Medley 18647 | When You're Alone 18662
/Big Bass Viol (Bohannon) Stanley and Peerless Quartet)
Epitaphs, or Two Darkies in a Cemetery Golden and Hughes]
BIGGS, RICHARD K. — See “Organ Records”
/Bimini Bay — Fox Trot (Kahn-Egan- Whiting) Benson Orchestra)
Canadian Capers — Fox-Trot {Chandler-White-Cohen) Whiteman’s Or]
!3
t
Number
18644
18029
18023
35701
16166
16500
18718
64541
10
10
10
12
10
10
10
10
75
.75
.75
1.25
75
.75
.75
1.25
\
16507
18824
10
10
.75
.75
BINGHAM, RALPH — Entertainer
This popular entertainer was born in Richmond, Va., in 1870,
and made his first appearance in public in 1876. He has now been
many consecutive years before the public, and has made ten thousand
appearances on the American Continent. Says his silver-tongued
publicity agent: “Six hundred towns in Uncle Sam’s domain have
given him, each, five to eight audiences, in repeated recognition of his
unequaled artistic and natural accomplishments, skillful platform
methods and his inimitable public demonstrations of wit, wisdom,
humor, poetry, sentiment, tragedy, music, melody, drollery and
mirth.” Certainly we can’t add anything to that !
BINGHAM
BINGHAM RECORDS
Boy in the Bleachers 35490
Brother Jones’ Sermon 18587
Goldstein Behind
the Bars 1 823 1
Jests from Georgia 17818
My Possum Hunt 35490
Mrs. Rastus at the
Telephone 17818
Mrs. Rastus Johnson
at the Wedding 18231
Mrs. Rastus John¬
son's Joy Ride 18587
VICTOR RECORDS
(Bird Chorus, The — Bird Voices Charles Kellogg"!
I How Birds Sing {Talk with bird examples) Charles Kellogg]
/Birdie — A Sweety-Tweety Fox Trot Benson Orchestral
l Truly — Fox Trot (Rose) Whiteman and His Orchestra)
Bird of the Wilderness (Tagore-Horsman)
Alma Gluck
Number
V
p*J
C/5
List
prc.
64751
10
1.25
45163
10
1.00
18937
10
.75
64591
10
1.25
Effects — See also “Mocking Bird,” “Nightingale” and
BIRDS — Records With Bird
“Whistling Records"
Amoureuse Valse 45061
Arrival of the Robins 16094
Barnyard Serenade 16779
Bird Chorus 45 1 63
Cricket’s Serenade 17521
Dance of Honey Bee 16175
Dance of Song Birds 17521
Flower Song 45 1 07
Humoresque 45061
fBirds and the Brook (Stults) Whistling by Belmont Victor Orchl
l In Venice ( Rubens ) Whistling Margaret McKee)
fBirds in the Forest (Strange) Violins-Flute Rattay-Witzmann-Baronel
l Ah l Cupid ( Herbert ) Cornet Herbert L. Clarke )
fBirds of a Feather — Fox Trot ( Vocal Chorus) All Star Trio-Or
Hunt in the Forest
In a Bird Store
In the Land of Love
Jingles from the
Marsh Birds
Lark, The
Liebesfreud
Narcissus
Pas des Amphores
35324
35659
17721
45117
74582
45093
45085
45093
Leave Me With a Smile — Fox Trot (Koehler- Burtnett) All Star Trio
fBirds of the Forest Gavotte (Adolfo) Whistling Gialdinil
l Spring Voices ( Friihlingssiimmen ) ( Strauss ) Whistling Gialdini)
Birds of the Forest — Valse d’oiseau (Varney) In French Arral
Polish Dance
Polish Dance
Robin's Return
Serenade
Spring Song
Sylvia Ballet
Valse d’oiseau
Woodland Whis¬
perings
16052
16296
18834
16835
64099
45107
45113
18019
45085
18019
45113
64099
35217
i-Orl
r’o-Oi
.75
.75
.75
.75
1.25
BIRD SONG RECORDS — Actual Songs of Birds
Nature-lovers throughout the world rejoiced in the Victor announcement of reproduc¬
tions of the actual notes of the loveliest of bird singers — the thrush, nightingale and sprosser or
“ field nightingale.” The Victor’s first nightingale record created a sensation and, encouraged
by the success of this record, further experiments were made, resulting in greatly im¬
proved methods of recording bird voices. Not only were new nightingale records made,
but the song of the thrush, sprosser and canary recorded. The thrush has a lovely song,
and will rival the nightingale in popularity. The sprosser’s song is more rhythmic than
the nightingale proper, and of greater volume.
ACTUAL BIRD SONGS
Song of a Nightingale, No. 2 and Song of a Thrush 45057 10 I .00
Song of a Sprosser (Called “ Field Nightingale ’’) and Canary -Thrush Duet 45058 10 1.00
BIRD SONGS, REPRODUCTIONS OF— See also “ Kellogg ”
Songs and Calls of Our Native Birds — No. 3 Charles Gorst
(1) American Robin (2) Killdeer ' (3) Blue Jay (4) Bluebird (5)
Wood-thrush (6) Yellow-billed Cuckoo (7) Mockingbird
Songs and Calls of Our Native Birds — No. 4 Charles Gorst
( 1 ) Kentucky Cardinal or Redbird (2) Oven-Bird (3) Red-Eyed Vireo
(4) Baltimore Oriole (5) Mourning Dove (6) Western Meadow Lark
17735
10
.75
BISHOP, SIR HENRY ROWLEY (1786-1855)
Born London. Wrote many operas, including “Clari,” which contained air, “Home,
Sweet Home”; popular songs and other compositions, including music for public events.
Knighted 1842. See “Echo Song,” “Home, Sweet Home,” “Lo, Here the Gentle Lark,”
“My Pretty Jane,” “What Shall He Have Who Killed the Deer.”
VICTOR RECORDS
Number ;l|Sg
BIZET, GEORGES (1838-1875) ( Bee-zay ') Compositions by
Born Paris, 1838. Entered Conservatoire, 1848. Awarded
Prix de Rome, 1847. First opera Don Procopio, produced in Rome.
Others Pasco, 1863; Jolie Fillc de Perth, 1867; Djamileh, 1872.
Married daughter of Halevy, the composer. His master work is
Carmen, produced three months before his death, and now probably
most popular of all operas (except Faust). Other works comprise
Pearl Fishers, L’Arlesienne, many songs, overtures and orchestral
suites. Died Bougival, near Paris, 1875.
BIZET RECORDS— See “Agnus Dei,” “Arlesienne,’’ “Carmen,’’
“Jolie Fille de Perth,” “Ouvre ton coeur,” “Pearl Fishers” and “Spani
(Black Eyed Blues — Fox Trot (Kendall) Benson Orchestra)
1 Tee-Pee Blues — Fox Trot ( Erdman ) Benson Orchestra)
(Black Forest Polka Bell Solo Albert Miiller)
l The Mocking Bird — Variations ( Winner ) Violin John Taylor)
Blacksmith, The (Mozart) S ee “ Educational Records”
Blake, Eubie — and His Shuffle Along Orchestra — See “Baltimore
Buzz” and “Bandana Days.”
{Blaze Away March (Holzmann) Accordion
Sousa Medley March Accordion
(Blaze Away March (Holzmann)
l Standard Bearer March ( Fahrbach )
Bless You (D. Furber-I. Novello)
(Blest Be the Tie that Binds (Nageli)
l Jesus Christ is Risen Today (Warden)
(Blood Lilies — Two-Step (Pryor) Xylophone
l The Lamb ’s Gambol ( Eccentric Dance) ( Bendix )
Bloom is On the Rye (My Pretty Jane)
Blossom Time (Donnelly-Berte-Romberg)
Tell Me Daisy Reinald Werrenrath
Serenade — Murphy-Orpheus Qt and Song of Love — Marsh-Dadmun
Medley Waltz (See “Medleys”) Smith’s Or and It’s You — Fox T Smith’s O
(Blowing Bubbles All Day Long — Fox Trot Whiteman’s Orchl
l Just as Long as You Have Me— Fox Trot Whiteman’s Orch )
(Blow Trumpet, for the World is White ( with Brass Qt) Orpheus Qt)
l Berceuse from Jocelyn Kline-Dunlap- Wheeler)
(Blue — Fox Trot (Lou Handman) The Virginians)
l Why Should I Cry Over You ? — Fox Trot The Virginians)
(Blue and the Gray (Finch) Memorial Day Poem Humphrey)
l Sleep, Noble Hearts (Memorial Song) (Mendelssohn) Lyric Quartet)
BLUE AND WHITE MARIMBA BAND
Columbia Waltz 17928 1 Marimba March , 17928 | My Isle of Dreams
(Blue Bells of Scotland (Arr. by Himmelreich) Himmelreich)
l Last Rose of Summer Pianoforte Ferdinand Himmelreich )
Blue Bells of Scotland — See also “ Cosmopolitan Overture” and
“ Songs of Scotland ”
(Blue Bird (Geo. Graff, Jr.-F. B. Grant) Elizabeth Spencer)
l If You Look *n Her Eyes (From “Going Up”) E. Spencer-Burr)
(Bluebird, The (Clare Kummer) (Flute ohb.) Elsie Baker)
l A Little Birch Canoe and You Olive Kline and Orpheus Quartet)
Blue Bird — See “ Educational Records” •
Pietro)
Pietro)
Pryor’s Band)
Pryor’s Band)
Frances Alda
Trinity Choir)
Hayden Quartet)
Wm. H. Reitz)
Banjo Van Eps)
Evan Williams
BIZET
sh Sere
nade.”
18874
10
.75
16538
10
.75
17921
10
.75
16307
10
.75
66027
IU
1.25
16178
10
.75
17457
10
.75
74254
12
1.75
66032
10
1.25
45304
10
1.00
18827
10
.75
18960
10
.75
35581
12
1.25
18933
10
.75
17310
10
.75
18716
18305 10
18452
45156
10
10
.75
.75
1.00
_ VICTOR RECORDS _
Blue Danube Waltz (Johann Strauss)
By Philadelphia Orchestra
By Victor Dance Orchestra and Angel of Looe Waltz — Pryor's Band
By Pryor's Band and A mou reuse Waltz ( Berger ) Sousa’s Band
By Sousa’s Band and Southern Roses Waltz ( Strauss ) Pryor’s Band
By Hurtado Bros. Marimba Band and Southern Roses W altz — Marimba Band
Blue Diamonds (Jack Caddigan-Chick Story) Henry Burrl
Love Nest ( from “Mary”) ( L . A. Hirsch) John Steel)
Blue Jay and the Thrush Murray, Harlan and Belmont 1
Whistle While You Walk Billy Murray-Joseph Belmont)
Blue Jeans (Harry D. Kerr-Lou Traveller) Peerless Quartetl
Wyoming ( Lullaby ) (Go to Sleep My Baby) ( Williams) Harl-Shaw)
Number
r-J
C/5
74627
12
16391
10
17228
10
35289
12
35564
12
18676
10
17891
10
18740
10
if
1.75
.75
.75
1.25
1.25
.75
.75
.75
BLUE LABEL RECORDS
(All records with numbers beginning 45 and 55 thousand are Blue Label Records.) For
complete list of records see the following artists, whose records are placed in this class :
Alcock
Coates
Hinkle
Lemmone
Rosenblatt
Althouse
Dadmun
Hitchcock
MacFarlane
Royal Albert
Baker
de Greef
Holmes
Marsh
Hall Or.
Bayes
de Gregorio
JOrn
Metropolitan Cho. Salvi
Beyle
Dufranne
Kellogg
Miller, Christine
Sassoli
Brice
Dux
Kelly
Mois^ivitch
Seton
Burrian
Guest
Kindler
Murphy
Trinity Choir
Cahill
Hajos
Kline
Pitt
Victor Opera
Campagnola
Harrison,
Korsoff
Pollain
Sextette
Cawthorn
Beatrice
La Forge
Regis
W errenrath
Cheatham
Herbert’s Orchestra
Lauder
Reimers
White
Blue Paradise — See “Auf Wiedersehn”
*' Blue ” Records — See the following titles
“Blues” records take their name from a type of Negro-American dialect song in which
is declared the narrator has the “Blues.” “Blues” fox-trot records are in slow time
as a rule, with grotesque effects.
Alcoholic Blues
Beale Street Blues
Bell Hop Blues
Black Eyed Blues
Bluin’ the Blues
Bull Frog Blues
Clarinet Marmalade Blues
Crazy Blues
Cuddle Up Blues
Dangerous Blues
Dallas Blues
Dardanella Blues
Early in Morning Blues
Gypsy Blues
High Brown Blues
Home Again Blues
Homesickness Blues
Hot Lips Blues
I Ain’t ’en Got ’en Time
for Blues
I’ve Got A-B-C-D Blues
I’ve Got Blues for My Ky.
Home
I’ve Got the Wonder-Blues
Jazz Me Blues
Livery Stable Blues
Lonesome Mama Blues
Memphis Blues
Mournin’ Blues
Profiteering Blues
Royal Garden Blues
Singin’ the Blues
St. Louis Blues
Those Longing Blues
Tee-Pee Blues
Virginia Blues
Wabash Blues
Wang-Wang Blues
Yankee Doodle Blues
Yellow Dog Blues
(Blues (My Naughty Sweetie Gives to Me) Esther WAlkerl
l Sweet Kisses ( Brown-Von Tilzer) Esther Walker)
(Blue Waves Waltz (Valverde) Hurtado Bros. Marimba Band!
I Thousand and One Night — Waltz Hurtado Bros. Marimba Band)
.(Blue- White March (Schmidt) Victor Military Bandl
l Boy Scouts of America — March (Sousa) Victor Military Band)
(Bluin’ the Blues— Fox Trot Original Dixieland Jazz Bandl
1 Sensation Rag — One-Step Original Dixieland Jazz Band)
(Blush Rose (Greene-O’Hara) (’Cello obb. by Lennartz) Murphyl
l Good Night, Little Girl, Good Night Lambert Murphy)
Boat Song (G. Romilli) Geraldine Farrar
18619
10
35565
12
18209
10
18483
10
45126
10
87289
10
.75
1.25
.75
.75
1.00
1.25
Number
K
c/5
List
prc.
17693
10
.75
64647
10
1.25
VICTOR RECORDS
/Boat Song (Moses-Ware) ( Pianoforte acc. by Harriet Ware) Wells!
Bo1 Joy of the Morning ( Markham - Ware ) John Barnes W ells)
" BOCCHERINI, LUIGI — (Bock-er-ee' -ne) (Lucca, 1743; d. Madrid, 1805)
Italian ’cellist and graceful composer. See “Minuet”
Boeufs, Les (Dupont — Arr. by Parizot) In French Marcel Journet i
LA, BOHEME ( [Boh-ehm1 ) (The Bohemians) {In Italian unless noted)
Text by Giacosa and lllica; music by Puccini. First produced at Turin, 1896.
In English, as “The Bohemians,” in London, 1897. In Italian at Covent Garden, 1899.
First American production, November 28, 1899.
Puccini’s Boheme is an adaptation of part of Miirger’s La Vie Boheme, which depicts
life in the Quartier Latin, or the Students’ Quarter, in 1830. The principal characters in
Puccini’s opera are the inseparable quartet described by Miirger, who with equal cheerful¬
ness defy the pangs of hunger and the landlord of their little garret. Rudolph, a poet;
Marcel, a painter; Colline, a philosopher; and Schaunard, a musician, are our friends
who occupy an attic in the Quartier Latin, where they live and work together. Improvi¬
dent, reckless and careless, these happy-go-lucky Bohemians find a joy in merely living,
being full of faith in themselves.
Rudolph makes the acquaintance of Mimi, a little flower- maker ; Marcel meets the
gay Musetta, who plays fast and loose with him. Alternate quarrels and reconciliations
fill the lives of these lovers, but the final separation ends with the sad death of Mimi, at
the close of the opera. In the scenes of careless gaiety is interwoven a touch of pathos ; and
the music is in turn lively and tender, with a haunting sweetness that is most fascinating.
PAINTED BY BALESTRIERI
THE DEATH OF MIMI
BOH&ME, LA (Puccini) RECORDS
ACT 1 - GARRET OF THE
Racconto di Rodolfo (Rudolph’s Narrative)
(Thy Hands Are Frozen)
Racconto di Rodolfo (Rudolph’s Narrative)
Racconto di Rodolfo (Rudolph’s Narrative)
Racconto di Rodolfo (Rudolph’s Narrative)
BOHEMIANS
Che gelida manina
Enrico Caruso
88002
12
John McCormack
74222
12
Giovanni Martinelli
74381
12
Orville Harrold
74624
12
VICTOR RECORDS
Number
Of
fvl
ir>
List
prc.
LA BOHEME RECORDS — Continued
Que cette main est froide (Rudolph’s Narrative) In French
and Pagliacci — Air de Paillasse — French — Campagnola
55083
12
1 .50
Mi chiamano Mimi (My Name is Mimi)
Geraldine Farrar
88413
12
1.75
M chiamano Mimi (My Name is Mimi)
Nellie Melba
88074
12
1.75
Mi chiamano Mimi (My Name is Mimi)
Lucrezia Bori
88475
12
1.75
Mi chiamano Mimi (My Name is Mimi)
Frances Alda
74448
12
1.75
O soave fanciulla (Thou Sweetest Maiden)
Bori-McCormack
87512
10
1.50
O soave fanciulla (Thou Sweetest Maiden)
Melba and Caruso
95200
12
2.50
O soave fanciulla (Thou Sweetest Maiden)
Alda and Martinelli
89132
12
2.00
ACT 11 - TERRACE OF THE CAFE MOMUS,
PARIS
Musetta Waltz
Alma Gluck
64560
10
1.25
Musetta Waltz (Whistling) Gialdini and Carmen Selection — Xylophone — Reitz
16892
10
.75
ACT III - A CITY GATE OF PARIS
Mimi, Io Son ! (Mimi, Thou Here !)
Farrar and Scotti
89016
12
2.00
Mimi e una civetta (Cold-hearted Mimi) de Gregorio-
Casini-Ferretti
and 1 rooatore — Coro di Zingari ( Verdi) La Heal a Chorus
68453
12
1.25
Addio ! (Farewell) (Harp by Mme. Rossini)
Geraldine Farrar
88406
12
1.75
Addio (Farewell)
Nellie Melba
88072
12
1.75
Addio (Farewell)
Alma Gluck
64225
10
1.25
Quartet, “ Farewell Sweet Love ! ’’ Farrar, Viafora, Caruso and Scotti
96002
12
3.00
ACT IV - SAME AS ACT I
Ah, Mimi, tu pih (Ah, Mimi, False One)
Caruso and Scotti
89006
12
2.00
Ah, Mimi, tu pit) — Murphy-Werrenrath and Faust Trio — V. Opera Trio
45182
10
1 .00
Vecchia zimarra (Farewell, Old Coat I)
Marcel Journet
64035
10
1.25
Sind wir allein? (Are We Alone?) and MimisTod In German Dux-Jorn
55070
12
1.50
MimisTod (Mimi’s Death Scene) and Sind ulir allein?
In German Dux-Jorn
55070
12
1.50
MISCELLANEOUS BOHEME RECORDS
Selection — Pryor’s Band and Jolly Robbers Overture
(Suppe) Pryor’s Band
35077
12
1.25
Selection — Vessella’s Band and Madame Butterfly Fantasia — ’Cello — Bourdon
35353
12
1.25
BOHEME, LA (Venice, 1897) (Leoncavallo)
Leoncavallo’s setting of Murger’s story was written several years after the production
of Puccini’s opera, and differs slightly from the latter version. The first act occurs in the
Cafe Momus, the second in Musetta’s house, the third in Marcel’s garret, and the fourth
in the studio of Rudolph. Unlike the Puccini work, the tenor part is given to Marcel.
RECORDS OF LEONCAVALLO'S BOHEME
Io non ho che una povera stanzetta (I Have Only a Little Room)
(Marcello's Air, Act 11) In Italian Enrico Caruso
Testa adorata (Adored One !) (Act 111) In Italian Enrico Caruso
Bohemian Cradle Song (from “ Hubicka”) (Smetana) English Gluck
Bohemian Fantasie (Smetana) Violin Fritz Kreisler
88335
12
88331
12
64213
10
74172
12
1.75
1.75
1.25
1.75
BOHEMIAN GIRL {The records are sung in English)
This popular ballad opera was one of fifteen similar works by Michael Wm. Balfe
(1808) and was produced at Drury Lane, London, in 1843.
The story tells of the kidnapping of Arline, daughter of the Count Arnheim, by
Devilshoof, a gypsy chief. Thaddeus, a young noble banished from his country, joins the
gypsy band and falls in love with Arline. While the gypsies are attending a fair at
Presburg, Arline, now a beautiful maiden of 17, incurring the displeasure of the Gypsy
Queen, is accused of stealing and is taken before Count Arnheim, who recognizes his
daughter by a scar on her arm. She is restored to her rank, but continues to meet Thaddeus
secretly, until the lovers are denounced to the Count by the jealous Queen. The Count
is at first indignant, but the pleading of his daughter, and the knowledge that Thaddeus
is of noble birth, reconciles him to the union of the lovers.
ACT 1 - ESTATE OF COUNT ARNHEIM
Overture — Pryor’s Band and La Czarine Mazurka ( Ganne ) Prt/or's Band\ 1 6287 1 1 0] .75
VICTOR RECORDS
BOHEMIAN GIRL. RECORDS-Continued
ACT II - A GYPSY CAMP NEAR PRESBURG
I Dreamt I Dwelt in Marble Halls Mabel Garrison
1 Dreamt 1 Dwelt in Marble Halls — Wheeler and Then You’ll Remember — Mac
Heart Bow’d Down Clarence Whitehill
Heart Bow’d Down — Turner and Home to Our Mountains — Morgan and Mac
Heart Bow'd Down and Faust — Even the Bravest Heart — Werrenrath
ACT HI - A HALL IN THE COUNT'S PALACE
Then You'll Remember Me John McCormack
Then You'll Remember Me George Hamlin
Then You'll Remember Me — Macdonough and I Dreamt I Dwelt — Wheeler
MISCELLANEOUS BOHEMIAN GIRL RECORDS
Melodies — -“Then You'll Remember Me" and “1 Dreamt I Dwelt in Marble
Halls” and Serenade — Good-Night, Beloved — McKee Trio
GEMS FROM BOHEMIAN GIRL— Part I Victor Opera Company
Chorus, “Away to Hill and Glen ’ — Solo, * I Dreamt I Dwelt in
Marble Halls” — Solo, “Heart Bow'd Down" — Mixed Quartet,
“Silence, the Lady Moon" — Solo, “Fair Land of Poland" — Chorus,
“Happy and Light"
GEMS FROM BOHEMIAN GIRL — Part II Victor Opera Company
Chorus, “In the Gypsy’s Life” — Solo and Chorus, “Come with the
Gypsy Bride” — Solo, “Bliss Forever Past" — Duet, “What is the
Spell” — Solo, “Then You'll Remember Me” — “Finale"
Selection of Favorite Airs and Yelva Overture — Pryor’s Band
BOHEMIAN MUSIC— See “ Bartered Bride,” “ Bohemian Cradle
Song,” “Destinn,” “Dove Waltz,” “Dvorak,” “Good Night,”
“In Dreamland Waltz,” “My Homeland,” “Smetana” and “Wed¬
ding”; also Bohemian Catalog
BOHEMIAN ORCHESTRA
Songe d’ Automne and Frangesa March — Pryor’s Band
Number
Size
to
— 1 o.
64641
10
1.25
16398
10
.75
74407
12
1.75
16407
10
.75
55079
12
1.50
64599
10
1.25
74134
12
1.75
1639S
10
.75
18190
10
.75
35603
12
1.25
35081
12
1.25
16760
10
.75
BOITO, ARRIGO (Boh-ee' -toh)
Born in Padua, 1842; died in Milan, 1918. Italian composer and librettist of some
of Verdi’s best operas. For Compositions — See “Mefistofele”
fBolero — Spanish Dance (Pessard) Flute John Lemmonel
l Scherzo Capriccio ( Sabathil ) Flute John Lemmone )
fBolero in D Major (“Spanish Dances”) (Moszkowski) Victor Orch)
l Turkish March (“Ruins of Athens’ ’) ( Beethoven ) Victor Orch)
(Bombasto March (Farrar) Pryor’s Band)
l Guard Mount (Eilenberg) Pryor’s Band)
BOMBO (Al. Jolson-B. G. De Sylva)
April Showers and Leave Me With a Smile — Chas. Harrison
April Showers — Fox Trot and Weep No More — Fox Trot — -Whiteman’s Orch
Coo-Coo — Charles Harrison and Stumbling — Murray
Coo-Coo — Fox Trot — Whiteman’s Orch.
and Kicky-Koo — Fox Trot — Green Bros. Marimba Orch
It’s You — Fox Trot and Blossom Time— Medley Waltz — Smith’s Orch
Old Fashioned Girl — Fox Trot — Whiteman’s Or.
and Little Grey Sweetheart — Club Royal Orch
BONINSEGNA, CELESTINA, Soprano (See Pink Section)
(Bonnie Leezie Lindsay Sir Harry Lauder)
l Queen Among the Heather Sir Harry Lauder )
(Bonnie Maggie Tamson (Lauder) Sir Harry Lauder)
l Wee Deoch an’ Doris Sir Harry Lauder)
Bonnie Sweet Bessie (Arabella Root-J. L. Gilbert)
By Luisa Tetrazzini (Soprano)
By Geraldine Farrar (Soprano)
By Alma Gluck (Soprano)
Bonnie Wee Thing (Burns-Lehman) John McCormack i
55110
12
1.50
18396
10
.75
16316
10
.75
18862
10
.75
18825
10
.75
18906
10
.75
18898
10
.75
18827
10
.75
18879
10
.75
45208
10
1.00
55120
12
1.50
88428
12
1.75
88193
12
1.75
64588
10
1.25
64427
10
1.25
VICTOR RECORDS
Number
V
K
t/5
List
pro.
Boo-Hoo-Hoo (You’re Gonna Cry When I’m Gone) Stanley-Murray)
In My Heart, On My Mind, All Day Long Stanley-Murray)
18855
10
.75
BOOK OF THE OPERA — The new and complete rewritten Sixth Edition
We enjoy Grand Opera more when we
know more about it, and in all the literature
of music we know of no other publication
which gives so definite an insight into the sub¬
ject as does the “Victrola Book of the Opera.”
Not only is the story of the plot given,
but aria, duet, trio, or whatever it may be, is
usually noted in its proper place, so that
with this book and the necessary Victor records
one may actually get a better understanding
of the subject at home than by attending actual
performances.
The “Victrola Book of the Opera” is a
volume of over four hundred pages. It con¬
tains the story and the dramatic action of
practically every opera which has survived the
test of time, and is handsomely bound in
cloth and stamped in gold.
The book may be procured from any
dealer in Victor products. If, however, he is
unable to supply you, information regarding it,
including the price, may be had by addressing
the Victor Talking Machine Company, Cam¬
den, N. J.
A copy of this volume should be in
every school, music club, conservatory of music
and in the private library of all those who possess an active interest in good music; and it is,
of course, extremely valuable to the music teacher.
Actual Size 6 x 8Va
fBoola Song — Yale College Air (Hirsch) Hayden Quartet"!
I Old Nassau — Princeton College Air Werrenrath and Hayden Quartet )
{
Old Nassau — Princeton College Air
Boots — Recitation (Kipling)
Werrenrath and Hayden Quartet
Taylor Holmes)
Gunga Din Recitation ( Kipling ) Taylor Holmes)
BORI, LUCREZIA, Soprano {Boh' -ree) (See “Bori” in Pink Section)
Boris Godounow (Moussorgsky)
In the Town of Kazan
Garden Scene — Finale, Act III In Italian
Farewell of Boris (Farewell My Son, I Am Dying)
Feodor Chaliapin
Ober-Althouse
Feodor Chaliapin
16860
10
55057
12
87349
10
76031
12
88661
12
.75
1.50
1.25
2.00
1.75
BORODIN, ALEXANDER PORPHYRIEV1TCH (1834-1887)
Born in Petrograd. Educated as physician, became Professor of Chemistry at Petrograd.
Served as army surgeon, wrote on Chemistry, founded School of Medicine for women.
Became brilliant and highly individual composer. See “Nocturne,” “Prince Igor”
BOSHKO, NATALIE and VICTORIA— See “ Tyrolean Dance”
{Boston Commandery March (Carter)
Nearer My God to Thee — Paraphrase ( Langey )
Pryor’s Bandl
Pryor’s Band)
16817
10
BOSTON QUINTET,
Mighty Lak’ a Rose
Male Voices
and
Barcarolle from “ Tales of Hoffmann”
18375
10
BOSTON SYMPHONY ORCHESTRA— (See Pink Section)
BOSTON VIRGINIA REEL — See “ Dance Records — Reels”
.75
.75
VICTOR RECORDS
f Boulanger March (Desormes) Bells
l Carnival of V enice Ocarina
[Bounding Bounder, or On the Bounding Sea
l There is Somebody Waiting for Me ( Lauder )
BOURDON, ROSARIO (Boor- John), ’Cellist
This distinguished ’cellist was born in Montreal, Canada,
1885, and first commenced to play the ’cello when eight years
old. Later he went to Europe, studying at Ghent, Belgium, and
later in Brussels. He won distinction as a soloist and played
before the late Queen of Belgium. His playing in various sym¬
phony orchestras led to his permanent engagement for the Victor
staff, where he is now assistant conductor.
Albert Muller)
Mose Tapiero)
Sir Harry Lauder"!
Sir Harry Lauder)
Number
16659
55121
10
12
.75
1.50
Broken Melody
Evening Star
Extase
Flower Song
Lohengrin-Fantasie
17342
16813
17395
351 14
35399
35353
16516
17342
18059
18059
18850 10
35490
18209
64558
17668
12
10
10
10
75
1.25
.75
1.25
.75
Madame Butterfly
Melody in F
Silver Threads
Underneath the Stars
When You’re Away
BOURREE — See also “Suite in D Major” (Bach)
(Bow-Wow Blues — Fox Trot (Friend-Osborne) Dixieland Jazz B)
l Railroad Blues — Fox Trot ( Roberts ) Benson Orchestra)
[Boy in the Bleachers — Comic Monologue Ralph Binghaml
l My Possum Hunt — Darky Story Ralph Bingham)
f Boy Scouts of America — March (Sousa) ( with whistling) Victor Band!
1 Blue- White March ( Schmidt ) Victor Band]
BOY SOPRANOS — See “Isaacs” and “Pickels”
Brabancjonne, La (Belgium National Song) (Rogier-Campenhout)
In French Marcel Journet
fBraban^onne, La Victor Military Band)
l Marseillaise ( French National Air ) (de Lisle) Sousa ’s Band)
BRAGA, GAETANO (1829-1907) Italian composer of Opera and
lighter works — See “Angel’s Serenade”
BRAHMS, JOHANNES (Brahmz) (1833-1897)
Born Hamburg, 1833. Father played orchestra in theatre and taught
boy. At 14 made first appearance as pianist. At 20 made concert tour,
was heard by Joachim, who pronounced him a genius. Some compo¬
sitions of this period not successful, and Brahms spent some years in further
study. In 1862 went Vienna as conductor, bringing out choral works by
Bach and Handel with great success. His first symphony, upon which he
had worked for ten years, off and on, presented 1 876, with great success.
Greatest work, his Requiem, a sacred cantata, performed Bremen, 1868; brahms
London, 1873; United States, 1884. Wrote several symphonies, much exquisite chamber
music. Songs very beautiful, ranking with those of Schubert, Schumann and Franz, and
he was one of the foremost composers of the world. Brahms died Vienna, 1897.
RECORDS OF BRAHMS COMPOSITIONS — See “Cradle Song,” “Hungarian Dance,”
“Lullaby,” “Quartet in C Minor,” “Schmied, Der,” “Symphonies,” “Waltz.”
BRASLAU, SOPHIE, Contralto (Brass' -low) (See “Braslau” in Pink Section)
BRASS QUARTETS Cornets and Trombones
68588
Trumpeter — Werner’s
Farewell 68588
Farewell to the Forest 17216
Good Night, Beloved 17109
On the Sea I 7272
Spring Song 17216
Brazilian National Hymn — Grand Fantasie (Gottschalk) Piano Novaes|74675|l2|l.75
Sounds from My
Native Land
T annhauser — Pilgrims'
Chorus 17133
VICTOR RECORDS
Number
«■*
oO
to
— J Q,
Brazilian Tango (Alexander Levy) Piano
Guiomar Novaes
64879
10
1.25
(Breakfast in Bed on Sunday Morn (Lauder)
l My Bonnie, Bonnie Jean ( Lauder )
Sir Harry Lauder 1
Sir Harry Lauder)
55119
12
1.50
(Break the News to Mother (C. K. Harris)
l You’re a Grand Old Flag (Cohan)
Shannon Four!
American Quartet)
18358
10
.75
(Breezes of the Night Waltz
l Ivanhoe — Two-Step (Van Alstyne)
Pryor’s Band!
Pryor’s Band)
16112
10
.75
[Brewer’s BigHosses, De — Temperance Song (withCho.) Rodeheaver!
[ The Old-Fashioned Faith (McAuley- Ackley) Homer Rodeheaver)
17455
10
.75
BREWSTER, GEORGE, Tenor — See “Closer to Jesus” and “Drifting”
45263
45303
Lyric Quartet!
Lyric Quartet)
Pietrol
Pietro )
Herbert L. Clarke!
Clement Barone)
Hayden Quartet!
Peerless Quartet)
(Gabriel) Rodeheaver)
Piccolo
BRICE, FANNY, Comedienne
Becky is Back 45323 I My Man
I’m An Indian 45303 I Oh, How I Hate
Bridal Chorus — Lohengrin — See. “Lohengrin
/Bridal Chorus (“Rose Maiden ”) (Cowen)
l Miller’s Wooing ( Goddard-Faning )
BRIDAL MUSIC — See “ Wedding Music”
/Bridal Rose Overture (Lavallee) Accordion
l Stradella Overture ( Flotou ;) Accordion
/Bride of the Waves (Clarke) Comet
l Nightingale and the Frog ( Eilenberg )
/Bridge, The (Carew)
l Old Oaken Bucket ( Woodworth )
/Brighten the Corner Where You Are
1 I Walk With the King ( Revival Hymn ) {Rowe- Ackley) Rodeheaver)
/Brightest Days Gavotte (Broustet) Bell Solo Wm. Reitz!
1 Dream After the Ball ( Michaelis ) Xylophone Wm. Reitz)
/Bright Eyes — Med.FoxTrot (int. “You Oughta See”) Wliiteman’s O!
I Love Bird — Medley Fox Trot ( Fiorito-Hanley-King ) Whiteman’s O)
/Bright Moon — Russian Folk Song Kirilloff’s Balalaika Orch!
I Song of the V olga Boatmen Kirilloff’s Balalaika Orchestra)
Brindisi — See “Hamlet,” “Lucrezia,” “Otello,” “Traviata”
/Bring Back My Blushing Rose (“Follies 1921”) John Steel!
1 Sally, Won’t You Come Back (Zieg field Follies / 92 1) John Steel)
Bring Back My Blushing Rose — Medley Fox Trot 1
(Intro. “Sally, Won’t You Come Back”) Shilking Orchestral
Stolen Kisses — Fox Trot (Snyder) Coleman’ s Orchestra)
Bring Back My Bonnie to Me (with Orpheus Qt) Alma Gluck
/Bring Back My Bonnie to Me — College Air Hayden Quartet!
I Owl and the Pussy Cat ( De Koven) Hayden Quartet)
/Bring Back My Lena to Me Maurice Burkhardt!
I Schneider, DoesYour Mother Know You ’re Out ? (Yodel Song) Watson)
BRITISH ARMY BUGLE CALLS-See “Nat’l and Pat. Airs — Gt. Britain
/British Bulldog’s Watching at the Door Sir Harry Lauder!
1 Jean MacNiell — Scotch Specialty Sir Harry Lauder)
BRITISH PATRIOTIC AIRS— See “ Nat’l and Pat. Airs— Great Britain”
/British Troops Passing Through Boulogne Descriptive!
I Flag That Never Comes Down ( Coulson-Finck ) Hamilton)
Second Hand Rose 45263
Sheik of Avenue B 45323
35209
12
1.25
35345
12
1.25
16194
10
.75
16217
10
.75
17763
10
.75
16428
10
.75
18735
10
.75
73153
10
.75
18813
10
.75
18797
10
.75
64793
10
1.25
16105
10
.75
16994
10
.75
45213
10
1.00
17696
10
.75
VICTOR RECORDS
Number
4^
oo
Vi «->
— o.
( Broad way (La Gran Via) Waltz Potpourri
Qp l Dear One ( Carina ) Gavotte
Vessella’s Band!
Vessella ’s Band J
68535
12
1.25
- (Broadway Rose (West-Spencer-Fried)
l Mother’s Lullaby ( Milton Weil)
Burr-Peerless Qt)
Sterling Trio J
18710
10
.75
(Broadway Rose — Med. Fox Trot (intro. “Dolly”)
l Suleet Mamma — Medley Fox Trot
Dixieland Jazz B)
Dixieland Jazz Band)
18722
10
.75
(Broken Doll (Harns-Tate)
Nora Bayes)
45136
10
1.00
l Please Keep Out of My Dreams (Bayes- Maxwell) Nora Bayes)
(Broken Melody, The (van Biene) ’Cello
Rosario Bourdon)
17342
10
.75
l Silver Threads Among the Gold (Danins) ’Cello Bourdon)
Broken Melody (Aug. van Biene) Violin
Efrem Zimbalist
74445
12
1.75
(Broken Moon — Without You — Medley Fox Trot
Smith’s Or)
18745
10
.75
l I Lost My Heart to You — Medley Fox Trot
BRONZONI, MARIA, Soprano — See “Tosca”
BROOKE, ARTHUR— Flutist - See “Whirlwind”
Smith’s Orchestra)
Brook, The (Tennyson-Dolores) (Pianoforte by Bourdon) Alma Gluck
64324
10
1.25
(Brother Jones’ Sermon (Bingham)
Ralph Bingham)
18587
io*
.75
l Mrs. Rastus Johnson ’s Joy Ride
Ralph Bingham)
BROWN BROS. SAXOPHONE SEXTETTE
It will be remembered that the Brown Brothers were one of the features of that success¬
ful production, “ Chin Chin,” and they also created something of a sensation in Stone’s
“Jack O’ Lantern.” These accomplished players have chosen lively numbers which show
the skill of the organization and exhibit the noble tone quality of the instruments.
BROWN BROS. SAXOPHONE RECORDS
Rigoletto Quartet 18217
Bull Frog Blues 18097
Chasing the Chickens 18476
Chicken Reel 17799
Chin Chin 18149
Comedy Tom 18385
Darktown Strutters’ B 18376
BROWN, EDNA, Contralto
Hush-a-Bye, Ma Baby 18214
Duets in which
Miss Brown sings
Down Old Va. Way 18930
BRYANT, SARA CONE
Dog and the Kitty
Cats (2) Pig Brother 35643
Down Home Rag 1 7834
Egyptland 18562
If a Wish Could 18714
Passion Dance 18217
Peter Gink 18562
Pussyfoot March 1 8097
Fair Hawaii 18032
Ka-Lu-A 18854
Mississippi Cradle 18841
Those Songs My
Mother 35136
I Epaminondas 35636
I Little Bull Calf 35643
Smiles and Chuckles 18385
That Moaning
Saxophone Rag 1 7677
Tip Top 18714
When Aunt Dinah’s
Daughter 18476
Trail of Lonesome P. 17338
When Shall We Meet 18841
While the Y ears Roll 1 8955
Little Jackal and
Alligator 35636
BUCK, DUDLEY (Hartford, Conn., 1839; d. Orange, N. J„ 1901) Noted
American composer and organist. — See “Festival Te Deum,” “Rock of
Ages” and “Virgin’s Lullaby”
fBuffalo News March (Lampe) Xylophone
\ Dance California ( Gregory ) Bell Solo
fBuffalo Rag, The (Turpin) Banjo
l Barnyard Serenade — Descriptive
Wm. H. Reitz)
Wm. H. Reitz)
Vess L. Ossman)
Spencer and Holt)
17357
16779
10
10
BUGLE CALLS OF THE BRITISH ARMY— See “ National and
Patriotic Airs — Great Britain ”
.75
.75
VICTOR RECORDS
Bugle Calls of U. S. Army— Part I W. G. Johnston-
(Chief Trumpeter and Band Master, Culver Military Academy)
First Call — Guard Mounting — Drill — Boots and Saddles — Assembly
— Adjutant's Call — To the Colors— Reveille — Retreat
Bugle Calls of U. S. Army — Part II W. G. Johnston
Tattoo— Taps — Mess — Commence Firing — Cease — Fix Bayonets — Charge
Bugle Calls of U. S. Army — Part I (with spaces) W. G. Johnston'
First Call — Guard Mounting — Drill — Boots and Saddles — Assembly —
Adjutant’s Call — To the Colors — Reveille
Bugle Calls of U. S. Army — Part II W. G. Johnston
Tattoo — Taps — Mess — Commence Firing — Cease — Fix Bayonets — Charge
Bugle Calls of U. S. Army, No. 1
First Call — Reveille — Mess Call — Guard Mount — Adjutant’s Call — Sick
Call — Assembly — Drill — Retreat — T attoo — T aps
Bugle Calls of U. S. Army, No. 2 —
Officer’s Call — Captain's Call — First Sergeant’s Call — Break Camp —
To Arms — Fire Alarm — Signal to Horse— Rogue's March — To the
Colors — Funeral March
Bugle Calls — See “ Drum, Fife and Bugle,” “ Soldier’s Day” and “ Taps
/Bullets and Bayonets — March (Sousa) Sousa’s Band)
l On the Campus — March (Sousa) Sousa ’s Band)
/Bull Frog Blues (In Fox Trot Time) (Browne-Shrigley) Brown Brosl
l Pussyfoot March — Saxophone Sextette Six Brown Brothers)
Number
18306
18324
16056
/Bunch of Rags, A
1 Dixie Girl — March
1
Fred Van Eps)
Plantation Trio )
Murry K. Hill)
Porter and Harlan)
18752
18097
16667
16849
10
10
10
10
10
10
10
.75
.75
.75
.75
.75
.75
.75
For
(Ossman) Banjo
( Lampe ) Banjos and Guitar
/Burbank, the Wizard — Humorous Specialty
Two Rubes Swapping Horses — Comic Dialogue
BURBECK, FRANK, American Actor
A sterling actor quite well known to theatre-goers, both in America and England,
nearly a quarter of a century his name has been prominent in the leading dramatic productions
— Robson and Crane, Dion Boucicault, Maude Adams’ productions of Twelfth Night and
Joan of Arc, etc.; and he has for many years been a valued member of the Frohman staff.
BURBECK RECORDS See also " Educational Records ’’
Knight’s Toast, The and An Old Sweetheart of Mine (Riley) Burbeck
/Burglar Story and High Cost of Living Raymond Hitchcockl
l Mr. Hitchcock’s Curtain Speech (“ Beauty Shop”) Hitchcock /
BURKHARDT, MAURICE — See ‘‘Bring Back My Lena ”
BURNLEY, MRS. HARDIN, Humorous Recitation
Small Boy and His Mother at Circus and Uncle Josh at Dentist’s — Stewart
BURNS, ROBERT (1759-1796), Songs of — See “Auld Lang Syne,”
“Bonnie Wee Thing,” “Flow Gently, Sweet Afton,” “John
Anderson,” “Scots, Wha’ Hae” and “Ye Banks and Braes”
16913
55046
16413
.75
1.50
.75
BURR, HENRY, Tenor
Mr. Burr is one of the most valued members of the Victor staff of singers, his mellow
tenor voice and distinct enunciation making his records most pleasing ones. This singer
has contributed to the Victor list a fine collection of popular ballads and old Scotch songs,
besides appearing in several duet combinations and with the Peerless Quartet. Mr. Burr’s
likeness may be found under the Peerless Quartet heading.
BURR RECORDS
Angels 18736
Blue Diamonds 18676
Broadway Rose 18710
Daddy, You’ve Been 18656
DressMyMotherWore 17721
Good-Bye, Good Luck 17984
Held Fast in Baby’s
Hands 18763
I Know What It Means 1 8538
I’ll Take YouHome 16781
I’m Glad I Can Make
You Cry 18509
I’m Sorry 1 Made You 18462
In the Shade of the
Old Apple Tree 16174
J uat a Baby’s Prayer 1 8439
Just as Your Mother
Was
18352
Kentucky Home
18821
Killarney
16139
Loch Lomond
16062
Mary, Dear
18955
M-o-t-h-e-r
17913
My Buddy
18930
Number
VICTOR RECORDS
BURR RECORDS — Continued
My Mother’s Prayer 18747
Oh ! What a Pal Was
Mary 1 8606
Old Pal, Why Don't
You 18708
Ould Plaid Shawl 17386
Sabbath Morn 16288
Scots, Wha' Hae 16062
Sighing 1 7984
That’s How I Believe 18848
That Wonderful
Mother 1 8524
Throw Out the Life
Line 16431
Time After Time 18875
Tired of Me 18692
'Twas Only an Irish¬
man’s Dream 18198
Wake Up Little Girl 18893
Was There Ever a Pal 18645
When the Corn 18781
When the Honeymoon 1 8805
You Didn’t Want Me 18620
You Made Me Forget 18782
You Remind Me 18957
Duets in which
Mr. Burr sings — see also
Campbell-Burr
Down Old Va. Way
Fun in Flanders
1 Am Praying
If You Look
In the Valley
Love is Like Red R.
Weeping Willow
Lane
BURRIAN, CARL, Tenor — See “ Gotterdammerung ”
BUTIN — Guitarrist — See “American Valor Mch.”
f Butterfly (Edward Lockton-Hayden Wood) Lucy Ma
\ Piccaninny Rose { Annelu Burns-M. Sheppard ) Olive K1
/Butterfly (Papillon) (Grieg) (2) Rustle of Spring Schen
l Walkiire- Magic Fire Spell Pianoforte Julius L. Scher
(Butterfly, The (Le Papillon) (d’Hervelois) ’Cello Fernand Poll
l Serenade { Pierne ) Violoncello Fernand Pol
Bydd Myrdd O Rhyfeddodau (Babel) (Resurrection Hymn)
In Welsh Glyndwr Male Choir I
Aberystwyth {Jesus, Lover of My Soul ) Welsh and English Glyndwr Choir!
fBye and Bye You Will Forget Me Baker and F. Whee
l When Twilight Comes to Kiss the Rose Good Night — Baker-Whe
(Bygones — Fox Trot (Kortlander-Alpert) Whiteman and His O
l By the Sapphire Sea — Fox Trot {Ted Snyder) Whiteman and Hi:
fBy the Brook — Idyll (Wetzger) Flute John Lemmi
\ Concerto for Harp and Flute ( Mozart ) Sassoli-Lemrr
fBy the Brook — Reverie (Fischer) {Pianoforte by Falkenstein) Mukle
1 Lullaby {Bredt- Feme) {Pianoforte by Falkenstein) ‘Cello May Mukle.
fBy the Camp-fire (Girling- Wenrich) Peerless Quartet
l Fm Forever Blowing Bubbles Charles Hart- Elliott Shau
fBy the Old Cathedral Door (Lamb-Solman) Peerless Quartet
l Afterwards {Lemon- Mullen) Frank Coomb:
JBy the Old Ohio Shore — Waltz (Earl) Green Bros. Marimba Oi
When Shall We Meet Again — Medley Waltz Hackel-Berge Oi
fBy the Sapphire Sea — Fox Trot (Ted Snyder) Whiteman and Oi
l Bygones — Fox Trot {Kortlander-Alpert) Whiteman and His Oi
By the Waters of Minnetonka (An Indian Love Song) (J. M.
Cavanass-Thurlow Lieurance)
By Julia Culp (Contralto)
By Frances Alda (Soprano)
By Princess Wat ahwaso (Mezzo-Soprano) and A Sioux Serenade— W alahwa
fBy the Weeping Waters (Lieurance) Princess Watahwasc
l Aooah {Love Song) { 2 ) Her Blanket Princess Watahwasi
\ Mo-Ana {Hawaiian Waltz ) Athenian Mandolin Qut
CADMAN, CHARLES WAKEFIELD, (B. Johnstown, Pa., 1881.) Bril¬
liant contemporary American composer of songs, orchestral pieces,
etc. — For songs, etc., see “Gluck,” “Herbert’s Orchestra,”
“McCormack” and “Williams”
l
' 45244
to
• 35448
12
. 45158
10
• 72813
10
> 17312
10
[ 18880
10
f 55111
12
■<r
00
H
10
f 18540
10
[ 17175
10
\ 18858
10
[ 18880
10
64721
64908
o 18431
O © O
} 18418
10
} 18057
10
18930
18405
16372
18452
17587
16854
18609
1.00
1.25
1.00
.75
.75
.75
1.50
.75
.75
.75
.75
.75
1.25
1.25
.75
.75
.75
VICTOR RECORDS
CAHILL, MARIE, Comedienne
Everyone today knows Marie Cahill for one of the most dainty and finished
of comediennes. Here are two records by her:
Dallas Blue3 55081 I Shopping 45265
Idle Woman’s Busy Day 55081 I Washing Baby 45265
CAID, LE (Kah' -eed) The Cadi (Paris, 1849) (Ambroise Thomas)
Air du Tambour Major (Drum Major's Air) Bass In French Pol Plan?on
CAIRNS, CLIFFORD, Bass Duets in which Mr. Cairns sings
Harbor Bell and Life’s Railway — Harrison-Cairns
/California — Fox Trot (Friend-Conrad) Club Royal Orch)
Who Believed in You ? — Fox Trot All Star Trio and Orch )
/California and You (E. Leslie-H. Puck) Irving Kaufmanl
On the Banins of the Brandywine Campbell and Burr)
Calling Me Home to Y ou (Teschemacher-Dorel) John McCormack
/Call Me Back, Pal o’ Mine (Perricone-Dixon) Chas. Harrison)
For the Sake of Auld Lang Syne (Graff, Jr.- Burns- Ball) James)
/Call Me Thine Own Violin-Flute D’Almaine and Lyons)
Serenade ( Schubert ) Violin-Flute Rattay and Barone)
/Call to the Colors (Guiterman) (Recitation with Bugle) Battis)
The Meaning of Our Flag (2) The Flag Goes By Battis)
Calm as the Night (Still wie die Nacht) (See also “ Still wie die
Nacht”) (Mattullath-Bohm) (with Pianoforte ) McCormack-Kreisle
/Calvary (Rodney) Frank C. Stanley)
l Rock of Ages (Dudley Buck) Anthem for Mixed Voices Lyric Qtl
{Calvary (Vaughan-Rodney) Elsie Baker
Oh Lord, Most Holy (Franz Abt) Trinity Choi
/Calvary (Darwood-Sweney) Trinity Choir)
1 Sun of My Soul (Keble- Ritter) Helen Clark)
CALVE, EMMA, Soprano ( Kahl-vay ') (See 1 ‘Calve” in Pink Section)
{Camel and Butterfly (2) Elephant and Portmanteau Price
The Tin Gee Gee (Cope) Children’s Songs Henry Pria
J}
Number
Size
List
prc.
85119
12
1.75
18925
10
.75
18890
10
.75
17613
10
.75
64803
10
1.25
18944
10
.75
35140
12
1.25
18297
10
.75
87550
10
1.50
16269
10
.75
17240
10
.75
17479
10
.75
16694
10
.75
CAMPAGNOLA, LEON, Tenor (Lay-on Kam-pahn-yo-lah) In French
Boheme — Que cette
Carmen — C est toi
Faust — A moi lea
Faust — Mais ce Dieu
Pagliacci — Air de
Paillasse
Rigoletto — Comme la 45! 18
Rigoletto — Qu'une 45118
55083
55083 Favorita — Ange si 45119
55084 Favorita — Unange 45119
55087 Manon — Et je sais 55086
55087 Manon — Non, votre 55806
CAMPAIGN SPEECHES — See ‘‘Political Addresses” and “Taft”
Campana di San Giusto — Chimes of SanGiusto (Arona) Italian Caruso 88812 12 1.75
CAMPANARI, GIUSEPPE, Baritone
Carmen — Canzone del Toreador In Italian Bizet 85073 12 1.75
Campane a Sera — (Ave Maria) (Billi-Malfetti) In Italian Enrico Caruso 88615 1 2 i 1.75
CAMPBELL-BURR DUETS
Angel Child 18903
Carolina Lullaby 18762
Don’t Write Me 18215
Feather Your Nest 18708
1 Am Climbing 18620
1 Need Thee 16255
CANADIAN AIRS
Land of the Maple
Maple Leaf Forever
In the Hills 17685
In the Land of Love 17721
Just Before Battle 16418
My Little Girl 17810
One Day in June 18462
On the Banks 17613
Snow Deer 17398
Those Days Are Over 1 8877
Underneath Hawaiian 18730
Wedding of Sunshine 17913
(For French-Canadian see Victor French Catalogue)
16593 I National Airs 17304
17304 I O Canada 17999
/Canadian Capers — FoxTrot (Chandler- White-Cohen) Whiteman’s Orl I
l Bimini Bay — Fox Trot (Kahn-Egan-Whiting) Benson Orchestra) \
10
.75
VICTOR RECORDS
f Canoe Song (Ciribiribin) (Martens-Pestalozza) Littlefield-Baker
l Venetian Boat Song ( Blumenthal ) Littlefield-Baker.
Canta pe’ me — Neapolitan Song (Bovio-de Curtis) Enrico Caruso
Cantique de Noel — See “Noel”
Canto Amoroso — Liebeslied (Sammartini) (arr. by Elman) Elman
Canto del Presidiario, El In Spanish Emilio de Gogorza
( Can’t You Hear Me Calling, Caroline (Caro Roma) MacFarlanel
l That’s an Irish Lullaby (J. R. Shannon ) MacFarlanel
(Can You Forget — Fox Trot (Frey) Club Royal Orch'l
\ Two Little Wooden Shoes — Fox Trot (‘ 'Spice of 1 922”) \
l Club Royal Orchestral
(Can You Tame Wild Wimmen (Sterling-Von Tilzer) Billy Murray!
I The Worst is Yet to Come (Lewis- Young- Grant) Billy Murray 1
Canzonetta (A. d’Ambrosio, Op. 6) Violin Mischa Elman
Canzonetta (from String Quartet in E flat) (Mendelssohn) Flonzaley Qt
Canzonetta (Loewe) ( Harp acc. bp Lapitino ) German Alma Gluck
Canzonetta (Goethe-Loewe) Hulda Lashanska
Canzonetta (Godard, Op. 35, No. 3) Violin Erika Morini
Canzonetta (from Violin Concerto, Op. 35) (Tschaikowsky) Heifetz
{Canzonetta (V. Hollaender) Victor String Quartet!
In the Forest ( Sous Bois) ( Staub . Op. 6) Vidor Orchestral
Capinera, La (The Wren) (Sir Julius Benedict) ( Flute obb.)Ital. Galli-Curci
(Capitan March, El (Sousa) (See also “Medley No. 107”) Sousa’sBandl
l Washington Post March Sousa’sBandl
f Capitan March, El (Sousa) (For School Marching) Pryor’s Band!
I Stars and Stripes Forever March Pryor’s Band}
(Cappa’s Seventh Reg. March (Eddie Quinn) with Drums Pryor’s B!
I Skyrocket March (Drum effects) Pryor’s Band}
CAPPER, CHARLES, Whistler
Kiss Waltz and 5ee the Pale Moon ( Cornets) Clarke-Keneke
Capriccio (Scarlatti) Violin Mischa Elman
Capriccio Valse (Waltz Caprice) (Wieniawski, Op. 7) Violin Powell
Capriccio Valse (Waltz Caprice) (Wieniawski, Op. 7) Violin Morini
Caprice No. 13 (from “24 Caprices”) (Paganini-Kreisler) Violin Heifetz
Caprice No. 20 (from “24 Caprices”) (Paganini-Kreisler) Violin Heifetz
Maud Powell
Mischa Elman
Herbert L. Clarke!
Edgar L. Davenport 1
Charles G. Sprossl
Himmelreichi
Violin
Caprice (Ogarew, Op. 51, No. 2)
Caprice Basque (Sarasate) Vio n
(Caprice Brilliante Cornet
l Lasca — Dramatic Recitation (Deprez)
(Caprice Espanol (Moszkowski) Pianoforte
\ Lucia Sextette (Transcription) Pianoforte
(Caprice Espanol (Beaumont) Vessella’s Italian Band!
1 L’Arlesienne Suite — Part 4, “ Farandole ” Vessella’s Italian Band)
Caprice Poetic — La Leggierezza (Liszt) Pianoforte Alfred Cortot
Caprice Viennois (Kreisler) Violin (See “Cradle Song, 1915”) Kreisler
Capricietto ( Mendelssohn- Burmester) Violin Mischa Elman
Capricieuse (Edward Elgar, Op. 17) Violin Jascha Heifetz
Number
rSi
C/3 ^
— 1 O.
45172
10
1.00
87092
10
1.25
74392
12
1.75
74042
12
1.75
45185
10
1.00
18936
10
.75
18515
10
.75
66008
10
1.25
64784
10
1.25
64626
10
1.25
66021
10
1.25
66038
10
1.25
74678
12
1.75
18753
10
.75
64792
10
1.25
17302
10
.75
35389
12
1.25
17080
10
.75
16546
10
.75
64642
10
1.25
74173
12
1.75
74686
12
1.75
66037
10
1.25
64833
10
1.25
64301
10
1.25
74176
12
1.75
35090
12
1.25
35223
12
1.25
17908
10
.75
74589
12
1.75
74197
12
1.75
64204
10
1.25
64760
10
1.25
VICTOR RECORDS
Piptain Betty One-Step
Kiss A' " '
f Capt’n
l Squee
a
Central American Marimba Band')
Kiss Me — One-Step Central American Marimba Band }
Cuttle (from Dickens’ “Dombey and Son”) Battis
Squeers, the Schoolmaster ( from Dickens’ " Nicholas Nickleby") j
Care Selve — See “Come Beloved”
{Caresses — Med. Fox Trot (&“Lonesome Raindrop”) Whiteman’s O
Just Snap Your Finger at Care — Med. Fox Trot Whiteman’s Orch
(Carillon — Part I (Edward Elgar) (Recitation, “Sing, Belgians” by
Henry Ainley) Symphony Orchestra
Carillon — Part II ( Edward Elgar) Symphony Orchestra
Carissima (Arthur A. Penn) Frances Alda
Carme (Canto Sorrentino) In Italian McCormack and Kreisler
Number
18292
35616
35704
55050
66036
87548
C/6 — j O.
.75
1.25
1.25
1.50
10 1.25
10 1.50
CARMEN ( Sung in French unless otherwise noted )
Text by Meilhac and Halevy, founded on Merimee’s novel. Music by Bizet. First
production, Paris, 1875; London, 1878; New York, 1879, with Minnie Hauk. Some
notable revivals, 1893, Calve’s first appearance; 1905, with Caruso; and Hammerstein’s
revival, 1906, with Bressler-Gianoli and Dalmores.
Don Jose, a young brigadier, betrothed to Micaela, a peasant girl in his native village,
is quartered at Seville near a factory where Carmen, a reckless and beautiful cigarette girl.
carmen’s DEFIANCE - ACT IV
stabs a fellow-employee, and is arrested by Jose. She manages to fascinate him, and
makes her escape. Jose is imprisoned for neglect of duty, but when released follows the
gypsy to Pastia’s Inn, where he finds Escamillo, a Toreador, and Zuniga, his captain, both
paying court to Carmen. Stung with jealousy he deserts, and follows the band of smug¬
glers Carmen has joined.
The next act shows the smugglers’ camp, and Carmen, already tired of her soldier,
welcomes the Toreador, who has followed her. Jose is about to kill her when Micaela
VICTOR RECORDS
Number ~
arrives with a summons from his dying mother. He goes, but threatens vengeance. In the
last act Jose, half crazed with jealousy, kills Carmen outside the bull ring, where she is
awaiting the triumphant Escamillo. (See Victrola Book of the Opera.)
ACT 1 - PUBLIC SQUARE IN SEVILLE
Philadelphia Orchestra
-Finale and Third Intermezzo — Herbert'sOr
Emma Calve
Gabriella Besanzoni
Geraldine Farrar
Sophie Braslau
Marsh-McCormack
Geraldine Farrar
Prelude
Prelude (2) First Intermezzo
and Prelude
Habanera (Love is Like a Wood Bird)
Habanera (Love is Like a Wood Bird) In Italian
Habanera (Love is Like a Wood Bird)
Habanera (Love is Like a Wood Bird)
Parle-moi de ma mere (Tell Me of My Mother)
Seguidilla (Near the Walls of Seville)
First Intermezzo (First Entr’acte) and Third Intermezzo — Herbert’s Or
ACT 11 - TAVERN OF LILLAS PASTIA
Chanson Boheme (Les tringles de sistres) (Gypsy Song) Geraldine Farrar
Toreador Song de Gogorza and Metropolitan Chorus
Toreador Song (Canzone del Toreador) In Italian Pasquale Amato
Toreador Song (Canzone del Toreador) In Italian Giuseppe Campanari
Toreador Song Werrenrath and Cho. and Pagliacci — Prologue — Werrenrath
Toreador Song — Turner English and Tempest of the Heart ( T rovatore ) Turner
Toreador Song — Cigada, Huguet, Salvador and Chorus In Italian
and Cavalleria Rusticana — Intermezzo — Pryor s Orchestra
Haltela! (Who Goes There?) Farrar-Martinelli
Air de la fleur (Flower Song) Enrico Caruso
Air de la fleur (Flower Song) Giovanni Martinelli
11 fior che avevi a me (Flower Song) In Italian Enrico Caruso
11 fior che avevi a me (Flower Song) In Italian John McCormack
Flower Song In English Evan Williams
LS-bas dans la montagne (Away to Yonder Mountains) Geraldine Farrar
ACT 111 - A MOUNTAIN CAMP
Voyons que j’essaie (Let Me Know My Fate) Farrar
Je dis que rien ne m' epouvante (Micaela’s Air) Geraldine Farrar
Je dis que rien ne m’ Epouvante (Micaela's Air) Alma Gluck
Je dis que rien ne m’ epouvante (Micaela’s Air) Frances Alda
Third Intermezzo (2) Finale of Prelude and / st Intermezzo — Herbert' s Orch
ACT IV - EXTERIOR OF THE BULL RING
Aragonaise (Prelude) Toscanini and La Scala Orchestra
Si tu m'aimes (If You Love Me) Farrar, Amato and Cho
C'est toi (You Here?) Farrar-Martinelli
C’est toi (You Here?) and Je t’aime encore — Brohly-Campagnola
Je t’aime encore (Let Me Implore You) Farrar-Martinelli
Je t’aime encore (Let Me Implore You) and C’est toi — Brohly-Campagnola
MISCELLANEOUS CARMEN RECORDS
SELECTION FROM CARMEN — March and Chorus — “Habanera” —
“Chanson Boheme" — “Toreador Song" — Wm. Reitz Xylophone
and Musetta Waltz— From "Boheme" — Whistling— Guido Gialdini
SELECTION OF PRINCIPAL AIRS— Guards’ Call, Prelude Act I — Entr’
acte. Act IV — Toreador Song — Sousa’s B and Freischiitz Overture—
Sousa's Band
SELECTION — Prelude — "Toreador Song” — "Habanera”
and Coronation March — Vessella's Italian Band
Carmena — Vocal Waltz
{Carmen Sylva
Roumanian Dances
Carnival of Venice
By Luisa Tetrazzini
By Luisa T etrazzini
(Walton- Wilson) In English Gluck
Roumanian Tamburica Orchestral
Roumanian Tamburica Orchestra /
(Arban)
(Soprano)
(Soprano)
(with vocal variations) In Italian
Part II (with vocal variations) In Italian
64822
10
1.25
55103
12
1.50
88085
12
1.75
74613
12
1.75
87210
10
1.25
64469
10
1.25
74345
12
1.75
88511
12
1.75
55103
12
1.50
88512
12
1 .75
88178
12
1.75
88327
12
1.75
85073
12
1.75
55068
12
1.50
16521
10
.75
62618
10
.75
89112
12
2.00
88208
12
1.75
74391
12
1.75
88209
12
1.75
74218
12
1.75
74122
12
1.75
88513
12
1.75
88534
12
1.75
88144
12
1.75
74245
12
1.75
74353
12
1.75
55103
12
1.50
64999
10
1.25
89086
12
2.00
89111
12
2.00
55084
12
1.50
89110
12
2.00
55084
12
1.50
16892
10
.75
35000
12
1.25
35610
12
1.25
64400
10
1.25
72229
10
.75
88291
12
1.75
88292> 12
1.75
VICTOR RECORDS
Number
CARNIVAL OF VENICE RECORDS-Continued
By Ferdinand Himmelreich (with variations) Piano and Whispering Winds
By Bohumir Kryl (with variations) Cornet and Marche Fantastique — Kryl’sB
By Herbert L. Clarke Cornet and Titl's Serenade — Keneke-Barone
By Albert Muller Xylophone and Joys of Spring — Whistling — Gialdini
By Mose Tapiero Ocarina and Boulanger March — Bells — Albert Miiller
{Carnival Romain Overture (Berlioz) Victor Concert Orch'l
Polonaise Militaire ( Chopin ) Vessella’s Italian Band)
(Carolina in the Morning — Fox Trot (Donaldson) Whiteman’s Orl
l Cow Bells — Fox Trot ( Piantadosi ) Confrey and His Orchestra)
(Carolina Lullaby (Hirsh-Panella) Campbell-Burrl
\ Thinking of you { Eastman- Heltman) Peerless Qt)
(Carolina Minstrels (See “Minstrel No. 2”) Victor Minstrel Col
\ Whistling Pete — Minstrel Specialty Golden and Hughes)
(Carolina Rolling Stone (Parish-Young-Squires) Hart-Shawl
l There’s Silver in Your Hair (David-Wright) Chas. Hart)
(Carolina Sunshine (Hirsch-Schmidt) Sterling Trio)
l Golden Gate ( Kendis-Brock.man ) Charles Hart and Elliott Shaw)
(Carolina Sunshine — Waltz (E. R. Schmidt) Jos. C. Smith’s Orch'l
l Apple Blossoms — Medley One-Step Joseph C. Smith’s Orchestra )
Caro mio ben (Canst Thou Believe) (Giordani) Italian Galli-Curci
{Caro mio ben (Canst Thou Believe) (Giordani) Italian Werrenrath)
O cessate di piagarmi ( 2 ) Ecco purch’a In Italian Werrenrath)
CARROLL, FRANK — Yodels with Barton and Guitar — See “Barton’
Carry Me Back to Old Virginny (Bland) Gluck and Male Cho
(Carry Me Back to Old Virginny (Bland) Orpheus Quartet 1
l Darling Nelly Gray ( Hanby ) Peerless Quartet)
(Carry Your Cross with a Smile (Ogdon-Gabriel) Rodeheaverl
l Tell Me the Story of Jesus {Crosby -Sweney) Rodeheaver)
CARTWRIGHT, EARL, Baritone — See “Some Day”
CARUSO, ENRICO, Tenor {Kah-roo' -zohi) (See “Caruso” in Pink Section)
CASE, CHARLEY, Comedian
How Mother Made the Soup and Liars, or My Uncle s Farm — Golden-Hughes
(Casey at the Bat (Thayer) Recitation De Wolf Hopper)
l Man Who Fanned Casey {Reply to “Casey at the Bat”) Digby Bell)
(Casey Jones (Newton) Murray and American Qt)
l Moonlight in Jungle Land {Dempsey -Schmid) Collins and Harlan)
Casse Noisette— Nutcracker Suite (Tschaikowsky)
Danse Chinoise and Danse des Mirlitons and Danse Arabe— Herbert’s Or
Dance Humoresque — Pryor’s Band and Humoresque (Dvofak) Pryor's Band
Waltz of the Flowers — Victor Symphony Orch and Traviata—Symphony Or
CASTLE HOUSE ORCHESTRA
Arganarez T&ngo 17556 I Enticement Tango 17556
Cecile Waltz 35373 I Esmeralda Waltz 35373
(Catalina One-Step (Hurtado) Hurtado Bros. Marimba Band 1
l Fletita One-Step (/. B. Hurtado) Hurtado Bros. Marimba Band)
CATHOLIC CHURCH MUSIC — See “Gregorian Records,” “Sis-
tine Choir” and “Stabat Mater”
CAT IMITATIONS — See “Dog and Kitty Cats” and “Mother Goose”
18194
35298
16088
16757
16659
35241
18962
18762
35202
18869
18612
18646
64723
17718
74420
18195
18720
16547
35290
16483
45053
16974
35717
18095
10
12
10
10
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75
1.25
.75
.75
.75
1.25
.75
.75
1.25
.75
.75
.75
1.25
.75
1.75
.75
.75
.75
1.25
.75
1.00'
.75
1.2S
.75
VICTOR RECORDS | Number Js ~ g.
CAVALLERIA RUSTICANA (Kah-vahl-lay-ree' -ah Roos-tih-kah' -nah)
(Rustic Chivalry) Sung in Italian unless otherwise noted
Opera in one act ; libretto adapted from “ Verga " by Menasci ; music by Mascagni.
First production, Rome, 1890; London, 1891 ; first U. S. production at Phila., 1891.
Mascagni, the composer, was the son of a baker in Leghorn, and it was his father’s wish
that the son should be his successor. This, however, did not appeal to the young man. who
THE DEATH OF TURIDDU
was already studying music secretly. None of his compositions met with any great measure
of success until he wrote the above opera, which he did at fever heat in eight days.
The story of “Rustic Chivalry ” is one of Sicilian love and hate, passion and revenge.
Turiddu, a young peasant, son of old Lucia, goes to war, and during his absence from the
village his sweetheart, Lola, forgets him and weds the young carter, Alfio. Turiddu returns
and consoles himself with the love of Santuzza, the village beauty, but soon tiring of her,
his old passion for Lola revives. Santuzza, scorned by Turiddu, reveals the affair to the
wronged husband. On Easter morning, as the villagers are leaving church, Alfio chal¬
lenges the destroyer of his domestic happiness. Repenting his misdeeds, Turiddu takes an
affectionate leave of his mother, and goes forth to the duel. Justice is accomplished in his
death at the hands of Alfio, and the betrayed Santuzza is left disconsolate.
CAVALLERIA RUSTICANA RECORDS
Scene - PUBLIC SQUARE IN A SICILIAN TOWN
Prelude and Introduction to Act I — Vessel la’s Italian Band
Prelude — La Scala Orchestra and Selection of Principal Airs— Pryor’s Band
Siciliana (Thy Lips Like Crimson Berries) (Harp acc.) Enrico Caruso
Sicilians (Thy Lips Like Crimson Berries) (Piano acc.) Enrico Caruso
Siciliana (Thy Lips Like Crimson Berries) (Harp acc. ) Martinelli
Prelude and Siciliana — T uminello-Or. and Prelude, Part 2 — La Scala Or
Introduction and Chorus of Villagers (Gli aranci olezzano)
and Chorus of Villagers, Part 2 — -La Scala Chorus
Dite, Mamma Lucia (Tell Me, Mother Lucia) Ermolli-Ravelli
and Regina Coeli — Easter Hymn, Part / — Opera Chorus
II cavallo scalpita (The Sturdy Steed) Perna-Chorus
and Andate, o mamma (Implore Your God to Save Me) Ermolli
35453
12
1.25
35104
12
1.25
87072
10
1.25
81030
10
1.25
64544
10
1.25
35680
12
1.25
35681
12
1.25
35686
12
1.25
18549
10
.75
VICTOR RECORDS
CAVALLERIA RUSTICANA RECORDS— Continued
lnneggiamo al Signore (Let Us Sing for the Lord) Ermolli-Chorus
and Voi lo sapete ( Well You Knouj) Ermolli
Voi lo sapete (Santuzza's Air, “Well You Know, Good Mother”) Matzenauer
Voi lo sapete (Santuzza’s Air, “ Well You Know, Good Mother ") Calve
Andate, o mamma (Implore Your God to Save Me) Ermolli
and II cavallo scalpita — Perna-Chorus
Tu qui, Santuzza (Thou Here) Besalu-Ciccolini and Ah! no Turiddu-BesalH-C
Tu qui, Santuzza? (Thou Here, Santuzza?) Ermolli-Tuminello
and Turiddu mi tolse f onore — Ermolli-Perna
Fior di giaggiolo (My King of Roses) Ermolli-Tuminello-Ravelli
and Ah! No, Turiddu rimani (No, Turiddu remain) Ermolli-Tuminello
Ah! no, Turiddu — Besald-Ciccolini and Tu qui Santuzza — BesalH-Ciccolini
Turiddu mi tolse l'onore (Turiddu Forsakes Me) Besalu-Badini
and Mamma, quel Vino — Ciccolini
Turiddu mi tolse l’onore (Turiddu Forsakes Me) Ermolli-Perna
ajid Tu qui, Santuzza — Ermolli-Tuminello
Comare Santa, allor (Santuzza, Grateful Am I) Ermolli-Perna
and Intermezzo — Grand Orchestra, Milan
Ave Maria — Adapted to the Intermezzo McCormack-Kreisler
Ave Maria — Adapted to the Intermezzo — Dixon and Angel’s Serenade — E
Intermezzo — Pryor’sOrch and Carmen — Toreador — Cigada, Huguet and Chorus
Intermezzo — ConcertO and Tales of Hoffmann — Barcarolle — V Concert Orch
Intermezzo and Spring Song (Mendelssohn) —Herbert’s Orchestra
Intermezzo — Pietro’s Accordion Quartet and Pagliacci — Vesti la giubba — Pietro
Intermezzo and Fading Leaves — Serenata — Hurtado Bros. Royal Marimba Band
Intermezzo and Minuetto (Boccherini) Vessella’s l
A Casa, a Casa (Now Homeward) Tuminello-Ravelli-Chorus
and Brindisi — V iva il vino spumeggianle — Tuminello-Chorus
Brindisi (Drinking Song) Piano Acc. Enrico Caruso
Addio alia madre (Turiddu’s Farewell) Piano Acc. Caruso
A voi tutti salute (Come Here, Good Friends) Tuminello-Perna-Ravelli
and Mamma, quel vino e generoso (Too Much Wine) Tuminello-Rav
Mamma, quel vino e generoso (Too Much Wine, My Mother !) G. Ciccolini
and Turiddu mi tolse l’onore (Turiddu Forsakes Me!) B. Besalit and E. Badit
MISCELLANEOUS CAVALLER1A RECORDS
GEMS FROM CAVALLERIA RUSTICANA VictorOpera Co
Chorus, “ Blossoms of Oranges” — Solo,” Alfio’s Song” — Solo, “Lola’s
Ditty," ‘‘'My King of Roses" — Solo, “Santuzza’s Aria” — Solo and
Chorus, “ Drinking Song “ — Chorus, “ Easter Anthem”
Gems from Pagliacci (Leoncavallo) Victor Opera Company
Selection of Principal Airs — Pryor’s Band and Prelude — La Scala Orchestra
COMPLETE CAVALLERIA RUSTICANA SERIES
In this special series the entire Work is recorded. The selections are numbered in ac¬
cordance with their place in the opera.
No. 1. Prelude and Sicilians — Tuminello-Orchestra
and No. 2, Prelude, Part 2 — La Scala Orchestra
No. 3. Introduction and Chorus of Villagers (Gli aranci olezzano)
and No. 4, Chorus of Villagers, Part 2 — La Scala Chorus
No. 5. Dite, Mamma Lucia (Tell Me, Mother Lucia) Ermolli-Ravelli
and No. 7, Regina Coeli (Easter Hymn, Part I — Queen of the
Heavens) Opera Co.
No. 6. II cavallo scalpita (The Sturdy Steed) Perna-Chorus
and No. 1 0, Andate, o mamma (Implore Your God to Save Me) Ermolli
No. 8. lnneggiamo al Signore (Easter Hymn, Part 2 — Let Us Sing lor the
Lord) Ermolli-Chorus and No. 9, Voi lo sapete
(Well You Know) Ermolli
No. 10. Andate, o mamma (Implore Your God to Save Me) Ermolli
and No. 6, II cavallo scalpita — Perna-Chorus
No. 11 . Tu qui, Santuzza? (Thou Here, Santuzza?) Ermolli-Tuminello
and No. / 4 , Turiddu mi tolse /’ onore — Ermolli-Perna
No. 12. Fior di giaggiolo (My King of Roses) Ermolli-Tuminello-Ravelli
and No. 1 3 , Ah, No, Turiddu rimani (No, Turiddu remain)
—Ermolli-Tuminellc
No. 14. Turiddu mi tolse l’onore (Turiddu Forsakes Me) Ermolli-Perna
Number
f-J
c/3
</J «->
—3 A
35685
12
1.25
88430
12
1.75
88086
12
1.75
18549
10
.75
55022
12
1.50
18558
10
.75
35687
12
1.25
55022
12
1.50
55021
12
1.50
18558
10
.75
18557
10
.75
87546
10
1 .50
35466
12
1.25
62618
10
.75
17311
10
.75
45186
10
1.00
17941
10
.75
18048
10
.75
67896
10
.75
35688
12
1.25
81062
10
1.25
88458
12
1.75
35689
12
1.25
55021
12
1.50
35343
12
1.25
35104
12
1.25
35680
12
1.25
35681
12
1.25
35686
12
1.25
18549
10
.75
35685
12
1.25
18549
10
.75
18558
10
.75
35687
12
1.25
18558
10
.75
_ VICTOR RECORDS _
CAVALLERIA RUSTICANA RECORDS— Continued
No. 1 5. Comare Santa, allor (Santuzza. Grateful am I) Ermolli-Perna
and No. 16, Intermezzo — Grand Orchestra, Milan
No. 17. A Casa, a Casa (Now Homeward) Tuminello-Ravelli Chorus
and No. / 8, Brindisi, “Viva il vino spumeggiante” — Tuminello and Chorus
No. 19. A voi tutti salute (Come Here, Good Friends; Tuminello-Perna-
Ravelli and No. 20, Mamma, quel vino e generoso ( Too Much Wine )
T uminello-T^aVelli
Cavatina — (Opus 85, No. 3) (J. Raff)
By Maud Powell Violin
By Mischa Elman Violin
By Howard Rattay Violin and Serenade ( Pierni ) Violin — GusikoJ)
CAWTHORN, JOSEPH
You Can’t Play Every Instrument in the Band (from “The Sunshine Girl”)
fCecile— Waltz Hesitation (F. W. McKee) Castle House Orchl
l Esmeralda — Waltz Hesitation (de Mesquita) Castle House Orch)
Celebrated Air (Bach) See “ Air for G String ”
CELESTA SOLOS — By the late Felix Arndt
The celesta consists of a series of small steel bars or plates, set in vibration by ham¬
mers, which, in turn, are set in motion by a simplified pianoforte-action controlled from an
ordinary piano keyboard. The peculiar beauty of the tone is partly due to the fact that
under each vibrating steel bar is an accurately tuned resonator of wood. Attached to the
instrument is a pedal which materially enhances its sustaining power.
This instrument was invented in 1886 by M. Auguste Mustel, of Paris, and has been
largely used by modern French composers in works where a special quality of tone is
required. The tone is of exquisite purity and clearness, as is amply demonstrated in the
beautiful records which Mr. Arndt has made.
CELESTA SOLOS
Drink to Me Only 17691 I Old Folks at Home 17674 I To a Wild Rose 17691
Old Black Joe 1 7674 I Stille Nacht 1 7842 I
CELLO RECORDS — See “ Violoncello Records”
CEMBALOM RECORDS
(Hungarian, Cembalom ; French, Tpmpanon; Italian, Cembalo; German, Hack_-
brett ; English, Dulcimer — probably derived from dulce melos .)
Here is the rather curious instrument which gives such a fascinating quality to Hun¬
garian Orchestras. It has a trapezodial sounding board with metal strings (each note having
three or five) and is played with two leather-faced hammers. The complete range is
usually four octaves.
The Cembalom is of very ancient, probably Oriental, origin and is closely related to the
claoi-cembalo ( clavecin or harpsichord), from which the modern pianoforte is derived.
CEMBALOM RECORDS
Argentine Dance 18155 | Hungarian Dance, I Inspiration 18155
Hungarian Czardas 17973 I No. 5 17973 1
CENTRAL AMERICAN MARIMBA BAND
Captain Betty 18292 I Kiss Me 18292
Green Club 68493 1 My Brunette 68493
CESAR, BERTHE, Soprano (Bairt Say- zahr) — See "Manon” and “Romeo”
Chalet Girl’s Sunday Violin Arthur E. Uhel
Solvejg’s Song from “Peer Gy nt” Grieg Instrumental Qtl
CHALIAPIN, FEODOR, Bass (shahl-yah-pin) See Pink Section
CH AMINADE, CECILE (Sha-mee-nahd') ( B. Paris, 1861.) Frenchwoman
composer of graceful saloon pieces, songs, etc. See “Dance Creole,”
“Pas des Amphores,” “Scarf Dance,” “Serenade Espagnole,” “Si j’etais
Jardinier” and “Sylvains”
Chanson Arabe (Arr. by Kreisler from “Scheherazade”) Violin Kreisler
72356 10 .75
66079 10 1.25
Number
| Size
List
prc.
18557
10
.75
35688
12
1.25
35689
12
1.25
74283
12
1.75
74336
12
1.75
16051
10
.75
70098
12
1.25
35373
12
1.25
VICTOR RECORDS
Chanson de Fortunio — Serenade (Offenbach) French de Gogorza
Chanson de Juin (Song of June) (Barrucand-Godard) French Caruso
(Chanson de Pecheur (Song of a Fisherman) (Zabel) Flarp Sassolil
1 First Arabesque (from “Deux Arabesques”) (Debussy) Flarp Sassoli )
Chanson Hebraique (Ravel-Pasternack) Flebrew Gluck and Zimbalist
Chanson Indoue— A Song of India (Rimsky-Korsakow)
By Alma Gluck (Soprano) In French
By Dmitri Smirnov (Tenor)
By Fritz Kreisler Violin
Chanson Louis XIII et Pavane (Couperin-Kreisler) Violin Kreisler
Chanson — Meditation (Cottenet) Violin Fritz Kreisler
(Chanson Triste (Tschaikowsky) Victor Concert Orchestra)
l Musette (Ballet from “ Armide”) Victor Concert Orchestra)
Chant d’Automne (Song of Autumn) (Tschaikowsky) Zimbalist
Chant de Guerre Cosaque (Cossack War Song) (Massenet) Journet
Chant de la Veslemoy (The Maiden’s Song) (Halvorsen) Zimbalist
(Chant du Rossignol (Concert Polka) Piccolo Barone with Band)
I Serenata (Moszkowsfy) (Op. / 5) Violin-Harp-Flute Neapolitan Trio)
Chant Negre (An Idyl) (A. W. Kramer, Op. 32) Violin Zimbalist
Chant sans paroles — See “Song Without Words”
CHAPI, RUPERT, Compositions by — See "Pufiao de Rosas,”
“Revoltosa,” “Tempestad,” also Victor Spanish Catalogue
{Charmer, The (Boos) Xylophone William H. Reitz)
Love’s Caprice ( Venuto ) Xylophone William H. Reitz )
CHARPENTIER, GUSTAVE (Shar-pahn-te-ay) (Born Dieuse,
Lorraine, 1860.) Noted modern French opera composer. Worked
in factory at Lille to earn musical education. See “Louise”
(Chasing the Chickens — Fox Trot (Walker-Olman) Brown Bros)
l When Aunt Dinah’s Daughter — One-Step Six Brown Brothers)
Number
inj
&
J2 E
— J Ob
64632
10
1.25
88579
12
1 75 Ch
45243
10
1.00
87519
10
1.50
64269
10
1.25
74740
12
1.75
64890
10
1.25
64292
10
1.25
74330
12
1.75
18314
10
.75
64577
10
1.25
64585
10
1.25
64737
10
1.25
17134
10
.75
64736
10
1.25
16917
10
.75
18476
10
.75
CHEATHAM, KITTY
Miss Cheatham, who introduced herself to the great Victor
audience by means of her quite unique presentation of the
Nursery Rhymes and her renditions of the negro folk songs,
is probably the greatest authority in the world on the literature
of childhood in song and story, and, though “ Mother Goose ”
has lived with us for over two centuries, we feel that we have
only just made her acquaintance when she is introduced to us
by this artist, who has sung these delightful rhymes to children,
irrespective of age, in almost every country of the world.
Miss Cheatham is also well equipped, by birth and
personal observation, to sing with authority the genuine old
negro songs; her work along these lines is of rare ethnological
and cultural value.
COCT'T I RA l. MILL'S STUDIO, «. T.
CHEATHAM
CHEATHAM RECORDS
Dixie 45094 Nursery Rhymes 45082 Swing Low, Sweet
I’se Gwine Back to D 45094 Once a Little Shepherd Chariot 45086
Mother Goose Songs 45104 Maiden 45104 Walk in Jerusalem 45086
CHEMET, RENEE, Violinist — See “Famous Artists” in Pink Section
(Cherie — Fox Trot (Irving Bibo) Whiteman's Orch)
l My Man (Mon Homme) Fox Trot ( Yvain ) Whiteman’s Orch)
18758
10
.75
VICTOR RECORDS
Number ~ — £
CHERUBINI, MARIA LUIGI CARLO ZENOBIO SALVATORE
Born in Florence September 1 4, 1 760. Began to learn music at six and composition
at nine. Beethoven considered him greatest writer of his time for stage composition. His
sense of form said to be almost as perfect as Mozart’s but with less aptitude for melodic
expression. Composed many Operas, Cantatas, Masses and a number of instrumental pieces.
Died Paris May 15, 1842. See “Guide Thou My Steps” and “Requiem Mass”
/Chicago — Fox Trot (That Toddling Town) Whiteman and His Orl
l Early in the Morning Blues — Fox Trot The Virginians /
CHICAGO GLEE CLUB — Vocal and Trombone Quartets —
See “ Old Black Joe” and “ Still, Still With Thee”
/Chicago, We’re True to You (Cragun) Victor Military Band]
1 Illinois Loyalty March ( T. H. Guild) Victor Military Band)
/Chicken Reel Comedy Medley Saxophones Brown Bros Sextetl
1 I Wonder What Will William Tell — One-Step VanEps Trio /
American Quartet!
Murray-Smalle)
Conway’s Band!
Conway’s Band )
/Childhood Days (Creamer-Darcy-Franklin)
l Yankee Doodle Blues (Caesar- Gershwin)
Children’s Corner — S ee “Rachmaninoff”
/Children’s Games (Emil Ascher)
l Children ’s Songs
CHILDREN’S RECORDS — See “Educational Records, Stories and
Readings” also “Bear Story,” “Camel and Butterfly,” “Children’s
Games,” “Cinderella,” “Dog and the Kitty Cats,” “Dutch Kiddies,”
‘‘Father Goose Songs,” “Hamlin,” “Happy Little Cripple,” “Jack
and the Beanstalk,” “Little Bull Calf,” “Little Orphant Annie,’’
“Little Red Riding Hood,” “Mother Goose,” “Moo Cow Moo,”
“Nursery Rhymes,” “Our Hired Girl,” “Raggedy Man,” “Santa
Claus,” “Tar Baby” “Teddy Bears’ Picnic” and “Tin Gee Gee”
Child’s Prayer, A (Brandon-Harold) In English Schumann-Heink
CHIME EFFECTS, Records Containing — See “Adeste Fideles,”
“Campana,” "Chimes of Normandy,” “Hear dem Bells,” “Monastery
Bells,” “Sabbath Morn,” “Shepherd’s Life in the Alps,” “Song of the
Chimes,” “Star-Spangled Banner,” “Vesper Service” and “When They
Ring the Golden Bells”
CHIMES, Church
NOTE.-— These are not actual records of church bells, but wonderfully natural
reproductions of them, made by very large and specially constructed metal tubes.
18946
18382
17799
18959
35497
87094
10
10
10
10
12
10
.75
.75
.75
.75
1.25
1.25
Coming of the Year
Lead Kindly Light
Lord Dismiss Us
Adeste Fideles 16053
America 16160
Auld Lang Syne 1 6390
{Chimes of Liberty March (Goldman)
Sagamore March ( Goldman )
CHIMES OF NORMANDY (Paris, 1877)
16825 My Old Ky. Home 16160
16053 Nearer My God 16053
16825 Star-Spangled Banner 16160
Goldman Bandl
The Goldman Band)
(Planquette)
With Joy My Heart (Dans mes Voyages) In French Zanelli
SELECTION OF THE PRINCIPAL AIRS— "Scandal Monger, Gossip
Gadder,” Act I — “Just Look at This” — “That Night I’ll Ne’er Forget,”
Act III — “Whenl’m by Your Side,” Act II — “Legend of the Bells,” Act I —
“ Not a Ghost at All,” Act II — Sousa’s Band
and Naila Intermezzo — Pas des Fleurs ( Delibes ) Pryor’s Band
SELECTION OF THE PRINCIPAL AIRS (Same as above) Pryor’s Band
and Poet and Peasant Overture ( Von Suppe) Pryor’s B
SELECTION OF THE PRINCIPAL AIRS Victor Concert Orchestra
“On Billow Rocking” — “With Joy My Heart” — “As He’s Looking
Somewhat Pale"; — “Legend of the Bells” — “Just Look at This” —
"Cider Song — Finale and Erminie Selection — Victor Orchestra
/Chimes of Normandy (Bryan- Wells) (Popular Song) Murphy 1
l Lorraine ( Bryan-Fisher ) Reinald Werrenrath)
18952
10
66025
10
35134
12
16385
10
35583
12
45148
10
.75
1.25
1.25
.75
1.25
1.00
Number
| Size!
to
— ! Cl
64634
10
1.25
35440
12
1.25
18149
10
.75
45167
10
1.00
42480
10
.75
35695
12
1.25
45266
10
1.00
18777
10
.75
35416
12
1.25
45193
10
1.00
16854
10
.75
35217
12
1.25
16473
10
.75
VICTOR RECORDS
Chiming Bells of Long Ago (Shattuck) Evan Williams
China — See “National and Patriotic Airs”
Chin Chin, Gems from Victor Light Opera Co
Chorus, “Happy New Year" — Solo and Chorus, “Violet” — Solo and
Chorus, “Good-Bye, Girls” — Duet, “ Love Moon " — Chorus, "Ragtime
Temple Bells” ^
Gems from “Maid in America” Victor Light Opera Co
(Chin Chin — Medley Fox Trot Saxophone Sextet Brown Brothers!
I Laverne — Waltz Caprice Saxophone Henton and Conway’s Band)
/Chinese Lullaby (From “ East is West ”) (Bowers) Olive Kline)
1 Baby Jim {John B. Archer) Elsie Balder)
Chinese Orchestra Record
(This is only one of many Chinese records issued by the Victor Company.
They are not catalogued in English.)
Ching-a-Ling’s Jazz Bazaar — Fox Trot Smith’s Orchestral
(Intro. “At the Moving Picture Ball ”) \
Irene — -Medley Fox Trot Joseph C. Smith’s Orchestral
/Chip of the Old Block (Simpson-Squires) Royal Dadmunl
l Give a Man a Horse He Can Ride ( Thompson-O’Hara ) Dadmun)
(Cho-Cho-San — Fox Trot (Puccini-Frey) Whiteman’s Orchl
Song of India — Fox T {Rimsl^y-Korsa\ow- Whiteman) Whiteman’s O)
CHOCOLATE SOLDIER — Operetta by Oscar Straus
(GEMS FROM CHOCOLATE SOLDIER Victor Light Opera Co
J Cho., "Fighting for Love” — Duet," That Would Be Lovely" — "Letter
Duet" — Cho., "Thank the Lord " — Solo and Cho.," My Hero"
( Gems from Merry Widow Victor Light Opera Co
My Hero Waltz and Beautiful Lady Waltz — Marsh
My Hero Waltz- Whistling— Gialdini and Love is Like a Rose-Stevenson and Burr
Selection of Principal Airs — Vessella’sB and Woodland Whisperings — Pryor’sB
Waltzes (For Dancing) Pryor’sB and Dollar Princess W altz — Victor Orch
CHOIR RECORDS — See “Trinity Choir” and “Victor Oratorio
Chorus ”
CHOPIN, FREDERIC ( Show-pahn )
Born near Warsaw, Poland, 1809. Studied under Zywny
and Eisner, and pronounced a genius at 8. Entered Warsaw
Conservatory at 12. Published first composition at 14, the Rondo
in C Minor. Other celebrated works written before 19. At 20,
concert tour of German cities with success. Too frail physically for
army, became an exile, and lived in Paris as teacher and pianist.
Associated with Bellini, Cherubini, Meyerbeer. Visited England
in 1837 and began acquaintance with George Sand (Mme.
Dudevant). They returned to France 1839, separated 1847.
Alternate happiness and misery of this association aggravated his
tubercular condition, and he died 1849. Buried Pere-la-Chaise, Paris, after impressive
funeral attended by entire musical colony.
Works consist mainly of smaller pieces for piano, and his nocturnes, mazurkas,
etudes, have never been equaled in their particular class. His personality remarkable —
cared nothing for applause, and fascinated all who met him. Life-long illness and
sympathy for trials of his native Poland found expression in music of exquisite beaut”.
The Victor takes pride in giving to the world many beautiful and perfect reproductions of
the playing of the great modern interpreters of Chopin.
RECORDS OF CHOPIN COMPOSITIONS
Berceuse (Op. 57) Pianoforte Alfred Cortot
Berceuse (Op. 57) Pianoforte and Les Sylvains ( Chaminade ) La Forge
Etude in G Flat Major (Black Keys) (Op. 10) (2) TheButterfly (Op. 25) Cortot
Etude in G Flat Major (Op. 25, No. 9) Pianoforte Paderewski
CHOPIN
74623
12
55031
12
64989
10
64706
10
1.75
1.50
1.25
1.25
Number
<u
c/5
— i a.
74260
12
1.75
55141
12
1.50
35547
12
1.25
74304
12
1.75
35157
12
1.25
55157
12
1.50
74777
12
1.75
74548
12
1.75
64941
10
1.25
64504
10
1.25
18216
10
.75
64263
10
1.25
64973
10
1.25
64076
10
1.25
64991
10
1.25
74590
12
1.75
55112
12
1.50
74616
12
1.75
74052
12
1.75
35133
12
1.25
74545
12
1.75
74529
12
1.75
74313
12
1.75
74530
12
1.75
35241
12
1.25
74260
12
1.75
64910
10
1.25
64971
10
1.25
74679
12
1.75
74338
12
1.75
74539
12
1.75
55156
12
1.25
VICTOR RECORDS
RECORDS OF CHOPIN COMPOSITIONS— Continued
Etude, Op. 10, No. 5 (2) Prelude, Op. 28, No. 24 Pianoforte de Pachmann
Fantasie Impromptu (Op. 66) and Fantasie in B Flat— Harp — Sale i
Funeral March and Hallelujah Chorus ( Messiah ) Estey Pipe Organ
Funeral March (Marche funebre) Pianoforte de Pachmann
Funeral March — Pryor’s Band and Cujus Animam — Pryor’s Bana
Impromptu in F Sharp Major Pianoforte and Finlandish Dance Moiseivitch
Maiden’s Wish, The Pianoforte Ignace Paderewski
Maiden’s Wish (2) El^gie (Massenet) Violin Maud Powell
Mazurka in D Major (Op. 33, No. 2) Pianoforte Guiomar Novaes
Mazurka in A Minor (Opus 67, No. 4) Violin Fritz Kreisler
Mazurka, Opus 33. No. 2 and Dorothy — Xylophone — Reitz
de Pachmann
Cortot
Maud Powell
Galli-Curci
Mischa Elman
(Liszt) La Forge
Jascha Heifetz
Mischa Elman
Mazurka in F Sharp Minor (Opus 59, No. 3) Pianoforte
Melody Polonaise (Op. 74, No. 5) Pianoforte
Minute Waltz (2) Bee (Schubert) Violin
Minute Waltz (Love’s Messenger Waltz) In Italian
Nocturne in D Flat (Op. 27, No. 2) Violin
Nocturne in D Flat (Op. 27) Piano and Liebestraum
Nocturne in E Flat (Opus 9, No. 2) Violin
Nocturne in E Flat (Op. 9, No. 2) (Sarasate arr.) Violin
Nocturne in E Flat— Sorlin ‘Cello and Martha Overture (Flotow) Pryor’s Band
Nocturne in F Major (Op. 15, No. I) Pianoforte Ignace Jan Paderewski
Nocturne in F Sharp Major (Op. 15, No. 2) Pianoforte Paderewski
Nocturne in G Major ( 12th Nocturne, Op. 37, No. 2) Pianoforte de Pachmann
Polonaise Militaire (Op. 40, No. 1 ) Paderewski
Polonaise Militaire — Vessella’s Band and Carnival Romain — Concert Orch
Prelude, Op. 28, No. 24 (2) Etude, Op. 10, No. 5 Pianoforte de Pachmann
Tarantelle (Opus 43) Pianoforte Alfred Cortot
Valse in D Flat Major (Opus 64) Pianoforte Sergei Rachmaninoff
Valse in E Flat Major (Opus 18) Pianoforte Sergei Rachmaninoff
Waltz (Op. 64, No. 1) (2) Cygne, Le (Swan) (Saint-Satins) V iolin Zimbalist
Waltz in C Sharp Minor (Op. 64, No. 2) Pianoforte Paderewski
Waltz in G Flat Major (Op. 70) Piano and Perpeiuum Mobile Moiseivitch
CHORUSES FROM OPERAS - For many additional chorus records by La Scala
Chorus of Milan, and also for many solos, duets, etc., with chorus, see the various
operas,
Lohengrin — Bridal
Chorus 35494
Lucia — Sextette 55066
Magic Flute — O Isis 4505 1
Flying Dutchman —
Spinning Chorus 35494
Huguenots — Soldiers ’
Chorus 45051
Prince Igor — Coro di
donne 45133
Samson — Spring
Flowers 1 7624
CHORUSES — Male Voices — See also
Favorite College
Songs 35573
Fidelio — Prisoners’
Chorus 35576
CHORUSES — Mixed Voices
America 17578
America 18322
Angels from the
Realms of Glory 35594
Columbia the Gem 17578
Gloria from 12th
Mass 35678
Gospel Songs 35510
Heavens Resound 35576
It Came Upon the
Midnight Clear 35661
Glyndwr Mountain Ash Choir”
T rovatori
Songs of Good
Fellowship 35573
T annhauser- Pilgrims’
Chorus 17563
It Came Upon 35412
Joseph Mine 17870
Messiah 35678, 35499
Oh, Little Town of
Bethlehem 35594
Sacred Songs 35613
Sail On 18322
Sea Songs 35351
Seven Last Words
of Christ 18173
Sing, O Heavens 35661
Anvil
chorus 17624,17563
WarSongs 35351
Song Medleys, See
“Medleys, Vocal”
Songs of Ireland 35513
Songs of Scotland 35513
Songs of the Past —
For 24 medleys of
old-time songs see
"Medleys, Vocal’*
While Shepherds
Watched 35412
Chorus of Dervishes (“Ruins of Athens”) (Beethoven) Violin Heifetz
(Christ Arose — Easter Hymn (Lowry) Hayden Quartet-!
I Beautiful Isle of Somewhere ( Fearis ) Harold Jarvis /
64759 10
16008 10
1.25
.75
Number
| Size!
to w
— 1 o.
18958
10
.75
45175
10
1.00
18086
10
.75
55100
12
1.50
35712
12
1.25
18389
10
.75
35335
12
1.25
16936
10
.75
VICTOR RECORDS
/ Christians, Awake, Salute the Happy Morn Trinity Male Choir]
l Watchman, Tell Us {Bowring- Mason) with Organ and Chimes Trinity C)
CHRISTIAN SCIENCE HYMNS — See “Day by Day,” “In Thee, Oh
Spirit,” “O’er Waiting Harp Strings,” “Saw Ye My Saviour” and
“Shepherd Show Me”
(Christ in Flanders (Johnstone-Ward-Stephens) Lambert Murphyl
l There is No Death ( Geoffrey O’Hara) Lambert Murphy J
{Christmas Carol (Holland) Bible Reading — Luke 2 Humphrey]
It Came Upon the Midnight Clear ( Willis ) ( 2 ) Hark.! the |
Herald Angels Sing ( 3 ) Joy to the World
Christmas Carol, A (Dickens) (See “Scrooge”)
{Christmas Day in the Workhouse (Sims)
Scenes from "A Fool There Was”
/Christmas Hymns and Carols — No. 1 (See “Medley No. 3”) Trinity C]
No. 2 ~
Victor Orchestra )
Robert Hilliard]
Robert Hilliard )
l Christmas Hymns and Carols
/Christmas Hymns — Selection Harp
l Silent Night, Holy Night Violin-Flute-Harp
/Christmas Light, Behold (von der Mehden)
l Ring Out Wild Bells ( Tennyson-Gounod)
/Christmas Morning at Clancey’s — Irish Specialty
l Clancey’s Wooden Wedding — Irish Song
Trinity Choir)
Francis J, Lapitino]
Neapolitan Trio)
Peerless Quartet]
Percy Hemus)
Steve Porter]
Steve Porter )
CHRISTMAS RECORDS— S ee preceding seven records ; also
Joseph Mine
Joy to the World
Messiah
Nazareth
Noel
Oh, LittleVTown
Ring Out, Wild Bells
Scrooge
Silent Night
Adeste Fideles
Angels
Christians, Awake
First Nowell
Hark! the Herald Angels
Holy Night
It Came Upon the Midnight
Clear
Jesus de Nazareth
CHRISTOPHER COLUMBUS — Italian Opera (See “Cristoforo”)
/Christ the Lord Is Risen To-day (Mozart) Trinity Quartet]
l God So Loved the World {from' ‘The Crucifixion”) Trinity Qt)
CHURCH, Records for Church Use — See “Bible Reading,” “ Hymns,”
“Sacred Songs,” the various Oratorios and “Band Records for
Congregational Use”
CICCOLINI, GUIDO, Tenoi - See “Cavalleria Rusticana”
Cid, Le — 0 souverain, 6 juge, 6 pere! (Almighty Lord, Oh Judge, Oh
Father) (Act III) (Massenet) In French Enrico Caruso
Cielo Turchino (Neapolitan Song) (Capaldo-Ciociano) Italian Caruso
/Cinderella (Fairy Tale) Sally Hamlin]
l Jack and the Beanstalk ( Fairy Tale) Sally Hamlin)
/Cinderella (Fairy Tale) Pauline Potter]
1 Little Red Riding Hood ( Fairy Tale) Pauline Potter i
Cinquantaine, La (The Golden Wedding) (Gabriel Prosper Marie)
By Mischa Elman V iolin with orchestra
By Wm. H. Reitz Xylophone and Dawn of Love — Neapolitan Trio
By McKee’s Orchestra and Pirouette ( Finck ) McKee's Orchestra
/Circle, The (From “ American Country Dances” — Burchenal) Victor B1
l Hull’ s Victory (arr. by Burchenal) Victor Military Band)
/Ciribiribin (Canoe Song) (Martens-Pestalozza) Littlefield-Bakerl
\ V enetian Boat Song ( Blumenthal ) Littlefield- Baker)
Sing O Heavens
Star of Bethlehem
Stille Nacht
To Us is Born
Vom Himmel
Watchman, Tell Us
While Shepherds Watched
Yule-Tide
18873
10
88554
12
87218
10
35664
12
35447
12
66073
10
18296
10
18223
10
18367
10
45172
10
.75
1.75
1.25
1.25
1.25
.75
.75
.75
1.00
VICTOR RECORDS
{Ciribiribin (2) La Spagnuola Waltz Accordion Pietro]
Azalea Waltz (B. Hartz) Mandolin Dr. Clarence Penney)
( Ciribiribin Waltz (Pestalozza) Whistling Guido Gialdini]
l West Lawn Polka {Glynn- Bacon) Banjo (Piano acc.) F. J. Bacon)
CIVIL WAR - See “War Songs of the Civil War”
Clairon, Le (Chant du Soldat) (Deroul^de-Andre) French Journet
fCIamy Green — Darky Specialty Golden and Hughes]
l RubetoWn Minstrels {Contents under "Minstrels”) Victor Minstrel Co)
(Clancey’s Wooden Wedding — Irish Song Steve Porter]
l Christmas Morning at Clancey’s — Irish Specialty Steve Porter)
CLANCY, PATRICK J., Violinist— See “Dublin Jig Medley”
Clang of the Forge (Rodney) Emilio de Gogorza
{Clarinet Marmalade Blues — One-Step Original Dixieland JazzBl
Mournin’ Blues — Fox Trot { Sbarbaro ) Original Dixieland Jazz Band)
CLARK, HELEN, Soprano
In the Valley of the Moon 17587 1 Sun of My Soul 17479
CLARKE, HERBERT L., Cornetist
Number
t/5
— a.
17643
10
.75
17129
10
.75
74473
12
1.75
35294
12
1.25
16936
10
.75
64037
10
1.25
18513
10
.75
Caprice Brilliante
Carnival of Venice
Russian Fantasie
35090
16088
16313
Showers of Gold 17153
Sounds from Hudson 1 6679
17109
Ah, Cupid 16296
Aloha Oe 17035
Bride of the Waves 16194 Russian Fantasie 16313 Southern Cross
Classical Spasm, A — Ragtime One-Step (Based on Scharwenka s “Polish
Dance” and Paderewski’s “Minuet") (arr. by Thomas) Thomas?
Delirious Rag — One-Step Pianoforte Harry Thomas J
Clavelitos (Carnations) (Valverde)
By Lucrezia Bori (Soprano) In Spanish (with Or ch. and Mandolin)
By Amelita Galli-Curci (Soprano) In Spanish
(Clayton’s Grand March (Blake) (In slow time for Marching) Victor B1
l In Lilac Time — March {Engelmann) Victor Military Band J
CLEMENT, EDMOND, Tenor {Klay-mong') (See “Clement,” Pink Sec.)
Cleopatre — Air de Lettre (Messages of Love) {Massenet) French Journet
(Close to Thee (Crosby-Vail) Anthony and Harrison]
l Looking This Way {Van Deventer) Anthony and Harrison)
(Closer to Jesus (Daniel-Gabriel) Rodeheaver-Brewsterl
\ Drifting Homer Rodeheaver and George Brewster )
CLUB ROYAL ORCHESTRA — See “Doerr, Clyde and Club
Royal Orchestra”
(Coal Black Mammy — Fox Trot (Helier) Whiteman and His Or]
\ Tricks — Fox Trot {Zez Confrey) Whiteman and His Orchestra)
COATES, ALBERT, Conductor and SYMPHONY ORCHESTRA
18229
hJ
87217
10
64904
10
35397
12
64587
10
17024
10
18341
10
18939
10
.75
1.25
1.25
1.25
1.25
.75
.75
.75
Don Jr
-Parts 1 and 2
55176
Don Juan — Parts 3 and 4
55177
\
Meistersinger Overture
55171
Mother Goose Suite 55170
Mother Goose Suite 55175
|Coeur de ma mie (Heart of My Love) (Dalcroze) French Reimersl
Dimanche a I’aube {Sunday at Dawn) {Folk Song) French Reimersl
COHAN, GEORGE M., Comedian
Life’s a Funny Proposition, After All George M. Cohan
COMPOSITIONS BY GEORGE M. COHAN See above ; also “Grand
Old Flag,” “Haunting Melody,” “Nellie Kelly,” “Over There” and
“You Remind Me”
(Cohen at the Picnic (Part I) Monroe Silver]
l Cohen at the Picnic {Part II) Monroe Silver!
Symphony in A Major 55165
Symphony in A Major 55166
Symphony inAMajor 55174
45063
10
60042
10
18608
10
1.00
.75
.75
VICTOR RECORDS
Number
<U
C/3
— i a.
/Cohen at the Telephone (Comic Monologue)
l Goldstein Goes in the Railroad Business
Barney Bernard!
Barney Bernard)
18029
10
.75
( Cohen Gets Married (Silver)
l Cohen On His Honeymoon {Silver)
Monroe Silver!
Monroe Silver)
18501
10
.75
/Cohen On His Honeymoon (Silver)
l Cohen Gets Married {Silver)
Monroe Silver 1
Monroe Silver)
18501
10
.75
/Cohen Owes Me Ninety-Seven Dollars (Berlin)
l Nat’ an {For What Are You Waitin’, Nat’ an ?)
Rhoda Bernard!
Rhoda Bernard)
18023
10
.75
/Cohen’s Wedding (Smith) Avon Comedy Four)
l Hungarian Restaurant Scene Avon Comedy Four)
35602
12
1.25
COLDSTREAM GUARDS BAND— See
Bugle Calls 69013,69014 1 Regimental Marches 69009,69011 [ Vespri Siciliani 35434
COLEMAN AND HIS ORCHESTRA — See “Stolen Kisses” — Fox Trot
COLERIDGE-TAYLOR, SAMUEL (B. London, 1875; D. Croydon,
1912.) Anglo-African Composer. See “Deep{ River,” “Onaway,
Awake” and “Viking Song”
Colleen o’ My Heart (Dick-Penn)
Werrenrath|6493l| lOl 1.25
College Medley
Fair Harvard
Favorite College Songs
Johnny Harvard
Lord Geoffrey Amherst
Old Nassau
On Wisconsin
Orange and Black
Our Director March
Varsity March
Victors, The
Yellow and the Blue
Peerless Qfi
Peerless Qtj
Shannon Four"!
Peerless Qt)
COLLEGE AIRS— See
Army Blue
Benny Havens
Boola
Bring Back My Bonnie
College Days
College Life
/College Days (University of Michigan Song)
l The Yellow and the Blue {University of Michigan Song)
(■College Days (Pixley-Luders)
\ Auld Lang Syne {Burns) {Unacc.)
/College Life March {Vocal Cho. and Whistling) (Frantzen) Victor Ol
l Friendly Rivals {Clarke) Two Cornets Clarke and Kene^e)
College Medley — Parody (Norworth) Jack Norworth
COLLINS, ARTHUR, Comedian
Mr. Collins is one of the most successful singers of “coon
songs ” now before the public. His success in this particular
type of song is quite unique and is due in a large measure to the
sympathetic, human way in which his own delightful personality
reveals itself through his records. In addition he has a splendid
voice and a wonderful faculty for making the words sound clear
and understandable, which is no easy task in dialect songs. Mr.
Collins is quite able to please his hearers in this respect, and he is
always entertaining both in solos and in the clever duets made with
Mr. Harlan. The charm of this special kind of art seems to have
a never-failing appeal for the American public, and we are f
tunate to have a past master of the art to represent us.
COLLINS RECORDS
Ghost of Banjo Coon 17011 | Preacher and the Bear 17221
COLLINS AND HARLAN
18168
18792
16312
60014
10
10
10
10
.75
.75
.75
.75
At the Levee on
Revival Day 1 7300
Auntie Skinner’s
Chicken Dinner 1 7755
Bake Dat Chicken Pie 17221
Down in JungleTown 16805
If You Saw All That 1
Saw 18387
Mississippi Dippy Dip 16937
- COPY*! CHAN NELL
COLLINS
Steamboat Bill
16937
Moonlight in Jungle
16483
Niggah Loves His
Possum
17256
Old Grey Mare
18387
Pickin’ Cotton
17293
VICTOR RECORDS
Colomba, La (The Dove) (Folk Song of Tuscany) In Italian Glue
Co (Colombia Waltz (Valverde) Blue and White Marimba Band
■ 1 Marimba March ( From N. Y. Hippodrome) B. and W. Marimba Bana
(Colombine, The (La Colombina) — Fox Trot International Or
l Preity Indian ( La India Bonita ) — Fox Trot International Orch
Columbia, Gem of the Ocean (Red, White and Blue) (Thos. a Beckel
By Harry Macdonough and Star-Spangled Banner — Wilfred Gler
, By Lambert Murphy (with Orpheus Quartet)
and Battle Hymn of the Republic — Werrenrai
By Victor Mixed Chorus and America — Victor Mixed Chon
By Victor Military Band and America — Victor Military Ban
(Columbus (Miller) Recitation William Sterling Battis
l Landing of the Pilgrim Fathers ( 2 ) God Give Us Men Battis
(Come and Trip It as You Go (Handel) Dixon and Lyric Qt
l Haste Thee, Nymph ( From Milton’s “ L' Allegro") Dixon and Quartet
Come Back to Erin (See also “ Medleys, Vocal ”) McCormacl
(Come Back to Erin (Claribel) Violin-'Cello-Piano McKee Trio
1 Alice, W here Art Thou? ( Ascher ) Violin-’Cello-Piano McKee Trio
(Come Back to Sorrento Neapolitan Trio
l Serenade of Olden Times ( Silvestri ) Neapolitan Trio
Come, Beloved (CareSelve) (From opera “Atalanta”) (Handel) Glucl
(Comedy Overture (Keler-Bela) Accordion Pietro
l Trieste Overture ( Arranged by Pietro) Accordion Pietro
(Comedy Tom (One-Step Tempo) Six Brown Brothers
l Smiles and Chuckles ( One-Step Tempo) Saxophones Brown Brothers
Come Into the Garden, Maud (Balfe) In English Evan William
Come Into the Garden, Maud (Balfe) ( Harp acc.) McCormacl
(Come Out, Mr. Sunshine (Stanton-Bliss) Christine Miller
l Old Black Joe ( Stephen Foster) Christine Miller
(Come Thou Almighty King (Wesley) Trinity Choir
l Jerusalem the Golden (Ewing) Trinity Choir
( Come, Thou Fount of Every Bless. (Robinson-Wyeth) Kline-Baker
l Saviour, Like a Shepherd Lead Us ( Thrupp-Bradbury) Kline-Baker.
Come Unto Me — See “ Messiah”
Come Where My Love Lies Dreaming (Stephen Collins Foster)
By John McCormack (Tenor) ( With Male Chorus)
By Peerless Quartet and Home, Sweet Home ( Payne ) E. Spt
By Neapolitan Trio and Thou’rt Like Unto a Flower — Neapolitan
Come Ye Disconsolate (Moore-Webbe) |Mabel Garri:
{Come Ye Disconsolate (Moore-Hastings) Trinity Che
Full Surrender (“I Surrender All”) (Pollard- Towner) Trinity Ch
Comfort Ye My Peopl e — See “ Messiah”
COMIC OPERAS AND MUSICAL COMEDIES —See these titles
Number
Site
List
prc.
k 64277
10
1.25
] 17928
10
.75
)
| 73259
10
.75
0
n 35009
12
1.25
/J45121
10
1.00
is 17578
10
.75
dj 17580
10
.75
} 35653
12
1.25
} 18123
10
.75
k 74158
12
1.75
} 17995
10
.75
| 69502
10
.75
k 74504
12
1.75
J 35503
12
1.25
| 18385
10
.75
s 74109
12
1.75
k 74434
12
1.75
} 45056
10
1.00
| 16135
10
.75
| 45306
10
1.00
64423
10
1.25
r 16663
10
.75
0 17364
10
.75
t 64920
10
1.25
16709
10
.75
Angel Face
Apple Blossoms
Arcadians
As You Were
Babes in Toy land
Big Show
Blossom Time
Blue Paradise
Bohemian Girl
Bombo
Canary Cottage
Chin Chin
Chocolate Soldier
Count of Luxemb’g
Dollar Princess
Eileen
Erminie
Firefly
Florodora
Follow Me
Fortune Teller
Girl in the Spotlight
Half Moon
Have aSmile
Irene
Jack o’ Lantern
Katinka
Lady Billy
Lady of the Slipper
Leave It to Jane
Madame Sherry
Magic Melody
Maritana
Mary
Maytime
Merry Widow
Midnight Frolic
Mikado
Mile. Modiste
Modest Suzanne
VICTOR RECORDS
Number ~ •
1 C/5 I •
COMIC OPERAS AND MUSICAL COMEDIES— Continued
She’s a Good Fellow
Siren
So Long, Letty
Sometime
Spring Maid
Sweethearts
Sweetheart Shop
Church Bellsl
Trinity Chimes )
Naughty Marietta Quaker Girl
Night Boat Rambler Rose
O'Brien Girl Red Mill
Only Girl Robin Hood
Pinafore Rose Girl
Pink Lady Sally
Prince of Pilsen Sari
f Coming of the Year ( Organ accompaniment)
\ Lord Dismiss Us With Thy Blessing ( Organ acc.)
Cornin’ Thro’ the Rye (Old Scotch Air)
By Geraldine Farrar (Soprano)
By Alma Gluck (Soprano)
By Nellie Melba (Soprano)
By Marcella Sembrich (Soprano)
By Florence Hinkle (Soprano) and Oh! That We Two Were Maying — Hinkle
By Claude Isaacs (Boy Soprano) and Sine! Sing! Birds on the Wing — Isaacs
By Conway’s Band (Humoreske) and Teatin of the Green— Conway’s Band
Cornin’ Thro’ the Rye — Parody — See “ Wills ”
Comme se canto a Napule (As They Sing in Naples)
(Rolonda-Mario) In Italian (with Mandolin ) de Gogorza
COMMUNITY SINGING — Band Accompaniments See “America,”
“America, the Beautiful,” “Annie Laurie,” "Hail Columbia,” “My Old
Kentucky Home,” “Old Folks at Home” and “Star-Spangled Banner”
(Comrades of the Legion — March (Sousa) Sousa’s Band!
l Who’s Who in Navy Blue — March (Sousa) Sousa’s Band)
CONCERTINA SOLOS (F or Accordion records see “Accordion ”)
Diadem Quick-Step and Honest Toil March — Alex. Prince
CONCERTOS, Excerpts from
Adagio — from 5th Concerto (Beethoven) Pianoforte La Forge
and Scarf Dance ( Chaminade ) Pianoforte — La Forge
Andante from 2d Concerto (de B6riot) Gardner and Serenata — Pilzei
Canzonetta from Violin Concerto (Tschaikowsky) Heifetz
Concerto for Harp and Flute — Sassoli — Lemmone and By the Brook-Flute
Concerto for Two Violins in D Minor — Part I — Vivace (J. S. Bach)
{String Quartet acc.) Kreisler and Zimbalist
Concerto for Two Violins — Part II — Largo Kreisler and Zimbalist
Concerto for Two Violins — Part III — Allegro Kreisler and Zimbalist
Concerto in A Minor — Part 1 ( 1 st Movement) and Part 2 (Grieg)Piano de Greef
Concerto in A Minor — Part 3 (2nd Movement) and Part4 (Grieg) Piano de Greef
Concerto in A Minor — Andante (Goldmark, Op. 28) Violin Heifetz
Concerto in E Minot — Finale (Mendelssohn, Op. 64) Violin Maud Powell
Concerto in E Minot — Finale (Mendelssohn, Op. 64) Violin Jascha Heifetz
Second Concerto in D Minot — Romance ( Wieniawski, Op. 22) Violin Powell
SecondConcerto in D Minot — Romance (Wieniawski, Op. 22) Violin Heifetz
Second Concerto in D Minor — Romance (Wieniawski, Op. 22) Violin Morini
Second Concerto in G Minot — Part 1 and Part2 ( / st Movement) (Saint Saens)
Piano and Orchestra de Gre
Second Concerto in G Minor — Part 3 (2nd Movement) and Part 4
(3 rd Movement) (Saint Saens) Piano and Orch de Gre
Concerto in G — -Allegro moderato (7th Concerto) (de Beriot) Powell
Second Concerto — Finale (Wieniawski) (Op. 22) Violin Kubelik
CONFREY AND HIS ORCHESTRA
Are You Playing Fair? 18921 I I Love Her 18902 1
Cow Bells 18962 I Kitten on the Keys 18900 I
CONGREGATIONAL SINGING, Records for
Nearer My God to Thee (Mason) and Onward Christian Soldiers — Conway's B
{Consolation (Mendelssohn) (Arranged by Lapitino) Harp Lapitino)
Humoresque (Dvorak) Harp Francis J. Lapitino )
Tip Top
Tyrolean
Velvet Lady
Waltz Dream
Watch Your Step
When Johnny Comes
You're in Love
16825
to
87005
10
64422
10
88449
12
88390
12
45084
10
18274
10
17444
10
64479
10
18683
10
18037
10
55030
12
18175
10
74678
12
55111
12
76028
12
76029
12
76030
12
55154
12
55155
12
74764
12
74026
12
74721
12
74179
12
74600
12
74717
12
55160
12
55161
12
74493
12
74370
12
Struttin’ at Ball
Zenda — Fox Trot
17848
10
18119
10
.75
1.25
1.25
1.75
1.75
1.00
.75
.75
1.25
.75
.75
1.50
.75
1.75
1.50
2.00
2.00
2.00
1.50
1.50
1.75
1.75
1.75
1.75
1.75
1.75
1.50
1.50
1.75
1.75
18932
18945
.75
.75
VICTOR RECORDS
CONSTANTINO, FLORENCIO, Tenor
Faust — Dammi ancor (Let Me Gaze) In Italian with Nielsen
Traviata — Parigi o cara (Far from Gay Paris) In Italian with Nielsen
CONTES D’HOFFMANN (Kahnt Doff' -mahn) See “Tales of Hoffmann”
Conundrum, The (What Will 1 Play Next?) Puzzle Record
(Four short selections, vocal and instrumental, any one of which
the needle may decide to play)
. Nightmare in the Desert ( with specialties and imitations) Mar\ Sheridan,
Number
Size
to ^
— i a
74076
12
1.75
74075
12
1.75
35229
12
1.25
CONWAY’S BAND
Conway’s Band is unquestionably one of the finest military bands in the world, and
there are few in America that even compare with it. Patrick Conway was an instructor
in band music at Cornell University before he became director of the Ithaca Band, Ithaca,
N. Y., 1895, which has since developed into “Conway’s Band,” known from coast to
coast of America. The high standard obtained by this band is primarily due to the pains¬
taking and enterprising leadership of the conductor, but it is also due to the unusually high
standard of musicianship among the members.
CONWAY’S BAND
Angel's Dream W. 35500
Baby’s Sweetheart 17215
Baltimore Centennial 1 824 1
Battle of Gettysburg 1 8339
Battle of the Nations 18121
Bay State Com-
mandery 1 7402
Children’s Games 35497
Cornin’ Thro’ the Rye 17444
Cossack Grenadier 69621
Creations-Heaven R. 35484
Daughters of America 1 7402
Evolution of Dixie 35600
Fackeltanz 35505
Farmyard Caprice 17215
Finlandia 35505
First Brigade 1 7648
Folks Up Willow Creek 1 7493
From Foreign Parts 18078
Good-Bye Dolly Gray 18339
COO COO - From Bombo—
COOMBS, FRANK, Tenor
Heavens Are Telling 35484
Henry VIII Dances 35530
Home Sweet Home W. 17733
Indiana — Medley 35645
Jolly General March 35608
Juanita (.2) Old Folks 18519
King Christian 67586
Loreley Paraphrase 18078
Manola, La Serenade 17785
Marche Lorraine 6962 1
Massa’s in Cold 18519
Melodious Memories 35600
Memories of
War ’61 -’63 35525
Midnight Frolic 35645
Napoleon's LastCh’gel8l21
Naval Reserve 18360
Nearer My God 17848
NellGwyn — Pastoral 18164
Nightingale Waltz 35500
See “Bombo”
-See “Afterwards ” and “B
Old Black Joe 18519
Old Folks at Home 18519
Onward Christian 17848
Patrol of the Scouts 18241
Radetzky March 67965
Rakoczy March 67965
Repasz Band — March 18607
Slidus Trombonus 18117
Southern March I 7648
Southerner March 35531
Spirit of Independence 18559
Standard Bearer M. 35657
Stephen Foster-Gems 35525
Tearin’ o’ the Green I 7444
Uncle Tom's Cabin 17493
Victorious America 18084
Wedding of the Rose 17476
Whistlers. The 17396
Whistling Johnnies I 7396
White Rose March 18360
Isle ”
(Coon Band Contest — Fox Trot
l Li’ l Liza Jane — One-Step
Earl Fuller’s Famous Jazz Bandl
Earl Fuller’s Famous Jazz Band )
18394
10
.75
COON SONGS AND SPECIALTIES - See American Qt., Collins,
Collins-Harlan, Golden-Hughes, Harris, Jones, Jones-Spencer, Mins¬
trel Records, Murray, Peerless Qt.
NOTE — By “ coon songs” are meant up-to-date comic songs in negro dialect.
The humor of many of these songs cannot he called refined, and for that reason
we have distinguished them from old-fashioned darky humor, these songs being
listed under “ Fisk Jubilee Quartet,” " Negro Songs” and “ Tuskegee.”
VICTOR RECORDS
COPPELIA BALLET (Leo Delibes)
Festival Dance and Waltz of the Hours-Victor Orchestra
and Malaguena ( Moszkowski ) Victor 1
Mazurka — Victor Orchestra and Czardas — Victor Orel
COQ D’OR (Golden Cockeralj ^Rimsky-Korsakow)
Hymne au Soleil (Air of the Queen of Shemakha) In French Mabel Gari
Hymne au Soleil (Hymn to the Sun) In French Amelita Galli-C
Hymn to the Sun V iolin Mischa El
Hymn to the Sun V iolin Fritz Kre
{Coquette Polka Kirilloff’s Russian Balalaika Orchestral
l Spanish IV altz Kirilloff’s Russian Balalaika Orchestral
Core ’ngrato Neapolitan Song) (Cordiferro-Cardillo) Italian Caru
Coriolan Overture — Part 1 (Beethoven) Mengelberg-New York (
Coriolan Overture — Part 2 Mengelberg-N. Y. Philharmonic (
Cor, Le (The Horn) (de Vigny- Flegier) In French Marcel Journ
CORNET SOLOS — For Duets, see 11 Instrumental Duets ”
Number -5
— '■ a
35714 12
1.25
18379 10
.75
64790 10
1.25
66069 10
1.25
74597 12
1.75
74720 12
1.75
73504 10
.75
88334 12
1.75
74756 12
1.75
74757 12
1.75
74508 12
1.75
Ah, Cupid 16296
Aloha Oe with Band 17035
Believe Me, If All 18145
Bride of the Waves 16194
Caprice Brilliante 35090
Carnival of Venice
35298, 16088
Cradle Song — Lullaby 17417
My Heart at Thy Voice 17216
My Old Kentucky
Home 18145
O sole mio 1 6899
Rosary, The 1 6046
Russian Fantasie 16313
Serenade 35508
Showers of Gold 17153
Sounds from Hudson 16679
Southern Cross 17109
Stabat Mater
Inflammatus 35508
16218 10 .75
.75
35110 12
(Cornfield Medley — Descriptive Specialty Peerless Quartet)
l Massa's in the Cold, Cold Ground — Plantation Air Hayden Qtl
Coronach (From Sir Walter Scott’s “ Lady of the Lake ”)
(Schubert) (with Woodwind acc. ) Kline- Wheeler-Dunlap [ 17987 10
Soldier, Rest (Sir (Valter Scott’s “ Lady of the Lake”) Kline-Baker J
(Coronation (All Hail the Power of Jesus’ Name) and Doxology
(Praise God from Whom All Blessings Flow) Trinity Choir
Sanctus from “Messe Solennelle” ( Gounod ) Trinity Choir.
Coronation March — See “ Prophete”
CORSI, EMILIA, Soprano (.Kor -see) See “Barber,” “Don Pasquale”
and “Traviata"
CORT OT, ALFRED, Pianist (For Sketch and Records see Pink Section)
Cosi Fan Tutte — In uomini, in soldati (School for Lovers — In Lovers
and in Soldiers for Constancy You Look) (Mozart) In Italian Bor
(Cosmopolitan Overture (See “Medley No. 52”)
l Shepherd’s Life in the Alps (Descriptive effects)
{Cossack Grenadier (Le Grenadier du Caucase)
Marche Lorraine ( Ganne ) Conway’
Cossack War Song (Chant de Guerre Cosaque) In French *
COSTA, P., Compositions — See “ Frangesa” and “Luna Nova”
Cottage Maid, The (Beethoven) Jul
Coucou, Le (The Cuckoo) (Daquin) F^anoforte Rachm
Could I (Vorreij (F. Paolo Tosh) Emilio de G
COUNTER-TENOR SOLOS— See “Oakland”
COUNT OF LUXEMBOURG (Hood-Ross-Lehir)
Count of Luxembourg Waltzes — Victor B and Siren Waltzes — Vi
Country Dance (Weber-Elman) Violin Mischa
Country Dance (Contredanse) (Beethoven-Elman) Violin
COUNTRY DANCES — See “Educational”
1.25
Pryor’s Band)
Pryor’s Band I
Conway’s Band)
87346
10
1.25
35282
12
1.25
69621
10
I'”
64585
10
1.25
64493
10
1.25
64919
10
1.25
64794
10
1.25
35206
12
1.25
64537
10
1.25
64968
10
1.25
VICTOR RECORDS
Number
List
prc.
County Fair at Punkin Centre — Yankee Talk
Widow Dooley — Irish Specialty Ada Jones
Cal Stewart 1
and Billy Murray)
16019
10
.75
t
COUPERIN, FRANCOIS (1668-1733) B. Paris. Member famous family of
musicians. Composed much for harpsichord. Greatly influenced Johann Sebastian
Bach. Organist to King Louis XV. Known as “ Le Grand Couperin” to distinguish
him from rest of family, which developed musicians for at least three generations.
See “Aubade Provencale” and “Chanson Louis XIII.”
{Court Scene in Carolina (Collins-Campbell) Victor Vaudeville Col
Dark_town Camp-meetin’ Experiences Victor Vaudeville Company)
COWLES, EUGENE, Bass — See “ Forgotten” and "Fortune Teller”
Cracovienne Fantastique (Op. 14, No. 6) (Paderewski) Paderewski
Cradle Song— (Wiegenlied) (Johannes Brahms)
By Julia Culp, (Contralto) In German Piano Accompaniment <
By Elsie Baker (Contralto) and Loreley ( Silcher ) Elsie Baker '
By Laura Littlefield, (Soprano) and the Little Dustman — Littlefield
By Michele Rinaldi, Cornet with Vessella’s Band and Old Folks Van Eps
Cradle Song (Helen B. Knox-Alex Iljinsky) Sophie Braslat
Cradle Song (Alex. MacFadyen) Schumann-Heinl
Cradle Song (Mozart) Alma Glucl
Cradle Song (Song of the Chimes) (Worrell) Alma Glucl
Cradle Song, 1915 (Mattullath-Kreisler) McCormack
CRADLE SONGS — See above, also “ Berceuse,” “Hiawatha’s Child¬
hood — Ewa-yea!” and "Lullabies”
CRAWFORD, CLIFTON, Comedian — “ Gunga Din” Kipling
(Crazy Blues Fox Trot (Intro. “It’s Right Here”) Dixieland Jazz B)
\ Home Again Blues — Medley Fox Trot Berlin) Dixieland Jazz B\
CREATION, The (Haydn)
With Verdure Clad — Marsh and Elijah-Hear Ye, Israel — Mars I
Pryor’s Band)
Pryor’s Band)
Sousa’s Band)
Sousa ’s Band)
(Creme de la Creme (See "Medley No. 53”)
l Souvenir de Beethoven ( Fantasia )
{Creole Belles (Lampe)
Hiawatha — Two-Step (Mordt)
Crepuscule (Massenet-Hubay) See " Twilight”
( Cricket on the Hearth ("Sweethearts”) MacDonald- Werrenrath)
l Day Dreams, Visions of Bliss MacDonald-Quartet)
{Cricket’s Serenade (Bendix) Orchestra with Belmont 1
Dance of the Song Birds ( Richmond) Orchestra with Belmont)
{Cristoforo Colombo — Aman lassu le stelle Badini-La Scala Choi
Lucia Sextette Giovanelli, Dianna, Lussardi Bettoni with Chorus)
CRITERION QUARTET — -Male Voices
Med. Foster Songs 35095
My Gal Sal 18905
My Wild Irish Rose 16741
Old-Time Religion 16743
Some Blessed Day 18808
T ramp.T ramp.T ramp 1 653 1
("Crocodile, The — Fox Trot (Motzan-Akst) Wiedoeft-Wadsworth Qtl
l Fll See You In C-U-B-A — Medley Fox Trot Palace Trio)
Croon, Croon, Underneat’ de Moon (Clutsam) (with Cho) Braslau
(Crooning — Fox Trot (Wm. F. Caesar) Benson Orchestra)
l I’ll Keep On Loving You — Fox Trot ( V . Rose ) Benson Orchestra)
35609
12
1.25
74535
12
1.75
64402
10
1.25
17181
10
.75
18440
10
.75
17417
10
.75
66035
,0
1.25
87286
10
1.25
64590
10
1.25
64322
10
1.25
64606
10
1.25
70028
12
1.25
18729
10
.75
55178
12
1.50
35484
12
1.25
35263
12
1.25
17252
10
.75
45189
10
1.00
17521
10
.75
55043
12
1.50
Adeste Fideles 16197
Bring Back My Bonnie 16105
Dixie 16402
Glory Song 35014
He Will Hold Me Fast 1 6239
Wayside Cross 18808
When the Roll is
Called 1 6749
Will There Be Any
Stars 1 6286
18663
10
64799
10
18765
10
.75
1.25
.75
_ VICTOR RECORDS _
CROSBY, FANNY J. (1820-1915) Blind hymn writer. American
See “All the Way,” “Close to Thee,” “Jesus, My All,” “Near the
Cross,” “ Only a Beam,” “Open the Gates of the Temple,” “Safe in
the Arms,” “Saved by Grace” and “Tell Me the Story of Jesus.”
rCross Bow, The (From "Robin Hood”) (de Koven) Imperial Qtl
. W ay Down Yonder in the Cornfield Imperial Quartet of Chicago)
Crossing the Bar (Tennyson-Willeby) Evan Williams
Crossing the Bar (Tennyson-Cowles) Alan Turner 1
One Sweetly Solemn Thought (Carey -Ambrose) Elsie Baker)
CROXTON, FRANK, Bass — See “Nazareth” and “Weeping Willow”
Crucifix (Jean Baptiste Faure)
By Alma Gluck and Louise Homer (Soprano-Contralto)
By Enrico Caru9o and Marcel Journet (Tenor-Bass) In French
By John McCormack and Reinald Werrenrath (Tenor-Baritone)
By Hart-Shaw (Tenor-Baritone) and Mu Faith Looks Up — Hart- Shaw
CRUCIFIXION, THE (Sir John Stainer)
God So Loved the World and Christ the Lord is Risen— Trinity Quartet
Cry of Rachel, The (Reese-Salter) In English Schumann-Heink
Csardas (Hungarian Folk Dance) See “Educational ” and “Powell”
(Cuckoo Song — Yodel Specialty George P. Watson)
l Papa 's Baby Boy — Yodel Song George P. Watson)
(Cuddle Up Blues — Fox Trot (Jerome-DeCosta) The Virginians)
l My Honey s Lovin’ Arms — Fox Trot ( Meyer-Ruby ) The Virginians)
CUI, CfiSAR (Kwee) (B. Vilna, Poland, 1835; D. Petrograd, 1918.)
Russian composer and military engineer. See “Orientale”
Cujus Animam — Stabat Mater — See “ Stabat Mater ”
CULP, JULIA, Contralto (See “Culp” in Pink Section)
(Cunha Medley Hawaiian Guitars Pale K. Lua-David Kailil
l Hula Medley Pale K. Lua-David Kaili)
(Cupid and the Butterfly (D’Albret) Victor Military Band)
l Dorothy Three-Step ( Lampe ) Victor Military Band /
(Cupid’s Arrow — Concert Polka (Eno) Banjo (Piano acc.) Van Epsl
l Polish Dance No. / (Scharwenka) Xylophone Wm. H. Reitz)
(Cupid’s Garden — Intermezzo (Eugene) Bell Solo Wm. H. Reitz)
l Evening Chimes — Reverie Violin-’ Cello-Harp-Bells Venetian Trio )
(Curiosity Hunt, The (with Banjo) Golden and Marlowe)
l Jimmy Trigger Returns from the War (Comic Specialty) Golden-Hughes)
(Curtain Speech (From “Beauty Shop ”) Raymond Hitchcock)
l Burglar Story and High Cost of Living Raymond Hitchcock >
(Cutie — Med. Fox Trot (intro. “I’ve Found a Bud”) WLiteman’s Or)
l Lonesome Hours — Fox Trot (Cliff Friend ) Whiteman’s Or)
Cygne, Le (The Swan) (Saint-Saens)
By Maud Powell V iolin
By Efrem Zimbalist Violin
By Hans Kindler ’Cello and Melody in F ( Rubinstein ) Kindler
Czardas — Hejre Kati (Hubay) Violin Maud Powell
{Polonaise (W. Andreef) Balalaika with Piano Alexander Kirilloff )
Czardas (W. Andreef) Balalaika with Piano Alexander Kirilloff)
(Czarine Mazurka (Ganne) Pryor’s Band)
l Bohemian Girl Overture (Balfe) Pryor’s Band)
Number
List
prc.
17873
10
.75
74119
12
1.75
17564
10
.75
89102
12
2 00
89054
12
2.00
64712
10
1.25
35012
12
1.25
18873
10
.75
88336
12
1.75
17012
10
.75
18881
10
.75
17774
10
.75
35532
12
1.25
16855
10
.75
18018
10
.75
35518
12
1.25
55046
12
1.50
18865
10
.75
64265
10
1.25
74338
12
1.75
45096
10
1.00
74324
12
1.75
73089
10
.75
16287
10
.75
VICTOR RECORDS
Number
4J>
in
3 E
a
D
DADDI — See “ Lucia Sextette ’’ and Italian Catalogue
(Daddy (Nichols) (2) That Little Chap of Mine
\ To My Son {Graflin) { 2 ) The Mother’s Love
Rodeheaver)
Rodeheaver)
17478
10
.75
(Daddy, You’ve Been a Mother to Me (F. Fisher)
l Just Like the Rose { Cool-Terriss-Bridges )
Henry Burr)
Charles Harrison)
18656
10
.75
Little Home With
You
O No, John
45308
45310
Duet in which
Mr. Dadmun Sings
Song of Love 45304
DALHART
55081
DADMUN, ROYAL, Baritone
Barbara Allen 45310
Chip of Old Block 45266
Give a Man a Horse 45266
DALHART, VERNON, Tenor
One of the best light opera tenors in America is Vernon
Dalhart, an American, who has made a career for himself in the
characteristic American way. He was born in Jefferson, Texas,
one of the oldest towns in the “Lone Star State,” and one of his
earliest experiences was that of a “cow-puncher.” Since 1912
he has been on the stage, part of the time with the Century
Theatre Company in New York. There is no burlesquing in
Mr. Dalhart’s singing of negro songs. To quote his own words,
he simply imagines he’s “back home" again and sings as the
spirit and his home experiences dictate.
DALHART RECORDS
Don't Leave Me 18875 | Emaline 18782 | Tuck Me to Sleep
(Dallas Blues (with Mose’s Baptism) (Leighton Bros.) Marie Cahill)
l An Idle Woman’s Busy Day Monologue Marie Cahill)
D’ALMAINE, CHAS., Violin — See “Favorite Hornpipe’’; also “Instru¬
mental Duets ”
DALMORES, CHARLES, Tenor {Dahl-moh-ress' ) (See Pink Section)
(Daly’s Reel — One-Step and Buck Dance (Daly) Banjo Van Eps)
l Medley of Southern Melodies Banjo Fred Van Eps )
DAMNATION DE FAUST (Monte Carlo, 1903) (Berlioz)
(See Victrola Book of the Opera for illustrated description)
R&koczy Hungarian March Toscanini and La Scala Orch
Rakoczy March— Tu)o Pianos and Scherzo {Arensky) Maier-Pattison
Rakoczy March and Radetzky March — Conway 's Band
Serenade Mephistopheles In French Pol Plan^on
Serenade Mephistopheles French (2) Don Giovanni — Serenata — Gogorza
{Damon (Bekehrte) (Goethe-Stange) In English Lucy Marsh 1
Pickaninny Sleep- Song {Wheeler -Strickland) Lucy Isabelle Marsh)
(Dance California (Gregory) Bell Solo Wm. H. Reitz)
l Buffalo News March { Lampe ) Xylophone Wm. H. Reitz)
(Dance of the Bugs— March (Dixon) Banjo Fred Van Eps)
l Down Home Rag { Sweatman ) Saxophone Sextette Brown Brothers)
(Dance of the Honey Bees (Bird Effects by Belmont) Victor Orch)
l Anvil Polka { Parlow ) Victor Orchestra)
(Dance of the Hours (From “Gioconda”) (Ponchielli) Herbert’s O)
l Kamennoi-OstroW — Reve Angilique {Rubinstein, Op. / 0) Herbert’s O)
(Dance of the Song Birds (Richmond) (Bird Warbling) Victor Orch)
l The Cricket’ s Serenade {Bendix) Orchestra with Belmont)
(Dance of the Toy Regiment Xylophone Joe Green)
l Under the Bridge at Paris Whistling Margaret McKee)
18807
18116
12
10
74695 12
45311
67965
81034
88447
45179
17357
17834
16175
55044
17521
73438
10
10
10
12
10
10
1.50
.75
1.75
1 .00
.75
1.25
1.75
1.00
.75
.75
.75
1.50
.75
.75
VICTOR RECORDS
Dance of the Wood Nymphs (Sak)
Inglesina March ( Delle Cese )
Number
Kryl’s Bohemian Bandl 1COQ1
Vessella’s Italian Band)
Dance-O-Mania — Fox Trot
Old Man Jazz — Fox Trot
DANCE RECORDS
(Gi lbert -Cooper)
( Gene Quau) )
Selvin’s Novelty Orl
All Star Trio)
18699
10
10
ui
.75
.75
FOX TROTS
After a While .18928
After the Rain 18872
Ain’t We Got Fun 18757
All for You 35708
All Over Nothing 18963
All That 1 Need 18843
American Serenade 18432
Angel Child 18870
Answer 18738
Anytime. Anyday 18694
April Showers 18825
Are You Playing Fair 18921
Avalon 35701
Baby in Love 18788
Baltimore Buzz 18791
Beale Street Blues 18369
Behind Your Veil 1 8636
Biddy 18718
Bimini Bay 18824
Birdie 18937
Birds of a Feather 18834
Black Eyed Blues 18874
Blowing Bubbles 18960
Blue 18933
Bluin’ the Blues 18483
Bow Wow Blues 18850
Bright Eyes 18735
Bring Back My Rose 18797
Broadway Rose 18722
Broken Moon 18745
Bygones 1 8880
By Sapphire Sea 1 8880
California 1 8890
Canadian Capers 18824
Can You Forget 18936
Caresses 35704
Carolina 1 8962
Chasing the Chickens 18476
Cherie — Fox T rot 18758
Chicago 1 8946
Ching-a-Ling’s
Jazz Bazaar 35695
Cho-Cho-San 18772
Coal Black Mammy 18939
Colombine 73259
Coo Coo 1 8898
Coon Band Contest 18394
Cow Bells 18962
Crazy Blues 18729
Crocodile 18663
Crooning 18765
Cuddle Up Blues 18881
Cutie — Medley 1 8865
Dance-O-Mania 18699
Dancing Fool 18923
Dangerous Blues 18798
Dapper Dan 18831
Dardanella 18633
Darktown
Strutters’ Ball 18376
Deedle Deedle Dum 18917
Dear Old Southland 18856
Desert Dreams 18667
Do 1? 18954
Do It Again 1 8882
Don't Bring Posies 18931
Do You Ever Think 18734
Early in Morning 18946
Egyptland 18562
Everybody Step 18826
Every Day 18885
Fair One 18697
French Trot 18932
Geel How 1 Hate 18965
Georgette 18919
Georgia 1 8899
Good-Bye Shanghai 18857
Granny, You’re My 18843
Grieving for You 35703
Gypsy Blues 18839
Hand-Painted Doll 18896
Havanola 35615
Have You F orgotten 18818
Hawaiian Twilight 18689
Head Over Heels 35682
Hello, Hawaii 35539
Hesitating Fox Trot 73369
Hindustan 18507
Hold Me 18682
Home Again Blues 18729
Homesick 1 8963
Hortense — Medley 1 8863
Hot Lips Blues 18920
Humming 18737
1 Ain’t Nobody’s
Darling 1 8802
I’d Love to Fall Asleep 18697
If a Wish Could
Make It 18714
1 Found a Clover 18950
1 Like It 18766
I’ll Build a Stairway 18949
I’ll Keep On Loving 18765
I’ll See You in Cuba 18663
llo 18790
I Lost My Heart 18745
I Love Her 18902
1 Love You Sunday 18701
I’m Always Chasing
Rainbows 35682
I Might BeYourOnce 18629
I’m Happy 18928
I’m Just Wild 18938
I’m Laughing 18835
I’m Nobody’s Baby 18773
In a Boat 18789
In Bluebird Land 18871
I Never Knew 18734
In Your Arms 18650
Irene 35695
It Must Be Someone 18804
It’s Up To You 18911
It’s You 18827
I’ve Got the Wonder 18867
I Want My Mammy 18845
I Wish I Could 18965
1 Wish 1 Knew 18947
Japanese Sandman 18690
Jazz Me Blues 18772
Jimmy 18872
June Moon 18833
Just a Little Love 18842
Just as Long 18960
Just Because
You’re You 18924
Just Keep a Thought 18766
Just Like a Rainbow 18823
JustSnap Your Fingers 35704
Ka-Lu-A — Medley 18826
Karavan — FoxTrot 18662
Kicky-Koo 18898
Kitten on the Keys 18900
Kisses 18532
Lady Billy 35706
Lazy Daddy 18564
Learn to Smile 18778
Leave Me With Smile 18834
Listening 18773
Little Grey
Sweetheart 1 8879
Little Thoughts 18912
Livery Stable Blues 18255
Lola Lo 18866
Lonesome Hours 18865
Lonesome Land 18896
Lonesome Mama 18895
Lovable Eyes 18902
Love Bird 18735
Love Nest 18678
Love o’ Mike 35638
Lovey Dove 1 8889
Make Believe 18742
Margie 18717
Marguerita 73289
Marie 18859
Mazie 18738
Memphis Blues 18895
Mimi I8790‘
Da
VICTOR RECORDS
Number ~ ~ %
DANCE RECORDS— FOX TROTS-Continued
Moonbeams 35708
Moonlight 18756
Mournin’ Blues 18513
My Dear Captain 73161
My Heart’s Delight 73078
My Honey's Arms 18881
My Mammy 18737
My Mammy Knows 18870
My Man 18758
My Rambler Rose 18923
My Sahara Rose 1 8702
Mystery! 18647
My Sunny Tenn. 18819
My Sweet Gal 18835
My Wonder Girl 35703
Na-Jo 18779
’Neath the South
Sea Moon 18911
Never Mind 18863
N’ Everything 18507
Night 18910
Nobody Lied 18913
No One’s Fool 18833
No Use Crying 18888
Oh! 18647
Oh Joy 18809
Oh Me! Oh My! 18778
Old Fashioned Girl 18879
Old Grey Mare 18369
Old Man Jazz 18699
One Kiss 18823
On the Alamo 1893 1
On the ’Ginny Shore 18859
Oogie Oogie Wa Wa 18917
Opium Dreams 73369
Oriental Fox Trot 18940
Original Fox Trot 17677
Ostrich Walk 18457
Palesteena 18717
Patches 18629
Peacocks, The 73161
Peggy 1 8632
Pick Me Up 18900
Pretty Indian 73259
Ragging the Scale 1 8085
Railroad Blues 18850
Romany Love 1 8966
Rose of Wash. Sq. 18659
Rose-Nightingale 18733
Rose Room 18473
Rosie 18721
Rosy Cheeks 18801
Rosy Posy 18891
Round the Town 18750
Royal Garden Blues 18798
Sal-O-May 18816
Sally 35706
San— Oriental 18779
Saturday 18809
Say It While Dancing 18938
Say, Persianna 18867
Say It With Music 1 8803
Scandinavia 18757
Second Hand Rose 18818
Send Back My
Honeyman 18920
Sheik, The 18831
She Loves Me — Med 18864
Siren of a Southern
Sea 35707
Skeleton Jangle 18472
Smiles 18473
Smilin’ 18851
Sneak 18921
Some Little Bird 18742
Some Sunny Day 1 889 1
Somewherein Naples 18851
Song of India 18777
Song of the Smile 73177
South Sea Isles 18801
Stealing 18845
St. Louis Blues 18772
Stolen Kisses 18797
Struttin’ at Brill 18932
Stumbling 18899
Stuttering 18948
Suez I 8947
Swanee Bluebird 1 8924
Sweetheart 18789
Sweet Indiana Home 18901
Sweet Lady 18803
Sweet Mama 18732
Syncopate 18912
Teach Me 18750
Teasin’ 18888
Tee-Pee Blues 18874
Tell Her at Twilight 18878
Tell Me 18594
Ten Little Fingers 18871
They Call It Dancing 18856
TipTop 18714
Toddle 18756
To-morrow 18964
Toot, Tootsie 18954
Tricks 18939
Truly 18937
Tuck Me to Sleep 18820
Tulip Time 18618
Twelfth Street Rag 18713
Two Little Rings 18950
Two Little Shoes 18936
Ty-Tee 18842
Underneath
Hawaiian Skies 18744
Vamp, The 18594
Vamping Rose 18787
Veeda, La 18667
Venetian Love Boat 18868
Venetian Moon 18651
Virginia Blues 18868
Wabash Blues 18820
Wang-Wang Blues 18694
Wanna 18864
Weep No More 18825
When Buddha Smiles 18839
When the Sun Goes
Down 1 8804
When the Leaves
Come 1 8945
When You’re Alone 18662
While Miami Dreams 18878
Whispering 18690
White Race 731 I I
Who Believed 18890
Who’ 11 T ake My Place 18919
Why Cry When We
Part 73182
Why, Dear 18816
Why Don’t You 35707
Why Should 1 Cry 18933
Wimmin 18857
Wond’ring 18682
Yankee Doodle Blues 18913
Yearning 18603
Yellow Dog Blues 18618
Yoo-Hoo 18802
You Ain’t Heard
Nothing Yet 18659
You Can Have Light 18889
You Gave Me 18964
Young Man’s Fancy 18678
You Remind Me 18949
You’re the
Sweetest Girl 18787
You Won’t Be Sorry 18901
Zenda 18945
GOOD NIGHT DANCE
Home, Sweet Home — Waltz-Con way’s B.
and Aloha Oe IValtz-V ictor B| 177331 10| .75
GRAND MARCHES (In slower time than usual — for marching. For
marches made especially for school marching see Educational Records)
Alda — Grand March 35265
Boston Commandery
March 16817
Clayton’s Grand M 35397
Coronation March 35610
Don Carlos March 17133
Marche H^roique
Marche Slave
Marche Slave
16980
55105
35167
HESITATION OR BOSTON— See “Waltzes”
VICTOR RECORDS
DANCE RECORDS — Continued
JIGS (For tunes in these
Jigs, See “Medleys”)
Dublin Jig Medley 18639
Geese in the Bog 18193
Irish Jigs 18286
Irish Jigs 18308
Irish Jigs 18727
Medley of Irish Jigs 18207
MAXIXE (Or Mattchiche)
See “Tango”
ONE-STEPS
Apple Blossoms 18646
Are You From Dixie? 35339
At the Jazz Band Ball 18457
Bandana Days 18791
Best Ever 35701
Clarinet
Marmalade Blues 18513
Classical Spasm 18229
Comedy Tom 18385
Daly’s Reel 18116
Delirious Rag 18229
Dixieland Jazz Band 18255
Dotty Dimples 18713
Fascinator March 16952
Fidgety Feet 18564
From Soup to Nuts 17558
Happy 18715
Have a Heart 35638
Honeydew 18719
Hummer Medley 17609
Indianola Patrol I 7694
1 Wonder What
Will W. Tell 17799
La Brulante 35364
Li'l Liza Jane 18394
Ma ! One-Step 18819
Madelon 18534
Maui Aloha 1 8087
Miss Springtime 35598
Nobody Knows 18630
Oh Gee! Oh Gosh! 18701
Over There 18370
Peter Gink 18562
Razzberries 18376
Sensation Rag 1 8483
"Sippy Shore 18744
Smiles and Chuckles 18385
Somebody 18718
Stop It 1 18702
Swanee 18651
Tiger Rag 18472
Tip Top 18733
Toots 17694
Virginia 16003
Welcome Honey 35571
When Aunt Dinah’s 18476
When You Wore a
Tulip Med. 35421
Where Do We Go 18370
PAUL JONES— See "One-
Steps”
NOTE — The One-Step is
generally used for the Paul
Jones, but any Fox Trot Can¬
ter or old-fashioned Waltz
may be used.
POLKAS
Coquette Polka 73504
Frangesa March 16760
Grace Polka 68560
Guitars and
Mandolins 73344
Hiawatha Polka 17252
My Little Sweetheart 73305
Wedding-Night 72602
REELS
Boston Virginia Reel 16847
Devil’s Dream Reel 16045
Drowsy Maggie 18639
Irish Reels 18727
IrishReels— Med No.3 17849
Irish Reels — MedNo.5 18207
IrishReels — Med No.6 18366
Irish Reels— MedNo. 6 18308
Medof OldTime Reels 1 6393
Medley of Old Reels 35008
Medley Pop. Reels 16948
Miss McLeod's Reel 35008
Speed the Plow Reel 16045
Stack of Barley 18193
Virginia Reels 18552
SCANDAL WALK
See “Fox Trots”
SCHOTT1SCHE
Golden Trumpets 35228
TANGO AND MAXIXE
(Mattchiche)
Arganarez — Tango 17556
El Amanecer 17981
Enticement Tango 17556
Hacienda — Society
Tango 17608
Mi Ricurita Tango 17981
Maori — Tango 35304
TEACHING PIECES
These numbers are recorded
in unusually slow tempo and
are adapted to teaching be¬
ginners.
Breeze of the Night
Waltz 16112
Sobre las Olas Waltz 16384
Southern Roses Waltz 35289
THREE-STEPS
Dorothy Three-Step 35532
Moon Winks 16069
TWO-STEPS
Ivanhoe 16112
Norsemen 16384
WALTZES
Alabama Moon 18669
Alice Blue Gown 18700
Aloha Oe 17733
Amoureuse Waltz 35655
Angel’s Dream 35500
April Smiles Waltz 16200
Barcarolle 35383
Beautiful Hawaii 18689
Beautiful Ohio 18526, 64817
Blossom Time — Med 18827
Blue Danube Waltz
(Strauss) see
“ Blue Danube”
Breezes of the Night 16112
Broadway 685 35
By the Ohio Shore 18858
Carolina Sunshine 18646
Cecile 35373
Chocolate Soldier 16473
Danube Waves 72485
Dear Old Pal of Mine 18543
Dream Kiss 18849
Drigo’s Serenade 35615
Drowsy Head 18771
Elaine 35475
Esmeralda 35373
Estellita 35475
Estudiantina 16154
Farewell Waltz 73289
Felicia Waltz 35639
Flower of Italy 68560
Forget-Me-Not 35639
Gitana Waltz 35138
Golondrina 73171
Green Club 68493
Hesitation Waltz 17558
Home, Sweet Home 17733
Honeydew 18719
Honolulu Eyes 18721
Hurrah for Orlando 72704
If You Could Care 18715
I Love You 73344
I’m Forever
Blowing Bubbles 18603
Immortellen Waltz 35194
In My Tippy Canoe 18783
In Wintertime 35511
Isle of Paradise 18771
Kiss a Miss 18739
Kiss Me Again 35663
Kuckuck (Cuckoo) 73306
Last Waltz 18788
Legend 18761
Let the Rest
of the World 18716
Life in the Woods 73175
Little Grey Home I 7547
Da
_ VICTOR RECORDS
DANCE RECORDS — WALTZES — Continued
Little Love, Little Kiss 17547
Lovely Lucerne 18966
Love Sends Roses 18907
Love’s Tortures 73362
Mammy’s Lullaby 18531
Marsovia Waltz 18770
Marsovia Waltzes 35112
Marsovia Waltzes 16069
Maytime Waltz 18432
Mello Cello- Waltz 18761
Mighty Lak’ a Rose 35395
Militaire Waltz 35068
Millicent 35395
Minor and Major 35446
Moon River 18907
My Brunette 68493
My Clarabelle Waltz 35446
My Isle of Golden
Dreams 18633
My Isle of Golden
Dreams 18716
My Little Teresa 73362
My Treasure 18770
Nightingale Waltz 35500
Nights of Gladness 35304
Oh! What a Pal 18630
Old Gypsy 72485
On Miami Shore 18632
On Miami Shore 64947
One-Two-Three-F’ur 18749
Over the Waves
16384, 35068
Over the Waves 35 1 38
Passing of Salome 35383
Perdita Waltz 35481
Perfect Day 355 1 I
Pink Lady 35194
Popular Songs 357 1 3, 357 1 6
Riverside Bells 35526
Romance 18739
Rosalie Waltz 35481
Rose of Stamboul 1 8885
Roses at Twilight 18636
Soldiers' Return 72704
Southern Roses 35289
Spanish Waltz 73504
Spring, Beautiful S 35200
Styrmans 69133
| Number
Swanee River Moon 18882
Sweet Hawaiian
Moonlight 18531
Talisman of Luck 72602
That Naughty Waltz 18650
Thousand Kisses 73174
Three O’Clock 1 8866, 1 8940
’Till We Meet Again 18526
Tripoli 18700
Under the Bridge 73438
Valse Erica 18728
Waltz from Drigo’s
Serenade 35615
Weddingof the
Winds 16387
When Shall We
Meet 18858
When You Look 18543
Where the Lazy
Mississippi Flows 18783
WhyLowerYourEyes 731 77
Wiener Blut 17470
Wild Flower 18669
Youth and Beauty 35526
Nora Bayes"
Nora Bayes J
/Dancing Fool — Fox Trot (Ted Snyder) Club R
l My Rambler Rose — Medley Fox Trot Whiteman c
/Dangerous Blues — -Fox Trot (Brown) Dixie
l Royal Garden Blues — Fox Trot ( Vocal Chorus) Dh
/Daniel in the Lion’s Den (McCarthy-Fisher)
l Pull the Cork Out of Erin
DANISH RECORDS — See Victor Danish Catalogue
Danish Folk Dance— See “Educational Records, Folk Dances”
Danny Boy (Fred E. Weatherly) Schumann-Hein
/Danny Deever (Kipling-Damrosch) Reinald Werrenratl
l On the Road to Mandalay (Kipling- Speaks) Frederick Wheele
/Danse Creole (Op. 94) (Chaminade) Pianoforte Frank La Forge
l Pasquinade — Caprice (Op. 59) (Gottschalk) Frank Fa Forgt
/Danse Macabre (Op. 40) (Saint-Saens) Vessella’s Italian Band
l Jewels of the Madonna — / st Entr’ acte (Wolf -Ferrari) Victor Orel
Dans les Bois (Voice of the Woods) (Paganini- Vogrich) Violin Elma
/Danube Waves Waltz Sio’s Hungarian Gypsy Orchestra
l The Old Gypsy Waltz Sio s Hungarian Gypsy Orchestra
Danza — Tarantella Napolitana (Pepoli-Rossini) In Italian Boi
Danza— Tarantella Napolitana (Pepoli-Rossini) In Italian Carus
/Dapper Dan — Fox Trot (Von Tilzer) Club Royal Orchestra
l 7 he Sheik — Fox Trot (Snyder) Club Royal Orchestra
/Dardanella — Fox Trot (Bernard-Black) Selvin’s Novelty Orch
l My Isle of Golden Dreams — Medley Waltz Selvin ’s Nooelty Orch
(Dardanella Blues (Fisher- Black) Billy Murray-Ed Smalle
l Swanee (I. Caesar-George Gershwin) Peerless Quartet
/Darktown Campmeetin’ Experiences Victor Vaudeville Co
l Court Scene in Carolina (Collins-Campbell) Victor Vaudeville Co
/Darktown Editors Golden and Heinsl
\ At the Levee on Revival Day Collins and Harlan I
| 18923
1C
.75
} 18798
1C
.75
| 45123
10
1.00
k 88592
12
1.75
[ 35476
12
1.25
> 45050
10
1.00
' 35381
12
1.25
74395
12
1.75
72485
10
.75
87181
10
1.25
88355
12
1.75
18831
10
.75
18633
10
.75
18688
10
.75
35609
12
1.25
17300
0
1
.75
VICTOR RECORDS
fDarktown Strutters’ Ball — Fox Trot Six Brown Brothers!
I Razzherries — One-Step Van Eps Trio)
DARKY SONGS— DARKY HUMOR— See “ Bingham,” “ Daniel in
the Lions’ Den,” “Fisk Jubilee Quartet,” 11 Golden and Hughes,”
“Negro Songs,” “Tuskegee Institute Singers” and “Wills”
[Darky's Oration on Woman (Specialty with Banjo) Golden-Marlowe)
I Darky Waiters {with Banjo) Golden- Marlowe)
Darky Specialties - See “American Quartet,” “Bingham,” “Dallas
Blues,” “Golden,” “Golden and Heins,” “Golden and Hughes,”
“ Golden and Marlowe,” “ Homesickness Blues,” “Jones and
Spencer” and “ Vaudeville Company ”
/Darky Stories — Comic Monologue
l Too Much Dog — Comic Monologue
(Darky Stories — Comic Monologue
l Irish Stories — Humorous Monologue
[Darky Waiters (Darky Specialty with Banjo)
l A Darky ’s Oration on Woman
[Darling (Arthur Jackson-Chris Schonberg)
l Love in Lilac Time ( D. Furbcr — J. Lensen)
Darling Nelly Gray (B. R. Hanby)
By Alma Gluck (Soprano) (with Orpheus Quartet)
By Hayden Quartet and In the Shade of the Old Apple Tree — Burr
By Peerless Quartet and Carry Me Back to Old V irginny — Orpheus Qt
By Samuel Gardner Violin and Long, Long Ago ( Bayly ) Gardner
(Dash for the South Pole, A Sir Ernest Shackleton)
l Discovery of the North Pole Lieut. Robert E. Peary )
DAUGHTER OF THE REGIMENT {La Fille du Regiment)
(Donizetti) (Paris, 1840) (See Victrola Book of the Opera)
Per viver vicino (To Be Near Her) In Italian John McCormack
Selection — Vessella's Band and Fra Diavolo Selection — Vessella’s Band
[Daughters of America March (Lampe) Conway’s Band)
l Bay State Commandery March {Burrell) Conway’s Band)
DAVENPORT, EDGAR L., American Actor — Records by — See “Lasca”
DAVID COPPERFIELD— See “ Battis ”
Nat M. Wills'!
Nat M. Wills /
Walter C. Kelly)
Walter C. Kelly I
Golden-Marlowe)
Golden- Marlowe)
Lambert Murphy)
Lambert Murphy)
{
{
{
{
{
{
{
DAVIS, HORACE, Harp — Guitar— See “Laughing Rag”
Dawn of Love (Bendix) {with Celesta) Neapolitan Trio)
La Cinquantaine Xylophone William H. Reitz)
Day at West Point — Descriptive Mil. Piece (“Medley 54”) Pryor’s B)
Artful Artie Two-Step {Pryor) Arthur Pryor’s Band)
Day by Day the Manna Fell (Christian Science Hymn) Hemus)
In Thee, Oh Spirit, True and Tender {Christian Science) Hemus)
Day Dreams.Visions of Bliss (“Spring Maid”) MacDonald-Lyric Qt)
Cricket on the Hearth {"Sweethearts") MacDonald-Werrenrath)
DAY, EDITH, Soprano — Alice Blue Gown
Dead March from “Saul” (Handel)
Marche Heroique {Saint-Saens)
(from “Irene") and Irene — Day
Pryor’s Band)
Pryor s Band)
Dear Heart (Bingham-Mattei)
Dear Heart (Mattei) Violin-Flute-Harp
Fond Memories {Susses Sehnen)
Dear Heart (Polla-Goldsmith)
Oh I What a Pal Was Mary {Wendling)
Emilio de Gogorza
Neapolitan Trio)
Neapolitan Trio)
John Steell
Henry Burr)
Number
p«J
t/5
~ Si
— ! O.
18376
10
.75
35614
12
1.25
17768
10
.75
45255
10
1.00
35614
12
1.25
45245
10
1. 00
64729
10
1.25
16174
10
.75
18195
10
.75
17888
10
.75
55096
12
1.50
74221
12
1.75
35191
12
1.25
17402
10
.75
18296
10
.75
16021
10
.75
17428
10
.75
45189
10
1.00
45176
10
1.00
16980
10
.75
64836
10
1.25
35210
12
1.25
18606
10
.75
VICTOR RECORDS
/Dearie (Kummer) Elsie Bakerl
l Oh, Promise Me { From “Robin Hood”) Alan Turner )
/Dear Little Boy of Mine (Brennan-Ball) Elsie Bakerl
\ Beautiful Ohio {Earl) Olive Kline- Marguerite Dunlap)
Dear Little Shamrock (Cherry) John McCormack
fDear Lord and Father (Whittier-Maker) Mr. and Mrs. Wheeler 1
l Beautiful Isle of Somewhere ( Pounds-Fearis ) John Barnes Wells)
{Dear Love Days (Esrom-Morse) Campbell-Burr-Oaklandl
My Little Dream Girl ( Gilbert-Friedland) Reed- Harrison I
Dear Love, Remember Me (Marshall) John McCormack
fDear Old Girl (Buck-Morse) Macdonough and Hayden Qtl
l On the Banins of the Wabash ( Dresser ) American Quartet)
Dear Old Pal of Mine (Harold Robe-Lieut. Gitz Rice) McCormack
fDear Old Pal of Mine — Waltz Joseph C. Smith’s Orchestra/
l When You Look in the Heart of a Rose — Waltz Smith’s Orchestra )
fDear Old Southland — Fox Trot Whiteman’s Orchestral
l They Call It Dancing — Med. Fox Trot Whiteman’s Orchestra)
fDear One (Carina) — Gavotte Vessella’s Bandl
\ Broadway {La Gran Via) — Waltz Potpourri Vessella’s Band)
Death of Custer — Descriptive Fantasia (Lee Johnson) Pryor’s B
A descriptive American Indian fantasy. Synopsis : Bugle calls in Cus¬
ter's camp — cavalry march to Sioux camp — the band plays national
airs — the Indians respond with war-music — battle of Little Big Horn —
death of Custer — Indians rejoicing — scalp dance — arrival of reinforce¬
ments — Custer's burial — shots, muffled drums and taps.
My Maryland Fantasia Pryor s Band.
{Death of Towser {with Banjo) Golden and Heins!
A Trip to Paradise Golden and Heins)
DE BERIOT, CHARLES-VILFRIDE {dak Bav-ree- oh) (B. Louvain,
1802 ; D. Brussels, 1870.) Noted Belgian violinist and composer.
See “Allegro Moderato from 7th Concerto,’’ “Andante from Concerto
No. 2” and “Concerto in G’’
DEBUSSY, CLAUDE ACHILLE {Deh-biis-see) (Paris, 1862-1918.)
One of the most distinguished of modern French composers.
See “Beau Soir,” “Fille tux Cheveux,” “Golliwogg’s Cake-Walk,” “First
Arabesque” and Study from “The Children’s Comer”
DE CASAS, BIANCA LAVIN, Mezzo-Soprano — See “Aida”
{Declaration of Independence of the U. S. (Part I) Humphrey!
Declaration of Independence of the U. S. {Part IT) Harry Humphrey /
DECORATION DAY — See “National and Patriotic Airs — America”
fDeedle Deedle Dum — Fox Trot (Sherman-Mills) Benson Orchl
l Oogie Oogie Wa Wa — Fox Trot {Gottler) Benson Orchestra I
/Deep in Your Eyes (from “The Half Moon”) Marsh)
l Once Upon a Time {from ‘ ‘ The Magic Melody ’ ’) Murphy)
Deep River (Coleridge-Taylor) Alda and Orpheus Quartet
Deep River — Negro Melody (Coleridge-Taylor) Violin Powell
DE GOGORZA, EMILIO, Baritone {deh Go-got -lhah) { S ee Pink Section)
DE GREGORIO, FRANCO, Tenor— See “ Boheme,” “ Gioconda,”
“ Manon Lescaut,” “Rigoletto” and “ Tosca”
Number
in
List
prc.
17189
10
.75
45161
10
1.00
64153
10
1.25
16700
10
.75
17789
10
.75
64318
10
1.25
17397
10
.75
64785
10
1.25
18543
10
.75
18856
10
.75
68535
12
1.25
35028
12
1.25
35641
12
1.25
35291
18917
45214
64687
74246
12
1.25
.75
1.00
1.25
1.75
VICTOR RECORDS
DE GREEF, ARTHUR, Pianist (B. Louvain, Belgium, 1862)
(Accompanied by Royal Albert Hall Orchestra)
Arthur De Greef, pianist, is one of the most distinguished of Belgian com¬
posers and virtuosi. His records of piano concerts with the orchestra, are notable
for their authority of style and their fine finish.
Concerto in A Minor — 1 st Movement, Part 1 and Part 2 Grieg
Concerto in A Minor — 2nd Movement and 3rd Movement Grieg
Hungarian Fantasie — Part 1 and Part 2 Liszt
Hungarian Fantasie — Part 3 and Part 4 Liszt
Second Concerto in G Minor — 1st Movement Saint-Saens
Second Concerto in G Minor — 2nd and 3rd Movement Saint-Saens
DEIRO, PIETRO— See “ PIETRO ”
DE KOVEN, REGINALD (B. Middletown, Conn. 1859-1920.) American
composer of light operas, songs, etc. Best known by “Robin Hood.”
See“Owl and Pussy Cat,’’ “Robin Hood’’ and “Robin Red Breast’’
DELIBES, LEO ( Duh-leeb ') (St. Germain du Val, 1836; D. Paris, 1891.)
French composer of graceful ballets, comic operas, songs, etc. — See
“Coppelia,” "Filles de Cadix,’’ “Lakme,” “Naila,”' “Passepied” and
“Sylvia’’
{Delirious Rag — One-Step (Eckstein-Thomas) Pianoforte Thomas)
A Classical Spasm — Ragtime One-Step Harry Thomas /
DE LISLE, ROUGET ( Deh Leel) (Lons-le-Saunier, Jura, 1760; D.
Choisy-le-roi, 1836.) French military officer; composer of “The
Marseillaise. ’ See “Marseillaise’’
DEL RIEGO, TERESA (B. London.) Noted English composer of songs.
See “Homing” and “Oh Dry Those Tears”
DE LUCA, GIUSEPPE — Baritone (See Pink Section)
Deluge, The — Prelude (St. Saens, Op. 45) Violin Efrem Zimbalist
(De Molay Commandery — March (Hall) Victor Military Band)
\ Victorious America — March (Eilenberg- Tobani) Conway’s Band >
Denmark — See “ National and Patriotic Airs — Denmark ”
DENZA, LUIGI (B. Castellammare di Strabbia, 1846.) Italian teacher
and composer; active in London, England.
See“Funiculi,”“May Morning,” “Si vousl’aviezcompris” and “Stelle d’oro
DE PACHMANN, VLADIMIR, Pianist — See Pink Section
DESCRIPTIVE BAND RECORDS — See “ Band, Descriptive”
Number
55154
55155
55158
55159
55160
55161
18229
64827
18084
10
1.50
1.50
1.50
1.50
1.50
1.50
.75
1.25
.75
DESCRIPTIVE SPECIALTIES — See also “ Jones and Spencer”
At the County Fair 1 7794
Barnyard Serenade 16779
Christmas Morning 16936
Cohen's Wedding 35602
Cornfield Medley 16218
Court Scene in Car. 35609
Curiosity Hunt 35518
Dallas Blues 55081
Darktown Camp-
meetin' 35609
Darky’s Oration 35614
Darky Waiters 35614
Down on the Miss. 35143
Farmyard Medley 16676
Fun in Flanders 18405
Ginsberg's Stump
Speech 35606
Goldstein Behind the
Bars 18231
Hospital Patients 35577
Idle Woman’s Day 55081
Imitations of Farm
Animals 17887
Liars’ Contest 35577
Moving Pictures at
Pun’kin Centre 1 793 1
Mrs. Rastus Johnson 18231
My Old Ky. Home 18767
Nightmare in the
Desert 35229
Old Country Fiddler
see "Old CountryF"
Piano Tuner 16851
Pineville Band 17794
Professor’s Birthday 35606
Santa Claus T ells About
His ToyShop 35679
Sister Sorrowful 17910
Sneezes 35590
Snores 35590
Sweet Peggy Magee 16765
Two Jolly Sailors 17418
Unnatural History 18248
Violin Mimicry 17700
Whistling Pete 35202
(Desecration Rag (A Classic Nightmare) (Medley No. 55) Arndt) I _Rf.„
l Hacienda— The Society Tango (Paul Reise) Pianoforte Felix Arndt J|
10
.75
VICTOR RECORDS
Number
OP
N
in
~ £
—5 O.
18667
10
.75
89085
12
2.00
16045
10
.75
64894
10
1.25
17861
10
.75
18037
10
.75
16678
10
.75
45063
10
1.00
88298
12
1.75
74532
12
1.75
55047
12
1.50
55096
12
1.50
45194
10
1.00
16402
10
.75
16819
10
.75
16667
10
.75
18935
10
.75
45094
10
1.00
18255
10
.75
DE SEGUROLA, ANDREA PERELLO ( Say-goo-roti -lah ) Bass
( Sung in Italian) ( For duels in which de Segurola sings, see" A ida, ” “ Bori
“ Huguenots" and "Masked Ball")
( Desert Dreams — Fox Trot (Leonard Lewin) Green Bros’. Band"!
\ La Veeda — Castilian Fox Trot (John Alden) Green Bros’ . Novelty B)
DESTINN, EMMY, Soprano (For list of records see Pink Section)
Deux Grenadiers (Two Grenadiers) — See “Two Grenadiers”
Deux Joumees, Les — See “Guide Thou My Steps”
Deux Serenades (Two Serenades) (Leoncavallo) French Caruso-Elman
(Devil’s Dream Reel — Country Dance Violin John Taylor Victor Da. O)
\ Speed the Plow Reel — Country Dance Violin John Taylor Victor Dance Or)
Dew is Sparkling (Rubinstein-Elman) Violin Mischa Elman
(Dew is Sparkling (Es blinkt der Tau) (Rubinstein) Zither Wormserl
l Au Printemps (Spring Song) ( Gounod ) Zither Wormser)
f Diadem Quick-Step Concertina Alexander Princel
l Honest Toil March Concertina Alexander Prince)
DI CAPUA, E • — See 44 Maria Mari 14 and 44 O sole mio”
DICKENS, CHARLES — See 44 Battis ” and 44 Ivy Green ”
DIETRICH, RENE — See “Wright and Dietrich”
/ Dill Pickles Rag — Ragtime Two-Step Xylophone Wm. H. Reitz)
l Sunbeam Dance (Rolfe) Bells Wm. H. Reitz)
Dimanche a l’aube (Sunday at Dawn) (Folk Song)
(Bourgault — Ducoudray) French Paul Reimersr
Coeur de ma mie (Heart of My Love ) ( Dalcroze ) In French Reimers)
DINORAH ( Dee-no h' -rah) (Paris, 1859) (Meyerbeer) (Sung in Italian
unless noted) (See “Victrola Book of the Opera”)
Ombra leggiera (Shadow Song) Luisa Tetrazzini
Ombra leggiera ^Shadow Song) ( Flute obh. by Baronne ) Galli-Curci
Ombra leggiera (Shadow Song) and Lucia — Mad Scene — In Italian — Kline
(Discovery of the North Pole Lieut. Robert E. Peary)
l A Dash for the South Pole Sir Ernest Shackleton)
(Distant Voices (Lemmone) Flute John Lemmone)
\ Menuett (Hasselmans) Harp Ada Sassoli)
Dixie (Dan Emmett) (See also “Educational” and “Medleys”)
By Criterion Quartet and At a Georgia Camp Meeting — Sousa’s Band
By Arthur Pryor's Band and Sunny South Medley — Pryor’s Band
{Dixie Girl March (Lampe) Banjos-Guitar
Bunch of Rags (Ossman) Banjo
(Dixie Highway (Kahn-Donaldson)
\ My Cradle Melody ( Just Carries Me Back)
(Dixieland (Emmett)
\ P se Gwine Back to Dixie (White)
Dixieland Jazz Band— See 44 Jazz Bands ”
(Dixieland Jazz Band One-Step Original Dixieland Jazz Band)
l Livery Stable Blues Fox Trot Original Dixieland Jazz Band)
DIXIE, Other Songs about — See 44 SOUTHERN SONGS ”
DIXON, RAYMOND, Tenor — See also “Edu. Records”
Plantation Trio)
Fred V an Eps)
Aileen Stanley)
Peerless Quartet )
Kitty Cheatham)
Kitty Cheatham)
Ave Maria 35466
Battle Cry of Freedom 17582
Come and Trip It 18123
Girl 1 Left Behind Me 17597
Hail Columbia 18316
Haste Thee Nymph 18123
Nearer My God 17029
Over the Summer Sea 17569
RoryO'More 17597
She Sang “Aloha ’’ 18032
Duets in which Mr.
Dixon sings
Near the Cross 1 6688
Those Songs My M 35136
Will You Remember 18399*
VICTOR RECORDS
Number
<u
t-J
isi
List
pro.
Doan Ye Cry, Ma Honey
Flow Gently, Sweet Afton
(Noll) Olive Kline-Orpheus Qt)
( Burns-Spillman ) Olive Kline /
45132
10
1.00
DOERR, CLYDE AND HIS ORCHESTRA
I Wish I Knew 18947 | Suez — Fox Trot 18947
DOERR, CLYDE AND CLUB ROYAL ORCHESTRA
When the Leaves
18945
Little Grey
Sweetheart
Lovable Eyes
Lovey Dovy — Fox T
Night — Fox Trot
Pick Me Up
Rosy Posy
She Loves Me — •
Medley — Fox Trot
(2) The Pig Brother
18879
18902
18889
18910
18900
18891
18864
‘Death of Towser,'
Bryant)
Sara Cone Bryant )
“Old Dog Sport”
Benson Orch)
Benson Orchestra)
All That 1 Need 18843
California — Fox Trot 18890
Can You Forget 18936
Dancing Fool 18923
Dapper Dan 18831
G eorgette 18919
Good-Bye Shanghai 18857
Granny, You’re My
Mammy 18843
(Dog and the Kitty Cats
l The Little Bull Calf
DOGS — Records About — See
and “Old Dog Tray”
/Do I? — Fox Trot (Do I Love Her?) (Akst)
1 Toot, Toot, Tootsie! ( Goo’bye ) — Fox Trot
/Do It Again! — Fox Trot (From “French Doll”) WJliteman’s Orch)
l Swanee River Moon — Medley Waltz International Novelty Orch )
DOLIN’S ORCHESTRA
Golondrina — Waltz and Give Me a Kiss — Dolin' s Orchestra
DOLLAR PRINCESS, Operetta by Leo Fall
Medley — Whistling — Guido Gialdini and On the Bosphorus (Linke) Gialdini
Waltz — Victor Orch and Chocolate Soldier Waltzes ( Straus ) Pryor’s Band
DOMBEY AND SON -See “Battis”
DON CARLOS (Don Kahr -lohss) (Paris, 1867) (Verdi) In Italian
(See Victrola Book of the Opera for complete illustrated description)
Grand March— Sousa’s Band and Tannhduser — Pilgrims’ Chorus — Brass Quartet
Dio che nell’ alma (Infuse Friendship Into Our Souls) Caruso and Scotti
Dio che nell' alma, infondere (Infuse Friendship Into Our Souls,
Oh Lord) Martinelli-deLuca
O Carlo, ascolta (O Carlos, Listen to My Plea) deLuca
Per me giunto e il di supremo (The Day Supreme) Giuseppe de Luca
Per me giunto e il di supremo (The Day Supreme) Mattia Battistini
Don Cesar de Bazan — Sevillana (Fair Maidens) (Massenet) InFr. Melba
(Done What You Tole Me to Do Fisk University Jubilee Qt)
1 I Know the Lord Laid His Hands On Me Fisk Quartet)
DON GIOVANNI ( Donjoh-vahn-nee ) (Prague, 1787) (Mozart)
(See Victrola Book of the Opera for complete illustrated description)
(.Sung in Italian unless otherwise indicated)
ACT 1
Nella bionda (The Fair One)
Sheik — Fox Trot 18831
Sneak 18921
Sweet Indiana Home 18901
Syncopate — Fox Trot 18912
Two Little Shoes 18936
W anna — Fox T rot 1 8864
Who’UTake My Place 18919
Wimmin — Medley 18857
You Can Have Light 18889
Marcel Journet
Farrar and Scotti
Marcella Sembrich
La ci darem la mano (Thy Little Hand. Love)
Batti, batti, o bel Masetto (Scold Me, Dear Masetto)
ACT 11
Serenata — Deh vieni alia finestra (Open Thy Window) Titta Ruffo
Serenata — Deh vieni alia finestra (2) Falstaff
— Quand’ ero paggio (When I Was Page) (Verdi) Antonio Scotti
Serenata — Deh vieni alia finestra (Open Thy Window) (2) Damnation of
Faust — Serenade, Mephistopheles (Berlioz) In French de Gogorza
Vedrai, carino (Dearest, Shall 1 Tell Thee) Lucrezia Bori
11 mio tesoro (To My Beloved) John McCormack
35643
12
1.25
18954
10
.75
18882
10
.75
73171
10
.75
16983
10
.75
16473
10
.75
17133
10
.75
89064
12
2.00
89160
12
2.00
64957
10
1.25
74697
12
1.75
88651
12
1.75
88662
12
1.75
16895
10
.75
74191
12
1.75
89015
12
2.00
88026
12
1.75
87112
10
1.25
88194
12
1.75
88447
12
1.75
87333
10 1.25
74484
1211.75
ELVIRA, LEPORELLO AND THE DON - ACT II
DON GIOVANNI — Continued
MISCELLANEOUS
Menuett (2) Menuett (Gluck) and Gavotte ( Mozart ) (2) Gavotte ( Gretru ) Reitz
DONIZETTI, GAETANO (Don-ee-tset' -tee) (Bergamo, 1797—1848.)
Italian opera composer of Scotch descent, best known by “Lucia.”
See “Daughter of Regiment,” “ Don Pasquale,” “ Don Sebastian,”
“Duca D’ Alba,” “ Elisir d'amore,” “ Favorita,” “Lucia,” “ Lucrezia
Borgia,” “Maria di Rohan,” “ Maria di Rudenz,” “Oh, Italia”
DON JUAN (D on Huahn) (Spanish title of Don Giovanni)
DON JUAN (Tone-Poem after Nicholas Lenau) (Richard Strauss)
Part I and Part 2 Symphony Orchestra under Albert Coates
Part 3 and Part 4 Symphony Orchestra under Albert Coates
Don Juan’s Serenade (Tschaikowsky) In French Enrico Caruso
Donna e mobile — See “ Rigoletto ”
DON PASQUALE (Don Pahs-quah' -leh) (Paris, 1843) (Donizetti)
(See Victrola Book of the Opera for complete illustrated description)
( Sung in Italian and listed in the order <jj presentation :
ACT 1 — Scene I — A room in don pasquale’s house
Overture — Part 1 Toscanini and La Scala Orch
Overture — Part II Toscanini and La Scala Orch
Son nov'ore CTis Nine O'clock!) A. Pini-Corsi and Ernesto Badini
and Signorina in tantafretta ( Why This Haste?) E. Corsi and A. Pini-Corsi
Un foco insolito (A Fire Unfelt Before) A. Pini-Corsi and Ernesto Badini
and Vado, corro ( Haste We) E. Corsi-Badini
ACT 1 — Scene II — A room in norina's housi
Cavatina (Quel Guardo — Glances So Soft) Galli-Curci
Bori and de Luca
(Quel Guardo — Glances So Soft)
Pronta io son (My Part I’ll Play)
Vado Corro (Haste We)
Vado Corro (Haste We!)
Vado Corro (Haste We!) E. Corsi-Badini
and
Bori and de Luca
Sembrich and Scotti
Unfoco insolito — Duet
17917
55176
55177
87175
66030
66031
68273
62104
74599
89161
89162
89002
62104
1.50
1 -50
1.25
1.25
1.25
1.25
.75
1.75
2.00
2.00
2.00
.75
VICTOR RECORDS
Number s
VICTOR RECORDS
DON PASQUALE— Continued
ACT 111— Scene
-SAME AS ACT
Signorina in tanta fretta (My Lady, Why This Haste?) Corsi-A. Pini-Corsi
and Son nov'ore ('Tis Nine O’clock /) A. Pini-Corsi and Badini
Serenata — Com' e gentil (Soft Beams the Light) Piano acc. Caruso
Serenata — Com' e gentil (Soft Beams the Light)
Martinelli and Metropolitan Opera Chorus
Don Sebastian — In terra solo (On Earth Alone) (Donizetti) Italian Caruso
(Don’t Be Cross Waltz (Zeller) Victor Orchestral
l Jolly Coppersmith ( Peters ) Chorus and anvil effects Pryor’s Band)
(Don’t Bite the Hand That’s Feeding You (Morgan) Kaufman)
l Are You from Dixie ? ( Yellen-Cobh ) Murray- Kaufman)
(Don’t Bring MePosies — Med. Fox Trot (intro. “Calif. Rose”) Benson O)
l On the Alamo— Fox Trot (Jones) Benson Orchestra)
(Don’t Cry, Frenchy, Don’t Cry Charles Hart-Elliott Shawl
l I Know What it Means to be Lonesome Henry Burr)
(Don’t Feel Sorry for Me (Clarke-Gottler) Victor Robe
l Gee! But I Hate to Go Home Alone (“ French Doll”) Rob i
(Don’t Leave Me Mammy (Davis-Santly) Vernon Dalh;
l Time After Time ( Brennan-Ball) Henry E
(Don’t Let Us Sing Any More About War (“Peace Song”) Lauc
l The Picnic ( Every Laddie Loves a Lassie) Sir Harry Lau
(Don’t Slam That Door (Lynott-Von Tilzer) Jones-Muri
l I Can’t Behave When You’re Around Jones-Mur
(Don’t Throw Me Down (Brown-Von Tilzer) Irving Kaufm
l You’re Just the Type for a Bungalow Irving Kaufn
(Don’t You Remember the Time (Williams) Terrell-H;
l Down Yonder (L. Wolfe Gilbert) Peerless Qua
(Doodle-oodle Dee (Means, “ Won’tYouMarryMe?”) Collins-Harl
l Ruff Johnson’s Harmony Band (Brooks- Abrahams) Will Hat
Dormi pure ! — Serenade (Sleep On !) In Italian (Scuderi) de Gogc
(Dorothy (Old Eng. Dance) (Smith) (2) Mignon Gavotte Re
l Moment Musical ( Schubert ) (2) Mazurka Xylophone R
(Dorothy — Three-Step (Lampe) Victor Military Ba
l Cupid and the Butterfly V ictor Military Bi
(Do They Think of Me at Home (Glover) Metropolitan T
t White Wings ( Winter ) W ill Oakl<
(Dotty Dimples — One-Step (Green-Arden) All Star T
l / 2th Street Rag — Fox Trot (Bowman) All Star 1
(Doughie the Baker (Scotch Specialty) Sir Harry Lau<
l It ’s Nice to Get Up in the Morning, but It ’s Nicer to Lie in Bed — Lau
(Doughie the Baker Sir Harry Laut
l It’s Nice to Get Up in the Morning Sir Harry Lau
(Down Among the Sheltering Palms Lyric Quartet'
l When I Was a Dreamer Harry Macdonough and Lyric Qt.
Down Around the ’Sip ’Sip ’Sippy Shore — See “ ’Sippy Shore”
(Down by the O-HI-O (Yellen-Olman) Murray-Roberts'
l Marimba (Sweet Marimba Mine) (Johnson- Black) Murray.
Number
4->
r-J
in
!s2 ^
— ; a.
68273
12
1.25
85048
12
1.75
64700
10
1.25
88106
12
1.75
16396
10
.75
17942
10
.75
18931
10
.75
18538
10
.75
18892
10
.75
18875
10
.75
55122
12
1.50
18236
10
.75
18811
10
.75
18775
10
.75
17728
10
.75
74047
12
1.75
18216
10
.75
35532
12
1.25
16355
10
.75
18713
10
.75
55115
12
1.50
45196
10
LOO
67982
10
.75
17778
10
.75
18723
10
.75
VICTOR RECORDS
[Down Deep Within the Cellar (Old German Drinking Song) Glenn")
l The Monarch of the Woods ( Cherry ) Wilfred Glenn /
(Down Home Rag (Sweatman) Saxophone Sextette Brown Bros'!
Dance of the Bugs — March (Dixon) Banjo Fred Van Eps)
fDown in Arkansaw (Geo. Evans) Myers and Hanford)
\ My Old Kentucky Home and Old Black Joe Wood Saul Hanford J
{Down in Jungle Town Collins and Harlan]
Uncle Josh and the Lightning Rod Agent ( Stewart ) Cal Stewart)
Down in the Cornfield — Parody — See “Wills”
Down in the Forest (Simpson-Ronald) John McCormack
(Down Old Virginia Way (Yellen-Olman-Gillette) Brown-Burri
l My Buddy ( Kahn-Donaldson ) Henry Burr)
(Down on the Levee (See “Medley No. 5”) Peerless Quartet)
l Mississippi Minstrels ( Contents under “ Minstrels ”) V Minstrel CoJ
[Down on the Mississippi — Levee Scenes American Quartet)
l Minstrels No. 18 (Contents under “Minstrels”) Victor Minstrel Co)
[Down the Trail to Home, Sweet Home (Ball) William Robyn]
l I’m in Heaven When I’m in My Mother’s Arms William Robyn)
(Down Yonder (L. Wolfe Gilbert)
l Don’t You Remember the Time?
Peerless Quartet]
Terrell- Hart)
(Doxology — “Praise God From Whom All Blessings Flow”
| (2) Coronation — “All Hail the Power” Trinity Choir
l Sanctus — from “Messe Solennelle” ( Gounod) Trinity Choir)
Do You Ever Think of Me? — Med. Fox Trot
(intro. “Somebody’s Waiting”) Whiteman’s Orch. j
I Never Knew — Fox Trot (Pitts- Egan- Marsh) Whiteman’s Orch.)
DRAMATIC RECORDS
For extracts from “A FoolJ There Was” — “David Copperfield ’’ —
“ Littlest Girl” — “Merchant of Venice” — ‘‘Much Ado About
Nothing" — “Paul Reveres Ride” and “Rising of "76"
See " Battis,” “Hilliard” and “Shakespeare "
DRDLA, FRANZ — (Derd'-Iah) Contemporary violinist and composer, of
Moravian birth. See “Guitarrero,” “Serenade” and “Souvenir”
Dream, A (Chas. B. Cory-J. C. Bartlett)
By Enrico Caruso (Tenor)
By Evan Williams (Tenor)
By John McCormack (Tenor)
By Charles Harrison (Tenor) and I Hear You Calling Me — Harrison
By Hans Kindler ’Cello and Trdumerei ( Schumann ) Hans Ki
fDream, The (Le Reve) (Thome) (Op. 55)
l Song Without Words (Van Goens)
Tollefsen Trio]
Tollefsen Trio)
fDream After the Ball (Broustet) Xylophone William H. Reitz]
l Brightest Days Gavotte (Michaelis) Bell Solo William H. Reitz J
Dream Faces (Sweet Dreamland Faces) (Hutchinson) White
Dream Faces (Wm. M. Hutchinson) Emilio de Gogc
Dreaming Alone in the Twilight (Clemson- Moore) Werreni
Dreaming of Home and Mother (Ordway) with Quartet Willii
{Dreaming of Home, Sweet Home (Macdonald-Hanley) C. Harrison)
The Rose of No Man ’s Land (Caddigan- Brennan) Hart-Shaw J
Number
Sire
17326
10
17834
10
18767
10
16805
10
64331
10
18930
10
35233
12
35143
12
18686
10
18775
10
35110
12
18734
10
87321
10
64078
10
64434
10
17321
10
45102
10
17525
10
16428
10
74451
12
64949
10
64843
10
74476
12
18508
10
.75
.75
.75
.75
1.25
.75
1.25
1.25
.75
.75
1.25
.75
1.25
1.25
1.25
.75
1.00
.75
.75
1.75
1.25
1.25
1.75
.75
VICTOR RECORDS
Pryor’s Band
{Dream Kiss — Waltz (Rienzo) Hawaiian Guitars
Laughing Rag Octo-Chorda and Harp-Guitar
("Dream of Autumn (Songe d’Automne) (Joyce)
l ’A Frangesa March (Costa)
Dream of Love — See “Liebestraum”
/Dream of the Mountains Violin-Flute-Harp
l Happy Days ( Strelezki )
Dream of Wagner — Fantasie on Tannhauser
Prelude, Act II— Air for Venus, Act I — Duet, Elizabeth and Tann¬
hauser, Act II — Bachanale, Act 1 — Tannhauser’s Air, Act 1
Reminiscences of Verdi Sousa’s Band.
Dream of Youth (Reve de Jeunesse) (Winternitz) Violin Kreisler
fDream of Your Smile (Con Conrad) Lambert Murphy^
l Drifting Along With the Tide (“Geo. White’s Scandals’’) Murphy J
fDream Pictures — Fantasia (Lumbye) with Bells Pryor’s Band]
l Pomp and Circumstance March (Op. 39, No. I) (Elgar) Pryor’s B)
Dreams (Strelezki) (Poem by Baroness Porteous) McCormack
{Dreams (Strelezki) (Poem by Baroness Porteous) F. ^VheeIer]
Night Hymn at Sea ( Hemans-Thomas ) Elsie Baker- F. Wheeler)
Dreams of Long Ago (Carroll-Caruso) In English Enrico Caruso
l
/Dress My Mother Wore (Sunshine-Marshall)
l In the Land of Love with the Song Birds (Rega)
(Dream Visions — Intermezzo (Traumgeister Walzer) (Carl Stix)
Violin- Flute- ’Cello- Harp with Bells Florentine Quartet y
Love’ s Dream After the Ball (Czibulka, Op. 356) Venetian Trio J
/Dream Waltz (From “A Waltz Dream”) (Straus) Victor Orchl
The Arcadians — Favorite Melodies (Moncton) Pryor’s Band)
Henry Burr]
Campbell- Burr)
("Drifting (Hewitt-Ackley) Rodeheaver-Brewster]
l Closer to Jesus Homer Rodeheaver and George Brewster)
/Drifting (Lamb-Polla) Peerless Quartet]
Pretty Kitty Kelly (Pease-Nelson) Charles Harrison)
^Drifting Along With the Tide (Jackson-Gershwin) Murphy]
Dream of Your Smile (Con Conrad) Lambert Murphy)
DRIGO, RICHARD (Dree'-go) Italian by birth, Russian by adoption;
conductor and composer of ballet music. See “Harlequin’s Serenade,”
“Love’s Nocturne,” “Reconciliation Polka,” “Serenade (Drigo),”
“Valse Bluette”
DRILL MUSIC — For School Drills see “ Educational Records ”
Drink to Me Only With Thine Eyes (Ben Jonson)
By John McCormack (Tenor)
By Flonzaley Quartet (Arr. by Alfred Pochon)
By Harry Macdonough (Tenor) and Flower Song — Faust — Baker
By Emilio deGogorza (Baritone)
By Reinald Werrenrath (Baritone) and My Lovely Celia — W errenrath
By Felix Arndt Celesta and To a W ild Rose — Celesta- A rndt
By Victor Band and Annie Laurie (2) Love’ s Old Sweet Song — Victor B
/Drowsy Baby (“Norwegian Cradle Song”) (Roberts) Kline-Bakerl
In the Afterglow (J. Will Callahan-F. H. Qrey) Elsie Baker)
/Drowsy Head Waltz (& “Hawaiian Rose”) Ferera — Franchinil
Isle of Paradise — Medley Waltz Guitars Ferera — Franchini)
Maggie — Medley of Reels (See “Medleys”) Pat. J.Touhey )
Dublin Jig Medley Violin-Piano Pat. J. Clancy- Arthur P. Kennai
fDrowsy
X Dublin
Number
4J
lr>
a
18849
10
.75
16760
10
.75
16967
10
.75
35230
12
1.25
64730
10
1.25
45259
10
1.00
35247
12
1.25
64603
10
1.25
18178
10
.75
88376
12
1.75
17720
10
.75
16923
10
.75
17721
10
.75
18341
10
.75
18679
10
.75
45259
10
1.00
74204
12
1.75
64874
10
1.25
35086
12
1.25
74077
12
1.75
45114
10
1.00
17691
10
.75
18177
10
.75
45200
10
1.00
18771
10
.75
18639
10
.75
VICTOR RECORDS
Number
DRUM, FIFE AND BUGLE CORPS
American History M 16418 | My Maryland March 16104 | War Song March
DRUM SOLOS AND RECORDS WITH DRUM EFFECTS— See
16154
Am. Patrol
Cappa
Girl I Left Behind Me
Hundred Pipers
I May Be Gone for a
Long, Long Time
Keep the Home-Fires
Burning
Liberty Forever March
My Maryland March
Neil Gow
Over There
Ragtime Drummer
Sardinia
Semper Fidelis
7th Regiment March
Skyrocket March
SutcliffeTroupe
Drunten im Unterland (In the Lowlands) German Gluck-Reimers
Du bist die Ruh’ (My Sweet Repose) (Schubert) In German Culp
fDu bist die Ruh* (My Sweet Repose) (Schubert) In German Hinklel
l Die Lorelei ( The Loreley ) (Liszt) In German Christine Miller)
Du bist wie eine Blume (Thou ’rt Like a Lovely Flower)
(Schumann) (Op. 25, No. 24) In German Paul Reimers ?
Der Schmied (2) Friihlingsnacht ( Schumann ) Christine Miller)
[Dublin Jig Medley (See “Medleys”) Violin-Piano Clancy-Kenna!
l Drowsy Maggie — Medley of Reels Irish Pipes Touhey)
Duca D’Alba - Angelo casto e bel (Beauteous Angel) Italian Caruso i
DUCHENE, MARIA, Soprano — See “ Pique Dame”
DUDLEY and MACDONOUGH — RedWing and Rainbow Murray-Qt
Du, du liegst mir im Herzen (Pax) In German Gluck-Reimers i
{Duel, The (Eugene Field) Recitation Sally Handin'!
Three Little Pigs ( Old English Folk Tale ) Sally Hamlin)
DUETS, INSTRUMENTAL - See “ Instrumental Duets ”
DUETS, VOCAL - Tenor-Soprano, Tenor-Baritone, Two Tenors, Contralto-Baritone,
Soprano-Contralto (See also “Educational Records”)
NOTE — The Jones and Murray, Jones and Spencer, Golden and Hughes, Collins and Harlan,
Montgomery and Stone, Van and Schencfc, W right and Dietrch duets will be found under those headings.
For V oca I T rios, see " T rios, V ocal. ”
POPULAR SONGS OF THE DAY
87539
10
1,50
74461
12
1.75
55056
12
1.50
45060
10
1.00
18639
10
.75
88516
12
1.75
17233
10
.75
87536
10
1.50
18685
10
.75
Alabama Moon 45203
All Over Nothing 18943
Are You From Dixie? 1 7942
Beautiful Annabelle 18726
Beautiful Ohio 45161
By and By You Will
Forget Me 17312
Carolina Lullaby 18762
Dardanella Blues 18688
Don’t Cry, Frenchy 18538
Don’t You
Remember 18775
Down By the O-HI-O 18723
Down Old Va. Way 18930
Drowsy Baby 45200
Fair Hawaii 18032
Feather Your Nest 18708
For Better or forW. 1 7882
Golden Gate 18612
Hawaiian Lullaby 18597
Homeland, The 17940
Honolulu Honey 18796
Humpty Dumpty 18810
Hush-a-Bye, MaBaby 18550
1 Ain’t ’en Got ’en 18593
1 Am Climbing
Mountains 18620
I’ll Stand Beneath 18943
I’m Forever Blowing 18540
I’m Like a Ship 18638
In the Hills of Old K. 17685
In the Land of Love 17721
In the Valley 17587
Irish Home Sweet H. 1 8794
I’ve Got the A-B-C-D
Blues 18704
Let Rest of the W. 18638
Little Tin Soldier 45251
Ma Pickaninny Babe 17819
Mocking Bird 16392
My Little Dream Girl I 7789
My Little Girl 17810
My Own Iona 18171
Now 1 Lay Me Down 18747
Oh Happy Day I 7343
One Day in June 18462
On the Banks of
Brandywine 17613
Plantation Lullaby
18807
Red Wing
17233
Salvation Lassie
18524
Snow Deer
17398
Somewhere My
Love Lies
18214
Sweet Hawaiian Girl
18796
Sweet Hawaiian
Moonlight
18597
That Naughty Waltz
45203
There’s a Comer
45251
There’s a Long.
Long Trail
17882
There’s Only One
Way 18786
Those Songs My
Mother Used 35136
Till We Meet Again
18518
Trail d( Lonesome
Pine
17338
Trail to Long Ago
18961
Tripoli
18693
Underneath
Hawaiian Skies 18730
VICTOR RECORDS
Number
J5 "t?
c/} ^ a
DUETS. VOCAL— Popular Sor
Wandering Home 18731
Way Down in
Arkansaw 1 7969
Wedding of
Sunshine and Rose 17913
Weeping Willow
Lane 18609
;s — Continued
When Shadows Softly
Come 18350
When Twilight
Comes 17312
When You and 1
Were Young 16361
Where the Lazy
Miss. Flows 45252
While the Years Roll 18955
Wonderland 45325
Wyoming 18740
Yankee Doodle Blues 18959
PATRIOTIC AND WAR SONGS
Fun in Flanders 18405 I Marching Through G 16416
Just Before the Battle 16418 I Rose of No Man's Land 18508
STANDARD AND CONCERT DUETS - See also Red Seal Records
35162
Canoe Song 45172
Excelsior 35116
1 Would|ThatMyLove 16013
Maiden in Grey 17475
Night Hymn at Sea 18178
Old Brigade
Over the Stars There 17387
Soldier, Rest 18987
'Tis But a Little
Faded Flower 17217
Venetian Boat Song
Welcome Pretty
Primrose
Whispering Hope
45172
45192
17782
COMIC OPERA AND MUSICAL COMEDY DUETS
Blue Paradise— Auf
Wiedersehn 17858
Girl Who Smiles —
Teach Me to Smile 17858
Going Up — If You
Look in Her Eyes 18452
He Came from
Milwaukee — Love
is Like a Red Rose 16854
Maytime — Will You
Remember 18399
Robin Red Breast 16094
Sally- — Look for the
Silver Lining 18731
Sweethearts — F or
several records see
“ Sweethearts”
HYMNS AND OTHER SACRED DUETS — See also the Oratorios “Hymn of Praise,”
" Stabat Mater ” and also Red Seal Records
I Need Thee Every
Hour 16255
AbideWith Me 17782
Almost Persuaded 17356
Beautiful Valley of
Eden 16563
Closer to Jesus 18341
Close to Thee 17024
Crucifix 35012
Dear Lord and Father 16700
Drifting 18341
Guide Me. O Thou 35141
Harbor Bell 18925
1 am Praying for You 16372
1 Heard the Voice of
Jesus 16490
Duna (Pickthall-McGill)
In the Garden 1 8020
Jesus, My Saviour 45177
Let the Lower Lights 45177
Life’s Railway 18925
Looking This Way 17024
My Faith Looks Up
to Thee 35012
My Jesus, as Thou
Wilt 17940
Near the Cross 16688
Oh Morning Land 16399
Old Rugged Cross 18706
Only a Beam of
Sunshine 16288
Saved by Grace 16216
Shall We Meet
Beyond I 7356
Softly Now the
Light of Day 16500
Some Sweet Day 1 6688
Valley of Peace 16853
Where the Gates
Swing 18780
Reinald Werrenrath 648631 10(1.25
DUNBAR, PAUL, Poems by
Paul Lawrence Dunbar, negro poet and author, was born in Dunbar, Ohio, June
27, 1872, and was educated in the public schools of Dayton. Dean Howells spoke of
him as “the first black man to free the life of the negro aesthetically and to express it lyrically.”
For compositions by this celebrated author see “Banjo Song,” “When Malindy
Sings” and “Who Knows?”
DUNLAP, MARGUERITE, Contralto
This singer’s rich contralto and excellent method have made
her one of the most useful of the talented company which
the Victor has assembled, and in both solos and many concerted
numbers her work has been admirable.
The series of little darky songs which Miss Dunlap has
sung are doubly attractive because of the fascinating Southern
accent of this young South Carolina girl, who, coming to New
York alone and unaided, has made so successful a career with the
assistance of her teacher, Mme. Florence Manchester.
DUNLAP
VICTOR RECORDS
Number
DUNLAP RECORDS — See also "Educational”
Massa’s in de Cold Ground 17305
Duets in which Miss Dunlap sings
Beautiful Ohio 45161
Welcome, Pretty Primrose 45192
T ales of Hoffmann-Barcarolle 45181
Trovatore-Home to Our Mts. 35443
/Dutch Kiddies — Wooden Shoe Dance (Trinkhaus)
l Father Goose Sow’s ( Rogers- Baum-Halle)
Dutch Records — See “Holland”
Victor Orchl
Sallie Osbourne)
16839
10
.75
DUX, CLAIRE, Soprano — See “Boheme”
DVORAK, ANTONIN ( Door-zhak ) (Miihl hausen, Czecho-Slovakia, 1841; d. Prague,
1904.) Son of an innkeeper. Played violin and composed by instinct until he went
to Prague at 16. Finally established as composer through aid of Brahms and
Smetana. Teaching in New York 1892-95.
See ‘‘Go to Sleep, My Dusky Baby,” “Humoresque,” “Indian Lament,” “Largo from
New World Symphony,” “Slavonic Dance,” ‘‘Songs My Mother Taught Me” and
“Tyrolean Dance”
/Dying Poet, The (Gottschalk) Sousa’s Bandl
l The Last Hope — Religious Meditation ( Gottschalk ) Vessella’ s Band)
/Dying Poet, The (Gottschalk) Victor Concert Orchestral
\ Whispering Flowers V ictor Concert Orchestra)
E
Each Shining Hour (Glad Forster) Emilio de Gogorza
EAMES, EMMA, Soprano (See “ Eames ” in Pink Section)
/Early in the Morning Blues — Fox Trot The Virginians/
\ Chicago — Fox Trot {Fred. Fisher ) Whiteman and His Orch)
EASTER SELECTIONS — See also “ Crucifix,” “ Holy City,” “ Hosanna,”
“Messe Solennelle,” “Messiah,” “Palms” and “Stabat Mater”
35467
12
35642
12
64888
10
18946
10
1.25
1.25
1.25
.75
Angels Ever Bright 35075
Christ Arose 16008
Christ theLord isRisen 1 8873
Coming of the Year 16825
Creation — Heavens
Are Telling 35484
Festival Te Deum 35674
God So Loved 18873
1 Know That My
Redeemer 55053
Jesus Christ is Risen 16178
Joy to theWorld 16996
Echo Song (Bishop) ( Flute obb. by Barone) Amelita Galli-Curci
Eclair — Romance — Call Me Thine Own (Halevy) Mabel Garrison
(Eclair — Call Me Thine Own (Halevy) Violin-Flute D’Almaine-Lyons/
Rattay-Barone)
Luisa Tetrazzini
l Serenade ( Schubert )
Eco (Swiss Echo Song)
Violin-Flute
(Eckert) In Italian
Open the Gates 74198
Our Lord is Risen 1 8860
Redemption — Unfold, Y e
Portals 35075
Seven Last Words 18173
Strife Is O’er 18860
1.75
1.75
1.25
1.75
74743
12
74612
12
35140
12
88311
12
EDUCATIONAL RECORDS
For the convenience of many not familiar with school grades and requirements, we
will hereafter list alphabetically in the Record Catalog all educational records, classified
only as to Instrumental, Physical Education, Stories and Readings, and Vocal.
These records have been made to help in the uplift of the ideals and tastes of children
everywhere, as well as to furnish the finest sort of entertainment and enjoyment for the
little folks and older children. These songs, stories, readings, games, dances, marches, etc.,
and others to follow, are just as suitable for the home circle as for the schoolroom. Some
of the short songs are grouped several on one record with small spaces between, enabling the
teacher to present any one she may choose for teaching without the unpleasantness of guess¬
ing where it begins and getting a part of another song. The songs for the little children must
be very short, very simple and, for the comprehension of the little child in the home as well
VICTOR RECORDS
as school, must be presented in separate, complete little tone pictures and not run together in
a babel of thoughts and melodies in different keys, rhythms, etc., so confusing the child.
Records of rote-songs are made with spaces, so that each song may be played separately, or
the entire record may be played continuously without lifting the needle. These individual
songs may be played over and over as many times as required.
This list contains special numbers for the Home, general School use. Kindergarten,
Primary, Intermediate and Grammar Grades, the High School and College, and the classi¬
fied condensed list gives a generous selection of numbers from the Record Catalog for
use in all grades. These numbers and others selected for school work will be found in
the following named booklets.
GAMES - LAFAYETTE. IND.
A Graded List of Victor Records For Home and School : A catalog of 280 pages, featur.
ing nearly one thousand records, with descriptive notes. Free.
The Victrola in Physical Education, Recreation and Play: A complete list of folk dance
records, calisthenics, drills, marches, etc. Free.
The Victrola in Rural Schools: A booklet which gives suggestive lists of records, together
with comprehensive notes describing records, artists and composers, and directions for teach¬
ing of great value to the rural school teacher. Free.
The Victrola in Correlation with English and American Literature: A 68 page booklet,
giving practical help in the teaching of English with the Victrola, listing over 350 splendid
records with descriptive notes. Free.
Music Appreciation for Little Children in the Home, Kindergarten and Primary School:
Without question the most complete book yet published for the proper beginnings of the study
of real music. A guide for mothers and teachers in using beautiful music in early childhood,
where it rightfully belongs. List price $1 .00, 1 5c. additional by mail.
Victrola Book of the Opera : Over Eight Hundred Opera selections (hundreds of which
are used in Educational work) . giving complete story of more than 1 00 Grand Operas. Ask any
dealer in Victor products for price.
What We Hear in Music, by Anna Shaw Faulkner: A complete course in Music History
and Appreciation for High Schools, Clubs, Colleges, and the Home. Ask any dealer in
Victor products for price.
The Instruments of the Orchestra Handbook : A booklet descriptive of the instruments of
the Orchestra. Accompanies the Instruments of the Orchestra Charts (List Price $5.00 a set).
Extra copies of handbook, list price 35c.
VICTOR RECORDS
Number
EDUCATIONAL RECORDS-Continued
SPECIAL RECORDS FOR SCHOOL AND HOME— IN STRUMENT AL
For gradation for school work see “Graded List for Home and School.”
Where there are two or more selections on one record, these titles will he listed in
alphabetical order and referred to the first selection on the record.
INSTRUMENTAL
f Adagio from Fourth Symphony (Beethoven) Vessella's Italian B<
\ and Leo no re Overture, No. 3 (Pari III) ( Beethoven ) Victor Concert C
IAdeste Fideles Portugal Bell Solo (2) The First Nowell (Traditional) 1
Oboe Solo (3) Nazareth (Gounod) Violin Solo Victor Orchestra I
and Rock-a-Bye, Baby Violin Solo (2) Sweet and Low (Barnby) Violin Solo I
(3) Lullaby (Brahms) Violin Solo Victor Orchestra)
Aida — March (Verdi) and Rondo Capriccioso ( Mendelssohn ) Vessella's Band
Air (Bach) See "D Major Suite”
Air de Ballet — See “ Run, Run. Run "
America and Columbia, the Gem of the Ocean Victor Military Band
{America, the Beautiful (2) Stars of the Summer Night Victor Mil. Band)
and Speed the Republic (2) Onward, Christian Soldiers Victor Military Band)
{Andante from Beethoven’s Fifth Symphony (C Minor, Op. 67) ConcertO)
and Largo (From" The New World” Symphony) ( Dvorak ) Victor Concert O I
Annie Laurie ; Love’s Old Sweet Song and Drink to Me Only — Victor Ban
Arabesque, ’L — See “Bergeronette, La”
Badinage (Herbert) ( Piccolo Solo) (2) Legend of the Bells
(Planquette) (Bells) (3) Humoresque (Dvorak) (Violin Solo)
(4) Scherzo. Third Symphony (Beethoven) ( Bassoon) Victor Orchestra
Menuett ( Paderewski ) (Viola Solo) (2) Gavotte (Popper) (Violin Solo)
(3) Menuett In G ( Beethoven ) (Clarinet Duet) (4) Sarabande (Bach)
(Oboe Solo) Victor Orchestra.
Bassoon — See " Instruments of the Orchestra ”
nd }
■B>
Battle Hymn of the Republic — See “My Old Kentucky Home ”
Believe Me If All Those Endearing Young Charms (Moore) (2)
Home, Sweet Home (Payne-Bishop) Victor Band
and My Old Kentucky Home (2) Battle Hymn of the Republic — Victor
Bells — See “Instruments of Orchestra, Part IV”
Bergeronette, La (Burgmuller) (2) Waltz (Schubert) (3) Scherzo
(Gurlitt) (4) L’ Arabesque (Burgmuller) (5) Le Secret — Inter¬
mezzo (Gauthier) Victor Orchestra
and Boating on the Lake ( Kullak ) (2) Skating ( Kullak ) (3) Walzer
(Gurlitt) (4) March (Gurlitt) Victor Orchestra.
Birds in the Night — See “Lullaby from Erminie”
Boating on the Lake (Kullak) (2) Skating (Kullak) (3) Walzer
(Gurlitt) (4) March (Gurlitt) Victor Orchestra
and La Bergeronette (Burgmuller) (2) Waltz (Schubert) (3) Scherzo
(Gurlitt) (4) L’ Arabesque (Burgmuller) (5) Le Secret — Intermezzo
(Gauthier) Victor Orchestra
Bolero (Moszkowski) See “Spanish Dance"
Bourree — See “ D Major Suite”
Brass Quartet — See “ Instruments of the Orchestra ”
{Carnival Romain Overture, Op. 9 (Berlioz) Victor Concert Orchestral
•ad Polonaise MilUair^ Chopin) Vessella’s Italian Band)
{' Canzone tta (V. Hollan ^ •) Victor String Quartet)
and In the Forest (Sous L ' (Staub) Victor Orchestra)
Castanet — See “ Instruments of the Orchestra "
Celeste (or Celesta) — See “Instruments of Orchestra, Part IV"
Cinquantaine, La (Marie) Reitz and Dawn of Love — Neapolitan Trio
Clarinet— See “ Instruments of the Orchestra ”
Clock, The — See "Knight of the Hobby-Horse”
Columbia, the Gem of the Ocean and America — Victor Military Band
Come Thou Fount — See “Hush My Babe”
Contra-Bass — See “ Instruments of the Orchestra"
35269
12
1.25
18664
10
.75
35265
12
1.25
35656
12
1.25
18840
10
.75
17580
10
.75
18627
10
.75
35275
12
1.25
18177
10
.75
18852
10
.75
18800
10
.75
35236
12
1.25
35670
12
1.25
18145
10
.75
18145
10
.75
35237
12
1.25
18852
10
.75
18622
10
.75
18852
10
.75
18396
10
.75
35669
12
1.25
35237
12
1.25
35241
12
1.25
18753
10
.75
35671
12
1.25
35671
12
1.25
18296
10
.75
35236
12
1.25
18853
10
.75
17580
10
.75
18622
10
.75
35236
12
1.25
35670
12
1.25
VICTOR RECORDS
EDUCATIONAL RECORDS— INSTRUMENTAL— Continued
Cornet — See “ Instruments of the Orchestra ”
Country Dance (“Nell Gwyn") and Dances from Henry VIII — Victor B
{Dawn of Love, The (Bendix) Neapolitan Trio)
and La Cinauanlaine (Gabriel Prosper Marie) William H. Reitz)
{Dixie (1) Banjo; Tambourine; Clappers (2) Drum and Piccolo (3) 1
Full Band — Victor Band and Yankee Doodle — Violin (as jig) old version f
(2) Oldest Version (3) Fife and Drum (4) Full Band Victor Band'
f D Major Suite (Bach) Victor Orchestral
l and D Major Suite (Bach) Gavotte No. / (2) Gavotte No. 2 — Victor Orch)
D Major Suite — Overture and Bourree (2) Gigue (Bach) Victor Orchestra
Dorothy (2) Gavotte from Mignon and Moment Musicale — Xylophone — Reitz
f Dream Pictures — Fantasia with Bell Solo Pryor’s Band\
\ and Pomp and Circumstance March (Op. 39, No. I) (Elgar) Pryors Band)
Drink to Me Only (2) Flow Gently and Annie Laurie — Victor Band
Drum — See “ Instruments of the Orchestra ”
Elfenspiel — See “To a Humming-Bird"
English Horn — See “Instruments of the Orchestra”
Fackeltanz (Torch Dance) (Meyerbeer) and Finlandia ( Sibelius )
Conway’s Band
{Farewell to the Forest (Mendelssohn) (2) Spring Song (Pinsuti) Brass Qtl
and Samson and Delilah Air (Saint-Saens) Cornet Rinaldi with Band )
{Fifth Symphony — 1 st Movement — Allegro con brio — Part 1 V. Concert O l
and Allegro con brio — Part2 Victor Concert Orchestra)
I Fifth Symphony — 2d Movement — Andante con moto — Parti V. Concert Ol
\ and Andante con moto — Part II Victor Concert Orchestra)
f Fifth Symphony — 3d Movement — Allegro (Scherzo) — Parti V. Concert Ol
1 and Part II Victor Concert Orchestra)
f Fifth Symphony — 4th Movement— Finale : Allegro — Part 1 V. Concert Ol
l and Part II Victor Concert Orchestra )
Finlandia (Symphonic Poem) (Sibelius) Philadelphia Orchestra
Conway’s Band!
Conway’s Band )
Wm. H. Reitz)
Wm. H. Reitz)
Finlandia (Sibelius)
Fackeltanz (Torch Dance) (Meyerbeer)
First Nowell — See “Adeste Fideles"
Flow Gently, Sweet Afton — See “ Drink to Me Only”
Flute — See " Instruments of the Orchestra "
French Horn— See “Instruments of the Orchestra"
Gavotte (Mozart) (2) Gavotte (Gretry) Xylophone
and Menuett (Gluck) (2) Menuett (Mozart) Bell Solo
Gavotte (Popper) — See “Menuett (Paderewski) ’’
Gavotte in B Flat (Handel) (2) Giga (Corelli) (3) Second Gavotte ^
(Sapellnikoff, Op. 5, No. 2) Victor Orchestra [
and Marche Romaine (Gounod) Victor Orchestra ’
Gavotte No. 1 (2) Gavotte No. 2 (Bach) — See " D Major Suite"
Gavotte from Mignon — See “ Dorothy"
Giga (Corelli) — See “Gavotte in B Flat”
Gigue — See “ D Major Suite
Gong — See “Instruments of Orchestra, Part IV”
Habanera ("Carmen") — See "Heavenly Aida”
Hail, Columbia and Star-Spangled Bannei — Victor Military Band
Happy Land — See “Hush My Babe"
Harp — See “Instruments of Orchestra, Part I"
Hear Me, Norma (Bellini) Oboe and Clarinet Doucet-Christie (2) |
Tarentelle (Saint-Sagns) Flute-Clarinet Barone-Christie >
and Siegfried’s Call — French Horn (2) Sweet Bird Oboe and Flute
Heaven May Forgive You (“Martha”) — See “Heavenly Aida”
Heavenly Aida (from "Aida’’ (Verdi) (Violin Solo) (2) Heaven May
Forgive You (from "Martha”) (Flotow) Oboe Solo (3) Habanera
(from "Carmen") (Bizet) Flute Solo (4) Miserere (from “Trovatore”)
(Verdi) Cornet Solo <( f Victor Orchestra
Song to the Evening Star (from "Tannhauser") (Wagner) Violoncello
Solo (2) Toreador Song (from” Carmen”) (Bizet) V iola Solo (3) Soldiers’
Chorus (from "Faust”) (Gounod) Bassoon Solo (4) W Oman is Fickle ( from
“ Rigoletto”) (Verdi) Celesta Solo Victor Orchestra
Henry VIII Dances — Morris Dance (2) Shepherd’s Dance Conway’s B1
and Country Dance from” Nell Gwyn” Victor Military Band)
Home, Sweet Home-See “Believe Meif All Those Endearing Young Charms”
Number
I Size!
2 £2
—a o.
35237
12
1.25
35530
12
1.25
18296
10
.75
17583
10
.75
35656
12
1.25
35669
12
1.25
18216
10
.75
35247
12
1.25
18177
10
.75
35237
12
1.25
18853
10
.75
35670
12
1.25
35505
12
1.25
17216
10
.75
18124
10
.75
35580
12
1.25
18278
10
.75
35637
12
1.25
74694
12
1.75
35505
12
1.25
18664
10
.75
18177
10
.75
35670
12
1.25
35237
12
1.25
17917
10
.75
18800
10
.75
18754
10
.75
35656
12
1.25
18216
10
.75
18754
10
.75
35669
12
1.25
35671
12
1.25
18759
10
.75
17581
10
.75
18622
10
.75
35236
12
1.25
17174
10
.75
18759
10
.75
18759
10
.75
35530
12
1.25
18145
10
.75
VICTOR RECORDS
EDUCATIONAL RECORDS— INSTRUMENTAL— Continued
How Lovely are the Messengers (from “St. Paul”) (Mendelssohn)
Violin and 'Cello Duet (2) See, the Conqu’ring Hero Comes (From
"Judas Maccabaeus") (Handel) Cornet Duet Victor Orchestra
and If With All Your Hearts (F tom" Elijah") ( Mendelssohn ) Viola Solo
(2) Pastoral Symphony (From “ Messiah") (Handel) English Horn Solo
Victor Orchestra
Humoresque — See “Badinage”
Hungarian Fantasie (Andante e Rondo) (Weber. Op
and Whirlwind (Tourbillon)
Hunt in the Forest, A (Descriptive) (Voelker)
and In a Clock Store (Descriptive Fantasie) (Orth)
Hush My Babe (2) Happy Land (3)
Blessing
35)
Wm. Gruner\
A rthur Brooke J
Victor Orchestral
Victor Orchestra )
Come Thou Fount of Every \
" Victor Orchestra ;
and Lullaby (From “ Erminie") (2) Birds in the Night Victor Orchestral
If With All Your Hearts (Frorn “Elijah’’) (Mendelssohn) Viola Solo
(2) Pastoral Symphony (From “Messiah”) (Handel) English Horn Solo
Victor Orchestra
and How Lovely Are the Messengers (From "St. Paul") ( Mendelssohn )
Violin and 'Cello Duet (2) See, the Conqu ring Hero Comes (From
“ Judas Maccabaeus") (Handel) Cornet Duet Victor Orchestra
In a Clock Store (Descriptive Fantasie) (Orth) Victor Orchestra \
and A Hunt in the Forest (Descriptive) (Voelker) Victor Orchestra)
Instruments of the Orchestra — A set of nine double-face charts, showing
each instrument in natural color. These, together with accompanying
handbook, and records 35236 and 35237 or 35670 and 35671, offer an
excellent plan for presenting the instruments of the orchestra by sight,
sound, and story. List price of chart set and handbook, $5.00.
Instruments of the Orchestra — Part 1, Strings Victor Orchestra
1. Violin — Spring Song (Mendelssohn) — 2. Viola — Traumerei (Schu¬
mann) — 3. Violoncello — Flower Song (Lange) — 4. Contra Bass — Improvisa¬
tion — 5. Violin Pizzicato — Dream After the Ball (Brostet) — 6. String Quartet
— Intermezzo (Mascagni) — 7. Harp — HarpThatOnceThroughTara'sHalls
and Part II, Woodwind — I. Piccolo — Yankee Doodle — 2. Flute — William
Tell Overture — 3. Oboe — William Tell Overture — 4. English Horn —
Tannhduser — 5. Clarinet — Zampa (Herold) — 6. Bassoon — Deep in the
Cellar — 7. Woodwind Section — Lohengrin
Instruments of the Orchestra — Part III, Brass Victor Orchestra
I . French Horn — Titl’s Serenade — 2. Comet — Red, White and Blue —
3 . Trombone — Rocked in the Cradle of the Deep — 4. Tuba — Rocked in
the Cradle of Deep — 5. Brass Quartet — Day of the Lord
and Part IV, Percussion Instruments and Entire Orchestra V ictor Orchestra
/. Tympani (Kettledrums) — 2. Small Drum — 3. Bells — Monastery Bells
( Wely )- — 4. Entire Orchestra — Finale. William Tell Overture
Instruments of the Orchestra — (2nd Series) Parti — Strings Victor Orch
I . Harp — Overture, Mignon (Thomas) — 2. Violin, String Qt. in C Minor,
Op. 18, No. 4 (Beethoven) — 3. Viola, Recitative. Act 3 Freischutz
(Weber) — 4. Violoncello, Overture, William Tell (Rossini) — 5. Contra
Bass, Faust Overture (Wagner) — 6. String Ensemble, Pizzicato, Sylvia
Ballet (Delibes) — 7. String Ensemble, Ballet Music from Orfeo (Gluck)
and Part II, Woodwind — /. Piccolo — Will-o’ -the- Wisp, Damnation of
Faust (Berlioz) — 2. Flute — Overture, Semiramide ( Rossini ) — 3. Oboe
■ — Aida, Act 3 (Verdi) — 4. English Horn, Largo, New World
Symphony (Dvoiak) — 5. Clarinet, Overture, Orpheus (Offenbach) —
6. Bassoon, Scherzo, 3d Symphony (Schumann) — 7. Ensemble, Wedding
March, Lohengrin (Wagner)
Instruments of the Orchestra — (2nd Series) Part III, Brass Victor Orchestra
I. French Horn — Overture, Mignon (Thomas) — 2. Trumpet — Overture,
Fra Diavolo (Auber) — 3. Trombone — Pilgrims’ Chorus, Tannhauser
(Wagner) — 4. Tuba, Dragon Motive, Siegfried (Wagner) — 5. Ensemble,
Chorale (Bach)
and Part IV, Percussion and Entire Orchestra Victor Orchestra
I . Tympani (Kettledrums) — Eroica Symphony (Beethoven) — 2. Side
Drum — Fra Diavolo (Auber) — 3. Marimba — Habanera, Carmen (Bizet)
— 4. Castanets — Spanish Rhythm — 5. Orchestra Bells — Sweet Love
Gavotte ( Resch ) — 6. Xylophone — Witch’s Dance, Hansel and Gretel
(Humperdinck) — 7. Gong — 8. Celeste — Dance of the " Sugar Plum
Fairy," Nutcracker Suite ( Tschaikowsky ) — 9. Entire Orchestra —
Pique Dame Overture (Suppe)
NOTE. — These orchestra illustration records are divided into sections for
teaching purposes, and cannot be played continuously.
Number
18655
18800
18684
35324
18622
18655
35324
35236
35237
35670
35671
12
12
12
12
.75
.75
.75
1.25
.75
.75
1.25
1.25
1.25
1.25
.25
VICTOR RECORDS
EDUCATIONAL RECORDS— INSTRUMENTAL — Continued
Intermezzo — See “ Midsummer Night’s Dream
fin the Forest (Sous Bois) (Staub) Victor Orchestral,
\ and Canzonetta ( V. Hollander) Victor String Quartet I
I It Came Upon the Midnight Clear (Willis) (2) Hark! the Herald Angels -i
< Sing (Mendelssohn) (3) Joy to the World (Handel) Victor Orch l
l and Bible Reading — Luke 2 (2) Christmas Carol ( Holland) Humphrey I
{Jewels of the Madonna — Intermezzo (Wolf- Ferrari) Victor Concert Orch)
and Merry Wives of Windsor Overture ( Nicolai ) New Symphony Orchestra )
Joy to the World — See “It Came Upon the Midnight Clear"
Juanita — See “ Old Folks at Home "
Jumping — See “Run, Run, Run" —
Knight of the Hobby-Horse (Schuman) (2) The Clock (Kullak)
(3) Postillion (Godard) (4) Peasants’ Dance (Schytte) Victor Orch
and To a Humming Bird ( MacDowell ) (2) Elfenspiel (Kjerulf) (3) The
Witch ( Tschaikowsky ) (4) March of the Tin Soldiers ( Tschaikowsky)
Victor Orchestra
I Largo (“ From The New World ” Symphony) (Dvorak) V. Con. Orch. \
l
and Andante from Beethoven s Fifth Symphony Victor Concert Orchestra)
Legend of the Bells — See “Badinage”
Leonore Overture, No. 3 (Parti) (Beethoven, Op. 72) Victor Concert Or I
and Leonore Overture No. 3 (Part II) (Beethoven, Op. 72) V Concert Or J
Leonore Overture, No. 3 (Part III) (Beethoven) Victor Concert Orchestra 1
and Adagio from Fourth Symphony (Beethoven)
Little Hunters — See “ Spinning Song ”
Love’s Old Sweet Song — See “ Annie Laurie”
Lullaby — See “Rock-a-Bye, Baby”
< Lullaby from “Erminie” (2) Birds in the Night
Vessella' s Italian Band J
and Hush My Babe
Blessing
(2) Happy Land (3)
Victor Orchestral
Come Thou Fount of Every
Victor Orchestral
Victor Concert Orchestral
Victor Concert Orchestra /
Victor Orchestral
(3) Second Gavotte V
V ictor Orchestra J
Bell Solo Reitz)
Wm. H. Reitz J
March (Gurlitt) — See “Boating on the Lake"
/ Marche Militaire Fran^aise (Saint-Saens)
\ and Reverie du soir (" Suite A/geriene”)
(Marche Romaine (Gounod)
\ (I) Gavotte in B Flat ( Handel ) (2) Giga (Corelli)
1 (Sapellnikoff, Op. 5 , No. 2)
March of the Tin Soldiers — -See “To a Humming Bird"
{March Turque (Ruines d'Athenes) (Beethoven)
and Spanish Dance (Moszkowski) Victor Concert Orchestra
Marimba — See “Instruments of Orchestra, Part IV"
Massa’s in de Cold, Cold Ground — See “Old Black Joe ’’
Mazurka (Chopin) See “ Moment Musical ”
{Menuett (Gluck) (2) Menuett (From “ Don Giovanni”)
and Gavotte (Mozart) (2) Gavotte ( G retry ) Xylophone
Miserere (“11 Trovatore”) — See “Heavenly Aida”
Menuett (Paderewski) Viola Solo (2) Gavotte (Popper) Violin Solo
(3) Menuett in G (Beethoven) Clarinet Duet (4) Sarabande (Bach)
Oboe Solo Victor Orchestra
Badinage ( Herbert ) Piccolo Solo (2) Legend of the Bells ( Planquette )
Bells (3) Humoresque (Dvorak Violin Solo (4) Scherzo, Third Symphony
(Beethoven) Bassoon Victor Orchestra
Menuett in G (Beethoven) — See “Menuett” (Paderewski)
Merrymaker’s Dance and Pastoral Dance (Nell Gwyn ) Conway’s Ban
/ Merry Wives of Windsor Overture (Nicolai) New Symphony Orchestra I
and lewets of the Madonna — Intermezzo (Wolf -Ferrari) Victor Orchestra
j Midsummer-Night’s Dream — Nocturno (Mendelssohn)
\ and Midsummer-Night’ s Dream — Intermezzo (Mendelssohn) Victor Concert O
Molto Lento (Rubinstein) — See “Quartet for Strings”
Moment Musical (2) Mazurka and Dorothy (2) Gavotte — Xylophom
Morris Dance — See “ Henry VIII” — Dances
( My Old Kentucky Home (Foster) (2) ^Battle Hymn of the Republic
■j (Howe) (Air, “John Brown’s Body")
1 and Believe Me If All Those Endearing — Home, Sweet Home
-Reitz
Victor Band
dumber
Size
"to «
Lj a.
35527
12
1.25
18753
10
.75
18086
10
.75
35270
12
1.25
18086
10
.75
18519
10
.75
18840
10
.75
18853
10
.75
35275
12
1.25
35268
12
1.25
35269
12
1.25
18598
10
.75
18177
10
.75
18664
10
.75
18622
10
.75
18852
10
.75
35668
12
1.25
18754
10
.75
18853
10
.75
18396
10
.75
35671
12
1.25
18519
10
.75
18216
10
.75
17917
10
.75
18759
10
.75
18800
10
.75
18800
10
.75
18164
10
.75
35270
12
1.25
35527
12
1.25
35506
12
1.25
18216
10
.75
35530
12
1.25
18145
10
.75
VICTOR RECORDS
EDUCATIONAL RECORDS— INSTRUM ENTAL— Continued
Nell Gwyn, Country Dance from
and Dances from ‘ Henry VIII"
Nazareth — See “Adeste Fideles’
Victor Military Band!
Conway’s Band )
Nocturno — See “Midsummer-Night’s Dream"
Oboe — See “ Instruments of the Orchestra, Part II "
Of aTailor and a Bear (MacDowell) (2) The Wild Horseman (Schumann)-i
Victor Orchestral
and Spinning Song (2) The Little Hunters ( Kullak ) Victor Orchestra)
Old Black Joe (2) Massa’s in de Cold, Cold Ground _ I
( For Community Singing ) Conway's Band
and Old Folks at Home ( 2 ) Juanita {For Community Singing) Conway's Bl
Old Folks at Home (2) Juanita (For Community Singing) Conway s Band\
and Old Black Joe (2) Massa's in de Cold, Cold Ground ( For Community J
- Singing) Conway's Band I
Onward Christian Soldiers — See “Speed the Republic"
Ouvre ton coeur (Bizet) See “ Spanish Serenade”
Overture — See “D Major Suite "and." Leonore”
Pastoral Dance and Merrymaker's Dance ( Nell Gwyn) Conway's Band
Pastoral Symphony (Beethoven) (Parts I and II) Victor Concert Orch
Pastoral Symphony (Handel) — See “If With All Your Hearts”
Pastoral Symphony — "Messiah" Victor Concert Orchestra
Peasants’ Dance — See "Knight of the Hobby-Horse”
Piccolo — See “ Instruments of the Orchestra, Part II” 35670,
Polonaise Militaire (Chopin) Vessella’s Italian Band \
and Carnival Romain Overture, Op. 9 ( Berlioz ) Victor Concert Orchestra)
Pomp and Circumstance March (Op. 39, No. 1) (Elgar) Pryor’s Band)
and Dream Pictures — Fantasia with Bell Solo ( Lumbye ) Pryor s Band)
Postillion— See "Knight of the Hobby-Horse"
Quartet for Strings — Molto Lento (“Sparenmusik, Op. 1 7, No. 2") 1
(Rubinstein) and Quartet in C Minor — Scherzo ( Beethoven ) Victor String Qt)
Quartet in C Minor — Menuetto (Beethoven) Victor String Quartet \
and Quartet in F Major — Scherzo ( Beethoven ) Victor String Quartet)
Quartet in C Minor — Scherzo (String Quartet, Op. 18, No. 4) (Beethoven) \
and Quartet for Strings — Molto Lento ( Rubinstein ) Victor String Quartet)
Quartet in F Major — -Scherzo (Beethoven) Victor String Quartet \
and Quartet in C Minot — Menuetto (Beethoven) Victor String Quartet)
Reconciliation Polka (From “Les Millions d’Arlequin") (Drigo) Victor 0\
and Spanish Dance in G Minor ( Moszkowski ) Victor Orchestra)
Red, White and Blue — See “Columbia, the Gem of the Ocean”
Reverie du soir — See " Suite Alg6rienne”
Rock-a-Bye, Baby — Violin Solo (2) Sweet and Low (Barnby) Violin )
Solo (3) Lullaby (Brahms) Violin Solo Victor Orchestra I
and Adeste Fideles Portugal Bell Solo (2) The First Novell (Traditional) |
Oboe Solo C 3) Nazareth ( Gounod) Violin Solo Victor Orchestra)
Rondo Capriccioso (Mendelssohn) Vessella’s Italian Band)
and Aida — March (Verdi) Vessella’s Italian Band)
Running Game — See “Run, Run, Run”
Run, Run, Run (Concone) (2) Jumping (Gurlitt) (3) Running Game 1
(Gurlitt) (4) Air de Ballet (Jadassohn) Victor Orchestra/
and Waltzes 1 . 2 and 9 (Brahms) Victor Orchestra'
Samson and Delilah — My Heart (Saint-Safins) Cornet Michele Rinaldi)
and Farewell to Forest (Mendelssohn) (2) Spring Song (Pinsuti) Brass Quartet)
Sarabande (Bach) See “Menuett” (Paderewski)
Scherzo — See "Fifth Symphony"
Scherzo (Gurlitt) — See "Bergeronette, La”
Scherzo, Third Symphony — See "Badinage"
Second Gavotte (Sapellnikoff) — See “Gavotte in B Flat"
Secret, Le — Intermezzo — See "Bergeronette, La
See, the ConquTing Hero Comes — See "How Lovely are the Messengers"
Number
C/5
List
prc.
18664
10
.75
35530
12
1.25
35527
12
1.25
35670
12
1.25
18598
10
.75
18519
10
.75
18519
10
.75
18627
10
.75
18445
10
.75
35669
35268
35269
12
12
12
1.25
1.25
1.25
18164
10
.75
35320
12
1.25
18655
10
.75
35499
12
1.25
18853
10
.75
35236
12
1.25
35241
12
1.25
35247
12
1.25
18853
10
.75
35506
12
1.25
17964
10
.75
35506
12
1.25
17964
10
.75
35644
12
1.25
17580
10
.75
35668
12
1.25
18664
10
.75
35265
12
1.25
18840
10
.75
18840
10
.75
17216
10
.75
18800
10
.75
18278
10
.75
18852
10
.75
18800
10
.75
18754
10
.75
18852
10
.75
18655
10
.75
VICTOR RECORDS
EDUCATIONAL RECORDS-INSTRUMENTAL— Continued
Serenade (Bizet) See “Spanish Dance”
Shepherd’s Dance — See “ Henry VIII ” — Dances
( Siegfried’s Call French Horn Horner (2) Sweet Bird — Oboe and Flute and 1
\ Hear Me, Norma — Oboe and Clarinet (2) Tarantella — Flute and Clarinet)
j Siegfried’s Funeral March _ 1
Vessella's Band )
and Walkiire — Ride of Valkyries
Skating — See “Boating on the Lake”
Soldiers' Chorus (“Tannhauser") — See "Song to the Evening Star"
Song to the Evening Star (from “Tannhauser") (Wagner) (Violon¬
cello Solo) (2) Toreador Song (from “Carmen”) (Bizet) (Viola Solo)
(3) Soldiers' Chorus (from “Faust") (Gounod) (Bassoon Solo)
(4) Woman is Fickle (from “Rigoletto") (Verdi) (Celesta Solo)
Victor Orchestra
Heavenly Aida (from” Aida”) (Verdi) (Violin Solo) (2) Heaven May
Forgive You (from” Martha”) (Flotow) (Oboe Solo) (J) Habanera ( from
' Carmen ”) (Bizet) (Flute Solo) (4) Miserere (from” Trovatore”) (Verdi)
(Cornet Solo)
Sous Bois — See “In the Forest"
f Spanish Dance — Bolero (Op. 12, No. 5) (Moszkowski)
l and March Turaue (des Ruines <T Athenes) (Beethoven)
r Spanish Dance in G Minor (Moszkowski)
•' and Reconciliation Polka (From” Les Millions dt Arlequin”)
V ictor Orchestra
'Actor Orchestra)
Victor Orchestra J
Victor Orchestra)
(Drigo) _ _ J-
V ictor Orchestra
J Spanish Dance No. 1 (Moszkowski) Victor Orchestra \
\ and Spanish Serenade — Ouvre ton coeur (Bizet) Victor Orchestral
{Spanish Serenade— Ouvre ton coeur (Bizet) Victor Concert Orch)
Spanish Dance No. I (C Major) ( Moszkowski ) Victor Concert Orch)
{Speed the Republic (2) Onward, Christian Soldiers Victor Military Band\
A merica, the Beautiful (2) Stars of the Summer Night Victor Military Band J
( Spinning Song (2) Little Hunters (Kullak)
j and Of a Tailor and a Bear ( MacdowelD (2) The
' Horseman (Kullak)
Spring Song — See “Farewell to the Forest"
{Spring Song (Mendelssohn)
To a Water Lily Violin-Flute-' Cello-Harp
Stars of the Summer Night — See “America, the Beautiful"
f Star-Spangled Banner, The (Francis Scott Key) Victor Military Band)
\ and Hail, Columbia (Prof. Phile) Victor Military Band I
String Quartet — See "Instruments of the Orchestra, Part 1”
{Suite Algerienne — Reverie du soir (Saint-Sagns) Victor Concert Orch)
and Suite Algerienne — Marche Militaire ( Saint-Saens ) Victor Concert Orch)
Victor Orchestra)
Wild >
Victor Orchestra '
Florentine Quartet)
Florentine Quartet)
Victor Concert Orchestra)
Victor Concert Orchestra f
Victor Concert Orchestra)
V ictor Concert Orchestra )
f Surprise Symphony — Allegro
\ and Andante (Haydn)
{Surprise Symphony— Menuetto
and Andante and Vivace (Haydn)
Sweet and Low — See "Rock-a-Bye, Baby"
Sweet Bird — See " Siegfried’s Call "
Symphony — See “ Fifth Symphony ”
Tarantella — See "Hear Me, Norma”
To a Humming-Bird (MacDowell) (2) Elfenspiel (Kjerulf) (3) The
Witch (Tschaikowsky) (4) March of the Tin Soldiers (Tschaikowsky
Victor Orchestra
and Knight of the Hobby-Horse (Schuman) (2) The Clock ( Kullak ) ( 3 )
Postillion ( Godard) (4) Peasants’ Dance ( Schytte ) Victor Orchestra
To a Water-Lily (Violin-Flute-’ Cello-Harp) Florentine Quartet)
and Spring Song (Mendelssohn) Florentine Quartet /
Toreador Song (“Carmen") — See "Song to the Evening Star”
Trombone — See “ Instruments of the Orchestra "
Trumpet — See “Instruments of the Orchestra, Part IV”
Tuba — See "Instruments of the Orchestra"
Number
rX) <->
-J rv
18445
10
.75
35530
12
1.25
17174
10
.75
35369
12
1.25
18852
10
.75
18759
10
.75
18759
10
.75
18753
10
.75
18396
10
.75
35644
12
1.25
18445
10
.75
18445
10
.75
18627
10
.75
18598
10
.75
17216
10
.75
18648
10
.75
18627
10
.75
17581
10
.75
35236
1-2
1.25
35668
12
1.25
35243
12
1.25
35244
12
1.25
18664
10
.75
17174
10
.75
18124
10
.75
35580
12
1.25
18278
10
.75
35637
12
1.25
17174
10
.75
18853
10
.75
18648
10
.75
18759
10
.75
35671
12
1.25
35671
12
1.25
35671
12
1.25
VICTOR RECORDS _
EDUCATIONAL RECORDS— INSTRUMENTAL— Continued
Turkish March — See "March Turque”
Tympani — See "Instruments of the Orchestra, Part IV "
Viola, Violin and Violoncello — See “Instruments of the Orchestra, Part l"j
Walkiire — Ride of the Valkyries and Siegfried’s Funeral March — Vessella’s B
Walkiire — Ride of the Valkyries (Wagner) Philadelphia Orchestra
Waltz (Schubert) — See "Bergeronette, La”
{Waltzes 1> 2 and 9 (Brahms) Victor Orchestral
and Run, Run, Run ( Concone ) (2) Jumping ( Gurlitt ) (3) Running Game f
( Gurlilt ) (4) Air de Ballet (Jadassohn) Victor Orchestra^
Walzer (Gurlitt) — See "Boating on the Lake”
{Whirlwind (Tourbillon) (Krantz) Arthur Brooke\
and Hungarian Fantasie (Andante e Rondo) ( Weber, Op. 35) Gruner )
Wild Horseman — See "Of a Tailor and a Bear”
Witch, The — See "To a Humming-Bird"
Woman is Fickle ("Rigoletto") — See "Song to the Evening Star"
Woodwind — See "Instruments of the Orchestra, Part II ” j
Xylophone — See “Instruments of the Orchestra”
( Yankee Doodle (1) Violin (as jig) o'd version (2) Oldest Printed )
S Version (3) Fife and Drum (4) Full Band Victor Military Band t
' and Dixie (!) Banjo; Tambourine; Clappers (2) Drum, Etc.
PHYSICAL EDUCATION — Singing Games and Folk Dances, and
Country Dances (arranged by Miss Elizabeth Burchenal and Mr.
Cecil J. Sharp) from “Folk Dance Music” (Schirmer); “Dances of
the People’’ (Schirmer); “Folk Dance Book” (A. S. Barnes Co.);
“American Country Dances” (Schirmer); “Folk Dances and Singing
Games” (Schirmer) and “Country Dance Tunes” (Novello) are play¬
ed by Victor Military Band (unless otherwise designated) in perfect
tempo, phrasing and arrangement for use with children or adults.
See also booklet, “ Victrola in Physical Education, Recreation and
Play.”
Ace of Diamonds — Danish Folk Dance and Tarantella — Italian Folk Dance
American Country Dances — See " Arkansaw Traveler," "The Circle,"
“ Country Dance’’ (” Pop Goes the Weasel”), “ Green Mountain Vol¬
unteers,” "Hull’s Victory," “Lady of the Lake," "Money Musk,"
“ Old Dan Tucker," “Old Zip Coon,” “ Pop Goes the Weasel," “ Sol¬
diers’ Joy," "Speed the Plow,” “ Virginia Reel,” “ White Cockade.”
Arkansaw Traveler and Soldier’s Joy (American Folk Dances) Victor Band
{Blackberry Blossom (Six-hand Irish Reel) (From “Dances of the 1
People” (Burchenal) /
and Foursome Reel Scotch '
{Black Nag (2) Grimstock (From "Country Dance Tunes," Sets \
4 and 3) (Sharp) and New Castle (2) Sweet Kate, Etc. J
Bleking and Fjdllnaspolska (Mountain Polka) Swedish Dances (Burchenal)
Butterfly, The and Three Meet (“ Country Dance Tunes,” Set II)
{Carrousel (Merry Go Round) Swedish Folk Dance (Burchenal) \
and Morris Dance (Laudnum Bunches) English Folk Dance ( Burchenal) j
J Chelsea Reach j( 1
\ and Hunsdon House (From "Country Dance Tunes,” Set 5) (Sharp) J
Children’s Polka — See “Chimes of Dunkirk"
f Chimes of Dunkirk (2) Children’s Polka (Paul) )
\ and Nigarepolska (The Water Sprite) Sousa's Band]
{Circle (American Country Dance) )
and Hull's Victory (American) ]
f Circle, The No. 2 (from “American Country Dances") (Burchenal) I
•J and Portland Fancy (from" American Country Dances") (Burchenal) (
I No. I ."Texarkana” — No. 2 ,“ Young America Hornpipe” J
Clayton’s Grand March (Blake) and In Lilac Time March < Engelmann1
f Come Let Us Be Joyful (Mozart) (2) Kulldansen, No. 2 (The Lassies),
\ Dance) and Seven Pretty Girls (Swedish Folk Dance) (2) The First of May )
Number
Size
to «
—3 O.
18396
10
.75
35237
12
1.25
35236
12
1.25
35670
12
1.25
35369
12
1.25
74684
12
1.75
18852
10
.75
18840
10
.75
18852
10
.75
18684
10
.75
18598
10
.75
18853
10
.75
18759
10
.75
35670
12
1.25
35236
12
1.25
35671
12
1.25
17583
10
.75
17083
10
.75
18331
10
.75
18001
10
.75
18004
10
.75
17085
10
.75
17845
10
.75
17086
10
.75
18005
10
.75
17327
10
.75
17327
10
.75
18367
10
.75
18616
10
.75
35397
12
1.25
17761
10
.75
VICTOR RECORDS
EDUCATIONAL RECORDS— PHYSICAL EDUCATION— Continued
I Confess (2) Lady in the Dark (From “Country Dance Tunes," 1
\ Set 5) (Sharp) and Hey Boys, Up Go We, Etc. I
Country Dance — Pop Goes the Weasel and Norwegian Mountain March
{Cracoviac Polish (From the collection of Elizabeth Burchenal) I
and Weaving Dance Swedish )
Crested Hen and Tantoli (From "Folk Dance Music")
Csardas — Hungarian Folk Dance and Oxdansen — Swedish Folk Dance
{Cshebogar (Hungarian Peasant Dance) _ 1
and Three Men's Reel — Danish Folk Dance ( From "Dances of the People ”) /
f Cupid and the Butterfly (d’ Albert) 1
\ and Dorothy Three-Step ( Lampe ) /
{Dance of Greeting — Danish Folk Dance (From "Folk Dance Music") 1
and I See You — Swedish Singing Game (From" Folk Dance Book") /
Did You Ever See a Lassie — See "Soldier Boy"
Dorothy Three-Step (Lampe) and Cupid and the Butterfly (d’ Albert)
El Capitan March and Stars and Stripes Forever March (Sousa) Pryor’s Band
( Eros — Scherzo Valse (Martin) Victor Orchestra \
l and Golden Trumpets — Schottische ( Rollinson ) Sousa’s Band)
Farandole (French) and Lott’ist Tod (Swedish)
Fine Companion, The and Jenny Pluck Pears (Sharp)
First of May — See “Seven Pretty Girls"
Fist Polka — See "Knytnavspolska”
{Fjallnaspolska — Mountain Polka (Swedish Folk Dance) (Elizabeth )
Burchenal) and Bleking — Swedish Folk Dance ( Burchenal-Crampton ) J
j Flamborough Sword Dance (Three Jolly Sheepskins) (From "Sword i
Dances of Northern England") (Cecil J. Sharp) >
' and Kirkby Malzeard Sword Dance (The Girl I Left Behind Me) J
Four Dance — Sousa's Band and Ribbon Dance (Cecil Sharp)
{Foursome Reel (Scotch) (From “Dances of the People") Burchenal)
and Blackberry Blossom (Six-hand Irish Reel) I
f French Reel (From “Folk Dances of Denmark”) _ 1
( and Parisian Polka (From" Folk Dances of Denmark’) J
f Fryksdalspolska (Old Swedish) 1
j and Ma s Little Piss (2) Our Little Girls J
Gathering Peascods and Sellenger s Round (" Country Dance Tunes ') ( Sharp )
{Goddesses (From "Country Dance Tunes,” Set IV) (Sharp) _ 1
and Tideswell Processional Morris (From " Morris Dance Tunes") /
{Golden Trumpets — Schottische (Rollinson) Sousa's Band)
and Eros — Scherzo Valse (Martin) Victor Orchestra)
iGotlands — Quadrille (From “Folk Dance Music”) (Burchenal-Crampton))
and Shepherds’ Hey (From" Morris Dance Tunes," No. 2) (Cecil Sharp) J
Green Mountain Volunteers 1
and Speed the Plow j
Grimstock — See “Black Nag”
Gustaf’s Skal (Gustave's Toast) and Kulldansen ( Lassie ) Sousa's Band
( Harvest Dance ((From “ Folk Dances of Finland " (Burchenal) 1
) and Skanska Quadrille ( Swedish ) (Burchenal) j
Hatter, The and Three Dance ( From "Folk Dances of Denmark") (Burchenal)
{Haymakers, The (1) “Magnolia Reel" (2) "Staten Island" -i
(from “American Country Dances") (Burchenal) _ V
and Lamplighter s Hornpipe (from " American Country Dances”) ( Burchenal )l
/ Hey Boys, Up Go We (2) The Merry Conceit (“Country Dance Tunes") )
\ and Confess (2) Lady in the Dark (From " Country Dance Tunes," Set 5) J
Highland Fling — Scotch Dance and Kamarinskaia — Russian Dance
/ Highland Schottische, "Weel May the Keel Row" (2) Irish Lilt \
\ and Hopp Mor Annika (From" Folk Dance Music") (Burchenal-Crampton) J
High School Cadets March (Sousa) and Semper Fidelis March (Sousa)
J Hopp Mor Annika and (/) Irish Lilt (Irish Washerwoman) (2) Highland \
\ Schottische," Weel May the Keel Row” (From" Folk Dance Music") )
Hornpipe (English Folk Dance) and Rinnce Fada (Irish Folk Dance)
Horses or Reindeer Running— See “ Theme for High Stepping Horses "
Number
C/5
y% «->
— i a
18006
10
.75
17160
10
.75
18002
10
.75
17159
10
.75
17003
10
.75
17821
10
.75
35532
12
1.25
17158
10
.75
17568
10
.75
35532
12
1.25
35389
12
1.25
35228
12
1.25
18368
10
.75
18007
10
.75
17761
10
.75
17963
10
.75
17085
10
.75
17847
10
.75
17329
10
.75
18001
10
.75
18600
10
.75
17510
10
.75
18010
10
.75
17846
10
.75
35228
12
1.25
17328
10
.75
18491
10
.75
18004
10
.75
17330
10
.75
35542
12
1.25
18000
10
.75
18637
10
.75
18006
10
.75
17001
10
.75
17331
10
.75
35208
12
1.25
17331
10
.75
17840
10
.75
18253
10
.75
VICTOR RECORDS
EDUCATIONAL RECORDS— PHYSICAL EDUCATION — Continued
How D’ye Do, My Partne r — See “Let Us Chase the Squirrel”
Hull’s Victory and The Circle (" American Country Dances")
Hunsdon House and Chelsea Reach (" Country Dance Tunes") (Sharp)
/ If All the World Were Paper (2) Mage on a^Cree )
) and Ruftu Tufty (2) Parson’s Farewell (From "Country JDance Tunes") J
In Lilac Time March (Engelmann) and Claytons Grand March (Blake)
{In the Park March (In slow tempo) (Carl Dorn) )
and Tenth Regiment March (R. B. Hall) j
Irish Jig — See “St. Patrick’s Day"
{Irish Lilt (Irish Washerwoman) (2) Highland Schottische, ’’WeelMay)
the Keel Row" and Hopp Mor Annika (From "Folk Dance Music"))
I See You — Swedish Singing Game and Dance of Greeting — Danish Dance
Jenny Pluck Pears and Fine Companion (" Country Dance Tunes")
Joice’s Hornpipe — See “ Money Musk"
Jolly[General_March (Moret)
and Patriotic Medley March No. / — Conway’s' Band
Jolly is the Miller — See "Needle’s Eye”
Kamarinskaia — Russian Dance and Highland Fling — Scotch Dance-
{Kindergarten Rhythms — See "Motive for Skipping" and “Rhythm Medley)
No. I and No. 2 ” J
Kinderpolka (2) Chimes of Dunkirk and Nigarepolska — Sousa’s Band
King Cotton March (Sousa) and Officer of the Day (Hall)
( Kirkby Malzeard Sword Dance (The Girl I Left Behind Me) (From 1
( “Sword Dances of Northern England," Book 1) (Cecil J. Sharp) r
) and Flamborough Sword Dance (Three folly Sheepskins) '
Klappdans — Swedish Folk Dance and Shoemaker’s Dance — Danish Dance
Knytnavspolska (Fist Polka) (Finland) and Little Man in a Fix ( Denmark )
Kulldansen and Gustaf’s Skal (Gustave's Toast) Sousa's Band
Kulldansen No. 2 — See “ Come, Let Us Be Joyful ”
Lady in the Dark — See ‘‘Confess’’
Lady of the Lake and Old Zip Coon (" American Country’ Dances")
{Lamplighter's Hornpipe (from "American Country Dances" (Burchenal))
and The Haymakers (!) " Magnolia Reel" (2) " Staten Island"
(from" American Country Dances") (Burchenal)
Lassie Dance — See “Kulldansen"
Laudnum Bunches — See “Morris Dance"
{Let Us Chase the Squirrel (Annie L. Preston) (2)’ How D’ye Do My
Partner (Swedish) (3) The Muffin Man (Hofer) (A. Flanagan Co.)
and Soldier Boy, Soldier Boy (Hofer), etc.
Lights Out March (McCoy) and Washington'Post March (Sousa)
f Little Man in a Fix (From “Folk Dances of Denmark") (Burchenal)
\ and Knytnavspolska (Fist Polka) ( From " Folk Dances of Finland")
Number
{London Bridge (2) Mulberry Bush
and Round and Round the V illage
{Looby Loo (2) Oats, Peas, Beans and Barley Grow
Old and New Singing Games") (Mari R. Hofer)
and The Needle’s Eye (2) Jolly is the Miller
Lott’ist Tod (Swedish) and
Mage on a Cree — See “If All the World Were Paper”
Magnolia Reel — See "Haymakers"
{Mallebrok (Danish) (From “Folk’Dances of Denmark")
and V ingakers Dance (Swedish) )
March Religioso (Onward Christian Soldiers) and Soldiers' Chorus ("Faust”)
f Ma’s Little Pigs (2) Our Little Girls 1
\ and Fruksdalspolska (Old Swedish) )
J May Pole Dance — Bluff King Hal — English Folk Dance (Burchenal) 1
\ and Minuet — Don Juan — English Folk Dance (Mozart) )
Merry Conceit — See “Hey Boys, Up Go We”
Military Escort March (Lindsay) and On the Wing Galop
Sousa's Band)
Sousa ’s Band )
(From “Children’s 1
(A. Flanagan Co.) )
Farandole (French)
Burchenal)
17568
18367
18005
18009
35397
18017
17002
17331
17158
18007
18552
35608
17567
17001
18253
18548
17327
35284
17847
17084
17963
17330)
17761
18006
18356
18637
17330
17086
17568
35283
17963
17104
17567
18368
18009
18637
18003
35227
17510
17087
17368
10 .75
10 .75
10 .75
10 .75
12 1.25
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
12 1.25
10 .75
10 .75
10 .75
10 .75
10 .75
12 1.25
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
12 1.25
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
10 .75
12 1.25
10 .75
10 .75
10 .75
VICTOR RECORDS
EDUCATIONAL RECORDS— PHYSICAL EDUCATION— Continued
Minuet — Don Juan — English Folk Dance and May Pole Dance
Miss McCloud’s Reel — See “Virginia Reels ”
f Money Musk Nos. 1 and 2 (“ Joice’s Hornpipe ”) (Burchenal) }
■{ Virginia Reels — “ Miss McCloud’s Reel' ’ (2) “ Old Dan Tucker" J>
* (3) “ Pop Goes the Weasel” ( Burchenal) )
{Morris Dance — Laudnum Bunches — English Folk Dance (Burchenal) \
and Carrousel — Merry-Go-Round — Swedish Folk Dance (Elizabeth Burchenal) J
Morris Dances — See also “Rigs O’Marlow,” “Shepherd’s Hey’’ and
“Tideswell Processional"
f Motive for Skipping (B Flat Major) (2) Motive for Skipping (F Major) \
\ and Theme for High-Stepping Horses ( 2 ) Horses or Reindeer Running, etc. /
Muffin Man — See “ Let Us Chase the Squirrel ”
Mulberry Bush — See” London Bridge ”
f Needle’s Eye, The (2) Jolly is the Miller and Looby Loo \
\ (2) Oats, Peas, Beans and Barley Grow ( Hofer ) (A. Flanagan Co.) J
{Newcastle (2) Sweet Kate (From “Country Dance Tunes,” Sets 3 and 6) \
(Sharp) and Black Nag ( 2 ) Grimstock J
/ Nigarepolska (The Water Sprite) (“Folk Dance Music”) Sousa’s Band\
l and Kinderpolka ( Paul) (2) Chimes of Dunkirk J
Norwegian Mountain March and Country Dance — Pop Goes the Weasel
Oats, Peas, Beans and Barley Grow — See “ Looby Loo ”
Officer of the Day (Hall) and King Cotton March (Sousa)
/ Old Dan Tucker I
\ and The White Cockade J
Old Dan Tucker — See “Virginia Reels”
Old Mole, The and Oranges and Lemons (" Country Dance Tunes”)
Old Zip Coon and Lady of the Lake (“ American Folk Dances”)
On the Wing Galop and Military Escort March ( Lindsay )
Onward Christian Soldiers — See “ March Religioso ”
{Oranges and Lemons \
and The Old Mole f
Ostgotapolska and Seven lumps (Folk Dances) ( Burchenal )
Our Director March (Bigelow) and Royal Trumpeters’ March ( Seltzer )
Our Little Girls — See “ Ma’s Little Pigs ”
Oxdansen — Swedish Folk Dance and Csdrdds — Hungarian Folk Dance
{Parisian Polka (From “ Folk Dances of Denmark ’’) )
and French Reel (From" Folk Dances of Denmark") /
Parson’s Farewell — See “Rufty Tufty”
Patriotic Medley March No. 1 and Jolly General March — Conway's Band
Patriotic Medley March No. 2 and Standard Bearer March — Conway’s Band
Pop Goes the Weasel — See “Country Dance" and “ Virginia Reels ”
{Portland Fancy (From “American Country Dances”) (Burchenal)
No. 1, “Texarkana"- — No. 2, “Young America Hornpipe"
The Circle No. 2 (From “American Country Dances") (Burchenal)
{Pretty Sister-in-Law (From “Folk Dances of Finland”) (Burchenal)
and Tinkers' Dance (From "Folk Dances of Denmark”)
Reap the Flax — Swedish Folk Dance and St. Patrick’s Day — Irish Jig
Rhythm Medley No. 1
“March in F Major" — “Theme for Skipping" — “Flying Birds" —
“ Wheelbarrow Motive “ Plain Skip” — “Tip Toe March " — “ March
in F Major" (From “Instrumental Characteristic Rhythms”) (Anderson)
Rhythm Medley No. 2
“ Military March in C Major"— “ Trotting, Running and High-Stepping
Horses" — “Skipping Theme " — “ Military March in C Major” (From
“Instrumental Characteristic Rhythms”) (Anderson)
Ribbon Dance (Sharp) and The Four Dance — Sousa’s Band
Rinnce Fada (Top of Cork Road) (Irish Dance) and Hornpipe (English Dance)
Round and Round Village and London Bridge (2) Mulberry Bush — Sousa's B
Royal Trumpeters’ March (Seltzer) and Our Director March (Bigelow)
Number
Ol
c/5
—3 o.
17087
10
.75
18552
10
.75
18552
10
.75
17086
10
.75
18253
10
.75
17568
10
.75
17104
10
.75
17567
10
.75
18004
10
.75
17327
10
.75
17160
10
.75
17567
10
.75
35284
12
1.25
18490
10
.75
18552
10
.75
18008
10
.75
18356
10
.75
17368
10
.75
35227
12
1.25
18008
10
.75
17777
10
.75
35204
12
1.25
17510
10
.75
17003
10
.75
18600
10
.75
18009
10
.75
35608
12
1.25
35657
12
1.25
17160
10
.75
18552
10
.75
18616
10
.75
17962
10
.75
17002
10
.75
18548
10
.75
17329
10
.75
17840
10
.75
17104
10
.75
35204
12
1.25
VICTOR RECORDS
Ed
EDUCATIONAL RECORDS — PHYSICAL EDUCATION— Continued
f Rufty Tufty (2) Parson’s Farewell and If All the World Were Paper
( (2) Mage on a Cree (“Country Dance Tunes")
Sellenger’s Round and Gathering Peascods (" Country Dance Tunes") (Sha
Semper Fidelis March (Sousa) and High School Cadets March (Sou
Seven Jumps (Burchenal) and Ostgotapol:
J Seven Pretty Girls (Swedish Folk Dance) (2) First of May (Burchenal) 1
\ and Come Let Us Be Joyful (Mozart) (2) ( Kulldansen ) (Lassies Dance) /
Shepherds’ Hey (Sharp) and Gotlands — Quadrille ( Burchenal-Crampton )
Shoemaker’s Dance — Danish Folk Dance and Klappdans — Swedish Da
Skanska Quadrille (Swedish) and Harvest Dance (Finnish) Burche
{Soldier Boy, Soldier Boy (Hofer) (2) Did You Ever See a Lassie
(Stecher) and Let Us Chase the Squirrel (Preston) (2) How D’ye Do, My
Partner (Swedish) Muffin Man (Hofer)
Soldiers’ Chorus— “ Faust " and March Religioso (Onward Christian Soldiers)
Soldier’s Joy and Arkansaw Traveler (“ American Folk Dances")
Southerner March (Alexander) and Thunderer March (Sousa) Conway's B
Speed the Plow and Green Mountain Volunteers
Standard Bearer March — Conway's Band and Patriotic Medley March No. 2
Stars and Stripes Forever March and El Capitan March (Sousa) Pryor’s B
Staten Island — See “Haymakers”
St. Patrick’s Day — Irish Jig and Reap the Flax — Swedish Dance
Sweet Kate — See “Newcastle”
Tantoli and Crested Hen (From" Folk Dance Music")
Tarantella— Italian Folk Dance and Ace of Diamonds — Danish Dance
Tenth Reg. March (Hall) (In slow tempo) and In the Park March (Dorn)
Texarkana — See “Portland Fancy”
{Theme for High-Stepping Horses (2) Horses or Reindeer Running \
(3) Theme for Skipping and Motive for Skipping /
Three Dance and Hatter (" Folk Dances of Denmark") ( Burchenal )
Three Meet and Butterfly (" Country Dance Tunes") (Sharp)
Three Men’s Reel — Danish Dance and Cshebogar (Hungarian Peasant Dance)
Thunderer March (Sousa) and Southerner March (Alexander) Conway 's Band
Tideswell Processional Morris and Goddesses (Sharp)
{Tinker’s Dance (From “Folk Dances of Denmark”) \
and Prettu Sister-in-Law (From" Folk Dances of Finland’’) (Burchenal) f
( Vingakersdans Swedish (From “Folk Dance Music”) j
\ ( Burchenal and Crampton) >
f and Mallebrok (From" Folk Dances of Denmark") I
I Virginia Reels “Miss McCloud’s Reel" (2) “Old Dan Tucker" ^
% (3) “ Pop Goes the Weasel ” (Burchenal) Victor Military Band [
1 Money Musk Nos. I and 2 (" Joice's Hornpipe") (Burchenal) J
Washington Post March (Sousa) and Lights Out March (McCoy)
f Weaving Dance Swedish (From “Folk Dance Music”) (Burchenal |
\ and Crampton) and Cracoviac— Polish J
White Cockade and Old Dan Tucker
Young America Hornpipe — See “Portland Fancy"
STORIES AND READINGS
Number
Fvl
C/5
si
33 a
18009
10
.75
18010
10
.75
35208
12
1.25
17777
10
.75
17761
10
.75
17328
10
.75
17084
10
.75
35542
12
1.25
17568
10
.75
35227
12
1.25
18331
10
.75
35531
12
1.25
18491
10
.75
35657
12
1.25
35389
12
1.25
18637
10
.75
17002
10
.75
18004
10
.75
17159
10
.75
17083
10
.75
18017
10
.75
18616
10
.75
18253
10
.75
18000
10
.75
17845
10
.75
17821
10
.75
35531
12
1.25
17846
10
.75
17962
10
.75
18003
10
.75
18552
10
.75
35283
12
1.25
18002
10
.75
18490
10
.75
18616
10
.75
Story-telling has long been a vital part of the Kindergarten
and Library, and now has taken on new life as an indispen¬
sable adjunct of the playground activities. We therefore pre¬
sent a series of the treasures of childhood, told in a childlike
way. The Victor Company is very fortunate in having secured
Miss Sara Cone Bryant. America’s leading authority on the art
of story-telling. Miss Bryant has told a number of her own
stories in a natural and charming manner ; her records will be
models for teachers and mothers.
Miss Sally Hamlin, a talented Brooklyn child, has told some
old tales delightfully and recited a number of Field and Riley
poems in excellent style. Miss Georgene Faulkner, the “ Story
Lady,” has a wide acquaintance through her Chautauqua ap¬
pearances, and from her delightful “corner" in the “ Chicago
Tribune" and the “Ladies' Home Journal." as mother goose
MISS FAULKNER
VICTOR RECORDS
EDUCATIONAL RECORDS— STORIES AND READINGS-Continued
/ Abou Ben Adhem (Leigh Hunt) (2) Annabel Lee (Poe) Frank Burbeck\
\ and (/) The Last Leaf ( Holmes ) (2) L'Envoi ( Kipling ) Frank Burbeck )
f American Flag, The (Joseph R. Drake) William Sterling Battis!
1 and The Name of Old Glory (Riley) William Sterling Battisi
Annabel Lee — See “Abou Ben Adhem"
f Bear Story, The — That Alex Yist Maked Up His Own Se’f (Part 1) 1
\ (James Whitcomb Riley) and Part II — Harry E. Humphrey J
/ Bible Reading — Luke 2 (2) A Christmas Carol (J. G. Holland) Humphrey!
\ and It Came Upon the Midnight Clear (Willis) , Etc. Victor Orchestra)
Blue and the Gray, The-H. E. Humphrey
and Sleep Noble Hearts — Lyric Quartet
( Call to the Colors, The (Guiterman) William Sterling Battis),
\ and The Meaning of Our Flag (Beecher) , Etc. William Sterling Battis)
f Cap’n Cuttle (Monologue arranged from Dickens' “Dombey and I
\ Son”) and Squeers, the Schoolmaster — William Sterling Battis)
Chicken Little (From "Fairy Tales") (Jacobs) and Goldilocks-Faulkner
Christmas Carol— See “ Bible Reading "
{Cinderella (Fairy Tale) Pauline Potter!
and Little Red Riding Hood (Fairy Tale) Pauline Potter)
Cinderella and Jack and the Beanstalk (Fairy Tales) Sally Hamlin
(Columbus (Joaquin Miller) William Sterling Battis I
and Landing of the Pilgrim Fathers (2) God Give Us Men Battis )
Declaration of Independence of the U. S. — Parti
and Part II — Harry E. Humphrey
f Dog and the Kitty Cats (2) Pig Brother (Bryant)
\ and Little Bull Calf (Bryant)
/ Doll’s Wooing (2) Sugar Plum Tree (Eugene Field)
X and Jest ’Fore Christmas
/ Duel, The (Eugene Field)
( and Three Little Pigs (English Folk Tale )
/Epaminondas (“ Stories to Tell to Children") (Bryant)
1 and Little Jackal and the Alligator (Bryant)
Flag Goes By — See “Meaning of Our Flag"
f Fox as Herdsman (Dasent) (“Popular Tales from the Norse”) Faulkner I
X and Pancake Story (Dasent) (From “Tales from the Fields”) Faulkner )
/ Gingerbread Boy (Old Folk Tale) Georgene Faulkner!
Sara Cone Bryant \
Sara Cone Bryant )
Cora Mel Patten!
Cora Mel Patten)
Sally Hamlin!
Sally Hamlin )
Bryant I
Sara Cone Bryant)
and The Night Before Christmas (Moore) Cora Mel Patten)
f Give Me Liberty, or Give Me Death ! (Patrick Henry’s Speech in the J
X Convention of I 775) and Lincoln's Gettysburg Address — Harry E. Humphrey)
God Give Us Men — See “Landing of the Pilgrim Fathers"
f Goldilocks and the Three Bears (Robert Southey) Georgene Faulkner!
\ and Chicken Little (From” Fairy Tales”) ( Jacobs ) Georgene Faulkner)
{How Tom Whitewashed the Fence (“Tom Sawyer"! (Twain) Battis!
and Our Guide in Genoa (From" Innocents Abroad,” Mark Twain) Battis )
Jack and the Beanstalk and Cinderella (Fairy Tales) Sally Hamlin
I Jest ’Fore Christmas (Eugene Field) Cora Mel Patten)
1 and The Doll's Wooing (2) The Sugar Plum Tree (Field) Cora Mel Patten)
/ Knight’s Toast, The 1
X and An Old Sweetheart of Mine (Riley) Burbeck)
( Landing of the Pilgrim Fathers (Hemans) (2) God Give Us Men— Battis!
\ and Columbus (Miller) Battis)
f Last Leaf, The (Holmes) (2) L’Envoi (Kipling) Frank Burbeck!
I and Abou Ben Adhem (Leigh Hunt) (2) Annabel Lee (Poe) Frank Burbeck)
( Lincoln’s Gettysburg Address (Delivered at the dedication of the |
< Soldiers’ Cemetery at Gettysburg, November, 1863) Harry E. Humphrey)
l and Give Me Liberty, or Give Me Death I Harry E. Humphrey)
/ Lincoln, the Great Commoner (Markham) Humphrey!
( and Vision of War (Memorial Day Speech) (Ingersoll) Humphrey I
I Little Bull Calf (Bryant) Sara Cone Bryant I
\ and Dog and the Kitty Cats (2) Pig Brother ( Bryant ) Sara Cone Bryant)
f Little Jackal and the Alligator (From "Stories to Tell toChildren") Bryant!
( and Epaminondas (From “ Stories to Tell to Children") (Bryant) Bryant J
Number I
r-J
e/3
22 a
16989
10
.75
35692
12
1.25
16989
10
.75
35378
12
1.25
18086
10
.75
17310
10
.75
18297
10
.75
35616
12
1.25
35262
12
1.25
18086
10
.75
35447
12
1.25
35664
12
1.25
35653
12
1.25
35291
12
1.25
35643
12
1.25
35350
12
1.25
18685
10
.75
35636
12
1.25
18297
10
.75
35293
12
1.25
35418
12
1.25
35377
12
1.75
35653
12
1.25
35262
12
1.25
35563
12
1.25
35664
12
1.25
35350
12
1.25
16913
10
.75
35653
12
1.25
16989
10
.75
35377
12
1.25
18200
10
.75
35643
12
1.25
35636
12
1.25
VICTOR RECORDS
EDUCATIONAL RECORDS— STORIES AND READINGS-Continued
f Little Red Hen (Jacobs) (“English Fairy Tales”)
\ and Mother Goose Jingles (“A Book of Nursery Rhymes
f Little Red Riding Hood_ (Fairy Tale)
Faulkner)
’) Georgene Faulkner
Pauline Potter)
1 and Cinderella (Fairy Tale)
Marlowe, Julia — See “Sothern, E. H.”
f Meaning of Our Flag (Beecher) (2) The Flag Goes By (Bennett)
( and T he Call to the Colors ( Guiterman )
Micawber and Uriah Fleep (Character Impersonations from Dickens’
“ Daoid Copperfield ")
Mother Goose Jingles and Little Red Hen-
( Name of Old Glory, The (Riley)
) and The American Flag (Joseph R. Drake)
Battis (
Battis I
l Night Before Christmas (Moore)
( and Gingerbread Boy, The (Old Folk Tale)
/ Old Sweetheart of Mine, An (Riley)
( and Knight’s Toast
J Our Guide in Genoa (From “ Innocents Abroad,” Mark Twain)
( and How Tom Whitewashed the Fence (From" Tom Sawyer”)
William Sterling Battis I
William Sterling Battis J
Cora Mel Patten 1
Georgene Faulkner /
Burbeckl
Burbeck J
Battis I
Battis I
Sally Hamlin
Faulkner
(Read) Battis
Our Hired Girl (Riley) arid Raggedy Man (Riley)
Pancake Story (Dasent) and The Fox as Herdsman
Paul Revere’s Ride and Rising of ’76
Pig Brother — See “Dog and Kitty Cats”
Pollyanna Arrives (Porter) and Pollyanna and the Boy — Sally Hamlin
Psalm of Life, A and Village Blacksmith ( Longfellow ) Harry E. Humphrey
Raggedy Man and Our Hired Girl (Riley) Sally Hamlin
Rising of ’76 (Read) and Paul Revere' s Ride (Longfellow) Battis
( Scrooge — Part 1 — “Marley ’s Ghost” (“Christmas Carol,” Dickens) Battis)
) and Scrooge — Part2 — " Ghost of Christmas Past" William Sterling Battis)
J Scrooge — Part 3 — “ Ghost of Christmas Present” William Sterling Battis)
l and Scrooge — Part 4 — “ The Ghost of Christmas to Come” Battis)
Shakespeare Interpretations — See “Shakespeare,” General Section, and
“Sothern and Marlowe," Pink Section
Sothern, E. H., and Marlowe, Julia — For a series of excellent interpreta¬
tions of scenes from Shakespeare, see “Sothern and Marlowe,” Pink Sec¬
tion
J Squeers, the Schoolmaster (Dickens) (“Nicholas Nickleby”) Battis)
) ancl Cap’n Cuttle (Dickens’ “ Dombey and Son”) William Sterling Battis)
Sugar Plum Tree — See “ Doll’s Wooing”
f Sugar Plum Tree, The (Field) (With incidental Harp music) Sally Hamlin)
\ and Wynkcn, Blynken and Nod (Field) (With incidental Harp music) Hamlin)
( Three Billy Goats Gruff (“Popular Tales of the Norse" ) Faulkner)
( and (I) Wolf, Wolf I (2) Wind and Sun (“ Aesop’s Fables”) Faulkner)
f Three Little Pigs (English Folk Tale) Sally Hamlin)
\ and T he Duel (Eugene Field) Sally Hamlin)
Uriah Heep and Micawber (“ David Copperfield ”) William Sterling Battis
Village Blacksmith and Psalm of Life ( Longfellow ) Humphrey
f Vision of War (Memorial Day Speech) (Ingersoll) Humphrey)
\ and Lincoln, the Great Commoner (Markham) Humphrey )
Wind and the Sun — See “Wolf, Wolf!”
f Wolf, Wolf I (2) Wind and the Sun (" Aesop’s Fables ” ) Faulkner)
) and Three Billy CoatsGruff (“ Popular Talesof the Norse”) ( Dasent ) Faulkner)
) Wynken, Blynken and Nod (Field) (With incidental Harp music) Hamlin)
( and The Sugar-Plum Tree (Field) (With incidental Harp music) Hamlin)
VOCAL RECORDS
f Ah, Love, But a Day (2) The Year’s at the Spring (Beach) Laura Littlefield)
) and A n Irish Folk Song (Foote) Laura Littlefield)
Ah ! vous dirai-je, Maman — See “Pont d ’ Avignon ”
f Airs Sung by Ophelia, The (“Hamlet") (Harpacc.) Kline)
) and Blow, Blow Thou Winter Wind (“As You Like If ’) Dixon and Quartet)
J America (Dr. S. F. Smith — Henry Carey) Victor Mixed Chorus)
) and Red, White and Blue, The (Dwight-Shaw) Victor Mixed Chorus)
Number
i Size
tf.
3 a.
17332
10
.75
35447
12
1.25
18297
10
.75
35556
12
1.25
17332
10
.75
35692
12
1.25
35418
12
1.25
16913
10
.75
35563
12
1.25
18276
10
.75
35293
12
1.25
35555
12
1.25
35643
12
1.25
35652
12
1.25
18161
10
.75
18276
10
.75
35555
12
1.25
35566
12
1.25
35567
12
1.25
35616
35350
18599
17198
18685
35556
18161
18200
17198
17198
18599
35693
72166
17717
17578
10
1.25
1.25
.75
.75
.75
1.25
.75
.75
.75
.75
.75
1.25
.75
.75
.75
VICTOR RECORDS
EDUCATIONAL RECORDS— VOCAL RECORDS— Continued
Allegro, L’ (Milton) — See“ Let Me Wander ”
American Country Dances — See “ Physical Education "
American Music History — See “Indian” — “Psalm” — “Patriotic” —
“Negro. Spirituals” — “American Country Dances” — “Home, Sweet
Home.” For American Composers — see general list.
And the Glory of the Lord — See “ Messiah”
f Anvil Chorus (“Trovatore”) (God of the Nations) In English Victor \
1 Male Chorus and Soring Flowers (“ Samson et Dalila”) Women's Chorus)
f Anvil Chorus (“ Trovatore”) Victor Male Chorus I
l and Pilgrims' Chorus (“ Tannhduser ”) Victor Male Chorus)
f Aooah (Red Willow Pueblos) (2) Her Blanket (Lieurance) 1
Princess Watahwaso)
\
and By the Weeping Waters ( Lieurance )
{Around the Christmas Tree (Old Swedish Folk Song) (Riley-Gaynor)
(From ‘‘Lilts and Lyrics”) (2) Little Christmas Shoes ( Anice Terhune)
(From “Dutch Ditties for Children") Elsie Baker (
and Merry Christmas (2) Sleighing Song ( Riley-Gaynor ) Olive Kline)
(Au clair de la lune (2) II pleut, bergere (3) Promenade en bateau )
(4) Fais dodo. Colas Eva Gautier I
and Savez-vous planter les choux ? (2) Trempe ton pain ( 3 ) La Mere [
Michel ( 4 ) Malhrouck Eva Gautier)
f Ave Maria (Scott-Schubert) (From “Lady of the Lake") Lucy Marsh)
l and Hail to the Chief (Scott-Sanderson) ("Lady of the Lake”) Victor Male Qt)
I Baa, Baa, Black Sheep (2) How Many Miles to Babylon (3) Bobby )
J Shafto (4) Baby Dear (Riley-Gaynor) (From “Lilts and Lyrics”) I
( with Violin, Flute and Pianoforte) Olive Kline |
l and Little Shoemaker (2) Song of Iron ( 3 ) The Blacksmith — Elsie Baker)
Baby Dear — See “Baa, Baa, Black Sheep”
Back, Shepherds, Back — See “ Masque of Comus”
Bonne Aventure, La — See “Pont d’ Avignon”
Band Accompaniments for Community Singing — See under Instrumental
heading “Annie Laurie” — “Believe Me” — “Drink to Me Only" — “My
Old Kentucky Home" “America" — “Hail, Columbia”— “ Red, White
and Blue” — “ Star-Spangled Banner" — “Old Black Joe” — “Old Folks
at Home”
/Barbara Allen (Old English)
1 and O No, John ( Old English)
f Battle Cry of Freedom (Geo. F. Root) (Rev. Version)
\ and Song of a Thousand Years (Henry C. Work)
Bean Porridge Hot — See “ Mother Goose, No. 2”
(Been a-Listenin’ (2) Good Lord I Done Done )
Tuskegee Singers 1
and I Want to be Ready (2) Get on Board
Tuskegee Institute Singers I
(Berceuse from Jocelyn (Godard) 1
('Cello obbligato) Kline-Dunlap- Wheel er (
and Blow Trumpet for the World is White [
With May Orpheus Quartet!
Bienheureuse Nuit, O — See “Christmas Eve”
f Bird Chorus, The Charles Kellogg I
\ and How Birds Sing Charles Kellogg J
Birds — See “Songs and Calls of Our Native
Birds"
{Blacksmith, The (Mozart) Reinald Werrenrath i
and Over the Summer Sea (" Rigoletto”) l
From ‘‘School Song Book ” — C. C. Birchard & Co.) Dixon I
Blacksmith, The (Riley-Gaynor) — See “Little Shoemaker”
I Blow, Blow, Thou Winter Wind (From “As You Like It ") (Shake- \
) speare-Stevens) (with woodwind) Dixon and Male Qt V
' and The Airs Sung by Ophelia (“Hamlet”) (Shakespeare) Kline )
I Blowing Bubbles (2) Pit-a-Pat (3) The Sailor Elsie Baker)
) and See-Saw (2) The Giants (3) Froggies' Swimming School Elsie Baker)
{Blow Trumpet for the World is White with May (Tennyson-Nevin) r
(From “ Coming of Arthur") Orpheus Quartet)
and Berceuse from Jocelyn (' Cello obbligato' Kline-Dunlap-Wheeler \
Royal Dadmun)
Royal Dadmun )
Raymond Dixon)
Raymond Dixon )
Number
<a_>
Kl
t/5
!s2 si
— a a
35723
12
1.25
35499
12
1.25
17624
10
.75
17563
10
.75
18418
10
.75
17869
10
.75
72165
10
.75
55052
12
1.50
17937
10
.75
17937
10
.75
35549
12
1.25
72166
10
.75
45310
10
LOO
17582
10
.75
35225 12
1.25 [
18446 10
.75
35581 12
1.25
i
45163 10
1.00 J
17735 10
.75
WERRENRATH
17569
17937
17717
17596
35581
.75
.75
.75
.75
1.25
VICTOR RECORDS
-Continued
(3) Six Little Puppies
Olive Kline ;
(4) Mr. Squirrel — Kline)
Victor Opera Chorus 1
Victor Women's Chorus I
35209
12
17532
10
18886
10
17776
10
1.25
.75
EDUCATIONAL RECORDS-VOCAL RECORDS
f Blue Bird (2) Mr. Duck and Mr. Turkey
\ (4) Little Birdie
and Tiddlely-W inks (2) The Chicken (3) Bunny
Bobby Shafto — See “Baa, Baa, Black Sheep"
Bobolink, The — See “ Woodpecker”
Bow-Wow- Wow — See “Bunny, The”
{Bridal Chorus — Lohengrin (Act III) In English
and Spinning Chorus — Flying Dutchman
( Bridal Chorus (” Rose Maiden") (Cowen)
\ Lyric Quartet
' and Miller’s Wooing ( Faning ) _ Lyric Quartet
Brooklet, The — See " Morning Song"
Bunny, The (2) Pretty Pussy (3) Little
Chickens and Snow Birds (4) The Squirrel
(5) Gold Fish (6) Bow-Wow- Wow (all
from “Songs for the Little Child") (Clara
Belle Baker and Caroline Kohlsaat) Pub¬
lished by The Abingdon Press Alice Green
and Sing, Bluebird, Sing ( .2 ) The Butterfly
(3) Robin Redbreast (4) Raindrops (5) Pussy
Willow (6) The Woodpecker (7) Jacky Frost
( all from “ Songs for the Little Child”) ( Clara
Belle Baker and Caroline Kohlsaat) Published
by the Abingdon Press Alice Green
Bunny, The (Neidlinger) — See “Tiddlely-Winks
and Tiddlely-Wee "
Butterfly, The — “Sing, Bluebird, Sing"
By-lo — See " Mother Goose, No. 2”
By the Rushy Fringed Bank — See ‘‘Masque of Comus "
1 By the Shores of Gitchie Gurnee (2) Then the Little Hiawatha (From
“Hiawatha's Childhood") ( Longfellow- Whiteley ) (.with Piano, Violin I
and Flute ) Kline-Wheeler-Dunlap |
and Ewa-Yeal (2) Wah-wah-taysee (" Hiawatha's Childhood’’) Baker )
I By the Waters of Minnetonka Princess Watahwasol
l A Sioux Serenade Princess Watahwasol
( By the Weeping Waters (Lieurance) Princess Watahwasot
| and Aooah (Red Willow Pueblos) (2) Her Blanket ( Navajo ) (Lieurance) >
' Princess Watahwasol
I Canoe Song (Ciribiribin) (Martens-Pestalozza) Littlefield- Baker)
\ and Venetian Boat Song (Jacques Blumenthal) Littlefield-Baker )
(Casquette du Pere Bugeaud, ■ La (2) LalMist’en Laire (3) Frere 1
Jacques Eva Gautier I
Le Pont d' Avignon (2) Ah! vous dirai-je, Maman (3) La Bonne Aventure |
and (4) J’ai du bon tabac Eva Gautier )
( Caro mio ben (Thou, All My Bliss) Arietta (Giordani) Werrenratfn
j and O cessate di piagarmi (Oh No Longer Seek to Pain Me) (2) Ecco J-
^ purch’a voi riiorno (Aye for You My Spirit Yearneth) Reinald WerrenrathJ
Cat-tails — See “Household Hints"
Cherry Sweet — See "Mother’s Prayer"
Chicken, The — See “Tiddlely-Winks and Tiddlely-Wee"
Child Jesus, The — See “GodlLoves Me"
China — See “Mear"
( Christmas Day in the Morning (2) Good Night and Christmas Prayer ^
| (M. B. Foster) (From Dann's “Christmas Carols ') Kline and Chorus >
^ and Christmas Eve (M. B. Foster) (2) O Bienheureuse Nuit Elsie Baker)
{Christmas Eve (M. B. Foster) (2) O Bienheureuse Nuit (Normandie 1
Carol) (From Dann's “Christmas Carols”) Elsie Baker)
and Christmas Day in the Morning (2) Good Night Kline and Chorus’
Christmas Lullaby, A — See “God Loves Me"
{Come and Trip It as You Go (" L’ Allegro") (Handel) Dixon and Qt I
and Haste Thee, Nymph (From Milton s“ L‘ Allegro") Dixon and Lyric Qt)
J Come Away, Death (“ Twelfth Night ”) (Barrat) (2) Take, Oh Take J
I Those Lips Away (“ Measure for Measure") (Wilson) (Harp acc.) Dixon f
’ and O Mistress Mine (“ Twelfth Night") (Morley) (Harp acc.) Dixon
I Come raggio di sol (As on the Swelling Wave) (Caldara) Italian Werrenratfn
\ and Vittorio, mio core! (Victorious My Heart Is !) Cantata (Gian Giacomo l
I Carissimi ) In Italian Reinald Werrenrathl
number
e-J
C/3
List
prc.|
17776
10
.75
17937
10
.75
17686
10
.75
18886
10
.75
35494
12
1 25
mmmm
PRINCESS YVATAHVVaSO
18886
10
.75
35225
12
1.25
35549
12
1.25
35617
12
1.25
18431
10
.75
18418
10
.75
45172
10
1.00
72166
10
.75
17718
10
.75
18015
10
.75
18665
10
.75
17776
10
.75
18887
10
.75
17646
10
.75
17868
10
.75
17868
10
.75
18887
10
.75
18123
10
.75
17662
10
.75
17703 10
.75
VICTOR RECORDS
Laura Littlefield!
Laura Littlefield I
Lucy Marsh!
Lucy Marsh I
EDUCATIONAL RECORDS— VOCAL RECORDS — Continued
Come Unto Me — See “Messiah"
Come Unto These Yellow Sands (“The Tempest") (Shakespeare-
Purcell) (2) Green-Sleeves (Shakespeare-Vincent) (Baritone with
Male Trio, Harp and ' Cello) Werrenrath-Dixon-Hooley
and When That I Was a Little Tiny Bov 2. Hold Thy Peace (" Twelfth
Night”) (Shakespeare) (Unacc.) Macdonough-Dixon-Werrenrath
Community Singing — See “ Band Accompaniments"
Corn Soldiers — See “Jack in the Pulpit”
/Coronach (From “Lady of the Lake”) (Schubert) Kline- Wheeler-Dunlap!
/ and Soldier. Rest {From” Lady of the Lake") Kline-Baker J
Country Dances — See heading “Physical Education"
/ Cradle Song (Brahms)
/ Little Dustman (An. by Brahms)
f Creation, The — With Verdure Clad (Haydn)
\ and Hear Ye Israel (Elijah) (Mendelssohn)
Crooked Man — See “ Humpty Dumpty ”
Crusaders’ Hymn — See “War Song of Normans"
/ Cuck-Coo Clock (2) Slumber Song (From “Seven Little Songs") 1
I (Pfirshing-Schaefer) and (/) T he Secret , etc. (Anice Terhune) Wheeler)
Daffodils — See “Household Hints"
Dancing in May — See “ Riggetty Jig"
Dancing Song — See “Riggetty Jig'’
Dew Drop, A (Sherman-Gilchrist) (2) Rain Song (Smith) 'i
(From Modern Primer, Silver, Burdett & Co.) _ Elizabeth Wheeler |
and Mother Goose No. / (/) “ Hey diddle diddle ,” etc. Elizabeth Wheeler)
Diddle Diddle Dumpling — See “ Mother Goose No. 2"
Dolly, The — See “Wild Wind, The’’
/ Douce dame jolie (2) L’espoir que j’ai In French Lambert Murphy/
/ and Tuse'morta (Thou Art Dead) (From” Orfeo”) Italian Werrenrath )
f Duke of Marlborough ( 100 Folk Songs) Macdonough-Dixon-Werrenrath!
\ and War Song of Normans (Crusaders' Hymn) Victor Male Chorus)
f Early to Bed; Three Blind Mice; Good Night (Old Rounds) \
\ and Scotland's Burning (2) Row, Row, etc. Green-Dunlap-Baker I
Ecco purch’ a voi ritorno — See “O cessate di piagarmi”
{Elijah — Hear Ye Israel (Mendelssohn) Lucy Marsh 1
and With Verdure Clad (The Creation) (Haydn) Lucy Marsh)
Espoir que j’ai, L’ — See “ Douce dame jolie"
{Euridice — Non piango e non sospiro (Not Crying Am 1) (Caccini) \
Werrenrath J
and Intorno all’ idol mio (Aria) (Caressing Mine Idol’s Pillow) Italian Marsh)
Evening Prayer — See "God Loves Me"
Ewa-Yea! (2) Wah-wah-taysee (From “ Hiawatha’s Childhood")
Baker!
Kline- Wheeler-Dunlap )
Victor Male Chorus I
V ictor Oratorio Chorus )
(with Piano and Strings)
and By the Shores of Gitchie Gurnee, etc.
Fais dodo. Colas — See “ Au clair de la lune ”
Feast of Lanterns — See “ Sing a Song of Sixpence ”
Fidelio — Prisoners’ Chorus (“Oh! What Delight")
and The Heavens Resound ( Beethoven )
Fire, The — See “ Pull a Cherry ”
First Nowell, The (Christmas Carol) and Nazareth ( Gounod) Lyric Qt
First Primrose, The — (Grieg) (2) Greeting (Grieg) Lucy Isabelle Marsh 1
and Solve jg s Cradle Song (Grieg) (From ” Peer Gy nt ”) Lucy Isabelle Marsh)
Folk Dances — See heading “ Physical Education"
Foster — See “Foster" — General List
Four Penobscot Tribal Songs (Traditional) (1) Song of Greeting ^
(2) Lullaby (3) Snail Song (4) Wedding Ceremonial-Princess WatahwasoJ
and Pa-pup-ooh (Deer Flower) (2) The Sacrifice (Lieurance) Princess Watahwaso )
French Songs — -See "Au clair de la lune" and "Pont d’Avignon"
Frere Jacques — See “ Casquette du Pere Bugeaud ’’
Froggies’ Swimming School — See "See Saw"
From the Heavens Now 1 Fly — See " Masque of Cornua
Number
Size
*22
3 O.
45144
10
1.00
17724
10
.75
17719
10
.75
17987
10
.75
18440
10
.75
55178
12
1.50
18076
10
.75
17725
10
.75
17513
10
.75
18015
10
.75
17719
10
.75
17719
10
.75
17004
10
.75
35225
12
1.25
18887
10
.75
45083
10
LOO
17725
10
.75
18277
10
.75
17718
10
.75
55178
12
1.50
45083
10
1.00
45069
10
1.00
18887
10
.75
35617
12
1.25
72165
10
.75
18076
10
.75
35576
12
1.25
18330
10
.75
17647
10
.75
45321
10
LOO
18444
10
.75
72166
10
.75
17596
10
.75
35549
12
1.25
VICTOR RECORDS
EDUCATIONAL RECORDS— VOCAL RECORDS— Continued
Full Fathom Five — See “ Where the Bee Sucks ”
Funeste piaggie (“Ye Dismal Hillsides") (“Euridice") (Peri) "i
( with Woodwind, Brass and Harp) In Italian W errenrath .
and Stizzoso. mio stizzoso (“ U nruly Sir! ") ( Pergolesi ) Italian Marsh)
f Funiculi, Funicula (Denza) Lyric Quartet!
\ and Santa Lucia (.Neapolitan Folk Song) Reed Miller )
f Gamblers’ Song Glacier Park Indians (Blackfeet Tribe)!
| and NaVaio Indian Songs (Tom-Tom accompaniment) Geoffrey O’Hara)
f Gently Fall the Dews of Eve (Mercadante) (Unacc.) !
( and Lift Thine Eyes (From” Elijah”) (Mendelssohn) Wheeler-Dunlap-Baker J
Georgie Porgie — See “ Sing a Song of Sixpence ”
Get on Board— See “I Want to be Ready ”
Giants, The — See ‘‘See-Saw”
/ Ginger Bread Man (2) Jap Doll (Riley-Gaynor)
l and Household Hints (2) Cat-tails (3) Daffodils
Girl I Left Behind Me and Rory O’More (Samuel Lover )
( Gloria Patri (Palestrina-Damrosch) In Latin
\ and Popule Meus Latin (Palestrina-Damrosch)
Glory to God — See "Messiah"
Olive Kline\
Olive Kline)
Raymond Dixon
Victor Chorus!
V ictor Chorus j
- T uskegee Institute Singers
God Loves Me (2) A Christmas Lullaby (3) Evening Prayer (4)
Praise Him (5) The Child Jesus (All from “Songs for the Little
Child") (Clara Belle Baker and Caroline Kohlsaat) (Published
by The Abingdon Press) Alice Green
and The Wild Wind (2) Rainbow (3) Happy Thought (4) Now It
Is Spring (5) Twinkle Twinkle Little Star (6) The Dolly (All- from
“ Songs for the Little Child”) ( Clara Belle Baker and Caroline Kohlsaat)
(Published by The Abingdon Press) Alice Green
Go Down Moses and I Want to be Like Jesus — Tuskegee Institute Singers
Gold Fish — See ‘‘Bunny, The”
Good Lord, I Done Done — See "Been a'Listenin' ”
Good News and Live A -Humble
Good Night — See “ Early to Bed”
Good Night and Christmas Prayer — See “Christmas Day in the Morning"
Go to Sleep, Dolly — See “ Mother Goose” No. 2
Go to Sleep, My Dusky Baby (Dvorak’s ‘ Humoresque" — arr. by 'i
F. R. Rix) _ (A. S. Barnes Co., Publishers) Kline-Baker-Dunlap'
and Rockin' Time (Gertrude L. Knox) Kline-Baker-Dunlap J
Granddaddy Longlegs (2) Touching (3) Katydid (Miessner) (Piano a
acc.) (From “Art Song Cycles, Book No. 1 " ) Elsie Baker v
and Violets (2) Sweet-Pea Ladies (3) Poppies, etc. Olive Kline)
Grass Dance — See “ White Dog Song "
Green Sleeves — See “Come Unto These Yellow Sands "
Greeting (Mendelssohn) — See “ Spring Song ” (Chopin)
Greeting (Grieg) — See “First Primrose, The”
( Guide Thou My Steps (From “Les Deux Journ6es")
^ (The Water-Carrier) (Cherubini) W errenrath l
( and Requiem Mass in C Minor ( Requiem Aeternam) Latin Victor Oratorio Cho)
/ Gypsy Life (Schumann) Lyric Quartet!
\ and Oh, Italia, Italia, Beloved (Donizetti) Victor Chorus)
f Hail, Columbia (Jos. Hopkinson — PrT. Phile) Victor Mixed Chorus^
j and Star-Spangled Banner. The (Francis Scott Key) (Arranged by the [
*- Music Section National Education Association) Victor Mixed Chorus)
\ Hail to the Chief (Scott-Sanderson) (“Lady of the Lake”) Victor Male Qt!
( and A Ve Maria ( Scott-Schubert) (From” Lady of the Lake”) Lucy Marsh)
Happy Thought — See “Wild Wind, The”
Hark, Hark! the Lark (Shakespeare-Schubert) In English Evan Williams
Harp That Once Thro’ Tara’s Halls John McCormack
/ Haste Thee, Nymph (“L’Allegro") (Handel) Dixon-Lyric Quartet \
t and Come and Trip Itas You Go (From Milton’s “ L’Allegro ”) Dixon-Lyric Qt)
Hear Ye Israel — See “Elijah”
Heaven Song (2) Inchin' Along and Old Time Religion — Tuskegee Singers
Number
<u
oO
to if
17702
10
.75
55051
12
1.50
18968
10
.75
17635
10
.75
17211
10
.75
18076
10
.75
18446
10
.75
17596
10
.75
18015
10
.75
17597
10
.75
17548
10
.75
35499
12
1.25
18887
10
.75
17688
10
.75
18886
10
.75
18446
10
.75
17663
10
.75
18277
10
.75
17868
10
.75
35225
12
1.25
17918
10
.75
17625
10
.75
17611
10
.75
17724
10
.75
17532
10
.75
45321
10
1.00
55075
12
1.50
35254
12
1.25
17579
10
.75
55052
12
1.50
18887
10
.75
64218
10
1.25
64259
10
1.25
18123
10
.75
55178
12
1.50
18075
10
.75
Number
p*j
to £
IZj a
35576
12
1.25
18418
10
.75
45144
10
1.00
18448
10
.75
17004
10
.75
35617
12
1.25
35623
12
1.25
18665
10
.75
17724
10
.75
45145
10
1.00
18015
10
.75
45163
10
LOO
17937
10
.75
18076
10
.75
17513
10
.75
55072
12
1.50
35279
12
1.25
55072
12
1.50
45092
10
1.00
17793
10
.75
45324
10
1.00
18076
10
.75
72165
10
.75
18447
10
.75
18075
10
.75
17719
10
.75
45069
10
1.00
35693
12
1.25
17634
10
.75
18447
10
.75
45067
10
1.00
18237
10
.75
17688
10
.75
18446
10
.75
VICTOR RECORDS
l
EDUCATIONAL RECORDS — VOCAL RECORDS— Continued
Heavens Resound (Beethoven) Victor Oratorio Chorus I
and Fidelio — Prisoners’ Chorus ("Oh! What Delight") Victor Male Chorus)
Her Blanket — See “Aooah"
He ShallFeed His Flock — See “Messiah"
Hey Baloo (Schumann) and Slumber Boat ( Riley-Gaynor ) Laura Littlefield
Hey diddle diddle — See “ Mother Goose No. I ”
Hiawatha — See “ Ewa-yea,’’ and “By the Shores of Gitchie Gurnee ’
Hide Me From Day’s Garish Eye — See “Let Me Wander"
Hills of Tyrol — See “ Skye Boat Song ”
Hold Thy Peace — See “When That I Was a Little Tiny Boy"
f Holy Night (Cantique de Noel) (Adam) (with Lyric Qt) Marsh!
( and Silent Night, Holy Night (with Organ and Chimes) Trinity Choir)
f Household Hints (2) Cat-tails (3) Daffodils Olive Kline!
\ and Gingerbread Man (2) Jap Doll Olive Kline)
( How Birds Sing Charles Kellogg!
! and The Bird Chorus Charles Kellogg )
How Many Miles to Babylon — See "Baa, Baa, Black Sheep”
( Humpty Dumpty (2) To Market (3) Crooked Man (4) Tommy ^
Tucker (5) Mother Hubbard Wheeler!
and Sins a Sons of Sixpence (2) I Love Little Pussy , etc. Wheeler)
Hungry Windmill — See “The Secret”
Hymn of Charlemagne (Veni Creator Spiritus) (2) Lament for
Charlemagne In Latin Werrenrath -
and Hymn to John the Baptist Latin (2) Scales (Announced) Kline J
i
\ and (/) Sumer is Icumen In (Round) (A. D. 1226) Victor Mixed !
! Chorus (2) Oh Willow, Willow (Harp acc.) Olive Kline)
( Hymn to John the Baptist (Announced) In Latin (2) Major, Chromatic 'i
\ and Minor Scales (Announced) Kline J
and Humn of Charlemagne (2) Lament for Charlemagne Latin Werrenrath)
I Attempt from Love’s Sickness to Fly (From “The Indian Queen”) \
(Howard-Purcell) Werrenrath!
and My Mother Bids Me Bind My Hair Marsh)
II bianco cigno (D’Arcadelt) (with Lute and Harp) In Italian Dixon!
and Mon coeurse recommande a Vous (Orlando de Lassus) Raymond Dixon)
I Dream of Jeanie With the Light Brown Hair (Foster) Murphy!
and My Days Have Been So Wondrous Free ( Hopkinson ) Murphy)
I Love Little Pussy — See “Sing a Song of Sixpence"
II pleut, bergere — See “ Au clair de la lune ”
I’m a-Rollin’ — See " My Way’s Cloudy ”
Inchin’ Along — See “Heaven Song ”
Indian Songs — See “Gambler’s Song," "Hiawatha,” “ Medicine Song,”
“ Navajo” and “ Princess Watahwaso"
Instrumental Selections — See heading “Instrumental ”
In the Belfry — See “Jack in the Pulpit"
Intorno all’ idol mio (Caressing Mine Idol’s Pillow) (Cesti) Italian Marsh 1
and Euridice — " Non piango e non sospiro" Reinald Werrenrath J
Irish Folk Song, An (Foote) Laura Littlefield!
and Ah, Love, Bui a Day (2) The Year’s at the Spring (Beach) Laura Littlefield )
It Was a Lover and His Lass (“As You Like It ”) (Morley) (Unacc.) \
Raymond Dixon-Harry Macdonough !
and Who is Sylvia? (Schubert) (Harp acc.) Werrenrath)
I’ve Been ’Buked (2) Most Done Trabellin* Tuskegee Institute Singers!
My Way’s Cloudy (2) I'm a-Rollin Tuskegee Institute Singers)
Ivy-Green, The (Dickens-Beethoven) (From Siefert’s “Choice Songs,” i
Book 2) (with Pianoforte) Reinald Werrenrath!
and When the Swallows Homeward Fly ( Franz Abt) Lucy Isabelle Marsh)
I Want God’s Heaven to be Mine — See "Roll, Jordan, Roll"
I Want to be Like Jesus and Go Down Moses — Tuskegee Institute Singers
I Want to be Ready (2) Get on Board Tuskegee Institute Singers!
Been a-Listenin’ (2) Good Lord I Done Done Tuskegee Institute Singers)
VICTOR RECORDS
EDUCATIONAL RECORDS- VOCAL RECORDS-Continued
f Jack in the Pulpit (2) In the Belfry (3) Corn Soldiers (4) Naming the \
t Trees (5) The Squirrel (6) The Windmill (Fullerton-Gray) Kline >
and Riggetly Jig (2) The Singing School (3) Dancing Song, etc. Olive Kline)
Jack-o’-Lantern — See “Land of Nod"
Jacky Frost — See “Sing, Bluebird, Sing”
J’ai du bon tabac — See “Pont d’Avignon”
J’ai encor un tel pate — See “ Robins m’aime”
Jap Doll — See “Gingerbread Man”
/ Jock o’ Hazeldean (Poem by Sir Walter Scott) John Young)
\ and Scots, Wha' Hae' Wi ’ Wallace Bled t ( Scotch War Song) Werrenrath)
f Joseph Mine (Calvisius) In English Victor Mixed Chorus 1
\ and Lo. How a Rose E’er Blooming (2) To Us Is Born Immanuel — Lyric Qt)
Just Before the Battle, Mother (Root) and Tramp, Tramp, Tramp — Young
Katydid — See “Granddaddy Longlegs"
Lament for Charlemagne — See “ Hymn of Charlemagne"
f Land of Nod (2) Tracks in the Snow (3) Jack-o’-Lantem Kline (
\ and The Leaves’ Party (2) Thanksgiving Song Baker )
r Leaves’ Party, The (2) Thanksgiving Song (“ Songs of Child World ') ^
/ Baker l
( and Land of Nod (2) Tracks in the Snow (3) Jack-o' -Lantern Kline)
Lenox — See “Mear"
r Let Me Wander Not Unseen ("L" Allegro”) (Milton-Handel) (2) Hide
2 Me from Day's Garish Eye (“11 Pensieroso”) (Milton-Handel) Green
l and Masque of Comus (Milton-Lawes)
{Lift Thine Eyes (“Elijah") (Mendelssohn)
and Gently Fall the Dews of Eve ( Mercadante )
Linden Tree (Schubert) — See “Postilion”
Little Birdie — See “ Blue Bird”
Little Bo-Peep — See “ Mother Goose No. 1 ”
f Little Brown Church in the Vale (Pitts)
\ and When They Ring the Golden Bells for You and Me
Little Chickens and Snow Birds — See “Bunny, The”
Little Christmas Shoes — See “Around the Christmas Tree”
{Little Dustman (Arr. by Brahms) Laura Littlefield)
and Cradle Song ( Brahms ) Laura Littlefield )
Little Jack Horner — See “ Mother Goose No. 1 ”
( Little Shoemaker _ (2) Song of Iron (3) The Blacksmith (Riley- |
y Gaynor) (From “Songsof Child World, No. 1”) (with Pianoforte) Baker J
' and Baa, baa. Black Sheep (2) How Many Miles to Babylon, etc. Kline >
( Live a-Humble (Old Negro Spiritual) (Unacc.) Tuskegee Institute Singers)
\ and Good News (Old Negro Spiritual) '(Unacc.) Tuskegee Institute Singers)
Loch Lomond (Old Scotch) Evan Williams
/ Lo, How a Rose E’er Blooming (2) To Us Is Born Immanuel Lyric Qt)
Ull'l IdllUCl / VJICCII
Dixon and Lyric Qt)
Wheeler-Dunlap- Baker I
W heeler-Dunlap-Baker I
Victor Male Qt
Imperial Qt
Victor Mixed Chorus)
(Brahms) Elsie Baker
( Silcher ) Elsie Baker
and Joseph Mine English
Loreley (Silcher) Elsie Baker and Lullaby
Lovely Evening — See “Scotland's Burning"
Lullaby (“Jocelyn") See "Berceuse"
Lullaby (Brahms) Elsie Baker and Loreley
Lullaby (Brahms) — See “ Cradle Song ”
Lullaby (Lithuanian Folk Song) — See “Postilion”
Lullaby — See " Four Penobscot Songs ”
Major, Chromatic and Minor Scales — See “Hymn to John the Baptist"
Malbrouck — See “Duke of Marlborough" and “Savez-vous planter les f
choux?” )
Marches — See heading "Physical Education"
Marguerites — See “ Poppy Lady”
{Masque of Comus (1) “ From the Heavens Now I Fly" (2) Chorus — )
"Sabrina Fair” (Milton-Lawes) (Acc. by Harp, Strings and Wood- r
wind) Dixon and Qt and Masque of Comus (!) " Sweet Echo, "etc. ’
i Masque of Comus ( 1 ) Noble Lord and Lady Bright (2) Now My Task ^
2 Is Smoothly Done (Milton-Lawes) Dixon and LyricQt >
l and ( /) Let Me Wander NotUnseen(“ L’ Allegro”) etc. (Milton-Handel) Green)
Number
17719
18074
18886
72166
17760
18015
16961
17870
16987
17625
55072
18074
18074
17646
35623
17211
18330
17776
17004
17982
18886
17869
18440
17004
17937
17663
64210
17870
17181
18277
35581
17181
18440
18330
18444
55072
17725
72165
17686
35549
35623
.75
.75
.75
.75
.75
.75
.75
.75
.75
.75
1.50
.75
.75
.75
1.25
.75
.75
.75
.75
.75
.75
.75
.75
.75
.75
.75
1.25
.75
.75
.75
1.25
.75
.75
.75
.75
1.50
.75
.75
.75
1.25
1.25
VICTOR RECORDS
EDUCATIONAL RECORDS-VOCAL RECORDS-Continued
I Mear (Barnard) (2) Lenox (Lewis Edson) (3) Windham (Daniel
•; Read) (4) China (Swan) Lyric Qt and Psalm / 07 ( Tune" Dundee" )
l (2) Psalm 100 (Tune “ Old Hundred") Lyric Quark
( Medicine Song Glacier Park Indians (Blackfeet Tribe
\ and W hite Dog Song (2) Grass Dance-Glacier Park Indians (Blackfeet Tribe
/Merci clamant (de Coucy) (2) Pour mal terns, ni pour gelee (Thibaut
of Navarre) (Troubadour Songs) French (with Lute) Raymond Dixon 1
Number
Olive Kline ,
(Riley-Gaynor)
Mere Michel, La — See “Savez-vous planter les choux?”
r Merry Christmas (2) Sleighing Song (Riley-Gaynor)
•J and Around the Christmas Tree (Old Swedish Folk Song)
l (2) Little Christmas Shoes (A nice Terhune) Llsie Baker
\ Messiah — And the Glory of the Lord (Handel) Victor Mixed Chorus
! and Messiah — Pastoral Symphony — Glory to God (Handel) Victor Mixed C ho
I Messiah — He Shall Feed His Flock Elsie Baker
\ and Messiah — Come Unto Me Lucy Isabelle Marsh
f Miller’s Wooing (Choral Ballad) (Goddard-Faning) Lyric Quartet
\ and Bridal Chorus (From" The Rose Maiden") (Cowen) Lyric Quartet
{Mon coeur se recommande (de Lassus) (Harp and Lute) French Dixon
and II bianco cigno (D’Arcadelt) (with Lute and Harp) Italian Dixon
/ Morning Song (Grieg) (2) The Rose (Franz) (3) The Brooklet
l (Schubert) Olive Kline and Spring Song (Chopin) etc. Kline J
Most Done Trabellin’ — See “ I’ve Been ’Buked ”
Mother Goose— See “Humpty Dumpty"
Mother Goose Lullaby — See “Riggetty Jig”
f Mother Goose No. 1 (Elliott) (1) "Hey Diddle Diddle” (2) "Little
■J Bo-Peep" (3) "Twinkle, Twinkle" (4) "Little jack Horner" (5)
"Ride a Cock Horse" and Dew Drop (2) RainSong Wheeler
( Mother Goose No. 2 (Piano acc.) (1) By-Lo (2) Diddle, Diddle Dump-
J ling (3) Wee Willie Winkie (4) Bean Porridge Hot (5) Go to Sleep,
Dolly (1 and 5, Harmonic Primer) (2, 3, 4, Crowninshield) Wheeler
( and Vowel Songs (Lawrence) Elizabeth Wheeler
Mother Hubbard — See “Humpty Dumpty”
(Mother’s Prayer (2) Swing Song (3) The Winds (4) Cherry Sweet
J (From “New Song Book and Music Reader") Elizabeth Wheeler
| Skye Boat Song (Old Highland Rowing Measure) (2) The Hills of Tyrol
l (T hummel) ("New Song Book and Music Reader") Elizabeth W heeler
Mr. Duck and Mr. Turkey — See "Blue Bird"
Mr. Squirrel — See "Tiddlely- Winks and Tiddlely-Wee"
/ My Bonnie Lass She Smileth (Old English) (Nevin) Lyric Quartet)
\ and Sweet is T rue Love (From" Idyls of the King"—" Lancelot and Elaine") Baker J
f My Days Have Been So Wondrous Free (Hopkinson)
\ and / Dream of Jeanie with the Light Brown Hair (Foster)
( My Mother Bids Me Bind My Hair (Haydn) Marsh)
\ and I Attempt from Love’s Sickness to Flu (Purcell) Werrenrath J
My Pretty Jane — The Bloom is on the Rye (Bishop)
( My Way’s Cloudy (2) I’m a-Rollin’ Tuskegee Institute Singers I
l Toe Been ' Buked (2) Most Done Trabellin Tuskegee Institute Singers)
Naming the Trees — See “Jack in the Pulpit"
{Navajo Indian Songs (Tom-Tom accompaniment)
and Gamblers’ Song Glacier Park Indians (Blackfeet Tribe) l
Nazareth (Gounod) and First Nowell ( Christmas Carols) Lyric Quart
Negro Spirituals — See "Been a-Listenin’ ” — “Go Down Moses" — "Good
News" — “ Heaven Song" — “ I Want to be Like Jesus " — “ I Want to be
Ready" — “I’ve Been ’Buked" — "Live a-Humble “ My Way’s
Cloudy" — ‘ Nobody Knows" — “Old-Time Religion" — "Roll, Jordan"
— “Steal Away" — “Swing Low.”
Nightingale — See “ Pull a Cherry”
Noble Lord — See ‘‘Masque of Comus”
I Nobody Knows the Trouble I See and Roll, Jordan, Roll (2) I Want God’s
\ Heaven to be Mine (Negro Spirituals) Tuskegee Institute Singer
Now It Is Spring — See “Wild Wind, The“
j 17646
1C
.75
} 17611
10
.75
] 17760
10
.75
’
72165
10
.75
j, 17869
10
.75
[ 35499
12
1.25
1 45144
10
1.00
35209
12
1.25
17793
10
.75
17532
10
.75
18447
10
.75
18076
10
.75
17719
10
.75
17004
10
.75
35225
12
1.25
18076
10
.75
18665
10
.75
17776
10
.75
17776
10
.75
18146
10
.75
45324
10
1.00
45092
10
1.00
74254
12
1.75
18447
10
.75
17719
10
.75
17635
10
.75
17647
10
.75
18330
10
.75
35623
12
1.25
18237
10
.75
18887
10
.75
prc.
VICTOR RECORDS
EDUCATIONAL RECORDS— VOCAL RECORDS— Continued
Now My Task — See “Masque of Comus"
r O cessate di piagarmi (Oh no Longer Seek) (Scarlatti) (2) Ecco purch’a voi
ritorno (Aye for You My Spirit) (“Orfeo" — Monteverde) Werrenrath J-
1 and Caro mio ben (Thou, A ll My Bliss) ( Giordani ) Reinald Werrenrath)
f Oh, Italia, Italia, Beloved (Donizetti) Victor Chorus)
\ and Gypsy Life (Schumann) Lyric Quartet)
O Hush Thee, My Cabie ( Sullivan ) and Sweet and Low (Barnby) Lyric Qt
Oh Willow, Willow — See “Sumer is Icumen In"
Old Chanticleer — See “ The Secret”
Old Time Religion and Heaven Song (2) Inchin’ Along — Tuskegee Singers
/ O Mistress Mine (“ Twelfth Night ”) (Morley) (Harp acc.) Dixon)
\ and Come Away , Death ( Barr at) (2) Take, Oh Take Those Lips — Dixon)
JO No, John (Old English) Royal Dadmun \
1 and Barbara Allen (Old English) Royal Dadmun)
Orpheus with His Lute — See “ She Never Told Her Love "
r Over Hill, Over Dale (From “Midsummer-Night's Dream”) i
J (Mendelssohn) Elizabeth Wheeler-Marguerite Dunlap-Elsie Baker ’
\ and Summer Now Hath Come Among Us ( Pinsuti ) W heeler and Dunlap)
f Over the Summer Sea (From “ Rigoletto ") (Verdi) Raymond Dixon)
\ and The Blacksmith (Mozart) Reinald Werrenrath J
Owl, The — See “ The Woodpecker”
I Paloma, La (In English) Turner)
\ O Sole Mio (In English) Turner )
( Pa-pup-ooh (Deer Flower) (2) The Sacrifice (Lieurance) Watahwasol
\ Four Penobscot Tribal Songs (Traditional) Princess Watahwasol
Patriotic and War Songs — See "America” — “ Battle Cry of Freedom" —
“Battle Hymn of Republic" — “ Columbia, the Gem of the Ocean” —
“Dixie” — “Hail, Columbia” — “Just Before the Battle Mother" —
“Red, White and Blue” — "Scots Wha’ Hae’ " — Sleep Noble Hearts”
— “ Soldier Rest" — “Star-Spangled Banner" — “Tramp, Tramp, Tramp”
— “ Vacant Chair” — "War Song of Normans" — “When Johnny Comes
Marching Home"
Pensieroso, II — See “Hide Me from Day’s Garish Eye”
{Pilgrims’ Chorus^ (“Tannhauser”) Victor Male Chorus).
A nvil Chorus (" T rovatore ’’) V ictor Mate Chorus \
Pit-a-Pat — See “ Blowing Bubbles”
(Pont d’Avignon, Le (2) Ah I vous dirai-je, Maman (3) La Bonne
Aventure (4) J'ai du bon tabac __ _ _ Eva Gautier 1
and La Casquette du Pere Bugeaud (2) La Mist'en Laire±(3) Frere Jacques |
Eva Gautier J
Poppies — See “Violets”
f Poppy Lady (2) The Tulips (3) Marguerites (From “Lilts and Lyrics" >
y and “ Songs of Child World No. I") (Riley-Gaynor) Olive Kline l
^ and The Woodpecker (2) Robin Red Breast, etc. Baker)
Popule Meus and Gloria Patri Latin (Palestrina-Damrosch) Victor Chorus
{Postilion (Taubert) (2) Lullaby (Lithuanian Folk-Song) (3) The ^
Spanish Gypsy (4) Linden Tree (Schubert) Elizabeth Wheeler >
and Pull a Cherry (2) The Nightingale (3) The Fire, etc. Wheeler)
Pour mal terns — See “ Merci Clamant”
Praise Him — See “God Loves Me"
Pretty Pussy — See “Bunny, The”
Promenade en bateau — See “ Au Clair de la Lune"
/ Psalm 107 (Tune “ Dundee ”) Psalm 100 (“OldjHundred”) Lyric Qt)
\ and Meat (2) Lenox (3) Windham (4) China Lyric Quartet)
( Pull a Cherry (2) Nightingale (3) Fire (4) See-Saw, Margery Daw Wheeler)
\ and Postilion (2) Lullaby (3) The Spanish Gypsy, etc. Wheeler J
Pussy Cat — See “Sing a Song”
Pussy Willow — See “Sing, Bluebird, Sing"
Rainbow, The — See “Wild Wind, The”
Raindrops — See “Sing, Bluebird, Sing"
Number
1 Size!
to «
13 a,
35623
12
1.25
17718
10
.75
35254
12
1.25
18417
10
.75
35279
12
1.25
17513
10
.75
18075
10
.75
17662
10
.75
45310
10
1.00
18528
10
.75
17209
10
.75
17569
10
.75
17686
10
.75
17536
10
.75
18444
10
.75
35623
12
1.25
17563
10
.75
17596
10
.75
72166
10
.75
17625
10
.75
17686
10
.75
17548
10
.75
18330
10
.75
17760
10
.75
18887
10
.75
18886
10
.75
72165
10
.75
17646
10
.75
18330
10
.75
18076
10
.75
18886
10
.75
18887
10
.75
18886
10
.75
VICTOR RECORDS
EDUCATIONAL RECORDS— VOCAL RECORDS-Contmued
Rain Song — See “ Dew Drop ”
Readings — See heading “Stories and Readings"
/ Red, White and Blue, The (Dwight-Shaw)
\ and A merica
I Requiem Mass in C Minor
\ and Guide Thou My Steps
Victor Mixed Chorus \
Victor Mixed Chorus J
Victor Oratorio Chorus\
Reinald Werrenrath J
Evan Williams
{Dr. S. F. Smith — Henry Carey )
(Cherubini)
( Cherubini )
Return of Spring (Robert Schumann)
Rhythms — See heading “Physical Education"
Ride a Cock Horse — See “ Mother Goose No. 1”
I Riggetty Jig (2) The Singing School (3) Dancing Song (4) Dancing 1
J in May (5) Mother Goose Lullaby Olive Kline (
1 and Jack in the Pulpit (2) In the Belfry (J) Corn Soldiers (4) (
Naming the Trees (5) The Squirrel (6) The Windmill Olive Kline)
Robin Red Breast (Riley-Gaynor) — See “The Woodpecker"
Robin Redbreast (Baker-Kohlsaat) — See "Sing, Bluebird, Sing"
{Robins m’aime (2) J'ai encor un tel pate (Rondel d’ Adam de la Hale) -i
(Troubador Songs) In French {with Lute) Raymond Dixon J-
and Merci clamant {de Coucy ) (2) Pour mal terns, etc. French Raymond Dixon)
{Rockin’ Time (Gertrude L. Knox) Kline-Baker-Dunlap\
and Go to Sleep, My Dusky Baby ( Dvorak ) Kline-Baker-Dunlap I
/ Roll, Jordan, Roll (2) I Want God's Heaven to be Mine 1
1 and Nobody Knows the T rouble I See ( Negro Spirituals) T uskegee Singers I
Rory O’More and Girl I Left Behind Me {Lover) Dixon
Rose, The — See “Morning Song"
Rounds — See “ Early to Bed” and “Scotland’s Burning”
Row, Row, Row Your Boat — See “Scotland’s Burning”
Sabrina Fair — See “Masaue of Comus”
Sacrifice, The — See “Pa-pup-ooh"
Sailor — See “Blowing Bubbles”
Sandman, The {with Piano) (Pfirshing-Grant-Schaefer) Evan Williams
f Santa Lucia (Neapolitan Folk Song) Reed Miller)
\ and Funiculi, Funicula ( Denza ) Lyric Quartet /
)Savez-vous planter les choux? (2) Trempe ton pain. (3) La Mere 1
Michel (4) Malbrouck Eva Gautier I
Au clair de la lune (2) II pleut, bergere {3) Promenade en bateau
{4) Fais dodo, Colas Eva Gautier J
( Scotland’s Burning (2) Row, Row, Row Your Boat (3) Lovely 'v
< Evening (Old Rounds) Green-Dunlap-Baker;
' and Early to Bed; 3 Blind Mice; Good Night ( Rounds ) Green-Dunlap-Baker j
f Scots, Wha’ Hae’ wi’ Wallace Bled (Scotch War Song) Werrenrath)
l and Jocko’ Hazeldean John Young J
( Secret, The (2)_ Old Chanticleer (3) The Hungry Windmill (From 'i
2 " Dutch Ditties ”) (Anice Terhune) Elizabeth Wheeler ;
l and Cuck-Coo Clock (2) Slumber Song { Pfirshing-Schaefer ) Wheeler J
See-Saw, Margery Daw — See “ Pull a Cherry ”
f See-Saw (2) The Giants (3) Froggie’s Swimming School Elsie Baker)
| and Blowing Bubbles (2) Pit-a-Pat (3) The Sailor {Piano acc.) Elsie Baker)
[Seven Last Words of Christ — Part 1 Victor Oratorio Chorus \
\ and Seven Last Words of Christ — Part II V ictor Oratorio Chorus J
Shakespeare Selections — classified as to plays under “Shakespeare”
in General List
{She Never Told Her Love (Shakespeare-Haydn) (2) Orpheus 1
With His Lute (Shakespeare-Busch) Laura Littlefield r
and When Daisies Pied and Violets Blue (Shakespeare- A me) Littlefield’
I Sigh No More, Ladies (“ Much Ado About Nothing ”) ( with Harp) Dixon\
\ and Where the Bee Sucks (2) Full Fathom Five Werrenrath J
Silent Night, Holy Night — Trinity Choir and Holy Night {Noel) (Adam) Marsh
{Sing a Song of Sixpence (2) 1 Love Little Pussy (3) Georgie Porgie )
(4) PussyCat (5) Feast of Lanterns Elizabeth Wheeler/
and Humpty Dumpty (2) To Market (3) Crooked Man, etc. Wheeler'
Number
Size
List
prc.
17004
10
.75
17578
10
.75
55075
12
1.50
64217
10
1.25
17004
10
.75
17719
10
.75
17686
10
.75
18886
10
.75
17760
10
.75
17918
10
.75
18237
10
.75
17597
10
.75
17532
10
.75
18277
10
.75
18277
10
.75
35549
12
1.25
18444
10
.75
17596
10
75
64220
10
1.25
18968
10
.75
•
72165
10
.75
18277
10
.75
16961
10
.75
17513
10
.75
18330
10
.75
17596
10
.75
18173
10
.75
18528
10
.75
17702
10
.75
45145
10
1.00
18076
10
.75
Number
Size
"—3 o.
18886
10
.75
17719
10
.75
18431
10
.75
17776
10
.75
18665
10
.75
17212
10
.75
17310
10
.75
17869
10
.75
18448
10
.75
*
17212
10
.75
17513
10
.75
18444
10
.75
17987
10
.75
17536
10
.75
45321
10
1.00
17582
10
.75
18444
10
.75
17937
10
.75
55055
i2
1.50
17735
10
.75
55049
12
1.50
18330
10
.75
35494
12
1.25
17624
10
.75
17532
10
.75
17532
10
.75
18886
10
.75
17719
10
.75
17579
10
.75
VICTOR RECORDS
EDUCATIONAL RECORDS— VOCAL RECORDS— Continued
Sing, Bluebird, Sing (2) The Butterfly (3) Robin Redbreast (4) Rain¬
drops (5) Pussy Willow (6) The Woodpecker (7) Jackey Frost
(all from ‘Songs for the Little Child ”) (Clara Belle Baker and Caroline
Kohlsaat) (Published by the Abingdon Press) Alice Green
and The Bunny (2) Pretty Pussy (3) Little Chickens and Snow Birds
(4) The Squirrel (5) Gold Fish (6) Bow- Wow- Wow ( all from “Songs
for the Little Child ” (Clara Belle Baker and Caroline Kohlsaat) (Published
by the Abingdon Press )
Singing Games — See heading “Physical Education'
Singing School — See “Riggetty Jig"
I Sioux Serenade, A
\ By the IV aters of Minnetonka
Six Little Puppies — See “Blue Bird"
tSkye Boat Song (Old Highland Rowing Measure)
(From “New Song Book and Music Reader")
Mother's Prayer (2) Swing Song (3) The Winds
( From “New Song Book and Music Reader’’)
f Sleep, Little Baby of Mine (Denn6e)
\ and Slumber Sea (Chisholm)
( Sleep Noble Hearts
\ and Blue and the Gray
Sleighing Song — See “Merry Christmas”
f Slumber Boat (Riley-Gaynor)
\ and Hey Baloo ( Schumann )
{Slumber Sea (Chisholm)
and Sleep, Little Baby of Mine
Slumber Song — See f‘Cuck-Coo Clock”
Snail Song — See “ Four Penobscot Songs ”
{Soldier, Rest (Scott’s “ Lady of the Lake”)
and Coronach (From “ Lady of the Lake
f Sole Mio (In English)
\ La Paloma (In English)
/Solvejg’s Cradle Song (Grieg) (From “Peer Gynt”)
and The First Primrose (Grieg) 2. Greeting (Grieg)
Song of a Thousand Years (Work)
and Battle Cry of Freedom
Song of Greeting — See *' Four Penobscot Songs ”
Song of Iron — See “Little Shoemaker"
Song of the Vikings (Faning) Victor Male Quartet)
and Sweet the Angelus is Ringing Lucy Marsh-Elsie Baker \
Songs and Calls of Our Native Birds — No. 3 — American Robin (2) Kill-
deer (3) Blue Jay (4) Bluebird (5) Wood-thrush (6) Yellow-billed
Cuckoo (7) Mocking Bird Charles Gorst
and Songs and Calls of Our Native Birds — No. 4 — Kentucky Cardinal' or
Redbird (2) Oven-bird (3) Red -Eyed Vireo (4) Baltimore Oriole
(5) Mourning Dove (6) Western Meadow Lark Charles Gorst
X
X
Alice Green
Princess Watahwasol
Princess Watahwaso)
(2) The Hills of Tyrol 1
Elizabeth Wheeler 1
(4) Cherry Sweet |
Elizabeth Wheeler J
Elsie Baker\
Elsie Baker J
Lyric Qt\
Humphrey I
Laura Littlefield)
Laura Littlefield)
Elsie Baker)
Elsie Baker j
Kline-Bakerl
Kline- Wheeler-Dunlap I
T urner )
Turner J
Lucy Isabelle Marsh)
Lucy Isabelle Marsh )
Raymond Dixon I
Raymond Dixon )
Songs of Our Native Birds — No. 1 — Catbird; stormy petrel; cardinal
redbird; Jenny or house wren; loon; red wing blackbird ; bobolink;
Cal. mountain quail, and general conversation of marsh birds Kellogg
and Songs of Our Native Birds — No. 2 — Ring-dove ; goldfinch; wood
pewee ; blue jay; whip-poor-will; mourning dove; meadow lark ; Peabody
bird (white-throated sparrow); catbird ; barn owl; hoot owl Kellogg
Spanish Gypsy — See “Postilion"
{Spinning Chorus — Flying Dutchman English Victor Women’s Chorus)
and Bridal Chorus — Lohengrin — Act III — In English Victor Opera Chorus)
{Spring Flowers (“Samson") (Saint-Saens) In English Women's Chorus)
and Anvil Chorus (“ Trovatore ") (Verdi) In English Victor Male Chorus)
{Spring Song (Chopin) (2) Spring's Messenger (Schumann) (3) 1
Greeting (Mendelssohn) and ( /) Morning Song (Grieg), etc. Kline)
Spring’s Messenger — See “Spring Song" (Chopin)
Squirrel, The (Baker-Kohlsaat) — See “Bunny, The"
Squirrel, The (Fullerton-Gray) — See "Jack in the Pulpit”
{Star-Spangled Banner, The (Francis Scott Key) Victor Mixed Chorus)
and Hail, Columbia (Jos. Hopkinson — Prof. Phile) Victor Mixed Chorus )
VICTOR RECORDS
EDUCATIONAL RECORDS- VOCAL RECORDS— Continued
Steal Away and Swing Low, Sweet Chariot — Tuskegee Institute Singers
/ Stizzoso, mio stizzoso ("Unruly Sir!") ("La serva padrona") Italian Marsh!
) and Funeste piaggie (“ Euridice") (Peri) Werrenrath )
Stories — See heading “Stories and Readings"
f Sumer is leumen In (Round) (A. D. 1226) Victor Mixed Chorus r
s (2) Oh Willow, Willow (Folk Song) Olive Kline l
v and Hymn to Apollo ( 278 B. C.) (Harp acc.) Elsie Baker)
( Summer Now Hath Come Among Us (Pinsuti) Wheeler-Dunlap\
\ and Over Hill. Over Dale (Midsummer-Night’s Dream) W heeler -Dunlap-Baker J
/ Summertime (von Reuenthal) Reinald Werrenrath)
\ and When the Nightingale Shall Sing (de Coucy) Reinald Werrenrath)
I Sweet and Low (Tennyson-Barnby) Lyric Quartet 1
\ and O Hush Thee, My Babie (Scott-Sullivan) Lyric Quartet)
Sweet Echo — See “Masque of Cornua"
f Sweet is True Love (Tennyson-Gilchrist) (“Idyls of the King") Baker)
1 and My Bonnie Lass She Smileth (Old English) Lyric Quartet I
Sweet Pea Ladies — See "Violets”
( Sweet the Angelus is Ringing (“King Rene’s Daughter”) (Enoch-Smart) r
■i (with Chorus and Cymbal) Lucy Marsh-Elsie Baker ’
' and Song of the Vikings (Faning — arr. A. H. Ryder) Victor Male Qt)
Swing Low, Sweet Chariot and Steal Away (Negro Spiritual) Tuskegee Singers
Swing Song — See "Mother’s Prayer”
Take, Oh Take Those Lips Away — See "Come Away, Death"
f Tell Me Where is Fancy Bred Marsh- Werrenrath)
\ and You Spotted Snakes Women’s Chorus)
Thanksgiving Song — See "Leaves' Party"
Then the Little Hiawatha — See “By the Shores of Gitchie Gurnee"
/ They Bid Me Sleep (from “Lady of the Lake") (Scott-Wilson) Littlefield)
) and The Toils are Pitch' d (from ‘ Lady of the Lake’ ’) (Scott-Wilson) Littlefield)
Three Blind Mice — See “Early to Bed”
( Thy Flow’ry Banks, Oh Lovely River (Meyerbeer) Wheeler-Dunlap-Baker)
\ and Voice of the Western Wind (Barnhy) Wheeler-Dunlap-Baker)
( Tiddlely-Winks and Tiddlely-Wee (2) The Chicken (3) The Bunny 1
< (4) Mr. Squirrel (Neidlinger) ("Small Songs for Small Singers”) Kline (
l and Bluebird (2) Mr. Duck and Mr. Turkey, etc. Olive Kline'
/ Toils are Pitch’d, The (from “Lady of the Lake”) (Scott-Wilson) Littlefield)
\ and They Bid Me Sleep (from "Lady of the Lake”) ( Scott-Wilson ) Littlefield)
To Market — See "Humpty Dumpty"
Tommy Tucker — -See “Humpty Dumpty ”
Touching — See “Granddaddy Longlegs"
To Us Is Born Immanuel — See "Lo, How a Rose E’er Blooming"
Tracks in the Snow — See "Land of Nod"
f Tramp, Tramp, Tramp (Root) John Young)
l and lust Before the Battle. Mother (Root) John Young)
Trempe ton pain — See “ Savez-vous planter les choux ”
Tulips — See “Poppy Lady"
fTuse’morta (Thou Art Dead) (From "Orfeo") In Italian Werrenrathl
) and Douce dame jolie (Machault) (2) L espoir que j’ai — French — Murphy f
Tuskegee Institute Singers — See "Negro Spirituals"
Twinkle. Twinkle Little Stai — See “Mother Goose No. I"
Twinkle, Twinkle Little Star — See “Wild Wind, The"
{Under the Greenwood Tree (From "As You Like It ”) (Shakespeare- 1
Dr. Arne) (with Male Chorus, woodwind acc.) Raymond Dixon /
and What Shall He Have Who Killed the Deer (with Brass Sextette) MaleChorus)
( Vacant Chair, The (Root) (Unacc.) Lyric Quartet)
\ and When Johnny Comes Marching Home (Lambert) John Young)
f Venetian Boat Song (Jacques Blumenthal) Littlefield- Baker)
) and Canoe Song (Ciribiribin) (Martens-Pestalozza) Littlefield-Baker I
I Violets (2) Sweet-Pea Ladies (3) Poppies (Riley-Gaynor) (with Piano, \
Violin and Flute) (From “ Songs of Child World ”) Olive Kline J.
I and Granddaddy Longlegs (2) Touching (3) Katydid (Piano acc.) E. Baker)
J Vittoria, mio core ! (Victorious My Heart Is!) (Carissimi) Italian Werrenrath )
\ and Come raggio di sol (As on the Swelling Wave) In Italian Werrenrath)
f Voice of the Western Wind (Barnby) Wheeler-Dunlap-Baker)
\ and Thy Flow’ry Banks, Oh Lovely River Wheeler-Dunlap-Baker)
Number
✓5
| List
1 prc.
17890
10
.75
55051
12
1.50
35279
12
1.25
17209
10
.75
17290
10
.75
18417
10
.75
35549
12
1.25
18146
10
.75
17625
10
.75
55055
12
1.50
17890
10
.75
18665
10
.75
17662
10
.75
55060
12
1.50
18074
10
.75
35617
12
1.25
18674
10
.75
18277
10
.75
17106
10
.75
17776
10
.75
18674
10
.75
18076
10
.75
18076
10
.75
17625
10
.75
17870
10
.75
18074
10
.75
16987
10
.75
72165
10
.75
17686
10
.75
45083
10
1.00
17004
10
.75
18887
10
.75
17623
10
.75
16984
10
.75
45172
10
1.00
17625
10
.75
17703
1C
.75
17106
1C
.75
VICTOR RECORDS
Number
a;
r~-
55
List
prc.
EDUCATIONAL RECORDS— VOCAL RECORDS-
-Continued
( Vowel Songs (Wm. M. Lawrence) (Piano acc.) "Long a," . “Long e,"'i
< “Italian a,” "Broad a,” "Long 0,” "Long Double 0 (00)’’ Wheeler'-
and Mother Goose Songs No. 2 — By-Lo, etc. Elizabeth IV heeler)
35225
12
1.25
Wah-wah-taysee — See "Ewa-Yea” 35617 121.25
War Songs — See “Patriotic and War Songs
War Song of Normans (Ancient Tune)
(“ Modern Music Series") (2) Crusaders’
Hymn (“Siefert's Choice Songs ”)
Victor Male Chorus
and Duke of Marlborough
Macdonough-Dixon-Werrenrath
Wedding Ceremonial — See "Four Penobscot
Songs’ ’
Wee Willie Winkie — See " Mother Goose
No. 2"
Welcome, Pretty Primrose (Pinsuti)
Lucy Marsh and Marguerite Dunlap 45192 10 1.00
and My Skylark Love ( Bowles-Denni ) Romaine
1772510
18444 10
35225121.25
What Shall He Have Who Killed the Deer
(“As You Like It") (Shakespeare-Bishop)
( with Brass Sextet ) Victor Male Chorus (
and Under the Greenwood T ree Dixon)
17623 10
42 1 pages,
6i x 94
fully illustrated
WHAT WE HEAR IN MUSIC (Fourth Revised Edition)
A course of study for high schools, normal schools, colleges,
universities and home study, by Anne Shaw Faulkner —
illustrated at every point by Victor Records, consisting of 1 20
lessons subdivided into four parts of 30 lessons each,
follows:
1 . Learning to Listen: National Music.
2. The History of Music.
3. The Orchestra: The Development of Instrumental Music.
4. The Opera and Oratorio.
This work gives a complete systematized plan of study with the real music, a
thing never before possible in the history of music education. To the average pupil,
music history has ever been a dull, dead mass of meaningless names and dates, but it
becomes most fascinating when you have the music whose history you wish to know.
The illustrations used comprise over 400 of the choicest selections in the catalogue,
classified, and each one analyzed and its story told.
The book may be procured from any dealer in Victor products. If, however, he is
unable to supply you, information regarding it, including the price, may be had by address¬
ing the Victor Talking Machine Company, Camden, N. J.
{When Daisies Pied and Violets Blue (Shakespeare-Arne) Laura Littlefield'
She Never Told Her Love (Shakespeare-Haydn) ( 2 ) Orpheus With His Lute
IS hakespea re-Busch) Laura Littlefield ,
f When Johnny Comes Marching Home (Lambert) John Young
\ and The Vacant Chair (Root) ( Unacc .) Lyric Quartet
( When That I Was a Little Tiny Boy (2) Hold Thy Peace (“ Twelfth
5 Night”) (Shakespeare) Macdonough-Dixon-Werrenrath
( and Come Unto These Yellow Sands (" Tempest”) Werrenrath-D ix on-Hooley
f When the Nightingale Shall Sing (de Coucy) Reinald Werrenrathl
\ and Summertime ( von Reuenthal) Reinald IVerrenrath) I
f When the Swallows Homeward Fly (Franz Abt) Lucy Isabelle Marsh I
1 and The Ivy -Green (Dickens-Beethoven) (with Piano) Reinald IVerrenrath)
{Where the Bee Sucks (“The Tempest") (2) Full Fathom Five Thy Father \
Lies (“The Tempest") (Shakespeare-R. Johnson) (with J
Harp, 'Cello and Bells) Werrenrath and Sieh No More. Ladies — Dixon)
I White Dog Song (2) Grass Dance — Glacier Park Indians (Blackfeet Tribe))
\ and Medicine Song Glacier Park Indians ( Blackfeet Tribe) I
18528
10
16984
10
17724
10
17290
10
45067
10
17702
10
17611
10
.75
.75
.75
.75
1.00
.75
.75
Number
Size
W
■J a.
17634
10
.75
. 18887
10
.75
17646
10
.75
17719
10
.75
18665
10
.75
55178
12
1.50
j 17686
10
.75
18886
10
.75
s 64219
10
1.25
35693
12
1.25
55060
12
1.50
!
j 35493
12
1.25
1
f 18329
10
.75
| 18562
10
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) 74661
12
1.75
k 64666
10
1.25
35631
12
1.25
il 74577
12
1.75
n 74732
12
1.75
k 64341
10
1.25
| 35475
12
1.25
J 17981
10
.75
| 17302
10
.75
a 64482
10
1.25
| 18093
10
.75
J 18085
10
.75
87513
10
1.50
89066
12
2.00
88014
12
1.75
74548
12
1.75
VICTOR RECORDS
EDUCATIONAL RECORDS-VOCAL RECORDS— Continued
f Who is Sylvia ? ("Two Gentlemen of Verona ”) (F. Schubert) ( Harp
\ acc.) Werrenrath and It Was a Lover and His Lass — Dixon-Macdonough
Wild Wind, The (2) 1 he Rainbow (3) Happy Thought (4) Now
It Is Spring (5) Twinkle, Twinkle, Little Star (6) The Dolly (all
from “Songs for the Little Child") (Clara Belle Baker and Caroline
Kohlsaat) Published by the Abingdon Press Alice Green
and God Loves Me ( 2 ) A Christmas Lullaby (3) Evening Prayer (.4)
Praise Him (5) The Child Jesus (All from '' Songs for the Little Child' )
(Clara Belle Baker and Caroline Kohlsaat ) Published by the Abingdon Press
Alice Green ,
Windham — See “ Mear”
Windmill, The — See “Jack in the Pulpit”
Winds, The — See “Mother’s Prayer ”
With Verdure Clad — See “Creation”
f Woodpecker, The (2) Robin Red Breast (3) The Owl (4) The
\ Bobolink (Riley-Gaynor) Elsie Baker and Poppy Lady, Etc. Kline
Woodpecker, The (Baker-Kohlsaat) See “Sing, Bluebird, Sing’
Wynken, Blynken and Nod (Field-Paissiello) (Piano acc.) Evan William
Year’s at the Spring, The — See “ Ah, Love, But a Day”
f You Spotted Snakes (Shakespeare-Mendelssohn) Victor Women’s Cho
I and Tell Me Where is Fancy Bred Marsh-Werrenrath
(Egmont Overture (Beethoven) Victor Concert Orchestra
I Marche Militaire ( Schubert ) Victor Concert Orchestra
Egyptien Ballet — Part 1 (Allegretto) (Luigini) Victor Orchestra
Egyptien Ballet — Part 2 (Andante Soslenuto) Victor Concert Orchestra
JEgyptland — Fox Trot (Jas. W. Casey) Six Brown Brothers
\ Peter Gink — One-Step (Cobb) Saxophones Six Brown Brothers
Eighth Symphony, in F Major — Allegretto (Beethoven) Philadelphia (
Eileen (Alanna Asthore) (From “Eileen”) (Herbert) McCormacl
Eileen, Gems from — Parti (Blossom-Herbert) Victor Light Opera Co
Chorus: “Glad, Triumphant Hour” — Solo: “My Little Irish Rose" —
Solo: “Eileen (Alanna, Asthore)” — Chorus: “Free Trade and a Misty
Moon" — Solo and Chorus: “Ah, True Friends of Ireland” — Solo and
Chorus: “When Ireland Stands Among the Nations of the World"
Eileen, Gems from (Part II) Victor Light Opera Company
Chorus: “The Irish Have a Great Day To-Night" — Solo: “Ireland, My
Sireland” — Duet: "Life’s a Game" — Duet: "I Want to be a Lady" — -
Solo and Chorus: “Love’s Awakening’’ — Chorus: “Thine Alone’’
Eili, Eili (“Father Why Hast Thou Forsaken Me ?”) (M. Shalitt)
(’Cello obb. by Bourdon) In Hebrew Sophie Brasl
Eili, Eili (Arranged by Elman) Violin Mischa Elm
Eilleen Allanna (Marble-Thomas) John McCorma
{Elaine — Valse Hesitation (Lionel Baxter) McKee’s Or chestr
Estellita — Valse Pathetique (Herbert) McKee’s Orchesti
f El Amanecer — Tango (Roberto Firpo) Victor Dance Orchestr
l Mi Ricurita — Tango (Osman Perez Freire) Victor Dance Orchesti
( El Capitan March (Sousa) (See also “Educational”) Sousa’s!
I Washington Post March (Sousa) Sousa’s Bar,
El Celoso (jealous One) (Alvarez) In Spanish de Gogor
fEl Choclo Argentine Tango (Villoldo) Hurtado Bros. Marimba B
l Selections from “ Modest Susanne” Hurtado Bros. Royal Marimba B
(Eldorado March (Victor Herbert) Xylophone Wm. H. Re
l Ragging the Scale — Fox Trot (Claypoole) Banjo Fred Van!
Elegie — Song of Mourning (Massenet)
By Alma Gluck and Efrem Zimbalist In French
By Enrico Caruso and Mischa Elman In French
By Emma Eames (with 'Cello obbligato by Josef Hollman) In French
By Maud Powell Violin
VICTOR RECORDS
Number 1 g
List
PIT.
Elephant and Portmanteau
The Tin Gee Gee (Cape)
(2) Camel and Butterfly Price)
Henry Allan Price)
16694 10
.75
ELGAR, SIR EDWARD WILLIAM, Composer
Born Broadhurst, England, June 2, 1857. Succeeded his father as organist St. George’s
Cathedral, Worcester. Made debut as composer 1890. Has written many oratorios, in¬
cluding the world-famous “ Dream of Gerontius,” many cantatas, orchestral compositions,
and innumerable minor works. Visited United States. Rated as one of the most dis¬
tinguished of living composers.
For records of Elgar’s compositions see “ Capricieuse,” “Carillon,” “Pomp and
Circumstance March” and “Salut d’amour”
I
ELIJAH (Birmingham, 1846) (Mendelssohn)
Hear Ye, Israel — Marsh and Creation — With Verdure Clad— Marsh \
If With All Your Hearts Evan Williams
If With All Your Hearts Edward Johnson
It is'Enough Herbert Witherspoon
Lift Thine Eyes and Cently Fall the Dews of Eve — Wheeler-Dunlap-Baker
Lord God of Abraham Clarence Whitehill
Oh Rest in the Lord Julia Culp
Oh Rest in the Lord Janet Spencer '
Oh Rest in the Lord Louise Homer I
Oh Rest in the Lord and Messiah — He Shall Feed His Flock — Baker ■
Then Shall the Righteous Shine Forth Evan Williams
ELISIR D’AMORE (Ay -lee-zeer dam-oh! - reh ) (Elixir of Love)
(Milan, 1832) (Donizetti) Sung in Italian
(For complete illustrated description see Victrola Book of the Opera)
Una furtiva lagrima (A Furtive Tear) Enrico Caruso
Una furtiva lagrima (A Furtive Tear) John McCormack
Venti Scudi (Twenty Crowns) Caruso-de Luca
ELITE ORKESTER
Napoleon’s March Across the Alps and Hussars’ Review — Elite Orch
ELIXIR OF LOVE — See “Elisir d’Amore”
ELMAN, MISCHA, Violinist — See “Elman” in Pink Section
ELMAN STRING QUARTET — See “ Pink Section”
(Elokay Ad Schelo Nozarti (i Was Created by Thee) Rosenblatt)
l W’chol Maaminim ( God is King ) Hebrew Josef Rosenblatt)
( Elokay Neshomo (The Soul Thou Gavest Me is Pure) Heb. Rosenblatt)
\ S homer Israel (Guardian of Israel) ( Rosenblatt ) Hebrew Rosenblatt)
rEmaline (Geo A. Little- J . McHugh) Vernon Dalhart)
( You Made Me Forget How to Cry (Lewis-Young- Abrahams) Burr)
EMMETT, DANIEL DECATUR, (1815-1904) Composer
Emmett, who wrote “Dixie,” “Old Dan Tucker,” and other songs Americans have
immortalized, worked as a boy in his father’s blacksmith shop. “ Dixie” was written for
Bryant’s Minstrels, in New York, in 1859, and not long afterwards the South had claimed
it for its own. See “Dixie”
(Emmett’s Favorite Yodel (J. K. Emmett) George P. Watson)
l Alpine Specialty — Popular Yodels George P. Watson)
Emmett’s Lullaby (J. K. Emmett) Mabel Garrison i
(Emmett’s Lullaby Heidelberg Quintette)
l ’Tit's But a Little Faded Flower ( Thomas ) Anthony-Harrison)
English Folk Dances — See “Educational Records, Folk Dances”
English Horn and Flute Duet — See “William Tell Overture, Part III ’
English Patriotic Records — See “National Airs — Great Britain”
ENNIS, TOM — Irish Bagpipe
55178
12
1.50
74088
12
1.75
74654
12
1.75
74082
12
1.75
17211
10
.75
74320
12
1.75
74427
12
1.75
74290
12
1.75
88288
12
1.75
35699
12
1.25
64650
10
1.25
88339
12
1.75
74219
12
1.75
89089
12
2.00
67554
10
.75
55164
12
1.50
55125
12
1.50
18782
10
.75
Irish Hornpipes
Irish Jigs
18366
18286
Irish Melodies
Irish Reels
18286
18366
16968
64695
17217
.75
1.25
.75
VICTOR RECORDS
(Enticement Tango (G. Noceti) Castle House Orchestra
\ Argafiarez — Tango ( Firpo ) Castle House Orchestra
{Epitaphs, or Two Darkies in a Cemetery Golden and Hughes
Big Bass Viol ( Bohannon ) Frank. C. Stanley and Peerless Quartet
Erkennen, Das (Recognition) (Loewe) In German Schumann-Heinl
Erlkonig (The Erlking) (Schubert) ( Piano acc.) In German Gadsk
Erlkonig (The Erlking) (Schubert) In German Schumann-Heinl
ERMIN1E - Operetta by Jakobowski
Lullaby from “ Erminie ” (with Mixed Chorus) Mabel Garriso:
Lullaby from “Erminie’" — Elsie Baker and Message of the Violet — Olive Klir
ERMINIE, GEMS FROM _ _ Victor Light Opera Co
Opening Chorus, “A. Soldier’s Life" — “When Love is Young All the
World is Gay” — “Join in the Pleasure” — “What the Dicky Birds
Say" — "Lullaby" — “Marriage is a Holy Union" — “Deign Pray to
Cheer Each Heart”
Gems from "Florodora” Victor Light Opera Co
(-SELECTION OF PRINCIPAL AIRS Victor Concert Orchestra
“Soldiers, Chorus" — " Downy Jail-Birds of a Feather" — "Dream
Song" — “Darkest the Hour" — “What the Dicky Birds Say" —
“Lullaby ” — Finale
; Chimes of Normandy Selection Victor Concert Orchestra
ERNANI (Air-nah' -nee) (Verdi) (In Italian unless noted )
ACT I - A BANDIT CAMP IN SPAIN
Giovanni Martinelli
Come rugiada al cespite (The Sweetest Flow’r)
Come rugiada al cespite (The Sweetest Flow'r) Colazza
and O tu che I’alma adora (My Life’s Treasure) Martinez-Patti am
Emani involami (Ernani, Fly With Me!) Frieda f
Emani involami — Grisi and Masked Ball — O Figlio d'Inghilterra — Qt i
ACT 11 - ELVIRA'S BOUDOIR IN THE CASTLE OF SYLVA
Lo vedremo, o veglio audace (I Will Prove, Audacious Greybeard) Ruffo
ACT 111 - TOMB OF CHARLEMAGNE AT AIX-LA-CHAPELLE
O de’verd’ anni miei (Oh Bright and Fleeting Shadows) Giuseppe de Luc
O de' verd’ anni miei (Oh Bright and h leeting Shadows) Titta Ruff'
O sommo Carlo (Oh, Noble Carlos) Battistini, DeWitt, Taccani and Chi
(Esmeralda — Waltz (de Mesquita) Castle House Orch
l Cecile- — Waltz Hesitation ( F . W. McKee) Castle House Orch.
Espana Rapsodie (Alexis E. Chabrier) Philadelphia Orchestrs
{Espana Rapsodie (Chabrier) Two Pianos Maier-Pattison'
Waltz (from Suite for Two Pianos) (Arensky Op. IS) Maier-Pattison.
Es steht ein’ Lind’ (The Linden in the Dale) In German Gluck-Reimer
fEstellita — Valse Pathetique (Herbert) McKee’s Orchestra
l Elaine — Valse Hesitation (“Valse Elaine”) (Baxter) McKee's Or.
ESTUDIANTINA TRIO, Guitar and Bandurrias — See “Santiago”
Estudiantina Waltz (Emil Waldteufel)
By Victor Orchestra and War Songs March — V. Drum, Fife and Bugle Corp
By William H. Reitz Xylophone and Qretchen’s Dream Waltz — Gialdin
By Pietro Accordion and Wedding of the Winds Waltz — Accordion — Pietr
Eternamente (Mascheroni) — See “For All Eternity”
Eternity (Gates-Bliss) Whitney Brothers Quartet'
Twenty-third Psalm and Lord’s Prayer Sacred Reading!
Etude — For several Chopin Etudes see “Chopin”
Etude in F Minor (Dohnanyi) Plano
Number
Size!
2 K
— J A
[ 17556
10
.75
\ 16507
10
.75
{ 88550
12
1.75
i 88040
12
1.75
i 88342
12
1.75
i 74481
12
1.75
e 17345
10
.75
35451
12
1.25
35583
12
1.25
i 64514
10
1.25
s 62627
10
.75
88383
12
1.75
s 63173
10
.75
^ 87336
10
1.25
i 74506
12
1.75
^ 88660
12
1.75
89135
12
2.00
35373
12
1.25
74621
12
1.75
45305
10
1.00
87542
10
1.50
35475
12
1.25
16154
10
.75
i 17050
10
.75
17865
10
.75
16362
10
.75
66059
10
1.25
VICTOR RECORDS
EUGEN ONEGIN ( Oo-zhain Oh-nay-gheen) (Tschaikowsky)
Pll Air di Lenski — Echo lointain de ma jeunesse! (Faint Echo) French Caruso
" ^ Air di Lenski — (Faint Echo of My Youth) In Italian Giovanni Martinelli
[Evelyn (From “Pom Pom”) (Caldwell-Felix) Mizzi Hajosj
l In the Dark ( From “ Pom Pom”)
[Evening Bells (Eilenberg) with Bells
l Alpine Violet Violin-’Cello-Harp
[Evening Brings Rest and You (Whaley -Bishop)
l Kashmiri Song (Hope- Woodforde-Finden)
(Evening Chimes (Heins) Violin-Flute-Harp, with Bells
l Woodland Echoes (Wyman)
(Evening Chimes— Reverie (Marzian) with Bells
l Cupid’s Garden — Intermezzo (Eugene) Bell Solo
(Evening Prayer (Battersby Gabriel)
l How Sweet is His Love (Rowe-Excell)
Evening Song (Butler-Blumenthal)
Mizzi Hajos
Venetian Trio[
Venetian Trio )
Murphyl
Murphy)
Neapolitan Trio!
Neapolitan Trio)
Venetian Triol
Wm. H. Reitz)
Homer Rodeheaverl
(Organ acc.) Rodeheaverl
McCormack
Evening Song (Sidney Lanier-Henry Hadley) McCormack
Evening Star, Song to the - See “Tannhauser — O du mein ”
Ever of Thee I’m Fondly Dreaming (Linley-Hall) Braslau
Every Bit of Loving in the World (Novello) Frances Alda
(Everybody Loves an Irish Song (McKenna) American Qtl
l ’Twas Only an Irishman’s Dream Henry Burr)
(Everybody Step — Fox Trot ( “Music Box Review’’) Whiteman’s Or. [
l Ka-Lu-A — Blue Danube Blues — Fox Trot (Kern) Whiteman’s Or.)
(Every Day — Fox Trot (Intro. “Oh, Gee! I Love You”) Smith’s Or
l Rose of Stamboul — Medley Waltz (Fall- Romberg) Smith ’s Or
(Every Laddie Loves a Lassie (The Picnic) Sir Harry Lauder!
! Don't Let Us Sing Anymore About War; Let Us Sing of Love Lauder >
(Every Little Movement (“Madam Sherry”) Barbour-Werrenrathl
! Alma (“Alma, Where Do You Live?’’) Barbour and Anthony)
(Evolution of Dixie (Lake) (See "Medley No. 57”) Conway’s B)
l Melodious Memories (Medley) (Herman Findf Conway ’s Band)
Ev’ry Valley Shall be Exalted — See “Messiah”
(Excelsior (Balfe) Werrenrath and Macdonoughl
l Jerusalem (Parker) Elliot Shaw )
(Extase (Ecstasy) (Thome) McKee’s Orchestral
l Goyescas — Intermezzo (Granados) McKee ’s Orchestra)
(Extase (Ganne) (Transcription by Tobani) ’Cello Bourdon 1
! Spring Song (Mendelssohn) Violin Maximilian Pilzer)
Eye Hath Not Seen — See “ Holy City”
Face to Face (Herbert Johnson)
(Face to Face (Herbert Johnson)
! How Firm a Foundation (Keith-Portugal)
(Fackeltanz (Torchlight Dance) (Meyerbeer)
Evan Williams
Percy Hemusl
Trinity Choir)
Conway’s Band!
I Finlandia (Tone Poem) (Sibelius, Op. 26, No. 7) Conway’s B)
(Fading Leaves — Serenata (Carroll) Hurtado Bros. Marimba Band)
l Cavalleria Rusticana-Intermezzo (Mascagni) Hurtado Bros. Marimba Bi
Number
Size
to «
o.
88582
12
1.75
74712
12
1.75
45091
10
1.00
18070
10
.75
45106
10
1.00
17523
10
.75
18018
10
.75
17714
10
.75
74243
12
1.75
64496
10
1.25
64883
10
1.25
66056
10
1.25
18198
10
.75
18826
10
.75
18885
10
.75
55122
12
1.50
17224
10
.75
35600
12
1.25
35116
12
1.25
35574
12
1.25
17395
10
.75
74477
12
1.75
16674
10
.75
35505
12
1.25
18048
10
.75
Number
r»l
’Jr>
to «->
113 C=L
16777
10
.75
17413
10
.75
18032
10
.75
18697
10
.75
17658
10
.75
88637
12
1.75
88194
12
1.75
64122
10
1.25
55141
12
1.50
55141
12
1.50
18368
10
.75
87577
10
1.50
17216
10
.75
73289
10
.75
74183
12
1.75
17215
10
.75
16676
10
.75
17015
10
.75
16839
10
.75
17894
10
.75
VICTOR RECORDS
Sousa’s Band)
Sousa’s Band )
(Fairest of the Fair March (Sousa)
l Stars and Stripes Forever March (Sousa)
{Fair Harvard (Harvard University Song) ( Unacc .) Orpheus Qt)
Johnny Harvard ( Harvard University Song) (Unacc.) Orpheus Qt)
(Fair Hawaii (Kutz) Edna Brown-James Reed)
l She Sang “Aloha” to Me Raymond Dixon and Orpheus Quartet /
fFair One — Fox Trot (Intro. “Rock-a-Bye Lullaby Mammy”) Benson 0\
l I’d Love to Fall Asleep — Fox Trot (Ahlert-Jerome) Benson Orch)
FAIRY TALES — See “Children’s Records,” “Hamlin,” “Educational
Records — Stories and Readings” and “Potter”
FALL, LEO — See “Dollar Princess” and “Siren, The ”
(Fall in Line (Suffrage March) (Hawn) Victor Military Band)
l Mr. Dooley’s Address to the Suffragists Steve Porter)
FALSTAFF (Fahl' -stahf) (Milan, 1893) (Giuseppe Verdi)
L’Onorel Ladri! (Your Honor! Ruffians!) In Italian Ruffo
Quand’ ero paggio (When I Was Page) In Italian (2) Don Giovanni —
Serenata, “ Deh vieni alia finestra” (Open Thy Window) Antonio Scotti
Mischa Elman
Alberto Salvi)
Salvi)
Salvi"i
Alberto Salvi)
Fantasie from Garden Scene — Faust Violin
fFantasie Impromptu (Chopin, Op. 66) Harp
\ Fantasie in B Flat ( E . Parish- Alvars) Harp
fFantasie in B Flat (E. Parish-Alvars) Harp
\ Fantasie Impromptu (Chopin, Op. 66) Harp
Farandole — See “Arlesienne Suite”
(Farandole (French Folk Dance) (arr. by Burchenal) Victor Band"!
I Lott’ ist Tod (Swedish Folk. Dance) Victor Military Band)
Farewell to Cucullain Violin and ' Cello Fritz and Hugo Kreisler
(Farewell to the Forest (Mendelssohn) (2) Spring Song (Pinsuti) Brass Qtl
l Samson and Delilah — My Heart at Thy Voice Comet Michele Rinaldi J
(Farewell Waltz (Repetto) International Orchestral
l Marguerita — Fox Trot ( Repetto) International Orchestra)
Conway’s Band)
Conway’s Band)
(Farmyard Caprice (Thurban)
l Baby’s Sweetheart — Serenade (Corri)
(Farmyard Medley — with Animal Imitations Am
l Uncle Josh and the Photographer — Rural Monologue
FARRAR, GERALDINE, Soprano (Fah-rahr)
(See “Farrar” in Pink Section)
(Fascination Waltz — Whistling C
l Southern Melodies — Xylophone (See" Medley No. 109”)
(Father Goose Songs (Rogers-Baum-Halle) Sa
l Dutch Kiddies (Wooden Shoe Dance) (Trinkhaus)
(Father of 36
l Parody on Eight Familiar Songs
FATHER — Selections about — See “I Wonder Where My Daddy’s Gone,” “Mother
Hasn’t Spoke to Father,” “Same as His Faither Was ” and “Wait Till Your Pa
Comes”
FAULKNER, GEORGENE — See “Educational”
FAURE, JEAN BAPTISTE (Fohr) (1830-1914) French singer and composer.
See " Crucifix,” “Palms,” “Rameaux” and “Sancta Maria”
FAUST, by Berlioz — See “Damnation of Faust”
VICTOR RECORDS
and Margaret’s resistance is at length overcome. Valentine, on returning from the wars,
learns what has occurred ; he challenges his sister’s betrayer, but, through the intervention of
Mephistopheles, he is killed in the duel. Margaret, horror-stricken at the calamity of
which she is the cause, gives way to despair. Her reason becomes affected, and in a
frenzy she kills her infant. She is thrown into prison, and Faust, aided by Mephistopheles,
obtains access to the cell in which she is confined. They both eagerly urge her to fly, but
Margaret, in whom holier feelings have obtained the ascendant, spurns their proffered aid,
and expires. Mephistopheles is triumphant at the apparent success of his schemes to
destroy a human soul, but a chorus of heavenly voices is heard proclaiming that there is
pardon for the repentant sinner, and the Evil One, foiled and overcome, crouches in terror
as the spirit of Margaret is borne to heaven by ministering angels.
(For a more complete description of the opera with English translations and illustrations
see Victrola Book of the Opera.)
FAUST ( Fowst ) by Gounod ( Sung in French unless otherwise indicated)
Opera in five acts; libretto by Barbier and Carre, founded upon Goethe’s tragedy;
music by Gounod. First produced in Paris, 1859; London, 1863; New York, 1863.
Faust, a German philosopher, after a life of meditation, becomes disgusted with the
smallness of human knowledge and his own inability to unravel the mysteries of Nature.
He summons to his aid the Spirit of Evil, who appears to him under the form of
Mephistopheles. Through the supernatural power of the latter, Faust is restored to youth
and endowed with personal beauty and luxurious garb. Mephistopheles, in a vision,
reveals to him the village maid Margaret, with whom the student falls in love. Margaret,
noted for her loveliness, has been left by her soldier brother, Valentine, under the care of
Dame Martha, a worthy but not very vigilant personage. The maiden at first rejects the
stranger’s advances, but Faust, aided by the influence of Mephistopheles, urges his suit.
RELING - COURTESY OF S. MULLER
marguerite's surrender
VICTROLA BOOK OF THE OPERA
l Number
r-J
List
prc.
55087
12
1.50
55087
12
1.50
89039
12
2.00
88203
12
1.75
88174
12
1.75
74633
12
1.75
55079
12
1 .50
64036
10
1.25
89055
12
2.00
18883
10
.75
64979
10
1.25
87075
10
1.25
35086
12
1.25
88003
12
1.75
74573
12
1.75
74687
12
1.75
74220
12
1.75
88229
12
1.75
88147
12
1.75
88066
12
1.75
88024
12
1.75
95204
12
2.50
95205
12
2.50
64119
10
1.25
89032
12
2.00
74076
12
1.75
89040
12
2.00
89031
12
2.00
64122
10
1.25
35227
12
1.25
74036
12
1.75
81040
10
1.25
87222
10
1.25
95206
12
2.50
89035
12
2.00
89037
12
2.00
87166
10
1.25
17284
10
.75
89033
12
2.00
89034
12
2.00
VICTOR RECORDS
FAUST (GOUNOD) RECORDS
ACT I - THE STUDIO OF FAUST
Mais ce Dieu, que peut-il pour moi I (But this God, what will he do for me ?)
and A moi les plaisirs — Campagnola-Cerdai
A moi les plaisirs (Pleasures of Youth)
O merveille (Heavenly Vision) Finale, Act 1
ACT 11-
-PUBL1C SQUARE IN A GERMAN VILLAGE
Dio possente — Even Bravest Heart In Italian
Dio possente — Even Bravest Heart In Italian
Dio possente — Even Bravest Heart In Italian
Even Bravest Heart In English and Bohemian Girl-
Heart Bowed Down
Veau d’or (Calf of Gold)
Scene des Epees (Scene of the Swords)
Waltz from Kermesse Accordion Pietro
Waltz (from New Fantasie) (Sarasate)
Marcel. Journet
Amato, Journet and Opera Chorus
and Medley of Operatic Airs — /
Violin Erika Morini
ACT 111 - MARGUERITE’S GARDEN
Le parlate d’amor (Flower Song) (Siebel s Air) In Italian Louise H<
In the Language of Love (Flower Song) Elsie Baker In English
and Drink to Me Only With Thine Eyes {Ben Jonson) Harry Macdon
Salut, demeure, (All Hail, Thou Dwelling Lowly) Enrico Caruso
Salut, demeure (All Hail, Thou Dwelling Lowly) Martinelli
Salve, dimora (All Hail, Thou Dwelling Lowly) In Italian Beniamino Gigli
Salve, dimora (All Hail, Thou Dwelling Lowly) In Italian John McCormack
Le Roi de Thule — Ballad of the King of Thule Geraldine Farrar
Air des bijoux ( Jewel Song) Geraldine Farrar
Air des bijoux (Jewel Song) Nellie Melba
Air des bijoux (Jewel Song) Marcella Sembrich
Seigneur Dieu ! (Saints Above) Quartet from Garden Scene, Part 1
Farrar, Caruso, Journet and Mme. Gilibert
Eh quoi toujours seule? (But Why So Lonely?) Quartet from the Garden
Scene, Part 11 Farrar, Caruso, Journet and Mme. Gilibert
Invocation Mephistopheles — Oh Night, Draw Thy Curtain 1 Journet
Laisse-moi (Let Me Gaze) (Preceded by “ 11 se fait tard " — The Hour is
Late I) Duet from the Garden Scene, Part I Farrar and Caruso
Dammi ancor (Let Me Gaze) In Italian Nielsen and Constantino
Elle ouvre sa fenetre (She Opens the Window !) Farrar and Journet
Eternelle (Forever Thine !) Duet, Part 11 Farrar and Caruso
NOTE — The four records above are numbers from the same scene.
Fantasie from Garden Scene Violin Mischa Elman
ACT IV — Scene I — A PUBLIC SQUARE
Soldiers' Chorus — Made especially for School Marching
and March Relieioso {Onward Christian Soldiers) Victor Bana
Serenade Mephistopheles (While You Play at Sleeping) Journet
Serenade Mephistopheles Pol Plancjon
Serenade Mephistopheles In Italian Titta Ruffo
Que voulez-vous, messieurs? (What is Your Will) Caruso, Scotti and Journet
ACT IV — Scene II — outside the church
Scene de L’Eglise (1) (Church Scene, Part 1) Farrar, Journet and Chorus
Scene de L’Eglise (11) (Church Scene, Part 11) Farrar, Journet and Chorus
Rammenta i lieti (Dost Thou Remember?) In Italian Titta Ruffo
WALPURGIS NIGHT SCENE — a mountain region
ACT V - PRISON CELL OF MARGUERITE
Part 1, Mon coeur est penetre d' epouvante !
Prison Seen
Tom with Grief)
Prison Scene — Part II, Attends 1
(My Heart is
Geraldine Farrar and Enrico Caruso
voici la rue (This is the Fair)
Geraldine Farrar and Enrico Caruso
VICTOR RECORDS
FAUST (GOUNOD) RECORDS— Continued
Prison Scene — Part III, Alerte 1 (Leave Her) Farrar-Caruso-Journet
Prison Scene — Part III In English V.QperaTrio and Boheme-Ah.Mimi-Duet
Prison Scene — Vessella’s Band and Favorita — Fantasia — Vessella's Band
MISCELLANEOUS FAUST RECORD
Grand Selection — Part 1 and Part 2 Apollo Orchestra
FAVORITA (Fah-voh-ree’ -tah) The Favorite (Paris, 1840) (Donizetti)
(See Victrola Book of the Opera for complete description) (In Italian)
FAVORITA RECORDS
ACT I - MONASTERY OF ST. TAMES IN CASTILE
Un ange, une femme inconnue (Like an Angel)
and Ange si pui — French — Campagnola
ACT II - GARDENS OF ALCAZAR PALACE
Vien Leonora (Leonora, Thou Alone) Mattia Battistini
Ah 1 l’alto ardor (Oh, Love I) Matzenauer and Amato
Ah! paventa il furor (The Wrath of Heaven) Codolini, Cigada, Sillich
and Chorus and A tanto amor — Francesco Cigada
ACT 111 - A ROOM IN THE PALACE
A tanto amor (Thou Flow’r Beloved) Giuseppe de L-uca
A tanto amor — Cigada and Paventa il furoi — Codolini, Cigada, Sillich and Cho
O mio Fernando — (Dearest Ferdinand) Gabriella Besanzoni
ACT IV - CLOISTERS OF THE MONASTERY
Spirto gentil (Spirit So Fair) Enrico Caruso
Spirto gentil (Spirit So Fair) Beniamino Gigli
Spirit So Fair (Spirto gentil) In English Evan Williams
Ange si pur (Spirit So Fair) and Unange, une femme — InFrench — Campagnola
MISCELLANEOUS FAVORITA RECORDS
Grand Fantasia and Faust — Prison Scene — Vessella's Band
(Favorite College Songs (See “ Medley No. 3 ”) Victor Male Choi
l Songs of Good Fellowship Victor Male Chorus )
(Favorite Hornpipe Medley Violin (See “Medley No. 58”) D’Almainel
l Medley of Old-Time Reels Violin (See "Medley No. / 02”) Taylor)
(Feather Your Nest (Kendis-Johnson) Campbell-Burrl
\ Old Pal, Why Don’t You Answer Me? Burr)
Fedora — Amor ti vieta di non amar (My Love Compels Thy Love)
(Giordano) In Italian Edward Johnson
{Fedora Gavotte (F. J. Lapitino) (with Celesta) Neapolitan Trio)
Idyll (Idilio) (Opus / 34) (Theo. Lack) with Bells Neapolitan Trio)
FEINHALS, FRITZ, Baritone — -See “ Flying Dutchman ”
/Felicia Waltz (Vernon Eville) Sergeant Markels’ Orchl
Forget-Me-Not — Waltz (Frank McKee) McKee’s Orchestra)
/Felix Diaz March (Presa) Police Band of Mexicol
Light Cavalry Overture (Suppe) Sousa’s Band)
Fenesta che lucive (The Shining Window) Neapolitan Song Caruso
FERERA, FRANK, AND ANTHONY FRANCHINI, Guitarists— See
Ferera,” also
X
X
Number
OO
2 «->
o.
95203
12
2.50
45182
10
1.00
35449
12
1.25
68332
12
1.25
45119
10
1.00
88653
12
1.75
89062
12
2.00
16536
10
.75
74591
12
1.75
16536
10
.75
74680
12
1.75
88004
12
1.75
74688
12
1.75
74141
12
1.75
45119
10
1.00
35449
12
1.25
35573
12
1.25
16393
10
.75
18708
10
.75
64905
10
1.25
17681
10
.75
35639
12
1.25
35045
12
1.25
88439
12
1.75
“Louise and
Beautiful Hawaii 18689
Dream Kiss 18849
Drowsy Head 1 877 1
Hawaiian Melodies
Isles of Paradise
Kawaihau Waltz
*>
18570 | Let the Rest of the W 18716
18771 I One-Two-Three-Four 1 8749
17863 I Wild Flowers 18669
Festival at Bagdad (“Scheherazade”) (Rimsky-Korsakow) Phila. Or
/Festival Te Deum — Part I (No. 7 in E Flat) Trinity Choirl
l Festival Te Deum — Part II (Dudley Buck) Trinity Choir )
Fete Boheme (Bohemian Festival) (No. 4 From “Scenes
Pittoresques) (Massenet) Toscanini and La Scala Orch
74593
12
35674
12
74725
12
1.75
1.25
1.75
VICTOR RECORDS
Feux-Follets (I. Philipp) Piano Guiomar Novaes i
Fiddle and I (Goodeve) Alma Gluck and Efrem Zimbalist
{Fidelio — Leonore Overture, No. 3 (Part I) (Beethoven) Victor Orch)
FiJelio — Leonore. Overture, No. 3 ( Part II) Victor Concert Orch I
{Fidelio— Leonore Overture, No. 3 (Part III) Victor Concert Or)
Adagio from Fourth Symphony ( Beethoven ) Vessella’s Band)
/Fidelio — Prisoners’ Chorus (“Oh! What Delight ”) Victor Male Choi
l The Heavens Resound ( Beethoven ) Victor Oratorio Chorus)
(Fidgety Feet — One-Step (La Rocca-Shields) Dixieland Jazz B)
l Lazy Daddy — Fox Trot Original Dixieland Jazz Band)
FIELD, EUGENE — -Settings of his Poems under “Educational Records” — See also
“Doll’s Wooing” — “Duel, The” — “Jest ’Fore Christmas” — “Little Boy Blue” —
“Sugar Plum Tree ’’and “Wynken”
FIELD MUSIC — FIFE — See “ Army 2-4 March,” “ Drum, Fife and Bugle Corps ”
and “ Quick-Step 6-8 March ”
FIELDS, ARTHUR, Tenor
Arthur Fields is well known not only as a singer of cheery songs in which ragtime
plays a prominent part, but also as a composer of many songs of the kind he sings. He has
gained honestly the great reputation he now enjoys.
Number
c A >
"5? w
m <=l
64826
10
1.25
89093
12
2.00
35268
12
1.25
35269
12
1.25
35576
12
1.25
18564
10
.75
And That Ain’t All 18604
Anna in Indiana 18774
GoodMoming,Mr.Zipl85 10
How Y a Gonna
Ja-Da
Oh 1 Frenchy
18537
18522
18489
Oh ! How I Hate
Who’ll Be the Next
18489
18821
FIFE, DRUM AND BUGLE CORPS — See “Drum, Fife and Bugle”
(Fifth Concerto — Adagio (Beethoven) Pianoforte ( with Orch.) La Forge)
l Scarf Dance — Air de Ballet ( Chaminade ) La Forge)
Fifth Nocturne (Ignace Leybach)
By Maud Powell Violin ( with Orchestra)
By Howard Rattay Violin and A nsel’s Serenade (Braga) Ratlay- Bourdon
By Florentine Quartet and The Shepherd Boy (IVitson) Venetian Trio
Fifth Symphony — See “ Symphonies ”
FIGLIA DEL REGGIMENTO — See “Daughter of the Regiment”
Fille aux Cheveux de Lin, La (The Maiden with Flaxen Hair)
(B) Menestrels (Minstrels) (Debussy) Piano Cortot
(Fille de Mme. Angot, La — Fantaisie (Lecocq) Musique Militaire)
l Fille du Tambour Major, La — Fantaisie ( Offenbach ) Musique Militairel
Filles de Cadix (Maids of Cadiz) (Delibes) In French Galli-Curci
Finale from Concertos — See “Concertos”
Finlandia (Symphonic Poem) (Sibelius, Op. 26, No. 7) Phila. Orch.
(Finlandia (Tone Poem) (Jean Sibelius, Op. 26, No. 7) Conway’s B)
l Fack.eltanz (Torch Dance) (Meyerbeer) Conway’s Bandl
(Finlandisch Dance (Palmgren) (2) Arabesque Piano Moiseivitch)
\ Impromptu in F Sharp Major (Chopin) Piano Benno Moiseivitchl
(Firefly Waltzes (From “ The Firefly”) Victor Concert Orch)
1 When a Maid Comes a- Knocking (From "The Firefly”) Olive Kline I
Fire Music — See “Walkure”
(First Arabesque (From “Deux Arabesques”) Pianoforte Schendel)
1 Serenade Levantine (Alpherakxf) Pianoforte Julius L. Schendel I
(First Arabesque (From “Deux Arabesques”) Harp Ada Sassoli I
l Chanson de Pecheur (Song of a Fisherman) (Zabel) Ada Sassolil
(First Brigade March (Weldon) Conway’s Band)
X The Southerner March (Russell Alexander) Conway’s Bandl
55030
12
1.50
74531
12
1.75
16410
10
.75
17843
10
.75
64956
10
1.25
65456
10
.75
64885
10
1.25
74698
12
1.75
35505
12
1.25
55157
12
1.50
35278
12
1.25
18179
10
.75
45243
10
1.00
17648
10
.75
VICTOR RECORDS
Number
4?
e»J
ir>
to «
— J o.
First Kiss Waltz (Primo bacio) (Sartoro) Ocarina
Four Little Blackberries (O’Connor) Banjo
Mose Tapiero)
V ess L. Ossman)
16488
10
.75
First Nowell (Old Christmas Carol)
Nazareth (Gounod)
Lyric Quartet)
Lyric Quartet)
17647
10
.75
First Primrose (Grieg) (2) Greeting (Grieg)
Solvejg’s Cradle Song ( from “Peer Gynt’’)
Lucy Marsh)
Lucy Marsh)
45321
10
1.00
First Rose of Summer (Caldwell-Kern)
John McCormack
64818
10
1.25
Fisher Boy (Abt) Harp-Zither Mme. Kitty Berger)
Heather Bells (Losey) Orchestra Beth Wm. H. Reitz]
17178
10
.75
FISK UNIVERSITY JUBILEE QUARTET
The Jubilee Songs collected and introduced to the world by Fisk University, and
which might be called Negro Folk Songs, are quaint and interesting numbers. Some
touch the heart with their pathos ; and some although intensely religious, sometimes excite
to laughter by their quaint conceptions of Biblical facts. The original company of Jubilee
Singers traveled seven years in the U. S. and Europe. After the disbanding of this company,
the work was kept up by a quartet which has been kept in the field for a part of each season.
The Victor has secured the record services of the genuine Fisk Quartet, and now
presents a number of their unique songs. These being correct and authentic, renditions given
by the Quartet are doubly interesting.
FISK UNIVERSITY QUARTET RECORDS
16864
Band of Gideon
Done What You
Tole Me 16895
Golden Slippers 16453
Great Camp-meeting 16487
1 Couldn’t Hear 1 6448
1 Know the Lord 1 6895
Little David 16448
My Soul is a Witness 16864
Old Black Joe 35097
Po’ Mo’ner Got a
Home 16843
Roll, Jordan, Roll 16466
Swing Low, Sweet
Chariot 16453
There is a Balm
in Gilead 16487
Flag Goes By (Bennett) (2) The Meaning of Our Flag
{with drum and bugle) Recitation William Sterling Battis
The Call to the Colors Recitation William Sterling Battis
(Flag That Never Comes Down (Finck) Edward Hamilton)
l British Troops Passing Through Boulogne ( Descriptive ) /
{Flatterer, The (La Lisonjera) (Chaminade) Pryor’s Band)
Scarf Dance (Pas des Echarpes) (Chaminade) Pryor’s Band)
FLAUTO MAGICO (Flau'-toh Maj' -ee-koh) See “Magic Flute”
Flee as a Bird (Mrs. M. S. B. Dana) Louise Homer
fFlee as a Bird (Dana) Frederick Wheeler)
l Nearer My God to Thee (Adams-Mason) Raymond Dixon ]
fFletita One-Step (J. B. Hurtado) Hurtado Bros. Marimba Band)
l Catalina One-Step (M. B. Hurtado ) Hurtado Bros. Marimba Band J
Flibustier, Le (The Filibuster) (Barrucand-Georges) French Journet
FLIEGENDER HOLLANDER — See “ Flying Dutchman”
Flirtation (Das Fensterln) (Meyer-Helmund) McCormack -Kreisler
{Floatin’ Down to Cotton Town (Frost-Klickmann) American Q)
Wait Till You Get Them Up in the Air, Boys Billy Murray]
FLONZALEY QUARTET — See Pink Section
FLORENTINE QUARTET (Violin-Flute-’Cello-Harp)
18297
10
.75
17696
10
.75
35022
12
1.25
87260
10
1.25
17029
10
.75
18095
10
.75
64656
10
1.25
87549
10
1.50
18628
10
.75
Album Leaf 17784
Dream Visions 17720
Fifth Nocturne 1 7843
Hearts and Flowers 35342
Meditation 18769
Melody of Love
17747
Minuet
18049
Narcissus
17472
Serenade
17600
Spring Song 18648
Star of the Sea 18769
To a Water-Lily 18648
Traumerei 18049
VICTOR RECORDS
Van Eps Trio)
Wm. H. Reitz!
{Florida Rag — Characteristic Two Banjos and Piano
La Kraquette ( Clerice ) Xylophone
FLORODORA (Musical Comedy by Leslie Stuart)
In the Shade of the Palm Emilio de Gogorza
In the Shade of the Palm — Shaw and Tell Me Pretty Maiden — Vidor Op. Sex
GEMS FROM FLORODORA Victor Light Opera Co.'
Opening Chorus, “Florodora" — Solo, “ In the Shade of the Palm" —
Sextet, "Tell Me Pretty Maiden " — Solo and Chorus, "I Want to be a
Military Man " — Finale, " The Island of Love”
Gems from “Erminie” (Jakobowski ) Victor Light Opera Co
FLOTOW, FRIEDRICH — Operatic Composer. Born in Mecklenberg,
1812; died in Darmstadt, 1893.
See “Guide Me, O Thou Great Jehovah,” “ Martha ” and “Stradella”
(Flower of Italy — Waltz Neapolitan Orchestral
l Grace Waltz ( Graziella ) Neapolitan Orchestra!
Flower Song (Gustav Lang)
By Charles Kellogg Bird Voices with Orchestra and Polish Dance — Kellogg
By Rosario Bourdon Violoncello and Lohengrin Selections — Sousa’s Band
By Neapolitan Trio Violin, Flute, Harp and The Rosary — Himmelreich, Piano
Flower Song — See also “Carmen” and “Faust”
Flow Gently, Sweet Afton (Robert Burns-Spillman)
By Herbert Witherspoon (Bass)
By Olive Kline (Soprano) and Doan Ye Cry, Ma Honey — Kline- Quartet
By Reed Miller (Tenor) and Ould Plaid Shawl — Henry Burr
By Victor Military Band and Annie Laurie ( 2 ) Love' s Old Sweet Song — VidorB
FLUTE OBBLIGATO, Songs with — See “ Bluebird” — “ By the
Waters of Minnetonka” — “Capinera” — “ Dinorah — Ombra leggiera”
— “Echo Song” — “Lucia — Mad Scene” — “Lo, Here the Gentle Lark ”
— “Pearl of Brazil” — “ Pensieroso” — “Proch’s Air and Variations”
—“Serenade”— “Star of the North”— “ Variations”— “ Villanelle”—
“When the Swallows Homeward Fly”
FLUTE SOLOS
Number
17308
10
64984 10
16061 10
35451
68560
45107
35114
17055
64108
45132
17386
18177
12
12
.75
1.25
.75
1.25
1.25
1.00
1.25
.75
1.25
1.00
.75
.75
Bolero — Spanish
Dance 55110
By the Brook — Idyll 55111
Distant Voices 45194
Nightingale, The 55109
Scherzo Capriccio 55110
FLYING DUTCHMAN (Dresden, 1843) (Wagner) In German
(For complete illustrated description see Victrola Book of the Opera)
Die Frist ist um (The Term is Past) Parti and Part II— Fritz Feinhals
Spinning Chorus In English — Victor Women’s Chorus
and Lohengrin — Bridal Chorus — Vidor Opera Chorus
Traft ihr das Schiff (A Ship the Restless Ocean Sweeps) Jeritza
{Fo’ de Lawd’s Sake Play a Waltz ! (Janis) Elsie Janis 1
When Antelo Plays the ’Cello (Janis) Italian Dialed Elsie Janis!
Foggy Dew, The (Milligan-Clay) ( Piano acc.) John McCormack
FOLK DANCES AND GAMES - See “ Educational Records”
FOLK SONGS — See the various countries, also “ Educational ”
(Folks Up Willow Creek-March (See “Medley No. 59”) Conway’s B1
l Uncle Tom’s Cabin — A Dream Picture of the Old South — Conway’s B!
(Fond Memories ( Susses Sehnen) (Menzel) Neapolitan Trio)
l Dear Heart (Mattel) Neapolitan Trio!
Fond Recollections (Popper, Op. 64, No. l) Violin Elman
(Fool There Was, A — Scenes from Recitation Robert Hilliard)
l Christmas Day in the W orfahouse (Sims) Robert Hilliard!
For a Kiss (Pour un baiser) (Tosti) In French Enrico Caruso
18684
Whirlwind
Wind Amongst the
Trees 55109
68484
12
1.25
35494
12
1.25
74776
12
1.75
45191
10
1.00
64326
10
1.25
17493
10
.75
35210
12
1.25
66099
10
1.25
55100
12
1.50
87042
10
1.25
VICTOR RECORDS
Number
4J>
t-J
K
List
prc.
For All Eternity (Eternamente) (Mascheroni)
By Enrico Caruso (Tenor) In Italian
88333
12
1.75
By Emilio de Gogorza ( Baritone)
64038
10
1.25
By Alan Turner (Baritone) and The Rosary (Neoin) John Barnes Wells
17234
10
.75
For Better or For Worse (From “Princess Pat”) Kline-Baker)
There’s a Long, Long Trail James Reed-J. F. Harrison)
17882
10
.75
For Dixie and Uncle Sam (Brennan-Ball) Nora Bayes)
Homesickness Blues (Hess) Nora Bayes)
45100
10
1.00
FOREIGN RECORDS.— This is a handy term used to designate records in other
languages than English, which are catalogued by the Victor in Special Booklets, grouped
as follows :
Albanian
Arabian, Syrian
Armenian
Bohemian
Chinese
Croatian
Cuban
Danish
Dutch
Finnish
French, French-
Canadian
German
Greek
Hebrew, Yiddish
Hungarian
Italian, Neapolitan
Japanese
Lithuanian
Mexican
Norwegian
Polish
Porto Rican
Portuguese
Roumanian
Russian, Little Russian
Serbian
Slovak
Slovene
Spanish
Swedish
Turkish
Ukrainian
Welsh
{Forest Whispers (Losey)
Battleship Connecticut March ( Fulton
For Ever and For Ever! (Tosti)
{For Every Boy Who’s on the Level
I’m a Lonesome Little Raindrop
{Forge in Forest (Michaelis) (Descriptive)
Anvil Chorus ( From “II Trovatore’’) {Verdi)
/Forget-Me-Not — Intermezzo (Macbeth)
Pryor’s Band)
Pryor s Band )
Emilio de Gogorza
Roberts-Harmonizers Qt)
Victor Roberts)
Pryor’s Band)
Victor Orchestra)
Venetian Triol
l To You — Waltz Serenade (Czibulka) Violin- Cello-Harp Venetian T.
fForget-Me-Not — Waltz (Frank McKee) McKee’s Orchestral
\ Felicia Waltz (Vernon Eville) Sergeant Marvels’ Orchestra)
(Forgive Me Lord (A. H. Ackley-B. D. Ackley) Rodeheaverl
l Old Rugged Cross (Rev. Geo. Bennard) Mrs. Asher- Rodeheaver)
Forgotten (Eugene Cowles)
By Evan Williams (Tenor)
By John McCormack (Tenor)
By EugeneCowles (Bass) and Guosu Love Sons (From FortuneTeller") Cowles
FORNIA, RITA, Soprano (For -nee-ah)
Madama Butterfly — Lo so che alle sue pene ( Italian ) (with Martin and Scotti)
Forsaken (Verlassen) (Koschat-Winternitz)
By Fritz Kreisler Violin
By Imperial Quartet and Love’s Old Sweet Sons ( Bingham-Molloy ) Imperial Ql.
FORSYTH, PIPE-MAJOR — Hundred Pipers and Neil Gow Bagpipes
{For the Sake of Auld L ang Syne (Graff, Jr. -Burns-Ball) James)
Call Me Back, Pal o’ Mine (Perricone- Dixon) Harrison )
Fortune Teller (Victor Herbert)
Gypsy Love Song Reinald Werrenrath
Gypsy Love Song- — Eugene Cowles, Bass and Forgotten ( Cowles ) Cowles
Fortune Teller Selection — Pryor’s Band and Auld Scotia Pryor s Band
Fortunio’s Song — See “Chanson de Fortunio”
For You Alone (O’Reilly-Giehl) In English Enrioo Caruso
For You a Rose (Cobb-Edwards) Emilio de Gogorza
16113
10
.75
66019
10
1.25
18709
10
.75
17231
10
.75
17951
10
.75
35639
12
1.25
18706
10
.75
74160
12
1.75
64546
10
1.25
35474
12
1.25
87503
10
1.50
64873
10
1.25
18169
10
.75
67845
10
.75
18944
10
.75
64897
10
1.25
35474
12
1.25
35224
12
1.25
87070
10
1.25
64816
10
1.25
_ VICTOR RECORDS
FORZA del DESTINO (Fort' -zah del Des-tee' -noh) (Force of Destiny)
(Petrograd, 1862) (Verdi) (In Italian) (See Book of the Opera)
ACT I - HOUSE OF THE MARQUIS OF CALATRAVA
Overture — Pryor’s Band and Orpheus Overture ( Offenbach ) Pryor’s Band
ACT II - CONVENT OF HORNACUEI.OS
Madre, pietosa Vergine (Holy Mother, Have Mercy) Boninsegna and Chorus
ACT 111 - A MILITARY CAMP NEAR VELLET R I
O tu che in seno agli’ angeli (Thou Heavenly One) Enrico Caruso
Solenne in quest' ora (Swear in This Hour) Caruso and Scotti
Solenne in quest’ ora (Swear in This Hour) Murphy and Werrenrath
Solenne in quest’ ora and Mefistofele — Selection — V essella’ s Band
11 Segreto fu dunque violato? (Is My Secret Then Betrayed) Caruso and de Luca
ACT IV - CONVENT OF HORNACUELOS
Invano Alvarol (In Vain, Alvaro) Caruso and Amato
Le minaccie, i fieri accenti (Thy Menaces Wild !) Caruso and Amato
ACT V - A WILD SPOT NEAR HORNACUELOS
Non imprecare, umiliati (Swear Not) Giacomelli, Martinez-Patti and Preve
and Ballo in Maschera — Ah! qual soave — Giacomelli and Martinez-Patti
Number
Size
2 «
— 1 Q.
35215
12
1.25
92031
12
1.75
88207
12
1.75
89001
12
2.00
70103
12
1.25
35512
12
1.25
89087
12
2.00
89052
12
2.00
89053
12
2.00
68026
12
1.25
FOSTER, STEPHEN COLLINS
Born 1826, near Pittsburgh. Began writing when a student
in Athens, Pa., Academy, and published first song, Open Thy
Lattice, in 1842. Moved to New York in I860, where he wrote
many of his immortal songs. Composed I 75 songs ; best known ones
are here listed. His songs, called folk songs of America,
are known in every land, and sung in many languages. Were
probably not derived from negro tunes, as has been stated, but
negro dialect was doubtless used because of the vogue of negro
minstrels in the ’40s and ’50s. Was a Bohemian in tastes and
quite talented ; painted some, loved good music, spoke three lan¬
guages. Died in New York, 1864.
FOSTER
RECORDS OF FOSTER SONGS — See “Come Where My Love Lies Dreaming,” “Gentle
Annie,” “Hard Times,” “ I Dream of Jeanie,” “ Massa’s in de Cold, Cold Ground,”
“Medley of Foster Songs,” “My Old Kentucky Home,” “Nelly Was a Lady,”
“Oh, Boys, Carry Me ’Long,” “Old Black Joe,” “Old Dog Tray,” “Old Folks
at Home” and “Stephen Foster Gems”
Fountain, The (Jeux d’eau) (Ravel) Pianoforte Alfred Cortot
Fountain, The — See also “Am Springbrunnen ”
Four American Folk Songs Violin Maud Powell
“My Old Ky. Home’’— “Shine On” — -“Old Black Joe" — “Kingdom Coming”
Four Leaf Clover (Brownell) Evan Williams
Four Little Blackberries (O’Connor) Banjo Vess L. Ossmanl
First Kiss Waltz (Sartoro) Ocarina Mose Tapiero)
Four Penobscot Tribal Songs — “A Song of Greeting.” “Lullaby,” 1
“ Snail Song,” “Wedding Ceremonial Song ” Princess Watahwaso l
Two Indian Songs — “ Pa-pup-ooh ” “Sacrifice” Watahwaso)
FOUR SICILIANS ( Clarinet , Guitar, Mandolin, Double-Bass)
Soldiers’ Return — Waltz and Hurrah for Orlando — Waltz — Four Sicilians
Fourth of July Selections — See “National Airs — -America”
Fourth Symphony — Adagio (Beethoven) Vessella’s Italian Band)
, Leonore Overture, No. 3 (Part III) Victor Concert Orch)
74659
12
74547
12
64139
10
16488
10
18444
10
72704
10
35269
12
1.75
1.75
1.25
.75
.75
.75
1.25
VICTOR RECORDS
Number L~ [ ~ I
FRA DIAVOLO ( Frah Deah'-voh-loh)
Comic opera m three acts ; libretto by Scribe, devised from
the story of Lesueur’s earlier opera, La Caverne ; music by
Auber. Produced Opera Comique, Paris, 1830; Vienna, 1830;
London, in English, 1831; and in Italian, 1857; New York, in
English, 1833, and in Italian, 1864.
For illustrated description see Victrola Book of the Opera.
FRA DIAVOLO RECORDS
Overture — Pryor’s Band
and Marriageof Figaro Overture (Mozart) Pryor’s B 35109 12 1.25
Fra Diavolo Selection
and Daughter of Regiment Selection — Vessella" s Band 35191112 1.25
FRANZEN, ARVID, Accordionist
Life in the Woods and On Heel — Franzen 73175 10 .75
FRANCE, PATRIOTIC AIRS OF— See “ National Airs — France”
FRANCHETTI, A. (Fran-ket' -tee) (i860— ) Compositions by
See “Cristoforo Colombo” and “Germania”
FRANCHINI, ANTHONY, Guitarist — See “Ferera and Franchini”
FRANCISCO, CARLOS, Baritone— See “Golondrina” and “Paloma”
fFrangesa March (Costa) (Vocal Chorus) Pryor’s Band ^
l Songe d’Aulomne (Dream of Autumn) (Joyce)
f Freckles (H ess-Johnson-Ager)
l You’d Be Surprised (Irving Berlin)
(Free Lance March (On to Victory) (Sousa)
l Manhattan Beach March (Sousa)
(Free Lance March (On to Victory) (Sousa)
l American Airs Waltz (Tobani)
FREEMANTEL, F. C„ Tenor
My Mother's Prayer and Lead Kindly Light — Trinity Cl
FREISCHUTZ (Fry -sheutz) Free Shooter (Berlin, 1821) (Weber)
For complete illustrated description see Victrola Book of the Opera.
Overture — Sousa’s Band and Carmen Selection (Bizet) Sousa's Bana
Durch die Walder (Through the Forest) In German
and Jetzt ist wohl ihr Fensier offen — Karl Jorn
Jetzt ist wohl ihr Fenster offen (Now Beside Her Lattice) In German
and Durch die (V aider — KarlJOrn
Leise, leise, fromme Weise (Agatha’s Prayer) In German
and Tannhduser — Dich, teure Halle — Louise Voigt
FRENCH-CANADIAN — See Victor French Catalogue
Bohemian Orchestra)
Billy Murray 1
Billy Murray)
Sousa’s Band)
Sousa’s Band)
Sousa’s Bandl
Victor Dance Orchestra)
16760
10
.75
18634
10
.75
16383
10
.75
35163
12
1.25
16533
10
.75
35000
12
1.25
45078
10
1.00
45078
10
1.00
68473
12|l.25
French Horn — See “Educational”
FRENCH LESSONS
Originated primarily for the use of our soldiers in France, but the records will be ol
considerable service to the tourist also. The “course” is divided into six different sections,
one each side of three Victor records. On the first record (No. 1 84 1 9) are the terms needed
in getting around either in town or country; the other side deals with food and lodging.
The second record (No. 18420) goes into purchases and numbers on one side and cam¬
paigning on the other. The third (No. 18421) gives the simplest and easiest phrases needed
in “getting acquainted,” and the opposite side of the record contains a specially selected list
of useful words.
FRENCH LESSONS— Set of 3— List Price $2.50.
Lesson No. I — Getting Around and Lesson No. 2 — Food and Lodging 18419 10
Lesson No. 3 — Purchases and Numbers and Lesson No. 4 — Campaigning 18420 10
Lesson No. 5 — Getting Acquainted and Lesson No. 6 — Additional Vocabulary 18421 10
VICTOR RECORDS
/French Reel (From “Folk Dances of Denmark”) Victor Mil. Band/
Parisian Polka (From "Folk Dances of Denmark”) Victor Mil. Band)
FRENCH SONGS — For modern French Concert Songs and Folk Songs, see Caru¬
so, Clement, Gluck, etc., tn the Red Seal Section. For opera airs in French, see
the various operas. For several recitations, see “ Guilbert.” See also “National
and Patriotic — France ” and Victor French Catalogue.
/French Trot— Fox Trot (Davis) All Star Trio and Orchl
l Struttin’ at the Strutters’ Ball — Fox Trot Confrey’s Orch )
/Friendly Rivals (Clarke) Cornet Duet Keneke and Clarke/
l College Life March (Frantzen) Victor Orchestra)
/Frolic of the Coons (Gurney) Banjo Fred Van Eps/
Love’s Smile Waltz ( Barcarolli ) Whistling Guido Gialdini)
/From an Indian Lodge (“Woodland Sketches”) (MacDowell) Sousa’s B
l Aloha Oe ( Farewell ) ( Hawaiian Love Song) Comet Clarke
{
1
Conway’s Bandl
Conway’s Band)
Felix Arndt/
Felix Arndt )
From Foreign Parts — Spain (Moszkowski)
Loreley Paraphrase ( Nesvadba )
/From Soup to Nuts — One-Step (Arndt) Pianoforte
Hesitation Waltz ( Ilgenfritz ) Pianoforte
From the Land of the Sky-Blue Water (“American Indian
Songs”) (Chas. W. Cadman)
By Evan Williams (Tenor)
By Alma Gluck (Soprano)
By Florence Hinkle (Soprano) and When the Roses Bloom ( Reichardt ) Hinkle
/From the North, South, East and West Sir Harry Lauder/
( Laddies Who Fought and Won (Lauder) Sir Harry Lauder)
FROSINI, P., Concertina-Grand — See “Accordion Records ”
/Friihlingslied (Spring Song) (Gounod) In German Karl Jornl
l Friihlingszeit ( Spring - Tide) (Reinhold Becker) in German Karl Jorn>
(Friihlingsnacht (Spring Night) (Schumann) (2) Der Schmiedl
(The Blacksmith) In German Christine Miller t
Dubistwie eine Blume (Thou’rt Like a Flow’ r) (Schumann) German Reimers)
Friihlingszeit (Spring-Tide) (Becker) In German Schumann-Heinl
/Friihlingszeit (Spring-Tide) (Reinhold Becker) In German Karl Jorn
Friihlingslied (Spring Song) ( Gounod ) In German Karl Jdrn
FULLER’S FAMOUS JAZZ BAND
Number
I Size!
to ^
a.
18600
10
.75
18932
10
.75
16312
10
.75
17369
10
.75
17035
10
.75
18078
10
.75
17558
10
.75
64516
10
1.25
64190
10
1.25
45184
10
1.00
55172
12
1.50
45077
10
1.00
45060
10
1.00
87012
10
1.25
45077
10
1.00
Beale Street Blues
Coon Band Contest
18369 I Li T 'Liza Jane
18394 I Old Grey Mare
/Full Surrender (“ I Surrender All”) (Towner)
Come Ye Disconsolate (Moore- Hastings)
18394
18369
l
/Funeral March (Sonata, Op. 26) (Beethoven)
l Moonlight Sonata (First Movement) (Beethoven)
Trinity Choir/
Trinity Choir)
Vessella’s Band/
Vessella ’s Band )
Funeral March (Chopin) For several records see “Chopin.”
Funeral March — See also “Gotterdammerung” and “Peer Gynt Suite”
Funiculi, Funicula (Denza)
By John McCormack (Tenor) with Male Chorus In Italian
By Lyric Quartet and Santa Lucia (Neapolitan Folk Song) Reed Mille
By Vessella’s Band (with Vocal Chorus in Italian) and O sole mio — Rinaldj
/Fun in Flanders — Part I Lieut. Gitz Rice and Henry Burr/
l Fun in Flanders — Part II Lieut. Gitz Rice and Henry Burr)
/Fuzzy-Wuzzy (Kipling-Whiting) Reinald Werrenrath/
l The Gypsy Trail (Kipling-Galloway) Reinald Werrenrath)
16709
35426
64437
18968
16899 10
18405
45109
.75
1.25
1.25
.75
.75
.75
1.00
VICTOR RECORDS
Number
iyn
74672
12
16430
10
18929
10
1.75
.75
75
GADSKI, JOHANNA, Soprano (Gahds -kee) (See Pink Section)
Gagliarda (Galliard — Old Dance) (Galilei) Toscanini and Scala Or
(Galilee — Gospel Hymn Whitney Brothers Quartetl
t Remember Me, Oh Mighty One ( Kin\el ) Whitney Brothers Quartet)
GALLAGHER, ED, Comedian — See “Mister Gallagher”
GALLI-CURCI, AMELITA, Soprano (See Pink Section)
(Gallant Seventh — March (Sousa) Sousa’s Band]
\ Keeping Step With the Union — March Sousa’s Band /
Games, Children’s - Music for — See “Educational Records”
GANNE, LOUIS-GASTON (1862- )
Born Buxieres-les- Mines, France. Composer of many light operas, ballets and diver¬
tissements, together with 150 individual piano pieces. His mazurka, “ La Czarina, ” is one
of the best known of modern dances.
See “Czarine,” “Marche Lorraine," “Perede la Victoire” and “Saltimbanques”
(Garde du Corps March (R. B. Hall) Pryor’s Bandl
l National Emblem March ( Bagley ) Pryor’s Band)
Garden of Memory (Theodore Curzon-Russell Phillips) de Gogorza
Garden of Sleep (Scott-de Lara) Emilio de Gogorza
Garden Scene Fantasie — Faust Violin Mischa Elman
GARDNER, SAMUEL, Violinist
This young artist was born in Yeliz (Elizabethgrad), Russia, but was brought to America
by his parents while he was still an infant. The family settled in New England, and all through
even his early boyhood the violin appeared to be the only thing in which he was keenly
interested. A “toy” violin was bought for him one Christmas, and at the age of six years
he began work on a real instrument. He studied first with Winternitz and Loeffler in
Boston, and lastly with Franz Kneisel in New York, finally making his debut in a New
York recital in 1913. He also appeared later with the New York Symphony, playing the
Tschaikowsky Concerto. He has also toured with the Kneisel Quartette, at which time he
occupied the second violinist’s chair. Later he became a member of the Chicago Symphony
Orchestra, and he is also known as a composer of songs and violin compositions.
GARDNER RECORDS
Believe Me, If All
17957
10
64911
10
64698
10
64122
10
.75
1.25
1.25
1.25
Andante from Second
Concerto
Annie Laurie
Last Rose of Summer I 787 1
Long, Long Ago
My Old Ken. Home
18175 Those 17871
17756 Darling Nelly Gray 17888
Garibaldi’s Hymn (Mercantini) (See “National Airs — Italy”) Caruso
GARRISON, MABEL, Soprano — See “ Garrison ” in Pink Section
Gate City March — (Fantasie on “Dixie” — " Swanee River” Bugle 1
Calls — “Maryland” — “My Country, ’Tis of Thee”) U. S. Mar. B |
Lincoln Centennial March ( Sanford ) U. S. Marine Band)
GAUTHIER, EVA, Mezzo-Soprano — See “Louise,” also “Educ. Rec”
/Gavotte (Aletter) (with Celesta ) McKee Triol
l Miracle of Love Violin-’Cello-Piano McKee Trio)
Gavotte (Gossec) (2) German Dance (Dittersdorf) Violin Elman
Gavotte (Gluck) Pianoforte Guiomar Novaes
Gavotte (Gretry) (2) Tambourin (Gossec) Violin Mischa Elman
/Gavotte (No. 2, Op. 23) (Popper) ’Cello Hans Kindlerl
l Menuet ( Valensin ) 'Cello HansKindler)
Gavotte — Mignon (Thomas-Sarasate) Violin
Maud Powell
87297
10
16299
10
18243
10
74164
12
74618
12
64198
10
45116
10
64454
10
17888
17756
1.25
.75
.75
1.75
1.75
1.25
1.00
1.25
VICTOR RECORDS
Wiegenlied (Schubert)
(Mozart) (3)
’Cello
Gavotte (Mehul-Burmester) (2
fGavotte (‘‘Les Petits Riens”) (Mozart) (3) Gavotte (Gretry)
\ Xylophone William H. Reitz f
l Menuett (Gluck) (-2) Menuett ( Mozart ) Bell Solo Wm. H. Reitz)
I Gavotte in B Flat (Handel) (2) Giga (3) Second Gavotte
•j Victor Orchestra !•
( Marche Romaine ( Gounod ) Victor Orchestra)
fGavotte in B Minor (From “2d Sonata”) (Bach-Saint-Saens) Sassoli/
l Romance ( Rubinstein , Op. 44) Harp
Gavotte in D (Gossec) (2) Menuett in G
Gavotte in E Major (Bach) Violin
/ Gavottes, Nos. 1 and 2 (“Suite in D Major”)
Air from Suite in D Major (Bach)
/Gay Gossoon (Kendall) Banjo
St. Louis Tickle ( Seymore )
Kindler
1
Ada Sassoli )
(Beethoven) Zimbalist
Fritz Kreisler
(Bach) V Concert Or)
Victor Concert Orchestra)
Vess L. Ossmanl
Ossman-Dudley Trio)
1 Educational Records '
GAYNOR, JESSIE L.— See
/Gay Paree — Comic Duet Montgomery-Stone)
Travel, Travel Little Star (“Old Town”) Montgomery-Stone )
/Gee! But I Hate to Go Home Alone (“French Doll”) Roberts)
Don’t Feel Sorry for Me ( Clarke-Leslie-Gottler ) Victor Roberts)
/Gee! But I Hate to Go Home Alone — -Fox Trot The Virginians)
l / Wish I Could Shimmy — Fox Trot The Virginians)
/Geese in the Bog — Irish Jigs Accordion (“See Medleys”) Kimmel],
l Stack of Barley — Medley — Irish Reels John J. Kimmel
Geluckig Vaderland (Historical Dutch Folk Song) Dutch Julia Culp
GEMS FROM OPERAS AND OPERETTAS
For contents of these Vocal Medleys from well-known operas see the following:
Number
<D
t~J
in
to «
3 o.
66053
10
1.25
17917
10
.75
18754
10
.75
45070
10
1.00
74444
12
1.75
64132
10
1.25
35656
12
1.25
16092
10
.75
55098
12
1.50
18892
10
.75
18965
10
.75
18193
10
.75
64551
10
1.25
Apple Blossoms 35697
Bohemian Girl 35603
Cavalleria 35343
Chin Chin 35440
Chocolate Soldier 354 1 6
Contes d'Hoffmann 35337
Eileen 3563 1
Erminie 35451
Florodora 3545 1
Honey Girl 35705
In a Persian Garden 35441
Irene
Jack o’ Lantern 35666
Jimmie 35705
Leave it to Jane 35666
Madame Sherry 35410
Maid in America 35440
Mary 35702
Merry Widow 35416
Mignon 35337
Mikado, Nos. 1 and 2 35551
Night Boat 35702
Pagliacci 35343
Pinafore — Pts. I and 2 35386
Pink Lady 35423
Prince of Pilsen 35329
Quaker Girl 35410
Red Mill 35329
Robin Hood — land 11 35413
She’s a Good Fellow 35694
Sometime 35694
Spring Maid 35423
Tales of Hoffmann 35337
Traviata 35433
35697
(General Mixup, U. S. A. March (See “ Medley No. 63 ”) Pryor’s B)
l My Maryland March (Mygrant) Sousa's Band)
/General Pershing — March (Carl D. Vandersloot) Victor Band)
l Repasz Band — March (Chas. S. Srveeley) Conway’s Band)
/Genevieve (Tucker) John Barnes Wells and Hayden Quartet)
l Where the River Shannon Flows (Russell) Harry Macdonough)
/Gentle Annie (Stephen C. Foster) Merle Alcock)
l ’Tis All That I Can Say (Hood-Temple) Merle Alcock J
/Gently Fall the Dews of Eve (Mercadante) Wheeler-Dunlap-Baker)
l Lift Thine Eyes (From" Elijah”) (Mendelssohn) Wheeler-Dunlap-Baker)
/Georgette — Fox Trot (Henderson) Club Royal Orchestral
\ Who’ll Take My Place — Fox Trot (Fazioli) Club Royal Orch)
/Georgia (Johnson-Donaldson) Peerless Quartet 1
\ Oh! You Beautiful Baby (Lewis-Young- Akst) Stanley-Murray)
17142
18607
16440
45169
17211
18919
18876
10
10
10
10
10
.75
.75
.75
1.00
.75
10' .75
10 .75
Number
to
— ) A.
18899
10
.75
17927
10
.75
18837
10
.75
16796
10
.75
VICTOR RECORDS
(Georgia — Fox Trot (Donaldson) Whiteman and His Orchestral
Ge _ Stumbling — Fox Trot ( Confrey ) Whiteman and His Orchi
- (Georgia Moon (Havez-Barron) Sterling Triol
l Is There Still Room for Me ’Neath the Old Apple Tree Peerless Qt)
(Georgia Rose (Sullivan-Flynn-Rosenthal) Sterling Triol
l Tomorrow Land ( H . J. Tandler) Sterling Trio !
(Georgia Sunset — Cakewalk (Brown-Lampe) Pryor’s Band)
l Italian Riflemen March ( Boccalari ) Pryor’s Band)
GERMAN, EDWARD (1862-
Down to Rio”
) See “Henry VIII,” “Nell Gwyn,” and “Rolling
GERMAN COMEDY
An Irish-Dutch
Argument 1 6322
Bring Back My Lena 1 6994
German Dance (Dittersdorf)
(German Dialect)
Hi-Le-Hi-Lo 1 7257 You Can't Play
Schneider, Does
Your Mother 16994
(2) Gavotte (Gossec) Violin Elman
(German Folk Songs — Potpourri Zither Wormserl
\ Trumpeter of Sdckingen — It was not so to be Zither WormserJ
GERMANIA (Jaer-mah! -nee-ah) (Milan, 1902) (Franchetti)
Studenti, udite (Students. Hear Me !) In Italian Enrico Caruso
Non chiuder gli occhi vaghi (Close Not Those Dreamy Eyes) Italian Caruso
{German’s Arrival, The — Yodel Specialty Frank Wilson!
Hi-Le-Hi-Lo — Yodel Specialty George P. Watson >
GERVILLE-REACHE, JEANNE, Contralto (See Pink Section)
(Ghost of the Banjo Coon, The — Coon Song Arthur Collinsl
l Aunt Mandy — Darky Sketch Golden and Hughes)
74164
12
17862
10
87053
10
87054
10
17257
10
17011
10
70098
1.75
.75
1.25
1.25
.75
.75
GIACOMELLI, IDA, Soprano (Jah-koh-mell' -ee)
GIALDINI, GUIDO— Whistling Solos (Jahl-dee'-nee)
See “Forza” and “Masked Ball”
On the Bosphorus
Sorella March
Spring Voices
Tout Passe Waltz
Lucy Marshl
Merle Alcock /
45313
Amoureuse Waltz 16838 Fascination Waltz 17015
Birds of the Forest 16835 Gretchen’s Dream 17050
Boheme — MusettaW 16892 Joys of Spring 16757
Ciribiribin Waltz 17129 Love’s Smile 17369
Dollar Princess Med. 16983 My Hero Waltz 16854
(Giannina Mia (Hauerbach-Friml)
l Violets (Eo’ry Morn I Send Thee Violets)
Gianni Schicchi — O mio babbino caro (Beloved Daddy) Italian Alda 64802
GIGLI, BENIAMINO, ( Geel-yee Bayn-ee-ah-mee-noh) (See “Pink Section”)
Gigue and Bourree — See “Suite in D Major”
GILBERT and SULLIVAN OPERAS — See “Mikado” and “Pinafore”
GILIBERT, CHARLES, Baritone (See Pink Section)
GILLY, DINH, Baritone — (See “ Destinn ” in Pink Section.)
(Ginsberg’s Stump Speech (Smith) Avon Comedy Fourl
l The Professor’s Birthday (Smith) Avon Comedy Four)
GIOCONDA (Joh-kon -dah) (Milan, 1876) (Ponchielli) In Italian
(See Victrola Book of the Opera for complete illustrated description)
ACT 1 - THE HARBOR AT VENICE
Prelude and Olello — Fantasia — Vessetla’s Italian Band
ACT 11 - ENZO’S SHIP AT ANCHOR NEAR VENICE
Pescator, affonda l'esca Pasquale Amato and Metropolitan Opera Chorus
Pescator, affonda l’esca (Fisher Boy, Thy Bait be Throwing) Ruffo
Cielo e mar (Heaven and Ocean) Enrico Caruso
Cielo e mar (Heaven and Ocean) Piano acc. Enrico Caruso
16983
16761
16835
18083
35606
35459
10
10
12
12
1.00
1.25
10
87093
883941 1 2
88246 12
85055 12
1.25
1.25
1.25
1.75
1.75
1.75
Number
List
prc.
64938
10
1.25
64409
10
1.25
45027
10
1.00
55044
12
1.50
88478
12
1.75
35679
12
1.25
18953
10
.75
35711
12
1.25
17597
10
.75
18055
10
.75
18371
10
.75
45199
10
1.00
64886
10
1.25
18687
10
.75
64967
10
1.25
64842
10
1.25
35138
12
1.25
VICTOR RECORDS
l
GIOCONDA RECORDS — Continued
Cielo e mar (Heaven and Ocean) Beniamino Gigli
Cielo e mar (Heaven and Ocean) Giovanni Martinelli
Cielo e mar-de Gregorio and Manon Lescaut — Manon mi tradisce — de Gregorio
ACT Ill - ROOM IN ALVISE'S PALACE
Dance of the Hours and Kamennoi-Ostrow ( Rubinstein ) Herbert’s Orch
ACT IV — RUINED PALACE ON AN ISLAND IN THE ADRIATIC
Suicidio (Suicide Remains) Emmy Destinn
GIORDANO, UMBERTO ( Cee-or-dah' -noli) See “Andrea Chenier”
GIOVANNELLI, GINO, Tenor— See “ Lucia”
GIRARD, GILBERT— Santa Tells About His Toy Shop and Gives Away Toys
Santa Claus Tells of Mother Goose Land— Part 1 and Part 2 Girard
Santa Claus Visits the Children — Part I and Part 11 Girard
{Girl I Left Behind Me (Lover) (See also "Medleys”) Raymond Dixonl
Rory O’ More (Samuel Lover) Raymond Dixon)
/Girl I Left Behind Me — Humoresque (arr. by Bellstedt) Pryor’s B1
Aryans aw Traveler — Parody ( Lovenberg ) Arthur Pryor’s Band)
/Girl I Left Behind Me — Medley March Victor Military Band!
I Hot Time in the Old Town — Medley March Victor Military Band)
Girl I Left Behind — Parody — See“Wills, Parody on Eight Familiar Songs”
/Girl In the Spotlight — I Cannot Sleep (Herbert) Murphyl
l Sweetheart Shop — Waiting for the Sun ( Gershwin ) Murphy)
Girl of the Golden West — Ch’ella mi creda Italian Johnson
/Girls of My Dreams (“ Ziegfeld Follies”) (Berlin) John Steel!
Tell Me, Little Gypsy (“ Ziegfeld Follies ”) (Berlin) John Steel)
Girometta (My Sweetheart) (Sibella) Italian Braslau
Gitana, La (Arabo-Spanish Gypsy Song of the 18th Century) Kreisler
/Gitana Waltz (Bucalossi) Victor Dance Orchestral
Over the Waves W altz (Rosas) Victor Dance Orchestral
GITZ RICE, LIEUT.
Lieutenant Gitz Rice went to France as a gunner in the first Canadian contingent and
served through the battles of Neuve Chapelle, Ypres, Festubert, Givenchy, Loos, the
Somme and Vimy Ridge, and after disablement by gas was appointed to take charge of the
entertainment of Canadian forces. Some of the music and musical patter originated there
has been recorded by Lieutenant Gitz Rice, with the assistance of Mr. Burr.
Fun in Flanders — Part I and Part II — With Henry Burr 18405
/Give a Man a Horse He Can Ride (Thomson-O’Hara) Dadmunl
l Chip of the Old Block. (Simpson-Squires) Royal Dadmun)
/Give Me a Kiss (Bolero Cubano) Max Dolin’s Orchestral
Golondrina (The Swallow) Waltz Max Dolin’s Orchestra)
{Give Me Liberty, or Give Me Death (Patrick Henry) Humphrey!
Lincoln’s Gettysburg Address Harry E. Humphrey 1
Glacier Park Indians — See “Educational”
GLENN, WILFRED, Bass
Mr. Glenn is a native of California, and was born on one of
the great ranches in the San Joaquin Valley. He began his studies
in San Francisco, but when the phenomenal quality of his voice
was realized he was induced by his friends to go to New York
for further study. He made rapid progress under a number of
noted teachers and now has a remarkable range of some two and
a half octaves, from C below the bass clef to F harp.
1
45266
73171
35377
.75
1.00
.75
1.25
VICTOR RECORDS
Number -5 ~ £
GLENN RECORDS
17268
17309
17326
Monarch of the
Woods
Off to Philadelphia
Old Sexton
17326
17348
18025
Rocked in the Cradle 17309
Star-Spangled Banner 35009
Till the Sands of the
Desert 1 7268
Sousa’s Bandl
Sousa’s Band)
17976
10
.75
Armorer’s Song
Asleep in the Deep
Down Deep Within
I'm a Jolly Old Rover 18025
(Gliding Girl, The (Sousa)
l The Lambs’ March (Sousa)
GLINKA, MICHAEL IVANOVICH (1803-1857; Composer
Born at Novospasskoi, Russia. First opera, “A Life for the Czar,” 1836, led to the
development of nationalism in Russian music. Called by Liszt its “Prophet-Patriarch.”
Left another opera, “Russian and Lioudmilla,” and many other works, religious and
secular. See “Midnight Review” and “Lark, The.”
(Gloria from Twelfth Mass (Mozart)
l Hallelujah Chorus (“Messiah”) (Handel) Victor Oratorio Chorus)
Lyric Quartet!
Trinity Choir)
Victor Mixed Choi
Victor Mixed Chorus )
Sousa’s Bandl
Pryor’s Band )
Criterion Quartet 1
.75
.75
.75
(Gloria Patri (2) Lord’s Prayer
l Safe in the Arms of Jesus
(Gloria Patria (Damrosch-Palestrina) In Latin
l Popule Meus (Damrosch-Palestrina) In Latin
(Glory of the Yankee Navy March (Sousa)
l Universal Peace March (Lampe)
(Glory Song (Oh, That Will Be Glory)
l The Radiant Morn (Anthem) (Woodward)
Glory to God — See “Messiah”
Glow-Worm — Idyl (Paul Lincke)
By Victor Orchestra (with Vocal Chorus) and Hearts and Flowers
By Victor Orchestra (Vocal Chorus and Bell Solo)
and In Lover's Lane Pryor’s Band 17227110! .75
GLUCK, ALMA, Soprano (Glook) (See Pink Section)
GLUCK, CHRISTOPH WILLIBALD (Glook)
(Weidenwang, Upper Palatinate, 1714; D. Vienna, 1787.) Studied music at Prague,
and later in Italy. Encouraged by Mane Antoinette in Paris, he inaugurated much needed
reforms in opera against violent opposition.
See “Gavotte,” “Melodie,” “ Menuett,” “Musette” and “ Orfeo ”
GLYNDWYR MOUNTAIN ASH WELSH MALE CHOIR (Unaccompanied)
1
35678
12
16877
10
17548
10
17229
10
35014
12
35344
12
17227
lol
Aberystwyth 72813
Bydd MyrddO Rhyfeddodau 72813
GODARD, BENJAMIN (1849-1895) (Go-dahr)
Gypsies’ Laughing Chorus 72812
Rhyfelgyrch Gwyr Harlech 72812
Celebrated French composer of operas, orchestral music, salon music and songs.
16399
17096
88177
17688
64717
10
12
10
God Be With You Till We Meet Again (Tomer) Gluck-Zimbalist 87520 10 1.50
(God Be With You Till We Meet Again (Tomer) Orpheus Qtl
l Oh Morning Land (Phelps) Macdonough and Hamilton )
(God Give Us Men (2) Landing of the Pilgrim Fathers Battis!
l Columbus — Recitation William Sterling Battis)
(God is Love (Shelley) Lyric Quartetl
l Autumn (Saviour, Breathe an Evenirig Blessing) Trinity Choir)
God, My Father (From “The S even Last Words of Christ” —
Oratorio by Dubois) In English Emilio de Gogorza
(Go Down, Moses Tuskegee Institute Singers'!
l I W ant to be Like J esus Tuskegee Institute Singers)
God Save the King (Carey) (with Orpheus Qt) Frances Alda
(God Save the King Alan Turner and Male Chorus(
l Rule Britannia Alan Turner and Male Chorus /
16134 10
.75
1.25
.75
1.75
.75
1.25
.75
VICTOR RECORDS
Number
4J
o.
God So Loved the World (“The Crucifixion”)
Christ the Lord is Risen Today ( Mozart )
GOGORZA — See “de Gogorza ”
Trinity Quartet-!
Trinity Quartet)
18873
10
.75
I
GOLDEN, BILLY, Comedian
No negro specialty records have ever been so popular as those by Billy Golden.
No one could ever approach him in this kind of work — in fact, the hearer forgets all about
Golden and hears only a jolly old darky with an infectious laugh. Three of Golden’s most
famous specialties, including the favorite “Turkey in de Straw,” are listed here, and twenty-
seven clever and entertaining specialties made in connection with three well-known comedians.
RECORDS BY BILLY GOLDEN
Rabbit Hash 16199 | Roll on de Ground 16804 | Turkey in de Straw 17256
GOLDEN AND HEINS
Darktown Editors 1 7300
Death of Towser 35641
In a Bird Store
Trip to Paradise
35659
35641
GOLDEN AND HUGHES RECORDS
Aunt Mandy I 70 1 I
Clamy Green 35294
Epitaphs 16507
Gwine Back to
Arkansaw 17612
Jimmie Trigger 35307
Jimmy Trigger
Returns 35518
Liars, or My Uncle’s
Farm 16574
Matrimonial Troubles 17047
Up for Sentence 35659
Servant Girls 17612
Turkey Specialty 16681
Unlucky Mose 35280
Whistling Pete 35202
Working on the Farm 35260
GOLDEN AND MARLOWE RECORDS
35518
Flenry Attempts
Suicide
Flospital Patients
Insect Powder Agent
35504
35577
35504
Liars’ Contest
Love-Sick Darky
Matrimonial
Difficulties
35577
35544
\
Fisk. University Jubilee Quartet)
(Sousa) Sousa’s Bandl
(Sousa) Sousa’s Band)
18612
10
16453
10
35709
12
18952
10
Curiosity Hunt, The
Darky’s Oration on
Woman 35614
Darky Waiters 35614
Golden Cockerel— See “Coq d’Or”
Golden Gate (Kendis- Brockman) Chas. Hart-Elliott Shawl
Carolina Sunshine Sterling Trio)
/Golden Slippers Fisk University Jubilee Quartet^
Swing Low, Sweet Chariot
Golden Star (A Memorial March)
Stars and Stripes Forever — March
GOLDMAN BAND
Chimes of Liberty March and Sagamore March — Goldman Band 18952
GOLDMARK, KARL (1830-1915) Hungarian composer of Jewish descent,
operas, orchestra music, etc., modern in style.
See “Concerto in A Minor,” “Rustic Wedding” and “Queen of Sheba”
Goldstein Behind the Bars (Bingham) Ralph Bingham-!
Mrs. Rastus Johnson at the Wedding Ralph Bingham)
Goldstein Goes in the Railroad Business Barney Bernard-!
Cohen at the Telephone Barney Bernard)
Golliwogg’s Cake-Walk (No. 6 from “Children’s Corner”)
Pianoforte Rachmaninoff
Golondrina, La (The Swallow) Mexican Air
By Carlos Francisco (Baritone) In Spanish and l^a Paloma — Francisco
By Victor Military Band and Perjura Danza (Mexican Dance) Victor Band
By Max Dolin’s Orchestra (Waltz) and Give Me a Kiss — Dolin's Orchestra
GOMEZ, ANTONIO CARLOS (Goh' -meth) (1839-1896) Born at Compinas, Brazil, of
Portuguese parentage. Sent to Europe to study by the then Brazilian Emperor. Wrote
a number of operas, including “11 Guarany,” which established his fame as a composer.
See “Guarany,” “Salvator Rosa” and “Schiavo, Lo”
/Gondolier and Nightingale — Barcarolle Comet-Flute Clarke-Barone
Showers of Gold — Scherzo ( Clarke ) Cornet Flerbert L. Clarke
18231
10
18029
10
64980
10
17442
10
17515
10
73171
10
35544
75
.75
1.25
.75
Wrote
.75
.75
1.25
.75
.75
.75
17153 10
.75
VICTOR RECORDS
Good-Bye (Addio) (Francesco Paolo Tosti)
By Enrico Caruso (Tenor) In Italian
By John McCormack (Tenor)
By Evan Williams (Tenor)
By Nellie Melba (Soprano)
By Florence Hinkle (Soprano) and Louise — Depuis le jour — French — Hinkle
By Reinald Werrenrath (Baritone) and Oft in the Stilly Night — IVerrenrath
Henry Burn
Club Royal Orchl
Club Royal Orchestra)
Janet Spencer
Merle Alcock)
Alcock >
McCormack
Williams
(Good-Bye Dolly Gray — March (Barnes) Conway’s Bandl
l Battle of Gettysburg (Descriptive March) Conway’s Band)
(Good-Bye, Good Luck, God Bless You (is All That I Can Say) Burr^
l Sighing ( Stover )
(Good-Bye Shanghai — Fox Trot (Jos. Meyer)
l Wimmin— Medley Fox Trot
Good-Bye, Sweet Day (Vannah)
{Good-Bye, Sweet Day (Thaxter- Vannah)
The Meeting of the W aters ( Thomas Moore)
Good-Bye, Sweetheart, Good-Bye (Hatton)
Good-Bye, Sweetheart, Good-Bye (Hatton)
(Good Morning, Mr. Zip, Zip, Zip Fields-Peerless Quartet)
1 When Tony Goes Over the Top (Rob’ t Lloyd) Billy Murray)
{Good News (Old Negro Spiritual) Tuskegee Institute Singers)
Live a-Humble (Old Negro Spiritual) Tuskegee Institute Singers)
Good Night (Dobrou noc, md mild) In Bohemian (From “Twenty
Bohemian Folk Songs”) (Trans, by Rev. Vincent Pisek) Destinn-Gilly
Good Night, Beloved (Nevin) See “Serenade”
(Good Night, Good Night (Gardiner-Ball) George MacFarlane)
l You ’re the Best Little Mother God Ever Made George MacFarlane)
(Good Night, Good Night, Beloved (Pinsuti) Brass Quartet)
l Southern Cross ( Herbert L. Clarke) Comet Herbert L. Clarke)
Good Night, Little Girl, Good Night (Macy) George Hamlin
(Good Night, Little Girl, Good Night (Hays-Macy) Murphy)
l The Blush Rose ('Cello obb.) Lambert Murphy )
(Good Old Dollar Bill (Mahoney- Morse) Billy Murray)
l Victor Minstrels, No. 1 6 Victor Minstrel Co)
Go Pretty Rose ( Beverly- Marzials)
Mme. Homer — Louise Homer Stires
GORST, CHARLES, Naturalist and Bird Lover
The imitative records of Mr. Charles Gorst include those of both scientific
and musical interest.
Robin’s Return (Fisher) and Spring Song (Orchestra with Bird Voices) Gorst
Spring Song (Mendelssohn) and Robin’s Return ( Otch . with Bird Voices ) Gorst
Songs and Calls of Our Native Birds, No. 3 Charles Gorst'
American Robin (2) Killdeer (3) Blue Jay (4) Bluebird (5)
Wood-thrush (6) Yellow -billed Cuckoo (7) Mocking Bird
Songs and Calls of Our Native Birds, No. 4 Charles Gorst
Kentucky Cardinal or Redbird (2) Oven-Bird (3) Red-Eyed Vireo
• (4) Baltimore Oriole (5) Mourning Dove (6) Western Meadow Lark
GOSPEL HYMNS— See “ HYMNS ”
(Gospel Songs, No. 1 — Moody and Sankey Hymns
\ Gospel Songs, No. 2 — Billy Sunday Hymns
(Gospel Songs, No. 3 (See “Medley No. 7”)
l Gospel Songs, No. 4 (See " Medley No. 7”)
Victor Chorus)
Victor Mixed Chorus)
Victor Mixed Choi
Victor Mixed Cho)
Number
Size
2 Si
— 3 <=W
88280
12
1.75
74346
12
1.75
74650
12
1.75
88065
12
1.75
55106
12
1.50
55065
12
1.50
18339
10
.75
17984
10
.75
18857
10
.75
64189
10
1.25
45178
10
1.00
64342
10
1.25
64199
10
1.25
18510
10
.75
17663
10
.75
89116
12
2.00
45079
10
1.00
17109
10
.75
74310
12
1.75
45126
10
1.00
16311
10
.75
87580
10
1.50
18019
10
.75
18019
10
.75
17735
10
.75
35510
12
1.25
35620
12
1.25
VICTOR RECORDS
Number
<u
&
si
3 Cl
Go to Sleep, My Baby — See “ Emmett’s Lullaby ”
Go to Sleep, My Dusky Baby (Dvorak) Kline-Baker-Dunlapl
Rockin’ Time (Gertrude L. Knox) Kline- Baker- Dunlap)
17918
10
.75
GOTTERDAMMERUNG ( Gay-ter-daym-mer-oong ) The Dusk of
the Gods (1876) (Wagner) ( Sung in German)
Music drama in three acts and a prelude. Words and music by Richard Wagner.
Wagner began the composition of the music at Lucerne in 1870, and it was completed
November 21, 1874. First produced Bayreuth, August 17, 1876, with Materna and
Unger. First American production at New York, January 25, 1888, with Lehmann, Seidl-
Krauss, Traubman, Niemann and Fischer. Many notable American productions have been
made at the Metropolitan, the latest being February, 1914, with Kurt, Ober and Berger.
The Dusk of the Gods is the last part of the tetralogy. In the prelude we once more
see Briinnhilde on the rock, where she had lain during her magic sleep, and where Siegfried
had found her and taken her as his bride. The hero, after a brief period of domestic hap¬
piness in a cave near by, decides to leave his bride for awhile and go in search of adventures,
giving her the Nibelung’s Ring as a pledge of faith. This ring he had obtained when he
slew the dragon Fafner, and as the opera progresses he is doomed to suffer the conse¬
quences of the fatal curse, invoked on every possessor of the Ring by Alberich, from whom
it was taken by Wolan. (For complete illustrated description see Victrola Book of the Opera)
GOTTERDAMMERUNG RECORDS
Zu den Wipfeln lauscht' ich (To the Branches Gazed I Aloft) (Part II)
and Mime hiess ein miirrischer Zwerg (ErzahL des Siegfried) Carl Burrian 55073
Mime hiess ein miirrischer Zwerg (Mime, Know Thee Then, Was a
Dwarf) (Parti) and Zu den Wipfeln lauscht’ ich (Part It) Carl Burrian 5507 3
Siegfried’s Funeral March and Die Walkiire — Ride of Valkyries — Vessella's B 35369
Siegfried’s Journey to the Rhine — Part 1
and Part 2 Percy Pitt and Symphony Orchestra 55167
12
12
12
12
1.50
1.50
1.25
1.50
GOTTSCHALK, LOUIS M. ( Got’-shalk )
(1829-1869) Pioneer American concert pianist and composer.
See “Brazilian National Hymn.” “Day by Day,” “Dying Poet,
“Last Hope,” “Pasquinade”and “Softly Now the Light”
GOUNOD, CHARLES FRANCOIS (1818-1893) ( Goo-no )
Born in Paris. Father, artist, died when Gounod was five. Taught
by mother. Won Conservatory Prix deRome, 1837. Became organ¬
ist San Luigi Church; contemplated priesthood. In 1850, when Mass
became successful in England, asked to write a work for Paris Academie.
Opera Sapho, 1851, a failure. Work unimportant until 1859, when
masterpiece, Faust, appeared, most famous of all operas — given 1500
times in Paris alone. Entire work recorded by Victor, with greatest
casts .
” “Holy Ghost,”
GOUNOD
RECORDS OF GOUNOD COMPOSITIONS — See “Au Printemps,” “ Ave Maria,”
“Faust,” “ Friihlingslied,” “Jesus de Nazareth,” “ La Soir,” “Messe Solennelle,”
“Mirella Overture,” “Nazareth,” “Praise Ye the Father,” “Queen of Sheba,*"
“Ring Out, Wild Dells,” “Romeo et Juliette,” “Serenade,” "There is a Green
Hill Far Away” and “ Unfold Ye Portals”
fGoyescas — Intermezzo (Granados) McKee’s Orchestral
l Extase (Ecstasy) ( Thome) McKee’s Orchestra)
{Grace Polka (Graziella) Neapolitan Orchestra)
The Flower of Italy — Waltz Neapolitan Orchestra f
GRAINGER, PERCY — For compositions see “Irish Tune from County
Derry,” “Molly on the Shore” and “ Shepherd’s Hey ”
Granada, A (To Granada) (Gras-Elias y Alvarez) In Spanish Caruso
Granadinas (Farewell, My Granada) (Calleja-Barrera) Spanish Schipa
35574
12
68560
12
88623
12
66039
10
1.25
1.25
1.75
1.25
VICTOR RECORDS
Number ~ ~ £
GRANADOS, ENRIQUE, (1869-1916) Composer
The hopes of Spain for a great national composer were built largely upon Grana¬
dos, who, with his wife, was drowned upon an ocean journey in 1916, shortly after his
opera, Coyescas, was given in New York. He wrote many brilliant works for the
piano. See “Gtoyescas” and “Spanish Dance”
Grande Valse, Op. 10 (Venzano) In Italian Luisa Tetrazzini
GRAND MARCHES (For list of marches in slow time suitable for
boy scout use, and grand marches for dancing, see "Marches.”
For marchesmade especially for school marching see "Educational”)
/Grand Old Flag (“Geo. Washington, Jr.”) (Cohan) American Qtl
l Break the News to Mother ( Chas . K. Harris) Shannon Four I
GRAND OPERA MEDLEYS — Instrumental (See also Opera Titles)
Dream of Wagner — Fantasie on Wagner’s Operas — Pryor's Band
and Reminiscences of Verdi — Excerpts from “ Rigoletto,” “ Trovatore” and
“ T rauiata ” — Sousa’s Band
Medley of Favorite Operatic Airs and Faust-iValtz-Accordion — Pietro
GRAND OPERA MEDLEYS — Vocal — See “Cavalleria,” “Erminie,”
“Mignon,” “Pagliacci,” “Tales of Hoffmann” and “ Traviata”
/Granny (You’re My Mammy’s Mammy) (Young-Lewis-Akst) Rugell
( Ka-Lu-A (from "Good Morning, Dearie”) Brown-Shaw /
/Granny, You’re My Mammy’s Mammy — Fox Trot Club Royal Or)
l All That I Need Is You — Fox Trot Club Royal Orchestra)
/Granny’s Laddie (Lauder) Recitation Sir Harry Lauder)
l I Wish You Were Here Again Sir Harry Lauder)
Great Awakening (Johnstone-Kramer) Orville Harrold
GREAT BRITAIN, Patriotic Airs of^See “ National Airs”
/Great Camp-meeting, The — Revival Song Fisk Jubilee Qt)
I There is a Balm in Gilead — Negro Folk Song Fisk Jubilee Quartet I
/Great Judgment Morning (Pickett) Homer Rodeheaver)
l Mother’s Prayers Have Followed Me ( Ackley ) Rodeheaverl
GREAT WHITE WAY ORCHESTRA
Lovely Lucerne 18966 | Tomorrow — FoxTrot 18964 | You Gave MeYour Heart
GREEK RECORDS — See Victor Greek Catalogue
88423
12
18358
10
35230
12
18883
10
18854
10
18843
10
55173
12
66052
10
16487
10
35326
12
1.75
.75
1.25
.75
.75
.75
1.50
1.25
.75
1.25
18964
GREEN, ALICE, Soprano — See also
“Educational”
Home Again
18222
Duets in which Miss Green
sings
Just aVoicetoCallMe
18399
Auf Wiedersehn
17858
Kiss Me Again
17954
Near the Cross
16688
Let Me Wander
36623
Teach Me to Smile
17858
Rackety Coo 1
17954
Will You Remember
18399
GREEN, JOE, Xylophone
Dance of the Toy Regiment
and Under the Bridge at Paris —
-McKee
GREEN BROS. MARIMBA
ORCHESTRA
By the Old Ohio Shore
188 58
Moon River — Waltz
18907
Kicky-Koo — Fox Trot
18898
Smilin’ — Fox Trot
18851
GREEN BROTHERS’ NOVELTY BAND
Desert Dreams — FoxTrot and La Veeda — Castilian Fox Trot — Green Bros.' B
/Green Club (ClubVetde) Waltz Cen. Amer. Marimba Band!
I My Brunette (La Morena) Waltz Central Amer. Marimba Band)
/Green Mountain Volunteers (Country Dance) Victor Mil. Band!
Speed the Plow (Country Dance) Victor Military Band I
Lucy Marsh)
Lucy Marsh I
/Greeting, (Grieg) (2) First Primrose (Grieg)
l Solvejg’s Cradle Song ( from ‘‘Peer Gynt”)
73438
18667
68493
18491
45321
10
.75
.75
1.25
.75
1.00
VICTOR RECORDS
Number
GREGORIAN CHANTS
Reforms in the music of the Catholic Church, under Pope Pius X, led to the substitution
of the ancient Gregorian plain-song for many modern compositions. At the instance of
Baron Kanzler, the Gregorian Congress had some records made. They were distributed
throughout the Catholic world, the Victor doing what the teachers Romanus and Peter did
on a smaller scale in the eighth century.
NOTE — The average record customer may prefer the concerted numbers listed under4' Sistine Choir,”
which are remarkable reproductions of a famous body of singers in some noble religious compositions
RECORD OF THE GREGORIAN HIGH MASS
Recorded in St. Peter’s Church on the Centenary) of St. Gregorius Magnus. This record was
executed under the direction of Mgr. Rella, Leader of the Gregorian Chant in the Sistine Chapel.
Gloria in Excelsis Deo
Sistine Choir
71002
12
(Gretchen’s Dream Waltz (Wappam) Whistling
l Estudiantina Waltz ( Waldteufel) Xylophone
Gialdinil
Wm. Reitz)
17050
10
357031 12 1.25
16681 10 .75
.75
one yy m. r\euz) I
GRIEG, EDVARD HAGERUP (1843-1907) ( Greeg )
Born Bergen, Norway, 1843. At 6 began musical education
under his mother. At the age of 15 was sent to Leipsic Conservatory.
Returned to Norway 1863, and began writing the original and spon¬
taneous music which was to make him famous. Grieg really founded
a new school of Scandinavian music. His short piano pieces are charming
works of their class and his numerous songs full of poetic feeling.
The Peer Gynt Suite, written for Ibsen’s dramatic poem, “ Peer Gynt,”
is perhaps the best known of all his compositions. Grieg died Septem¬
ber 4, 1907.
GRIEG RECORDS — See “Concertos,” “First Primrose,” “Greeting,’
“Morning Song,” “Nocturne,” “Papillon,” “Peer Gynt” and “To Spring’
GRIEG’S INSTRUMENTAL QUARTET— See “Peer Gynt”
(Grieving for You — Feather Your Nest — Fox Trot — Whiteman’s Or
l My Wonder Girl — Coral Sea — Fox Trot Whiteman’s Or.
(Grizzly Bear — Song Billy Murray and American Qt
\ Turkey Specialty — Introducing “ Turkey in de Straw” Golden and Hughes ,
GRUNER, WILLIAM, Bassoon — See “Hungarian Fantasie”
G String, Air for — See “ Air for G String ”
(Guarany Selection (Gomez) Accordion Pietro!
I Tranquillo Overture ( Pietro ) Accordion Pietro )
Guarany - Sento una forza indomita (An Indomitable Force)
In Italian Destinn and Caruso 89078
Guardann’ a Luna (Lovely Moon) (Crescenzo) Italian Caruso 87162
(Guard Mount — Patrol (Elenberg) Pryor’s Bandl
l Bombasto March ( Farrar ) Arthur Pryor's Band I
(Guatemala-Panama March (Hurtado) Marimba Bandl
l Otilia March ( Hurtado ) Hurtado Bros. Royal Marimba Band)
GUEST, EDGAR A., Recitations
Edgar A. Guest is the newest of that domestic and humoristic school of American
verse-poets represented, in an elder generation by men like James Whitcomb Riley, Eugene
Field and Will Carleton. His books written in the simplest of colloquial English, have
reached unusual popularity throughout the United States and elsewhere. His fame is
enormous, and it is firmly fixed, his rhymes being syndicated through scores of newspapers.
He was born in 1 88 1 , in Detroit, and began his newspaper career as an office-boy. Re¬
porting and editing followed, then professional writing.
GUEST RECORDS
It Couldn't Be Done 45258 | Ma and the Auto 45258 1 Wait Till Your Pa
Lost Pocket-Book 45320 | Old Wooden Tub 45320 I Comes 45528
35488
12
1.25
'18040
12 2.00
10 1.25
10
10
.75
.75
Gr
VICTOR RECORDS
Hart-Shaw)
Elliott Shawl
(Guide Me, O Thou Great Jehovah (Flotow)
l One Sweetly Solemn Thought ( Ambrose )
(Guide Thou My Steps (From “Les Deux Journees ”)
(The Water-Carrier) (Cherubini) Reinald Werrenrath
Requiem Mass in C' Minor ( Cherubini ) Latin Victor Oratorio Chorus)
GUILBERT, YVETTE — French Songs (For other records by this
great French Chanteuse see Victor French Catalogue)
Je suis Pocharde 63100 | Pierreuse, La (Jouy) 63100
GUILLAUME TELL— See “William Tell”
Guitarre (Moszkowski, Op. 45, No. 2) Violin Jascha Heifetz
Guitarre (Moszkowski, Op. 45, No. 2) Pianoforte Guiomar Novaes
GUITAR — Songs accompanied by — See “Hawaiian Love Song,”
“Sleep, Baby Sleep,” also Spanish and Neapolitan Catalogues
GUITAR RECORDS - See “Mandolin-Guitar Duets,” “Athenian
Mandolin Quartet” and “Estudiantina Trio.” Hawaiian Guitars —
see “Hawaiian Records”
(Guitars and Mandolins — Polka Neapolitan Orchestra)
l I Love You Waltz (T’ Amo- Waltz) Neapolitan Orchestral
Guitarrero (Drdla) (Pianoforte by Loesser) Violin Maud Powell
Guitarrico, El (A. Perez Sonano) In Spanish
Gunga Din — Dialect Recitation (Kipling)
{Gunga Din — Dialect Recitation (Kipling)
Boots — Recitation ( Kipling )
GUSIKOFF, MICHEL, Violinist
Serenade (Piem6) 16015 1 Souvenir Poetique
{Gwine Back to Arkansaw (Golden-Hughes)
Servant Girls ( Golden-Hughes )
(Gypsies’ Laughing Chorus
1 Rhyfelgyrch Gwyr Harlech Welsh
Titta Ruffo
Clifton Crawford
Taylor Holmes)
Taylor Holmes!
16144 | ToaWildRose
Golden-Hughes)
Golden-Hughes I
Glyndwr Welsh Male Choir)
Glyndwr Welsh Male Choir /
j Number
Size
if
a
35141
12
1.25
55075
12
1.50
CO
N
00
<0
10
1.25
64880
10
1.25
73344
10
.75
M
i
10
1.25
87177
10
1.25
70028
12
1.25
55057
12
1.50
18144
Gypsy Airs No. 1 (Zigeunerweisen) (de Sarasate, Op. 20) Heifetz
Gypsy Airs No. 2 (Zigeunerweisen) (de Sarasate, Op. 20) Powell
Gypsy Airs No. 2 (Zigeunerweisen) (de Sarasate, Op. 20) Heifetz
(Gypsy Blues — Fox Trot (“Shuffle Along”) Whiteman and His Or)
l When Buddha Smiles — Medley Fox Trot Whiteman’s Orchestral
Gypsy Dance (Zigeunerweisen, Op. 20) (de Sarasate) Violin Powell
(Gypsy Life (Schumann) Lyric Quartet)
X Oh, Italia, Italia, Beloved ( Donizetti ) Victor Chorus I
Gypsy Love Song (“From Fortune Teller”) (Herbert) Werrenrath
(Gypsy Love Song (“ Fortune Teller”) (Herbert) Eugene Cowles)
\ Forgotten ( Cowles ) Eugene Cowles!
Gypsy Serenade (Serenade du Tsigane) (Valdez) Violin Fritz Kreisler
(Gypsy’s Warning, The (Henry A. Coard) Elsie Bakerl
l Lilly Dale (H. S. Thompson) ( with Criterion Quartet) Kline I
(Gypsy Trail (Kipling-Galloway) Reinald Werrenrath)
l Fuzzy- Wuzzy (Kipling- Whiting) Reinald Werrenrath I
H
Habanera— Carmen — See “ Carmen ”
Habanera — Tu (To You — A Song of Havana) In Spanish Gluck
{Habet Mishomaim — Teile 1 (LookDownFrom Heaven)//eA.Rosenblatt)
Habet Mishomaim — Teile 2 (Look Down FromHeaven) Heb. Rosenblatt I
17612
10
.75
72812
10
.75
74689
12
1.75
64262
10
1.25
74694
12
1.75
18839
10
.75
64262
10
1.25
35254
12
1.25
64897
10
1.25
35474
12
1.25
64857
10
1.25
45329
10
1.00
45109
10
1.00
64182
10
1.25
55139
12
1.50
Number
List
prc.
17608
10
.75
64396
10
1.25
16495
10
.75
18316
10
.75
17579
10
.75
16137
10
.75
17581
10
.75
55052
12
1.50
45091
10
1.00
in Nice, 1862.
id “La Juive”
45214
10
1.00
18586
10
VI
VICTOR RECORDS
(Hacienda — The Society Tango (Paul Riese) Pianoforte F. Arndt!
1 Desecration Rag { See " Medley No 55”) Pianoforte Felix Arndt J
HACKEL-BERGE ORCHESTRA
Baby In Love
In My Tippy Canoe
Last Waltz — Med. Waltz
Love Sends Gift — Waltz
Popular Songs
Tell Her at Twilight
When Shall We Meet
Where the Lazy Miss.
Flows — W altz
Yoo-Hoo — Fox Trot
18878
18858
18783
18802
Culp
18788
18783
18788
18907
35713
Haidenroslein (Hedge-Rose) (Goethe-Schubert) In German
Hail Columbia (Joseph Hopkinson-Prof. Philip Phile)
By Harry Macdonough and Hayden Qt. and Yankee Doodle— Murray-Qt
By Raymond Dixon and Orpheus Qt and Battle Cry of Freedom — Hamilton-Qt
By Victor Mixed Chorus and Star-Spangled Banner — Victor Mixed Cho
By Pryor’ 8 Band and America — Sousa’s Band
By Victor Military Band and Star-Spangled Banner — Victor Military Band
Hail to the Chief (Sir Walter Scott — music by Sanderson)
(From “Lady of the Lake”) ( with Bagpipe) Victor Male Qt
Ave Maria {From" Lady of the Lake”) {Harp acc.) Marsh
HAJOS, MIZZI, Soprano
Evelyn (“ Pom Pom”) and In the Dark (** PomPom ") Mizzi
HALEVY, JACQUES FRANCOIS (Al-ay-vee) Bom in Paris, 1799; died
French composer of Jewish descent, real name Levi. See “Eclair” ai
/Half Moon — Deep in Your Eyes (LeBaron-Jacobi) Lucy Marsh!
Magic Melody— Once Upon a Time Lambert Murphy I
Hallelujah Chorus (From “The Messiah”) See “Messiah”
/Halona (Beautiful Mountain) Toots Paka Hawaiian Troupe!
Lanihuli {My Home in Lanihuli) Toots Paka Hawaiian Troupe)
HAMILTON, EDWARD, Baritone
l
l
Battle Cry of Freedom 18316
Flag That Never
Comes Down 17696
Marseillaise, La 18338
Pack Up Your
Troubles 18222
Duets in which
Mr. Hamilton sings
Oh Morning Land 16399
Teach Me to Smile 1 7858
Cinderella
Duel, The
Jack and Beanstalk
Our Hired Girl
HAMLET — See “Shakespeare”
HAMLET (Paris, 1868) (Ambroise Thomas)
(See Victrola Book of the Opera for complete illustrated description)
Brindisi — Ovin discaccia la tristezza (with La Scala Cho) In Italian Ruffo
Scfine et air d'Ophilie (Ophelia's Mad Scene) In French Nellie Melba
HAMLIN, GEORGE, Tenor (See “Hamlin” in Pink Section)
HAMLIN, SALLY, Recitations
35664 Pollyanna and the
18685 Boy 35652
35664 Pollyanna Arrives 35652
18276 Raggedy Man 18276
HANDEL, GEORG FRIEDRICH (1685-1759)
Born Halle, 1685. Father valet to Prince Saxe. Intended
for law, studied harpsichord secretly. At 7 heard playing
organ by Prince, who offered to educate him. Went to Berlin in
1698, precocity astonishing all. Entered Halle University, organist
at $50 a year. Wrote two operas, 1 705, at Hamburg. Visited
Italy, then England, where he settled, 1718. Wrote first English
opera, Rinaldo. British subject, 1726. Paralysis, 1737, induced
by opera worries. Turned to oratorio, 1737. Messiah , greatest
of oratorios, 1742. Almost blind, 1752, worked till death, 1759.
Buried in Westminster Abbey. Wrote 40 operas; none now
performed.
88619 12
88251 12
1.75
1.75
Sugar Plum Tree 18599
Three Litde Pigs 18685
Wynken, Blynken
and Nod 18599
VICTOR RECORDS
Number
HANDEL COMPOSITIONS — See “Angels Ever Bright and Fair,’’ “Arm, Arm, Ye
Brave,” “Atalanta — Come, Beloved,” “Come and Tripit as You Go,” “Haste Thee
Nymph,” “Joy to the World,” “Judas Maccabaeus,” “Larghetto,” “Largo,” “Let
Me Wander Not Unseen” (From ”L’ Allegro), “Menuett,” “Messiah,” “Oh, Sleep,
Why Dost Thou Leave Me?” “Penseiroso — Sweet Bird,” “Rinaldo,” “Saul,”
“Theodora” and “While Shepherds Watched”
(Hand of You (Carrie Jacobs-Bond) Lucy Isabelle Marsh "I
l Smile Through Your Tears ( Hamblen ) Lambert Murphy)
(Hand-Painted Doll — Fox Trot All Star Trio and Orchestral
1 Lonesome Land — Fox Trot ( Arden-Green ) All Star Trio-Orchestra )
(Hands Across the Sea March (Sousa) Sousa’s Band)
l Semper Fidelis March (Sousa) Sousa’s Band)
HANDZLIK, LEON L., Cornetist
Rosary, The (Nevin) With Band and Voice of Love ( Schuma ) 'Cello-Flute
HANFORD, FORD, Wood Saw Specialties
My Old Ky. Home and Old Black Joe and Down in Arkansaw Myen-Hanford
HANSEL AND GRETEL (Weimar, 1893) (Humperdinck) In German
Gluck and Homer
Gluck and Homer
Gluck and Homer
Gluck-Reimers
Emil Muenchl
Paul Volkman)
French Caruso
Suse, liebe Suse (Susy, Little Susy)
Der kleine Sandmann (I Am the Sleep Fairy)
Hexenritt und Knusperwalzer (Witch’s Dance)
Hans und Liesel (Folk Song) In German
(Hans und Liesel (Werner) In German
l Am Meet (On the Lake) ( Schubert ) In German
Hantise d ’Amour (Love’s Haunting) (Roize-Szulc)
(Happy Day (Doddridge-Rimbault) Trinity Choirl
l The Precious Name (Baxter- Doane) Trinity Choir )
{Happy Days (Strelezki) Violin-Flute-Harp Neapolitan Triol
The Herd Girl’s Dream (Labitzky) Neapolitan Trio)
(Happy Days March (Levi) Arthur Pryor’s Bandl
l Teddy Bears’ Picnic — Descriptive Novelty (Bratton) Pryor’s Band)
(Happy Heinie March Guitars Pale K. Lua-David Kailil
l Maid of Honolulu Guitars Pale K. Lua-David Kaili)
(Happy Hottentot (Jerome-Von Tilzer) Miss Patricolal
l Fve Got My Habits On (Smith-Schafer-Durante) Miss Patricola)
(Happy Little Cripple (Riley) James Whitcomb Rileyl
l Out to Old Aunt Mary’s (Riley) James Whitcomb Riley)
(Happy — One Step (Hugo Frey) Jos. C. Smith’s Orchl
l If You Could Care — Med. Waltz (Darewski) Jos. C. Smith’s Orch)
(Harbor Bell, The (Gates-Sankey) Charles Harrison-C. Cairnsl
l Life’s Railway to Heaven (Abbey-Tillman) Harrison-Cairns)
HARDING HONORABLE WARREN G., President of the United States
Address at Hoboken, May 23, 1921 and A ddress at IV ashington, Nov. 12,1 92 /
Hard Times, Come Again No More (with Male Chorus) Louise Homer
Hark! Hark ! the Lark (Shakespeare-Schubert) Piano acc. Williams
Hark! Hark! the Lark (Shakespeare-Schubert) Alma Gluck
(Hark! the Herald Angels Sing (Mendelssohn) Trinity Choirl
l Silent Night ( Gruber ) Elsie Fiaker)
(Hark ! the Herald Angels Sing (Mendelssohn) (2) Joy to the
World (3) It Came Upon the Midnight Clear Victor Orch |
Bible Reading — Luke 2 (2) A Christmas Carol Humphrey)
45267
10
1.00
18896
10
.73
16190
10
.75
16046
10
.75
18767
10
.75
89099
12
2.00
89100
12
2.00
87526
10
1.50
87537
10
1.50
35027
12
1.25
87211
10
1.25
17499
10
.75
16967
10
.75
16001
10
.75
17859
10
.75
18838
10
.75
55095
12
1.50
18715
10
.75
18925
10
.75
35718
12
1.25
87303
10
1.25
64218
10
1.25
64627
10
1.25
17164
10
.75
18086
10
.75
VICTOR RECORDS
number
S "ts ^
isi ^
HARLAN, BYRON G., Tenor
This popular tenor and comedian is one of the most
versatile of the company of entertainers which the Victor has
gathered together, and really seems at home in almost any
kind of work he essays. Mr. Harlan not only sings popular
ballads in a remarkably pleasant tenor voice, but is also one
of the cleverest and most amusing of comedians, whether his
impersonation be that of a typical Yankee, a darky wench
or an end man in a minstrel show.
For the inimitable duets which this tenor sings with Mr.
Collins see “Collins and Harlan.”
HARLAN
HARLAN RECORDS
Long Boy
School Days
Village Gossips
18413
16526
17854
Other duets in which Mr. Harlan sings
Two Jolly Sailors 17418
Two Rubes
Swapping 16849
Blue Jay and Thrush 17891
Marching Through
Ga. 16416
Harmomzers Qt — See “For Every Boy’’ and “My Home Town”
Harlequin’s Serenade (From “ Les Millions d’Arlequin”) (Drigo)
(See also “ Serenade, Drigo”) Violin Efrem Zimbalistj 74467
12
1.75
HARP RECORDS — See also “ Neapolitan Trio,” “ Venetian Trio” and “Florentine
Quartet.” (A fine example of Harp accompaniment is in Miss Marsh’s “Ave Maria”
(Schubert) Number 55052)
Am Springbrunnen 55102
Annie Laurie 17416
Chanson de Pecheur 45243
Christmas Hymns 18389
Concerto for Harp
and Flute 55111
Consolation 18119
Fantasie Impromptu 55141
Fantasie B Flat 55141
First Arabesque 45243
Gavotte from 2d
Sonata (Bach) 45070
Humoresque 181 19
Last Rose of Summer 453 1 5
Lucia — Prelude 17929
Menuett 45194
Mighty Lak’ a Rose 45315
Mother Machree 45248
Norma — Fantasia 17929
Romance (Rubinstein)45070
Scherzo in E Minor 45248
Valse de Concert 55102
Harp That Once Thro’ Tara’s Halls John McCormack 64259 10
HARRIGAN, EDWARD, Songs of — See “ Medleys 24 and 28”
1.25
HARRIS, MARION, Comedienne
After You’ve Gone 18509 j Take Me to the Land 18593 I There’s a Lump of
I Ain’t Got Nobody 18133 I I Sugar 18482
HARRISON, BEATRICE, Violoncellist
Born Roorke, India; daughter of British general. Brought to England in infancy,
showing extraordinary musical powers. Chose violoncello for instrument. Toured United
States and Europe with brilliant successes.
HARRISON RECORDS
Ave Maria (Schubert) 55067 I Meistersingsi — Prize Song
Liebesfreud 45066 ! Orientale (Cui)
HARRISON, CHARLES, Tenor
Mr. Harrison is one of the most gifted and popular singers
in the Victor’s list of tenors. He has a beautiful voice and his
enunciation is remarkably distinct. This artist, who was a pupil
of Frederick Bristol, N. Y., has been soloist at a prominent
Fifth Avenue church in New York, has won fame for concerts
and oratorio performances, and has made fine Victor records.
HARRISON RECORDS
All Erin is Calling 18111
April Showers 18862
Avalon 18707
Call Me Back 18944
Coo-Coo 1 8906
Dream, A 17321
Dreaming of Home 18508
Home Sweet Home 16195
55067
45066
HARRISON
Ha
VICTOR RECORDS
HARRISON RECORDS— Continued
I Hear You Calling 17321
ni Be With You 18693
1 Lost My Heart 18114
1 ’m Always Chasing 18496
Ireland Must Be
Heaven 18111
It's a Wonderful W 18893
1 Want You Morning 18848
Just Like the Rose 18656
Kilkenny 1 7958
Leave Me With Smile 1 8862
Little Bit of Heaven 17780
Little Crumbs
Little Grey Home
Little Love, Little Kiss
Love’s Ship
Macushla
Mother Machree
My Machree’s
Lullaby
My Mother’s Rosary
Peg o’ My Heart
Play That ‘Song’
Pretty Kitty Kelly
i8776
17522
17509
18829
17676
17780
18934
17948
17412
18877
18679
Number
She's the Daughter 1 7948
Springtime 18776
There'saVacantChair 18705
When I Met You 17317
When You and 1 17474
Where My Caravan 17618
You’re a Million
Miles 18645
Duets in which
Chas. Harrison sings
Harbor Bell 18925
Life’s Railway 18925
HARRISON, JAMES F., Baritone — Duets in which Mr. Harrison sings
My Little Dream G. 17789 I There's a Long, I Trail of Lonesome
Somewhere My Love 182 1 4 I Long Trail 17882 I Pine
HARROLD, ORVILLE, Tenor — See Pink Section
HART, CHARLES, Tenor
I Wonder if You
Still Care 1 8806
Last Long Mile 18455
Over the Hill 18736
There’s Silver In
Your Hair 18869
Duets in which
Mr. Hart sings
Beautiful Annabelle 18726
Carolina Rolling 18869
Crucifix 35022
Don’t Cry, Frenchy 18538
Don’t You
Remember 18775
Golden Gate 18612
Guide Me, O Thou 35141
Hawaiian Lullaby 18597
Honolulu Honey 18796
I’m Forever Blowing 18540
I’m Like a Ship 18638
Let the Rest of
World
‘ Fair Harvard,”
18638
Johnny Harvard ” and
My Faith Looks
Now 1 Lay Me
Plantation Lullaby
Rose of No Man’s L
Salvation Lassie
Sweet Hawaiian
Girl
There’s Only One
Till We Meet Again
Wandering Home
Wyoming
17338
35012
18747
16807
18508
18524
18796
18786
18518
18731
18740
HARVARD AIRS— See
" Our Director March ”
Has Sorrow Thy Young Days Shaded (Moore) McCormack
f Haste Thee, Nymph (Milton’s ‘‘L’ Allegro”) (Handel) Dixon-Lyric Qtl
l Come and Trip It as You Go (Milton’s “L’ Allegro”) Dixon-Lyric Qtl
Hatikva (Our Hope) (Zionist Hymn) (Imber) Hebrew Gluck-Zimbalist
/Hatikva (Our Hope) Victor Military Band)
l Kol nidre (L. Pilzer) Violin Maximilian Pilzer)
/Havanola — Fox Trot (Frey) Smith’s Orchestra)
l Waltz from Drigo’s Serenade (“ Millions d’Arlzquin”) Smith’s Or)
Have a Smile for Everyone You Meet (Rule) Sterling Trio)
_ A I _ _ * T _ I
{
Till We Meet Again ( Egan-Whiting ) Charles Hart-Lewis James )
(Have You Forgotten? — FoxTrot (Intro. “Ti-O-San”) Whiteman’s O)
l Second Hand Rose — Fox Trot (“Follies 1921’’) Whiteman’s Or)
Second Hand Rose — Fox Trot (“Follies 1921’’) Whiteman’s Or.
Hawaiian Echoes — Medley (See “Medley No. 65”) Louise-Ferera)
Old Plantation (Kuu Home) Pale K. Lua and David K. Kaili)
Hawaiian Hula Medley (Fox Trot) Hawaiian Guitars Louise-Ferera)
Song to Hawaii Guitars Louise-Ferera)
f Hawaiian Love Song (Barton) Yodling (with Guitar) Barton-Carroll)
l Sleep, Baby, Sleep Yodling (with Guitar ) Barton-Carroll)
(Hawaiian Lullaby (Terriss-Bridges) Charles Hart-Elliott Shaw)
\ Sweet Hawaiian Moonlight (with Kapela Quintette) Holt-Rosedale)
/Hawaiian Melodies Hawaiian Guitars Ferera-Franchini)
l Moanalua — Hawaiian Hula Dance Song (with Quintette) B. Waiaiole)
74184 12
10
10
12
18123
87522
68366
35615
18518
18818
18147
18069
17965
18597
18570
1.75
.75
1.50
1.25
1.25
.75
.75
.75
.75
.75
.75
.75
VICTOR RECORDS
HAWAIIAN RECORDS
The Hawaiians are passionately
fond of music, and their poetry (called
mele ) is highly figurative, abounding in
lists of names and in allusions to their
mythology, to places, ocean and flowers.
The Victor offers a fine list of
favorite Hawaiian numbers, rendered
by the now famous Hawaiian Quintette,
who made such a success in the “ Bird
of Paradise” Company; the gifted
Toots Paka Troupe, the Irene West
Royal Hawaiians and three pairs of
duetists, Louise and Ferera; Wright and
Dietrich, and Lua and Kaili.
THE HAWAIIAN QUINTETTE
HAWAIIAN GUITAR SOLOS AND DUETS
Aloha Land 18380
Aloha Oe I 17803
Beautiful Hawaii 18689
Cunha Medley 17774
Drowsy Head 18771
Happy Heinie 17859
Hawaiian Echoes 18147
Hawaiian Hula 18069
Hawaiian Melodies 18570
Hawaiian Waltz Med 17701
Hawaii, I'm
Lonesome 18380
Honolulu March 17710
Hula Medley 17774
Indiana March 17807
Isle of Paradise 18771
Kai Maia o ka Maoli 18157
Kamehameha 1 8090
Kawaihau Waltz 17892
Kawaihau Waltz 17863
Kilima Waltz 17701
Kohala March 17710
HAWAIIAN BAND RECORDS
Aloha Oe (Farewell) 1 7035 1
HAWAIIAN ORCHESTRA
Hawaiian Twilight 18689
VOCAL QUINTETTES
Aiaihea 18578
Akahi Hoi 18575
Aloha Oe 18577
Hawaii Ponoi 18576
Honolulu Tom Boy 18572
Kaua i ka huahuai 18568
VOCAL SOLOS AND DUETS
Aloha Oe (Farewell) 35622
Isles of Aloha 18347
Kawiliwiliwai 1 8567
Kokohi 18576
Lei Aloha 18228
Lei poni moi 18571
Maid of Honolulu 18567
Mauna Kea 18574
Let the Rest of World 18716
Maid of Honolulu I 7859
Maui Aloha —
One-Step 18087
Minnehaha Medley
Waltz 17807
Moe Uhane Waltz 17880
My Bird of Paradise 17892
My Hula Love 1 7863
Old Plantation 18147
One-Two-Three-Four 18749
On the Beach at
Waikiki 1 7880
Pua Carnation 1 8087
Rosary 17803
Song to Hawaii 1 8069
Ua Like No a Like I 7804
Waikiki Mermaid 18090
Wailana Waltz
(Drowsy Waters) 17767
Waiu Luliluli 18157
Wild Flower 18669
Aloha Oe 18344
| Hilo — Hawaiian Mch 1 7767
Kumukahi 18578
Kuu Home 18577
Mai poina oe ia’u 18569
Maui Gir 1 18579
One-Two-Three-Four 1 8573
Pua i mohala 18575
Moanalua 18570
My Hawaiian Maid 18228
My Honolulu Girl 18573
My Honolulu Girl 18159
My Honolulu Tom
Boy 18228
My Luau Girl 18132
My Own Iona 18171
KAILI AND LUA
| Aloha Oe and Hawaii 1 8579
| PapioHuliMed 17804
Tomi Tomi 18569
Ua Like No a Like 18571
W aialae — W altz Son g 1 85 74
Wailana — Waltz
Song 18568
On the Beach at
Waikiki 18132
Pua Mohala 18347
PuaSadinia 35622
Song to Hawaii 18159
Sweet Hawaiian
Moonlight 18597
Sweet lei lehua 18572
VICTOR RECORDS
Number
V I M
.2 .S2
a
HAWAIIAN RECORDS— Continued
TOOTS PAKA HAWAIIAN TROUPE
Akahi Hoi
18585
Kalai o Pua
18585
Lei Loke o Kawika
18580
Halona
18586
Kamawe
18581
Liaika Wai Mapuna
17907
He Lei no Kaiulani
18583
Kaowe ake kai
18580
Ninipo
18581
Hoo Mamao Oe
18584
Ko Maka Palupanu
17867
Poli Pumehana
17867
HooMau(DewDrops) 1 7907
Lanihuli
18586
Rain Tuahine
18582
Kai Malino
18584
Lei Aloha
18583
Toots Paka Medley
18582
VOCAL SEXTETTE
Ainahau
17864 | Meleana
(Hula)
17864
ENGLISH TITLES OF SOME OF THE HAWAIIAN RECORDS
Beautiful Mountain — See “ Halona”
Bubbling Spring — See “ Kaua i ka huahuai"
Constancy — See “ Ua Like No a Like"
Dew Drops — See “ Hoo Mau"
Drowsy Waters — See “ Wailana — Waltz Song"
Farewell to Thee — See ‘‘Aloha Oe”
Forget Me Not — See “ Mai poina oe ia’u”
Fragrance of the Lehua Wreath — See “Sweet lei ”
Gardenia Flower — See “ Pua Sadinia"
Hawaiian Hula Dance Song — See “ Moanalua"
Hawaiian March — See “ Hilo”
Hula Shouting Song — See “Aiaihea"
I Love But Thee — See “Akahi Hoi"
Longing Spring — See “ Liaika WaiMapuna ’
Music by Princess Likelike — See “Ainahau"
My Love is like a Flowei — See “ Pua i mohala"
My Home in Lanihuli — See Lanihuli
MvPretty South Sea Island Lady — See “ Yukaoo"
National Anthem — See “Hawaii Ponoi' ’
Native Plantation Song — See “ Kuu Home”
Press Me to Thee — See " Tomi Tom i”
Press Me to Thy Bosom — See “ Poli Pumehana”
Remember, Be There — See “HooMamao"
Roaring Sea — See “ Kaowe ake kai”
Sacred Dancing Hula Song — See “ Mauna Kea"
Shake Your Feet — See “Kamawe"
Soft Eyes — See “ Ko Maka Palupanu”
Song of the Lonesome Forest — See “ Kumukahi"
Sparkling Waters — See “Waialae"
To Love — See “ Ninipo"
We Strive to Win — See “ Kokohi"
Whirling Waters — See “ Kawiliwiliwai ”
Wreath of Carnations — See “ Lei poni moi ”
Wreath of David — See “ Lei Loke o Kawika’’
Wreath of Joy — See “ Lei Aloha"
Wreath for Princesses — See “ He Lei no Kaiuani’
HAWAIIAN TRIO — See “Alabama Moon ” and “ Hawaiian Twilight ”
(Hawaiian Twilight — Fox Trot (intro. “Spanish Moon’’) Hawaiian T1 .v,
l Beautiful Hawaii — Waltz ( Mary Earl) Guitars Ferera-Franchinii
{Hawaiian Waltz Medley Hawaiian Guitars Lua and Kailil
Kilima W altz Hawaiian Guitars Pale K. Lua-David Kaili)
Hawaii I’m Lonesome for You (2) Along the Way to Waikiki J
17701 10
Hawaiian Guitars
Aloha Land ( Hawaiian W altz )
( with Mandolin Ql)
Louise-Ferera j
Louise- Ferera)
18380 10
.75
.75
.75
18576 10
f Hawaii Ponoi — National Anthem Hawaiian Quintette
1 Kokohi (We Strive to Win) (n nth Quintette) Ben Waiaiole
HAYDEN QUARTET (Hay -den) (Bieling, Macdonough, Dudley, Hooley)
This popular singing
organization, well known
to buyers of Victor records,
was the first male quartet
to make satisfactory talking
machine records.
Many songs and
ballads have been made
popular throughout the
country through the Victor
records made by the Hay
den singers, while the- hayden quartet
plantation songs and sacred numbers have set a new standard in the recording of male voices.
HAYDEN QUARTET RECORDS— See the following titles:
Beulah Land Darling Nelly Gray In the Evening by the Moon
Bridge, The Dear Old Girl In the Sweet Bye and Bye
Christ Arose Hail, Columbia I’se Gwine Back to Dixie
{
{
{
{
{
{
VICTOR RECORDS
HAYDN QUARTET RECORDS— Continued
Jesus Christ is Risen Today
Lead, Kindly Light
Lord Geoffrey Amherst
Massa’s in de Cold Ground
Nearer My God to Thee
Old Dog Tray
Old Nassau
Orange and the Black
Owl and the Pussy Cat
Put on Y our Old Grey Bonnet
Rainbow (Wenrich)
Red, Red Rose
Rest for the Weary
Robin Adair
Shall We Gather at the River
Ship of My Dreams
Silent Night, Hallowed Night
Soldier’s Farewell
Number
Sweet Adeline
Sweet Genevieve
Tell Mother I’ll be There
Tenting on Old Camp Ground
Vacant Chair
Vesper Service
Where is My Boy To-night
Yale Boola Song
Yankee Doodle
HAYDN, FRANZ JOSEF (High' -dn) Compositions by
Born Rohrau, Austria, 1732. At five years of age was
sent to school at Hamburg, where for two years he was taught
rudiments of music, playing on the violin. 1 740 taken to Vienna
by Reutter as chorister at St. Stephen’s, where he learned singing,
violin, clavier and composed a great deal. Later supplanted as
singer by brother Michael. Became first capellmeister to Prince
Esterhazy. Composed thirty symphonies, forty quartets and
became known and admired all over Europe. 1791 visited
London and received degree from Oxford. 1 792 returned to
Vienna, where he gave lessons to Beethoven. Died Vienna, 1 809.
HAYDN
RECORDS OF HAYDN COMPOSITIONS — See “Creation,” “Menuett,” “Military Sym¬
phony,” “My Mother Bids Me Bind My Hair,” “Quartet in D Major,” “She
Told Her Love” and “Surprise Symphony”
Head Over Heels — Fox Trot (intro. “ Big Show ”) Smith’s Or!
I’m Always Chasing Rainbows — Medley Fox Trot Smith’s Orch!
Never
12
1.25
HEALTH EXERCISES — Prepared under the supervision of Prof. Charles H. Collins
of The Collins Institute for Physical Culture, Phila.
These records are for physical exercise. There are three, including twelve exercises in
all, with music and spoken commands. They come in a triple cloth container which can be
opened out and read while learning them. Each exercise is also described in a booklet which
comes with the set. They are not made to develop abnormally strong men and women, but
to maintain health; adults and children may use them. They should be practiced lightly at
first, but with greater force as strength and condition are developed. For men who miss their
army setting-up exercises they will prove invaluable. With a portable Victrola they may
be practiced anywhere; in the bedroom, the bath, wherever there is room. There is
always time.
HEALTH EXERCISES-Set of 3-List Price, $3.00
Exercises Numbers 1 and 2 and Exercises Numbers 3 and 4
Exercises Numbers 5 and 6 and Exercises Numbers 7 and 6
Exercises Numbers 9 and 10 and Exercises Numbers // and i 2
18914
18915
18916
10
10
10
Hear dem Bells — with Chimes (McCosh)
Old Dog Tray ( Stephen Foster)
Billy Murray 1
Hayden Quartet !
16686
10
Hearts and Flowers — Intermezzo (Tobani) Victor Concert Orch]
Glow-Worm — Idyl (Linc^e) ( with Vocal Chorus) Victor Orch!
35344
12
Hearts and Flowers (Tobani)
Narcissus — Intermezzo ( Ethelbert Neoin)
Victor Orchestral
Arthur Pryor’s Band!
16029
10
Hearts and Flowers— Intermezzo (Tobani)
Traumerei ( Reverie ) ( Schumann , Op. 15,
Florentine Quartet]
No. 7) ’Cello Bourdon!
35342
12
Heart to Heart (Valentine-Vanderpool)
Edward Johnson
64998
10
Heather Bells (Losey) Orchestra Bells
Fisher Boy ( Abt ) Harp-Zither
Wm. H. Reitz]
Mme. Kitty Berger!
17178
10
Heaven is My Home (Taylor-Sullivan)
Mabel Garrison
64891
10
.75
1.25
.75
1.25
1.25
.75
1.25
Number
Size
1/S
o.
16255
10
.75
18075
10
.75
35484
12
1.25
35576
12
1.25
64455
10
1.25
74568
12
1.75
17217
10
.75
74324
12
1.75
17786
10
.75
16749
10
.75
18763
10
.75
35214
12
1.25
18583
1C
.75
VICTOR RECORDS
Harry Macdonoughl
Campbell- McClaskey)
Tuskegee Institute Singers!
Tuskegee Institute Singers)
(Haydn) Conway’s Band!
{Handel) Pryor’s Band )
Victor Oratorio Chorus!
fHeaven is My Home (Sauvage)
l I Need Thee Every Hour {Lowry)
fHeaven Song (2) Inchin’ Along
l The Old Time Religion
fHeavens are Telling (“Creation”)
l Hallelujah Chorus {“Messiah”)
fHeavens Resound (Beethoven)
l Fidelio — Prisoners’ Chorus {“Oh! What Delight”) Victor Male Cho)
Hebraisches Lied und Tanz (Hebrew Melody) Violin Zimbalist
HEBREW COMIC — See “Cohen at the Picnic,” “Cohen at the Tele¬
phone,” “Cohen Gets Married,” “Cohen on His Honeymoon,” “Cohea
Owes Me Ninety-Seven Dollars,” “Cohen’s Wedding,” “Ginsberg’s
Stump Speech,” “Goldstein Behind the Bars,” “Goldstein Goes in
the Railroad Business,” “I’m An Indian,” “Nat’an,” “Oh, How I Hate
That Fellow Nathan,” also Hebrew Catalogue
Hebrew Melody (Joseph Achron) Violin Jascha Heifetz
HEBREW RECORDS — See “Braslau,” “Gluck,” “Rosenblatt” and
Hebrew Catalogue
HEIDELBERG QUINTETTE — Male Voices (with Will Oakland)
Emmett’s Lullaby and ‘T is But a Flower — Anthony and Harrison
HEIFETZ, JASCHA, Violinist — See Pink Section
HEILBRONNER, MLLE., Soprano — See “ Pagliacci ”
Hejre Kati — Czardas (Hubay) Pianoforte by Falkenstein Violin Powell
(He Knows the Way (A. H. Ackley) Homer Rodeheaver!
1 I’m Coming Home {A. H. Ackley -B. D. Ackley) Rodeheaver)
(He Leadeth Me (Bradbury) Reinald Werrenrath!
I When the Roll is Called Up Yonder {Black) Criterion Quartet)
fHeld Fast in a Baby’s Hands (Perkins) Henry Burrl
l Nobody’s Rose {Wood-Fried- White) Wm. Robyn)
HELENA, EDITH. Soprano
Trovatore — Peaceful was the Night and Lucia — Mad Scene — Helena
(He Lei no Kaiulani (Wreaths for Princesses) Toots Paka Hawaiian T
\ Lei Aloha {Wreath of J oy) Toots Paka Hawaiian Troupe
HEMPEL, FRIEDA, Soprano — See “ Hempel ” in Pink Section
HEMUS, PERCY, Baritone
Almost Persuaded 17356
Day by Day 1 7428
Face to Face 16674
In Thee, Oh Spirit 1 7428
On the Road to Home 18439
Ring Out, Wild Bells 35335
Shall We Meet
Yield Not to
Temptation
fHenry Attempts Suicide (Darky Specialty with Banjo) Golden-Marlowe!
l Insect Powder Agent {Comic Specialty with Banjo) Golden and Marlowe)
fHenry VIII, Dances — Morris Dance, Shepherd’s Dance Conway’s B!
1 Country Dance from ' ‘Nell Gwyn ’ ’ Victor Military Band)
HENTON, H. BENNE, Saxophone
Aloha Oe 18344
Lanette — W altz Caprice 1 8 1 1 7
Laverne — W altzCaprice 18149
When You and I Were Young 18344
Evan Williams
35504
12
35530
12
74551
12
17356
16451
1.25
1.25
Her Beautiful Hands (Riley-Ward-Stephens) Evan Williams 74551 12 1.75
HERBERT’S ORCHESTRA (Personally directed by Victor Herbert) (For sketch
and Mr. Herbert’s ’cello records see Pink Section)
Air for G String 55105
American Fantasie 55093
Angel's Serenade 55040
At Dawning 45170
Babes in Toyland —
March of Toys 55054
Babes in Toyland —
Military Ball 55104
Badinage 55104
VICTOR RECORDS
HERBERT’S ORCHESTRA RECORDS— Continued
Carmen Suite 55103
Casse Noisette 45054
Cavalleria—
Intermezzo 45186
Dance of the Hours 55044
Humoresque 45 1 65
Kamennoi-Ostrow 55044
Kiss Me Again 45165
Lady of Slipper Sel. 55039
Largo 55040
Liebestraum 55094
Lohengrin — Bridal
March
Madame Butterfly
Selection—
Marche Slave
Melody in F
Minuet
Narcissus
Natoma — Dagger
Dance
Naughty Marietta Int.
55048
55094
55105
45052
45054
45052
551 13
55054
’CELLO SOLOS BY VICTOR HERBERT— See Pink Section
Number
Nutcracker Ballet —
See "Casse Noisette’’
Rosary, The 45187
Spring Song 45186
Sweethearts Selection 55039
Traume (Dreams) 55041
Tristan and Isolde 55041
Venetian Love'Song 45054
Waltzing Doll 45170
Wedding March 55048
Woodland Sketches 45187
HERBERT, VICTOR, Compositions by — See the preceding Herbert list, also “Ameri¬
can Fantasie,” “Angel Face,” “Babes in Toyland,” “Baltimore Centennial
March,” “Eileen,” “Eldorado March,” “Estellita,” “ Fortune Teller,” “Her
Regiment,” "I Cannot Sleep,” “Ireland, My Sireland,” “Lady of the Slipper,”
“Love Boat,” “Mile. Modiste,” “Natoma,” “Naughty Marietta,” “Only Girl,”
“Petite Valse,” “Prince Ananias,” “Red Mill,” “Sweethearts” and “Velvet Lady”
Herd Girl’s Dream, The Violin-Flute-Harp
Happy Days ( Strelezki )
Neapolitan Trio-! I
Neapolitan Trio)\
16967
10
.75
HERODIADE ( Ay-rohd-yadd ') (Sung in French)
Opera in five acts. Words by Milliet and Gremont, based on Flaubert's novelette,
Herodias. Music by Jules Massenet. First produced in Brussels, 1881; Paris, 1884;
revived in 1903 with Calve and Renaud; London, 1904, under title Salome; New Orleans,
1892. Produced by Oscar Hammerstein at Manhattan Opera House, N. Y., 1909, with
Cavalieri, Gerville-Reache, Duchene, Dalmores and Renaud.
The opera contains much of the best music Massenet has written, and the plot, while
based on the Scriptural story, does not follow the Bible or tradition very closely, differing
quite largely from Salome. (See Victrola Book cf the Opera.)
HERODIADE RECORDS
II est doux, il est bon (He is Kind, He is Good) Emma Calv6
Ne pouvant r£primer les elans de la foi (Power of Thy Faith Cannot Be
Repressed) Ansseau
Vision fugitive (Fleeting Vision)
Vision fugitive (Fleeting Vision)
Vision fugitive (Fleeting Vision)
{Her Regiment — American Serenade
Maytime Waltz
He Shall Feed His Flock — See
Emilio de Gogorza
Reinald Werrenrath
Giuseppe de Luca
Waldorf-Astoria Orchl
Waldorf-Astoria Orchestra)
Messiah ”
International Orchl
International Orch)
88130
74763
88153
74610
74744
18432
Felix Arndtl
Felix Arndt /
/Hesitating (Ya me voy a vacilar) — Fox Trot
l Opium Dreams ( Suenas de opio) — Fox Trot
(Hesitation Waltz (McNair-Ilgenfritz) Pianoforte
X From Soup to Nuts — One-Step {Arndt) Pianoforte
HESITATION WALTZES— See “Dance Records— Waltzes”
Heure Exquise, L’ (Enchanted Hour) (Hahn) French Alma Gluck
He Was Despised — See “Messiah”
(He Was Very Kind to Me - Scotch Specialty
l The Softest of the Family
(He Will Hold Me Fast (Harkness)
l All the Way My Saviour Leads Me {Lowry)
(Hey Baloo (Schumann) (From “20 Song Classics'
\ The Slumber Boat {Riley-Gaynof)
Sir Harry Lauder!
Sir Harry Lauder !
Criterion Quartet!
Harry Macdonough)
’) Laura Littlefield 1
Laura Littlefield)
73369
17558
64750
55127
16239
18448
1.75
1.75
1.75
1.75
1.75
.75
.75
.75
1.25
1.50
.75
.75
Number
t-J
List
prc.
45207
10
1.00
17252
10
.75
35617
12
1.25
18660
10
.75
55059
12
1.50
35623
12
1.25
18904
10
.75
55046
12
1.50
67844
10
.75
17408
10
.75
16200
10
.75
35208
12
1.25
17257
10
.75
17767
10
.75
VICTOR RECORDS
Sir Harry Lauderl
Sir Harry Lauderl
Sousa’s Bandl
Sousa’s Bandl
(Hey ! Donal — Scotch Specialty
l A Trip to Inverary
(Hiawatha — Two-Step (Moret)
l Creole Belles ( Lampe )
(Hiawatha’s Childhood^Ewa-Yea (2) Wah-wah-taysee Bakerl
l Hiawatha ’s Childhood — By the Shores, etc. Kline- Wheeler-Dunlapl
(Hiawatha’s Melody of Love (Bryan-Meyer) Sterling Triol
l I’m Always Falling in Love With Other Fellow’s Girl Elliott Shawl
(Hiawatha’s Wedding-Onaway! Awake! (Coleridge-Taylor) Althousel
l In a Persian Garden — Ah! Moon of My Delight Paul Althousel
Hide Me From Day’s Garish Eye (“II Pensieroso”) (Handel) 1
(2) Let Me Wander Not Unseen (“L Allegro ) (Handel) Green |
Masque of Comus (!) Noble Lord Dixon and Lyric Quartet)
(High Brown Blues (Yellen-Ager) Murray and American Qtl
l Little Red School House ( Wilson- Brennan ) American Qil
(High Cost of Living and Burglar Story Raymond Hitchcock "1
l Hitchcock.’ s Curtain Speech {“Beauty Shop ”) Raymond Hitchcockl
Highland Fling— Bagpipes Pipers of H. M. Scots Guards'!
March Past of the Cameron Highlanders Pipers and Drummersl
Highland Fling (Scotch Folk Dance) See “Educational Records”
(Highland Laddie — March (Bagpipes with Drum) Sutcliffe Troupel
1 The 79 th Highlanders’ Farewell to Gibraltar — March Sutcliffe Troupel
(High School Cadets March (Sousa) Sousa’s Band!
I April Smiles Waltz ( Depret ) Victor Orchestra l
(High School Cadets March (Sousa) (In slower time) Victor Band)
l Semper Fidelis March (Sousa) Victor Bandl
(Hi-Le-Hi-Lo — Yodel Specialty George P. Watsonl
l German’s Arrival — Yodel Specialty Frank Wilsonl
HILL, MURRY K. - See “Burbank” and “Talk on Married Life”
{
HILLIARD, ROBERT, American Actor — Dramatic Recitations
Christmas Day 55100 I Littlest Girl, The
Fool There Was. A 55100 I
55099
(Hilo — Hawaiian March
\ Wailana Waltz Hawaiian Guitars
Irene West Royal Hawaiiansl
Pale K. Lua-David Kailil
HIMMELREICH, FERDINAND, Pianist
Mr. Himmelreich is a well-known pianist, and a most unusual
player in many respects, one of his accomplishments being his
great skill in improvisation. His technique is quite brilliant, difficult
double-finger passages in thirds and sixths being played with ease.
Mr. Himmelreich’s brilliant and clean-cut transcriptions of favorite
light classics have greatly pleased Victor customers.
HIMMELREICH RECORDS
Blue Bells of Scotland 1 8305
Carnival of Venice 18194
Last Hope 17100
Last Rose of Summer 18305
Lucia Sextette 35223
Mocking Bird 18245
Rosary, The 17055
Silver Threads 18245
Whispering Winds 18194
himmelreich
(Hindustan — Fox Trot (Wallace-Weeks)
l ’N’ Everything — Fox Trot ( Jolson-Tierney )
Smith’s Orchestral
Smith’s Orchestral
18507 10
.75
VICTOR RECORDS
j Number £
HINKLE, FLORENCE, Soprano
A voice of pure lyric soprano which she uses with much
skill and musicianly insight was bestowed upon Florence Hinkle
by nature, and with it she combines temperament, intelligence
and personality. Her upper tones are produced apparently with¬
out effort, for the quality of tone is unimpaired, and there is no
lack of control nor shading.
Miss Hinkle has appeared with many eminent organizations
throughout the United States. In concert and oratorio she has
won the hearts of audiences the country over. It is with great
pleasure that we offer the following list of records by this ex¬
ceptional artist.
Good-Bye 55106
Louise-Depuis le jour 55106
Oh, That We Two
Were Maying 45084
HINKLE RECORDS
Cornin’ Thro' the Rye 45084
Du bist die Ruh’ 55056
From the Land of the
Sky-Blue Water 45184
His Lullaby (Healy-Jacobs-Bond)
(His Lullaby (Healy-Jacobs-Bond)
l Just a- Weary in’ for You ( Stanton-Jacobs-Bond )
fHis New Brother (2) Moo Cow Moo
l Mother Goose Songs
HINKLE
Spring Song 45064
When the Roses
Bloom 45 1 84
W ill-o’-the- Wisp 45064
Ernestine Schumann-Heink
Lucy Marsh)
Lucy Marsh J
Henry Pricel
Elizabeth Wheeler)
88118
45090
16863
10
1.75
1.00
.75
HITCHCOCK, RAYMOND, Comedian
It is with pleasure the Victor is able to offer a record
by this famous singing comedian, who has won so many
admirers on the American stage. Born in Auburn, N. Y.,
and educated in his native city, Mr. Hitchcock has made
his name synonymous with all that is best and breeziest
in musical comedy. There is probably no such thing as a
career of uninterrupted success, but Mr. Hitchcock’s career is
apparently the exception. Since 1904, when he appeared on
Broadway in Henry W. Savage’s “The Y ankee Consul,” Ray¬
mond Hitchcock’s most pretentious successes have been “The
Student King,” “The Yankee Tourist,” “The Man Who
Owns Broadway,” “The Red Widow” and “Hitchy-Koo."
HITCHCOCK
HITCHCOCK RECORDS
Hitchcock’s Curtain Speech 55046
Burglar Story and High Cost
of Living 55046 |
Hitchy-Koo (Raymond Hitchcock)
Old Fashioned Garden — Kline and Japanese Sandman— Kline
Six Times Six is Thirty-Six- — White and M-i-s-s-i-s-s-i-p-p-i — White
Hoch vom Dachstein (Das Steierland) (Seidel) Ger. Gluck-Reimers
(Hold Me — Medley Fox Trot (intro. “Do You Know”) Palace Trio)
l Wond’ring — Fox Trot {Lee David) Selvin’s Novelty Orchestra)
HOFFMANN, J., Violinist — See “ Serenade” and “To a Wild Rose”
HOLLAND, SONGS OF (Netherlands)
Geluckig Vaderland (Historical Dutch Folk Song)
HOLMES, TAYLOR, Comedian
Boots (Kipling) 55057 I I Couldn’t Distinguish
Gunga Din (Kipling) 55057 I If I Could Be By Her
HOLT, VIVIAN, Soprano — Duets with Miss Rosedale
Hush-a-Bye, Ma Baby 18550 I When Shadows Come
Sweet Hawaiian Moonlight 18597 I
Julia Culp
45073
45073
18550
45201
45137
87541
18682
64551
10
1.00
1.00
1.50
.75
1.25
Number
IP
List
prc.
74356
12
1.75
74041
12
1.75
16184
10
.75
16408
10
.75
35455
12
1.25
16966
10
.75
16966
10
.75
64106
10
1 .25
88561
12
1.75
74519
12
1.75
85099
12
1.75
16060
10
.75
45145
10
1.00
17842
10
.75
18222
10
.75
18760
10
.75
18729
10
.75
17940
10
.75
16372
10
.75
16197
10
.75
87320
10
1.25
18963
10
.75
45100
10
1.00
“Little Grey
Home
18748
:k to
Home
64610
lips
7‘
4428
74251
12
1.75
88047
12
1.75
74511
12
1.75
95029
12
5.00
18045
10
.75
35398
12
1.25
16663
10
.75
16195
10
.75
16160
10
.75
18145
10
.75
17733
10
.75
VICTOR RECORDS
Holy City (Sacred song by Stephen Adams. Poem by Weatherly)
By Evan Williams (Tenor)
By Emilio de Gogorza (Baritone)
By Harry Macdonough (Tenor) and Holy City — Part II — Macdonoi
By Harry Macdonough (Tenor) and The Palms ( Faure ) William Ro,
HOLY CITY (Oratorio by Alfred R. Gaul)
Eye Hath Not Seen — Elsie Baker and My Soul is Athirst for God — R . Mi
(Holy Ghost, with Light Divine (Gottschalk) Trinity Choi
l Holy, Holy, Holy! ( Heber- Dykes ) Trinity Cho
(Holy, Holy, Holy! (Heber-Dykes) Trinity Choi
l Holy Ghost, with Light Divine ( Gottschalk ) Trinity Cho
Holy Night Cantique de Noel (Charles Adolphe Adam)
By Evan Williams (Tenor)
By Enrico Caruso (Tenor) In French
By Marcel Journet (Bass) In French
By Pol Plancjon (Bass) In French
By Lewis James (Tenor) and Hosanna ( Granier ) Macdonoi
By Lucy Isabelle Marsh (Soprano) and Silent Night — Trinity Cl
By Venetian Trio Violin-’Cello-Harp and Silent Night — Celesta — Ar
(Home Again (From “Her Soldier Boy”) Alice Green-Lyric Q
l Pack. Up Your Troubles in Your Old Kit Bag (with Cho) Hamilto
(Home Again Blues (Berlin-Akst) Aileen Stanle
1 Pucker Up and Whistle (Franklyn- Vincent) Billy Murra
(Home Again Blues — Med. F. Trot (intro. “Lindy”) Dixieland Jazz ]
l Crazy Blues — Fox Tro ( Bradford- Belledna ) Dixieland Jazz Ban
(Homeland, The (Haweis-Stebbins) Elizabeth and Wm. Wheele
l My Jesus, as Thou Wilt Elizabeth and William Wheeh
(Home of the Soul (Phillips) Whitney Brothers Quarte
l I Am Praying for You ( Cluff-Sankey ) Stanley and Bu
(Home Over There, The (Kane) Peerless Quarte
l Oh Come, All Ye Faithful ( Adeste Fideles) Criterion Quart<
HOMER, Mme. LOUISE, Contralto - See “Homer” in Pink Section
HOMER STIRES, LOUISE, Soprano — See “Homer” in Pink Section
Home Road, The (John A. Carpenter) Schumann-Heii
(Homesick — Fox Trot (Berlin) Whiteman and His Orchestral
1 All Over Nothing at All — Fox Trot Great White Way Orchestra J
(Homesickness Blues (Cliff Hess) Nora Bayes
\ For Dixie and Uncle Sam (Brennan- Ball) Nora Bayes
HOME SONGS-S ee also “Dreaming of Home,” "Home, Sweet Home,
Home,” “My Old Ky. Home,” “Old Folks at Home”
Calling Me Home 64803
Do They Think 16355
Down the T rail 1 8686
Evening Brings Rest 45 1 06
Home Again 18222
I’ll BeGlad toGet Back 1 8847
1 Want to See 74433
I Wonder How Folks 45 134
Home, Sweet Home (John Howard Payne-Sir Henry Rowley Bishop)
By Alma Gluck (Soprano)
By Marcella Sembrich (Soprano)
By Amelita Galli-Curci (Soprano)
By Adelina Patti (Soprano) Piano acc.
By Elsie Baker (Contralto) and My Old Kentucky Home — Baker
By Elsie Baker (Contralto) and Old Folks at Home — Elsie Baker
By Elizabeth Spencer (Contralto) and Come Where My Love Lies — Peerless Q
By Chas. Harrison (Tenor) and My Old Kentucky Home — Morgan
By Chimes and America and Star-Spangled Banner — Chimes
By Victor Band and My Old Kentucky Home and Battle Hymn — Victor Band
By Conway's Band — Medley Waltz and Aloha Oe — Medley Waltz — Victor B
Number
c/5
List
prc.
45249
10
1.00
18037
10
.75
18719
10
.75
35705
12
1.25
18721
10
.75
18796
10
.75
17710
10
.75
18572
10
.75
64901
10
1.25
18584
10
.75
17907
10
.75
VICTOR RECORDS
1 Trovatore ”
Elsie Baker!
Lambert Murphy l
Alexander Prince!
Alexander Prince J
(Zimbalist) Smith’s Or!
Smith’s Orchestra )
Home to Our Mountains — Trovatore — See
fHoming (A. L. Salmon-T. Del Riego)
l Sylvia (C. Scollard-O. Speaks)
{Honest Toil March Concertina
The Diadem Quickstep Concertina
{Honeydew — Medley Waltz (See “Medleys”)
Honeydew — Medley One-Step ( Zimbalist )
Honey Girl — Gems from Victor Light Opera Company
Chorus, “Racing Blues” — Soprano Solo, “Small Town Girl" — Tenor Solo,
“I’m Losing My Heart to Someone” — Ladies' Trio, "1 Love to Fox Trot”
— Soprano and Chorus, “Close to Your Heart. ’
Gems from ‘ ‘Jimmie ’ ’ V ictor Light Opera Company
f Honolulu Eyes — Med. Waltz (intro. “I’m In Heaven”) Whiteman’s O'!
l Rosie — Medley Fox Trot (Merkur- Donaldson) Whiteman’s Or.)
fHonolulu Honey (Weslyn-Applefield-Dyson) Hart-Shawl
X Sweet Hawaiian Girl of Mine (Perry) Chas Hart-Elliott Shaw l
fHonolulu March Hawaiian Guitars Pale K. Lua-David Kailil
l Kohala March Hawaiian Guitars Pale K. Lua-David Kaili)
fHonolulu Tom Boy (Sonny Cunha) Hawaiian Quintet!
I Sweet lei lehua (Fragrance of the Lehua Wreath) (with Quintette) Rose J
Honour and Love (From “Monsieur Beaucaire”) John McCormack
HOOLEY, WILLIAM F„ Bass— See “Wearing of the Green”
(Hoo Mamao Oe a Hiki Oe Toots Paka Hawaiian Troupe!
Kai Malino (Hawaiian Hula) Toots Paka Hawaiian Troupe l
{Hoo Mau (Dew Drops) Toots Paka Hawaiian Troupe!
Liaika Wai Mapuna Toots Paka Hawaiian Troupe)
HOPPER, DE WOLF, Comedian
Mr. Hopper’s record of his famous and immortal base¬
ball classic is a perfect reproduction of the comedian’s
eccentric delivery. Shut your eyes and you can imagine the
whole scene — 5,000 of Mudville’s fans yelling for their
favorite — the mighty Casey standing proudly at the bat —
the pitcher gripping the ball — then a moment of hushed
expectancy — and then . . . and then the tragedy begins !
Let us draw the veil — suffice to say that you can actually
feel the breeze on your face when the great Casey fans the air
as he strikes out !
RECORD BY MR. HOPPER
Casey at the Bat and Man IV ho Fanned Caseu {A reply to
HORN— ENGLISH and FRENCH— For examples see
HORNPIPES
Favorite Medley 16393 1 Hornpipe Medley 16317 1 Irish Hornpipes
fHortense — Medley Fox Trot (See Medleys) All Star Trio and Or
l Never Mind — Fox Trot (Breau-Sanders) All Star Trio and Or
Hosanna — Easter Song (Jules Granier)
By Enrico Caruso (Tenor) In French
By Marcel Journet (Bass) In French
By Herbert Witherspoon (Bass)
By Harry Macdonough (Tenor) and Holy Night (Noel) Lewis James
(Hospital Patients (Golden-Marlowe) Comic Specialty Golden-Marlowe!
I The Liars’ Contest (Darky Specially) Golden and Marlowe J
(Hot Lips (He’s Got Hot Lips) (Busse-Lange-Davis) Miss Patricolal
X fill for the Love of Mike (Pease- Nelson- Tobias ) Miss Patricolal
'Casey") DigbyBell
* Educational ”
35290
12 1.25
18366
18863
10
88403
12
74735
12
74279
12
16060
10
35577
12
18967
1
10
.75
1.75
1.75
1.75
.75
1.25
.75
VICTOR RECORDS
/ Hot Lips — Blues Fox Trot (Busse-Lange-Davis) Whiteman’s Or)
l Send Back. My Honeyman — Fox Trot { Handman ) The Virginians)
/Hot Time in the Old Town — Medley March Victor Military B)
l Girl I Left Behind Me — Medley March Victor Military Band)
/House of Memories (Adcock-Aylward) Reinald Werrenrath)
l Tommy Lad ( Teschemacher-Margetson ) Reinald Werrenrath)
/How Are You Goin’ to Wet Your Whistle Billy Murray)
l How Y a Gonna Keep ’Em Down on the Farm Arthur Fields )
/How Birds Sing (Talk with Bird Examples) Charles Kellogg)
1 The Bird Chorus Charles Kellogg)
{How Can I Forget (When There’s So Much to Remember) Turner)
Just As Your Mother Was Henry Burr)
How Can I Leave Thee English Geraldine Farrar-Louise Homer
/How Can They Tell That Oi’m Irish (Norworth) Nora Bayes)
\ What Good is Water When You ’re Dry Nora Bayes)
/How Firm a Foundation (Keith-Portugal) Trinity Choir)
l Face to Face {Herbert Johnson) Percy H emus)
How Many Hired Servants (“Prodigal Son”) (Sullivan) Williams
/How Mother Made the Soup — Comic Monologue Charley Case)
l Liars, or My Uncle’s Farm Billy Golden and William Hughes)
/How Sweet is His Love (Rowe-Excell) {Organ acc .) Rodeheaver)
l An Evening Prayer {Battersby -Gabriel) Homer Rodeheaver)
/How Tom Whitewashed the Fence (“Tom Sawyer”) Battis)
l Our Guide in Genoa {“Innocents Abroad,” Mark Twain) Battis)
/How Ya Gonna Keep ’Em Down on the Farm Arthur Fields)
l How Are You Qoin ’ to Wet Your Whistle Billy Murray)
Hubicka — Bohemian Cradle Song (Smetana) In English Alma Gluck
Hubicka — Ukolebavka (Cradle Song) (Smetana) In Bohemian Destinn
{Huckleberry Finn (Hess-Lewis-Young) Van and Schenck)
Mulberry Rose ( Van-Schenck ) Van and Schenck >
HUGUENOTS {Hew' -gen-ahts) French title, Les Huguenots {Lay Hoog-noh') Italian
title, Gli Ugonotti {Glee Oo-goh-not! -tih) . {Sung in Italian except as noted.)
Book of the Opera for complete illustrated description.)
Opera in five acts ; text by Scribe and Deschamps ; music by Meyerbeer. Produced
Paris, 1836; Florence, 1841, under title of Gli Anglicani ; London in 1842, and in
Italian, 1848. First American performance in New Orleans, 1848.
This opera is considered the composer’s masterpiece, and is indeed a wonderfully im¬
posing work, with its splendid scenes, beautiful arias and concerted numbers, and its
thrilling dramatic situations.
The story relates to one of the most dramatic periods in French history, and tells of
the massacre of Huguenots in 1 572, and of the efforts of Margaret of Valois, the betrothed
to Henry IV, to reconcile the disputes between the Protestants and Catholics.
ACT I - HOUSE OF THE COUNT NEVERS
Bianca al par di neve Alpina (Fairer than the Lily) Enrico Caruso
Bianca al par di neve Alpina (Fairer than the Lily) Enrico Caruso
PiffI Paff! (Marcel’s Air) In French Marcel Journet
ACT Ill - A SQUARE IN PARIS
Coro di Soldati (Soldiers’ Chorus “ Rataplan ”)
and Magic Flute — O Isis und Osiris — Metropolitan Opera Chorus
Nella notte io sol qui veglio (Here by Night Alone I Wander) Grisi and
de Segurola and Lucrezia Borgia — V ieni la mia vendetta — Rossi
ACT IV - ROOM IN NEVERS’ CASTLE
Benediction des Poignards (Benediction of Swords) with Chorus Journet 74275 1 2 1 .75
Number
c/5
to si
— ) A.
18920
10
.75
18371
10
.75
45101
10
1.00
18537
10
.75
45163
10
1.00
18352
10
.75
87505
10
1.50
55101
12
1.50
16674
10
.75
74127
12
1.75
16547
10
.75
17714
10
.75
35563
12
1.25
18537
10
.75
64213
10
1.25
88634
12
1.75
18318
10
.75
noh ') Italian
( See V ictrola
88210
12
85056
12
74156
12
45051
10
63404
10
74275
12
1.75
1.75
1.75
1 .00
.75
VICTOR RECORDS
Number M \ § i
HUGUET, GIUSEPPINA, Soprano (Oo-geh')
NOTE. — The duels, trios and other concerted numbers in which Mme. Huguel appears will be
found under the following operas: “Carmen” — “ Masked Ball ” — “ Pagliacci.”
Pale K. Lua-David Kaili'l
Pale K. Lua-David Kaili )
{Hula Medley Hawaiian Guitars
Cunha Medley
[ Hull’s Victory (“American Country Dances”)
\ The Circle {art. by Burchenal)
Victor Band),
Victor Military Band)
f Hummer Medley— One-Step (See “Medley No. 70”) Accordion Pietro)
l Hungarian Rag ( Julius Lenzberg) Accordion Pietro)
/Humming — Medley Fox Trot (Intro. “Dear Me’’) Whiteman’s Or)
l My Mammy — Medley Fox Trot (Donaldson-Berlin) Whiteman’s Or)
Humoresque (Antonin Dvorak)
By Mischa Elman Violin
By Fritz Kreisler Violin
By Maud Powell V iolin
By Maximilian Pilzer Violin and Thais — Meditation —
By Victor Herbert’s Orchestra and Kiss Me Again— Herbert’s On
By Francis J. Lapitino Harp and Consolation ( Mendelssohn ) Li
By Venetian Trio and Be,
By Charles Kellogg ( Bird Voices with Orch)
By Pryor's Band and Nulcraker Balli
By Felix Arndt Pianoforte a
and Amoureuse Waltz
Humoresque (Tor Aulin) Violin I
HUMOROUS RECITATIONS— See “Recitations”
HUMPHREY, HARRY E., Recitations
17774
10
.75
18367
10
.75
17609
10
.75
18737
10
.75
74163
12
1.75
74180
12
1.75
74494
12
1.75
35306
12
1.25
45165
10
1.00
18119
10
.75
17454
10
.75
45061
10
1.00
16974
10
.75
18311
10
.75
17918
10
.75
64241
10
1.25
Bear Story
Bible Reading
Blue and the Grey
Declaration of
Independence
Give Me Liberty
Village Blacksmith
Vision of War
Washington’s Fare¬
well Address
Webster’s Reply to
Hayne
Murray-Smalle)
35378 Lincoln’s Address 35377
18086 Lincoln, the
17310 Great Commoner 18200
Me and Jim 35545
35291 Psalm of Life 18161
35377 Tar Baby 1 7996
[Humpty Dumpty (Sterling-Moran-Von Tilzer)
l In the Old Town Hall (“ Zieg field Follies, 1921”) Murray J
fHumpty Dumpty (2) To Market (3) Crooked Man
j ^4) Tommy Tucker (5) Mother Hubbard Elizabeth Wheeler?
I Sing a Song of Sixpence (2) I Love Little Pussy, etc. Wheeler)
(Hundred Pipers, etc. Bagpipes and Drums
l Neil Gow—My Wife She Brewed It
Pipe-Major Forsyth)
Pipe- Major Forsyth)
[Hungarian Czardas Cembalom Joseph Moskowitz)
l Hungarian Dance, No. 5 ( Brahms ) Cembalom J. Moskowitz)
Hungarian Dance No. 5 in G Minor (Brahms) Violin Fritz Kreisler
[Hungarian Dance, No. 5 (Brahms) Cembalom Moskowitz)
l Hungarian Czardas Cembalom Joseph Moskowitz)
Hungarian Dance No. 5 (Brahms) Philadelphia Orchestra
Hungarian Dance No. 6 (Brahms) Philadelphia Orchestra
Hungarian Dance No. 7 — A Major (Brahms-Joachim) Violin Elman
Hungarian Dance — No. 17 in F Sharp Minor (Brahms-Joachim) Elman
Hungarian Dances — No. 20 in D Minor and No. 21 in E Minor
(Brahms- Joseph Joachim) Violin Efrem Zimbalist
18810
18076
67845
17973
64131
17973
64752
64753
64439
64977
74303
18161
18200
17371
17371
10 .75
.75
.75
.75
1.25
.75
1.25
1.25
1.25
1.25
1.75
VICTOR RECORDS
Hungarian Fantasie (Fantasie Hongroise) (Liszt)
Parti and Part 2 Piano de Greet and Royal Albert Hall Orch
Part 3 and Part 4 Piano de Greef and Royal Albert Hall Orch
(Hungarian Fantasie (Andante e Rondo) (Weber) Bassoon Grunerl
l Whirlwind { Tourbillon ) ( Krantz ) Flute Arthur Brooke*
Hungarian Folk Dances — See “Educational Records”
HUNGARIAN GYPSY ORCHESTRA
Danube Waves Waltz 72485 | Old Gypsy Waltz 72485 | Thousand Kisses
HUNGARIAN MUSIC— See Hungarian Catalogue, also "Comedy
Overture,” “Hungarian Rhapsodies,” “Radetzky” and “ Rakoczy ”
{Hungarian Rag (Julius Lenzberg) Accordion Pietrol
Hammer Medley — One-Step {See “ Medley No. 70”) Pietro )
{Hungarian Restaurant Scene (Smith) Avon Comedy Fourl
Cohen’s Wedding Avon Comedy Four)
Hungarian Rhapsody, No. 2 (Franz Liszt)
By Alfred Cortot Piano
By Philadelphia Orchestra
By Pryor’s Band — Parti and Part II — Pryor’s Ban
By Vessella’s Band — Parti and Part II — Vessella' s Ban
Hunt in the Forest (Descriptive) (Voelker) Victor Orchestra
Day breaks — Birds sing— Cockcrows— Huntsman’ shorn— Village chimes
— The hunters assemble — They start — Full gallop — Horns sound halt — ■
At the blacksmith’s — The smith at work — They start again — Hounds
scent the game — In full cry — Game run to earth — Cheers — Finale
In a Clock Store {Orth) {Descriptive Fantasie) Victor Orchestra
fHunter’s Greeting, The Bavarian Highland Zither Trio-!
I My Heart’s Delight — Fox Trot Bavarian Highland Zither Trio)
HURDY-GURDY - See “Italian Airs — Medley,” and “ Operatic Airs
Medley”
f Hurrah for Orlando (Viva Orlando) — Waltz The Four Sicilians'!
I Soldiers’ Return — Waltz The Four Sicilians)
HURTADO BROTHERS MARIMBA BAND— See “Marimba”
(Hush-a-Bye, Baby Mine (Watson-Bertrand) Elsie Baker 1
\ Mammy Dear {Montanye-Grey) Elsie Baker)
(Hush-a-Bye, Ma Baby (Missouri Waltz) (Shannon-Eppel) Brownl
l Somewhere My Love Lies Dreaming Reed and Harrison )
(Hush-a-bye, Ma Baby (Missouri Waltz) Holt-Rosedalel
l When the Shadows Softly Come and Go Holt-Rosedale >
(Hussars’ Review Elite Orkesterl
\ Napoleon’s March Across the Alps Elite Orkester)
Hymne de Marneli, “Fratelli d’ltalia” (Italian Patriotic Song)
(Mameli-Novaro) In Italian Marcel Journet
Hymn of Praise — I Waited for the Lord Gluck and Homer
Hymn of Praise — Sorrows of Death (Mendelssohn) Evan Williams
(Hymn to Apollo (Composed 278 B. C.) {Harp Acc .) Elsie Bakerl
l Sumer is Icumen In {A. D. 1226) Victor Mixed Cho)
Hymn to the Sun — See “ Coq d’Or”
(Hymns of Praise — No. 1 (See “Medley No. 8”) Victor Mixed Choi
l Hymns of Praise — No. 2 (See “ Medley No. 8”) Victor Mixed Chorus)
Number
Size
to uf
— i ex
55158
12
1.50
55159
12
1.50
18684
10
.75
Walt
i 7
3174
17609
10
.75
35602
12
1.25
74670
12
1.75
74647
12
1.75
35122
12
1.25
35352
12
1.25
35324
12
1.25
73078
10
.75
72704
10
.75
45241
10
1.00
18214
10
.75
18550
10
.75
67554
10
.75
64567
10
1.25
89097
12
2.00
74498
12
1.75
35279
12
1.25
35519
12
1.25
VICTOR RECORDS
HYMNS — -Standard and Revival
NOTE — This list contains hymns only. For other sacred numbers, such as " Holy City,” “Palms,"
and songs of that class, also Anthems and Masses for church use, see Sacred Songs. For hymns for
congregational use, see “ Congregational Singing.” For Oratorio numbers see titles of Oratorios. For
Negro Revival Hymns see" Cheatham,” “ Fisk Jubilee Quartet” and “ Tuskekee Singers."
Abide with Me — See
“Abide with Me"
Adeste Fideles — See
“Adeste Fideles"
All Hail the Power 35110
All the Way My
Saviour Leads 16239
All the Way to
Calvary 18780
Almost Persuaded 17356
An Evening Prayer 17714
Angels from the
Realms of Glory 35594
Asleep in Jesus 17389
Autumn — Saviour,
Breathe 1 7096
Beautiful Isle of Somewhere
— See "Beautiful Isle"
Beautiful Valley of
Eden 16563
Beulah Land 16166
Beyond the Smiling 16500
Billy Sunday Hymns 355 1 0
Blest Be the Tie 16178
Brighten the Comer 17763
Calvary 17479
Carry Your Cross 18720
Christ Arose 16008
Christians, Awake 18958
Closer to Jesus 18341
Close to Thee 17024
Come Thou Almighty
King 16135
Come Thou Fount 45306
Come Ye Disconsolate
16709, 64920
Coming of the Year 16825
Coronation and Dox. 35110
Dear Lord and Fatherl6700
Doxology 35110
Drifting 18341
Eternity 16362
Face to Face 74477
Forgive Me Lord 18709
Full Surrender 16709
Galilee 16430
Glory Song 35014
God Be With You
16399, 87520
God is Love 17096
Gospel Songs — For
medleys see “Med¬
leys Nos. 6, 8"
Great Judgment
Morning 35326
Happy Day 17499
Harbor Bell 18925
Hark I the Herald
Angels 17164
Heaven is My Home
16255, 64891
Heaven Song 18075
He Knows the Way 17786
He Leadeth Me 16749
He Will Hold Me
Fast 16239
Holy Ghost 1 6966
Holy, Holy, Holy I 16966
Homeland 1 7940
Home of the Soul 16372
Home Over There 16197
How Firm a
Foundation 16674
How Sweet is His
Love 17714
Hymns of Praise 35519
I Am Coming Home 17786
I Am Praying for You 16372
If Your Heart Keeps 17456
I Heard the Voice 16490
I Love to Tell the
Story 16889, 87301
I’m a Pilgrim 18199
I Need Thee Every
Hour 16255, 87533
IntheCro88 of Christ 17013
In the Garden 18020
In the Hour of Trial 87523
In the Sweet Bye and
Bye 16532,87307
1 Surrender All 16709
It Came Upon the
Midnight Clear
35412, 35561
I Walk With the
King 17763
Jerusalem the Golden 16135
Jesus, Blessed Jesus 17713
Jesus Christ is
Risen 16178
Jesus, Lover of My
Soul 87530
Jesus, My All 45314
Jesus, My Saviour 45177
Jesus Remembered 17713
Jesus, Saviour, Pilot
Me 16742
Joy to the World 16996
Just for To-day 87329
King's Business 16889
Lead, Kindly Light
see “Lead, Kindly”
Leave It With Him 45322
Let the Lower Lights 45177
Life’s Railway 18925
Looking This Way 1 7024
Lord Dismiss Us 16825
Lord, I’m Coming
Home 16009
Lord’s Prayer (2)
Gloria Patri
Make Somebody
Happy
Mighty Fortress is
Our God
Moody and Sankey
Hymns — See
"Medley No. 8”
Mother’s Prayers
Have Followed
My Faith Looks Up
to Thee 16216,
My Homeland
My Jesus, as Thou
Wilt
My Mother’s Prayer
My Wonderful Dream I 7988
Nearer Mv God to
Thee — see “Nearer
My God to Thee"
Near the Cross
Ninety and Nine
16532
Nobody Like Jesus
No Night There
Oh, Come, All Ye
Faithful — See * ‘Adeste
Fideles ’’
Oh God, Our Help
Oh, Little Town of
Bethlehem
Oh Morning Land
Oh Morning Land
Old Rugged Cross
Old-Time Religion
16743, 18075
One Sweetly Solemn
Thought — see “One
Sweetly Solemn ”
Only a Beam of Sunshine
16288
Onward Christian
Soldiers — See
“Onward, Christian’
16877
18373
18897
35326
35012
64719
17940
16533
16688
64545
17989
45322
18897
35594
16399
87575
18706
Our Lord is Risen
Over the Line
Praise God
Precious Name
Remember Me,
O Mighty One
Rest for the Weary
Rock of Ages 16394,87528
Sacred Songs No. 1 35613
Safe in the Arms
Sail On
Saved by Grace
Saviour, Breathe an
Evening Blessing I 7096
18860
17299
35110
17499
16430
16261
16877
18322
16216
VICTOR RECORDS
Number J § £
HYMNS— STANDARD AND REVIVAL— Continued
Saviour Like a
Shepherd
45306
Shall We Gather
16261
Shall We Meet
17356
Silent Night, — See
“Silent Night” and
" Stille Nacht”
Since Jesus Came
17773
Sleep Noble Hearts
17310
Softly and Tenderly
16743
Softly Now the Light
16500
Some Blessed
Day 18199,
18808
Somebody Cares
17989
Some Day I Shall
Know
17137
Some Sweet Day
16688
Sometime We'll
Understand 16414, 87326
Stille Nacht, — See
"Stille Nacht” and
‘‘Silent Night”
Still, Still with Thee 16853
Strife Is O'er 1 8860
Sun of My Soul 17479.87302
Sweeter as Years Go 17773
Sweet Hour of Prayer 17013
Tell It To-day 18373
Tell Me the Story 18720
Tell Mother I’ll Be
There
That Sweet Story of
There is a Fountain
Throw Out the Life L. 1 643 1
Twenty-Third Psalm
and Lord’s Prayer 16362
Valley of Peace 16853
V esper Service 16166
16414
18287
16412
Watchman, Tell Us 18958
Wayside Cross 18808
We Would See Jesus 453 1 4
What a Friend We
Have in Jesus 18287
When the Mists Have 17137
When the Roll is C 1 6749
When the W odd
F orgets 1 8020
Where is My Boy
To-Night 16412,87264
Where the Gates
Swing 18780
While Shepherds W 35412
Whiter Than Snow 1 7299
Will There Be Any
Stars 1 6286
Yield Not to Temp¬
tation 1 645 1
fl Ain’t ’en Got ’en No Time to Have the Blues Murray-Smallel
l Take Me to the Land of Jazz (Leslie- Kalmar- Wend ling) Harris )
fl Ain’t Got Nobody Much (Graham-Williams) Marion Harrisl
l Way Out Yonder in the Golden West Avon Comedy Four)
fl Ain’t Nobody’s Darling — Med. Fox Trot All Star Trio and Or)
\ Yoo-Hoo — Fox Trot (De Sylva-Jolson) ( Vocal Cho ) Hackel-Berge O)
fl Am Climbing Mountains (Kendis-Brockman) Campbell- Burr 1
l You Didn’t Want Me When You Had Me Henry Burr)
fl Am Coming Home (A. H. Ackley-B. D.'Ackley) Rodeheaver)
l He Knows the Way (A. H. Ackley) Homer Rodeheaver)
fl Am Praying for You (Cluff-Sankey) Stanley and Burr)
l Home of the Soul ( Phillips ) Whitney Brothers Quartet)
fl Attempt from Love’s Sickness to Fly (Purcell) Werrenrath)
1 My Mother Bids Me Bind My Hair (Haydn) Lucy Isabelle Marsh)
I Cannot Sing the Old Songs (Claribel)
By Louise Homer (Contralto)
By Merle Alcock (Contralto) and I Have a Dream (Weatherly -Austin) Alcock
By McKee Trio Violin-’ Cello-Piano and The Vacant Chair McKee Trio
fl Cannot Sleep Without Dreaming of You (Herbert) Murphy)
l Waiting for the Sun to Come Out ("Sweetheart Shop”) Murphy)
fl Can’t Behave When You’re Around (Israel) Jones-Murrayl
l Don’t Slam that Door Ada Jones-Billy Murray)
fl Certainly Must Be In Love (Tracey-Dougherty) Murray)
l Whenever You’ re Lonesome (Just Telephone Me) A. Stanley-Murray)
flch hatte einst ein schones Zither D. Wormser)
l Die Lorelei (2) In einem kiihlen Grunde Zither Wormser)
fl Couldn’t Distinguish the Words (Song) Taylor Holmes)
l If I Could Be By Her (King) Recitation Taylor Holmes)
fl Couldn’t Hear Nobody Pray Fisk Jubilee Quartet\
1 Little David (2) Shout All Over Heaven
I’d Build a World in “The Heart of a Rose'
Ideale (My Ideal!) (Tosti) In Italian
Ideale (My Ideal!) (Tosti) In Italian
Fisk Jubilee Quartet)
(David-Nicholls) Alda
Giovanni Martinelli
Enrico Caruso
18593
10
.75
18133
10
.75
18802
10
.75
18620
10
.75
17786
10
.75
16372
10
.75
45092
10
1.00
87204
10
1.25
45216
10
1.00
18230
10
.75
45199
10
1.00
18236
10
.75
18909
10
.75
17860
10
.75
45073
10
1.00
16448
10
.75
64893
10
1.25
64486
10
1.25
88049
12
1.75
Number
&
List
prc.
55081
12
1.50
18692
10
.75
18697
10
.75
45086
10
1.00
18413
10
.75
45324
10
1.00
17681
10
.75
18714
10
.75
17092
10
.75
45073
10
1.00
87337
10
1.25
17903
10
.75
18205
10
.75
18950
10
.75
18746
10
.75
74088
12
1.75
64859
10
1.25
18715
10
.75
18452
10
.75
18828
10
.75
17456
10
.75
18387
10
.75
66061
10
1.25
45216
10
1.00
64340
10
1.25
16490
10
.75
64120
17321
17979
10
10
10
1.25
.75
.75
66072| 10
1.25
VICTOR RECORDS
/Idle Woman’s Busy Day (Humorous Monologue) Marie Cahill)
l Dallas Blues (Preceded by Mose’s Baptism) (Leighton Bros.) Marie Cahill)
{I’d Love to Fall Asleep and Wake Up in My Mammy’s Arms Peerless Q)
Tired of Me (Clark- Donaldson) Henry Burr )
J" I’d Love to Fall Asleep — Fox Trot (Intro. “Jinga-Bula”) Benson O)
\ Fair One — Fox Trot (M alien- Donaldson) Benson Orch. of Chicago )
fl Don’t Feel No-Ways Tired (2) Swing Low Cheatham)
1 Walk in Jerusalem (2) Sinner, Don’t Let Harvest Pass Cheatham )
fl Don’t Want to Get Well Van and Schenck)
\ Long Boy Byron G. Harlan with Peerless Quartet)
fl Dream of Jeanie with the Light Brown Hair Murphy)
l My Days Have Been So W ondrous Free (Hopkinson) Murphy )
I Dreamt I Dwelt in Marble Halls — See “Bohemian Girl”
f Idyll (Idilio) (Lack) (Op. 134) with Bells Neapolitan Trio)
l Fedora Gavotte (F. J. Lapitino) with Celesta Neapolitan Trio )
f If a Wish Could Make it So — Medley Fox Trot Brown Bros/
l Tip Top — Med. Fox Trot (Caryll) Saxophones
flffa-Saffa-Dill (Brown) Xylophone
\ The Ragtime Drummer (Lent) Drum
flf I Could Be By Her (King) Recitation
l I Couldn’t Distinguish the Words Song
If I Forget (Anderson-Thompson)
flf It Takes a Thousand Years (Brennan-Ball)
l Could the Dreams of a Dreamer Come True
flf It Wasn’t for You (Whiting-Cunningham-VonTilzer) Jones-Murray)
l Put on Your Slippers Ada Jones )
f I Found a Four-Leaf Clover — Fox Trot(“Scandals”) Whiteman’s Or)
l Two Little Ruby Rings — Fox Trot ("Daffy Dill”) Whiteman s Or)
fl Found a Rose in the Devil’s Garden Sterling Trio)
l Somebody’s Mother (Sterling- VonTilzer) Peerless Qt )
If With All Your Hearts — Elijah (Mendelssohn) Evan Williams
If You Could Care (from “As You Were”) (Wimperis-Darewski) Alda
flf You Could Care — Waltz (intro. “Ninon Was Naughty”) Smith’s Or)
l Happy— One- Step (Hugo Frey) Smith’s Orchestra)
flf You Look in Her Eyes (“Going Up”) E. Spencer-Burr)
l Blue Bird ( George Graff, Jr. -F. B. Grant) Elizabeth Spencer)
flf You Only Knew (Fleeson-Von Tilzer) John Steel)
l Say It With Music (Berlin ’s Music Box Revue) John Steel)
flf Your Heart Keeps Right (de Armond- Ackley) Rodeheaver\
Brown Bros)
Wm. H. Reitz)
James I. Lent)
Taylor Holmes)
Taylor Holmes )
Schumann-Heink
Reed-Harrisonl
George Ballard)
The Unclouded Day (Alwood)
flf You Saw All that I Saw in Arkansaw
l The Old Grey Mare
I Had a Flower (Lawrence Kellie)
fl Have a Dream (Weatherly- Austin)
l I Cannot Sing the Old Songs (Claribel)
I Hear a Thrush at Eve — Serenade (Cadman) Joh
fl Heard the Voice of Jesus (Bonar) Mr. and h
l Ave Maria (Bach-Gounod) Eliz
I Hear You Calling Me (Harford- Marshall)
By John McCormack (Tenor)
By Charles Harrison (Tenor) and A Dream ( Corp-Bartlett )
By Neapolitan Trio and Little Grey Home in the VV<
I Know a Lovely Garden (Teschemacher-D’Hardelot)
Homer Rodeheaver)
Collins and Harlan)
Collins and Harlan)
Merle Alcock)
Merle Alcock >
VICTOR RECORDS
1 Messiah ”
Fisk University Qt!
Fisk University Quartet I
Henry Burr!
Hart-Elliott Shall))
I Know That My Redeemer Liveth — See
fl Know the Lord Laid His Hands On Me
\ Done What You Tole Me to Do
{I Know What It Means to be Lonesome
Don’t Cry, Frenchy, Don’t Cry Chas
IL — For titles beginning with this Italian article see the next word, as
II Trovatore — See “Trovatore”
II bacio — See “Bacio”
II etait line Bergere — See “Once a Little Shepherd Maiden’’
JI Like It— All By Myself — Medley Fox-Trot All Star Trio — Orl
\ Just Keep a Thought for Me — Fox Trot All Star Trio — Or)
fl’Il Always Be Waiting for You (Alexander) Peerless Quartet!
l Now I Know ( Warren-Henry-Onivas ) Shannon Four)
f I’ll Be Glad to Get Back to My Home Town American Qt!
l Weep No More My Mammy (Mitchell-Clare- Pollack) Peerless Qtl
(Til Be With You in Apple Blossom Time Chas. Harrison!
\ Tripoli (On the Shores of Tripoli ) (Weill) Terrell- Robyn)
f I’ll Build a Stairway to Paradise — Fox Trot Whiteman’s Orl
| You Remind Me of My Mother — Fox Trot f
l (“Little Nellie Kelly”) Whiteman’s Or)
f I’ll Forget You (Annelu Burns-E. R. Ball) John Steel!
l World Is Waiting for the Sunrise ( Lockhart-Seitz ) John Steel)
f Illinois Loyalty March (T. H. Guild) Victor Military Band 1
l Chicago, We’re True to You (]. B. Craguri) Victor Military Band)
f I’ll Keep On Loving You — Fox Trot (V. Rose) Benson Orch!
l Crooning — Fox Trot (Wm. F. Caesar) Benson Orchestral
/ I’ll See You in C-U-B-A (Irving Berlin) Billy Murrayl
I That’s Worth While Watting For (Lewis-Young-Ruby) Murray)
f I’ll See You in C-U-B-A — Medley Fox Trot Palace Trio!
l The Crocodile — Fox Trot Wiedoeft-Wadsworth Quartet)
I’ll Sing Thee Songs of Araby (Wills-Clay) John McCormack
f I’ll Stand Beneath Your Window To-Night Stanley-Murray!
1 All Over Nothing At All (Brennan- Rule) Stanley -Murray)
f I’ll Take You Back to Italy ("Jack o’ Lantern”) Jones-Murray!
l ’Round Her Neck She Wears a Yeller Ribbon American Quartet)
I’ll Take You Home Again, Kathleen (Westendorf) Whitehill
f I’ll Take You Home Again, Kathleen (Westendorf) Burr-Qt!
l When the Corn is Waving, Annie Dear Burr-Peerless Qtl
fllo — Fox Trot (Johnny S. Black) All Star Trio and Orch!
1 Mimi — Fox Trot (Mee-Mee) (Vocal Cho.) All Star Trio and On
fl Lost My Heart to You — Med. Fox Trot Smith’s Orchestra)
l Broken Moon — Without You — Medley Fox Trot
/I Love a Lassie (My Scotch Blue Bell)
I've Loved Her Ever Since She Was a Baby
I Love a Lassie (My Scotch Bluebell)
She is My Rosie (Harper-Lauder)
I Love Her— She Loves Me — Fox Trot
{
Smith’s Orchl
Sir Harry Lauder!
Sir Harry Lauder I
Sir Harry Lauder!
Sir Harry Lauder I
(“Make It Snappy”)
Lovable Eyes — Fox Trot (“Make It Snappy”)
fl Love the Name of Mary (Graff -Olcott-Ball)
l There is Silver Now Where Once Was Gold
Confrey’s Orch
Club Royal Orch J
Number
t/5
Is
— 1 o.
16895
10
.75
18538
1C
.75
18766
10
.75
18642
10
.75
18847
10
.75
18693
10
.75
18949
10
.75
18844
10
.75
18382
10
.75
18765
10
.75
18652
10
.75
18663
10
.75
64375
10
1.25
18943
10
.75
18436
10
.75
74425
12
1.75
18781
10
.75
18790
10
.75
18745
10
.75
45212
10
1.00
55116
12
1.50
18902
10
.75
17107
10
.75
VICTOR RECORDS
fl Love to Be a Sailor (Lauder) Sir Harry Lauder"!
I We Parted On the Shore — Scotch Specialty Sir Harry Lauder)
I Love to Tell the Story (Hankey-Fischer) (with Male Chorus) Homer
Trinity Choir)
Trinity Choir)
Neapolitan Orch)
Neapolitan Orch J
Edward Johnson
(I Love to Tell the Story — Gospel Hymn
The King’s Business — Gospel Hymn ( Cassel)
fl Love You — Waltz (T’Amo Waltz)
( Guitars and Mandolins — Polka
I Love You More (Edson-Lee)
fl Love You Sunday-Fox Trot (intro. “Everybody Calls”) Benson Or)
l Oh Gee! Oh Gosh! — One Step {Erdman- Beck- Foote) Benson Orch)
I Love You Truly (Carrie Jacobs-Bond)
By Frances Alda (Soprano)
By Sophie Braslau (Contralto)
By Elsie Baker (Contralto) and Voices of the IVooJj ( Rubinstein ) Baker
IL PENSIEROSO — See “Pensieroso” — IlTrovatore — See “Trovatore”
Im Abendrot (In the Afterglow) (Schubert) In German Culp
(I’m a Jolly Old Rover (Henry-O’Hara) Wilfred Glenn)
l The Old Sexton (Benjamin- Russell) Wilfred Glenn)
{I’m a Lonesome Little Raindrop (Hanley) Victor Roberts'!
For Every Boy Who’s on the Level Roberts and Harmonizers Qt)
I’m a-Longin’ Fo’ You (Fuhrmann-Hathaway) ('Cello obb.) Braslau
(I’m a-Longin’ Fo’ You (Fuhrmann-Hathaway) Elsie Baker)
Two Roses (Selinger-Gilberte) Elsie Baker)
(I’m Always Chasing Rainbows (McCarthy-CarrolI) Harrison)
l I Miss That Mississippi Miss That Misses Me Sterling Trio)
(I’m Always Chasing Rainbows — Medley Fox Trot Smith’s Orch)
l Head Over Heels — Medley Fox Trot Joseph C. Smith’s Orch)
(I’m Always Falling in Love With Other Fellow’s Girl Shaw)
Hiawatha’s Melody of Love (Bryan-Meyer) Sterling Trio)
(I’m An Indian (Merrill-Edwards) Fanny Brice)
l Oh, How I Hate That Fellow Nathan Fanny Brice)
{I’m a Pilgrim, I’m a Stranger (Marston) Imperial Quartet^
Some Blessed Day (Nevin)
I’ m’ Arricordo e Napule! (Memories of Naples) In Neapolitan Caruso
{I May be Gone for a Long, Long Time (Brown) Shannon Four)
Over There ( George M. Cohan ) American Quartet )
{I’m Coming Back to Dixie and You (Mullane) Peerless Qt)
In the Hills of Old Kentucky (My Mountain Rose) Campbell- Burr)
I’m Falling inLove with SomeOne (“Naughty Marietta”) McCormack
{I’m Forever Blowing Bubbles (Kenbrovin-Kellette) Hart-Shaw)
By the Camp-fire (Girling- Wenrich) Peerless Quartet)
(I’m Forever Blowing Bubbles — Waltz Selvin’s Novelty Orch)
l Yearning — Medley Fox Trot Joseph C. Smith’s Orch)
(I’m Glad I Can Make You Cry (McCarron-Morgan) Henry Burr)
l After You’ve Gone (Creamer-Layton) Marion Harris)
{I’m Going to Marry ’Arry on the 5th of January Lauder)
O’er the Hill to Ardenteny ( Lauder ) Sir Harry Lauder)
(I’m Happy — Fox Trot (Arden-Green) All Star Trio-Orch)
l After a While — Fox Trot (Arden-Green) All Star Trio-Orch)
(I Might Be Your “Once-in-a- While” (Smith-Herbert) Olive Kline)
l You Are Free (“Apple Blossoms”) ( Jacobi ) Olive Kline)
Number
<t>
t
~ si
— i ex
55118
12
1.50
87301
10
1.25
16889
10
.75
73344
10
.75
66060
10
1.25
18701
10
.75
64662
10
1.25
64633
10
1.25
17121
10
.75
64492
10
1.25
18025
10
.75
18709
10
.75
64747
10
1.25
18044
10
.75
18496
10
.75
35682
12
1.25
18660
10
.75
45303
10
1.00
18199
10
.75
88635
12
1.75
18333
10
.75
17685
10
.75
64174
10
1.25
18540
10
.75
18603
10
.75
18509
10
.75
55138
12
1.50
18928
10
.75
45173
10
1.00
VICTOR RECORDS
I Might Be Your “Once-in-a-While” — Med. Fox Trot
Patches — Fox Trot Joseph C. Smil
{
{
[I’m in Heaven When I’m in My Mother’s Arms Robyn
l Down the Trail to Home, Sweet Home (Ball) William Robyn.
I Miss That Mississippi Miss That Misses Me Sterling Trio
I’m Always Chasing Rainbows ( McCarthy-Carroll) Charles Harrison.
IMITATIONS — See “ Descriptive Specialties ”
/Imitations of Farm Animals Hubertus
In a Zoological Garden — Animal Imitations Hubertus
I’m Just Wild About Harry — Fox Trot (“Shuffle Along”)
Whiteman’s Or
Say It While Dancing — Fox Trot ( Silver ) Benson Or
(Tm Laughing All the Time — Fox Trot All Star Trio and Orch
l My Sweet Gal — Fox Trot All Star Trio and Their Orchestra
(Tm Like a Ship Without a Sail (Kendis-Brockman) Hart-Shaw
l Let the Rest of the World Go By (Brennan-Ball) Spencer-Hart
f I'm Looking for a Sweetheart Ada Jones and Billy Murray
l An Irish-Dutch Argument Porter and Kennedy
fl’m Missin’ Mammy’s Kissin’ (And She’s Missin’ Mine) Peerless Qt
l Nestle in Your Daddy’s Arms (H erscher- Burke) American Qt
Tm Nobody’s Baby — Fox Trot All Star Ti;i<
l Listening — Fox Trot ( Solman ) All Star
flmmortellen Waltz (Gung’l) Victor ]
l Pink Lady Waltzes ( McLellan-Caryll ) Victi
fl’m Old but I’m Awfully Tough Laughing Song
l Uncle Josh Joins the Grangers
IMPERIAL QUARTET, of Chicago
This fine male voice organization, which has been a prominent feature of the concert
stage in the Middle West, has developed the art of four-part singing to a high degree of
excellence, the individual members being unusually well equipped, vocally and temperamentally,
each for his particular part, and years of association in the work has resulted in an excellent
ensemble. The Imperials have made a permanent place for themselves in the concert field
of which they may be justly proud, and they now prove themselves to be excellent record
makers as well.
Number
9J
N
WO
>18629
10
> 18686
10
[ 18496
10
[ 17887
10
| 18938
10
^ 18835
101
j> 18638
10
| 16322
10
| 18751
10
} 18773
10
| 35194
12
| 16403
10
.75
.75
.75
75
.75
75
.75
.75
.75
75
75
JOHNSON
MOODY
WOOD
TUFTS
IMPERIAL QUARTET RECORDS
Cross Bow 1 7873
Forsaken 18169
I’m a Pilgrim 18199
Love’s Old SweetSong 18169
/Impromptu in F Sharp Major
My Ain Folk 17872
My Lady Chlo 18158
Perfect Day I 7872
Pickaninny’s Lullaby 18158
(Chopin) Piano
l Finlandisch Dance (2) Arabesque in A Piano
Some Blessed Day
Way Down Yonder
When They Ring
the Golden Bells
Moiseivitchll
Moiseivitch)\
18199
17873
17982
12
1.50
VICTOR RECORDS
Henry Burr)
Campbell and Burr)
Golden and Heins!
Golden and Heins )
Whiteman’s Orch)
Whiteman ’s Orchestra)
I’m Sorry I Made You Cry (N. J. Clesi)
One Day in June { Goodwin-Hanley )
In a Bird Store
Up for Sentence
In a Boat — Fox Trot (Lange-Liggy-Klapholz)
Sweetheart — Fox Trot ( Arnold Johnson)
In a Clock Store (Orth) ( Descriptive Fantasie ) Victor Orchestra
Apprentice opens the store — ticking clocks — they strike, cuckoo, grand¬
father’s clock. The boy blithely whistles — several clocks run down and
are wound. A musical clock plays a popular air. Four o’clock strikes
on many clocks, from the miniature Dresden to the huge Scotch cathedral.
A Hunt in the Forest ( Descriptive ) ( Voel/^er) Victor Orch
In a Gondola — Impromptu (Elman) Violin Mischa Elman
In a Monastery Garden — ( With Male Chorus) Victor Orchestral
Romance ( Tschaikowsky ) Victor Concert Orchestra )
In an Old-Fashioned Town (Harris-Squire) Elsie Baker)
Serenade (Sing, Smile, Slumber) ( Gounod ) Olive Kline I
In a Persian Garden, Gems from — Parti (Liza Lehmann) (Text by
Fitzgerald from “Rubaiyat of Omar Khayyam”) Victor Opera Co
Quartet, “Come, Fill the Cup" — Solo, “1 Sometimes Think" — Solo,
"Myself When Young" — Solo, “1 Sent My Soul” — Chorus, "Alas I
That Spring Should Vanish”
Gems from “ In a Persian Garden ’ ’ — Part II V ictor Opera Co
Quartet, “ Wake ! for the Sun” — Duet, “A Book of Verses” — Solo,
"Ah, Moon of My Delight” — Chorus, “They Say the Lion”
In a Persian Garden — Ah ! Moon of My Delight John McCormack
fin a Persian Garden — Ah ! Moon of My Delight Paul Althousel
l Onaway ! Awake, Beloved ! ( From" Hiawatha’s Wedding Feast") Althousel
fin a Zoological Garden — Animal Imitations Hubertusl
\ Imitations of Farm Animals Hubertus)
fin Bluebird Land — Fox Trot ( Bird Warbling) Benson Orch)
l Ten Little Fingers and Ten Little Toes — Fox Trot Benson Orch)
f Inchin’ Along (2) Heaven Song Tuskegee Institute Singers)
l The Old-Time Religion Tuskegee Institute Singers)
f Indiana Lullaby (Waltz Song) (Terriss-Kendall) Kline-Baker)
l Marche'ta (Love Song of Old Mexico) ( Schertzinger ) Kline-Baker)
{Indiana March Hawaiian Guitars Lua-Kailil
Minnehaha Medley Waltz Pale K. Lua-David Kaili)
Indian Lament (Canzonetta) (Dvorak-Kreisler) Violin Fritz Kreisler
flndianola Patrol— One-Step (Hartz) Mandolin Clarence Penney 1
l Toots — One-Step (Arndt) Mandolin n>ith Pianoforte Penney)
INDIAN SONGS — Concert — See “Culp,” “Gluck,” “McCormack,’
“Powell,” “Williams,” Kashmiri Song” and “Pale Moon”
INDIAN SONGS (OF THE AMERICAN INDIANS) See “ Edu
cational ” and “ Watahwaso, Princess”
fin Dreamland Waltz (Kdyzja Libe Spim) ( Bohemian Music) Victor B)
l Dove Waltz (Holubicka Valcik) (Bohemian Music) Victor Band)
I Need Thee Every Hour (Lowry) Alma Gluck-Louise Homer
fl Need Thee Every Hour (Lowry) Campbell-McClaskeyl
l Heaven is My Home (Sauvage) Harry Macdonough)
fl Never Knew (I Could Love Anybody) Fox Trot Whiteman’s Orl
l Do You Ever Think of Me — Medley Fox Trot Whiteman’s Orch)
flnfanta March (Gregory) Banjo Fred Van Eps)
l Boston Virginia Reel ( De Witt) Victor Dance Orchestra)
Inflammatus (In-flah-mah! -toos) See “Stabat Mater'
Number
1/5
—3 cl
18462
10
.75
35659
12
1.25
18789
10
.75
35324
12
1.25
64530
10
1.25
35710
12
1.25
45147
10
1.00
35441
12
1.25
74232
12
1.75
55059
12
1.50
17887
10
.75
18871
10
.75
18075
10
.75
45309
10
1.00
17807
10
.75
74387
12
1.75
17694
10
.75
67982
10
.75
87533
10
1.50
16255
10
.75
18734
10
.75
16847
10
.75
Number
I Size!
List
prc.
16891
10
.75
35397
12
1.25
17227
10
.75
18855
10
.75
18783
10
.75
64953
10
1.25
17473
10
.75
88657
12
1.75
35504 12
1.25
18155 10
.75
VICTOR RECORDS
flnglesina March (Delle Cese) Vessella’s Italian Bandl
l Dance of the Wood Nymphs ( Sak ) Kryl’s Bohemian Band)
fin Lilac Time — March (Engelmann) Victor Military Band!
I Clayton’s Grand March (Blaise) (In stow time for marching) Victor B)
fin Lover’s Lane (Pryor) Pryor’s Band)
l Glow-Worm — Intermezzo (With Vocal Chorus and Bell Solo ) Victor OrchS
fin My Heart, On My Mind, All Day Long Stanley-Murrayl
\ Boo-Hoo-Hoo (You’ re Gonna Cry When I’m Gone) Stanley- Murray)
fin My Tippy Canoe — Waltz (Vocal Chorus) Hackel-Berge Orl
l Where the Lazy Miss. Flows — Waltz Hackel-Berge Orchestra)
In Old Madrid (Bingham-Trottbre) Emilio de Gogorza i
fin Old Madrid (Bingham-Trot&e) Frederick Wheelerl
1 Bedouin Love Song (Pinsuti) Alan Turner )
In questa tomba oscura (Within the Tomb Forgotten)
(Beethoven) In Italian Chaliapin
flnsect Powder Agent (Comic Specialty with Banjo) Golden-Marlowel
l Henry Attempts Suicide (Darky Specialty with Banjo) Golden and Marlowe)
^Inspiration — Spanish Waltz (Moskowitzj (Piano by Yussim) Moskowitzl
Argentine Dance Cembalom Joseph MoskoWitz)
INSTRUMENTAL DUETS
The players represented in these Duets — Fritz Kreisler, Violin; Efrem Zimbalisl, Violin; Howard
Ratiay, Violin; Charles D'Almaine, Violin; Natalie Boshko, Violin, Viola; Hugo Kreisler,
’Cello; John Lemmone; Flute; Clement Barone, Flute ; Darius Lyons, Flute; Herbert L. Clarke,
Cornet; Emil Keneke, Cornet; Walter B. Rogers, Cornet; Arthur Pryor, Trombone; Samuel
Siegel, Mandolin; Butin, Guitar ; Ada Sassoli, Harb; Victoria Boshko, Piano. See also “Arden-
f~\ l _ ** * ( ft — l D , s r : - „ > > *( r? ... _ C* / nisia* t>rf>r rt /l/f n rt rr> / Inid'c
1
Ohman," “ Maier-Paliison," “ Ferera-Franchini,
Alice, Where Art Thou? ‘Cello-Flute 16786
American Valor March
Mandolin-Guitar 16679
Angel's Serenade Violin-’Cello 16410
Call Me Thine Own Violin-Flute 35140
Concerto for Harp and Flute 55111
Concerto for Two Violins76028, 76029, 76030
Estellita Waltz Mandolin- Guitar 16382
Farewell to Cucullain Violin-Cello 87577
Friendly Rivals — CornetDuet 16312
Gondolier and Nightingale Cornet-Flute 17153
Louise-Ferera,’ ’ “ Moore-Davis .
MenuetinG Violin-Piano
Miserere — 11 Trovatore
T rombone-Cornet
See the Pale Moon CornetDuet
Serenade — For several serenades by
various composers see “Serenade”
Sweet Longings Violin-Flute
Sweet Spirit. Hear My Prayer
V iolin-Flute
Tyrolean Dance Violin- Piano
Voice of Love 'Cello-Flute
17934
16371
16546
35700
16522
17934
16046
INSTRUMENTAL QUARTETS — See “Athenian Mandolin Qt„” “Brass Quar¬
tets,” “Florentine Quartet,” “Grieg Instrumental Qt.” “String Quartets," “Vienna
Quartet” and “Wiedoeft- Wadsworth Quartet”
INSTRUMENTAL TRIOS — See “All Star Trio,” “Birds in the Forest,” "Estudian-
tina Trio,” “McKee Trio,” “Neapolitan Trio,” “ Ossman-Dudley Trio,” “Palace
Trio,” “Plantation Trio,” “Smith Trio,” “String Quartets and Trios,” “Three
Solitaires,” “Tollefsen Trio,” “Van Eps Trio,” “Venetian Trio.”
INSTRUMENTS of the Orchestra — For three Double-Faced Records illustrating
the various instruments see “ Educational Records”
Interludium in Modo Antico (Glazounow) Flonzaley Quartet|74667|l2|1.75
Intermezzo — See “Carmen,” “Cavalleria,” “Jewels”
INTERNATIONAL NOVELTY
Belle of the North
Colombine, The
Cuckoo — W altz
Farewell Waltz
Hesitating — Fox Trot
Line — Rheinlander
Love’s Tortures
Marguerita
My Little Teresa
Opium Dreams
ORCHESTRA
73111
73259
73306
73289
73369
73306
73362
73289
73362
73369
Parade of Wooden Soldiers
Peacock, The
Popular Songs — Med. Waltz
Pretty Indian
Song of the Smile
Swanee River Moon — Med. Waltz
Twinkling Star
White Race
Why Lower Your Eyes
You Can Have Every Light
73366
73161
35716
73259
73177
18882
73366
73111
73177
18889
Number
4J>
33 |
List
prc.
45200
■o1
1.00
17013
10
.75
45091
10
1.00
17428
10
.75
17305
10
.75
18753
10
.75
18020
10
.75
16741
10
.75
64360
10
1.25
17806
10
.75
16405
10
.75
16928
10
.75
18063
10
.75
18795
10
.75
17685
10
.75
87523
10
1.50
17721
10
.75
18810
10
.75
18017
10
.75
45195
10
1.00
16174
10
.75
16978
10
.75
87307
10
1.25
16532
10
.75
17587
10
.75
74165
12
1.75
74626
12
1.75
16052
10
.75
16273
10
.75
VICTOR RECORDS
fin the Afterglow (J. Will Callahan-F. H. Grey)
l Drowsy Baby (/. Will Callahan-L. S. Roberts)
fin the Cross of Christ I Glory (Conkey-Bowring)
l Sweet Hour of Prayer
jin the Dark (From “ Pom Pom ”) (Caldwell-Felix)
Elsie Baker-!
Kline-Bakerl
Trinity Choir-!
Trinity Choir I
Mizzi Hajos 1
Mizzi Hajos I
Evelyn { From “ Pom Pom")
In Thee, Oh Spirit, True and Tender (Christian Science) Hemus)
Day by Day the Manna Fell ( Christian Science) (Gottschalp) Hemus!
In the Evening by the Moonlight (Bland) Hayden Quartet)
Massa’s in de Cold, Cold Ground ( Foster ) Marguerite Dunlap)
In the Forest (Sous Bois) (Staub, Op. 6, No. 6) Victor Orch)
Canzonetta ( V. Hollaender) Victor String Quartet)
In the Garden (Miles) Mrs. Wm. Asher-Homer Rodeheaver)
When the World Forgets ( Ackley ) Homer Rodeheaverl
In the Garden of My Heart (Roma-Ball) Reed Miller-!
My Wild Irish Rose { Olcott ) Criterion Quartetl
In the Gloaming (Meta Orred-Annie F. Harrison)
By Clarence Whitehill (Baritone)
By Elsie Baker (Contralto) and Oh, Promise Mi
By Elizabeth Spencer (Soprano) and Rock Me to l
By McKee Trio Violin- Cello-Piano and Supplication — McR
fin the Heart of Dear Old Italy (West-Glogau) Sterling Trio
l Who’ll Dry Your Tears When You Cry? Wm. Roby ;
fin the Hills of Old Kentucky Campbell and Burr)
l I’m Coming Back 1° Dixie and You Peerless Quartetl
fin the Land of Love with the Song Birds ( Bird Effects) Campbell-Burr)
l Dress My Mother Wore {Sunshine- Marshall) Henry Burrl
fin the Old Town Hall (“Ziegfeld Follies, 1921”) Murray)
l Humpty Dumpty {Sterling-Moran-Von Tilzer) Murray-Small!
fin the Park March (Dorn) Victor Ba
X Tenth Regiment March (R. B. Hall) Victor Military Bi
fin the R-o-t-a-r-y (Lauder) Sir Harry Lauc
l Mr. John MacKay Sir Harry Lau
l Darling Nelly Gray { Hanby )
In the Shade of the Palm— Florodora — See
fin the Shadows (Herman Finck)
' Florodora 1
In the Sweet Bye and Bye (Bennett-Webster) Schuman
fin the Sweet Bye and Bye (Webster) Hayden C
l The Ninety and Nine iSankey) Harry Me
fin the Valley of the Moon (Jeff Branen) Clark an
l When the Angelus is Ringing {Young-Grant) Lyric
Introduction and Rondo Capriccioso (Saint-Saens) Violin
Introduction and Tarantelle (de Sarasate, Op. 43) Violin
fin Venice (Rubens) Whistling Margaret 1
l Birds and the Brook {with Bird Warbling) {Stults) Joseph .
f Invincible Eagle March (Sousa) Sousa’
l Royal Trumpeters’ March {Seltzer) Arthur Pryor
VICTOR RECORDS
(Invitation Waltz (Anita Owen) Whistling Margaret McK.ee!
I Salut d’ amour { Love’s Greeting) {Elgar} Whistling McKee )
Invitation to the Waltz (Weber) Philadelphia Orchestra
fin Wintertime Waltz (McKee) McKee’s Orchestral
l A Perfect Day — Medley Waltz McKee’s Orchestra )
fin Y our Arms — Fox Trot (intro. “ I Know Why ”) Selvin’s Novelty O!
l That Naughty Waltz {Sol. P. Levy) Joseph C. Smith’s Orchi
I PACLIACCI — See “Pagliacci”
I Passed by Your Window (Taylor-Brahe) Frances Alda
(Ireland (McKenna-Kleineke) George MacFarlanel
l My Own Home Town in Ireland George MacFarlanel
f Ireland Must be Heaven, for My Mother Came from There Harrison!
I All Erin is Calling Mavourneen Charles Harrison)
Ireland, My Sireland (From “Eileen”) (Herbert) McCormacl
IRELAND, Songs about — See “ Irish Songs”
Ireland, Songs of Victor Mixed Chorus
“The Harp That Once Thro’ Tara's Halls" — “Last Rose of Summer” —
“Love’s Young Dream’’ — “ Wearin’ of theGreen" — “Killarney" —
“ Come Back to Erin ”
Songs of Scotland Victor Mixed Chorus
IRENE (Joseph McCarthy-Harry Tierney)
Irene — Edith Day and A lice Blue Gown (from "Irene”) Edith Day
Alice Blue Gown — Waltz and Tripoli — Med. Waltz Smith’s Orchestra
IRENE, GEMS FROM Victor Light Opera Co
Chorus, “The Last Part of Ev’ry Party;" Soprano Solo, "Alice Blue Gown;’
Baritone and Chorus, “Castles of Dreams," Soprano and Chorus “Irene”
Gems from ' ‘Apple Blossoms ’ ’ {] acobi-Kreisler) Victor Light Opera Co
{IRENE — Medley Fox Trot Joseph C. Smith’s Orchestra
(Intro. “Irene”— “Castles of Dreams’’ — “Last Part of Every Party”)
Ching-a-Ling’s Jazz Bazaar — Med. Fox Trot Jos. C. Smith’s O
Irene West Royal Hawaiians
Hilo (Hawaiian March) 17767 | Papio Huli Medley 17804
IRIS {Ee-ris) (Mascagni) {Sung in Italian)
Apri la tua finestra (Open Thy Lattice Window) Harp acc. Martinelli
Apri la tua finestra (Open Thy Lattice Window) Beniamino Gigli
In pure Stille (Life is Gaily Passing) Lucrezia Bori
Irish Bagpipe — See “Ennis”
flrish-Dutch Argument Porter and Kennedy 1
l I’m Looking for a Sweetheart {Burnside- Klein) Jones and Murray)
Irish Emigrant, The (Sheridan-Baker) In English John McCorm
flrish Folk Song (Arthur Foote) Laura Littlefield!
I Ah, Love, but a Day {2) Year’s at the Spring Laura Littlefield)
(Irish Home Sweet Home (Von Tilzer) Murray-Sih
\ Melon Time in Dixieland {Ringle) Murray- Amer
flrish Hornpipes — Medley No. 3 Irish Bagpipe Tom En
l Irish Reels — Medley No. 6 Irish Bagpipe Tom Et
Irish Jig — See “ Educational — Folk Dances ” and “ Dance Records”
Irish Love Song (Lang) In English {Pianoforte by Zimbalist) G1
IRISH MELODIES — Instrumental Records
Number
— > a.
18755
10
.75
74598
12
1.75
35511
12
1.25
18650
10
.75
64948
10
1.25
45074
10
LOO
18111
10
.75
64665
10
1.25
35513
12
1.25
45176
10
1.00
18700
10
.75
35697
12
1.25
35695
12
1.25
64652
10
1.25
64959
10
1.25
87219
10
1.25
16322
10
75
74237
12
1.75
35693
12
1.25
18794
10
.75
18366
10
.75
64346
10
1.25
Come Back to Erin 1 7995
Drowsy Maggie 18639
Dublin Jig Medley 18639
Irish Melodies 18286
Little Bit of Heaven I 7898
Irish Reels 17849
Irish Tune from
County Derry 1 7897
Kathleen Mavourneen 18091
Killarney 18091
Little Bit of Heaven 35522
March Shannon 171 10
Molly on the
Shore 6461 1, 74580
Mother Machree 17835
New Tipperarv March 16024
Tearin 'o the Green 17444
VICTOR RECORDS
/Irish Melodies (See “Medley No. 75”) Irish Bagpipe Tom Ennis)
l Irish Jigs — Medley Irish Bagpipe Tom Ennis)
/ Irish Reels — Medley (See “Medley No. 95) Irish Pipes Touheyl
l Medley of Irish Jigs {Haley’s Favorite) Accordion Kimmel)
(Irish Reels — Medley No. 1 Accordion John J. Kimmel)
l My Hindoo Man Xylophone Peter Lewin)
( Irish Reels — Medley No. 3 (See “Medley 97”) Accordion Kimmel)
1 Irish Peels — Medley No. 4 (See "Medley No. 97’’) Accordion Kimmel)
/Irish Reels — Stack of Barley (See “Medley No. Ill”) Kimmel)
l Geese in the Bog — Irish Jigs John J. Kimmel)
(Irish Reels — Medley No. 5 (See " Medley No. 98 ”) John Kimmel)
l Medley of Irish Jigs (An Irish Mixture) John Kimmel)
(Irish Reels, No. 6 (See “Medley No. 99”) Violin Veol
\ Irish Jigs — Medley Violin Harold Veo)
(Irish Reels — Medley No. 6 Irish Bagpipe Tom Ennis)
l Irish Hornpipes — Medley No. 3 Irish Bagpipe Tom Ennis)
(Irish Repartee — Comic Dialogue (Porter) Porter and Murray 1
l Old Dog Sport — with dog imitations (Baer) Spencer and Girard )
IRISH SONGS AND SPECIALTIES (COMIC) — See the following
titles, also “Bayes,” “Jones” and “Murray”
Clancey’8 Wooden Irish-Dutch Argument Peggy O’Neil
Wedding Irish Repartee Pull Cork Out of Erin
Everybody Loves an I’ve Got Rings 'Twas Only an
Irish Song O'Brien’s Automobile Irishman’s Dream
IRISH SONGS — Standard. See also “McCormack”
Number
<U
fxl
si
13 <=».
18286
10
.75
18727
10
.75
16948
10
.75
17849
10
.75
18193
10
.75
18207
10
.75
18308
10
75
18366
10
.75
16017
10
.75
Sweet Peggy Magee
When It's Moonlight
In Mayo
Yip, 1 Adee, I Aye
As a Beam O’er the
Waters
Believe Me
Bendemeer’s Stream
Colleen o’ My Heart
Danny Boy
Harp That Once
Ireland (Kleineke)
Ireland Must Be
Irish Love Song
Kathleen Mavourneen
Kilkenny
Killarney
Little Bit of Heaven
Low Back’d Car
Macushla
Mavourneen Roamin’
Meeting of the Waters
Medley No. 18
Molly O !
Mother Machree
My Own Home Town
My Wild Irish Rose
Off to Philadelphia
She’s the Daughter
of Mother Machree
Songs of the Past No. 9
That’s an Irish Lullaby
That Tumble-down
Shack
When Irish Eyes
Where the River
Shannon
W earin’ of the
Green
Walter C. Kelly)
Walter C. Kelly J
Victor Orchestra)
Victor Orchestra)
{Irish Stories — Humorous Monologue
Darky Stories — Humorous Monologue
{Irish Tune from County Derry (Grainger)
Shepherd’s Hey (Grainger)
ISAACS, MASTER CLAUDE, Boy Soprano
Cornin’ Thro’ the Rye and Sing I Sing ! Birds on the Wing — Claude Isaacs
I’se Gwine Back to Dixie (C. A. White)
By Alma Gluck (Soprano with Male Chorus)
By Kitty Cheatham (Soprano) and Dixie ( Emmett ) Kitty Cheatham
By Hayden Quartet and My Maryland March Drum, Fife and Bugle Corps
(Isle d’ Amour (Edwards) (“Follies of 1913”) Olive Klinel
\ A Little Love, a Little Kiss (Un peu d’ amour) (Silesu) Harrison)
(Isle of Paradise — Med. Waltz (Intro. “Pensacola”) Ferera-Franchini)
1 Drowsy Head — Medley W altz Guitars Ferera-Franchini)
(Is There Still Room for Me ’Neath the Old Apple Tree— Peerless Qt)
l Georgia Moon (Havez- Barron) Sterling Trio)
(Italian Airs — Medley (See “Medley 76”) Street Piano)
l Operatic Airs- — Medley Street Piano)
ITALIAN AND NEAPOLITAN SONGS For Italian and Neapolitan popular
records, see regular Italian Catalogue, and the lists of selections by Caruso, De
Gogorza and other artists in Red Seal section. For opera airs in Italian, see the
various operas.
45255
10
17897
10
18274
10
64564
10
45094
10
16104
10
17509
10
18771
10
17927
10
18328
10
1.00
.75
.75
1.25
I 00
.75
.75
.75
.75
.75
VICTOR RECORDS
ITALIAN DIALECT SONGS AND SPECIALTIES
When Antelo Plays the ‘Cello 45191 | When Tony Goes Over
- /Italian Favorites (l) “ La Spagnuola" (2) “Ciribiribin” Pietri
l Azalea Waltz {with Piano ) Mandolin Penne
Italian Folk Dances - See “ Educational Records — Folk Dances ”
/Italian Riflemen March (Boccalari) Pryor’s Bam
l Georgia Sunset — Cakewalk ( Brown-Lampe ) Pryor’s Ban
fltalian-Spanish Favorites Accordion (See “Medley No. 77”) Pietri
l Verona Waltz ( Pietro ) Accordion Pietr
(Italian Street Song (“Naughty Marietta”) (Herbert) Marsh-Chi
\ Tales of Hoffmann — Barcarolle { Offenbach ) Marsh- Dunla,
Italian Symphony — See “Symphonies”
ITALIAN VILLAGE BAND
Tarantella of Potenza and My Little Sweetheart — Italian Ba
Italy — Patriotic Airs — See “National Airs — Italy”
fit Came Upon the Midnight Clear (Willis) Oratorio Choru
l While Shepherds Watched {Tate-Handel) Victor Oratorio Ch
fit Came Upon the Midnight Clear (2) Hark! the Herald Angels
j (3) Joy to the World Victor Concert Orchestr.
I Bible Reading — Luke 2 (2) A Christmas Carol Harry Humphrey
fit Came Upon the Midnight Clear (Sullivan) V. Mixed Choru.
I Sing, O Heavens {Berthold Tours) Victor Mixed Choru
fit Couldn’t Be Done (2) Wait Till Your Pa Comes Home Gues
l M a and the Auto {Guest) Recitation Edgar A. Gues
f I Think I’ll Get W ed in the Summer (Lauder) Sir Harry Laude
\ Ta, Ta, My Bonnie Maggie Darling {Lauder-Grafton) Laude
fit Must Be Someone Like You— Fox Trot Benson Orel
l When the Sun Goes Down — Fox Trot {Bloom) Shilking 0
fit’s a Long, Long Way to Tipperary (Judge- Williams) American Q
l Soldiers of the King {Parry) Pryor’s Bam
It’s a Long, Long Way to Tipperary McCormack with Chori
fit’s a Long, Long Way to Tipperary — Medley March Victor E
l Private Tommy Atkins — Medley March Victor Military Bam
jit’s a Wonderful World After All (Alexander) Chas Harrison')
\ Wake Up Little Girl You’re Just Dreaming Henry Burr]
{It’s Hard to Kiss Y our Sweetheart When the Last Kiss Meat
Good-Bye (Roden-Mills) Walter Van Bri
Put on Your Old Grey Bonnet {Murphy -W enrich) Hayden Qua ;
fit’s Nice to Get Up in the Mornin’ Sir Harry I^auderl
l Doughie the Baker {Scotch Specialty) {Lauder-MacFadyen) Lauder I
fit Nice to Get Up in the Mornin’ Sir Harry l^auder-!
I Doughie the Baker {It’s Nicer When You Make It Up) Lauder)
fit’s Up to You (J’en ai Marre!) — Fox Trot (Yvain) Whiteman’s Orl
l ’Neath the South Sea Moon — Fox Trot Whiteman’s Orch)
fit’s You — Fox Trot (from “Bombo”) (Conrad) Smith’s Orch 1
l Blossom Time — Medley Waltz {See “Medleys”) Smith’s Ore hi
fit Was in Schoneberg — March Apollo Orchestral
l All Men are Sinners — March Apollo Orchestra]
fit Was the Time of Lilac (Bowles-Hathaway) Elsie Bakerl
1 Monastery Bells {Leslie- Wendling) Merle Alcock>
IundmeiBua (I and My Boy) (Millocker) German Schumann-Heink
flvanhoe — Two-Step (Van Alstyne) Arthur Pryor’s Band]
\ Breezes of the Night Waltz {Lamothe) Arthur Pryor’s Band]
Number
| '—i a
e Top
18510
17643
10
|,5
16796
10
.75
17802
10
.75
45181
10
1.00
73305
10
.75
35412
12
1.25
18086
10
.75
35661
12
1.25
45258
10
1.00
55124
12
1.50
18804
10
.75
17639
10
.75
64476
10
1.25
17651
10
.75
18893
10
.75
16377
10
.75
55115
12
1.50
45196
10
1.00
18911
10
.75
18827
10
.75
69145
10
.75
45247
10
1.00
88139
12
1.75
16112
10
.75
Number
Size
13 o.
18447
10
.75
18604
10
.75
18838
10
.75
45188
10
1.00
18704
10
.75
18703
10
.75
18799
10
.75
18867
10
.75
45212
10
1.00
45205
10
1.00
55126
12
1.50
45067
10
1.00
17763
10
.75
18237
10
.75
18832
10
.75
18845
10
.75
17688
10
.75
18446
10
.75
74433
12
1.75
18848
10
.75
18965
10
.75
18947
10
.75
55173
12
1.50
45134
10
1.00
18806
10
.75
17799
10
.75
VICTOR RECORDS
fl
fl
fl
fl
fl
fl
fl
ve Been ’Buked (2) Most Done Tuskegee Singers!
My Way’s Cloudy { 2 ) I’m a- Rolling Tuskegee Institute Singers)
ve Got My Captain Working for Me Now (Berlin) Murray^
And That Ain’t All ( Green-Stept )
ve Got My Habits On (Smith-Schafer-Durante)
Happy Hottentot ( Jerome-Von Tilzer)
ve Got Rings on My Fingers (Weston-Scott)
Yip ! I Adee ! I Aye { Cohb-Flynn )
ve Got the A-B-C-D Blues
Sally Green ( The Village Vamp )
ve Got the Blues for My Kentucky Home
Singing the Blues { Till My Daddy Comes Home)
ve Got the Joys ( Young-Lewis- Akst)
Strut Miss Lizzie {Creamer-Lay ton)
ve Got the Wonder Where He Went Blues
Piano duet
Say, Persianna, Say {In Fox Trot Tempo) Piano duet Arden-Ohman)
ve Loved Her Ever Since She Was a Baby Sir Harry Lauder 1
I Love a Lassie {My Scotch Bluebell) Sir Harry Lauder)
ve Something in the Bottle for the Morning Sir Harry Lauder!
Arthur Fields)
Miss Patricola!
Miss Patricola)
Blanche Ring!
Blanche Ring)
Murray-Smalle!
Murray)
Aileen Stanley!
Stanley)
Aileen Stanley!
American Qt!
Arden-Ohman
5ir Harry Lauder)
Sir Harry Lauder!
Sir Harry Lauder)
('
IT
Same as His Faither Was Before Him
f I’ve Something in the Bottle for the Morning
l Same as His Faither Was Before Him
flvy Green, The (Dickens-Beethoven) Reinald Werrenrath!
I When the Swallows Homeward Fly {Flute obb.) Lucy Marsh)
fl Walk With the King (Rowe-Ackley) Homer Rodeheaver!
I Brighten the Corner Where You Are {Gabriel) Homer Rodeheaver)
fl Want God’s Heaven to be Mine Tuskegee Institute Singers!
I Nobody Knows the Trouble I See Tuskegee Institute Singers)
fl Want My Mammy (“The Midnight Rounders”) Peerless Qt!
1 Mandy “N” Me {Kalmar-Conrad-Motzan) American Qt)
fl Want My Mammy — Mandy “N” Me — Fox Trot Smith’s Orch!
I Stealing— Fox Trot {Dan Sullivan) Smith and His Orchestra)
fl Want to be Like Jesus Tuskegee Institute Singers!
I Go Down Moses Tuskegee Institute Singers)
fl Want to be Ready (2) Get On Board (unacc.) Tuskegee Singers!
I Been a-Listenin ’ {2) Good Lord I Done Done Tuskegee Singers)
I Want to See the Old Home (Dumont-Stewart) ( withCho ) Whitehill
fl Want You Morning, Noon and Night (Cobb-Edwards) Harrisonl
l That’s How I Believe In You (Dubin-Cunningham-Rule) Burr)
I Wish I Could Shimmy Like My Sister Kate — Fox Trot
The Virginians [
Gee! But I Hate to Go Home Alone — Fox Trot
fl Wish I Knew — Fox Trot (You Really Loved Me)
l Suez — Fox Trot {Grofe-DeRose) Clyde
fl Wish You Were Here Again (Lauder)
l Granny’s Laddie — Recitation
fl Wonder How the Old Folks Are At Home
l Memories {Kahn- Van Alstyne)
fl Wonder if You Still Care for Me? (Smith-Snyder)
\ Remember the Rose {Mitchell- Simons)
The Virginians)
Doerr and His Or!
Doerr and His Orch)
Sir Harry Lauderl
Sir Harry Lauder)
Paul Reimers!
Paul Reimers)
Chas. Hart!
Elliott Shaw)
fl Wonder What Will Wm. Tell — One-Step
l Chicken Reel Comedy Medley Saxophones
Van Eps Trio!
Brown Brothers!
VICTOR RECORDS
Aileen Stanley )
Murray- American Qt I
fl Wonder Where My Sweet Daddy’s Gone
l Stand Up and Sing for Your Father
fl Would That My Love (Mendelssohn) Stevenson-Macdonough)
l Miserere from "'ll Trovatore” {Verdi) Stevenson, Macdonough and Cho )
(Jack and the Beanstalk (Fairy Tale) Sally Hamlin)
l Cinderella {Fairy Tale) Sally Hamlin )
Jack O’ Lantern, Gems from Victor Light Opera Company
Chorus, “Candy Land" — Solo, “Wait Till the Cows Come Home”- — Trio,
"Knit, Knit, Knit" — Solo, "Take a Swing With Me" — Solo and Chorus,
"Follow the Girls Around," and Chorus, “Wait Till the Cows Come
Home” (Caldwell-Burnside-Caryll)
Gems from “Leave It to Jane’’ Victor Light Opera Company.
(Jack Tar March (Sousa) Sousa’s Band)
l Thunderer March {Sousa) Sousa ’s Band )
JACOBS-BOND, Carrie (1862) Song Composer
Born Janesville, Wis. Studied painting and music as an amateur. Began writing
verse and music as a pastime. Published her own songs and with her son established a store
to sell them. For compositions see “Hand of You,” "His Lullaby,” “I Love You,”
“Just a-Wearying,” “Little Bit o’ Honey,” “Perfect Day.”
JACOBSON, SASCHA, Violinist
Berceuse (Renard) and Trdumerei ( Schumann ) Jacobson
JACOBY, JOSEPHINE, Contralto — See “Lucia,” “Martha,” “Rigoletto’
Number
Site
Hi a.
18784
10
.75
16013
10
.75
35664
12
1.25
35666
12
1.25
16151
10
.75
(Ja-Da (Bob Carleton)
l Alcoholic Blues {Lasca-Von Tilzer)
JAMES, LEWIS, Tenor
Arthur Fields)
Billy Murray)
17385
10
18522
10
.75
.75
For the Sake of
Auld Lang Syne 1 8944
Holy Night 16060
Smile and the World
Smiles 18545
When You Long for
a Pal 18961
Duetsin which Mr. James sings
Salvation Lassie 18524
Till We Meet Again 18518
Trail to Long Ago 18961
PHOTO WHITE
JANIS, ELSIE, Comedienne
Elsie Janis is one of the most charming and gifted
women on the American stage, and whatever she under¬
takes it is sure to be a finished piece of character delin¬
eation. Miss Janis was one of the stars of the “ Lady
of the Slipper" production, and the combination of Mont-
gomery-Stone-Janis was certainly the strongest all-star feature
in the musical comedy field. After a splendidly successful
season in London she returned to America and joined the
“Century Girl” forces during the season of 1916-17. After
a war sojourn in Europe she returned to the United States.
IANIS RECORDS
Fo’deLawd’s Sake Play aWaltz 45191
JANPOLSKI, ALBERT, Baritone
Song of Volga Boatmen (Ei Uchnam) In Russian and Moscow — Janpolski
Japanese National Air — See “ National Airs — Japan ”
(Japanese Sandman (R. B. Egan-R. A. Whiting) Olive Kline)
l Old Fashioned Garden {from “Hitchy-Koo’’) {Cole Porter) Kline)
(Japanese Sandman — Fox Trot Whiteman and His Orchestra)
l Whispering — Fox Trot {Whiting) Whiteman and His Orchestra)
JARVIS, HAROLD, Tenor
Beautiful Isle of Somewhere (Fearis) and Christ Arose (Lowry) Hayden Ql
Jasmine Door (Weatherly-Scott) Sophie Braslau 66044
JANIS
WhenAntelo Plays the 'Cello
45191
65147
18690
16008
.75
1.00
.75
.75
1.25
VICTOR RECORDS
Number -5 ~ H
t
Dixieland Jazz Band
Fidgety Feet
Home Again Blues
Jazz Me Blues
Lazy Daddy
Li’l Liza Jane
Livery Stable Blues
Margie
Mournin’ Blues
(Tom Delaney)
(Handy)
18255
18564
18729
18772
18564
18394
18255
18717
18513
Old Grey Mare
Ostrich Walk
Palesteena
Royal Garden Blues
Sensation Rag
Skeleton Jangle
St. Louis Blues
Sweet Mamma
Tiger Rag
JAZZ BAND RECORDS
At the Jazz Band Ball 18457
Beale Street Blues 1 8369
Bluin’ the Blues 18483
Bow Wow Blues 18850
Broadway Rose 18722
Clarinet Marmalade B. 1 85 1 3
Coon Band Contest 18394
Crazy Blues 18729
Dangerous Blues 18798
/Jazz Me Blues — Fox Trot
l St. Louis Blues — Fox Trot
/Jealous of You (Freedman-Ingham-Johnson)
l When the Honeymoon was Over ( Fisher )
/Jean MacNiell — Scotch Specialty
l British Bulldog’s W atching at the Door
JERITZA, MARIA, Soprano — See “Jeritza” in Pink Section
/Jerusalem — Sacred Song (Parker) Elliott Shawl
Excelsior (Balfe) Reinald Werrenrath and Harry Macdonough )
Jerusalem the Golden (Ewing) Trinity Choir)
Come Thou Almighty King ( Wesley ) Trinity Choir)
Je sais que vous etes jolie (I Know You Are Pretty) French
Jests from Georgia — Darky Story Ralph Bingham 1
Mrs. Rastus at the Telephone — Darky Story Ralph Bingham )
Jesus, Blessed Jesus (Ogdon-Ackley) ( Organ acc.) Rodeheaverl
Jesus Remembered You ( Poole-Gabriel ) ( Organ acc.) Rodeheaver)
/Jesus Christ is Risen Today (Warden) Hayden Quartet
Trinity Choi
Dixieland Jazz B1
Dixieland Jazz Band)
W m. Robyn)
Henry Burr)
Sir Harry Lauderl
Sir Harry Lauder)
t
a
Blest be the Tie that Binds ( Nageli )
Jesus de Nazareth (Gounod) See “Nazareth”
Jesus, Lover of My Soul (Refuge) ( Wesley-Holbrook) Gluck-Homer
/Jesus, My All (F. J. Crosby)
We Would See Jesus ( Warner-Mendelssohn)
/Jesus, My Saviour (J. W. Van Deventer)
Let the Lower Lights Be Burning (Bliss)
Jesus Remembered You (Poole-Gabriel)
Kline-Bakerl
Kline-Baker)
Kline-Baker
Olive Kline-Elsie Baker.
( Organ acc.) Rodeheaverl
Jesus, Blessed Jesus ( Ogdon-Ackley ) (Organ acc.) Rodeheaver)
/Jesus, Saviour, Pilot Me (Gould) Harry McClaskeyl
t Nearer My God to Thee (Mason) Hayden Quartet)
JEWELS OF THE MADONNA (Wolf-Ferrari) (Berlin, 1911)
fSee Victrola Book of the Opera for complete illustrated description)
First Entr’acte (Intermezzo between Acts 1 and ID Victor Concert Orch.
and Danse Macabre ( SaintSaens , Op. 40) Vesselta's Italian Ba
Rafael's Serenade (Act 11) In Italian Amato with Metropolitan Opera Cho
Intermezzo (Introduction to Act III) Vessella’s Italian Band
and Lucia Sextette ( Donizetti ) Vessella’s Band
Intermezzo (Introduction to Act Ill) Victor Concert Orchestra
and Merry Wives of Windsor Overture — Victor Symphony Orchestra
JEWESS, THE (Halevy) See “Juive, La” (French)
JEWISH RECORDS — See Victor Hebrew Catalogue
JIGS — See " Dance Records ”
Jimmie — Gems from Victor Light Opera Company
Chorus, "Carlottis" — Duet, “Cute Little Two by Four" — Baritone Solo,
“Jimmie” — Contralto Solo, “Baby Dreams” — Soprano and Chorus,
“Toodle Oodle" — Chorus “Jimmie"
Gems from “ Honey Girl” Victor Light Opera Company
18772
10
18805
10
45213
10
35116
12
16135
10
64598
10
17818
10
17713
10
16178
10
87530
10
45314
10
45177
10
17713
10
16742
10
35381
12
87193
10
35356
12
35270
12
35705
12
18369
18457
18717
18798
18483
18472
18772
18722
18472
.75
1.25
.75
.75
.75
.75
1.25
Number
lr>
2 si
—3 O.
35307
12
1.25
18872
10
.75
35518
12
1.25
45117
10
1.00
16961
10
.75
17366
10
.75
17413
10
.75
64928
10
1.25
74208
12
1.75
16396
10
.75
35161
12
1.25
35608
12
1.25
35077
12
1.25
VICTOR RECORDS
/Jimmie Trigger, or. The Military Hero
North Carolina Minstrels
\
Golden and Hughes)
Victor Minstrel Company)
/Jimmy — Fox Trot (I Love But You) (Trebla-Copie) Whiteman’s Or)
After the Rain — Fox Trot ( Sizemore-Shrigley ) Whiteman’s Or)
/Jimmy Trigger Returns from the War golden and Hughes^
Curiosity Hunt — Comic Specialty with Banjo Golden and Marlowe '
/Jingles from the Marsh Birds — No. I (Bird Voices) Charles Kellogg)
Jingles from the Marsh Birds — No. II s* Charles Kellogg )
Jocelyn — Berceuse — See “ Berceuse”
/Jock o’ Hazeldean (Scott) Scotch Ballad John Young)
Scots, Wha Hae Wi' Wallace Bled — Scotch War Song Werrenrath)
/John Anderson, My Jo (Robert Burns) Elsie Baker)
Love’s Old Sweet Song (Bingham- Molloy) Elsie Baker)
Harvard (Harvard University Song) Orpheus Quartet)
Fair Harvard (Flarvard University Song ) ( Unacc .) Orpheus Qt)
John Peel (Old Hunting Song) Emilio de Gogorza
JOHNSON, EDWARD, Tenor - See Pink Section
JOHNSTON, W. G., Chief trumpeter and bandmaster at Culver Military
Academy — See “ Bugle Calls”
Jolie Fille de Perth— Quand la flamme (Bizet) In French Gilibert
/Jolly Coppersmith (Peters) Anoil Effect and Vocal Chorus Pryor’s B)
X Don’ t Be Cross Waltz ( Zeller ) Victor Orchestra)
/Jolly Fellows Waltz — Descriptive (Vollstedt) Pryor’s Band)
l Whispering Flowers ( Von Blon) Pryor ’s Band)
/Jolly General March (For School Marching) (Mor6t) Conway’s B)
Patriotic Medley March No. / Victor Military Band)
/Jolly Robbers Overture (von Supp6) Pryor’s Bandl
l La Boheme Selection (Puccini) Pryor’s Band)
JOLSON, AL, Comedian
l
My Y ellow Jacket Girl 17318
Rum Turn Tiddle 1 7037
Spaniard That
Blighted
I That Haunting
17318 I Melody
17037
JONES, ADA, Comedienne
No series of records in the entire Victor Catalogue has given
more innocent pleasure to the public than the clever solos in
various dialects by Miss Jones, the quaint Irish and other
dialect sketches of Jones and Spencer, and the popular songs of
the day given as duets by Miss Jones and Mr. Murray.
Whether Miss Jones’ impersonation be that of a darky maid,
a “fresh” saleslady, a cowboy girl, a country damsel, Mrs. Flanagan
or an Irish colleen, a Bowery tough girl, a newsboy or a grand¬
mother, it is invariably a perfect one of its kind.
Piano Tuner 16851
Put On Your Slippers 18205
Uncle Josh and Aunt
Nancy
18595
COPV'T CHANNEL!.
JONES and MURRAY — Duets and Sketches
JONES
I’ll Take You Back
I’m Looking for
Don’t Slam Door 18236
1 Can’t Behave 18236
If it Wasn't for You 18205
JONES and SPENCER, Sketches
Mr. and Mrs. Murphy 16100 | Si and Sis
Jongleur de Notre Dame — Legende de la Sauge
Sagebrush) (Massenet) In French
18436
16322
When Francis Dances 1 8830
Widow Dooley
16019
16016 | Sweet Peggy Magee 16765
(Legend of the
Marcel Journet
74123
12
1.75
Number
4J
2 ui
o.
74564
12
1.75
17693
10
.75
16757
10
.75
16996
10
.75
18086
10
.75
64812
10
1.25
17933
10
.75
18519
10
.75
74505
12
1.75
74131
12
1.75
88625
12
1.75
18833
10
.75
18439
10
.75
64937
10
1.25
18842
10
.75
18960
10
.75
18352
10
.75
18399
.75
64389
10
1.25
64674
10
1.25
45090
10
1.00
17905
10
.75
18924
10
.75
16418
10
.75
16987
10
.75
18358
10
.75
VICTOR RECORDS
JORN, KARL, Tenor — See “ Boheme,” “Freischiitz,” "Fruhlings-
lied,” “ Merry Wives of Windsor ” and "Parsifal ”
JOURNET, MARCEL, Bass ( Zhoor-nay ') See Pink Section
(Joy of the Morning (Markham- Ware) (Pianoforte by W are) Wells)
l Boat Song (Moses- Ware) John Barnes Wells)
(Joys of Spring — Intermezzo (Reiterer) Whistling Gialdinil
l Carnival of Venice Xylophone Albert Muller)
(Joy to the World — Christmas Hymn (Handel) Trinity Choir)
l O Come All Ye Faithful — Christmas Hymn (Portugal) Trinity Choir )
(Joy to the World (Handel) (2) It Came Upon the Midnight 1
| Clear (3) Hark ! the Herald Angels Sing Victor Concert Orch |
l Bible Reading — Luke 2 (2) A Christmas Carol Humphrey)
Juanita (Hon. Mrs. Norton)
By Emilio de Gogorza (Baritone)
By Alan Turner (Baritone) and ’Tis Not True ( Mattei ) AlanTi
By Conway’s Band (For Community Singing) and OldBlackJoe Conwa
Judas Maccabaeus — Arm, Arm, Ye Brave! (Handel) Witherspoon
Judas Maccabaeus— Sound an Alarm (Handel) Evan Williams
Juive, La — Rachel! quand du Seigneur la grace tutelaire (Jewess — When
the Grace of the Lord Entrusted Thee to Me) (Halevy) French Caruso
Julius Caesar — See “Shakespeare”
June Moon— Fox Trot (Magine-Straight) Benson Orchestra)
No One’s Fool — Fox Trot (Fred Rose) Benson Orchestra)
(Just a Baby’s Prayer at Twilight (For Her Daddy Over There) Burr)
X On the Road to Home, Sweet Home (Kahn- Van Alstyne) Hemus)
{
{
\
Just a Little House of Love (Glanville-Wood) Braslau
Just a Little Love Song — Fox Trot Whiteman’s Orchestra)
Ty-Tee (Irving Bibo) Paul Whiteman and His Orchestra)
Just As Long As Y ou Have Me — Medley Fox Trot Whiteman’s Or
(Introducing “Twinkle in Your Eye”) (“Gingham Girl")
Blowing Bubbles All Day Long — Fox Trot Whiteman’s Orch
Just a Song at Twilight — See “ Love’s Old Sweet Song”
JJust As Your Mother Was (Sterling-Von Tilzer) Henry Burr)
How Can I Forget (Irving Berlin ) Alan Turner)
( Just a Voice to Call Me, Dear Alice Green with Orpheus Qt)
l Will You Remember Alice Green-Raymond Dixon )
Just a-Wearyin’ for You (Stanton— Jacobs-Bond)
By Evan Williams (Tenor)
By Frances Alda (Soprano)
By Lucy Marsh (Soprano) and His Lullaby — Lucy Marsh
By William Pickels (Boy Soprano) and Mattinata ( Tosti ) Pickets
(Just Because You’re You — Fox Trot All Star Trio and Their Or)
\ Swanee Bluebird — Fox Trot (Whistling variations) Benson Or)
Just Before the Battle, Mother (George F. Root)
By Campbell and Burr and A merican History March — Drum, Fife and Bugle Corps
By John Young (Tenor) and Tramp, Tramp, Tramp (Root) John Young
(Just Break the News to Mother (C. K. Harris) Shannon Four)
X You’re a Grand Old Flag (Cohan) American Quartet)
VICTOR RECORDS
fjust Dreaming of You (Eastman-Heltman)
\ I Called You My Sweetheart Ji
Just for To-Day (S. F. Partridge-T. B. Abbott)
fjust Keep a Thought for Me— Fox Trot All !
I I Like It — All By Myself — Medley Fox Trot Al
{Just Like a Gypsy (S. B. Simons-Nora Bayes)
That Old Irish Mother of Mine ( Jerome-Von Tilzer)
fjust Like a Rainbow — Fox Trot (Earl-Fiorito) Bei
l One Kiss — Fox Trot ( Burlnett-Arnheim )
{Just Like the Rose (Cool-Terriss-Bridges) <
Daddy, You ’ve Been a Mother to Me { Fisher )
fjust Snap Your Fingers — Medley Fox Trot Wf
l Caresses — Medley Fox Trot (Monaco- Hanley) V
Just That One Hour (Werner-Eville)
Just You (Miller-Burleigh)
Edward Johnson
Herbert Witherspoon
K
KAILI, DAVID K., — See “ Hawaiian Records — Guitar Solos and Duets’
fKai Maia o ka Maoli — Medley March Louise and Ferera]
l W aiu Luliluli — March Hawaiian Guitars Louise and Ferera J
fKai Malino (Hawaiian Hula) Toots Paka Hawaiian Troupe)
1 Hoo Mamao oe a Hiki Oe Toots Paka Hawaiian Troupe)
fKalai o Pua Toots Paka Hawaiian Troupe
( Akahi Hoi (King Kalakaua) Toots Paka Hawaiian Troupe
Kaleidoscope (24 Violin numbers by Cui) (See “Orientale”)
fKa-Lu-A (from “Good Morning Dearie”) Brown-Shawl
l Granny (You’re My Mammy’s Mammy) Yvette Rugel)
fKa-Lu-A — Blue Danube Blues — Fox Trot (Kern) Whiteman’s Or
l Everybody Step — Fox Trot (‘ ‘ Music Box Revue”) Whiteman’s Or.
fKamawe (Shake Your Feet) Toots Paka Hawaiian Troupel
1 Ninipo (To Love) Toots Paka Hawaiian Troupe)
{Kamehameha (King Kamehameha’s Favorite Med.) Louise-Ferera)
Waikiki Mermaid Medley — Hawaiian Guitars Louise- Ferera
f Kamennoi-Ostrow— Reve Angelique (Rubinstein, Op. 10). Herbert’s O
l Dance of the Hours ( From “Gioconda”) ( Ponchielli ) Herbert’s O
KANDEL’S ORCHESTRA — Russian Komarinska and Lively Relations
(Kaowe ake kai (Roaring Sea) Toots Paka Hawaiian Troupe)
l Lei Loke Kawika (Wreath of David) Toots Paka Hawaiian Troupe)
fKaravan — Fox Trot (Olman-Wiedoeft) Smith’s Orchestral
l When You’re Alone — Fox Trot Paul Biese and his Novelty OS
fKashmiri Song — Indian Love Lyric, No. 3 (Woodforde-Finden)Murphy)
l Evening Brings Rest and You ( Whaley- Bishop) Lambert Murphy)
Kathleen Mavourneen (Mrs. Julia Crawford-Frederick Nichols Crouch
By Adelina Patti (Soprano) Piano acc.
By John McCormack (Tenor)
By McKee T rio V iolin- Cello-Piano a
fKaty, My Beautiful Katy (Geoffrey O'Hara)
l Last Long Mile (Breitenfeld) Chan
Billy Murray 1
Number
4-
to £
— i a
18289
10
.75
87329
10
1.25
18766
10
.75
18696
10
.75
18823
10
.75
18656
10
.75
35704
12
1.25
64946
10
1.25
64535
10
1.25
18157
10
.75
18584
10
.75
18585
10
.75
18854
10
.75
18826
10
.75
18581
10
.75
18090
10
.75
55044
12
1.50
73198
10
.75
18580
10
.75
18662
10
.75
45106
10
1.00
95035
12
5.00
74236
12
1.75
16404
10
.75
18091
10
.75
18455
10
.75
{
{
{
{
{
{
{
{
{
{
VICTOR RECORDS
Number
to ^
■J Cl
Kaua i ka huahuai (Bubbling Springs)
W ailana — - W altz Song (Drowsy Waters )
Hawaiian Quintette!
Hawaiian Quintette)
18568
10
.75
KAUFMAN, IRVING, Tenor
California and You 17613
Don’t Bite Hand 1 7942
Don’tThrow Me 18811
You’re Just theType 18811
Duets in which
Mr. Kaufman sings
Are You from Dixie 17942
Way Down in Ark. 17965
Kawaihau Waltz (Kealakai)
My Bird of Paradise Hawaiian Guitars
Louise-Ferera!
Louise- Fer era)
17892
10
.75
Kawaihau W altz Hawaiian Guitars
My Hula Love — Medley March
Ferera-Franchini!
Pale K. Lua-David Kaili)
17863
10
.75
Kawiliwiliwai (The Whirling Waters) (Quintette) W. B. J. Aekol
Maid of Honolulu (with Quintette ) S. M. Kaiawe)
18567
10
.75
Keeping Step With the Union — March
Gallant Seventh — March (Sousa)
Sousa’s Band!
Sousa ’s Band)
18929
10
.75
Keep Off the Grass Banjo
Silver Heels ( Moret ) Banjo
Fred Van Epsl
Fred Van Eps)
16266
10
.75
Keep the Home-Fires Burning (Ford-Novello) McCormack
64696
10
1.25
KELLOGG, CHARLES, the “ Nature Singer ”
This gifted naturalist has been talking to delighted audiences all over the country about
the wild life — in story, pictures and bird songs. But his pre-eminent gift, that has been his
from birth, places him unique among men — the ability to sing like a bird. He does not
imitate the birds by lip whistling or otherwise, but actually sings their songs from his throat.
Mr. Kellogg also adapts his bird singing to some of the most beautiful classic com¬
positions, played by the orchestra. Two fine examples of this bird singing are given here,
and two records of what might be called “ bird conversations.” The singer gives an inter¬
esting chat about various birds, illustrating their songs and showing how they talk to each other.
The countless admirers of this gifted nature singer will be delighted with these interesting
examples of his art.
KELLOGG RECORDS
Amoureuse Valse 45061
Bird Chorus 45163
Flower Song 45107
How Birds Sing 45163
Humoresque 45061
Jingles from the
Marsh Birds 45117
Libesfreud 45093
Mocking Bird 74465
Narcissus 45085
Nightingale Song 64566
Pas des Amphores 45093
Polish Dance 45107
Polish Dance 45113
Serenade 45085
Songs of Our Native
Birds 55049
Sounds of the Forest 55092
Sylvia Ballet —
Pizzicato 45113
Virginian Judge —
Third Session 45250
KELLY, WALTER C., Recitations
Darky Stories 45255 Virginian Judge —
Irish Stories 45255 Second Session 45202
Virginian Judge —
First Session 45180
KENNA, ARTHUR P„ Pianist— See “Dublin Jig Medley”
Kentucky Babe (Buck-Geibel) “ That Girl
Knee-Deep in June (Riley) Recitation
Quartet!
Henry Price)
Kentucky Home (Brashen-Weeks )
Who’ll Be the Next One (To Cry Over You )
Kentucky Kut-Ups — March (Frantzen)
Way Down South ( Myddleton ) Banjo
Kentucky Minstrels (See “ Minstrels No. 4”)
Minstrel Specialty — “Wording on the Farm”
Kerry Dance, The (Molloy) In English
Burr-Peerless Quartet!
Fields )
Pryor’s Band!
Vess L. Ossman)
Victor Minstrel Co!
Golden and Hughes)
Schumann-Heink
35188
12
18821
10
16755
10
35260
12
88451
12
1.25
.75
.75
1.25
1.75
VICTOR RECORDS
Number
Kerry Dance (J. L. Molloy)
|^g jKerry Mills’ Barn Dance (Mills)
John McCormack 74485
Dance Orchestral
Virginia One-Step ( Ringleben ) Pryor’s Band)
KHAYYAM, OMAR — -See “In a Persian Garden”
Kicky-Koo — Kicky-Koo — Fox Trot Green Bros’ Marimba Or)
Coo-Coo — Fox Trot (“ Bombo ”) (Jolson-De Sylva) Whiteman’s Or)
/Kicky-Koo — Kicky-Koo (You for Me — Me for You Murray-Smallel
Sleepy Little Village, A (Where Dixie Cotton Grows) Murray-Smallel
/Kilima Waltz Guitars Pale K. Lua-David Kailil
Hawaiian Waltz Guitars Pale K. Lua-David Kailil
/Kilkenny (Irish Song) Charles Harrison)
Molly O ! ( Scanlon ) Reed Miller I
Killarney (Michael Balfe)
By John McCormack (Tenor)
By Henry Burr (Tenor) and The Minstrel Boy (Moore) James McCool
By McKee Trio Violin-’Cello-Piano and Kathleen Mavourneen McKee Trio
/Killiecrankie — Scotch Specialty Sir Harry Lauderl
l Wee Jean MacGregor Sir Harry Lauder)
/Kilty Lads (Milligan-Lauder) Sir Harry Lauderl
l The Message Boy Sir Harry Lauder I
KIMBALL, AGNES, Soprano
Madame Butterfly— Some Day and Martha — Spinning Wheel Qt — V. Opera Qt
KIMMEL, JOHN J.. Accordion
16003
18898
18918
17701
17958
74157
16139
18091
45211
55132
55114
1.75
.75
.75
.75
.75
.75
1.75
.75
.75
1.00
1.50
1.50
Hornpipe Medley 16317
Med. of Irish Jigs
18207-18727
Med. of Irish Reels
Med. of Pop. Reels
KINDLER, HANS, Violoncellist (For other records see Pink Section)
Cygne, Le
Dream, A
45096
45102
Gavotte
Melody in F
45116
45096
Menuet (Valensin)
Traumerei
18207
16948
451 16
45102
National and Patriotic Airs — Denmark
(Sousa) Arthur Pryor’s Band)
l
16386
35284
16821
55055
16889
10
12
10
12
.75
1.25
75
50
10 .75
King Christian — See
King Cotton March
Officer of the Day March ( Hall) Arthur Pryor’s Band I
King Cotton March — For school marching (Sousa) Victor Band)
Officer of the Day March (Hall) Victor Military Band)
/King of Rags (Swisher) Arthur Pryor’s Band)
Whistling Coon (Devere) Billy Murray and S. H. Dudley)
King Rene’s Daughter — Sweet the Angelus is Ringing
(Frederick Enock-Henry Smart) Marsh, Baker and Chorus [
Song of the Vikings (Faning) Victor Male Quartet)
/King’s Business, The — Gospel Hymn (Cassel) Trinity Choir)
l I Love to Tell the Story — Gospel Hymn Trinity Choir)
KIPLING, RUDYARD
Born in Bombay, India, 1865, and educated in England. He returned to India as a
young man, and there wrote the stories and poems which have made his name immortal.
To him the “Tommies” who fought so bravely under Haig owe their introduction to the
world in general and America in particular. His ringing ballads and lilting songs are
generously recorded, and will be found under their own titles.
See “Boots,” “Danny Deevcr,” "Fuzzy-Wuzzy," “Gunga Din,” “Gypsy Trail,”
“L’Envoi.” “Mother o’ Mine,” “On the Road to Mandalay” and “Rolling Down to Rio”
KIRILLOFF, ALEXANDER, Balalaika — Polonaise and Czardas
KIRILLOFF’S BALALAIKA ORCHESTRA— See “Balalaika Orchestra”
/Kiss a Miss — Waltz (Maurice Baron) Smith’s Orchestral
Romance — Waltz (Lee David) Smith’s Orchestra )
{
73089
10
18739
10
.75
.75
VICTOR RECORDS
(Kisses — Fox Trot (Sullivan-Cowan) Joseph C. Smith Triol
1 Mickey ( Williams-Moret ) Joseph C. Smith Trio J
(Kiss Me — One-Step (Besame) Central American Marimba Band)
l Captain Betty One-Step Central American Marimba Band )
Kiss Me Again (from Operetta “Mile. Modiste”) (H. Blossom- V. Herbert)
By Mabel Garrison (Soprano)
By Alice Green (Soprano) and Racketu Coo ! {from “ Katinka") Alice Green
By Victor Herbert’s Orchestra and Humoresque (Dvorak) Herbert’s Orch
By Jos. C. Smith's Orch (Waltz) and Missouri Waltz Smith’s Orch
(Kiss Waltz (See also “Bacio, II”) (Arditi) Whistling Charles Capper)
l See the Pale Moon ( Campana ) Comets Clarke and Keneke )
(Kiss Waltz (Arditi) Whistling Charles Capperl
l Laughing Song ( Laughing Specialty) Henry Klausen)
(Kiss Waltzes (From “ The Kiss Waltz”) (Ziehrer) Victor Orch)
l In the Shadows ( Finck ) Victor Orchestra)
(Kitten on the Keys — Fox Trot (Confrey) Confrey and His Orch)
1 Pick Me Up and Lay Me Down — Fox Trot Club Royal Orch)
(K-K-K-Katy (Geoffrey O’Hara) Billy Murray)
l The Last Long Mile (Breitenfeld) Charles Hart and Shannon Four)
KLAUSEN — Laughing Song and Kiss Waltz Whistling Capper
KLINE, OLIVE, Soprano
Olive Kline is one o( the most gifted sopranos in the general
concert field today. She has a voice of pure and lovely quality, used
with an enviable perfection of art. She has toured the United States
in concert and oratorio work, has appeared with the leading orch¬
estras and been soloist at many of the great yearly festivals in the
more important musical centres. Until a year or so ago she was a
member of one of the highest-salaried quartets in the history of Ameri¬
can church music, at the West End Collegiate Church in New York.
Declining an offer to appear in opera, she nevertheless gave up this
position to devote her entire time to concert work and the making
of Victor records. She has sung music of every character, though
her greatest successes have perhaps naturally been in the field of the
standard popular song. From this field she has passed directly
arms, into many thousands of American homes.
KLINE RECORDS See also “ Educational ”
Humber
'Jr>
List
prc.
18532
10
.75
18292
10
.75
64795
10
1.25
17954
10
.75
45165
10
1 .00
35663
12
1 25
16546
10
.75
62576
10
.75
16978
10
.75
18900
10
.75
18455
10
.75
62576 10
.75
Baby 45308
Chinese Lullaby 45167
Dinorah-ShadowSong55047
Doan Ye Cry 45132
Flow Gently, Sweet
Afton 45132
1 Might Be Your 45173
Isle d’Amour 17509
Japanese Sandman 45201
Lilly Dale 45329
Little Birch Canoe 45 1 56
Little Coon's Prayer 45325
Duets in which Miss Kline sings :
Abide With Me 17782
Alabama Moon 45203
Beautiful Ohio 45161
Come Thou Fount 45306
Drowsy Baby 45200
For Better or Worse 17882
Indiana Lullaby 45309
Jesus, My All 45314
Lo, Here the Gentle
Lark 45115
Longing, Dear 45307
Lucia — Mad Scene 55047
Ma Curly-Headed
Baby 45115
Madame Butterfly 55058
Ma Little Sunflow’r 45168
Masque of Comus 35549
Message of the
Violet 17345
Morning Song 17532
i :
Jesus, My Saviour 45177
Let The Lower
Lights 45177
Little Tin Soldier 45251
Marcheta 45309
Old Sacred Lullaby 45257
Saviour Like
Shepherd 45306
and with welcoming
35279
Oh Willow, Willow
Old Fashioned
Garden 45201
Pickaninny Rose 45244
Rockin' in de Win’ 45307
Serenade (Sing,
Smile, Slumber) 45147
Spring Song 17532
Trovatore — Miserere 35443
When a Maid Comes 35278
You Are Free 45173
Young Man’s Fancy 45215
Soldier Rest 18987
That Naughty Waltz 45203
There’s a Corner
Up in Heaven 45251
We Would See Jesus 45314
Where Lazy Missis¬
sippi Flows 45252
Wonderland 45325
VICTOR RECORDS
Humber
A?
P-J
ao
to it
3 o.
Knee-Deep in June (Riley) Recitation
Kentucky Babe ( Buck-Geibel )
Henry Price]
" That Girl” Quartet)
35188
12
1.25
Knight’s Toast, The Recitation Frank Burbeck!
An Old Sweetheart of Mine (Riley) Recitation Frank Burbeck >
16913
10
.75
Kohala March Hawaiian Guitars
Honolulu March
Lua and Kaili!
Pale K. Lua-David Kaili)
17710
10
.75
Kokohi (We Strive to Win) (Native Song)
Hawaii Ponoi — National Anthem
(with Quintette) Waiaiole!
Hawaiian Quintette)
18576
10
.75
Kol nidre (L. Pilzer) Violin
Hatikva (Our Hope)
Maximilian Pilzer]
V ictor Military Band)
68366
12
1.25
Kol Nidrei (Bruch, Op. 47) Violin
Maud Powell
74355
12
1.75
Kol Nidrei (Max Bruch, Op. 47) Violin
Mischa Elman
74601
12
1.75
Ko Maka Palupanu (Soft Eyes) Toots Paka Hawaiian Troupe]
Poli Pumehana (Press Me to Thy Bosom) Toots Paka Hawaiian Troupe)
17867
10
.75
KORSOFF, LUCETTE, Soprano
Manon — E,t je sois 45009 | Manon — Nous vivrons 45006
KREISLER, FRITZ, Violinist ( Krice'-ler )
(See Pink Section)
KREISLER, HUGO, Violoncellist (See Pink Section)
{
{
{
{
{
{
{
KRYL’S BOHEMIAN BAND— Bohumir Kryl, Director
Attila— Grand Trio 35195 I Dance of Nymphs 16891 1 Marche Indienne 35258
Carnival of Venice 35298 I Marche Fantastique 35298 I Rigoletto — Quartet 35239
KUBELIK, JAN, Violinist (Koo' -beh-leek) (See Pink Section)
Kuckuck (Cuckoo) — Waltz International Novelty Qtl
Line — Rheinlander International Novelty Qt)
Kumukahi (Song of the Lonesome Forest) Hawaiian Quintette!
Aiaihea ( Hula Shouting Song) Hawaiian Quintette )
Kuu Home — Native Plantation Song (with Quintette) S. M. Kaiawe]
Aloha Oe ( Farewell to Thee ) ( Liliuokalani ) Hawaiian Quintette)
L
LA — For titles beginning with this French and Spanish article — also
“LE” and “ LES ” — always see the next word. For example. La
Boheme — see “ Boheme”
Laddies Who Fought and Won (Lauder) Sir Harry Lauder!
From the North, East, South and West Sir Harry Lauder)
L’adieu du Matin (2) Bergere Legere (Pessard) In French Clement
Lady Billy — Medley Fox Trot (Levey) (See "Medleys”) Smith’s Or]
Sally — Medley Fox Trot {from “Sally”) [Kern) Smith’s Orchestra)
Lady Billy — See also "Legend-Medley Waltz”
Lady of the Lake (Country Dance) (arr.by Burchenal) Victor Band]
Old Zip Coon Victor Military Band)
LADY OF THE LAKE (Scott) See also "Ave Maria,” "Coronach,”
•‘Hail to the Chief,” “ Soldier, Rest.” "They Bid Me Sleep” and
“Toils Are Pitched ”
Lady of the Slipper Selection Victor Herbert’s Orchestra]
Sweethearts Selection (See " Medley No. 8l") Herbert’s Orchestra)
73306
10
18578
10
18577
10
55172
12
64223
10
35706
12
18356
10
55039
12
.75
.75
.75
1.50
1.25
1.25
.75
I 50
VICTOR RECORDS
Number ~
LA FORGE, FRANK, Pianist
Frank La Forge is one of the most brilliant American pianists now
before the public. He originally came to the front by virtue of his
unique gifts as an accompanist, and was especially helpful to Marcella
Sembrich in this regard. More recently he has been successful as a con¬
cert pianist, composer and coach for singers. He studied the piano with
the late Theodore Leschetizky, who was a pupil of Czerny, who in turn
was a pupil of Beethoven, so that his musical career was started under
the most favorable auspices. The records listed below fairly represent
the singular playing of this gifted artist.
LA FORGE RECORDS
Liebestraum 55112
Nocturne in D Flat
(Opus 27) 55112
HALL'S STUDIO
LA FORGE
Adagio from 5th
Concerto 55030
Berceuse (Chopin) 55031
Danse Creole 45050
L’AFRICAINE — L’ AFRICAN A - See “ Africana
LAGER, JOHN, Accordionist — Strymans — Waltz and Ball in Karlstad
LAICU, PETRU, AND HIS ORCHESTRA— Ring Dance and Beautiful Helen
LAKME ( Lak-may ') (Paris, 1883) (Leo Delibes) (Deh-leeb’ )
ACT 1 - A GARDEN IN INDIA
Pourquoi dans les grands bois (Why Love 1 Thus to Stray?) French Verlet
and Mignon — Polonaise — In French — Korso
ACT II - A STREET IN AN INDIAN CITY
Oh va la jeu-ne Hindoue (Bell Song) In French Mabel Garrisi
Dov‘£ l’lndiana bruna (Bell Song) In Italian Luisa Tetrazzi
Dov’£ l’lndiana bruna (Bell Song) In Italian Amelita Galli-Cui
Dans la foret (In the Forest) In French Frances Ab
ACT 111 — AN INDIAN FOREST
Vieni al contento profondo (Through Forest Depths)
L’Allegro (Handel) See “Come and Trip It as You Go,
Nymph” and “Let Me Wander Not Unseen”
L’Alouette (The Lark) (Romance) (Ghnka-Auer) Violin Zimbalist
(Lamb’s Gambol (Eccentric Dance) (Bendix) Banjo Van Epsl
l Blood Lilies — Two-Step {Pryor) Xylophone Wm. H. Reitz )
{Lambs March, The (Sousa) Sousa’s Band)
The Gliding Girl (Sousa) Sousa ’s Band)
La mia canzone (My Song to Thee) (Tosti) In Italian Caruso
(Landing of the Pilgrim Fathers (2) God Give Us Men Battisl
l Columbus ( Miller ) Recitation William Sterling Battis)
(Land of Nod (2) Tracks in the Snow (3) Jack o’ Lantern Klinel
l The Leaves’ Party (2) Thanksgiving Song Elsie Baker)
Pasquinade — Caprice 45050
Scarf Dance 55030
Sylvains, Les 55031
In Italian McCormack
” “Haste Thee
Pryor’s Bandl
Victor Orchestra /
(Land of the Maple — Canadian March
l Laurentian Echoes — French-Canadian Melodies
Land of the Sky-Blue Water — See “ From the Land”
(Land Where the Good Songs Go Green-Harrisonl
l Give Me the Moonlight, Give Me the Girl Henry Jordan)
{Lanette — Waltz Caprice Saxophone with Comvay’s Band Hentonl
Slidus Trombonus (A Trombone Comedy) (Lake) Conway’s Band)
(Lanihuli (My Home in Lanihuli) Toots Paka Hawaiian Troupel
l Halona ( Beautiful Mountain) Toots Paka Hawaiian Troupe)
69133
10
.75
73494
10
.75
45006
10
1.00
74491
12
1.75
88297
12
1.75
74510
12
1.75
64715
10
1.25
64171
10
1.25
74582
12
1.75
17457
10
.75
17976
10
.75
87213
10
1.25
35653
12
1.25
18074
10
.75
64895
10
1.25
16593
10
.75
18410
10
.75
18117
10
.75
18586
10
.75
La
VICTOR RECORDS
Number
La Paloma — See “ Paloma ”
LAPITINO, FRANCIS J„ Harpist
As a harp soloist and composer of his instrument,
Francis J. Lapitino has won an enviable reputation,
especially since his playing has been so warmly ap¬
preciated by the wide and ever widening Victor audience.
He was formerly harpist with the Philadelphia Opera
during the Hammerstein regime, and afterward played
with the Philadelphia Orchestra under Carl Pohlig and
Leopold Stokowski. He has devoted himself much to
solo work, composition and the making of Victor records.
LAPITINO RECORDS
Christmas Hymns 18389 Lucia — Prelude 17929
Consolation 18119 Norma — Fantasia 17929
Humoresque 18119
Larghetto (Handel) ( Pianoforte by A.
Lambert) Violin Zimbalist
64335
10
Largo (From “New World” Symphony)
(Dvorak) Phila. Orch
74631
12
LAPITINO
| Largo ( From "New World” Symphony) (Dvorak) Victor Concert O)
l Andante from Beethoven s Fifth Symphony Victor Concert Orchestra)
Largo (From “ Xerxes ”) (Handel)
By Enrico Caruso (Tenor) In Italian
By Louise Homer (Contralto) In Italian
By Charles Gilibert (Baritone) In French
By Fritz Kreisler Violin
By Maud Powell V iolin
By Maud Powell Violin
By Howard Rattay Violin and Russian Fantasie — Cornet — Clarke
By Victor Herbert’s Orchestra and Angel’s Serenade — Herbert’s Orchestra
By Sousa's Band and Narcissus — Intermezzo ( Nevin ) Sousa’s Band
Lark, The (L’Alouette) (Romance) (Glinka- Auer) Violin Zimbalist
Lark Now Leaves its Wat’ry Nest (Parker) (2) Mother o’
Mine (Kipling-Tours) Emilio de Gogorza
{Lasca — Dramatic Recitation (Deprez) Edgar L. Davenport 1
Caprice Brilliante ( Clarke ) Comet Herbert L. Clarke \
LA SCALA CHORUS — See “Scala”
Lasciati amar (Let Me Love Thee) (Leoncavallo) In Italian Caruso
LASHANSKA, HULDA, Soprano — (See Pink Section)
Lassie ’o Mine (Bowles-Walt)
Lass of Richmond Hill (McNally)
Lass with the Delicate Air, The (Arne)
Lass with the Delicate Air (Arne)
Edward Johnson
Evan Williams
Alma Gluck
Marcella Sembrich
(Last Day of School at Pun’kin Centre — Rural Specialty Stewart 1
\ Uncle Josh’s Huskin’ Bee Dance Cal Stewart)
(Last Hope (Gottschalk) Pianoforte Phil Oilman)
l Narcissus (Nevin) ( Transcription ) Pianoforte Himmelreich)
{Last Hope, The — Religious Meditation Vessella’s Italian Bandl
The Dying Poet ( Gottschalk ) Sousa ’s Band)
35275
12
88617
12
88584
12
74155
12
74384
12
74412
12
64227
10
16313
10
55040
12
16525
10
74582
12
74118
12
35090
12
87161
10
64930
10
64100
10
64398
10
88096
12
16109
10
17100 10
35467 12
1.25
1.75
1.75
1.75
1.75
1.75
1.25
.75
1.50
.75
1.75
1.75
1.25
1.25
1.25
1.25
1.25
1.75
.75
.75
1.25
VICTOR RECORDS
Last Hour (Brown-Kramer) McCormack and Kreisler
(Last Leaf, The (Holmes) (2) L’Envoi (Kipling) Burbeckl
\ Abou Ben Adhem ( Leigh Hunt) (2) Annabel Lee (Poe) Burbeck /
fLast Long Mile, The ( Breitenfeld) Chas. Hart and Shannon Four)
1 K-K-K-Katy ( Geoffrey O’Hara) Billy Murray )
Last Night (Halfdan Kjerulf)
By Sophie Braslau (Contralto)
By Louise Homer (Contralto)
By Mme. Homer and Mme. Homer Stires (Contralto-Soprano)
Last Rose of Summer (From “Martha”) (Thomas Moore)
By Marcella Sembrich (Soprano)
By Luisa T etrazzini (Soprano)
By Adelina Patti (Soprano)
By Amelita Galli-Curci (Soprano)
By Alice Nielsen (Soprano)
By Mischa Elman Violin Arranged by Auer
By Lucy Isabelle Marsh (Soprano) and My Ain Counlrie — Lucy Marsh
By Elizabeth Wheeler and Tannhaiiser — Evening Star — ‘Cello — Bourdon
By Samuel Gardner Violin and Believe Me, If All Those Charms — Gardner
By Ferdinand Himmelreich Pianoforte and Blue Belts of Scotland — Himmelreich
By Alberto Salvi Harp and Mighty Lak’ a Rose — Alberto Salvi
(Last Waltz — Medley Waltz (Strauss) (See Medleys) Hackel-Berge O)
\ Baby in Love — Fox Trot (from “Last Waltz’’) Hackel-Berge Or)
Number
4J
1 73
List
prc.
87576
10
1.50
16989
10
.75
18455
10
.75
64540
10
1.25
87259
10
1.25
87570
10
1.50
88102
12
1.75
88308
12
1 .75
95030
12
5.00
74536
12
1.75
74121
12
1.75
64958
10
1.25
45183
10
1.00
16813
10
.75
17871
10
.75
18305
10
.75
45315 10
1.00
18788 10
.75
LATIN — Selections in — See “Adeste Fideles,” “ Agnus
Dei,” “Ave Maria,” “Gloria Patri,” “O Salutaris,” “Panis
Angelicus,” “ Popule Meus,” “Requiem,” “Stabat Mater,”
"Sistine Choir” and “Educational Records — Hymn to John
the Baptist”
LAUDER, SIR HARRY, Comedian (Lauf -der)
The success of this popular Scottish comedian in America
has been phenomenal, and he is declared to be one of the
greatest entertainers now before the public. To hear him sing
his amusing songs and specialties, however, it is not necessary
to visit the few cities where he appears, for the Victor now
offers records of his best numbers. These records were
made by Sir Harry at the Victor’s Camden Laboratory,
and are so natural that the hearer will be simply astonished,
every word and whisper being absolutely distinct.
It is hard to define just what it is in Lauder’s work that makes him so popular. But
the secret probably is that he is simply natural, and bubbles over with wit and melody
because he can’t help it !
LAUDER RECORDS
Auld Scotch Sangs
45256
10
1.00
I Love to Be a Sailor
55118
12
1.50
Bella McGraw
55153
12
1.50
I’m Going to Marry ' Arry
55138
12
1.50
Bonnie Leezie Lindsay
45208
10
1 .00
In the R-o-t-a-r-y
45195
10
1 .00
Bonnie Maggie Tamson
55120
12
1.50
1 Think I’ll Get Wed
55124
12
1.50
Bounding Bounder
55121
12
1.50
It’s Nice to Get Up
45196
10
1 .00
Breakfast in Bed
55119
12
1.50
It's Nice to Get Up
55115
12
1.50
British Bulldog’s Watching
45213
10
1 .00
I've Loved Her Ever Since
45212
10
1.00
Don’t Let Us Sing
55122
12
1 .50
I’ve Something in the Bottle
45205
10
1 .00
Doughie the Baker
55115
12
1.50
I’ve Something in the Bottle
55126
12
1.50
Doughie the Baker
45196
10
1.00
I Wish You Were Here Again
55173
12
1.50
From the North, South,
Jean MacNiell
45213
10
1 .00
East and West
55172
12
1.50
Killiecrankie
45211
10
1 .00
Granny's Laddie
55173
12
1.50
Kilty Lads
55132
12
1.50
He Was Very Kind to Me
55127
12
1 .50
Laddies Who Fought and
Hey! Donal
45207
10
1.00
Won
55172 12
1.50
I Love a Lassie
45212
10
1 .00
MacGregor’s Toast
55131
12
1.50
1 Love a Lassie
55116
12
1.50
Mary of Argyle
45256 10
1.00
VICTOR RECORDS
Number
V
t+i
cSS
3 o.
LAUDER RECORDS — Continued
Message Boy
55132
12
1.50
There is Somebody
55121
12
1.50
Mr. John MacKay
45195
10
1 .00
Tobermory
45206
10
1.00
My Bonnie Jean
55119
12
1 .50
Trip to Inverary
45207
10
1.00
Nanny (I Never Loved)
55117
12
1 50
Trixie from Dixie
45210
10
1.00
O’er the Hill to Ardenteny
55138
12
1.50
Trixie from Dixie
55130
12
1.50
Picnic, The
55122
12
1.50
Waggle o’ the Kilt
55153
12
1.50
Queen Amongthe Heather
45208
10
1.00
Wearing Kilts
45206
10
1.00
Roamin’ in the Gloamin’
45209
10
1.00
Wedding of Lauchie
Roamin' in the Gloamin’
55129
12
1.50
McGraw
55128
12
1.50
Rob Roy Macintosh
55128
12
1.50
Wedding of Sandy McNab
55117
12
1.50
Saftest of the Family
55127
12
1.50
Wee Deoch an’ Doris
55120
12
1.50
Same as His Faither Was
45205
10
1.00
Wee Hoose 'Mang the
Same as His Faither Was
55126
12
1.50
Heather
45209
10
1.00
She is My Daisy
55123
12
1.50
Wee Hoose 'Mang the
She is My Rosie
45197
10
1 .00
Heather
55129
12
1.50
She is My Rosie
55116
12
1.50
Wee Jean MacGregor
45211
10
1.00
She's the Lass for Me
45210
10
1.00
We Parted on the Shore
55118
12
1.50
She’s the Lass for Me
55130
12
1.50
When 1 Get Back to Bonnie
Stop Your Tickling, Jock
45197
10
1 .00
Scotland
55131
12
1.50
Ta Ta. My Bonnie
55124
12
1.50
When 1 Was Twenty-one
55123
12
1.50
NOTE — In many of Lauder’s records he concludes by saying something which sounds very much
like the slang term “Get next. " However, it is “Gude Nicht " ( Scotch for ‘ ' Good Night ") which the
comedian is cordially saying t A glossary of Scotch words used by Mr. Lauder in his records will be
furnished by the catalog editor on request.
f Laughing Rag Oclo-Chorda — Harp-Guitar
l Dream Kiss — Waltz ( Rienzo ) Guitars
Moore-Davis) |
Ferera-Franchini > \
10
.73
62576
64669
17232 10
16593
18149
LAUGHING SONGS
And Then I I I'm Old But I'm I Stop Your Tickling,
Laughed 17418 I Awully Tough 16403 I Jock
Laughing Song (Laughing Specialty) Henry Klausenl
Kiss Waltz ( Arditi ) Whistling Charles Capper )
Laughing Song from Manon Lescaut (Auber) French Galli-Curci
Laughs You -Have Met (Illustrated by Five Comedians)
The every-day laugh ( Will Evans); the man who laughs at misfortune
( Fred Moule) ; the old maid's laugh ( Amy Augarde) ; the Frenchman s laugh
( Maurice Farkoa); the laughing Coon (Burt Shepard)
Ticklish Reuben — Laughing Song Cal Stewart.
Laurentian Echoes (French-Canadian Melodies) Victor Orchl
Land of the Maple — Canadian March ( Laurendeau ) Pryor’s Band )
Laverne — Waltz Caprice Saxophone Henton and Conway’s B)
Chin Chin — Medley Fox Trot Saxophone Sextette Six Brown Brothers)
Lazy Daddy — Fox Trot (La Rocca-Shields-Ragas) Dixieland Jazz B)
Fidgety Feet — One-Step Original Dixieland Jazz Band)
Le — For titles beginning with this French article see the next word
Lead, Kindly Light (John Henry Newman-J. B. Dykes)
By Geraldine Farrar (Soprano)
By Ernestine Schumann-Heink (Contralto)
By Evan Williams (Tenor)
By Trinity Choir (Mixed Voices) and My Mother's Prayer (Weeded) Freemantel
By Hayden Quartet (Male Voices) and Rock of Ages Trinity Choir
By Westminster Chimes and Adeste Fideles~Oh Come, All Ye Faithful — Chimes
Learn to Smile (From “The O’Brien Girl”) John McCormack
Learn to Smile — Fox Trot (“The O’Brien Girl”) Whiteman’s Or
Oh Me ! Oh My ! — Medley Fox Trot ( Youmans ) Whiteman’s Or.
Leave It to Jane, Gems from Victor Light Opera Company
Chorus, “ Just You Watch My Step” — Solo and Qt., “ The Crickets are
Calling” — Solo, “Whatl’m Longing to Say” — Duet, “ The Sun Shines
Brighter" — Solo, “The Siren’s Song” — Chorus, “Leave It to Jane”
( Bolton- Wodehouse-Kern)
Gems from “Jack O’ Lantern” Victor Light Opera Company
45197
87248
87340
64092
16533
16394
16053
64982
18778 10
35666 12
.73
1.25
.75
.75
.75
.75
1.25
1.25
1.25
.75
.75
.75
1.25
.75
1.25
Number
<W
GO
— 1 o.
[ 45322
)
10
1.00
J 18862
10
.75
| 18834
10
.75
} 18074
10
.75
li 88311
12
1.75
| 18761
10
.75
t 74337
12
1.75
k 88093
12
1.75
bandmaster. —
1918.)
sn”
English
[ 18228
10
.75
[ 18583
10
.75
[ 18580
10
.75
[ 18571
10
.75
VICTOR RECORDS
(Leave It With Him (Miner-EIlis) Elsie Baker
\ No Night There ( Clements- Danks) Elsie Baker.
(Leave Me With a Smile (Koehler-Burtnett) Chas. Harrisonl
l April Showers { from “ Bombo”) {De Sylva-Silvers) C. Harrison)
(Leave Me With a Smile — Fox Trot All Star Trio and Orch)
l Birds of a Feather — Fox Trot ( Vocal Cho.) All Star Trio and Orch)
(Leaves’ Party (2) Thanksgiving Song Elsie Bakerl
l Land of Nod (2) Tracks in the Snow ( 3 ) Jack O’ Lantern Kline)
L’Eco (Swiss Echo Song) (Eckert) In Italian Luisa Tetrazzini
LECOCQ, CHARLES ( Leh-cock ') (Paris, 1832-1918) French com¬
poser of light opera. See “ Fille de Mme. Angot.”
(Legend — Medley Waltz (intro. “Come to Arcadia”) Smith’s Orl
l Mello ’Cello — Waltz {Neil Morel) Smith’s Orchestra)
Legende (Wieniawski, Op. 17) Violin Efrem Zimbalist
Leggiero invisibile (Light Invisible) (Arditi) Italian Schumann-Heink
LEHAR, FRANZ {Lay-har)
Hungarian composer. Born in 1870. He was trained as mil
See “Count of Luxembourg” and “Merry Widow”
LEHMANN, LIZA ( Lay-man ) (Mrs. Herbert Bedford) (London, K
song composer. — See “Bonnie Wee Thing” and “In a Persian Garden”
(Lei Aloha (Wreath of Joy) {acc. by Louise and Ferera) Wright-Dietrich)
l My Hawaiian Maid — Med. {acc. by Louise and Ferera ) W right-Dietrich)
(Lei Aloha (Wreath of Joy) Toots Paka Hawaiian Troupe
\ He Lei no Kaiulani Toots Paka Hawaiian Troupe
{Lei Loke o Kawika (Wreath of David) Toots Paka Hawaiian T
Kaowe ake kai {Roaring Sea) Toots Paka Hawaiian Troupe
{Lei poni moi (Wreath of Carnations) {with Quintette) E. K. Rose)
Ua Like No a Like {Constancy) Hawaiian Quintette)
LEMMONE, JOHN, Flutist {Lem-moh' -neh)
Bolero — Spanish
Dance 35110
By the Brook— Idyll 55111
Concerto for Harp
and Flute 55111
Distant Voices 45194
Nightingale 55109
Queen of Sheba”
55110
Scherzo Capriccio
Wind Amongst the
Trees 55109
16989
10
.75
Lend Me Your Aid — St
(L’Envoi (Kipling) (2) The Last Leaf (Holmes) F. Burbeckl
1 Abou Ben Adhem {Leigh Hunt) {2) Annabel Lee {Poe) Burbeck >
LEONCAVALLO, RUGGIERO {Lay-ohn-kah-vahl' -loh) (1858-1919)
Born in Naples. Distinguished contemporary Italian operatic composer. — See
“ Boheme,” “Deux Serenades,” “ Lasciati amar,” “Mattinata,” “Pagliacci” and
“ Zaza”
(Leonore Overture, No. 3 ( Part I ) ( Beethoven ) V. Concert Orl
l Leonore Overture, No. 3 {Part II) Victor Concert Orchestra)
(Leonore Overture, No. 3 (Part III) (Beethoven) Concert Orch 1
l Adagio from Fourth Symphony {Beethoven) Vessella’s Band)
Les — For titles beginning with this French article see the next word
Let Me Wander Not Unseen (“L’Allegro”) (Handel) (2) Hide j
Me from Day’s Garish Eye (“11 Pensieroso ) (Handel) Green? 35623 12 1.25
Masque of Comus — Noble Lord, etc. Dixon and Lyric Quartet)
35268 12
35269
12
I 25
1.25
VICTOR RECORDS
Letter Duet — See “ Chocolate Soldier,” “ Madama Butterfly ” and
“ Marriage of Figaro "
("Let the Lower Lights Be Burning (P. P. Bliss) Kline-Bakerl
l Jesus, My Saviour (J. W. Van Deventer) Olive Kline- Elsie Baker)
fLet the Rest of the World Go By Spencer-Hart 1
' I’m Like a Ship Without a Sail (Kendis- Brockman) Hart-Shaw)
fLet the Rest of the World Go By — Waltz Ferera-Franchinil
l My Isle of Golden Dreams — Waltz Blue and White Marimba Band)
LEYBACH, IGNACE ( Lie-bahkh ) (B. Alsace, 1817; D. 1870.) Composer
ol light piano pieces. See “Fifth Nocturne”
f Lezginka — Russian National Dance Kirilloff’s Balalaika Orchl
\ Russian Ballroom Dance Kirilloff’s Balalaika Orch)
(Liaika Wai Mapuna (Longing Spring) Toots Paka Hawaiian Troupe)
l Hoo Mau ( Dew Drops ) Toots Paka Hawaiian Troupe J
f Liars’ Contest (Golden -Marlowe) Darky Specialty Golden-Marlowe)
l The Hospital Patients ( Comic Specialty) Golden-Marlowe)
(Liars, or My Uncle’s Farm Comic Dialogue Golden and Hughes)
l How Mother Made the Soup — Comic Talk Charley Case)
fLiberty Forever! — March (Enrico Caruso) Victor Military Band)
l The Volunteers — March (Sousa) Victor Military Band)
fLiberty Loan March (Sousa) Sousa’s Band)
l U. S. Field Artillery March (Sousa) Sousa’s Band)
Liebesfreud (Old Vienna Waltz) (Fritz Kreisler)
By Fritz Kreisler Violin
By Beatrice Harrison ’Cello and Orientate (Cesar Cui ) B. Harrison
By Charles Kellogg Orch with Bird Voices and Pas des Amphores — Kellogg
Liebesleid (Love’s Sorrow) Old Vienna Waltz Violin Kreisler
Liebesleid (Kreisler-Rachmaninoff) Piano Rachmaninoff
Liebestraum (A Dream of Love) (Franz Liszt)
By Olga Samaroff Pianoforte
By Herbert’s Orchestra and Madame Butterfly — Fantasie — Herbert's Orchestra
By Frank La Forge Pianoforte and loclurne in D Flat ( Chopin ) La Forgl
By Julius L. Schendel Pianoforte
and Prelude in C Sharp Minor ( Rachmaninoff ) Schende
Life (Stanton-Speaks) Orville Harrold
(Life and Love (From “ The Velvet Lady ”) (Herbert) Murphy!
I Waiting (From “ Listen Lester ”) Lambert Murphy)
(Life in the Woods of Finland — Waltz Accordions Franzen-Berg)
l On Heel — Schottische Accordion Duet Arvid Franzen-Eric Berg)
Life’s a Funny Proposition After All (Cohan) Geo. M. Cohan
Life’s Dream is O’er (Music of “Alice Where Art Thou”) Gluck-Homer
(Life’s Railway to Heaven (Abbey-Tillman) Harrison-Cairns)
Chas. Harrison-Cairns )
The Harbor Bell (Yates- Sankey)
(Life’s Twilight (Ward-Speaks)
l When the Roses Bloom (Reichardt)
fLight Cavalry Overture (von Suppe) Accordion
l Rigoletto Quartet (Verdi) Accordion
fLight Cavalry Overture (von Suppe) Sousa’s Band)
l Felix Diaz March (Presa) Police Band of Mexico)
(Lights Out March (McCoy) (In slow time for marching) Victor B1
l Washington Post March (Sousa) Victor Military Band)
Lambert Murphy)
Lambert Murphy )
Pietro)
Pietro)
Number
4J
f-J
6/5
to W
— ! A
45177
10
1.00
18638
10
.75
18716
10
.75
73210
10
.75
17907
10
.75
35577
12
1.25
16547
10
.75
18471
10
.75
18430
10
.75
74196
12
1.75
45066
10
1 .00
45093
10
1.00
74333
12
1.75
74723
12
1.75
74696
12
1.75
55094
12
1.50
55112
12
1.50
35486
12
1.25
64916
10
1.25
•
45164
10
1.00
73175
10
.75
60042
10
.75
87531
10
1.50
18925
10
.75
45103
10
1.00
35367
12
1.25
35045
12
1.25
35283
12
1.25
VICTOR RECORDS
Number ! £
Aru"sPK'‘S) >«“'«
| Lights Out March (E. E. McCoy)
l National Emblem March {E. E. Bagley)
(Li’l Liza Jane — One-Step Earl Fuller’s Famous Jazz Band)
l A Coon Band Contest — Fox Trot Earl Fuller’s Famous Jazz Band)
jLilly Dale (H. S. Thompson) ( with Criterion Qt.) Olive Kline j
18394 10
45329
64101
16299
10
10
10
International Novelty Qt-!
International Novelty Qt)
Serra-Moura Mandolin Qt)
Serra-Moura Mandolin Qt)
All Star Trio and Orchestra)
All Star Trio and Orchestra)
35377 12
18200 10
6404210
74348 12
I
73306 10
72315 10
18773 10
.75
.75
.00
1.25
.75
1.25
.75
1.25
1.75
.75
.75
.75
The Gypsy’s Warning {Henry A. Coard) Elsie Baker.
LILY OF KILLARNEY — See “ Moon Has Raised Her Lamp Above”
Lina — Chanson Napolitaine (Symiane) In French de Gogorza
LINCKE, PAUL, Compositions by-See “Amina,” “Glow Worm,” “Luna
Waltz,” “On the Bosphorus,” “Spring, Beautiful Spring Waltz”
and “Unrequited Love”
Lincoln Centennial March (Sanford) Marine Band)
. Gate City March {Weldon) U. S. Marine Band)
Lincoln’s Gettysburg Address (Dedication of the Soldiers’
Cemetery at Gettysburg, November, 1863) H. E. Humphrey |
. Give Me Liberty, or Give Me Death {Patrick Henry’s Speech ) Humphrey)
(Lincoln, the Great Commoner ( Markham) Harry E. Humphrey)
l Vision of War {Memorial Day Speech) (Ingersoll) Humphrey)
Linda Mia (Spanish Folk Song) Emilio de Gogorza
Lindenbaum, Der (The Linden Tree) (Schubert) Witherspoon
{Line — Rheinlander
Kuckuck {Cuckoo) — Waltz
(Lisbon Fantasie
l Medley of Portuguese Songs
(Listening — Fox Trot (Joe Solman)
l I’m Nobody’s Baby — Fox Trot
Listen to the Mocking Bird — See “ Mocking Bird
LISZT, FRANZ {List)
Born Raidung, Hungary, 1811; Died Bayreuth, 1 886. One of the greatest pianists
the world has yet produced. His career was a continuous triumph and furnished the wealth
he lavishly gave to aid others. Compositions include Symphonic Poems, Hungarian
Rhapsodies, Choral works, transcriptions for the piano, songs and original works for the piano.
See “Caprice Poetic,” “Hark, Hark the Lark,” “Hungarian Fantasie,”
“Hungarian Rhapsody,” “ Liebestraum,” “Lorelei” and “Melody Polonaise”
Little Alabama Coon (Starr) {with Orpheus Qt)
(Little Birch Canoe (and You), A {with Orpheus Qt)
l The Bluebird {Clare Kummer)
Little Birdies (Alfred Tennyson-A. Buzzi-Peccia)
Little Bit of Heaven (Brennan-Ernest R. Ball)
By John McCormack (Tenor)
By Charles Harrison (Tenor) and Mother Machrei
ByMcKeeTrio Violin-’ Cello- Piano and Where the River Shannon — McKee Trio 17898
Little Bit o’ Honey, A (Wilson-Jacobs-Bond)
Little Boy Blue (Field-Nevin) John McCormack 64605
Little Boy Blue (Field-Nevin) Evan Williams
(Little Brown Church in the Vale (Pitts) Victor Male Quartet)
l When They Ring the Golden Bells for You and Me — Imperial Quartet)
(Little Bull Calf (Children’s Story) Sara Cone Bryant)
l The Dog and the Kitty Cats {2) The Pig Brother Sara Cone Bryant)
Olive Kline)
Elsie Baker)
64697
10
1.25
45156
10
1.00
64724
10
1.25
64543
10
1.25
17780
10
.75
17898
10
.75
64771
10
1.25
64605
10
1.25
64102
10
1.25
17982
10
.75
35643
12
1.25
VICTOR RECORDS
Number
<U
C/i
List
■prc.
Little Coon’s Prayer (d’Arcy-Hope)
Wonderland of Dreams (Kerr- Abbott)
Olive Kline 1
Kline-Baker)
1
45325
10
1.00
Little Crumbs of Happiness (Brennan-Ball)
Springtime ( Kahn-F riedland )
Harrison)
Charles Harrison)
18776
10
.75
Little David (2) Shout All Over Heaven
I Couldn l Hear Nobody Pray
Fisk Quartet)
Fisk Quartet)
16448
10
.75
Little Dustman (Arr. by Brahms) (“20 Song Classics”) Littlefield)
Cradle Song (Wiegenlied) ( Brahms , Op. No. 49) Littlefield)
18440
10
.75
LITTLEFIELD, LAURA, Soprano
Ah, Love But a Day 35693
Canoe Song 45172
Cradle Song 18440
Hey Baloo 18448
Irish Folk Song
Little Dustman
She Never Told
Slumber Boat
35693
18440
18528
18448
Toils Are Pitch’d 18674
Venetian Boat Song 45172
When Daisies Pied 18528
fLittle Flatterer (Eilenberg) Bell Solo William H. Reitz]
l Spoontime — Two-Step (A. Von Tilzer ) Bell Solo Wm. H. Reitz)
fLittle Ford Rambled Right Along (Foster-Gay) Murray)
l Auntie Skinner's Chicken Dinner (Morse) Collins and Harlan)
Little Grey Home in the West (Lohr)
By Alma Gluck (Soprano) (’Cello obbligato by Bourdon)
By John McCormack (Tenor) ( ’Cello obbligato by Bourdon )
By Charles Harrison (Tenor) and There Are Birds in the Valley — Miller
By Venetian Trio and I Hear You Calling Me — Neapolitan Trio
By Victor Band and Little Love, a Little Kiss — Victor Band
fLittle Grey Sweetheart of Mine — Med. Fox Trot (Intro. “Roll On”) 1
\ Club Royal Orchestra |
l Old Fashioned Girl — Fox Trot ( From “Bombo”) Whiteman’s Orch)
fLittle Home With You (Teschemacher-Forster) Royal Dadmunl
l Baby ( Bertrand Brown) Olive Kline )
Little Love, A Little Kiss (Un peu d’amour) (Ross-Silesu)
By John McCormack (Tenor)
By Charles Harrison (Tenor) and Isle d' Amour ( Edwards ) Olive Kline
By Victor Military Band (Waltz) and Little Grey Home in (Vest — Victor B
Little Mother of Mine (Brengle-Burleigh) John McCormack
Little Old Log Cabin in the Lane (Hays) ( with Orpheus Qt ) Gluck
Little Orphant Annie (From “Afterwhiles”) (James Whitcomb Riley)
By James W. Riley and Raggedy Man (From “ Rhymes of Childhood '”) Riley
By Henry Allan Price and Aunt Shaw’s Pet Jug (Day) Henry Allan Price
fLittle Red Riding Hood (Fairy Tale) Pauline Potter)
l Cinderella ( Fairy Tale ) Pauline Potter)
fLittle Red School House (Wilson-Brennan) American Quartet)
l High Brown Blues ( Yellen-Ager ) Murray- American Quartet)
Little Russian Records — See “ Russian Music”
Little Shawl of Blue (Teschemacher-Hewitt) Werrenrath
fLittlest Girl, The — Recitation (Part I) Robert Hilliard)
l Littlest Girl, The — Recitation ( Part II) Robert Hilliard)
fLittle Thoughts — Fox Trot (Straight-Bargy) Benson Orchestra)
l Syncopate — Med. Fox Trot (from “ Molly Darling”) Club Royal Or)
fLittle Tin Soldier (Or the Little Rag Doll) Kline-Baker)
l There’s a Corner Up in Heaven ( Berlin ) Kline-Baker)
Little Town in the Ould County Down (Pascoe-Sanders) McCormack
fLive a-Humble (Old Negro Spiritual) (Unacc.) Tuskegee Singers)
\ Good News ( Unaccompanied ) Tuskegee Institute Singers)
17337
10
.75
17755
10
.75
64412
10
1.25
64425
10
1.25
17522
10
.75
17979
10
.75
17547
10
75
18879
10
.75
45308
10
1.00
64343
10
1.25
17509
10
.75
17547
10
.75
64778
10
1.25
64809
10
1.25
45190
10
1.00
16831
10
.75
35447
12
1.25
18904
10
.75
66087
10
1.25
55099
12
1.50
18912
10
.75
45251
10
1.00
64994
10
1.25
17663
10
75
VICTOR RECORDS
Number
►J
e/5
to «
—3 O.
(Lively Relations (Freyleche Mechitonim)
l Russian Komarinska
Kandel’s Orchestra\
73198
10
.75
Kandel’s Orchestra J
(Livery Stable Blues — Fox Trot Dixieland Jazz Band)
18255
10
.75
l Dixieland Jazz Band— One Step
Dixieland Jazz Band)
Living God, The (Johnstone — O’Hara)
Orville Harrold
74737
12
1.75
(Lobsters’ Promenade— Humoresque (Steele) Banjo Fred Van Epsl
17033
10
.75
l Red Pepper — A Spicy Rag (Arr. by O’ Hare)
Loch Lomond (Old Scotch Air)
Banjo Fred Van Eps)
By Evan Williams (Tenor)
64210
10
1.25
By Henry Burr (Tenor) and Scots, Wha’ Hae’ wi’ Wallace Bled — Bun
16062
10
.75
LOHENGRIN ( Loh ' - en-grin ) (Weimar, 1850) (Richard Wagner)
Opera in three acts ; words and music by Wagner. First produced in Weimar,
1850, under the direction of Liszt. London production, 1875; Paris, 1887. First American
performance at the Stadt Theatre in New York, April 3, 1871. First American produc¬
tion in Italian, 1874, with Nilsson, Cary, Campanini and Del Puente; and later in 1885,
with Brant, Krauss, Fischer — this being Anton Seidl’s American debut as a conductor.
LOHENGRIN RECORDS
ACT 1 - BANKS OF THE SCHELDT NEAR ANTWERP
Elsas Traum (Elsa’s Dream) In German Maria Jeritza
Nun sei bedankt mein lieberSchwan ! (SwanSong) German Leo Slezak
Koenig’s Gebet (King's Prayer) In German Marcel Journet
ACT HI — Scene I — bridal chamber in the palace
Prelude Boston Symphony Orchestra
Prelude (Bridal March) and Wedding March ( Mendelssohn ) Herbert’s Orch
Coro delle nozze (Bridal Chorus) In Italian La Scala Chorus
and Tannhauser — Pilgrims’ Chorus (Wagner) Pryor's Band
Bridal Chorus In English Victor Opera Chorus
and Flying Dutchman — Spinning Chorus — Victor Women’s Chorus
Atmest du nicht mit mir die stlssen Dtlfte (Dost Thou Breathe the Incense
Sweet) In German Charles Dalmores
ACT 111 — Scene II — same as act i
Lohengrin's Narrative In English Evan Williams
MISCELLANEOUS LOHENGRIN RECORDS
Lohengrin Fantasie — ’Cello — Bourdon and Souvenir — Violin — Pilzer
Lohengrin Selection — Sousa’s Band and Flower Song (Lange) ’Cello — Bourdon
Lo, Here the Gentle Lark (Shakespeare — -Sir Henry Bishop)
By Nellie Melba (Soprano) (Flute obbligato by LemmontS)
By Amelita Galli-Curci (Soprano) (Flute obbligato by Berenguer)
By Alma Gluck (Soprano) (Flute obbligato by Barone)
By Olive Kline (Flute by Barone) and Ma Curly-Headed Babby — Kline
Lola-Lo — Fox Trot (Lange-Klapholz) Smith and His Orchestra)
Three O’Clock in the Morning — Waltz Smith’s Orchestra)
Lolita — Spanish Serenade (Buzzi-Peccia) In Italian Enrico Caruso
Lombardi — Qual volutta (Verdi) In Italian Alda, Caruso, Journet
(Lonesome Hours (Cliff Friend) Whiteman’s Orchestra)
1 Cutie — Med. Fox Trot (Intro. “I’oe Found a Bud”) Whiteman’s Or)
(Lonesome Land — Fox Trot (Arden-Green) All Star Trio and Orch)
1 Hand- Painted Doll — Fox Trot ( Arden-Green ) All Star Trio and Or )
(Lonesome Mama Blues — Fox Trot (Brown)
1 Memphis Blues— Fox Trot (W. C. Handy)
(Lonesome — That’s All (Bradley-Roberts)
l After All (Callahan- Roberts)
Long Ago (From “ Four Songs”) (MacDowell)
The Virginians)
The Virginians)
Lambert Murphy)
Reinald Werrenrath)
Violin Zimbalist
74749
12
1.75
61203
10
1.25
64013
10
1.25
64744
10
1.25
55048
12
1.50
16537
10
.75
35494
12
1.25
87088
10
1.25
74130
12
1.75
35399
12
1.25
35114
12
1.25
88073
12
1.75
74608
12
1.75
64267
10
1.25
45115
10
1.00
18866
10
.75
88120
12
1.75
95211
12
2.50
18865
10
.75
18896
10
.75
18895
10
.75
45162
10
1.00
64266
10
1.25
VICTOR RECORDS
(Long Ago in Alcala (Weatherly-Ross-Messager) John B. Wells'!
1 The Owl (2) Crow’s Egg (3) Why? (Wells) John B. Wells J
fLong Boy Byron G. Harlan with Peerless Quartet)
l I Don’t Want to Get Well Van and Schenck >
LONGFELLOW, HENRY WADSWORTH— Poems of— See “Bridge,”
“Hiawatha,” “Paul Revere’s Ride,” “ Psalm of Life” and “Village
Blacksmith”
Olive Kline)
Kline /
f Longing, Dear, For You (John H. Densmore)
l Rocfan ’ in de Win ’ ( Negro Lullaby) ( Neidlinger )
f Longing for Home (Jungmann) Neapolitan Trio)
l Serenade ( Kotzschmar ) Violin-'Cello-Piano Tollefsen Trio)
[Longing for Home (“Heimweh”) (Jungmann) Zither John Reichl)
l The Shepherd Boy (Wilson) Zither John Reichl)
Long, Long Ago (Thomas Bayly)
By Geraldine Farrar (Soprano)
By Alma Gluck-Louise Homer (Soprano-Contralto)
By Julia Culp (Contralto)
By Elsie Baker (Contralto) and Oh, Happy Day — Baker-F. IV heeler
By Samuel Gardner Violin and Darling Netty Gray — Gardner
(Look for the Silver Lining (From “Sally”) Brown-Harrison)
l Wandering Home (Case- Stevens) Clark- Hart)
(Looking this Way (Van Deventer) Anthony and Harrison)
l Close to Thee (Crosby-Vail) Anthony and Harrison)
(Lord Dismiss Us With Thy Blessing (Organ acc.) Trinity Chimes'!
I The Coming of the Tear (Organ accompaniment) Church Bells /
(Lord Geoffrey Amherst — Amherst Song Werrenrath and Qt)
l The Orange and the Black. — Princeton College Song Hayden Quartet)
(Lord, I’m Coming Home — Gospel Hymn Harry McClaskey)
l One Sweetly Solemn Thought (Ambrose) Elliott Shaw)
Lord is Mindful of His Own — St. Paul — See
Lord Is My Light, The (Frances Allitsen)
(Lord’s Prayer, The (Dressier) Gloria Patri
l Safe in the Arms of Jesus (Crosby)
j Lord’s Prayer and Twenty-third Psalm
St. Paul ”
John McCormack
(Boyce) Lyric Qt)
Trinity Choir )
Sacred Reading 1
Eternity (P. P. Bliss) Whitney Brothers Qt)
Lorelei, Die (The Loreley) (Liszt) In German Louise Homer
(Lorelei, Die (The Loreley) (Liszt) In German Christine Miller)
l Du bist die Ruh ’ (My Sweet Repose) (Schubert) In German Hinkle)
Lorelei — Volkslied (Loreley) (Silcher) In German Schumann-Heink
(Lorelei (Silcher) In English Elsie Baker)
l Lullaby (Brahms) Elsie Baker)
{Lorelei (Silcher) (2) In einem Kiihlen Grunde Zither Wormser)
Ich hatte einst ein schones Vaterland (2) Von meinen Bergen — Wormser)
(Loreley Paraphrase (Nesvadba)
l From Foreign Parts — Spain (Moszkowski)
Conway’s Band)
Conway’s Band)
(Lorraine (My Beautiful Alsace-Lorraine) Reinald Werrenrath)
l Chimes of Normandy (Bryan- Wells) Lambert Murphy)
Los Ojos Negros — Black Eyes (Alvarez) In Spanish Renato Zanelli
Number
18062
18413
45307
17379
69414
87163
87535
64419
17343
17888
18731
17024
16825
16873
16009
64726
16877
16362
88204
55056
88547
17181
17860
18078
45148
64858
.75
.75
1.00
.75
.75
1.25
1.50
1.25
.75
.75
.75
.75
.75
,75
.75
1.25
.75
.75
1.75
1.50
1.75
.75
.75
.75
1.00
1.25
VICTOR RECORDS
Lost Chord (Adelaide A. Proctor-Sir Arthur Sullivan)
By Alma Gluck and Efrem Zimbalist (Soprano with Violin)
By Louise Homer (Contralto)
By Enrico Caruso (Tenor)
By Evan Williams (Tenor)
By Herbert Witherspoon (Bass)
By Emilio de Gogorza (Baritone)
By Reinald Werrenrath (Baritone)
By Alan Turner (Baritone) and
(Lost Pocket-Book (Guest) Recitation
l Old Wooden Tub (Guest) Recitation
(Lott’ ist Tod (Swedish Folk Dance)
l Farandole (French Folk Dance) (An. by Burchenal)
Lotusblume, Die (The Lotus Flower) (Schumann) German Leo SI
LOUISE (Opera by Gustave Charpentier) Sung in French
Depuis le jour (Ever Since the Day) Nellie
Depuis le jour (Ever Since the Day) Alma
Depuis le jour — Florence Hinkle and Good-Bye ( Tosti ) Florence
Depuis longtemps j’habitais cette chambre (For a Long Time 1 Have
and The Palms — IV errer
There is a Green Hill — Tu
Edgar A. Guest)
Edgar A. Guest)
Victor Military Band)
Occupied This Room)
LOUISE AND FERERA — Hawaiian Guitars
Number
*-a
i/T)
— =>•
89096
12
2.00
88088
12
1.75
88378
12
1.75
74453
12
1.75
74137
12
1.75
74359
12
1.75
45089
10
1.00
35049
12
1.25
45320
10
1.00
18368
10
.75
61207
10
1.25
88477
12
1.75
74252
12 1.75
55106
12
1.50
74716
12
1.75
Aloha Land 18380
Hawaiian Echoes 18147
Hawaiian Hula 18069
Hawaii, I'm
Lonesome 18380
Kai Maia o ka Maoli 18157
Kamehameha 18090
Kawaihau Waltz 17892
Maui Aloha 18087
Moe Uhane Waltz 17880
My Bird of Paradise I 7892
On the Beach I 7880
Pua Carnation
Song to Hawaii
Waikiki Mermaid
Waiu Luliluli
18087
18069
18090
18157
(Louisiana (Freed- Wallace) Sterling Trio)
l Beautiful Annabelle Lee (Bryan-Mehlinger-Meyer) Hart- Shaw)
(Louisiana Minstrels (Contents under “Minstrels") V. Minstrel Col
l ArkansaW Minstrels Victor Minstrel Company )
(Lovable Eyes — -Fox Trot (“Make It Snappy”) Club Royal Orchl
l I Love Her — She Loves Me — Fox Trot ( Caesar ) Confrey’s Orch)
LOV AT BAGPIPE BAND OF N. Y. (with Harry Lauder Co.)
Scotch Bagpipe Med. — No. I and No. 2 (See" Medley No. 105") Lovat Bagpipe
(Love Bird — Med.FoxTrot (“Under the Honeymoon") Whiteman’s Or)
l Bright Eyes — Med.FoxTrot (Motzan-Jerome-Ahlert) Whiteman’s O)
(Love Boat (“Ziegfeld Follies of 1920”)
l Whispering (Schonberger)
Love, Here is My Heart ! (Ross-Silesu)
(Love in Lilac Time (D. Furber-J. Lensen)
\ Darling (Arthur Jackson- Chris. Schonberg)
(Love is Like a Red, Red Rose (Hirsch)
John Steel)
John Steel)
John McCormack
Lambert Murphy 1
Lambert Murphy)
Stevenson and Burr)
l My Hero Waltz (“ Chocolate Soldier ”) Whistling Guido Gialdini)
Love is Mine (Teschemacher-Gartner) In English Enrico Caruso
(Loveland Waltzes (Holzmann)
l American Eagle March (Boehme)
(Lovely Lucerne — Waltz (Yodel Chorus)
l Romany Love— Fox Trot (. Zamecnik )
Love Me or Not (Secchi)
Love Nest — See “Mary”
LOVER, SAMUEL — (1797-1868) — Irish novelist who wrote many songs.
See “Girl I Left Behind Me,” “Low Back'd Car,” “ Molly Bawn"
and “ Rory O’More "
Pryor’s Orchestral
Pryor’s Band)
Great White Way Or)
Whiteman ’s Orchestra)
Enrico Caruso
18726
35213
18902
17920
18735
18695
64623
45245
16854
87095
16089
18966
88616
.75
1.25
.75
.75
.75
.75
1.25
1.00
.75
1.25
.75
.75
1.75
{
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{
VICTOR RECORDS
Love’s Caprice (Venuto) Xylophone
The Charmer (Boos) Xylophone
Love’s Dream After the Ball (Czibulka)
A Perfect Day (Carrie Jacobs-Bond)
William H. Reitz
William H. Reitz
Elizabeth Spencer
Elizabeth Spencer
Love’s Dream After the Ball (Czibulka) V iolin-’Cetlo-Harp V enetianTrio
Dream Visions — Intermezzo (Traumgeister Walzer) Florentine Qt
}
}
}
Love Sends a Gift of Roses — Medley Waltz (Intro. “When Eyes
Meet Eyes”) Hackel-Berge Orch ?
Moon River — Waltz (Lee David) Green Bros. ’ Marimba Orch )
Love Sends a Little Gift of Roses (Cooke-Openshaw) Werrenrath
Love’s Garden of Roses (Rutherford-Wood) John McCormack
Love’s Garden of Roses Lambert Murphy)
Roses of Picardy Lambert Murphy)
Love Sick Darky, A (Comic Specialty with Banjo) Golden-Marlowe)
Matrimonial Difficulties (Comic Specialty with Banjo) Golden-Marlowel
Love’s Messenger Waltz (Messaggero- Amoroso) In Italian Galli-Curci
Love’s Nocturne (Nottumo d’ Amor) ( Fucacci-Drigo) Italian Gigli
Love’s Old Sweet Song (J. Clifton Bingham-James Lyman Molloy)
By Clarence Whitehall (Baritone)
By Louise Homer (Contralto)
By Julia Culp (Contralto)
By Elsie Baker (Contralto) and John A nderson. My Jo — Baker
By Corinne Morgan (Contralto) and Oh, Dry Those Tears — Pryor’s Band
By Imperial Quartet and Forsaken ( Koschat ) Imperial Quartet
By Neapolitan Trio and Memories of Home— Neapolitan Trio
By Victor Military Band and Drink to Me Only — Victor Band
Love’s Own Sweet Song (From “Sari”) Frances Alda
Love’s Power — Waltz (Santamaria) Hurtado Bros. Marimba B1
Stars and Stripes Forever March Hurtado Bros. Royal Marimba Bandl
Love’s Ship (N. and A. N. Morrison) Charles Harrison)
Molly-O (I Love You) (Emery -McNeil) Wm. Robyn)
Love’s Smile Waltz (Barcirolli) Whistling Guido Gialdini)
Frolic of the Coons (A Piccaninny Gambol) (Gurney) Banjo Van Epsl
Love’s Tortures — Waltz International Novelty Orchestra)
My Little Teresa — Waltz International Novelty Orchestral
Love-Token (“Simple Aveu”) (Bordese-Thome) Frances Alda
Lovey Dove — Fox Trot (“Rose of Stamboul”) Club Royal Orch)
You Can Have Every Light on Broadway — Fox Trot Intern 7 Nov. Orl
Low Back’d Car (Samuel Lover) John McCormack
Low Back’d Car (Lover) James McCooll
Mr. and Mrs. Murphy — Irish Comedy Ada Jones and Len Spencerl
Number
r*J
&
S2 Si
13 a.
16917
10
.75
18250
10
.75
17720
10
.75
18907
10
.75
64964
10
1.25
64787
10
1.25
45150
10
1.00
35544
12
1.25
64991
10
1.25
74742
12
1.75
74321
12
1.75
88585
12
1.75
74540
12
1 .75
17366
10
.75
16800
10
.75
18169
10
.75
35196
12
1.25
18177
10
.75
74401
12
1.75
18092
10
.75
18829
10
.75
17369
10
.75
73362
10
.75
64675
10
1.25
18889
10
.75
64329
10
1.25
16100
10
.75
LUA, PALE K., — See “Hawaiian Records — Guitar Solos and Duets"
LUCIA. DI LAMMERMOOR (Loo-chee' -ah) ( In Italian except as noted)
The plot of Lucia is founded on Sir Walter Scott’s novel. The Bride of Lammermoor.
Music by Gaetano Donizetti. Lord Henry Ashton, Lucy’s brother, knowing nothing
of her attachment to his enemy, Edgar of RavensWood, has arranged a marriage between
Lucy and the wealthy Lord Arthur, in order to retrieve his fallen fortunes. Learning that
Lucy is in love with Edgar, he intercepts her lover’s letters and executes a forged paper,
which convinces Lucy that Edgar is false to her. Convinced of her lover’s perfidy, and
urged by the necessities of her brother, she unwillingly consents to wed Sir Arthur. The
VICTOR RECORDS
Number
guests are assembled for the ceremony, and Lucy has just signed the contract, when Edgar
appears and denounces Lucy for her fickleness. Edgar is driven from the castle, and the
shock being too much for the gentle mind of Lucy, she becomes insane, kills her husband
and dies. Edgar, overcome by these tragic happenings, visits the churchyard of Ravenswood
and stabs himself.
LUCIA PI LAMMERMOOR RECORDS
LUCIA - ACT 1 - Scene II - GARDENS OF THE CASTLE
Prelude (Preceding “Regnava nel silenzic”) and Norma — Harp — Lapiiino
Verranno a te — Pereira-Salvati and Maledizione — Pereira-Maggi-Bettoni, Etc
ACT 11 - Scene 11 - GREAT HALL OF THE CASTLE
Sextette — Chi mi frena (What Restrains Me)
Sembrich, Caruso, Scotti, Journet, Severina and Daddi
Sextette — Chi mi frena Caruso, Tetrazzini, Amato, Journet, Jacoby, Bada
Sextette — Chi mi frena-Galli-Curci, Egener, Caruso, de Luca, Journet, Bada
Sextette — Victor Opera Sextette and Rigoletlo Quartet — Victor Opera Quartet
Sextette — Giovanelli, Dianna, Lussardi, Bettoni, etc.
and Cristoforo Colombo — ‘ A man lassu lestelle” — Badini con Coro
Sextette (Transcription) Pianoforte Himmelreich
and Caprice Espanol ( Moszkowski ) Pianoforte — Charles G. Spross
Sextette and Jewels of the Madonna Intermezzo — Vessella’s Italian Band
Sextette and Aida Selection — Hurtado Bros. Marimba Band
ACT 111 — Scene II — hai.l in lammermoor castle
Mad Scene (11 dolce suono) ( Flute obbligato by Lemmone) Melba
Mad Scene ( Flute obbligato by Lyons) Marcella Sembrich
Mad Scene (Flute obbligato by Oesterreicher) Luisa Tetrazzini
Mad Scene (Flute obbligato by Barone ) Amelita Galli-Curci
Mad Scene ( Flute obb. by Barone) and Dinorah — Shadow Song — Italian — Kline
MadScene (Obb. by Barone) English and Trovatore — Peaceful was Night — Helena
ACT IV - TOMBS OF THE RAVENSWOODS
Fra poco a me ricovero (Farewell to Earth) John McCormack
Fra poco a me ricovero (Farewell to Earth) Giovanni Martinelli
Tu che a Dio spiegasti l'ali (Thou Hast Spread Thy Wings) McCormack
Tu che a Dio spiegasti l’ali (with Metropolitan Op. Chorus) Martinelli
LUCREZIA BORGIA ( Loo-krez-yah Bor -jaht) (Milan, 1834) (Donizetti)
In Italian
Vieni, la mia vendette (Haste Thee, For Vengeance) Rossi
and Huguenots — Duetto Valentina Marcello — Grisi-de Segurola
Trinklied (Drinking Song — It is Better to Laugh) German Schumann-Heink
Brindisi (Drinking Song — It is Better to Laugh) Sophie Braslau
LUIGINI, ALEXANDER — See “Ballet Egyptien”
17929
10
.75
68454
12
1.25
96200
12
3.50
96201
12
3.50
95212
12
3.50
55066
12
1 .50
55043
12
1.50
35223
12
1.25
35356
12
1.25
35559
12
1.25
88071
12
1.75
88021
12
1.75
88299
12
1.75
74509
12
1.75
55047
12
1.50
35214
12
1.25
74223
12
1 .75
74483
12
1.75
74224
12
1 .75
74537
12
1.75
63404
10
.75
88188
12
1.75
64468
10
1.25
LULLABIES— See the following titles :
Baby
Baby Dreams
Baby Jim
Berceuse (Jocelyn)
Bohemian Cradle Song
Chinese Lullaby
Cradle Song
Educational Records
Emmett’s Lullaby
Erminie
His Lullaby
Hush-a-Bye
Lullaby
Ma Curly-Headed Babby
Ma Little Sunflow’r
Mammy’s Song
Mignon
My Trundle Bed
Oh Hush Thee
Pickaninny’s Lullaby
Pickaninny Sleep-Song
Pirate Dreams
Plantation Lullaby
Rock-a-Bye Baby
Rockin’ in de Win’
Rockin’ Time
Rock Me to Sleep
Slumber Boat
Southern Lullaby
Swedish Cradle Song
Sweet and Low
Tuck Me to Sleep
Wyoming
(Lullaby (Bredt-Verne) ( Pianoforte by Falkenstein )
l By the Brook. — Reverie (Au hord du ruisseau )
'Cello
'Cello
May Mukle)
Mukle )
17844
10
.75
Lullaby (From “ Indian Songs ”) (Lieurance)
L’Ultima Canzone (The Last Song) (Tosti) In Italian
Julia Culp 64491
Martinelli 74517
10
12
1.25
1.75
VICTOR RECORDS
Number
fw
'CF>
2 Si
—3 O-
Luna d’Estate (Summer Moon) (Mazzola-Tostl) In Italian
Caruso
87242
10
1.25
Luna Waltz (Paul Lincke) Accordion
Pietro’s Return — March ( Pietro ) Accordion
Pietro-!
Peitro)
17531
10
.75
LURLINE (Opera by Wallace) — See “ Sweet Spirit ”
Luther Hymn — Ein’ feste Burg — See “Mighty Fortress”; also “ Vom
Himmel hoch ”
LYONS, DARIUS— Piccolo
Patrol Comique 16761
LYRIC QUARTET, Mixed
Asleep in Jesus 1 7389
Bridal Chorus —
"Rose Maiden” 35209
Come and Trip It 18123
Down Among Palms I 7778
First Nowell 1 7647
Funiculi, Funicula 18968
God is Love I 7096
Gypsy Life 35254
Duets in which Mr. Lyons plays
| Serenade (Titl) 16088
Voices
Haste Thee Nymph 18123
Home Again 18222
Lo, How a Rose I 7870
Lord’s Prayer 16877
Madrigal 17226
Martha — Good Night 17226
Masque of Comus 35623
Miller’s Wooing 35209
My Bonnie Lass 18146
Sweet Spirit
16522
Nazareth
17647
O Hush Thee
18417
Radiant Morn
35014
Rock of Ages
16269
Sweet and Low
18417
Sleep Noble Hearts
17310
Vacant Chair
16984
When the Angelus
17587
fMa! — One-Step (Con Conrad ) Benson Orchestra-!
I My Sunny Tennessee — Fox Trot (Kalmar- Ruby) Benson Orcb)
fMa and the Auto (Guest) Recitation Edgar A. Guest!
l It Couldn’t Be Done (2) Wait Till Your Pa Comes Guest)
18819
45258
10
10
.75
1.00
Mac — If the name or title wanted does not appear under “Mac” see
"Me," several pages further on.
Macbeth (Verdi’s Opera) Ah, la paterna
mano ( My Paternal Hand) Italian Carusoi88558 1 121 1 .75
MACCORMACK — See “ McCormack”
Macdonald, christie, soprano
Miss MacDonald, as the star of those dainty operettas
“Spring Maid” and “Sweethearts,” made the biggest success
of her career, and her impersonations of the Princess Bosena
and Sylvia were two most charming ones.
PHOTO WHITE
MACDONALD
Spring Maid — Day
Dreams, 45 1 89
Sweethearts-
-Angelus,
The 55113
Sweethearts — Cricket
on Hearth 45189
MACDONOUGH, HARRY, Tenor
Mr. Macdonough is one of the most popular singers on the
Victor staff, and his list of Victor records contains a wide range of
selections, both standard and popular, consisting of solos (ballads,
sacred songs, hymns, and concert songs) and many duets and
quartets with various other Victor singers.
This tenor’s correct method of singing and the clearness of
his diction have supplied excellent model records in various
classes. Mr. Macdonough has made many records for the Victor,
and in every one of them this important artistic principle is kept
MACDONOUGH
VICTOR RECORDS
clear and distinct. He has many friends, being known to the
quarter of the globe.
MACDONOUGH RECORDS
All the Way 16239
Arab Love Song 1 6803
Bohemian Girl 16398
Columbia the Gem 35009
Drink To Me Only 35086
Heaven is My Home 16255
Holy City 1 6 1 84, 1 6408
Hosanna 1 6060
Merry Widow —
Maxims 16577
My Old Ky. Home 16389
Robin Redbreast 16094
Star of Bethlehem 35055
(See also “Hayden Quartet”)
To Have, To Hold 17338
T rovatore —
Home to Our Mts. 35443
Trovatore — Miserere 35443
When Irish Eyes 17317
When 1 Was a
Dreamer 17778
Where the
River Shannon 16440
Duets in which
Mr. Macdonough sings
Almost Persuaded 1 7356
Number
music-loving public in every
Auf Wiedersehn 17858
Excelsior 35116
1 Would That My Love 1 60 13
Mocking Bird 16392
Old Brigade 35162
Only a Beam 16288
RedWing 17234
Robin Red Breast 16094
Saved By Grace 16216
Shall We Meet 1 7356
Trovatore-Miserere 16013
When You and 1 16361
MACDOWELL, EDWARD ALEXANDER (New York, 1861-1908). One of the
most famous of American composers. Has written works for orchestra and piano, and a
number of charming songs.
See “From an Indian Lodge,” “Long Ago,” “Of a Tailor and Bear,” “ Thy Beaming
Eyes,” “To a Water-Lily” and “To a Wild Rose”
MACFARLANE, GEORGE, Baritone
Can't You Hear Me 45185
Good Night,
Good Night 45079
Ireland 45074
My Own Home T own 4507 4
That’s an Irish Lullaby45 1 85
You’re the Best Mother45079
(MacGregor’s Toast — Scotch Specialty
l When I Get Back -Again to Bonnie Scotland
(Ma Curly-Headed Babby
l Lo, Here the Gentle Lark
(Clutsam)
I Shakespeare- Bishop)
Macushla (Rowe-MacMurrough)
(Macushla (Rowe-MacMurrough)
l Sweet Inniscarra (Chauncey Olcotl)
Sir Harry Lauderl
Sir Harry Lauder )
Olive Kline)
Olive Kline)
John McCormack
Charles Harrison)
Reed Miller >
MADAMA BUTTERFLY (Puccini) (Milan, 1904) (In Italian unless other¬
wise noted.) (See Victrola Book of the Opera for complete description)
ACT 1 — PINKERTON’S HOUSE AT NAGASAKI
Amore o grillo (Love or Fancy) Enrico Caruso and Antonio Scotti
Entrance of Butterfly (Ancora un passo) Frances Alda
Entrance of Butterfly (Ancora un passo) Geraldine Farrar
Ieri son salita (Hear What 1 Say ) Geraldine Farrar
O quanti occhi fisi (Oh Kindly Heavens) Farrar and Caruso
O quanti occhi fisi (Oh Kindly Heavens) Alda-Martinelli
O quanti occhi fisi (Oh Kindly Heavens) Kline-Althouse
and Aida — Fuggiam gli ardori {Ah! Fly with Me) M arsh-A Ithouse
55131 12
45115 10
64205 10
17676 10
89043
64334
87004
87031
89017
89163
55058
ACT 11 - Scene I - INTERIOR OF BUTTERFLY’S HOME
1.50
1.00
1.25
.75
Geraldine Farrar 88113 |2
Frances Alda 74335 |2
Un bel di vedremo (Some Day He’ll Come)
Un bel di vedremo (Some Day He’ll Come)
Some Day He’ll Come In English Kimball
and Martha — Spinning Wheel Qt. — V. Opera Qt 55114 12
Ora a noi I (Now at Last I) (Letter Duet) Farrar and Scotti 89014 I 2
Sai cos’ ebbe cuore (Do You Know, My Sweet One) Geraldine Farrar 87055 10
Tutti i fior (Duet of the Flowers) Frances Alda-Sophie Braslau 89131 12
ACT II — Scene II — the same
Ve lo dissi ? (Did I Not Tell You ?) Enrico Caruso and Antonio Scotti 89047 I 2
Lo so che alle sue pene (Naught Can Console) Fornia, Martin and Scotti 87503 1 0
Butterfly's Death Scene (L'ultima scena) Geraldine Farrar 87030 10
2.00
I .25
1.25
1.25
2.00
2.00
1 .50
1.75
1.75
1.50
2.00
1.25
2.00
2.00
1.50
1.25
VICTOR RECORDS
Lyric Quartetl
Lyric Quartet )
Zanelli
MADAMA BUTTERFLY RECORDS— Continued
MISCELLANEOUS MADAMA BUTTERFLY RECORDS
1 Madame Butterfly — Fantasie _ _ Herbert’s Orchestral
Opening of Opera — “Waiting Music" — "Entrance of Butterfly" — I
“Love Duet" and Finale, Act 1 |
A Dream of Love (Liszt) Herbert’s Orchestra)
Madame Butterfly — Fantasie ’ Cello Bourdon
and La Boheme Selection — Vessella's Italian Band
Madame Butterfly Selection and Bartered Bride Overture ( Smetana ) Pryor’s E
Madame Butterfly Selection — No. 2 and Tannhauser Selection — Pryor’s Banc
MADAME SHERRY (Hauerbach-Hoschna)
GEMS FROM “ MADAME SHERRY” _ Victor Light Opera Col
"The Smile She Means for You" — “The Butterfly “ Every Little
Movement" — "The Birth of Passion” — “ For We're Only Poor Weak
Mortals” — “Every Little Movement" — “We're Off for an Ocean Sail"
Gems from “The Quaker Girl’’ Victor Light Opera Co.
fMadelon — One-Step March ( Chorus in French) Victor Mil. Band!
I Marche Francois ( D . W. /Reeves) Victor Military Band)
Mademoiselle — See “ Mile.”
/Madrigal (From "The Mikado”) (Sullivan)
l Martha— Good Night Quartet
Madrigal de Mai (Madrigal of May) (Floris-Nitke) In French
MAGGI, G„ Baritone - See “Rigoletto”
Magic Fire Spell" — Walkiire (Wagner) See "Walkure”
MAGIC FLUTE (II Flauto Magico) (Mozart) (Vienna, 1791)
See Victrola Book of the Opera for complete illustrated description
Overture — Part 1 and Part 2 — V ictor Symphony Orchestra
La dove prende (Smiles and Tears) In Italian Eames and de Gogorza i
Invocation (Great Isis) (Piano acc.) In Italian Pol Plan<;on i
Invocation (Great Isis) In French Marcel Journet i
O Isis und Osiris (Chorus of Priests, “ Grand Isis ! ") In German
and Huguenots — Coro di Soldati (Soldiers’ Chorus) Italian — Metropolitan Op Ch •
{Magic Melody — Once Upon a Time (Kummer-Romberg) Murphy 1
Half Moon — Deep in Your Eyes (Le Baron-Jacobi) Marsh)
Magic of Your Eyes (Arthur Penn) Frances Alda
/Maiden in Grey (Barnicott) Elsie Baker-F. Wheeler!
I Somewhere a Voice is Calling ( Newton-Tate ) Harry McClas/^ey!
/Maiden’s Prayer, The (Badarczevska) Neapolitan Trio!
I Sound of the Harp Violin- Harp- Flute (with Bells) Neapolitan Trio)
Maiden’s Song (Chant de la Veslemoy) (Halvorsen) Violin Zimbalist
Maiden’s Wish, The (Chopin-Liszt) Piano Paderewski
Maiden’s Wish (Chopin-Macmillen) (2) Elegie Violin Powell
Maid in America, Gems from Victor Light Opera Co
Chorus, “Doctor Baltimore, M.D.” — Solo, “Only for You" — Chorus,
“I’m Looking for Someone’s Heart" — Solo and Quartet, “Susie
Ann" — Final, “Oh Those Days”
Gems from “ Chin Chin’’ Victor Light Opera Co.
/Maid of Honolulu Hawaiian Guitars Pale K. Lua-David Kaili!
I Happy Heinie March Hawaiian Guitars Pale K. Lua-David Kaili)
/Maid of Honolulu (with Quintet) S. M. Kaiawel
l Kawiliwiliwai (The Whirling Waters) (Bass Quintet) W. B. J. Aefao)
MAIER, GUY-LEE PATTISON Duets for Two Pianos
Guy Maier and Lee Pattison are American artists who have “specialized,” as the
word goes, in compositions written or scored for two pianos. Mr. Maier was born in Buf¬
falo, N. Y., and Mr. Pattison in Wisconsin. Both studied first in Boston, and then went
Number
t/5
tjjj £
55094
12
1.56
35353
12
1.25
35148
12
1.25
35331
12
1.25
35410
12
1.25
18534
10
.75
17226
10
.75
64972
10
1.25
18951
10
.75
89003
12
2.00
85042
12
1.75
64235
10
1.25
45051
10
LOO
45214
10
1.00
64782
10
1.25
17475
10
.75
17893
10
.75
64737
10
1.25
74777
12
1.75
74548
12
1.75
35440
12
1.25
17859
10
.75
18567
10
.75
VICTOR RECORDS
Number
~ a
to Arthur Schnabel in Berlin. When the war broke out, both found work with the Amer¬
ican Army, frequently being “borrowed" to play in khaki for Parisian audiences. Since
that day they have concertized pretty much everywhere. Their work is of a high order.
They have played so much together, they go through difficult compositions without so much
as looking at one another across the tops of their instruments.
Waltz (Arensky) and Espana Rapsodie ( Chabrier ) Maier-Pattison
Rakoczy March and Scherzo {Arensky) Maier-Paltison
{Mai poina oe ia’u (Forget Me Not) Hawaiian Quintettel
Tomi Tomi — Hula Hula ( Press Me To Thee ) Hawaiian Quintette )
(Make Believe — Med. Fox Trot (intro. “Old Pal”) Whiteman’s Orch"(
l Some Little Bird — -Medley Fox Trot
(Make Somebody Happy Today (Gabriel)
l Tell It Today ( Chas . H. Gabriel, Jr.)
Whiteman ’s OrchJ
Homer Rodeheaver)
Homer Rodeheaver)
Victor Concert Or)
45305
45311
10
10
18569
10
18742
10
18373
10
35714
12
87190
10
64846
10
1.00
1.00
.75
.75
.75
.25
(Malaguena (Spanish Dance) (Moszkowski)
l Coppelia Ballet — Festival Dance and Waltz of the Hours Victor Or)
Malaguena (Pagans) In Spanish Lucrezia Bori 87190 10 1.25
Malaguena — Spanish Dance (1. Albeniz) Pianoforte Alfred Cortot 64846 1 0 1 .25
MALE QUARTETS — See American, Avon Comedy Four, Cecilian, Chicago Glee
Club, Criterion, Fisk Jubilee, Harmonizers, Hayden, Imperial, Orpheus, Peerless,
Shannon Four, “Trinity Male Choir,” Victor and Whitney
MALE QUARTETS, Unaccompanied — See the following titles:
Auld Lang Syne
Band of Gideon
Beulah Land
Bridge, The
Come Where My Love
Darling Nelly Gray
Done What You Tole Me to Do
Down on the Mississippi
Eternity
Fair Harvard
Farmyard Medley
Forsaken
Galilee
Golden Slippers
Great Camp-meeting
Home of the Soul
I Couldn’t Hear Nobody Pray
I Know the Lord Laid His Hands
I’m a Pilgrim
1 Want to Be Ready
Johnny Harvard
Litde David, Play on Yo' Harp
Medley of Foster Songs
My Ain Folk
My Lady Chlo’
My Soul is a Witness
Nearer My God to Thee
Negro Medley
Negro Wedding in Southern Ga.
Old Black Joe
Old Folks at Home
Old Oaken Bucket
Owl and the Pussy Cat
Perfect Day
Pickaninny’s Lullaby
Po’ Mo’ner Got a Home at Last
Remember Me, Oh Mighty One
Robin Adair
Roll, Jordan, Roll
Sadly in Our Alley
Soldier’s Farewell
Some Blessed Day
Still, StiH With Thee
Swing Low, Sweet Chariot
Tenting on the Old Camp Ground
There is a Balm in Gilead
Vacant Chair
Vesper Service
MALE SOPRANO — A remarkable example oj this rare voice will be found in Professor
Moreschi of the Sistine Choir. See “Sistine Choir”
Ma LiT Batteau (De Longpre-Strickland) Sophie Braslau
(Ma Little Sunflow’r, Good-night (Weslyn-Vanderpool) Olive Kline^
l Our Yesterdays ( Francis Lake-Herbert Leslie)
Mamma mia che vo sape — Neapolitan Song (Nutile)
(Mammy Dear (Montanye-Grey)
l Hush-a-Bye, Baby Mine ( Watson-Bertrand)
(Mammy Lou (Sterling- Moran- Von Tilzer)
1 Pick Me Up and Lay Me Down in Dixieland
(Mammy O’ Mine (Tracey-Pinkard)
l When You See Another Sweetie Hanging Around
Elsie Baker /
Caruso
Elsie Baker)
Elsie Baker)
Peerless Qt)
Peerless Qt)
Adele Rowland)
Rowland)
(Mammy’s Little Coal Black Rose (Egan- Whiting)
l When Evening Shadows Fall ( Branen-Polla )
(Mammy’s Lullaby — Waltz
l Sweet Hawaiian Moonlight — Waltz
Orpheus Qt)
Orpheus Qt)
Joseph C. Smith’s Orchestra)
Joseph C. Smith’s Orchestra)
66083
10
45168
10
1
88206
12
45241
10
18884
,0I
18560
>0
18183
10
18531
10
.75
.75
.75
.75
VICTOR RECORDS
Number
4J
e/5
List
prc.
Mammy’s Song (Porter-Ware)
Piccaninny's Lullaby ( George W. Gage)
John Barnes Wellsl
Elsie Baker)
17039
10
.75
Man Behind the Gun March (Sousa)
Southern Roses Waltz ( Strauss )
Sousa’s Band)
Pryor’s Band)
16395
10
.75
Mandolinata (Mandolin Serenade) (Paladilhe)
Italian de Gogorza
64160
10
1.25
MANDOLIN-GUITAR DUETS, TRIOS and QUARTETS
American Valor Mar. 16679 I Lisbon Fantasie 72315 I Portuguese Songs 72315
Cadiz March 18057 I Mo- Anna 18057 I St. Louis Tickle 16092
MANDOLIN SOLOS
Azalea Waltz 17643 I lndianola Patrol 17694
Believe Me, If All 17416 I Toots One-Step 17694
fMandy “N” Me (See also “I Want My Mammy”)
l I Want My Mammy (“ Midnight Rounders ”)
American Qtl
Peerless Quartet )
18832
10
Maneila Mia (V. Valente) Neapolitan Song
Enrico Caruso
88465
12
(Manhattan Beach March (Sousa)
l Free Lance March (Sousa)
Sousa’s Band)
Sousa ’s Band)
16383
10
(Manola, La — Spanish Serenade (Eilenberg)
l Serenade ( Franz Drdla arr. by L. P. Laurendeau)
Conway’s Band)
V essella ’s Band)
17785
10
MANON ( Mah-non ) (Massenet) ( Sung in French unless otherwise noted)
Opera in four acts ; words by Meilhac rind Gille, after Abbe Prevost’s novel. First pro¬
duction, Paris, 1884. First U. S. production 1885, with Hauk, Giannini and Del Puente.
Some notable revivals — 1895, with Sanderson and de Reszke; 1899, with Saville, Van
Dyk and Plan^on ; and the recent Metropolitan production, with Caruso and Farrar.
MANON RECORDS
ACT 1 - COURT-YARD OF AN INN AT AMIENS
Et je sais votre nom (If I Knew But Your Name)
and Non, votre liberie — French — Cesar-Campagnola
Non, votre liberty ne sera pas ravie (You Shall Remain Free)
and Et je sais votre nom (If I Knew But Your Name) Cesar-Campagnola
Nous vivrons a Paris (We shall live in Paris) Korsoff and Beyle
and On V appelle Manon (She is Called Manon) Korsoff and Beyle
ACT II - APARTMENT OF MANON AND DES GR1EUX IN PARIS
On l'appelle Manon (She is Called Manon) Farrar and Caruso
On l’appelle Manon — Korsoff and Beyle and Nous vivrons — Korsoff -Beyle
Adieu notre petite table (Farewell, Our Little Table) Geraldine Farrar
Adieu notre petite table — Vallandri-Beyle and Le P.ive — Beyle
II sogno (The Dream) In Italian Enrico Caruso
11 sogno (The Dream) In Italian Tito Schipa
11 sogno (The Dream) In Italian John McCormack
Le Reve (The Dream) (Piano acc. by Frank La Forge) Edmond Clement
Le Reve — Leon Beyle and Adieu notre petite table (Farewell, Our
Little Table) Vallandri and Beyle
ACT Ill — Scene II — reception room at st. sulpice convent
Ah I fuyez, douce image 1 (Depart, Fair Vision) (Preceded by the Recita¬
tive, “ Je suis seul ” — Alone at Last) Enrico Caruso
55086
12
1.50
55086
12
1.50
45009
to
1.00
89059
12
2.00
45009
10
1.00
88146
12
1.75
45008
10
1.00
81031
10
1.25
66077
10
1 .25
64312
10
1.25
74258
12
1.75
45008
10
LOO
88348
12
1.75
MANON LESCAUT ( Man-on Les-koh') (Puccini) Sung in Italian
Opera in four acts, the libretto, founded on Abbe Prevost’s novel, being mainly the
work of the composer. The Abbe Prevost romance has been treated operatically by several
composers.
Marion’s brother, Lescaut, is escorting his sister to the convent where she is to complete
her education. While Lescaut is carousing with companions, Manon meets des Grieux,
VICTOR RECORDS
Number
-AN INN AT AMIENS
(Now Among You)
de Gregorio
and Madrigaler
who chances to be dining at the inn, dressed as a student. School not appealing to the
girl, she agrees to elope, thereby spoiling the plans of Geronte, who had planned to abduct
her. Manort tires of des Grieux and his poverty, and leaves him for Geronte ; but when
des Grieux appears again she runs away with him. Geronte denounces Manon as an abandoned
woman. She is condemned to be deported to Louisiana. Des Grieux and Lescaut try to
rescue her, but the attempt fails and the former begs the Commandant to permit him to accompany
her. In the final scene the lovers are shown in a “desert” near New Orleans. Des Grieux
leaves Manon to search for water, and returns just in time to see her die in his arms.
ACT I-
Travoi belle brune
-Sulla uetta — Nun
Donna non vidi mai (A Maiden So Fair)
Donna non vidi mai (A Maiden So Fair) Giovanni Mart
ACT 11 — APARTMENT IN GERONTE’s HOUSE AT PARIS
Madrigale — Sulla vetta (Speed O’er Summit) Lopez-Nunes and Cho
and T ra tloi belle brune ( Now Among You) de Gr
Ah ! Manon, mi tradisce (Manon, Kind and Gentle) de Gregorio
and Gioconda — Cielo e marl — de G n
Manon Lescaut — Bourbonnaise (Laughing Song) (Auber) Fr. Galli-Curci
Mantilla, La (Spanish Song) (Alvarez) Spanish
(Man Who Fanned Casey — A Reply to Casey at the Bat — Digby Bell)
l Casey at the Bat — Recitation De Wolf Hopper)
(Manzanillo (Mexican Serenade) (Robyn) McKee Trio)
l Maria, Mari (Di Capua ) Violin-' Cello- Piano McKee Trio)
Victor Military Bandl
Victor Military Band)
Oakland-Murray)
Will Oakland I
Turner and Chorus)
. / Sousa’s Band)
Victor Military Band)
Victor Military Band)
(Maori — Tango (Tyers)
l Nights of Gladness — Boston (Auclijfe)
(Ma Pickaninny Babe (Charles Johnson)
l When It ’s Moonlight in Mayo
raple Leaf Forever — Song of Canada
Canadian National Airs — Medley March No
(Maple Leaf Forever (Muir)
l O Canadal ( Patriotic Air)
(Marche Fantastique (Fucik) Kryl’s Bohemian Bandl
l Carnival of Venice — Variations Cornet ( with Kryl’s B) Bohumir Kryl)
(Marche Fran^aise (D. W. Reeves) Victor Military Bandl
l Madelon — One-Step March (Bousquet- Robert) Victor Military Band)
Marche Funebre (Funeral March) (Chopin) Pianoforte de Pachmann
{Marche Heroique (Saint-Saens) Pryor’s Bandl
Dead March ( From "Saul”) ( Handel) Pryor’s Band)
(Marche Hongroise Orchestre Symphonique\
l
l
Orchestre Symphonique)
Kryl’s Bohemian Band)
Vessella’s Italian Band)
Marcel Journet
Conway’s Bandl
Menuet des Follets
/Marche Indienne (Sellenick)
Marcia Militaire ( Vessella )
Marche Lorraine (Ganne) In French
/Marche Lorraine (Ganne)
The Cossack Grenadier ( Le Grenadier du Caucase) Conway’s Band)
(Marche Militaire (Schubert) Victor Concert Orchestral
l Egmont Overture ( Beethoven ) Victor Concert Orchestra)
/Marche Militaire Frangaise (St.-Saens) Victor Concert Orchl
Reverie du soir ("Suite Algerienne”) Victor Concert Orchestra)
Marche Miniature (Tschaikowsky) Boston Symphony Orchestra
45015
10
1.00
87135
10
1.25
64410
10
1.25
45015
10
1.00
45027
10
1.00
64669
10
1.25
87339
10
1.25
35290
12
1.25
17939
10
.75
35304
12
1.25
17819
10
.75
17304
10
.75
17999
10
.75
35298
12
1.25
18534
10
.75
74304
12
1.75
16980
10
.75
35462
12
1.25
35258
12
1.25
G4586
10
1.25
69621
10
.75
35493
12
1.25
35668
12
1.25
64766 10
1.25
VICTOR RECORDS
Number ~ [ ~ i
Victor Orchestral , I
Vidor Orch) 18754 l0|
f Marche Romaine (Gounod)
l Gavotte in B Flat ( Handel ) (2) Giga (Corelli)
MARCHES — See also “Grand Marches ’’ and “ Educational Records ’
NOTE.— These are mostly double-faced record
their regular places.
.75
-for selection on opposite side see the titles in
Addio Napoli 16900
All Men are Sinners 69 1 45
American Eagle 16089
American History 16418
American V alor 1 6679
Anchors Aweigh 18817
Baltimore Centennial 18241
Battle of Gettysburg 18339
Battle of the Nations 18121
Battleship Conn. 16113
Bay State Command 1 7 402
Ben Hur Chariot R. 17110
Blaze Away 16307,17921
Blue White 18209
Bombasto 16316
Boston Com’ dery 16817
Boulanger 16659
Boy Scouts of Amer. 1 8209
Buffalo News 17357
Bullets and Bayonets 18752
Cadiz 18057
Canadian Medley 1 7304
Cappa’s 7th Reg’t 17080
Chimes of Liberty 18952
Clayton's Grand 35397
College Life 16312
Comrades of Legion 18683
Coronation 35610
Dance of the Bugs 1 7834
Daughters of Am. I 7402
Dead March 1 6980
DeMolay Com. 18084
Dixie Girl 1 6667
El Capitan 1 7302, 35389
Eldorado 18085
Fairest of the Fair 16777
Felix Diaz 35045
First Brigade March 17648
Folks Up Willow C. 17493
Frangesa 16760
Free Lance 16383
Gallant Seventh 18929
Garde du Corps I 7957
Gate City, 16299
Gen. Mixup, U. S. A. 17142
Gen. Pershing 18607
Girl I Left Behind Me 18371
Glory of Yankee N. 17229
Golden Star 35709
Good-bye Dolly Gray 18339
Guatemala— Panama 18040
Hands Across Sea 16190
Happy Days 16001
High School Cadets
16200, 35208
Honest Toil, 1 8037
Honolulu, 17710
Hot Time in Old T'n 18371
Hussars' Review 67554
Illinois Loyalty 18382
Indiana March 17807
Infanta 16847
Inglesina 16891
In Lilac Time 35397
In the Park 18017
invincible Eagle 16273
Italian Riflemen 16796
It was in Schoneberg 69145
Jack Tar 16151
Jolly General 35608
Keeping Step 18929
Kentucky Kut-Ups 16755
King Cotton 16386, 35284
Lambs' March 17976
Land of the Maple 16593
Liberty Forever 18471
Liberty Loan 18430
Lights Out 18498, 35283
Lincoln Centennial 16299
Lohengrin — Bridal 55048
Madelon 18534
Man Behind Gun 16395
Manhattan Beach 16383
Marche Fantastique 35298
Marche Fran9aise
18534,35668
Marche H^roique 16980
Marche Indienne 35258
Marche Lorraine 64586
Marche Lorraine 69621
Marche Militaire 35493
Marche Romaine 18754
Marche Slave 35167
Marche Turque 18894
March Miniature 64766
March Religioso 35227
March Shannon 17110
Marcia Militaire 35258
Marimba March 1 7928
Marine Corps Institute 18785
Messenger March 18894
Military Escort 17368
My Maryland 16104, 17142
Napoleon’s Charge 18121
Napoleon's March 67554
Nat. Capital Centen¬
nial 18768
National Emblem
17957, 18498
Naval Reserve 18360
New Tipperary 16024
Officer of Day 1 6386, 35284
Old Comrades
On the Campus
On, Wisconsin
Otilia
Our Director 16795,
Pasadena Day
17470
18752
1778!
18040
35204
17781
Patriotic Medley
35608, 35657
Patrol of the Scouts 18241
Pere de la Victoire 17712
Pietro’s Return 17531
Pomp and Circumst. 35247
President Harding 18768
Private Tommy A. 17651
Pussyfoot 18097
Radetzky 67965
Rainbow Division 18559
Rakoczy 453 1 I ,
67965, 74695
Regiment de Sambre 17712
Repasz Band 18607
Rifle Regiment 18785
Royal March of Italy
16136, 17162
Royal Trumpeters’
16273. 35204
Sabre and Spurs 18504
Sagamore March 18952
Sardinia 16136, 17162
Second Connecticut 16416
Semper Fidelis 16190,35208
Seventh Reg't 17080, 17162
79th Highlanders’ 17408
Sharpshooters 17551
Skyrocket 17080
Soldiers of the King 17639
Solid Men to the Front 18504
Sorella 16523, 16761
Sousa Medley 17921
Southerner 17648, 35531
Spirit of Independence
18559
Spirit of Peace 35472
Standard Bearers
16307,35657
Stars and Stripes 16777,
18092, 35389, 35709
Swedish Guard 16875
Tenth Regiment 18017
Thunderer 16151, 35531
Turkish 18396,64770
Universal Peace 1 7229
U. S. Field Artillery 18430
"Varsity March 17672
Victorious America 18084
Victors' March 17672
Volunteers 18471
War Songs March 16154
Wash'n Post, 17302 35283
Where Do We Go 18370
White Rose 18360
Who's Who 18683
With Sword and L. 16397
Yankee Shuffle 16795
Yorktown Centennial 18817
VICTOR RECORDS
Number 1 ~ ~
MARCHES, GRAND
Alda 35265,35559 Funeral March (Beethoven)
Boston Commandery 16817 35426
Clayton’3 35397 Funeral March (Chopin)
Coronation (Prophete) 35157, 74304
35610,35683 Lohengrin 55048
Don Carlos 17133 Marche Heroique 16980
MARCHE SLAVE (Tschaikowsky)
By Victor Herbert’s Orchestra and A ir for G String (Bach) Herbert’s Or
By Pryor’s Band and Semiramide Overture ( Rossini ) Police Band of Mexico
(Marcheta (Love Song of Old Mexico) (Schertzinger ) Kline-Baker
l Indiana Lullaby (Waltz Song) ( Terriss-Kendall) Kline-Baker)
(Marche Turque — Patrol (Eilenberg) United States Marine Band)
l Messenger, The — March ( Barnhouse ) United States Marine Band)
Whitehill
Harlan and Stanley)
Pryor’s Band )
Marche Slave 35 1 67, 55 1 05
Siegfried’s Funeral 35369
Wedding March (Men¬
delssohn) 55048, 74745
Wedding March
(Sousa) 35683
Marching Through Georgia (Henry C. Work)
(Marching Through Georgia (Work)
l Second Connecticut March ( Reeves )
{March Past of the Cameron Highlanders and Gordon Highlanders
( Bagpipes and Drums) Pipers and Drummers of Scots Guards!^
The Highland Fling ( Bagpipes ) Pipers of H. M. Scots Guards)
(March Religioso (Onward Christian Soldiers) Victor Military Band!
I
Soldiers ’ Chorus from ‘ ‘Faust
JMarch Shannon — Irish Novelty
Ben Hur Chariot Race March
(Marcia Militaire
l Marche Indienne
Pryor’s Bandl
Sousa ’s Band)
Victor Military Band)
(Willis)
(Pault)
Vessella’s Italian Band)
Kryl’s Bohemian Band)
MARCONI-VICTOR WIRELESS TEL. RECORDS— See “Wireless”
(Vessella)
( Sellenick )
(Margie — Medley Fox Trot (intro, “ Singin’ the Blues”) Dixieland Jazz)
l Palesteena — Fox Trot ( Robinson-Conrad ) Dixieland Jazz B)
International Orchestral
International Orchestra)
William Wheeler)
Reed Miller)
(Marguerita — Fox Trot (Repetto)
l Farewell Waltz ( Repetto )
rirguerite (White)
The Sweetest Story Ever Told ( Stults )
Maria di Rohan — Bella e di sol vestita (Donizetti) Italian Battistini
Maria di Rohan - Voce fatal di morte (Fatal Voice) Italian Battistini
Maria di Rudenz — Ah! non avea piu lagrime Italian Battistini
Maria, Mari ( Neapolitan Song) (Russo-di Capua)
By Antonio Scotti (Baritone)
By Herbert Witherspoon (BassJ
By Dmitri Smirnov (Tenor) ,
By McKee Trio Violin-’Cello-Piano and Manzanillo (Mexican Serenade) Trio
By Vessella s Italian Band and Addio a Napoli (Farewell to Naples) Band
Marianina (N. Ferri) In Italian Renato Zanelli
(Marie — Fox Trot (Motzan-Santly) Whiteman’s Orchestra)
l On the ’Gin ’Gin ’Ginny Shore— Fox Trot Whiteman’s Orchestra)
Marietta (Romilli) Giuseppe de Luca
(Marimba March Blue and White Marimba Bandl
l Colombia Waltz ( Valverde ) Blue and White Marimba Band)
55105
35167
45309
18894
64602
16416
67844
35227
17110
35258
18717
73289
17165
88350
88652
88654
88083
74418
66042
17939
16900
66013
18859
66068
17928
10
10
10
10
12
10
12
1.50
1.25
1.00
.75
1.25
.75
.75
1.25
.75
1.25
.75
.75
.75
1.75
1.75
1.75
1.75
1.75
1.25
.75
.75
1.25
.75
1.25
.75
VICTOR RECORDS
ISumher
A?
t/5
to ii
0.
Marimba (Sweet Marimba Mine) (Johnson-Black)
Down By the O-HFO ( Yellen-Olman )
Murray 1 0723
Murray- Roberts 1 1
10
.75
MARIMBA RECORDS
Alda Selection 35559
American Airs 35557
Artist's Life Waltz 35557
Blue Danube Waltz 35564
Blue Waves Waltz 35565
By Old Ohio Shore 16858
Captain Betty 18292
Catalina One-Step 18095
Cavalleria Intermez 18048
Colombia Waltz 1 7928
El Choclo — Tango 18093
Fading Leaves 18048
Fletita — One-Step 18095
Green Club 68493
Guatemala-Panama
March 18040
Kicky-Koo —
Fox Trot 18898
Kiss Me — One-Step 18292
Love’s Power — Waltz 1 8092
Lucia Sextette 35559
Marimba March 1 7928
Modest Suzanne 18093
Moon River- — Waltz 18907
My Brunette 68493
My Isle of Dreams 18716
Otilia March 18040
Relicario, El 18749
Smilin’ — Fox Trot 18851
Southern Roses 35564
Stars and Stripes
Forever 18092
Thousand and One
Nights 35565
{Marine Corps Institute — March
Rifle Regiment — March (Sousa)
f Marionette (Arndt) Pianoforte
\ Valse Bleue ( Margis ) Pianoforte
(Branson) U. S. Marine B1
United States Marine Band)
Felix Arndtl
Felix Arndt)
18785
18284
10
10
.75
75
Maritana (Opera by Edward Fitzball — William Vincent Wallace)
There Is a Flower John McCormack
MARKELS’ ORCHESTRA — See “Felicia Waltz”
64307
10 1.25
MARLOWE, JULIA, Actress (See “Sothern-Marlowe” in Pink Section
MARRIAGE OF FIGARO ( Nozze di Figaro) (Mozart) Italian
Overture — Pryor's Band and Fra Diavolo — Overture ( Auber ) Pryor’s Band
Se vuol ballare ? (Will You Dance ?) Giuseppe de Luca
Non so piu cosa son (I Know Not What I'm Doing) Galli-Curci
Porgi amor — Arkel and Toglietemi la vita ancor — Romanza — Arkel
Voi che sapete (What is this Feeling) Nellie Melba
Che soave zeffiretto — Letter Duet Sembrich and Eames
Deh vieni, non tardar (Ah, Why Delay So Long?) Lucrezia Bori
MARRIED LIFE — Humorous Records about — See “ Matrimonial,”
“Cohen’s Wedding” — “Good Man” — “Mother Hasn’t Spoke to
Father” — “Talk on Married Life” — “That’s Why 1 Never Married”
— “When the Honeymoon Was Over”
Marseillaise, La (National Air of France) (Rouget de Lisle)
By Frances Alda (Soprano) In French
By Emma Calve (Soprano) (with Metropolitan Opera Chorus) In French
By Marcel Journet (Bass) In French
By Edward Hamilton (Baritone) and Star-Spangled Bannei — Spencer
By Sousa’s Band and Belgium National Ait — La Brabanfonne — Victor Band
35109
64673
64748
63419
88067
95202
88633
64693
88570
74039
18338
17668
12
1.25
10
1.25
10
1.25
10
.75
12
1.75
12
2.50
12
1.75
10
12
12
10
10
1.25
1.75
1.75
.75
.75
MARSH, LUCY ISABELLE, Soprano
The career of Lucy Marsh is another demonstration of what
may be accomplished by an American girl under an American
teacher. No one who listens to her faultless singing can but feel
gratification that both pupil and teacher are native born. She
was a pupil of the late John Walter Hall, of New York.
Miss Marsh’s voice is a lyric soprano of exceptional beauty,
and its exquisite purity, smoothness and flexibility are delightful
to hear.
The singer’s flawless technique, the absolute purity of the
soprano tones, and her perfect intonation always give the keenest
delight to the appreciative listener.
MARSH
_ VICTOR RECORDS _
MARSH RECORDS (Sung in English except as noted) See also “Educational”
Number
Alda — Fuggiam 55058
Alda — O terra addio 74398
Alda — Ritorna
vincitor 55135
Angels Ever Bright 35075
Ave Maria 55052
Beautiful Lady Waltz 45 193
Butterfly 45244
Carmen — Parle-moi 74345
Creation — W ith
Verdure Clad 55178
Damon (Bekehrte) 45179
Deep in Your Eyes 45214
Elijah — Hear Ye 55178
First Primrose 45321
Giannina Mia 45313
Greeting (Grieg) 45321
Hand of You 45267
His Lullaby 45090
Holy Night 45145
Inflammatus 55162
Italian Street Song 45181
Just a-Wearyin’ for
You 45090
Last Rose of Summer 45 183
Messiah — Come Unto
Me 45144
Messiah — I Know
That 55053
My Ain Countrie 45183
My Hero — -Waltz 45193
My Mother Bids Me 45092
Nightingale, The 55140
Oh, For the Wings 55053
Pale Moon 45252
Parla Waltz (Speak) 55107
Pickaninny Sleep-
Song 45 179
Sol vejg's Cradle Song 4532 1
Solvejg’s Song 55106
Duets in which
Miss Marsh sings
Song of Love 45304
Spring’s Awakening 55140
Stizzoso, Mio 55051
Swallows, The 55108
Sweet the Angelus
is Ringing 55055
Tales of Hoffman 45181
Tell Me, Where is
Fancy Bred 55060
Traviata — Ah, fors'
6lui 55107
Twickenham Ferry 45253
When the Swallows
Homeward Fly 45067
Welcome Pretty P 45192
Within a Mile of
Edinboro’ 45253
Marsovia Waltz (Blanke-Belcher)
By U. S. Marine Band and Amina — Serenade ( Lincke ) — Pryor’s Band 16959 10 .75
By Arthur Pryor’s Band and Moon IVinks — ThreeStep — Pryors Band1 16069 10 .75
By Arthur Pryor's Band and America Forever — Fantasia — Pryor s Band 35112 12 1.25
By Pietro Accordion and My Treasure — IValtz — Accordion — Pietro 18770 10 .75
MARTHA (Vienna, 1847) (Flotow) (Sung in Italian unless otherwise noted )
See Victrola Book of the Opera for complete illustrated description
Opera in four acts; libretto by St. George and Friedrich; music by Friedrich von
Flotow. The opera is an elaboration of “ Lady Henrietta, or the Servant of Greenwich,”
a ballet- pantomime, with text by St. George and music by Flotow, Burgmuller and
Deldevez, which was suggested by an actual incident, and presented in Paris in 1844.
Martha was first produced at the Court Opera, Vienna, 1847; London, 1858; Paris,
1858; Milan, 1859. First American production, 1852.
MARTHA RECORDS
Overture — Pryor’s Band and Nocturne in E Flat, Opus 9 — 'Cello — Victor Sorlin
ACT 1 — Scene II — the fair at Richmond
Solo, profugo (Lost, Proscrib'd) Enrico Caruso and Marcel Journet
ACT 11 — INTERIOR OF A FARM HOUSE
Siam giunti, o giovinette (Your Future Dwelling) Alda-Jacoby-Caruso-Journet
Che vuol dir cio (Surprised and Astounded!) Alda-Jacoby-Caruso-Journet
Presto, presto (Spinning Wheel Quartet) Alda-Jacoby-Caruso-Journet
Spinning Wheel Q — V. Op. Qt. and Madame Butterfly — Some Day — Kimball
Last Rose of Summer For eleven records see “Last Rose of Summer”
Quartetto notturno (Good Night Quartet) Alda-Jacoby-Caruso-Journet
Good Night Quartet — Lyric Q English and Madrigal ("Mikado”) Lyric Q
ACT 111 - HUNTING PARK IN RICHMOND FOREST
Canzone del porter (Porter Song) Marcel Journet
M’appari (Like a Dream) Enrico Caruso
M’appari (Like a Dream) Giovanni Martinelli
Like a Dream (M’appari) In English Evan Williams
MARTIAL MUSIC - See ‘‘National and Patriotic Selections ”
MARTIN, RICCARDO, Tenor
Madama Butterfly — Lo so che alle sue pene ( Italian ) (with Fornia and Scotti)
MARTINELLI, GIOVANNI, Tenor— See Pink Section
MARTINEZ-P ATTI, GINO, Tenor - See “Forza del Destino”
35133
12
89036
12
95207
12
95208
12
95209
12
55114
12
95210
12
17226
10
64014
10
88001
12
74469
12
74128
12
87503
10
1.25
2.00
2.50
2.50
2.50
1.50
2.50
.75
1.25
1.75
1.75
1.75
1.50
VICTOR RECORDS
MARY (Otto Harbach-Louis A. Hirsch)
Love Nest Violin Fritz Kreisle
Love Nest — John Steel and Blue Diamonds — Bu i
Love Nest — Medley Fox Trot and Young Man’s Fancy — Fox Trot — Smith's C
MARY, GEMS FROM Victor Light Opera Company
Chorus, “We ll Have a Wonderful Party"— Tenor and Chorus,
“Mary" — Soprano, “Waiting" — Baritone and Chorus, “Anything
You Want to Do, Dear” — Duet andChorus, “The Love Nest.”
Gems from "The Night Boat” ( Caldwell-Kern ) Victor Opera Co
Mary, Dear (Some Day We Will Meet) (De Costa-Jerome) Burrl
While the Years Roll By {Lewis- Young- Austin) Brown-Shawl
Mary of Argyle (Charles Jefferys-Sidney Nelson)
By Evan Williams (Tenor)
By John McCormack (Tenor)
By Sir Harry Lauder
(Mary, To (Shelley- White)
l Phyllis und die Mutter
and Auld Scotch Sangs — Sir Harry Lauder
Paul Reimersl
Paul Reimersl
MASCAGNI, PIETRO {Mahs-kahn' -yee)
Born in Leghorn, Italy, 1863. Noted contemporary Italian composer of opera
See“ Cavalleria,” “Iris” and “ Serenata ”
MASKED BALL ( Ballo in Maschera) (Verdi) {In Italian unless noted )
ACT 1 — Scene I — a hall in the governor’s house
La rivedra nell' estasi (I Shall Behold Her)
Caruso, Hempel, Rothier, De Segurola and Chorus
ACT 1 — Scene II — the hut of Ulrica
Barcarola, “ Di' tu se fedele " (The Waves Will Bear Me)
Enrico Caruso with Metropolitan Opera Chorus
Barcarola, “ Di’ tu se fedele ” Giovanni Martinelli
Quintette — E scherzo, od e follia (Your Prophecy Absurd)
Caruso, Hempel, Dtichene, Rothier, De Segurola and Chorus
O figlio d'Inghilterra (Oh, Son of Glorious England) Huguet, Salvador,
Cigada, Sillich and Chorus and Ernani — Ernani involami — Gr
ACT 11— a FIELD — ON ONE SIDE A CALLOWS
Ah ! qual soave brivido (Thy Words Like Dew) Giacomelli, Martinez-Patti
and Forza del Destino — Non imprecare — Martinez-Patti, Preve, Giacomelli
ACT 111 — Scene I — a room in Reinhart's house
Morrd ma prima in grazia (1 Die, Yet First Implore Thee) Destinn
Eri tu che macchiavi (Is It Thou?) Ruffo
Eri tu che macchiavi (Is It Thou ?) Emilio de Gogorza
Eri tu che macchiavi (Is It Thou?) Pasquale Amato
Eri tu che macchiavi (Is It Thou ?) Giuseppe de Luca
ACT 111 — Scene II — the governor’s private office
Ma se m’ 6 forza perderti — Romanza (Forever to Lose Thee!) (Pre¬
ceded by the recitative, Forse la soglia) (This Affair Must End I) Caruso
ACT III — Scene III — grand ballroom in the governor’s house
Saper vorreste (You Would Be Hearing) Luisa Tetrazzini
MASON, LOWELL (1792—1872) Compositions by
See “ My Faith Looks Up,” “ Nearer My God ” and “ There is a Fountain ”
Masque of Comus — See “Educational Records”
Massa’s in the Cold, Cold Ground (Stephen Collins Foster)
By Efrem Zimbalist ( Violin with String Orchestra and Celesta)
By Marguerite Dunlap and In the Evening by the Moonlight — Hayden Quartet
By Hayden Quartet and Cornfield Medley — Peerless Quartet
By Conway’s Band (for Community Singing) and Old Folks at Home — Conway’s
Number |
List
prc.
64924 10
1.25
18676 10
.75
18678 10
.75
35702 12
1.25
18955 10
.75
64088 10
1.25
64432 10
1.25
45256 10
1.00
45062 10
LOO
89077
12
2.00
87091
10
1.25
64487
10
1.25
89076
12
2.00
63173
10
.75
68026
12
1 .25
88636
12
1.75
88544
\1
1.75
88324
12
1.75
88464
12
1.75
74526
12
1.75
88346
12
1.75
88304
12
1.75
64638
10
1.25
17305
10
.75
16218
10
.75
18519 10
.75
_ VICTOR RECORDS _ | Number |Jj j|.
MASSENET, JULES EMILE FREDERIC (1842-1912)
(Mahss -‘n- nay)
Jules Massenet, whose death occurred in 1912, was one of
the best known of modern French composers. He was born in
Monteaux, near St. Etienne, in 1 842, and numbered among his teachers
Ambroise Thomas, composer of Mignon. At the age of twenty-one
he carried off the Grand Prix de Rome with his cantata David Rizzio.
He composed prolifically for the lyric stage, the orchestra, the voice
and the piano. His latest work, Therese, was recently produced at
Monte Carlo. One of his most popular operas is Manon ; others are
Herodiade, Werther, Le Cid, and La Navar raise.
For records of Massenet’s compositions see his operas, “Cid. Le.” ” Cleopatre.”
“Don Cesar de Bazan,” “Fete Boheme,” “Herodiade.” “Jongleur,” “Manon,”
“Re diLahore,” “Thais" and “Werther”; also “ Angelus,” “ Chant de Guerre
Cosaque,’’ “Elegie” and “Twilight”
MASSES, RECORDS OF - See also “ Gregorian Masses ”
Gloria from Twelfth Mass 35678 | Sanctus from “ Messe Solennelle ’’ 35110
(Matrimonial Difficulties (Specialty with Banjo) Golden-Marlowe
l A Love-Slc Darl^y ( Comic Specialty with Banjo) Golden-Marlowe
{Matrimonial Troubles — Darky Comedy Golden and Hughes
Nothing to Do 'Till Tomorrow (Drislane-Meyer) Billy Murray
[35544
12
[ 17047
10
1.25
.75
MattchicHe — See “ Sorella, La” and “ Dance Records ”
MATTEI, TITO (May-tay-ee ) (1841-1914) Composer
Born Campobasso, Italy. Gave first public concert at 5. Professor at 11.
Became pianist to King of Italy. Toured extensively. Wrote several operas and hun¬
dreds of songs and piano pieces. Settled in London 1863, remaining there till death.
See “Dear Heart” and “Non e ver”
Mattinata (Morning Song) (Carducci-Fatuo) In Italian de Luca
Mattinata ('Tis the Day) (Leoncavallo) In Italian Martinelli
Mattinata (Tosti) ( Piano acc.) In Italian Nellie Melba
{Mattinata (Morning Serenade) (Tosti) ( with Harp) William Pickelsl
Just a-Wearyin’ for You ( Jacobs-Bond) William Pickets)
MATZENAUER, MARGARETE, Contralto — See Pink Section
(Maui Aloba — One-Step Hawaiian Guitars Louise-Fereral
l Pua Carnation Hawaiian Guitars Louise-Ferera)
(Maui Girl Hawaiian Quintette)
l Aloha oe and Hawaii Ponoi — Hawaiian Melodies Pryor’s Band)
{Mauna Kea — Sacred Dancing Hula Song ( with Quintette) S. M. Kaiawel
Waialae — Waltz Song (Sparkling Waters) Hawaiian Quintette)
Mavis (L. A. Lefevre-Craxton) John McCormack
fMavourneen Roamin’ (Johnstone-O’Neill) Lambert Murphy)
l The Sunshine of Your Smile ( Cooke-Ray ) Lambert Murphy)
Maxixes — For Dancing — See “Dance Records’’
May Morning, A (Denza) Evan Williams
May Pole Dance — See “Educational Records, Folk Dances”
(May time Waltz— “Will You Remember?” Waldorf Orchestra)
l American Serenade — Fox Trot Waldorf-Astoria Dance Orchestra)
(Mazie — Fox Trot (Caine-Dawson-Gold) (Vocal Cho.) All Star Trio-Or)
l Answer — Medley Fox Trot (Vocal Chorus) All Star Trio and Orch)
Mazurka (A. Zarzycki, Op. 26) Violin Maud Powell
64990
10
1.25
64595
10
1.25
88077
12 1.75
17905
10
.75
18087
10
.75
18579
10
.75
18574
10
.75
64407
10
1.25
55069
12
1.50
64158
10
1.25
18432
10
.75
18738
10
.75
64104
10
1.25
VICTOR RECORDS
Number
(A. Zarzycki, Op. 26) Violin Erika Morini 74727
(Chopin) (Op. 59, No. 3, F Sharp Minor) de Pachmann 64263
(Chopin) (2) Moment Musical Xylophone Reitz)
Mazurka
Ma Mazurka
(Mazurka
l Dorothy ( 2 ) Gavotte from “Mignon ” Xylophone W. H. Reitz /
Mazurka in A Minor (Chopin-Kreisler) Violin Fritz Kreisler 64504
Mazurka in D Major (Chopin, Op. 33 No. 2) Pianoforte Novaes 64941
18216
1.75
1.25
.75
1.25
1.25
Mazurka — See also “Coppelia Ballet”
Me — If the name or title you wish is not here, see titles beginning “ Mac " on previous pages
McALL, REGINALD L. — See “Organ Records ”
McCLASKEY, HARRY. Tenor
1 Need Thee 16255 I Ninety and Nine 16532 I Somewhere a Voice 17475
Jesus Saviour. Pilot Me 16742 I Softly and Tenderly 16743 [
McCOOL, JAMES. Tenor - See “Low Back'd Car” and “Minstrel Boy”
McCORMACK, JOHN, Tenoi - See Pink Section
McFARLANE — See “ MacFarlane”
McKEE, MARGARET, Whistler
In Venice 16052 I Mocking Bird 18083
Invitation Waltz 18755 I Salut d'Amour 18755
McKEE’S ORCHESTRA
Cecile — Waltz Hesi¬
tation (This record
is lab cledCastlc
House Orchestra
but was directed by
Mr. McKee) 35373
Cinquantaine, La 18223
Elaine — V alse
Hesitation 35475
Estellita — V alse
Pathetique 35475
Extase (Ecstasy) 35574
Forget-Me-Not —
Waltz 35639
Goyescas-Intermezzo 35574
In Wintertime Waltz 3551 I
Mighty Lak' a Rose 35395
Millicent — Hesitation 35395
Under the Dridge at
Paris
73438
Minor and Major
Waltz
35446
My Clarabelle Waltz
35446
Perdita Waltz
35481
Perfect Day, A
3551 1
Pirouette
18223
Riverside Bells Waltz 35526
Rosalie Waltz
35481
Youth and Beauty
35526
Serenade — Good-
Night. Beloved
18190
Supplication
(Meditation)
18063
Sweet Genevieve
18130
Vacant Chair
18230
When You and 1
Were Young
18130
Where the River
Shannon Flows
17898
McKEE TRIO - Violin-’Cello
Alice, Where Art
Thou ?
Bohemian Girl
Melodies
Come Back to Erin
Gavotte (Aletter)
I Cannot Sing the
Old Songs
In the Gloaming
'-Piano
17995
18190
17995
18243
18230
18063
Kathleen Mavourneen 1 809 1
Killarney
18091
Little Bit of Heaven
17898
Manzanillo
17939
Maria, Mari
17939
Miracle of Love
18243
Mother Machree
17835
Perfect Day
17835
Serenade Badine
18268
Serenade Coquette
18268
Harry E. Humphrey!
Homer Rodeheaver )
McNAUGHTON, TOM — See “Spring Maid — Three Trees”
{Me and Jim (Anonymous) Recitation
When Mallndy Sings ( Dunbar )
Meaning of Our Flag (Beecher) (2) The Flag Goes By
(Bennett) (Recitation with Drum and Bugle) William Sterling Battis
The Call to the Colors W illiam Sterling Battis
Meditation (Alexandre Glazounow, Op. 32) Violin Jascha Heifetz
(Meditation (C. S. Morrison, Op. 90) Florentine Quartet)
l Star of the Sea — Reverie (A. Kennedy) Florentine Quartet)
Meditation from “Thais” — See “Thais”
Medleys from Grand Opera — See "Grand Opera Medleys,” "Gems”
Medleys from Operettas — See complete list under “Gems”
35545
12
18297
10
64769
10
18769
10
1.25
1.25
.75
VICTOR RECORDS
Number
(2)
(3)
MEDLEYS, VOCAL
NOTE. — A handy index of the various selections in these medleys will be found
at the end of the medley list.
f Automobile Parody Nat M. Will*
Parodies on "Holy City‘S — “Toreador Song" — “ Marching
.1 Through Georgia" — “ Dixie" — " Ben Bolt" — "Out on the Deep”
(1)^ — "Reuben, Reuben" — “Rosary" — "John Brown’s Body”—
"Auld Lang Syne’
Pineoille School Board Charles Ross Taggart
Billy Sunday Hymns Victor Mixed Chorus
“l Am Coming Home” — 1 Walk With the King” — “If Your
Heart Keeps Right ” — " Brewer's Big Hosses ” — "Sweeter as the
Years” — “Since Jesus Came” — " Brighten the Corner ”
Moody and Sankey Hymns Vidor Mixed Chorus
Christmas Hymns and Carols — No. 1 Trinity Choir
“Christians. Awake!” — “Oh Little Town of Bethlehem” — “God
Rest You, Merry Gentlemen” — “First Nowell" — “Silent Night”
Christmas Hymns and Carols — No. 2 Trinity Choir (
“Joy to the World” — “The Angels and the Shepherds” — “Calm
on the Listening Ear” — "We Three Kings of Orient Are” — “A
Joyful Christmas Song’’
College Songs Victor Male Chorus
"Vive l’Amour” — "Spanish Cavalier” — "Solomon Levi” —
“ The Bull Dog ” — “Son of a Gambolier ’’ - — “ Darling Clemen¬
tine” — "Jingle Bells” — "Give Me the Waltz”
Songs of Good Fellowship Victor Male Chorus
fDown on the Levee Peerless Quartet
“Sunshine” — “No Use Awaitin’” — “YallerGal” — "On the
Mississippi" — “Hallelujah” — "Checkerboard Suit” — “Take
Your Feet Out ”
Mississippi Minstrels, No. 22 ( See " Minstrels ”) Minstrel Co
Foster Songs, Medley of Peerless Quartet
“ My Old Kentucky Home” — "Old Folks at Home” — “Old Black
Joe” — " l’se Gwine Back to Dixie” — “Carry Me Back to Ole
Virginny ’’ — “ Massa’s in de Cold, Cold Ground "
Virginia Minstrels — For contents see “ Minstrels ” Minstrel Co
Gospel Songs — No. 3 Victor Mixed Chorus
“ Precious Name” — “Sweet Hour of Prayer” — “Throw Out the
Life-Line" — " Ninety and Nine” — "Safe in the Arms of Jesus”
Gospel Songs — No. 4 Victor Mixed Chorus
“The Home Over There” — “Beautiful Isle of Somewhere”
— “Shall We Gather at the River?”— “ Tell Mother I’ll be
There" — "When the Road Leads Home”
MELODIES — For three medleys
(4)
(5)
(6)
(7)n
(8)
(9)
(10)
HARRIGAN-HART-BRAHAM
see numbers 24 and 28.
Hymns of Praise — No. 1 Victor Mixed Chorus
“Come, All Ye Faithful” — “Lead, Kindly Light” — “Rock of
Ages” — “Holy, Holy, Holy” — "Onward Christian Soldiers”
Hymns of Praise — No. 2 V ictor Mixed Chorus
“All Hail the Power” — "Abide With Me” — “Jesus Lover of
My Soul ” — “ Nearer My God” — Doxology
Moody and Sankey Hymns Victor Mixed Chorus
“Pull for the Shore” — “In the Sweet Bye and Bye” — “Almost
Persuaded” — " Hold the Fort” — “Where is My Boy To-Night ’’ —
“Beulah Land” — “God Be With You”
Billy Sunday Hymns Victor Mixed Chorus
My Hawaiian Maid — Medley Wright-Dietrich
“Kaua i ka huahuai” (Bubbling Spring) (Cunha) — “My Hawaiian
Maid” and “ My Honolulu Tom Boy”
Lei Aloha ( Wreath of Joy) Wright-Dietrich.
35601
35510
35712
35573
35233
35095
35620
35519
35510
18228
sa :
12
12
1.25
1.25
12
12
12
12
12
1.25
1.25
1.25
1.25
1.25
12
12
10
1.25
1.25
.75
VICTOR RECORDS
(11)
(12)
(13)
(14)
(15)
(16)
(17)
(18)
(19)
Kitty Cheatham
‘Georgie Porgie " — -
Kitty Cheatham
” — “ Pat-a-Cake "
MEDLEYS. VOCAL— Continued
(Negro Medley — Darky Songs American Quartet
“Oh, Ma Lulu” — “Keep a’ hammerin' on Ma Soul” — “Haul dat
Cotton Bale" — “What Kind o’ Clo’s does de Angels Wear”
Talfc on Married Life Murry K. Hill
(Negro Wedding in Southern Georgia — Peerless Quartet
The church bell rings out — "Heardem Bells," by choir — An orig¬
inal marriage service — Saluting the bride — “Hail, Jerusalem Hail"
School Days ( Edwards ) Byron G. Harlan
Nursery Rhymes — No. 1
“Little Boy Blue" — “Little Miss Muffet" —
“ Pussy-Cat” — “Little Bo-Peep"
Nursery Rhymes — No. 2
*' Baa, Baa, Black Sheep" — " Baby Bunting
“Hickory, Dickory ” — “Mary, Mary"
(Parodies of the Camp Geoffrey O’Hara
“Over There” — “Don't Bite the Hand" — “John Brown's
Body” — “Tramp, Tramp, Tramp, the Boys are Marching”
A Soldier’s Day Geoffrey O’Hara
Sacred Songs — No. 1 Victor Mixed Chorus
“Holy Night" (Adam) — “Face to Face" (Johnson) — -“One
Sweetly Solemn Thought" (Ambrose) — “Palms" — “ Hosanna’’
Sacred Songs — No. 2 Victor Mixed Chorus
“Babylon" — “Flee as a Bird “ There is a Green Hill Far
Away’’ — “Holy City" — “Star of Bethlehem"
Sea Songs Victor Mixed Chorus
“ Sailing ” — " Larboard Watch " — “ Rocked in the Cradle of the
Deep" — “Life on the Ocean Wave" — “Asleep in the Deep"
— “Nancy Lee” — “Anchored"
War Songs (See second page following ) Victor Male Chorus
Songs of Good Fellowship Victor Male Chorus
"A Stein Song" — “Heidelberg” — "Budweiser's a Friend of
Mine” — “Down Deep Within the Cellar" — “For He's a Jolly
Good Fellow" — “Good-Night, Ladies” and "We Won’t Go
Home 'Til Morning" — “Auld Lang Syne "
Favorite College Songs Victor Male Chorus
Songs of Ireland Victor Mixed Chorxj
“ The Harp that Once Thro’ Tara’s Halls ’’ — “The Last Rose of
Summer" — “Love's Young Dream” — “The Wearing of the
Green ’’ — “ Killarney ’’ — "Come Back to Erin "
Songs of Scotland Victor Mixed Chorus
Songs of Scotland Victor Mixed Chorv
“Scots Wha’ Hae” — "Blue Bells of Scotland” — “Loch Lo¬
mond” — “Cornin' Thro’ the Rye” — “Here’s Health to Bonnie
Scotland” — “Annie Laurie” — “The Campbells are Cornin' ’’ —
“Will Ye No Come Back Again" — "Auld Lang Syne”
Songs of Ireland Victor Mixed Chorus.
Songs of the Past — No. 1 Victor Mixed Chorus
“ Good-Bye, Dolly Gray ” — “After the Ball" — “Sweet Marie” —
“Where Did You Get that Hat” — “Say'Au Revoir ' But Not
‘ Good-Bye’ ” — “Daisy Bell ’’ — “ A Hot Time in the Old Town ’’
Songs of the Past — No. 2 Victor Mixed Chorus
“Sunshine of Paradise Alley” — “Two Little Girls in Blue”- —
“She was Bred in Old Ky " — “Comrades" — “Picture That is
Turned Little Annie Rooney” — “Johnny Get Your Gun"
rSongs of the Past — No. 3 Victor Mixed Chorus
“The Band Played On" — “You’re the Flower of My Heart,
Sweet Adeline ” — “A Bird in a Gilded Cage " — “ 1 Long to See
the Girl 1 Left Behind" — “Just One Girl ”
Songs of the Past — No. 4 Victor Mixed Chorus
“A Little Boy in Blue’’-” Sweet Rosie 0’Grady“-“Just Tell Them
That You Saw Me" — “ In the Good Old Summer Time" — “The
Man That Broke the Bank at Monte Carlo " — “ Hear dem Bells"
’ 20)
(21)
Number
QJ I
&
| 16463
10
| 16526
10
45082
10
| 18451
10
' 35613
12
35351
12
' 35573
12
' 35513
1
12
' 35513
12
35477
12
> 35483
12
.75
.75
LOO
.75
1.25
1.25
1.25
1.25
1.25
1.25
1.25
VICTOR RECORDS
(22 '
1 23
(24)
(25)
MEDLEYS. VOCAL— Continued
Songs of the Past — No. 5 Victor Mixed Chorus
"My Coal Black Lady" — “My Creole Sue” — “Little Alabama
Coon" — “1 Guess I’ll Have to Telegraph My Baby” — “All
Coons Look Alike to Me" — “Hello, My Baby"
Songs of the Past — No. 6 Victor Mixed Chorus
"The Blue and the Gray"- — -“Just as the Sun Went Down” —
"Good-Bye, Little Girl, Good-Bye” — “Break the News to
Mother"— “Blue Bell”
Songs of the Past — No. 7 Victor Mixed Chorus
"See-Saw" — “Marguerite” — "Grandfather’s Clock” — “Silver
Threads Among the Gold” — “Wait Till the Clouds Roll By” —
" The Blue Alsatian Mountains”
Songs of the Past — No. 8 Victor Mixed Chorus
"Baby Mine" — ‘‘Daddy Wouldn’t Buy Me a Bow-wow” — “1
Don’t Want to Play in You Yard” — “ Emmett’s Lullaby” — Inter¬
mezzo, “Baby’s Dream of Its Toys” — “Bring Back My Bonnie”
Songs of the Past — No. 9 (Olcott-Mack-Scanlan) Victor Cho
“ My Beautiful Irish Maid" — “Molly-O" — “Sweet Inniscarra ”
— -“The Story of the Rose” — “ My Wild Irish Rose ” — “When
Irish Eyes are Smiling"
Songs of the Past — No. 10 ( Harrigan-Hart ) Victor Chorus
“Mulligan Guard" — “Charleston Blues" — “The Mountain
Dew” — "Paddy Duffy's Cart" — “Hello! Bab-by ” — “Hurry
Little Children ” — “ Mulligan Guard ’’ (Harrigan-Braham)
Songs of the Past — No. 1 1 Victor Mixed Chorus
“ Ma Rainbow Coon" — “Only a Pansy Blossom ” — “Push dem
Clouds Away" — “In the Shade of the Old AppleTree” — “Bedelia"
— “ The Sidewalks of New York ”
Songs of the Past — No. 12 Victor Mixed Chorus
"Playmates" — “I’d Leave Ma Happy Home for You" — “The
Bowery" — “Ta-ra-ra Boom-de-ay ” — “The Midway” — “My
Wife’s Gone to the Country"
Songs of the Past — No. 13, Neapolitan Favorites
Victor Mixed Chorus
“Santa Lucia" — “ Funiculi-Funicula " — “ Maria, Mari ! ” — “ A
Frangesa ! ” — “Toma a Surriento" — “O sole mio” — “Carmela"
Songs of the Past — No. / 4 , Spanish Ballads V. Mixed Chorus
“LaGitana" — “ La Golondrina ’’ — “ In Old Madrid" — “La Pa-
loma" — “Carmena”
Songs of the Past — No. 15 Victor Mixed Chorus
“Dem Golden Slippers" — “ Darling Nellie Gray" — “Shine On
— “Carry Me Back to Old Virginny" — "Zip Coon" — " 1’se
Gwine Back to Dixie" — "In the Morning by the Bright Light "
Songs of the Past — No. / 6 Victor Mixed Chorus
“ Oh ! Susanna " — “ Old Dog Tray ” — *■ “ Nelly Bly ” — -“ Come
Where My Love Lies Dreaming" — “ Hard Times" — "Camp-
town Races" (Foster)
Songs of the Past — -No. 17 (Harrigan-Hart-Braham
Melodies, No. 2) Victor Mixed Chorus
"Denny Grady's Hack ” — “ Market on Saturday Night" —
"Never Take the Horseshoe from the Door” — “The Babies
on Our Block ” — “ Old Feather Bed ” — - “ Mary Kelly’s Beau
— ‘Slavery’s Passed Away” — “ Dip Me in the Golden Sea
Songs of the Past — No. 1 8 ( Harrigan-Hart ) Victor Chorus
“Major Gilfeather"- — “My Dad’s Dinner Pail" — "I Never
Drink Behind the Bar" — “Are You There, Moriarity ’’ —
“ Sweet Mary Ann " — “ Maggie Murphy’s Home ” — " Put on
Your Bridal Veil"
Number
(26)
(27)
(28)
35492
35498
35537
35550
35558
35568
35578
12
12
12
12
12
12
12
1.25
1.25
1.25
1.25
1.25
1.25
1.25
VICTOR RECORDS
MEDLEYS. VOCAL-Continued
Songs of the Past — No. 19 Victor Mixed Chorus
“Down in a Coal Mine” — "Paddle Your Own Canoe ” — “Cham¬
pagne Charlie” — “Captain Jinks" — “Come Home, Father”
(“Father. Dear Father, Come Home”) — “Shoo Fly" — “The
(29)' Flying Trapeze "
Songs of the Past — No. 20 Victor Mixed Chorus
“Up in a Balloon" — "Wait for .the _ Wagon ” — " Whoa I
Emma ! " — “Put Me in My Little Bed” — “Listen to the Mocking
Bird " — “The Little Brown Jug ” — “ Old Dan Tucker "
(30)'
(31)
(32)'
Songs of the Past — No. 21 Victor Mixed Chorus
“Listen to My Tale of Woe" — "Blow Almost Killed Father"
— “Harrigan " — “We Never Speak as We Pass By” — “Down
Went McGinty" — “ 1 Can’t Tell Why 1 LoveYou” — "Arrah, Go
On ! "
Songs of the Past — No. 22 Victor Mixed Chorus
“Tammany" — -“White Wings” — "When the Robins Nest
Again" — "Hiawatha” — “On the Banks of the Wabash. Far
Away” — “Silver Heels" — "Navajo”
Songs of the Past — No. 23 Victor Mixed Chorus
"Strike Up the Band"— "The Girl 1 Loved in Sunny Tenn¬
essee" — ‘ She Was Happy Till She Met.You." — “Mamie Reilly"
— “When You Were Sweet Sixteen” — “Waltz Me Around
Again, Willie”
Songs of the Past — No. 24 Victor Mixed Chorus
“Darktown is Out Tonight" — “ Ma Lady Lou” — " My Gal is
a Highborn Lady" — “Stay in YourOwnBack Yard" — “Razors
in the Air” — “Under the Bamboo Tree " — “Ain’t Dat a Shame"
War Songs Victor Male Chorus
“Tramp, Tramp, Tramp" — "Just Before the Battle" — “Marching
Thro’ Ga." — “Vacant Chair "— “ Tenting To-Night” — -“When
Johnny Comes Marching Home" — “ Battle Cry of Freedom”
Sea Songs ( See second previous page) Victor Mixed Chorus
Number
35585
35607
35611
35351
12
12
12
12
1.25
1.25
1.25
1.25
MEDLEY INDEX— VOCAL
A handy index of the selections in the preceding medleys. The numbers refer to the medley number
on the left of page.
Abide With Me (8)
After the Ball (20)
Ain’t That a Shame (3 1 )
All Coons Look Alike (22)
All Hail the Power (8)
Almost Persuaded (9)
Anchored (16)
Angels and Shepherds (3)
Annie Laurie ( 1 9)
Are You There Moriarity (28)
Arrah, Go On ! (30)
Asleep in the Deep (16)
AuldLang Syne(l. 17, 19)
Baa, Baa, Black Sheep (13)
Babies on Our Block (28)
Baby Bunting (13)
Babylon (15)
Baby Mine (23)
Baby’s Dream of Its Toys (23)
Band Played On (2 1 )
Battle Cry of Freedom (32)
Beautiful Isleof Somewhere(7)
Bedelia (25)
Ben Bolt (I )
Beulah Land (9)
Bird in Gilded Cage (21)
Blow Killed Father (30)
Blue Alsatian Mountains (23)
Blue and the Gray (22)
Blue Bell (22)
Blue Bells of Scotland ( 19)
Bowery (25)
Break the News (22)
Brighten the Corner (2)
Bring Back My Bonnie (23)
Bubbling Spring (9)
Budweiser’s a Friend (17)
Bull Dog (4)
Calm on the Listening Ear (3)
Campbells are Cornin’ ( 19)
Camptown Races (27)
Captain Jinks (29)
Carmela (26)
Carmena (26)
Carry Me Back Old V a. (6, 27)
Champagne Charlie (29)
Charleston Blues (24)
Checkerboard Suit (5)
Christians, Awake (3)
Come Back to Erin ( 1 8)
Come Home, Father (29)
Come Where My Love (27)
Cornin' Thro' Rye (19)
Comrades (20)
Daddy Wouldn’t Buy Me (23)
Daisy Bell (20)
Darktown is Out Tonight (3 1 )
Darling Nellie Gray (27)
De Brewer’s Big Hosses (2)
Dem Golden Slippers (27)
Denny Grady’s Hack (28)
Dip Me in Golden Sea (28)
Dixie ( 1 )
Don’t Bite the Hand ( 14)
Down Deep Within Cellar ( 1 7)
Down in a Coal Mine (29)
VICTOR RECORDS
MEDLEY INDEX. Vocal-Continued
Down Went McGinty (30)
Doxology (7)
Emmett’s Lullaby (23)
Face to Face (15)
First Nowell (3)
Flee as a Bird ( 1 5)
Flying Trapeze (29)
For He’s a Jolly Fellow (17)
Frangesa (26)
Funiculi, Funicula (26)
Georgie Porgie (13)
Girl 1 Loved in Tenn. (31 )
Gitana, La (26)
Give Me the Waltz (4)
God Be With You (9)
God Rest You (3)
Golondrina (26)
Good-Bye, Dolly Gray (20)
Good-Bye, Little Girl (22)
Good Night, Ladies (17)
Grandfather’s Clock (23)
Hail, Jerusalem, Hail ( 12)
Hallelujah (5)
Hard Times (27)
Harp that Once Thro" (18)
Harrigan (30)
Haul dat Cotton Bale (11)
Hear dem Bells (12,21)
Heidelberg ( 17)
Hello, Babby (24)
Hello, Ma Baby (22)
Here's Health to Scotland ( 1 9)
Hiawatha (30)
Hickory, Dickory, Dock (13)
Hold the Fort (9)
Holy City (I, 15)
Holy, Holy, Holy (8)
Holy Night (15)
Home Over There (7)
Hosanna (15)
Hot Time in Town (20)
Hurry Little Children (24)
I Am Coming Home (2)
I Can't Tell Why I Love (30)
I'd Leave Ma Home (25)
I Don’t Want to Play (23)
If Your Heart Keeps Right (2)
I Guess I’ll Have to Telegraph
(22)
I Long to See Girl (2 1 )
1 Never Drink Behind Bar (28)
In Old Madrid (26)
lnGood01dSummerTime(2l )
In the Morning by the Bright
Light (27)
In the Shade of the Old Apple
Tree (25)
In the Sweet Bye and Bye (9)
I’se Gwine Back to Dixie (6,
27)
I Walk With the King (2)
Jesus, Lover of My Soul (8)
Jingle Bells (4)
John Brown’s Body ( 1 , 14)
Johnny Get Your Gun (20)
Joyful Christmas (3)
Joy to the World (3)
Just as the Sun Went (22)
Just Before the Battle (32)
Just One Girl (21)
Just Tell Them That You Saw
Me (21)
Kaua i ka huahuai ( 10)
Keep a’hammerin’ O')
Killarney ( 1 8)
Larboard Watch (16)
Last Rose of Summer ( 1 8)
Lead, Kindly Light (8)
Life on the Ocean Wave ( 16)
Listen to MyTaleof Woe(30)
Listen to the Mocking Bird
(29)
Little Alabama Coon (22)
Little Annie Rooney (20)
Little Bo-Peep (13)
Little Boy Blue (13)
Little Boy in Blue (2 1 )
Little Brown Jug (29)
Little Miss Muffet (13)
Loch Lomond (19)
Love's Young Dream (18)
Maggie Murphy’s Home (28)
Major Gilfeather (28)
Mamie Reilly (31)
Man That Broke Bank (21)
Marching Through Ga. ( 1 , 32)
Maria, Mari! (26)
Marguerite (23)
Market on Saturday Night ( 28)
Ma Rainbow Coon (25)
Mary Kelly’s Beau (28)
Mary, Mary (13)
Massa’s in deCold, Cold
Ground (6)
Midway (25)
Molly-C (24)
Mountain Dew (24)
Mulligan Guard (24)
My Beautiful Irish Maid (24)
My Coal Black Lady (22)
My Creole Sue (22)
My Dad’s Dinner Pail (28)
My Gal is a Highborn Lady
(31)
My Hawaiian Maid (10)
My Honolulu Tom Boy (10)
My Lady Lu (31)
My Old Ky. Home (6)
My W ife’s Gone to theCountry
(25)
My Wild Irish Rose (24)
Nancy Lee ( 1 6)
Navajo (30)
Nearer My God to Thee (8)
Nellie Bly (27)
Never T ake the Horseshoe(28'>
Ninety and Nine (7)
No Use Awaitin’ (5)
Oh Come, All Ye Faithful (8)
Oh, Dem Golden Slippers (26)
Oh Little Town (3)
Oh, Ma Lulu (II)
Oh, Ma Yaller Gal (4)
Oh, My Darling Clementine (4)
Oh, Susanna (27)
Old Black Joe (6)
Old Dan Tucker (29)
Old Dog Tray (27)
Old Feather Bed (28)
Old Folks at Home (6)
One Sweetly Solemn Thought
(15)
Only a Pansy Blossom (25)
On the Banks cf the Wabash
(30)
On the Mississippi (5)
Onward Christian Soldiers (8)
O sole mio (26)
Out on the Deep ( 1 )
Over There (14)
Paddle Your Own Canoe (29)
Paddy Duffy’s Cart t24)
Palms (15)
Paloma, La (26)
Pat-a-Cake (13)
Picture that is Turned (20)
Playmates (25)
Precious Name (7)
Pull for the Shore (9)
Push dem Clouds Away (25)
Pussy-cat (13)
Put Me in My Little Bed (29)
Put On Your Bridal Y eil (28)
Razors in the Air (3 1 )
Reuben, Reuben (1)
Rocked in the Cradle (16)
Rock of Ages (8)
Rosary ( 1 )
Safe in the Arms of Jesus (7)
Sailing (16)
Santa Lucia (26)
Say "Au Revoir” (20)
Scots Wha‘ Hae’ (19)
See-Saw (23)
Shall We Gather at the
River (7)
SheWas Bred inOldKy. (20)
She Was Happy Till She Met
You (31)
Shine On (27)
Shoo Fly, Don't Bother Me
(29)
Sidewalks of New York (24)
Silent Night (3)
Silver Heels (30)
Silver Threads Among (23)
Since Jesus Came (2)
Slavery’s Passed Away (28)
Solomon Levi (4)
VICTOR RECORDS
Number
4/
l«*l c/5
OO 3
MEDLEY INDEX. Vocal — Continued
Son of a Gambolier (4)
Spanish Cavalier (4)
Star of Bethlehem (15)
Stay in Your Own Backyard
(31)
Stein Song (17)
Story of the Rose (24)
Strike Up the Band (31)
Sunshine (5)
Sunshine of Paradise (20)
Sweeter as the Years Go By (2)
Sweet Hour of Prayer (7)
Sweet Inniscarra (24)
Sweet Marie (20)
Sweet Mary Ann (28)
Sweet Rosie O'Grady (21)
Take Your Feet Out (5)
Tammany (30)
Ta-ra-ra, Boom-de-ay (25)
Tell Mother I'll Be There (7)
Tenting To-night (32)
There is a Green Hill (15)
Throw Out the Life Line (7)
Toreador Song (1)
Toma a Surriento (26)
Tramp, Tramp (14, 32)
Two Little Girls in Blue (20)
Under the Bamboo T ree (31)
Up in a Balloon (29)
Vacant Chair (32)
Vive 1' Amour (4)
Wait for the Wagon (29)
Wait Till Clouds Roll (23)
Waltz Me Around Willie (31)
W earing of the Green ( 1 8)
We Never Speak (30)
We Three Kings (3)
We Won’t Go Home (17)
What Kind o’ Clo’s (II)
When Irish Eyes Are Smiling
(24)
When Johnny Comes M. (32)
When the Road Leads (7)
When the Robins Nest (30)
When You W ere Sweet 1 6 (3 1 )
Where Did You Get Hat (20)
Where is My Boy To-Night (9)
White Wings (30)
Whoa! Emma! (29;
Will Ye No Come Back (19)
Yaller Gal (5)
You’re the Flower of My Heart
(21)
Zip Coon (27)
MEDLEY OF IRISH REELS — See “ Irish Reels ”
MEDLEYS FROM OPERAS, VOCAL— See “ Gems "
MEDLEYS, INSTRUMENTAL
NOTE. — A handy index of the various selections in these medleys will he found at the end of
the medley list.
(33) <
(34)
(35)
(36)
(37) '
(38)
(39)
(40)
Allies, National Airs of the Victor Military Band
French, “ La Marseillaise’’ — British, “ Rule Britannia" — Belgian,
"La Brabangonne ’’ — Russian, “God Preserve the Czar”
Spirit of Peace March ( Goldman ) Victor Military Band.
Allies, National Airs of the Accordion Pietro'
England, “Rule Britannia" — France, "La Marseillaise" —
Italy, National Air and “ Garibaldi Hymn"
American National Airs Pietro.
Aloha Oe — Hawaiian Medley Waltz Victor Military Band
“Aloha Oe" (Farewell to Thee) — “One, Two, Three, Four"
Home, Sweet Home Medley Waltz Conway’s Band
America Forever! (An American Fantasia) Pryor’s Band'
“ Hail, Columbia ” — “My Old Kentucky Home” — “Marching
Through Georgia" — “Girl I Left Behind Me” — “Dixie" — “Star-
Spangled Banner" ( with Bugle Calls)
Marsovia Waltzes — for Dancing (Blan^e) Pryor’s Band ■
American Airs — Medley Hurtado Bros. Royal Marimba B
" Dill Pickles ” — " Sleep, Baby, Sleep" — “American Patrol ’’ —
"Girll Left Behind Me"— “ Dixie ’’• — -“Yankee Doodle”
Artist’s Life Waltz ( Strauss ) Hurtado Bros. Royal Marimba B.
American Fantasie (Herbert) Pryor’s Band
"Hail Columbia" — “ Dixie ’—“Columbia, Gem of the Ocean"
—“Star-Spangled Banner"
Skater’s Waltz (Les Patineurs) ( Waldteufel ) Sousa’s Band-
American Fantasie — Part I (Herbert) Herbert’s Orch
“Hail Columbia" — “Old Folks at Home"
American Fantasie — Part 2 Victor Herbert’s Orchestra
“The Girl I Left Behind Me" — “Dixie" — “Columbia, the
Gem of the Ocean" — “Star-Spangled Banner"
American National Airs Accordion Pietro
“America" — “ Marching Through Georgia" — “ Dixie” — " Bugle
Call" — “ Battle Hymn of Republic" and “ Yankee Doodle"
National Airs of the Allies Accordion Pietro
35472
18361
17733
35112
35557
35119
55093
18361
12
10
10
12
12
12
12
10
1.25
.75
.75
1.25
1.25
1.25
1.50
.75
VICTOR RECORDS
MEDLEYS, INSTRUMENTAL— Continued
(41)
(45)
(46)
(47)
(48)
(49)
(50)
(51)
(52) '
(53)
Angel’s Dream — Waltz Conway’s Band
"Angel’s Serenade” (Braga) — “Spring Song” (Mendelssohn)
— “ Kreutzer Sonata ” (Beethoven) — "Nocturne” (Chopin)
Nightingale Waltz Conway ’s Band.
(Apple Blossoms — Medley One-Step (Jacobi-Kreisler) Smith’s O
(42) " Little Girls, Good-Bye” — “Second Violin ”
l Carolina Sunshine — Waltz { Schmidt ) Joseph C. Smith’s O
Auld Scotia — Selection of Lauder Songs Pryor’s Band
. , "Bonnie Leezie Lindsay" — "There's a Wee Bit Land” — “When
(43) ^ I Get Back Again to Bonnie Scotland” — “ Stop Your Tickling,
Jock ” — " 1 Love a Lassie ”
Fortune Teller Selection {Victor Herbert) Pryor’s Band.
{Barcarolle — Waltz Hesitation (Offenbach) Victor Band!
"Barcarolle" — " Song of Olympia" — “ See, She Dances" >
Passing of Salome — Waltz Hesitation (Joyce) Victor Band)
{Behind Your Silken Veil— Medley Fox Trot Yerkes Or
"Behind Your Silken Veil” — "What Would We Do With¬
out the Girls ” — “ You and 1 ”
Roses at Twilight — Medley Waltz ( Marple- Howard ) Yerkes O
Blossom Time — Medley Waltz (Schubert-Berte-Romberg)
Smith’s Orchestra
“Song of Love” — "Only One Love Ever Fills My Heart" — “In
Vienna Town"
It’s You — Fox Trot {from “Bombo”) {Conrad) Smith’s Orch.
Canadian National Airs Medley No. 1 Sousa’s Band
“ 1 3th Royal Regiment and 39th Regiment Norfolk Rifles" (Moun¬
tain Rose) — “2d Regiment Queen’s Own Rifles of Canada" (The
Buffs) — “ 1 Oth Regiment Royal Grenadiers" (BritishGrenadiers)
Maple Leaf Forever — Patriotic Song of Canada Turner.
Chicken Reel Comedy Medley Saxophone Sextette Brown Bros
“Poet and Peasant" — “Chicken Reel” — "Virginia Lee" —
" Bull Frog and the Coon "
I Wonder What Will William Tell — One-Step VanEps Trio
{Chin Chin — Medley Fox Trot Saxophone Sextette Brown Brosl
Introducing "Pretty Baby" — “Chin Chin, Open Your Heart” >
Laverne — Waltz Caprice Saxophone H. Benne Henton)
Christmas Fantasia, A (Kappey) Pryor’s Band
"Christians Awake!” — “ It Came Upon the Midnight Clear" —
" Babe of Bethlehem " — " Country Dance" — "Auld Lang Syne"
Nazareth {Christmas Song) { Horley-Gounod) Frank. Croxton
Christmas Hymns Harp Francis J. Lapitino
“ While Shepherds Watched Their Flocks by Night" — "It Came
Upon the Midnight Clear” — “Silent Night" and “Adeste
Fideles ” (O Come All Ye Faithful)
Silent Night, Holy Night {Gruber) Neapolitan Trio
Cosmopolitan Overture (Prendiville) Pryor’s Band
“America” — Italy, “Garibaldi Hymn" — England, "Rule Bri¬
tannia" — Spanish Patriotic Selections — Scotland, "Blue Bells"
— Canada, "Vive la Canadienne” — Finale, “Yankee Doodle”
• Shepherd’s Life in the Alps {Descriptive) Pryor’s Band
Creme de la Creme — Fantasia (Tobani) Pryor’s Band
Coronation March from “ Prophete ’’ — "Schubert’s Serenade” —
“ Hungarian Dance No. 5” (Brahms)— "Hearts and Flowers”
(Tobani) — Finale of " William Tell Overture ’’
Souvenir de Beethoven- — Fantasia {Tobani) Pryor’s Band.
Number
35500
18646
35224
35383
18636
18827
17304
17799
18149
35261
18389
35282
35263
12
10
12
12
10
10
10
10
10
12
10
12
12
1.25
.75
1.25
1.25
.75
.75
.75
.75
.75
1.25
.75
1.25
1.25
prc.
VICTOR RECORDS
MEDLEYS. INSTRUMENTAL— Continued
{Day at West Point — Descriptive Mil. Piece (Bendix) Pryor’s Bl
“ Dixie” and “ Yankee Doodle" r
Artful Artie Two-Step (Pryor) Arthur Pryor’s Band J
Desecration Rag (A Classic Nightmare) Pianoforte Arndt
Being ragtime perversions of "Humoresque” (Dvorak)— “2nd
I'cev Hungarian Rhapsody" (Liszt) — "Rustle of Spring" (Sinding) —
' ' “impromptu” (Chopin) — “Militaire Polonaise” (Chopin) and
Chopin’s "Funeral March"
. Hacienda — The Society Tango ( Paul Riese ) Pianoforte Arndt.
(56) <
(57) '
(58) '
(59) '
(60)
(61)
(62)
(63)
(64)
(65)
(66)
Dublin Jig Medley Violin-Piano P. J. Clancy-A. P. Kennal
" Tattered Jack Walsh ” — -" Dublin Jig” — “ The Rover ’’
Drowsy Maggie — Medley of Reels Irish Pipes Touhey J
Evolution of Dixie (Lake) Conway’s Band'
A Fantasia depicting the gradual evolution of "Dixie" slowly
thro’ “The Creation” — " Dance Aboriginal ’’ until the melody
is fully developed. It then becomes a ‘‘Waltz.’’ then “Rag¬
time,” and at last "Grand Opera”
Melodious Memories — Medley ( Finck ) Conway’s Band.
Favorite Hornpipe Medley Violin Charles D’Almainel
"Jenny Linn" "Lockers" “Acrobat" "Champion" "Autograph”)
Medley of Old Time Reels Violin John Taylor J
Folks Up Willow Creek-Medley March (Carlton) Conway’s B
"Turkey in de Straw” — “Mocking Bird” — "Old Folks at
Home ” — " Dixie ’* — “ Massa’s in de Cold Ground”
Uncle Tom’s Cabin ( Lampe ) Conway’s Band.
Four American Folk Songs Violin Maud Powell
" My Old Kentucky Home ’’ — “ Shine On ’’ — " Old Black Joe” —
“ Kingdom Coming ’’
Gate City March — Fantasie on (Weldon) U.S. Marine Band'
" Dixie ” — “ Swanee River ” — Bugle Calls — " Maryland ” —
" My Country ’Tis of Thee ”
. Lincoln Centennial March ( Sanford) U. S. Marine Band.
'Geese in the Bog — Irish Jigs Accordion John J. Kimmell
( I) “Geese in the Bog" (2) "Colairne” (3) "Trip to the Cottage" )
, Stack of Barley — Irish Reels Accordion John J. Kimmell
r General Mixup, U. S. A. March (Allen) Pryor’s Band
“Columbia, Gem of the Ocean” — “Dixie” — "America” — -"Rally
Round the Flag” — "Sailor’s Hornpipe” — “Yankee Doodle" —
“ Marching Through Georgia” — ‘ Star-Spangled Banner ”
My Maryland March ( Mygrant ) Sousa’s Band-
Girl I Left Behind Me— Medley March Victor Mil. Band
Intro. "Adjutant Call” — "The Girl 1 Left Behind Me” — "Rally
Round the Flag” — "Bonnie Blue Flag" — “Auld Lang Syne”
Hot Time in the Old Town — Medley March Vidor Band.
Hawaiian Echoes — Medley (Prince Leleiohcku) Louise-Ferera
"My Sweet Sweeting" — “Sweet Lei Mamo " — “Aloha no
Wau i ko Maka ” (1 Love Your Eyes)
, Old Plantation (Kuti Home) Pale K. Lua and David K. Kaili.
Home, Sweet Home Medley Waltz Conway’s Band
“Juanita" — “Auld Lang Syne" — “Good Night Ladies” — “Home,
Sweet Home” — Taps
Aloha Oe — Hawaiian Medley Waltz Victor Military Band.
Number
4J
txl
t/O
to
1-9 0.
16021
10
.75
17608
10
.75
18639
10
.75
35600
12
1 25
16393
10
.75
17493
10
.75
74547
12
1.75
16299
10
.75
18193
10
.75
17142
10
.75
18371
10
.75
18147
10
.75
17733
10
.75
VICTOR RECORDS
Number
(67)
Smith’s Orch
How I Long
MEDLEYS, INSTRUMENTAL— Continued
Honey Dew — Medley Waltz (Zimbalist)
"Sunshine of Love" — “Unrequited Love" — “Oh
for Someone"
Honey Dew — Medley One-Step { Zimbalist ) Smith ’s Orch
“Morning Glory” — “Drop Me a Line” — "The Morals of a Sailor"
Hortense — Medley Fox Trot All Star Trio and Orch
‘Jingle
(68)
(69)
(70)
(71)
(72)
“When the Corn is Waving” — “Turkey in the Straw"
Bells" — “Wait for the Wagon" — "Wal 1 Swan"!
Never Mind — Fox Trot All Star Trio and Orch.
Hot Time in the Old Town — Medley March Victor M. Band
Introducing “Hot Time in the Old Town” — "Reels” — “Hear
dem Bells" — “Mamie Come Kiss Your Honey Boy"
. Girl I Left Behind Me — Medley March Victor M. Band.
Hummer Medley — One-Step Accordion Pietro
Introducing “While They Were Dancing Around” — "Your
Mother’s Gone Away to Join the Army ”
Hungarian Rag ( Julius Lenzberg) Accordion Pietro.
1 Ain’t Nobody’s Darling — Med. Fox Trot All Star Trio
“Bring Back My Bonnie to Me” — “O Dem Golden Slippers"
“The Quilting Party”
Yoo-Hoo — Fox Trot {Vocal Chorus) Hackel-Berge Orch.
I Might Be Your Once-in-a- While — Med Fox Trot Smith’s O
"I.Might Be Your Once-in-a-While” — “Tip Your Hat to Hattie"
— “Lullaby”
Patches — Fox Trot {Lee L. Roberts) Jos. C. Smith’s Orch.
{Irish Hornpipes — Medley No. 3 Irish Bagpipe Tom Ennis-i
“Murphy’s Hornpipe” — “Londonderry Clog" — "McNamara (
Hornpipe"
Irish Reels — Medley No. 6 Irish Bagpipe Tom Ennis*
Irish Jigs — Medley Irish Bagpipe with Piano Tom Ennis
‘Three Little Drummers" — “The Connachtman’s Rambles" —
(74)
"The Joy of Life” — “Nancy Hynes’
Irish Melodies — Medley
Tom Ennis.
(75)
Irish Melodies — Medley Irish Bagpipe with Piano Tom Ennis
"Believe Me If All Those Endearing Young Charms" — “Kil-
larney” — “Last Rose of Summer"
Irish Jigs — Medley Tom Ennis
Irish Reels - See “Reels” — second page following
{Italian Airs — Medley Street Piano
“Funiculi-Funicula" — “Santa Lucia" — “O sole mio” — “Margarita"
Operatic Airs — Medley Street Piano
Iltalian-Spanish Favorites Accordion Pietro]
“La Sorella” — “O Sole Mio” — “La Paloma” — “Funiculi-Funicula" >
Verona Waltz {Pietro) Accordion Pietro J
Jigs, Medley of — See “ Dance Records ”
{Just Snap Your Fingers at Care — Medley Fox Trot
“Love Flower” — "Darling” Whiteman’s Or
Caresses — Medley Fox Trot {Monaco-Hanley) Whiteman’s Or.
Kai Maia o ka Maoli — Medley March Louise and Ferera
.--.I Introducing "Pua He-i” (Papaia Blossoms) — "Kua Pua Rose
(79)] Laui” (The Rose of Heaven) (Sol Hiram) — “Kuu Ipo i ka
Hee Pue One”
Waiu Luliluli — March — Guitars Louise and Ferera
18719
18863
13371
17609
18802
18629
18366
18286
18286
18328
17802
10
10
10
10
10
10
10
10
10
10
10
35704
18157
12
10
.75
.75
.75
.75
.75
.75
.75
.75
.75
.75
.75
1.25
.75
I prc.
VICTOR RECORDS
(83)
(84)
(85)
MEDLEYS. INSTRUMENTAL— Continued
(Lady Billy — Medley Fox Trot (Levey) Smith’s Or
(80 n “Good-Bye" — “The Tune They Play" — “Just Plant a Kiss”
l Sally — Medley Fox Trot (Kern) Jos. C. Smith’s Or.
Lady of the Slipper Selection (Herbert) Herbert’s Orch
Opening, Act 1— Entrance of Cinderella— “Cat Dance” — “Princess
(81)1 of Far Away” — “Like a Real, Real Man” — “A Little Girl at
Home” — “Bagdad"
Sweethearts Selection (Herbert) Victor Herbert’s Orchestra
{Last Waltz — Medley Waltz (Oscar Straus) Hackel-Berge Or
“ Roses Out of Reach” — "Now Fades My Golden Love Dream”
BabyinLove — Fox Trot (from ‘‘Last Waltz”) Hackel-Berge O
Little Grey Home in the West — Hesitation Victor Band
“Little Grey Home in the West" — “There is a Hill by the Sea"
— “ Rose of My Heart ”
Little Love, a Little Kiss — Waltz Hesitation Victor Military B
'Medley of Favorite Operatic Airs Accordion Pietro'
Lucia-“Hail to the Happy Bridal Day” — Boheme-“Musetta
Waltz” — Martha-” Ah, May Heaven Forgive Me"
Faust — Waltz from Kermesse Scene (Gounod) Accordion Pietro.
Melodious Memories (Finck) Conway’s Band'
“Soldiers in the Park" — “Torpedo and the Whale” — “A Fran-
gesa" — -"Blue Danube" — “Cavalleria Rusticana Intermezzo” —
“Pas de Quatre" — “Musetta’s Song" from Boheme — “Torea¬
dor Song" from Carmen — “Then You’ll Remember Me" from
Bohemian Girl — “ Soldiers’ Chorus" from Faust
Evolution of Dixie (Laf^e) Conway ’s Band.
Memories of the War — 1861-63 (Laurendeau) Conway’s B
"Tramp, the Boys are Marching" — “John Brown’s Body” —
“When Johnny Comes Marching Home” — “Marching Through
Georgia” — “The Battle Cry of Freedom" — "Arkansaw Traveler”
— Bugle Calls and Drums — "Dixie" — “Star-Spangled Banner"
Gems of Stephen Foster (American Fantasia) Conway’s Band.
Michigan Medley One-Step Victor Military Band
Including “1 Want to go Back to Michigan"— “Along Came Ruth"
— “When the Angelus is Ringing"
My Lady of the Telephone — One-Step Victor Band.
(Operatic Airs — Medley Street Piano'
“Anvil Chorus" (Trovatore)— “La donna e mobile” (Rigoletto)
Italian Airs — Medley Street Piano t
Operatic Medleys — Instrumental — See also “Bohemian Girl,”
“Chimes of Normandy,” "Chocolate Soldier,” “Dollar Prin¬
cess,” “Erminie,” “ Fortune Teller,” “ Fra Diavolo,” “Madama
Butterfly,” “Otello,” “Pink Lady,” “Prince of Pilsen,” “Robin
Hood,” “Traviata” and "Trovatore’’
Operatic Nightmare, An — Fox Trot (arr. by Arndt) Arndt
(A Pianistic Distortion of the “Miserere" — Mendelssohn’s
“ Wedding March ’’ — “ Lohengrin Wedding March” — “Soldiers’
(89) Chorus" — “Tales of Hoffmann-Barcarolje ” — “Aida March"
— Airs from “ Tannhauser,” “Samson,” “Faust," “ Pagliacci"
and the “ Rigoletto Quartet”)
Nola Fox Trot (Arndt) Pianoforte Felix Arndt
Patriotic Medley March No. 1 Victor Military Band
“ Hail Columbia" — -“Columbia, the Gem of the Ocean” —
(90)( “Tramp, Tramp, Tramp” — “Battle Hymn of the Republic"
(Tune “John Brown")
Jolly General March (Neil Moret) Conway ’s Band
Number
(86)
(87)
35706
55039
18788
17547
18883
35600
35525
35414
18328
18056
35608
12
12
10
10
10
12
12
12
10
10
12
1.25
1.50
.75
.75
.75
1.25
1.25
1.25
.75
.75
1.25
VICTOR RECORDS
(91)
(92)
MEDLEYS. INSTRUMENTAL— Continued
Patriotic Medley March No. 2 Victor Military Band
“Adjutant’s Call” — “Marching Through Georgia” — “Battle
Cry of Freedom ” — “ Kingdom Coming ” — “ Dixie "
Standard Bearer March ( Fahrbach ) Conway ’s Band.
Popular Songs of Yesterday — Medley Waltz No. 1
Hackel-Berge Or
“Hail! Hail! the Gang’s All Here! -“The Bowery"-“The Side¬
walks of New York” — “Summertime” — “Yip! I Adee! 1 Aye"
Popular Songs of Yesterday — Medley Waltz No. 2
Hackel-Berge Or
“Maggie Murphy" — “Two Little Girls in Blue’’ — “Sweet Rosie
O’Grady’' — “Little Annie Rooney"
Popular Songs of Yesterday — Med. Waltz No. 3 Intern’l Or
"Auld Lang Syne" — “In the Shade of the Old Apple Tree" —
“Sweet Adeline" — "On the Banks of the Wabash” — “Wait
Till the Clouds Roll By" — “Comrades"
Popular Songs of Yesterday — Med. Waltz No. 4 Intern’l Or
“Waltz Me Around Again Willie" — “School Days"— “When
You Were Sweet Sixteen” — “Molly-O" — “Mamie Reilly" —
“After the Ball"
Reels, Medley — Drowsy Maggie Irish Bagpipe Touhey)
“Drowsy Maggie" — “Scotch Mary’’ — “Flogging Reel" \
Dublin Jig Medley Violin-Piano Clancy-Kenna)
{Reels, Medley of Irish Irish Pipes Touhey)
“Steam Packet” — "Morning Star" “Miss McCleod" l
Medley of Irish Jigs {Haley’s Favorite) Accordion Kimmel J
John Kimmel)
(93;
(94)
(96)
(97)
(98)
Peter Lewin)
J. J. Kimmel
J. J. Kimmel
Kimmel
(Reels, Medley of Irish, No. 1 A ccordion
(Including Buck and Wing Dance)
My Hindoo Man Xylophone
Reels, Medley of Irish, No. 3 on
“Cuckoo’s Nest ’’ — “ Mason’s Apron “
Reels, Medley of Irish, No. 4 Accordion
“Salamango ” — “Off Key”
(Reels, Medley of Irish, No. 5 Accordion ( Piano acc.)
“ Flogging Reel" and “Cup o’ Tea”
Medley of Irish Jigs, No. 2 John Kimmel
{Reels, Medley of Irish, No. 6 Violin Harold Veo
“Reilly’s Reel" — “Pig Town Fling" — “Miss McLeod’s Reel"
Irish Jigs — Medley Violin Harold Veo
Reels, Medley of Irish, No. 6 Irish Bagpipes Tom Ennis
"The Maid that Left the County” — “Drowsy Maggie” — “Around
the World for Sport"
Irish Hornpipes — Medley No. 3 Irish Bagpipes Tom Ennis,
. HReels, Medley of Old Time Violin John Taylor)
' 'l Miss McLeod’s Reel Dance Orchestra)
Reels, Medley of Old Time Violin John Taylor
“ De’il Among the Tailors" — “ Flow’rof Edinburg" — “ Speed
the Plow" — “Tom and Jerry” — “Roger’s Reel" — “Miss
McCloud’s Reel ” — “Auld Lang Syne”
Hornpipe Medley Violin Charles d’Almaine
Reels, Virginia (Burchenal) Victor Military Band
“ Miss McCloud’s Reel" — “ Old Dan Tucker” — “ Pop Goes the
Weasel"
Money Musk No. I — Money Musk No. 2 (“ Joyce’s
Hornpipe”) (Burchenal) Victor Military Band.
(100)
(102)
(103)
Number
| Size
35657
12
35713
12
35716
12
18639
10
18727
10
16948
10
17849
10
18207
10
18308
10
18366
10
35008
12
16393
10
18552
10
1.25
1.25
1.25
.75
.75
.75
.75
.75
.75
.75
1.25
.75
.75
VICTOR RECORDS
(105)
(106
(107
(108)
(109)
MEDLEYS. INSTRUMENTAL— Continued
(Sally— Medley Fox Trot (Kern) Jos. C. Smith’s Or
(104) J ‘ Look for the Silver Lining' — “Whip-poor-Will” — “Wild Rose’’
l Lady Billy — Medley Fox Trot {Levey) Smith’s Or
Scotch Bagpipe Medley — No. 1 Lovat Bagpipe Band’
“ 74th Highlander’s Farewell to Edinboro’ "—“Money Musk"
— Strathspey — “ De il Among the Tailors Reel "
Scotch Bagpipe Medley — No. 2 Lovat Bagpipe Band
“Midlothian Pipe Band” — "Lord Blantyre Strathspey" — "Alex¬
ander Duff Reel"
Scotch Medley March {Bagpipes and Drums) Sutcliffe Troupe’
“ The Glendarual Highlanders” — “The Cock o’ the North ” —
“ Cornin’ Through the Rye " — “ Miss McLeod ”
Battle of Killiecranfye {2) Will Ye Come Back Sutcliffes.
Sousa Medley March Accordion Pietro
“ Washington Post ” — “ El Capitan" — “ Stars and Stripes ”
Blaze Away March {Holzmann) Accordion Pietro
Southern Melodies Banjo Fred Van Eps
“Massa’s in de Cold. Cold Ground" — "Essence Dance" — "King¬
dom Coming" — “Golden Slippers" — "Carve Dat ’Possum”
Daly ’s Reel — One-Step and Buck Dance Banjo Van Eps
Southern Melodies Xylophone William H. Reitz
“ Kemo, Kimo" — - ‘ Ring, Ring de Banjo" — "Carry de News” —
“ Old Folks at Home"—" Nigger Never Die ” — “ Dixie ”
Fascination Waltz Whistling
Souvenir de Beethoven — Fantasia
Number £
- _j
35706 12
(110)
(112)
(113)
(114)
17920
17140
10
10
(117)
17921 10
.25
.75
.75
.75
Guido Gialdini.
(Tobani) Pryor’s Band
“ Fidelio" — Allegro from "Pastorale Symphony” — Allegro from
“ Prometheus ” — Allegro from “ Fifth Symphony ”
Creme de la Creme — Fantasia {Tobani) Pryor’s Band
{Stack of Barley — Irish Reels Accordion John J. Kimmeh
"Stack of Barley” — "Blackberry Blossoms" —“Green Fields" >
Geese in the Bog — Irish Jigs Accordion John J . Kimmel)
Stephen Foster, Gems of (American Fantasia) Conway’s B
“Come Where My Love Lies Dreaming" — “Old Dog Tray" —
“Ring de Banjo" — "Willie We Have Missed You” — "Nellie
Was a Lady” — “Hard Times” — “Old Folks at Home”
Memories of the War — 1861-63 ( Laurendeau ) Conway’s B‘
("Sunny South — Medley (Lampe) Pryor’s Band")
“Old Folks at Home” — "Turkey in de Straw” — “Old Black Joe” l
— “Dixie"
Dixie {Emmett) Pryor’s Band ■
^Sweethearts Selection (Herbert) Victor Herbert’s Orch
“On Parade"— "Angelus" — "Pretty as a Picture” — “Cricket on
the Hearth “ Jeanette’s Wooden Shoes ’— “Sweethearts"
Lady of the Slipper Selection { Herbert ) Victor Herbert’s Orch
(Tip Top — Med One-Step (from “Tip Top”) (Caryll) Smith’s Or]
(1 15) j "1 Want a Lily” — “Girl Who Keeps Me Guessing” |
1 Rose — Nightingale — Medley Fox Trot All Star Trio — Orch j
(Uncle Tom’s Cabin (Lampe) Conway’s Bandr
(llfin “Old Black Joe" — “Kentucky Home" — "Swanee River” — “Ole l
Virginny" — “Dixie"
Folks Up Willow Creek — Medley March — Conway’s Band *
Where Do We Go from Here — One-Step Victor Band’
“Where Do We Go from Here” (Wenrich) — “Hail! Hail! the
Gang’s all Here" — “ He’s a Jolly Good Fellow "
Over There One-Step {Cohan) Victor Military Band.
18116 10 .75
17015 10 .75
35263 12
18193 10
35525 12
16819 10
55039 12
18733 10
17493 10
18370 10
1.25
.75
1.25
.75
1.50
.75
.75
.75
VICTOR RECORDS
Number
<L>
e-a
Is*
List
prc.
MEDLEYS. INSTRUMENTAL— Continued
(118)
Yule-Tide — A Christmas Fantasia (Kappey) Pryor’s Band'
“Christians, Awake 1 ” — “ It Came Upon the Midnight Clear" —
" Babe of Bethlehem " — “ Country Dance ” — “ Auld Lang Syne "
Nazareth ( Christmas Song) ( Horley-Gounod ) Fran\ Croxton.
35261
12
1.25
MEDLEY INDEX — INSTRUMENTAL — A handy index of the selections in the preceding medleys.
The numbers refer to the medley numbers on the left of page.
Acrobat (58)
Adeste Fideles (51)
Adjutant Call (64,91)
A Frangesa (85)
After the Ball (93)
Aida March (89)
Alexander Duff Reel (105)
Aloha no Wau i ko Maka (651
Aloha Oe (35)
Along Came Ruth (87)
America (40, 52, 61, 63)
American Patrol (37)
Angel’s Serenade (41)
Angelus (114)
Anvil Chorus (88)
Arkansaw Traveler (86)
Around the World for (100)
Auld Lang Syne (50, 64,
66,93, 102, 118)
Autograph (58)
Babe of Bethlehem (50, 118)
Bagdad (81 )
Barcarolle (44)
Battle Cry of F. (86, 9 1 )
Battle Hymn of Rep (40, 90)
Behind Your Silken Veil (43)
Believe Me If Charms (75)
Blackberry Blossoms (111)
Blossom Time (46)
Blue Bells of Scotland (52)
Blue Danube (85)
Bonnie Blue Flag (64)
Bonnie Leezie Lindsay (43)
Bowery (92)
Braban^onne, La (33)
Bring Back My B (71)
British Grenadiers (47)
Buck and Wing Dance (96)
Buffs. The (47)
Bugle Calls and Drums (40,
61)
Bull Frog and the Coon (48)
Carry de News (109)
Carve Dat 'Possum (108.)
Cat Dance (81 )
Cavalleria Intermezzo (85)
Champion (58)
Chicken Reel (48)
Chin Chin. Open Your (49)
Christians, Awake (50, 118)
Cock o' the North (106)
Colairne (62)
Columbia, the Gem (38, 39,
63. 90)
Come Where My Love (1 12)
Cornin' Thro’ Rye (106)
Comrades (93)
Connachtman's Ram (74)
Coronation March (53)
Country Dance (50, 1 18)
Cricket on the Hearth (114)
Cuckoo's Nest (97)
Cup o’ Tea (98)
Darling (78)
De’il Among the Tailors (102,
105)
Dill Pickles (37)
Dixie (36. 37, 38, 39. 40. 54.
57, 59. 61. 63. 86, 91. 109,
113, 116)
Donna £ mobile. La (88)
Drop Me a Line (67)
Drowsy Maggie (94, 100)
Dublin Jig (56)
El Capitan (107)
Essence Dance (108)
Faust Airs (89)
Fidelio (110)
Fifth Symphony (110)
Flogging Reel (94, 98)
Flow'r of Edinburg (102)
Funeral March (Chopin) (55)
Funiculi, Funicula (76. 77)
Garibaldi Hymn (34, 52)
Geese in the Bog (62)
Girl I Left Behind (36. 37, 39,
64)
Girl Who Keeps Guessing
(||5)
Glendarual Highlanders (106)
God Preserve the Czar (33)
Golden Slippers (108)
Good-Bye (80)
Good Night Ladies (66)
Green Fields of America (1 1 I)
Hail Columbia (36. 38, 39, 90)
Hail, Hail, the Gang's (92,
H7).
Hard Times (112)
Hear dem Bells (69)
Hearts and Flowers (53)
He’ s a Jolly Good (117)
Home, Sweet Home (66)
Honeydew (67)
Hot Time in Town (69)
Humoresque (55)
Hungarian Dance (53)
Hungarian Rhapsody (55)
I Ain’t Nobody’s (7 1 )
I Love a Lassie (43)
1 Might Be Your Once-in-a
While (72)
Impromptu (55)
In the Shade (93)
In Vienna Town (46)
It Came Upon (50,51, 118)
1 Want a Lily (115)
I Want to Go Back (87)
Jeannette's WoodenS, (114)
Jenny Linn (58)
Jinglo Bells (68)
John Brown’s Body (86)
Joy of Life (74)
Juanita (66)
Just Plant a Kiss (80)
Just Snap Your F. (78)
Kemo, Kimo (109)
Kentucky Home (116)
Killarney (75)
Kingdom Com. (60, 91, 108)
Kreutzer Sonata (41)
Kua Pua Rose (79)
Kuu Ipo i ka Hee (7*0
Lady Billy (80)
La Sorella (77)
Last Rose of Summer (75)
Last Waltz (82)
Like a Real Man (81 )
Little Annie Rooney (92)
Little Girl at Home (81 )
Little Girls, Good-Bye (42)
Little Grey Home (83)
Lockers (58)
Lohengrin Wedding M (89)
Londonderry Clog (73)
Look for Silver L ( 1 04)
Lord Blantyre S. (105)
Love Flower (78)
Lucia — Hail to Bridal Day (84)
Lullaby (72)
Maggie Murphy (92)
Maid that Left the (100)
Mamie Come Kiss (69)
Mamie Reilly (93)
Marching Through Georgia
(36,40, 63,86.91)
Margarita 176)
Marseillaise (33, 34)
Martha — Ah, May Heaven (84)
Maryland (61 )
Mason's Apron (97)
_ VICTOR RECORDS Number | Jj | 3 K
MEDLEY INDEX. Instrumental — Continued
Massa's in de Cold, Cold
Ground (59, 108)
McNamara Hornpipe (73)
Mendelssohn’s "Wedding
March" (89)
Midlothian Pipe Band (105)
Militaire Polonaise (55)
Miserere (89)
Miss McCleod (95)
Miss McCloud’s R (102, 103)
Miss McLeod (99, 101, 106)
Mocking Bird (59)
Molly-O (93)
Money Musk (105)
Morals of a Sailor (67)
Morning Glory (67)
Morning Star (95)
Mountain Rose (47)
Murphy's Hornpipe (73)
Musetta's Waltz (84, 85)
My Old Ky. Home (36, 60)
My Sweet Sweeting (65)
Nancy Hynes (74)
Nellie Was a Lady (112)
Nigger N ever Die (109)
Nightingale (115)
Nocturne (Chopin) (41)
Norfolk Rifles (47)
Now Fades My Dream (82)
O Dem Golden S (7 1 )
Off Key (97)
Oh How I Long (67)
Old Black Joe (60. 113, 116)
Old Dan Tucker (103)
Old Dog Tray (112)
Old Folks at Home (39, 59,
109, 112, 113)
Ole Virginny (116)
On Banks of Wabash (93)
One, Two, Three, Four (35)
Only One Love (46)
On Parade (114)
O Sole Mio (76. 77)
Pagliacci Airs (89)
Paloma, La (77)
Papaia Blossoms (79)
Pas de Quatre (85)
Pastorale Symphony (110)
Pig Town Fling (99)
Poet and Peasant (48)
Pop Goes theWeasel (103)
Pretty as a Picture (114)
Pretty Baby (49)
Princess of Far Away (81 )
Prometheus (110)
Pua He-i (79)
Queen's Own Rifles (47)
Quilting Party (71)
Rally Round Flag (63, 64)
Reilly’s Reel (99)
Rigoletto Quartet (89)
Ring de Banjo (109, 1 12)
Roger's Reel (102)
Rose (115)
Rose of Heaven (79)
Rose of My Heart (83)
Roses Out of Reach (82)
Rover, The (56)
Royal Grenadiers (47)
Rule Britannia (33, 34, 52)
Rustle of Spring (55)
Sailor’s Hornpipe (63)
Salamango (97)
Samson Airs (89)
Santa Lucia (76)
School Days (93)
Schubert’s Serenade (53)
Scotch Mary (94)
Second Violin (42)
See She Dances (44)
74th Highlanders, (105)
Shine On (60)
Sidewalks of N. Y. (92)
Silent Night (51)
Sleep, Baby, Sleep (37)
Soldiers’ Chorus (85,89)
Soldiers in the Park (85)
Song of Love (46)
Song of Olympia (44)
Spanish Patriotic Air (52)
Speed the Plow (102)
Spring Song (41 )
Stack of Barley (111)
Stars and Stripes (107)
Star Spangled Banner (36. 38,
39, 63. 86)
Steam Packet (95)
Stop Your Tickling, Jock (43)
Strathspey (105)
Summertime (92)
Sunshine of Love (67)
Swanee River (61, 116)
Sweet Adeline (93)
Sweethearts (114)
Sweet Lei Mamo (65)
Sweet Rosy O’Grady (92)
Tales of Hoffmann (89)
Tannhauser Airs (89)
Taps (66)
Tattered Jack Walsh (56)
Then You’ll Remember (85)
There isa Hill by the Sea (83)
There’s a Wee Bit Land (43)
Three Little Drummers (74)
Tip Top (115)
Tip Your Hat (72)
Tom and Jerry (102)
Toreador Song (85)
Torpedo and the Whale (85)
Tramp, Tramp, (86, 90)
Trip to the Cottage (62)
Tune They Play (80)
Turkey in Straw (59, 68, I 1 3)
Two Little Girls in Blue (92)
Unrequited Love (67)
Virginia Lee (48)
Vive la Canadienne (52)
Wait for the Wagon (68)
Wait 'Till Clouds Roll (93)
Wal I Swan (68)
Waltz Me Around (93)
Washington Post (107)
What Would We Do (45)
When I Get Back (43)
When Johnny Comes M. (86)
When the Angelus (87)
When the Corn (68)
When You Were 16 (93)
Where Do We Go (117)
While Shepherds W (51)
While They Were (70)
Whip-poor-will (104)
Wild Rose (104)
William Tell Overture (53)
Willie We Have Missed ( 1 12)
Yankee Doodle (37,40, 52, 54,
63)
Yipl 1 Adee! 1 Aye (92)
You and I (45)
Your Mother’s Gone A. (70)
Meeting of the Waters
Good-Bye, Sweet Day
(Thomas Moore)
( Thaxter- Vannah)
Merle Alcock)
Merle jllcock)
Meet Me by Moonlight Alone (Wade) Herbert Witherspoon
MEF1STOFELE (May-fee-stoh' -feh-leh) (Milan, 1868) (Boito) Italian
Dai campi, dai prati (From the Green Fields) Gigli
Dia campi, dai prati (From the Fields) Amadi and Ciunto sal passo — -Amadi
L’Altra Notte (They Threw My Child Into the Sea) Alda
Lontano, lontano (Away From All Strife) « Farrar and Clement
Epilogo — Giunto sul passo estremo (Nearing the End of Life) Gigli
Giunto sul passo ( Nearing End of Life) and Dai Campi, dai prati — Amadi
Selezione and Forza del Deslino — Solennein guest’ ora — Vesselta’s Band
45178
10
1.00
74071
12
1.75
64933
10
1.25
6331-3
10
.75
74651
12
1.75
89114
12
2.00
64942
10
1.25
63313
10
.75
35512
12
1.25
VICTOR RECORDS
MEISTERSINGER (My -ster- zinger) (Munich, 1868) (Wagner)
See Victrola Book of the Opera for complete illustrated description
Overture Part 1 and Part 2 — Albert Coates*Symphony Orches
Prize Song In English Evan Williai
Prize Song In German Lambert Murp
Prize Song John McCorma
Prize Song Violin Mischa Elm
Prize Song Cello and A ve Maria — ’Cello — Beatrice Harrii
MELBA, NELLIE, Soprano (See Pink Section)
Melba Waltz — Se saran rose (Ardlti) In Italian Nellie Mell
(Meleana (Hula) Irene West Royal Hawaiian
l Ainahau (Music by Princess Lifelike ) Irene West Royal Hawaiian
(Mello ’Cello — Waltz (Neil Moret) Smith’s Orchestr;
l Legend — Medley Waltz (from "Lady Billy”) Smith’s Orchestr
Melodie — Air from “ Orfeo ” (Gluck) Violin Maud Pow<
Melodie (From “Orfeo”) (Gluck) (Wilhelmj arr.) Violin Elm:
Melodie (Tschaikowsky) (Op. 42, No. 3) Violin Mischa Elm:
(Melodious Memories (See “Medley No. 85”) Conway’s Bam
l Evolution of Dixie (M. L. Lake) Conway’s Ban,
Melody in A Major (Gen. Chas. G. Dawes) Violin Kreish
Melody in F (Anton G. Rubinstein)
By Hans Kindler ’Cello and Le Cygne (The Swan) ( Saint-Saens ) Kind
By Rosario Bourdon ’Cello and Spring Song ( Mendelssohn ) Sor
Bv Victor Herbert’s Orchestra and Narcissus (Neoin) Herbert’s Orchesi
By Florentine Quartet and Lullaby from J ocelyn — Victor Orchesi
By Frances Alda (Poem by J. d'Offoel) In French with Balalaika Orchest
By Elsie Baker (Poem by Michael Watson) and I Love You Truly — Bak
(Melody Land — One-Step (intro. “My Bridal Rose”) Victor Banc
l Cheer Up, ’Liza — Medley Fox Trot Victor Military Bam
(Melody of Love (H, Engleman, Op. 600 Florentine Quurte
l At the Mountain Inn Idyl with Bells Neapolitan Tri ,
Melody Polonaise (Chopin-Liszt, Op. 74, No. 5,) Piano Cort<
(Melon Time in Dixieland (Ringle) Murray-American Q
l Irish Home Sweet Home ( Von Tilzer) Murray-Silve
MEMORIAL DAY — See “ National and Patriotic - America ”
{Memories (Kahn- Van Alstyne) Paul Reimeri
I Wonder How the Old Folks are at Home Paul Reimer
(Memories (Kahn-Van Alstyne) John Barnes Welh
l One Fleeting Hour ( Cello obbligato by Rosario Bourdon) Elsie Bake,
{Memories of Home (Transcription) (Gutmann) Neapolitan Trie
Love’s Old Sweet Song Violin-Flute-Harp Neapolitan Trh
(Memories of the War — 1861-63 (See “Medley 86”) Conway’s E
l Gems of Stephen Foster (American Fantasia) Conway’s Bam
(Memphis Blues — Fox Trot (W. C. Handy) The Virginians
l Lonesome Mamma Blues — Fox Trot (Brown) The Virginian
MENDELSSOHN, FELIX ' (Men -d’l-sohn) (1809-1847)
Born Hamburg, 1809. Son of banker. Bartboldy, mother’s
name, assumed afterwards because of inheritance conditions. At 8
played piano well. At 13 had already written four operas! In
1829 went to London, made great success as organist and pianist.
In 1835 settled at Leipsic, directed Gewandhaus concerts.
Oratorio, St. Paul, performed Dusseldorf, 1837. Married Fr.
Jeanrenaud, daughter of clergyman. In 1843 founded Leipsic
Conservatory, of vast influence. Elijah, greatest work, produced
London, 1846. Died Leipsic, 1847. mendelssohn
Number
3J
r-j
t/3
to w
—2 O.
a 55171
12
1.50
is 74115
12
1.75
y 70080
12
1.25
k 74479
12
1.75
n 74186
12
1.75
n 55067
12
1.50
a 88076
12
1.75
} 17864
10
.75
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10
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12
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12
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r 64961
10
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10
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10
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a 45052
10
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a 16696
10
.75
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10
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r 17121
10
.75
| 18406
10
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[ 17747
10
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t 64973
10
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[ 18794
10
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[ 45134
10
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10
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> 35196
12
1.25
f 35525
12
1.25
> 18895
10
.75
VICTOR RECORDS
Number ~
RECORDS OF MENDELSSOHN S COMPOSITIONS— See “Auf FlUgeln desGesanges,”
“Canzonetta,” “Capricietto,” “Elijah.” “Farewell to Forest,” “Concerto in E
Minor,” “Hark! the Herald Angels Sing,” “How Lovely are the Messengers,”
“Hymn of Praise,” “Italian Symphony,” “I Would That My Love,” “Midsummer
Night’s Dream,” “Oh, For the Wings of a Dove,” “On the Sea,” “On Wings of Song,”
“Rondo Capriccioso,” “Sleep, Noble Hearts,’’ “Songs Without Words,” “Spring
Song,” “St. Paul” and “Wedding March,” “We Would See Jesus’’
Menestrels (Minstrels) (B) La Fille aux Cheveux de Lin
(Debussy) Piano Alfred Cortot 64956 10 1.25
MENGELBERG, WILLEM, Conductor — See Pink Section
Mentra Gwen (Venturesome Gwen) Old Welsh Song Welsh Williams 64141
(Menuet (Valensin) ( Pianoforte by Bourdon) ’ Cello Hans Kindler 1
l Gavotte No. 2 (Op. 23) ( Popper ) ’ Cello Hans Kindler i
fMenuett (Gluck) (2) Menuett (Mozart) Bell Solo Reitz)
l Gavotte ( Mozart ) (2) Gavotte (Gritty) William H. Reitz )
Menuett (Handel) Violoncello
Menuett — D Major No. 1 (Mozart) Violin
Menuett in D, No. 2 (Haydn-Burmester) Violin
fMenuett (Hasselmans) Harp
l Distant Voices (Lemmoni) Flute
fMenuett in G (Beethoven) Violin and Pianoforte
45116
17917
Hans Kindler 64841
Powell 64073
Elman 64538
Ada Sassolil
John Lemmone) ■
N. and V. Boshko
Natalie and Victoria Boshfa
:}
17934
74444
l Tyrolean Dance (Dvofdk)
Menuett in G (Beethoven) (2) Gavotte in D (Gossec) Zimbalist
Menuett — See also “Minuet” and “Symphonies”
MERCHANT OF VENICE — See “Shakespeare”
MERRY WIDOW (Vienna, 1905) (Franz Lehar)
(GEMS FROM "THE MERRY WIDOW" Victor Light Opera Company)
J Chorus, 'Come Away” — Duet," For I Am a Dutiful Wife" — Duet, " l Love l
You So’’— Solo, " Maxims " — Solo and Cho., "Vitia" — Finale, "Women"
'•Gems from "Chocolate Soldier" Victor Light Opera Co*
Maxims — Harry Macdonough and Waltz — Concert Time — Victor Orchestra
Waltz — Dolce amor In Italian Marcella Sembrich
Waltz — Concert Time — Victor Orchestra and Maxims — Harry Macdonough
Waltz — Burlesque on — Pryor’s B and New Tipperary March — Pryor s Band
f Merry Wives of Windsor — Horch, die Lerche (Nicolai) Jorn)
l Flying Dutchman — Erik, s Song Karl Jdrn I
f Merry Wives of Windsor Overture (Nicolai) Victor Symphony Or)
l Jewels of the Madonna — Intermezzo (Wolf -Ferrari) Victor Concert Or)
fMessage Boy (Lauder) Sir Harry Lauder)
l The Kilty Lads (Milligan-Lauder) Sir Harry Lauder)
fMessage of the Violet (From “ Prince of Pilsen ”) Olive Kline)
l Lullaby from Erminie ( Jakobowski) Elsie Baker )
(Messenger, The — March (Barnhouse) United States Marine Band)
United States Marine Band) ,
35416
16577
88107
16577
16024
45087
35270
55132
17345
Marche Turque — Patrol (Eilenberg)
(Gounod)
1.25
LOO
.75
1.25
1.25
1.25
1.00
.75
1.75
1.25
.75
1.75
.75
.75
1.00
1.25
1.50
.75
.75
(Messe Solennelle — Sanctus
l Coronation and Doxology
MESSE SOLENNELLE (Rossini) Sung in Latin
Crucifixus (Crucified to Save Us)
Domine Deus (Praise Forever to God, the Father)
MESSIAH (Dublin, 1742) (Handel)
“The Messiah” had its origin at one of the darkest moments of the composer’s life.
At a time when his operatic enterprises had come to nought, and with spirits depressed and
fortune gone, he began the great scries of oratorios by which his genius lives today. “The
T7v&a33»*YJj'-“
Enrico Caruso 87335 10 1.25
Enrico Caruso 88629 12 1.75
VICTOR RECORDS
Number
Messiah” was first given in Dublin with a mere handful of performers — a chorus hardly
more numerous than many a village church can get together for a harvest festival, serving to
make known a work afterwards to be performed by thousands in massed choirs at a modern
Handel festival.
MESSIAH RECORDS
And the Glory of the Lord and Pastoral Symphony — Vidor Mixed Chorus
Come Unto Me — Marsh and He Shall Feed His Flock — Baker
Comfort Ye My People Evan Williams
Ev'ry Valley Shall be Exalted Evan Williams
Glory to God (2) Pastoral Symphony and And the Glory — Victor Chorus
Hallelujah Chorus and Gloria from Twelfth Mass — V Oratorio C ho
and Heavens Are Telling — Conway’s Band
and Funeral March ( Chopin ) Pipe Organ
Louise Homer
and Come Onto Me — Marsh
and Elijah — Oh Best in the Lord — Baker
Louise Homer
and Oh, for the Usings of a Dove — Marsh
Hallelujah Chorus — Pryor’s Band
Hallelujah Chorus
He Shall Feed His Flock
He Shall Feed His Flock — Baker
He Shall Feed His Flock
He Was Despised
I Know That My Redeemer Liveth
35499
12
45144
10
74190
12
74189
12
35499
12
35678
12
35484
12
35547
12
88613
12
45144
10
35699
12
88574
12
55053
12
88614
12
35499
12
74126
12
74080
12
74072
12
17515
10
1.25
1.00
1.75
1.75
1.25
1.25
1.25
1.25
1.75
1.00
1.25
1.75
1.50
1.75
1.25
1.75
1.75
1.75
.75
Oh Thou That Tellest Good Tidings to Zion Louise Homer
Pastoral.Symphony (2) Glory to God and And the Glory — Victor Cho
Recitative — Thy Rebuke (2) Air — Behold and See Evan Williams
Trumpet Shall Sound, The Herbert Witherspoon
Why Do the Nations So Furiously Rage? Herbert Witherspoon
METROPOLITAN OPERA CHORUS — See “Huguenots,” “Magic
Flute” and “Prince Igor”
METROPOLITAN TRIO — See "Do They Think of Me”
(Mexican Dance — Perjura Danza (Fickle Maiden) Victor Mil. Bandl
l Golondrina ( The Swallow ) ( Serradell ) Victor Military Band J
Mexican Folk Songs — See “ Noche Serena”, and “ Preguntale”
MEYERBEER, GIACOMO ( My-er-hea f)
Real name, Jakob Liebmann Beer. Born Berlin, 1791 ; Died Paris, 1864. Of
Jewish descent. One of the foremost opera composers of his day, and a rival of Rossini.
COMPOSITIONS — See “Africana,” “Dinorah,” “ Fackeltanz,” “Huguenots,”
“Prophete,” “Robert le Diable,” “Star of the North,” "Thy Flow’ry Banks”
Mia sposa sara la mia bandiera (“ My Bride Shall be My Flag ”)
(Rotoli) In Italian Enrico Caruso ;
{Micawber (impersonations from Dickens’ “ David Copperfield ”) Battisl
Uriah Heep (From “ David Copperfield ”) JVm. Sterling Battis)
MICHAILOWA, MARIE, Soprano (Misch-ih' -loh-ah) (See Pink Section)
MICHIGAN, UNIVERSITY OF— See “College Days,” “Varsity,’
“Victors” and “Yellow and Blue”
jMickey (Williams-Moret)
l Kisses — Fox Trot ( Sullivan-Cowan )
Midnight Review (Joukovsky-Glinka)
Midsummer Night’s Dream (Mendelssohn) (See also “Shakespeare”)
Overture — Victor Orchestra ancj Prelude ( Rachmaninoff ) V ictor Orch
Scherzo Philadelphia Orchestra
Scherzo Toscanini and La Scala Orchestra
Intermezzo — Victor Orchestra and Nocturne — Victor Orchestra
Nocturne — Victor Orchestra and Intermezzo — Victor Orchestra
Wedding March (Op. 61, No. 4) Toscanini and La Scala Orch
Wedding March — Herbert's Orchestra and Lohengrin — March— Herbert’s Or
Mighty Fortress is Our God, A (Ein feste Burg) (Hedge-Luther)
By Trinity Male Choir and Oh God, Our Help in Ases Past — Trinity Male Choir
Joseph C. Smith Triol
Joseph C. Smith Trio)
Feodor Chaliapin
88555
12
1.75
35556
12
1.25
18532
10
.75
88656
12
1.75
35625
12
1.25
74560
12
1.75
74779
12
1.75
35527
12
1.25
35527
12
1.25
74745
12
1.75
55048
12
1.50
18897
10
.75
VICTOR RECORDS
Mighty Lak’ a Rose (Stanton-Ethelbert Nevin)
By Geraldine Farrar and Fritz Kreisler
By Frances Alda (Soprano)
By Alberto Salvi ( Harp) and Last Rose of Summer — Alberto Sa/vi
By Boston Quintet and Barcarolle from Tales of Hoffmann ” — Boston Quintet
By McKee 's Orchestra and Millicent — Waltz — McKee' s Orchestra
Number
t'J
6 Si
2 «
'—i Ok
89108
12
2.00
64308
10
1.25
45315
10
1 .00
18375
10
.73
35395
12
1.25
MIGNON (Meen-yon) (Paris, 1866) (Ambro ise Thomas)
Opera in three acts; text by Barbier and
Carre, based upon Goethe’s Wilhelm Meisier;
music by Ambroise Thomas. First production,
Paris, 1866; London, 1870; N. Y., 1872.
The first act opens in the yard of a German
inn. A group of actors, including the beautiful
Filina, are on their way to the Prince’s castle,
where they are to give a performance. A
strolling band of gypsies arrives, and Mignon,
who is with them, is ordered to dance for the
entertainment of the guests. The girl is weary,
and on her refusal to dance, Giarno, the leader,
threatens her. Lothario, tries to protect the young
girl, and Giarno turns upon the old man.
W ilhelm, a simple minded wandering min¬
strel student, appears and rescues both Mignon
and the harper, and to save the girl from further
persecution engages her as his page. W ilhelm is
invited by Filina to join the troupe in their visit
to the castle. He consents, and the flirtation
which follows arouses the jealousy of Mignon,
who, touched by Wilhelm ’s kindness, has fallen
in love with him. In despair she is about to
throw herself into the lake when she hears the
notes of Lothario’s harp. She asks his pro¬
tection, and rashly tells him she wishes the castle would burn to the ground. The demented
old man, thinking only to please her, goes into the castle. Filina and the actors appear,
and Filina sends Mignon to the castle for some flowers she has left there. Suddenly
flames burst from the windows, and Wilhelm rushes to the burning building and car¬
ries out the unconscious Mignon. Wilhelm is soon cured of his infatuation for Filina and
discovers Mignon ’s devoted attachment for him.
The third act takes place in the palace of Lothario, who has instinctively returned
to his ancestral home, bringing with him Mignon. They are accompanied by Wil¬
helm, who now realizes that he loves his youthful ward. The young girl is soon dis¬
covered to be the long lost child of Lothario, who suddenly recovers his reason. Father
and daughter are reunited, while a blessing is bestowed on the young people by the happ”
Lothario.
MIGNON AND LOTHARIO
MIGNON RECORDS
ACT 1 - COURTYARD OF AN INN
Mignon Overture — Part I and Part 11 Victor Concert Orchestra
Connais-tu le pays? (Knowest Thou the Land ?) French Marcella Sembrich
Connais-tu le pays? (Knowest Thou the Land?) In French Geraldine Farrar
Connais-tu le pays? (Knowest Thou the Land?) In French Farrar-Kreisler
Kennstdu das Land? (Knowest Thou the Land?)/n German Schumann-Heink
Kennst du das Land? (Knowest Thou the Land ? ) In German Destinn
Les hirondelles (Song of the Swallows) In French Farrar and joumet
ACT II - A BOUDOIR IN TIEFFENBACH CASTLE
Adieu, Mignon — Regis In French and Elle ne croyait pas — In French — Regis
Polonese, “ lo son Titania ” (I’m Fair Titania !) In Italian Luisa Tetrazzini
Polonese do son Titania) (I*m Fair Titania) In Italian Galli-Curci
17909
10
.75
88098
12
1.75
88211
12
1.75
89109
12
2.00
88090
12
1.75
88467
12
1.75
89038
12
2.00
45023
10
1.00
88296
12
1.75
74653
12
1.75
VICTOR RECORDS
-French — Verlet
Marcel Journet
— French — Regis
M1GNON RECORDS— Continued
Polonaise (Je suis Titania !) (I'm Fair Titania 1) In French Mabel Garrison
Polonaise — Korsoff French and Lakme — Pourquoi dans~
ACT HI - COUNT LOTHARIO’S CASTLE TN ITALY
Berceuse — Lullaby In Italian
Elle ne croyait pas (Pure as a Flower) and Adieu, Mignorr
MISCELLANEOUS MIGNON NUMBERS
(GEMS FROM M1GNON _ Victor Opera Co
J “Away Ye Friends ” — “Polonaise” — Barcarolle, "Now On We Sail” —
" Pure as a Flower ” — “ Dost Thou Know ” — Finale
<■ Gems from “ Tales of Hoffmann” Victor Opera Co
Gavotte — Violin Solo Maud Powell
Gavotte (2) Dorothy and Moment Musicale — Xylophone — Reitz
Mignonette (Le Roux-Weckerlin) In French Julia Culp
MIKADO (London, 1885) (Gilbert and Sullivan)
GEMS FROM “THE MIKADO" — Parti Victor Light Opera Co
Quartet, “Behold the Lord High Executioner” — Solo and Chorus,
“The Flowers that Bloom in the Spring" — Women’s Trio, “Three
Little Maids" — Solo, “Tit-Willow” — Duet and Chorus, “He’s Gone
and Married Yum Yum” — Chorus, “With Joyful Shout"
GEMS FROM “THE MIKADO"— Part II Victor Light Opera Co
Chorus, “Gentlemen of Japan" — Solo, “A Wandering MinstreU — ■
Solo and Quartet, “A Song of the Sea” — Solo, ‘‘Moon Song" —
Duet, “Emperor of Japan" — Solo and Chorus, “My Object All
Sublime" — Chorus, “We Do Not Heed"
Madrigal and Good Night Quartet {From” Martha") Lyric Quartet
Number
74489
45006
74270
45023
35337 12
64454 10
18216 10
64403 10
>i35551 12
17226 10
1.75
1.00
1.75
1.00
1.25
1.25
.75
1.25
1.25
.75
POOH-BAH, PITTI-SING, KO-KO, MIKADO AND KATISHA
Mikado Selection No. 1 Victor Concert Orchestra
Entrance of Mikado,” — -“A Wandering Minstrel” — “Moon Song”
— Quintet, “Youth Must Have Its Fling” — Trio, “The Criminal
Cried"
Mikado Selection No. 2 Victor Concert Orchestra
“ Tit-Willow ” — “ Three Little Maids” — "Going to Marry Yum Yum” —
"Flowers That Bloom in Spring” — "Here's a State of Things”—
"With Joyful Shout"
18191
10
.75
VICTOR RECORDS
Number
4J
£5
List
prc.
Militaire Waltz (Waldteufel)
Victor Dance Orch)
35068
12
1.25
Over the Waves Waltz {Rosas)
Pryor’s Band)
Military Escort March (Lindsay)
On the Wing Galop {Lemoire)
(In slow time for marching) Victor B)
Victor Military Band)
17368
10
.75
MILITARY SONGS AND INSTRUMENTAL PIECES— See “Army Bugle
Calls," “Caid,” “Day at West Point,” “Death of Custer,” “Deux Grenadiers,”
“First Brigade,” “Judas Maccabaeus,” “Keep the Home>Fires Burning,” “Messiah,”
“National and Patriotic Airs,” “Old Brigade,” “Soldier’s Farewell,” “Tenting on
the Old Camp Ground,” “Two Grenadiers,” “War Songs” and “When the Boys
Come Home”
Military Symphony — See “Symphonies”
’Mill by the Sea (Furber-Adams) Elsie Baker) [
Baby Dreams { Harbach-Hammerstein-Stoihart ) Elsie Baker) * 2<*4 .
MILLER, CHRISTINE, Contralto
Christine Miller is one of the most satisfying of American artists.
She has a lovely voice, a distinctive and fine style, and a singularly
sweet and winning personality. She has toured the United States,
appearing with musical organizations, at festivals and otherwise, and
has had a long list of triumphs in concert work. Miss Miller's singing
has made her many friends throughout the country. She has appeared
innumerable times with important organizations, and a list of her
artistic engagements would fill several pages.
CHRISTINE MILLER RECORDS
Absent 45075
Calm as the Night 45059
Come Out. Mr. Sunshine 45056
Friihlingsnacht 45060
Lorelei. Die 55056
Oft in theStilly Night 45059
M ILLS*
Old Black Joe 45056
Schmied, Der 45060
Slumber Boat 45075
MILLER, REED, Tenor
Reed Miller is an American tenor who has made for himself an
enviable reputation. He was bom in South Carolina, but early in his
career came to New York, where he won an almost instant place. He
has been tenor at the Brick Presbyterian Church, and has appeared in
many important festivals and with the New York Symphony and other
orchestras.
Santa Lucia 1 8968
Sweet Inniscarra 17676
Sweetest Story Ever Told I 7165
There are Birds in
the Valley 17522 MILLER
REED MILLER RECORDS
Flow Gently. Sweet Af ton 17386
Holy City — My Soul 35455
In the Garden 16741
Just a Word 18197
Molly O! 17958
(Miller’s Wooing (Faning) Lyric Quartet)
l Bridal Chorus { From “Rose Maiden ’’) Lyric Quartet)
(Millicent — Waltz (McKee) McKee’s Orchestra)
\ Mighty Lak ' a Rose — Waltz McKee’s Orchestra )
Millions D’Arlequin — See “Reconciliation” and "Serenade (Drigo)”
Mimi — Fox Trot (Mee-Mee) (Macdonald-Conrad) All Star Trio-O)
l Ilo — Fox Trot ( Johnny S. Black) >1// Star Trio and Orchestra)
Mi Nina (Guetary) In Spanish
Minnehaha Medley Waltz
Indiana March Hawaiian Guitars
Minor and Major Waltz (McKee)
My Clarahelle Waltz {McKee)
Emilio de Gogorza
Pale K. Lua-David Kailil
Pale K. Lua-David Kaili)
McKee’s Orchestra)
McKee’s Orchestra)
35209
12
35395
12
18790
10
74149
12
17807
10
35446
12
1.25
1.25
.75
1.75
.75
1.25
VICTOR RECORDS
Number ~ ;
Minstrel Boy (M oore) Irish Air John McCormack
Minstrel Boy (Moore) Irish Air James McCooll
Killarney ( Balfe ) Henry Burr)
MINSTREL RECORDS — By Victor Minstrel Company
NOTE. — Lively and entertaining “ tabloids” of minstrelsy, full of snappy rep¬
artee and tuneful singing. Don’t get these minstrel records expecting to hear
sweet and soothing music — it isn’t that kind! But the records are good enter¬
tainment for a jolly party who like vigorous singing and perfectly obvious jokes,
the point of which can be grasped by the average person without the aid of a
map! Rousing bits of comedy and melody by a talented bunch of singers and
comedians.
64117
16139
Victor Minstrel Company)
Eliza Jane" — “ What the Brass Band l
{Arkansaw Minstrels
“Alabama " — “ Good-bye
Played”
Louisiana Minstrels I
(Carolina Minstrels— “ In the Morning" — " Everybody Has a Whistle " ->
(2)| — “ Melancholy Mose " ^ j
(3)
(4){*
Golden and Hughes
Peerless Quartet)
Gal*' — “On the l
'‘Take Your Feet "
f Minstrels, No. 16 — " Campmeeting Time,'
' A Good Old Dollar Bill {Mahoney -Morse)
Whistling Pete — Minstrel Specialty
fDown on the Levee
“Sunshine" — “No Usef Awaitin’” — “Yaller
Miss."-" Hallelujah ‘ Checkerboard Suit "
Mississippi Minstrels, No. 22 l
(-Kentucky Minstrels— “My Gal is a High Born Lady”— “My Dinah" — -i
“ When You Ainjt Got No Money " _ >
Minstrel Specialty — “ Working on the Farm ” Golden and Hughes '
/Louisiana Minstrels — “ Push Dem Clouds Away ” — “ I Don’t Care if )
(5)< You Never Come Back” — “Good-bye, Sweet Old Manhattan Isle ” J
*■ A rkansaw Minstrels
‘L-O-V-E Spells Trouble
Billy Murray I
. (Minstrels, No. 18- — “A Hot Time in Old Town" — “Good-Bye, My •>
(*)) Lady Love ’’ — “ Dar’s a Watermelon Spoilin’ Down at Johnson's”?
Down on the Mississippi {Levee and Steamboat Scenes) American Quartet '
{Mississippi Minstrels
“1 Guess I'll Have to Telegraph My Baby" — “I Want to Go
Back to the Land of Cotton "— “ Remus Takes the Cake "
Down on the Levee Peerless Quartet
. (Mobile Minstrels — “Down Where the Band is Playing" — “Honey \
(9/1 You’se Ma Lady Love ” (
Fuckin’ Cotton {Wenrich) Collins and Harlan!
(New Orleans Minstrels
"At a Georgia Campmeeting ” (Mills) — “All 1 Want is My Black l
Baby Back " (Daly) — “ On Emancipation Day " (Cook)
( Unlucky Mose — Darky Specialty Golden and Hughes'
(North Carolina Minstrels
/ 1 i \ J “ My Rainbow Coon ” — “ All Coons Look Alike to Me" — “Take
' 'j Plenty of Shoes"
l Jimmie T rigger; or. The Military Hero Golden and Hughes
(Rubetown Minstrels 1
(12)| "AH Hands Around" — “ Old Bill Jones " — " Bingville Band " (
Clamy Green — Darky Specialty Golden and Hughes'
(Virginia Minstrels — “Virginia” — “ The Humming Coon ” — “Climb •)
(13)| Up. Little Chillun” [
' Criterion Quartet '
(10)
Medley of Foster Songs
Alphabetical List of Musical
Alabama (1 )
All Coons Look Alike (II)
All Hands Around (12)
All I Want is My Black Baby
Back ( 1 0)
At a Ga. Campmeeting (10)
Bingville Band (12)
Campmeeting Time (6)
Checkerboard Suit (3)
Climb Up, Little Chillun (13)
Dar’sWatermel'nSpoilin' (7)
35213
35202
35233
35260
35213
16311
35143
35233
17293
35280
^5307
35294
35095
1.25
.75
1.25
1.25
1.25
1.25
1.25
.75
1.25
1.25
.75
1.25
1.25
1.25
1.25
Numbers Introduced into the
Down Where the Band is
Playing (9)
Everybody Has a Whistle (2)
Good-Bye, Eliza Jane (1)
Good-Bye, My Lady Love (7)
Good-Bye, Manhattan (5)
Good Old Dollar Bill (6)
Hallelujah! (3)
Honey, You’se Ma Lady (9)
Hot Time in Old Town (7)
Humming Coon (13)
Various Minstrel Records
1 Don t Care if You Never
Come Back (5)
1 Guess I’ll Have to Telegraph
My Baby (8)
In the Morning (2)
I Want to Go Back (8)
L-O-V-E Spells Trouble t6)
Melancholy Mose (2)
My Dinah (4)
My Gal is a High Born (4)
My Rainbow Coon (II)
VICTOR RECORDS
Number ~ ~ S
(Musical Numbers in Minstrel Records) — Continued
Remus Takes the Cake (8)
Sunshine (3)
T ake Plenty of Shoes (11)
Take Your Feet Out of the
Sand (3)
Virginia (13)
What the Band Played (1)
When You Ain’t Got No
Money (4)
Yaller Gal (3)
ALPHABETICAL LIST
No Use Awaitin’ (3)
Old Bill Jones ( 12)
On Emancipation Day (10)
On the Mississippi (3)
Push Dem Clouds Away (5)
Minuet (“Celebrated Minuet”) (Boccherini)
By Fritz Kreisler Violin with String Quartet
By Philadelphia Orchestra
By Florentine Quartet and Trdumerei ( Schumann ) Florentine Quartet
By Vessella’s Italian Band and Cavalleria — Intermezzo — Vassella’s Band
Minuet (from “L’Arlesienne,” No. l) (Bizet) Piano Rachmaninoff
Minuet Caprice (Rode-Thibaud) (2) Moment Musical Violin Thibaud
Minuet in G (No. 2) (Ludwig-Beethoven)
By Maud Powell Violin
By Mischa Elman V iolin
Minuet in G (Opus 14, No. l) (Ignace Jan Paderewski)
By Ignace Jan Paderewski Pianoforte
By Fritz Kreisler (Paraphrase) Violin
By Victor Herbert’s Orchestra and V enetian Love Song — Herbert’s Orch
By Victor Orchestra and A maryllis — A ir Louis XIII — 1
By Sousa’s Band and Rose of Schiras Waltz
Minuet (Porpora-Kreisler) Violin Jas
l
l
McKee Trio)
V
a
Vessella’s Band!
Vessella’s Band)
Victor Dance Orch)
Victor Dance Orchestra)
Frances White)
Brown-Shaw)
/Miracle of Love (McKee) (with Celesta)
Gavotte ( Rendez-Vous ) (W. Aletter )
/Mirella Overture — Allegro (Gounod)
Puritani Quartet ( Bellini )
(Mi Ricurita — -Tango (Osman Perez Freire)
l El Amanecer — Tango ( Roberto Firpo)
Miserere — II Trovatore — See “Trovatore ”
/M-i-s-s-i-s-s-i-p-p-i (Hanlon-Ryan-Tierney)
l Six Times Six is Thirty-Six (Bert Hanlon- W ill White)
/Mississippi Cradle ( Yellen-Olman)
When Shall We Med Again (Egan- Whiting) Brown-Shawl
/Mississippi Dippy Dip (Macdonald-Walker) Collins and Harlan)
l Steamboat Bill — Roustabout Song Arthur Collins /
Mississippi Minstrels — See “ Minstrels ”
/Miss McLeod’s Reel Victor Dance Orchestra)
Medley of Old Time Reels Violin John Taylor /
/Missouri Waltz Joseph C. Smith’s Orchestra)
Kiss Me Again — Waltz (Herbert) Joseph C. Smith’s Orchestra)
Missouri Waltz — Vocal Version — See “Hush-a-Bye, Ma Baby”
/Mister Gallagher and Mister Shean— “Positively?” Gallagher-Shean)
l Mister Gallagher and Mister Shean — “ Absolutely ! ’ ’ Gallagher-Shean)
Mister — See also “ Mr.”
MIZZI HAJOS— See “ Hajos”
Mile. Modiste (Herbert) See “Kiss Me Again”
/Mo-Ana — Hawaiian Waltz (Olsen) Athenian Mandolin Quartet)
l Cadiz March ( Ballig ) Mandolins and Guitar Athenian Mandolin Qt)
/Moanalua — Hawaiian Hula Dance Song (with Quintette) Ben Waiaiole)
l Hawaiian Melodies Hawaiian Guitars Ferera-Franchini)
64614
10
1.25
66058
10
1.25
18049
10
.75
67896
10
.75
66085
10
1.25
66065
10
1.25
64620
10
1.25
64121
10
1.25
74533
12
1.75
64709
10
1.25
45054
10
1.00
16474
10
.75
35152
12
1.25
64856
10
1.25
64076
10
1.25
18243
10
.75
68471
12
1.25
17981
10
.75
45137
10
1.00
18841
10
.75
16937
10
.75
35008
12
1.25
35663
12
1.25
18941
10
.75
18057
10
.75
18570
10
.75
_ VICTOR RECORDS _
(Mobile Minstrels (See “Minstrels”) Victor Minstrel Company 1
l Pickin’ Colton (W enrich) Collins and Harlan /
Mocking Bird, Listen to the (Septimus Winner)
By Alma Gluck and Charles Kellogg Soprano with Bird Voices
By Wheeler and Macdonough Soprano-Tenor and Rocked in the Cradle — Stanley
By Margaret McKee Whistling and Tout Passe Waltz ( Berger ) Gialdini
By John Taylor Violin and Black Forest Polka Orchestra Bells — Miiller
By Ferdinand Himmelreich Piano and Silver Threads Himmelreich
By Wm. H. Reitz Xylophone and Pearl of the Harem Banjo Fred Van Eps
{Modest Suzanne — Potpourri (Gilbert) Hurtado Bros. Marimba B1
El Choclo Argentine Tango Hurtado Bros. Royal Marimba Band)
fMoe Uhane Waltz — Hawaiian Guitars Louise and Fereral
l On the Beach at Waikiki — Medley Louise and Ferera)
Number
Size
[So «
— 1 Q.
17293
10
.75
74465
12
1.75
16392
10
.75
18083
10
.75
16538
10
.75
18245
10
.75
16969
10
.75
18093
10
.75
17880
10
.75
MOISE1VITCH, BENNO, Pianist (Moh-ee-say-ee-vich)
Arabesque in A Flat 55157 I Impromptu in F Major 55 1 57 I Waltz in G Major 55156
Finlandisch Dance 55157 I Perpetuum Mobile 55156 |
Mollie Darling (Hays) (with Male Chorus) Evan Williamsi74480|12|1.75
MOLLOY, JAMES LYMAN. Legal practitioner and amateur composer. He
born in Ireland, 1837, and died 1909. Wrote many charming songs.
See “Kerry Dance,” “ Love’s Old Sweet Song”
fMolly and the Baby (Prohibition Song) (Herbert) Rodeheaverl
l My Wonderful Dream ( Gospel Hymn) (Pounds- Gabriel) Rodeheaver)
Molly Bawn — Irish Ballad (Lover) John McCormack
Molly Brannigan (Old Irish Melody) ( Piano acc.) John McCormack
fMolly
l Kilk
O ! (Scanlan)
Kilkenny ( Irish Song)
1-0
(Molly-
l Love ’s Ship
Reed Millerl
Charles Harrison)
Wm. Robynl
Flonzaley String Qt
(I Love You) (Emery-McNeil)
(N. and A. N. Morrison)
Molly on the Shore (Irish Reel) (Setting by
Molly on the Shore (Irish Reel) (Grainger)
Moment Musical (Schubert)
By Fritz Kreisler Violin (2) Tambourin ( Rameau )
By Jacques Thibaud Violin (2) Minuet Caprice (Rode-T hibaud)
By Philadelphia Orchestra
By Wm. H. Reitz Xylophone (2) Mazurka {Chopin) and Dorothy Reitz
/Monarch of the Woods (Cherry) Wilfred Glenn 1
Down Deep Within the Cellar ( Old Drinking Song) Wilfred Glenn)
/Monastery Bells (Leslie-Wendling)
It Was the Time of Lilac (Bowles-Hathaway)
/Monastery Bells (Wely)
With Sword and Lance March
Mondnacht (Moonlight) (Schumann) (Pianoforte acc.) German
’Mong the Green Irish Hills (Nettie I. Freese) Emilio de G
Monologo — See “Rigoletto,” and “Tempestad”
MONOLOGUES, COMIC — See “Recitations,” also “Idle Woman’s
Busy Day,” "Bernard,” “Bingham,” “Case,” “Hill,” “Hitchcock,”
“Kelly,’’ “Porter,” “Silver,” “Spencer,” “Taggart” and “Wills”
Monsieur Beaucaire — Honour and Love (Messager) McCormack 64901
{Montenegro — National Air — Onward, Onward Victor Band
Serbia National Air (2) “ Rise, Serbians ” (Patriotic Air) Victor B
\
l
l
Merle AlcockJ
Elsie Baker)
Pryor’s Bandl
Pryor’s Band)
17988
10
.75
74175
12
1.75
64316
10
1.25
17958
10
.75
18829
10
.75
64611
10
1.25
74580
12
1.75
74202
12
1.75
66065
10
1.25
66098
10
1.25
18216
10
.75
17326
10
.75
45247
10
1.00
16397
10
.75
64554
10
1.25
74422
12
1.75
67067
10
10
1.25
.75
VICTOR RECORDS
Number
| .2 u
COPY'T MOFFETT
DAVE AND FRED
l
-Montgomery -Stone
Henry Price!
MONTGOMERY and STONE, Comedians
David Craig Montgomery and Frederick A.
Stone began in Kansas City as a song-and-dance
team. Half a generation, and they were among the
foremost of comedians. Montgomery died at the
height of his career. His voice lives on, however, in
the record he and his partner made for the Victor
when the “team" was on everyone’s lips.
MONTGOMERY AND STONE RECORD
Gay Paree and Travel, Travel Little Star
/Moo Cow Moo, The (2) His New Brother
Mother Goose Songs ( Contents under "Mother ") Elizabeth Wheeler)
Moody and Sankey Hymns — See “Hymns”
Moonbeams — Pining— Medley Fox Trot All Star Trio and Orchl
All for You — Happiness — Medley Fox Trot Whiteman’s Orch)
Moon Has Raised Her Lamp Above (“Lily of Killamey”) (Benedict)
John McCormack-Reinald Werrenrath
/Moonlight — Fox Trot (Con Conrad) Whiteman’s Orch!
Toddle — Medley Fox Trot Benson Orchestra)
/Moonlight in Jungle Land (Dempsey-Schmid) Collins and Harlan!
Casey Jones ( Newton ) Billy Murray and American Quartet )
Moonlight (Mondnacht) (Schumann) ( Piano acc.) Julia Culp
/Moonlight Sonata — 1st Movement (Beethoven) Vessella’s Band!
Funeral March (From Sonata, Op. 26) (Beethoven) Vessella’s B)
Moonrise (Dick-Samuels) Reinald Werrenrath
/Moon River — Waltz (Lee David) Green Bros.’ Marimba Orch!
Love Sends a Little Gift of Roses — Med. Waltz Hack.el-Berge Or)
Campbell and Burr!
Campbell and Burr)
Moon Shines on the Moonshine (de Witt-Bowers) Sidney Phillips!
So Long! Oo-Long (Hou) Long You Gonna Be Gone?) Roberts)
/Moon Winks — Three-Step (Frey) Pryor’s Band!
I Marsovia Waltzes (Lampe) Pryor’s Band)
MOORE, SAM — Octo-Chorda, See “Laughing Rag”
MOORE, THOMAS Irish Poet. (1779-1852.) Wrote 125 songs, many of which
were set to National Irish melodies.
See “As a Beam,” “Believe Me, “Bendemeer s Stream,” “Come, Ye Disconsolate,’’
“ Harp That Once Thro’ Tara’s Halls,” “ Has Sorrow Thy Young Days,” “Last
Rose of Summer.” “Meeting of the Waters,” “Minstrel Boy,” “Oft in the Stilly
Night”, “She is Far from the Land" and “When Love is Kind”
MORET, NEIL, Compositions by - See “Hiawatha,” “Jolly General,” “Mello ’Cello,”
“Peggy,” “Rose of My Heart,” “Silver Heels” and “Yearning”
MORGAN, CORINNE, Contralto
Love’s Old Sweet Song (Molloy) and Oh, Dry Those Tears — Trombone — Pryor
My Old Kentucky Home (Foster) and Home. Sweet Home — C. Harrison
Morgen (Tomorrow) (Strauss) (’Cello obb.) In German Frances Alda
/Morning in Noah’s Ark — Humorous Fantasia Pryor’s Band!
I Mr. Rooster (Lampe) Pryor’s Band)
/Morning, Noon and Night in Vienna Overture — Part I Victor O!
\ Morning, Noon and Night in Vienna Overture — Part I! Victor Orch)
1
l
X
\
/Moonshine Sally (McCarthy-Johnson-Santly)
l You Were Just Made to Order for Me
{
55098
12
1.50
16863
10
.75
35708
12
1.25
64440
10
1.25
18756
10
.75
16483
10
.75
64554
10
1.25
35426
12
1.25
66047
10
1.25
18907
10
.75
18137
10
.75
18672
10
.75
16069
10
.75
16800
10
16195
10
64339
10
16955
10
35543
12
.75
.75
1.25
.75
1.25
VICTOR RECORDS
Number
—a o.
Morning, Noon and Night — Overture (Suppe) Vessella’s Band)
Stradella Overture (Flotow) Vessella’s Italian Band)
35276
12
1.25
Morning Song (Grieg) (2) The Rose (Franz) 1
(3) The Brooklet (Schubert) (with Piano) Kline i
Spring Song (2) Spring’s Messenger (3) Greeting Olive Kline)
17532
10
.75
Moskow (Mother Moscow) Russian Folk Song Albert Janpolski)
Song of Volga Boatmen (Ei Uchnam) Russian Folk Song Janpolski)
65147
10
.75
MOSKOWITZ, JOSEPH — See “ Cembalom Records ”
MOSZKOWSKI, MORITZ (Mos-kof)' -skee) Polish pianist and composer, born Breslau,
1854, but long resident in Paris.
See “ Bolero in D Major,” “Caprice Espanol,” “From Foreign Parts,” “Guitarre,”
“Malaguena,” “Serenade,” “ Spanish Dance ” and “Sparks”
fM-o-t-h-e-r (Johnson- Morse)
l The W edding of the Sunshine and the Rose
Henry Burr'll
Campbell and Burr) |
10
.75
MOTHER, Songs about — See
Angels
Break the News to Mother
Dreaming of Home and
Mother
Dress My Mother Wore
I’m in Heaven When I’m
in My Mother’s Arms
Ireland Must Be Heaven
Just as Your Mother Was
Just Before the Battle
Little Mother of Mine
Mother
Mother Machree
Mother My Dear
Mother of My Heart
Mother o’ Mine
Mother’s Love
Mother’s Lullaby
Mother’s Prayer
Mother’s Prayers Have
Followed Me
My Mother
My Mother Bids Me
My Mother’s Evening
Prayer
My Mother’s Prayer
My Mother’s Rosary
Rock Me to Sleep
Somebody’s Mother
Take Me Back to Home
and Mother
Tell Mother
That Old Irish Mother
That Wonderful Mother
Those Songs My Mother
Used
Was There Ever a Pal
You’re the Best Little
Mother
Mother Goose Songs (Sidney Homer) Louise Homer i
“Little Jack Horner” — “Little Miss Muffet” — “Little Willie Winkie" — I
“Solomon Grundy" — “Rock-a-bye Baby” — “Dance to Your Daddy" — [
"House That Jack Built” )
Mother Goose Songs (See also “Educational”) Elizabeth Wheeler
(1) Hey Diddle Diddle (2) Little Bo-Peep (3) Ride a Cock Horse (4) Little
Jack Horner (5) Twinkle, Twinkle (6) Lullaby.
The Moo Cow Moo 2. His New Brother Henry Price
Mother Goose Songs, No. 2 ( Pianoforte by MacDonald ) Cheatham
Three Little Kittens (2) Ride a Cock Horse (3) John Smith (4) Willy
Winkie (From “Fifteen Mother Goose Melodies," Elizabeth Coolidge)
Once a Little Shepherd Maiden ( French Folk Song ) Cheatham
Mother Goose Suite (Ma Mere l’Oye) (Ravel) Coates-Symphony Or'
(Pavane of the Sleeping Beauty — 1st Movement Hop o’ My Thumb —
2nd Movement)
Mother Goose Suite (Ma Mere l ’ Oye ) Coates-Symphony Orch
( Laideronnette , Empress of the Pagodes — 3rd Movement )
Mother Goose Suite (Ma Mere 1’Oye) (Ravel) Coates-Symphony Or'
(The Conversations of Beauty and the Beast — 4th Movement
Mother Goose Suite (Ma Mere I’Oye Coates and Symphony Or
(The Fairy Garden — 5th Movement)
Mother Hasn’t Spoke to Father Since Billy Murray)
Sweet Peggy Magee Jones and Spencer )
Mother Machree (Rida Johnson Young-Chauncey Olcott-Ernest Ball)
By John McCormack (Tenor)
By Charles Harrison (Tenor) and Little Bit of Heaven — Charles Harrison
By McKee Trio Violin-Cello-Piano and A Perfect Day — McKee Trio
By Alberto Salvi Harp and Scherzo in E Flat Minor ( Salvi ) Salvi
88640
12
16863
10
45104
10
55170
12
55175
12
16765
10
64181
17780
17835
45248
10
10
10
10
1.75
.75
1.00
1.50
1.50
.75
1.25
.75
.75
1.00
Number
Size
to
3 a
64765
10
1.25
64988
10
1.25
18741
10
.75
64332
10
1.25
74118
12
1.75
17478
10
.75
18710
10
.75
74475
12
1.75
35326
12
1.25
18513
10
.75
VICTOR RECORDS
Mother, My Dear (Nolen-Treharne)
Mo Mother of My Heart (Montanye-Grey)
(Mother of Pearl (McCarthy-Graff Jr.-Ball) Wm. Robyn
l Rose I Call Sweetheart (H. Johnson-E. Burkhart) Wm. Roby
Mother o’ Mine (Kipling-Tours) John McCormack
Mother o’ Mine (2) Lark Now Leaves Its Wat’ry Nest de Gogorza
/Mother’s Love (Cooley) (2) To My Son (Graflin) Rodeheaver)
Rodeheaver)
\
Sterling Trio
Burr-Peerless Qt
Alma Gluck
Rodeheaver)
X
17931 10
75
Daddy ( Nichols ) (2) That Little Chap of Mine
/Mother’s Lullaby (Milton Weil)
Broadway Rose ( West-Spencer-Fried )
Mother’s Prayer, The (Cooper-Thomas)
/Mother’s Prayers Have Followed Me (Ackley)
\ The Great Judgment Morning ( Pickett ) Homer Rodeheaver /
/Mournin’ Blues — Fox Trot (Sbarbaro) Original Dixieland Jazz B)
Clarinet Marmalade Blues — One-Step Original Dixieland Jazz Band)
MOUSSORGSKY, MODESTE (1835-1881) Composer
Born Karevo, Russia. Began composition as amateur. Gave up military life to
compose at 22. In 1868 completed his Russian opera, "Boris Godounow”; first produced
1874. Suffered many hardships, dying before full recognition of genius.
See “ Boris Godounow," “ Song of the Flea,” “Trepak”
/Moving Pictures at Pun’kin Centre — Rural Comedy Cal Stewart)
l Old Country Fiddler and the Book Agent Charles Ross Taggart)
MOZART, WOLFGANG (1756-1791) ( Moh'-tsarl )
Born 1 756, Salzburg. Son of musician and teacher. When 4 could
play piano, at 6 wrote a concerto. Learned violin and traveled as a
prodigy. At 1 1 wrote an opera, never given. At 12 concertmeister of
Salzburg church, and wrote several masses. When 13 went to Italy,
where the young genius astonished by his musical knowledge. Was
knighted by Pope. Produced and conducted his opera Mitridate, 1 770.
Returned home, and in 1782 married .Constance Weber. Period
of poverty followed, ended by production in 1 786 of Marriage of
Figaro. This success followed by greatest work, Don Giovanni, in
1787. Other operas were Cosi and Titus, not successful. In spite
of failing health from overwork wrote Magic Flute, produced 1791, and
died some months later. Besides operas wrote much sacred and chamber music, many
orchestral works, etc.
RECORDS OF MOZART COMPOSITIONS — See “ Blacksmith, ” “Christ the Lord is
Risen,” “Concerto for Harp and Flute,” “Cosi FanTutte,” “Cradle Song,” “Don
Giovanni,” “Gavotte,” “Gorial from 12th Mass,” “Magic Flute,”
Figaro,” “ Menuett,” “Quartet,” “Rondo” and “Symphonies ”
/Mr. and Mrs. Murphy — Irish Specialty
l Low Back’d Car {Lover)
/Mr. John MacKay
l In the R-o-t-a-r-y ( Lauder )
{Mr. Rooster March — Two-Step (Lampe)
Morning in Noah’s Ark — Humorous Fantasia
/Mrs. Rastus at the Telephone — Darky Story
\ Jests from Georgia — Darky Story
/Mrs. Rastus Johnson at the Wedding (Bingham)
l Goldstein Behind the Bars
Jones and Spencer)
James McCool)
Sir Harry Lauder)
Sir Harry Lauder)
Pryor’s Band)
Pryor’s Band)
Ralph Bingham)
Ralph Bingham)
Ralph Bingham)
Ralph Bingham)
“ Marriage of
16100
10
.75
45195
10
1.00
16955
10
.75
17818
10
.75
18231
10
.75
VICTOR RECORDS
Number
(%)
t^>
List
prc.
fMrs. Rastus Johnson’s Joy Ride (Bingham)
Ralph Bingham)
18587
10
.75
l Brother Jones ’ Sermon
Ralph Bingham)
MUCH ADO ABOUT NOTHING— See “ Shakespeare ”
MUKLE, MAY, Violoncello
By the Brook — Reverie and Lullaby ( Pianoforte by Falkenstein) Mukle
17844
10
.75
(Mulberry Rose (Van-Schenck)
l Huckleberry Finn ( Hess-Lewis-Young )
Van and Schenck)
Van and Schenck >
18318
10
.75
MULLER, ALBERT — See “ Xylophone and Bell Solos”
Munasterio (The Monastery) (di Giacomo-Costa) Neapolitan Ruffo
87323
10
1.25
MUNKACSY’S ORCHESTRA
Old Gypsy, The (A ven czigany ) and Prends Moi !
Valse — Munkacsy s Orch
18071
10
.75
/Murmuring Zephyr (Jensen, Op. 21)
Lambert Murphy)
45312
10
1.00
l Oh Fair, O Sweet and Holy ( Heine-Cantor )
Lambert Murphy /
MURPHY, LAMBERT, Tenor
Lambert Murphy is an American, and was born in the city of
Springfield, Mass. As a boy he sang in church choirs, and later, while
at Harvard University, took much interest in musical matters. During
his senior year at Harvard he commenced his concert career, continuing
it for two seasons after his graduation in 1908, and filling many impor¬
tant engagements, including concerts of the Boston Festival Orchestra
(three successive seasons), and the Handel and Haydn Society. He
was soloist at St. Bartholomew’s Church, New York, but resigned his
position there when he went to the Metropolitan in 1911, in order to
devote his time entirely to operatic work. Mr. Murphy is naturally en¬
dowed with a tenor of unusually pure quality, which, during his pro¬
fessional career, has developed in richness, warmth and color.
PHOTO MISHKIN
MURPHY
MURPHY RECORDS
Blush Rose 45126
Boheme — Ah, Mimi 45182
Chimes of Normandy 45 1 48
Christ in Flanders 45175
Columbia, Gem of
Ocean 45121
Darling 45245
Douce dame jolie 45083
Dream of Your Smile 45259
Drifting Along 45259
Evening Brings Rest 45 1 06
Forza del Destino 70103
GoodNight, LittleGirl45 126
I Cannot Sleep 45199
I Dream of Jeanie 45324
Kashmiri Song 45106
Life and Love 45641
Life’s Twilight 45 1 03
Lonesome 45162
Love in Lilac Time 45245
Love’s Garden of
Roses 45150
Mavourneen
Roamin’ 55069
Meistersingei — Prize
Song 70080
Murmuring Zeohyr 45312
My Days Have Been 45324
Oh Fair, Oh Sweet 45312
Once Upon a Time 45214
Roses of Memory 45215
Roses of Picardy 45 150
Serenade 45304
Smiles 45 1 55
Smile Through Your
Tears
45267
Stabat Matei — Cujus
55162
Sunshine of Your
Smile
55069
Sylvia
45249
Tell Me
45171
There Is No Death
45175
Waiting
45164
Waiting for the Sun
45199
When the Roses
Bloom
45103
Y earning
45171
MURRAY, BILLY, Comedian
For duets With other singers see “ Jones and Murray." For
quartets in which Murray sings see "American Quartet ”
Billy Murray is one of the most successful of all American
singers of humorous songs, and probably entertains, through
his Victor records, a larger audience than any other singer
who has ever lived. His Irish songs, the rapid-fire type of
comic song with no breathing places (Billy never seems to
take breath!); the topical song; popular sentimental songs;
dialect specialties — no matter what the line of work he under¬
takes it is sure to be cleverly done.
Duets in which
Mr. Murphy sings
Old Sacred Lullaby 45257
MURRAY
VICTOR RECORDS
Number HS ^ £
RECORDS BY BILLY MURRAY
Alcoholic Blues 18522
Are You from Dixie? 17942
Blue Jay and Thrush 17891
Can You Tame
Wild Wimmen 18515
Freckles 18634
Good Old Dollar Bill 16311
Hear dem Bells 16686
High Brown Blues 18904
How Are You Coin’ 18537
I Certainly Must 18909
I’ll See You in
C-U-B-A 18652
In Old Town Hall 18810
I’ve Got My Captain 18604
1 Wonder Why 18270
K-K-K-Katy 18455
Little Ford Rambled 17755
Marimba 18723
Melon Time 18794
Mother Hasn’t Spoke 16765
My Old N. J. Home 18748
Nothing to Do
Oh Gee 1 Say Gee I
Profiteering Blues
Pucker Up
Rainbow
Sally Green
She Gives Them All
Stand Up and Sing
Story Book Ball
Stumbling
That’s Why 1 Never
That’s Worth While
Wait Till You Get
Them Up
When Tony Goes
Over the Top
Whistle While
You Walk
Whistling Coon
Worst is Yet to Come
You’d Be Surprised
17047
18712
18666
18760
17233
18704
18732
18784
18482
18906
16851
18652
18628
18510
17891
16821
18515
18634
Duets in which
Mr. Murray sings
All Over Nothing 18943
Are You From Dixie 17942
Boo-Hoo-Hoo 18855
Dardanella Blues 18688
Down By theO-Hi-O 18723
Humpty Dumpty 18810
1 Aint ’En Got 'En 18593
I Got A-B-C Blues 18704
I’ll Stand Beneath 18943
In My Heart 18855
Irish Home Sweet H 18794
Kicky-Koo 18918
Ma Pickaninny Babe 17819
Oh! You Baby 18876
Sleepy Little Village 18918
Ten Little Fingers 18830
Way Down in Ark. 1 7969
Whenever You're
Lonesome 1 8909
Yankee Doodle Blues 18959
MURRAY, FARQUHAR, Tenor
Battle of Stirling and Wt a Hundred Piper :
fMusette (Ballet from “Armide”) (Gluck) ( Arr. by Pasternack ) V. Orch]
l Chanson Triste Victor Concert Orchestra)
MUSICAL COMEDIES— See “Comic Operas and Musical Comedies”
Musica Proibita (Forbidden Music) (Gastaldon) Italian Caruso
fMusic of Wedding Chimes (Wendling) (With Shannon Four) Hartl
l Dreamy Alabama ( Macdonald- Earl ) Chas. Hart-Lewis James)
My Ain Countrie (Demarest-Hanna) Louise Homer
ry Ain Countrie (Demarest-Hanna) Lucy Isabelle Marsh 1
Last Rose of Summer (Moore) Lucy Isabelle Marsh)
My Ain Folk (Wilfrid Mills-Laura G. Lemon)
By Louise Homer (Contralto)
By Evan Williams (Tenor)
By Imperial Quartet (Unaccompanied) and A Perfect Dau — Imperial Quartet
fMy Bird of Paradise Hawaiian Guitars Louise and Fereral
l Kawaihau Waltz Hawaiian Guitars Louise and Fereral
My Bonnie — See “Bring Back My Bonnie To Me”
fMy Bonnie Bonnie Jean (Lauder) Sir Harry Lauder-!
I Breakfast in Bed on Sunday Morn Sir Harry Lauder I
fMy Bonnie Lass She Smileth (Nevin) Lyric Quartet]
l Sweet is T rue Love ( ‘ ‘Idyls of the King ’ ’) ( with Strings and Harp) Baker I
fMy Brunette (La Morena) — Waltz Central Am. Marimba Band]
l Green Club (Club Verde) — Waltz) Central American Marimba Band!
fMy Buddy (Kahn-Donaldson) Henry Burr]
l Down Old Virginia Way (Yellen-Olman-Gillette) Brown-Burr I
ry Clarabelle Waltz (McKee) McKee’s Orchestra]
Minor and Major Waltz (McKee) McKee’s Orchestral
My Country ’Tis of Thee — See “ America ”
fMy Cradle Melody (Lewis- Young- Meyer)
l Dixie Highway (Kahn-Donaldson)
Peerless Quartet]
Aileen Stanleyl
18265
10
.75
18314
10
.75
88586
12
1.75
18596
10
.75
87345
10
1.25
45183
10
1.00
87334
10
1 .25
74409
12
1.75
17872
10
.75
17892
10
.75
55119
12
1.50
18146
10
.75
68493
12
1.25
18930
10
.75
35446
12
1.25
18935
10
.75
VICTOR RECORDS
Trinity Choir "I
Macdonough and Bieling)
Criterion Quartetl
Peerless Quartet )
Wright and Detrichl
Wright and Dietrich)
My Curly-Headed Babby — See “ Ma Curly-Headed Babby ”
/My Days Have Been So Wondrous Free Lambert Murphy\
\ I Dream of Jeanie With the Light Brown Hair Lambert Murphy J
/My Dear Captain (Mi Querido Capitan) — Fox Trot Intern’l Or)
l Peacocks, The ( Los Pavitos)—Fox Trot International Orch)
My Dreams (Weatherly-Tosti) John McCormack
MYERS, Rev. J. A., Baritone of Fisk Jubilee Quartet — Recitations by
See “Banjo Song,” “Old Tunes” and “When Malindy Sings”
MYERS, Pee-Wee and Ford Hanford
Down in Arkansaw and My Old Kentucky Home Wood Saw — Hanford
/My Faith Looks Up to Thee (Bassford) Hart-Shawl
l Crucifix ( Faure ) Hart-Shaw)
fMy Faith Looks Up to Thee (Mason)
l Saved by Grace { Stebbins )
ry Gal Sal (Paul Dresser)
My Swanee Home ( Duryea-Vause )
ry Hawaiian Maid ("Medley No. 10”)
Lei Aloha { Wreath of Joy)
My Heart Ever Faithful (Bach) In English
/My Heart’s Delight — Fox Trot Bavarian Highland Zither Triol
l Hunter’s Greeting, The Bavarian Highland Zither Trio)
/My Hero — Waltz (“Chocolate Soldier”) (Oscar Straus) Lucy Marsh'
l Beautiful Lady Waltz {"Pink Lady”) Lucy Marsh-Victor Chorus.
/My Hindoo Man Xylophone Peter Lewin
l Medley of Popular Reels Accordion John J. Kimmel.
My Homeland (Burnet-Speaks) Clarence Whitehil
My Homeland (Folk Song) In Bohemian Destinn-Gill;
rf Home Town is a One Horse Town Roberts-Harmonizers Qt
Oh Gee! Say Gee! You Ought to See My Gee Gee Murray.
/My Honey’s Lovin’ Arms — Fox T (Meyer-Ruby) The Virginians
l Cuddle Up Blues — Fox Trot {Jerome-De Costa) The Virginians
My Honolulu Hula Girl (Sonny Cunha)
{Hawaiian Guitars by Louise and Ferera) Wright-Dietrich
Song to Hawaii {Hawaiian Guitar acc .) Horace Wright- Rene Dietrich
/My Honolulu Hula Girl (Sonny Cunha) {with Quintette) E. K. Rose
\ One — Two — Three — Four— Waltz Song In English Hawaiian Qt.
/My Hula Love — Medley March Lua and Kaili
l Kawaihau Waltz Hawaiian Guitars Ferera-Franchini.
My Irish Song of Songs (Dubin-Sullivan) John McCormacl
ry Isle of Golden Dreams — Medley Waltz Selvin’s Novelty Or
Dardanella — Fox Trot {Bernard- Black) Selvin’s Novelty Orchestra.
{My Isle of Golden Dreams— Waltz Blue and White Marimba B
Let the Rest of the World Go By — Waltz Ferera-Franchini.
rf Jesus, as Thou Wilt (Borthwick-Weber) Mr. and Mrs. Wheeler
The Homeland Elizabeth and William Wheeler.
My Laddie (Scotch Love Song) (Thayer) Alma Glucl
My Laddie Boy (Rogers-Akst) Sophie Braslat
My Lady Chlo (African Love Song) (Clough-Leigbter) Braslat
/My Lady Chlo (Clough-Leigbter)
l Pickaninny’s Lullaby (Macy)
Imperial Quartet
Imperial Quartet of Chicagi
3
Number
4J
&
List
prc.
45324
10
1.00
73161
10
.75
64310
10
1.25
18767
10
.75
35012
12
1.25
16216
10
.75
18905
10
.75
18228
10
.75
88575
12
1.75
73078
10
.75
45193
10
1.00
16948
10
.75
64719
10
1.25
87555
10
1.50
18712
10
.75
18881
10
.75
18159
10
.75
18573
10
.75
17863
10
.75
64796
10
1.25
18633
10
.75
18716
10
.75
17940
10
.75
64183
10
1.25
64983
10
1.25
64742
10
1.25
18158
10
.75
VICTOR RECORDS
/My Little Dream Girl (Gilbert-Friedland)
l Dear Love Days ( Esrom-Morse )
fMy Little Girl (Lewis-Dillon-A. von Tilzer)
l There’s a Little White Church in the Valley
fMy Little Sweetheart — Polka
J. Reed-J. F. Harrisonl
Campbell-Burr- Oakland I
Campbell-Burr 1
{Lange) Peerless QtS
Italian Village Band-!
Wright and Dietrich I
Chas. Harrisonl
John Steel)
Peerless Quartet)
Campbell-Burr)
\ Tarantella of Pot enza {Tarantella Potenzese) Italian Village Band)
fMy Little Teresa — Waltz International Novelty Orchestral
l Love’s Tortures — Waltz International Novelty Orchestra)
fMy Lonely Lola Lo (Murphy-Lange-Solman) Sterling Trio)
l My Own Iona {Moi One-Ionae) Horace Wright-Rene Dietrich)
fMy Lovely Celia (Monro) Old English Reinald Werrenrathl
l Drink to Me Only With Thine Eyes Reinald Werrenrathl
My Love She’s But a Lassie Yet — March (2) Highland Laddie
{Bagpipes With Bass Drum) Sutcliffe Troupe
79th Highlanders’ Farewell to Gibraltar — March — Sutcliffe Troupe
/My Luau Girl (Kailimai) {Ukulele and Guitar acc.) Wright-Dietrich/
1 On the Beach at W aikiki
fMy Machree’s Lullaby (Waltz Ballad)
l Only a Smile ( Edson-Zamecnik )
/My Mammy (Lewis- Young-Donaldson)
l Underneath Hawaiian Skies { Erdman-Rose )
/My Mammy — Med. Fox Trot (intro. “Beautiful Faces”) WLiteman’sOl
l Humming — Medley Fox Trot {Breau-Henderson-Golden) Whiteman’s Ol
/My Mammy Knows — Fox Trot (De Costa-Jerome) Benson Orl
l Angel Child — Fox Trot { Price-Silver-Davis ) Benson Or S
/My Man (Mon Homme) (“Follies 1921”) Fannie Brice)
l Second Hand Rose {Clarke -Hanley) Fannie Brice I
/My Man (Mon Homme) Fox Trot (M. Yvain) Whiteman’s Orl
l Cherie — Fox Trot {Irving Bibo) Whiteman’s Orchestral
/My Maryland Fantasia Pryor’s Bandl
l Death of Custer — Descriptive Military Pryor’s Band!
(My Maryland March Drum, Fife and Bugle Corps)
\ I’se Gwine Back to Dixie (White) Hayden Quartetl
ry Maryland March (Mygrant) Sousa’s Band)
Gen. Mixup, U. S. A. March (Allen) Pryor’s Band I
My Mother (Wagstaff- White) Orville Harrold
/My Mother Bids Me Bind My Hair (Haydn) Lucy Isabelle Marsh)
l I Attempt from Love’s Sickness to Fly Reinald Werrenrathl
/My Mother’s Evening Prayer (Grcen-Pierce-Dubin) Burrl
l Now I Lay Me Down to Sleep (Mitchell-Meyer) Hart-Shawl
/My Mother’s Prayer (Weeden) F. C. Freemantell
l Lead, Kindly Light (Newman- Dykes) Trinity Choir!
/My Mother’s Rosary (Lewis- Meyer) Avon Comedy Fourl
l Yaaka Hula Hickey Dula (Hawaiian Love Song) Avon Comedy Fourl
ry Mother’s Rosary (Lewis- Meyer) Charles Harrisonl
She ’s the Daughter of Mother Machree Charles Harrisonl
My Old Kentucky Home (Stephen Collins Foster)
By Alma Gluck (Soprano) (with Male Chorus)
By Geraldine Farrar (Soprano)
By Elsie Baker (Contralto) and Home, Sweet Home — Elsie Baker
By Corinne Morgan (Contralto) and Home, Siveet Home — Chas. Harrison
By Harry Macdonough (Tenor) and Old Folks at Home — Elsie Baker
Number
*tSi U>
13 O.
17789
10
.75
17810
10
.75
73305
10
.75
73362
10
.75
18171
10
.75
45114
10
1.00
17408
10
.75
18132
10
.75
18934
10
.75
18730
10
.75
18737
10
.75
18870
10
.75
45263
10
1.00
18758
10
.75
35028
12
1.25
16104
10
.75
17142
10
.75
66071
10
1.25
45092
10
1.00
18747
10
.75
16533
10
.75
18081
10
.75
17948
10
.75
74468
88238
18045
16195
16389
12
12
10
10
10
1.75
1.75
.75
.75
.75
Number
| Size!
13 Q.
17756
10
.75
18127
10
.75
16160
10
.75
18145
10
.75
18767
10
.75
18748
10
.75
45074
10
1.00
18171
10
.75
35490
12
1.25
74254
12
1.75
18923
10
.75
18702
10
.75
45192
10
1.00
16864
10
.75
18647
10
.75
18812
10
.75
18819
10
.75
18403
10
.75
18905
10
.75
16875
10
.75
18835
10
.75
89159
12
2.00
18770
10
.75
45302
10
1.00
18447
10
.75
64426
10
1.25
35085
12
1.25
16741
10
.75
VICTOR RECORDS
My Old Kentucky Home — Continued
By Samuel Gardner Violin and Annie Laurie— with Harp — Ga
By Neapolitan Trio and Old Folks at Home — Venetian
By Chime and America and Star-Spangled Banner — Cl
By Victor Band and Believe Me, If All Those Endearing Young Charms — Vic
By Ford Hanford Wood Saw and Down in Arkansaw — Myers-Hai
fMy Old New Jersey Home (“The Rose Girl”) (Vincent) Murray"!
I Rebecca ( Came Back, from Mecca) Monroe Silver )
fMy Own Home Town in Ireland (Costello-Solman) MacFarlanel
l Ireland (McKenna- Kleineke) George MacFarlanel
fMy Own Iona (Moi-One-Ionae) ( UkuleleandGuitaracc .) Wright-Dietrichl
l My Lonely Lola Lo ( Murphy-Lange-Solman ) Sterling Trio)
ry ’Possum Hunt (Darky Story) Ralph Bingham "I
Boy in the Bleachers ( Comic Monologue) Ralph Bingham)
My Pretty Jane (The Bloom is on the Rye) Evan Williams
{My Rambler Rose — Med. Fox Trot (“Ziegf eld Follies”) Whiteman’s O
Introducing “List’ning on Some Radio’’
Dancing Fool — Fox Trot ( Ted Snyder) Club Royal Orchestra
fMy Sahara Rose — Fox Trot Accordion Pietrol
l Stop It — One-Step (Mel. B. Kaufman) Accordion Pietro)
rf Skylark Love (Barcarolle) (Bowles-Denni) Margaret Romainel
Welcome, Pretty Primrose (Pinsuti) Marsh-Dunlap)
My Soul is Athirst for God — See “ Holy City ”
ry Soul is a Witness Fisk University Jubilee Quartet "I
Band of Gideon Fisk University Jubilee Quartet )
fMystery — Medley Fox Trot (Intro. “Freckles”) Biese’s Novelty Ol
l Oh! Medley Fox Trot (Gay-Johnson- Bridges) Biese’s Novelty Or)
fMy Sunny Tennessee (Kalmar-Ruby) Peerless Quartet "I
l Ain’t You Coming Out Malinda (Von Tilzer) Peerless Quartet)
fMy Sunny Tennessee — Fox Trot (H. — H. Ruby) Benson Or"!
1 Ma! — One-Step (Con Conrad) Benson Orchestra of Chicago )
My Sunshine — See “ O Sole Mio ”
fMy Sunshine Jane (Brennan-Ball) Sterling Trio"!
I Where the Morning Glories Grow Elizabeth Spencer with Sterling Trio)
fMy Swanee Home (Duryea-Vause) Peerless Quartet"!
I My Gal Sal (Paul Dresser) Criterion Quartet)
fMy Swedish Rose V^altz — Swedish Melodies Victor Orchestral
l Swedish Guard March Pryor’s Band)
fMy Sweet Gal — Fox Trot All-Star Trio and Their Orchl
1 I’m Laughing All the Time — Fox Trot All Star Trio — Or)
My Sweet Repose (Schubert) Mme. Homer-Mme. Homer Stires
fMy Treasure — Waltz (Tesoro Waltz) (Becucci) Pietrol
\ Marsovia Waltz (Blanke-Belcher) Accordion Pietro)
fMy Trundle Bed (J. C. Baker) Merle Alcockl
l Rock-a-Bye Baby (Effie I. Canning) Merle Alcock>
fMy Way’s Cloudy (2) I’m a Rolling Tuskegee Institute Singers 1
l I’ve Been ’Bukcd (2) Most Done Trabelling Tuskegee Singers)
My Wild Irish Rose (Chauncey Olcott)
By John McCormack (Tenor)
By Harry Macdonough and Hayden Qt. and Red, Red Rose — Clough-Ql
By Criterion Quartet and In the Garden of Mu Heart — Reed Milter
Number
i Size
to «->
— ) o.
17988
10
.75
35703
12
1.25
17318
10
.75
35134
12
1.25
18779
10
,75
35692
12
1.25
64613
10
1.25
55117
12
1.50
67554
10
.75
18121
10
.75
45085
10
1.00
17100
10
.75
18311
10
.75
17472
10
.75
45052
10 1.00
16029
10
.75
16525
10
.75
18023
10
.75
VICTOR RECORDS
(My Wonderful Dream-Gospel Hymn (Pounds-Gabriel) Rodeheaverl
l Molly and the Baby, Don’t You Know — Prohibition Song Rodeheaverl
(My Wonder Girl — Coral Sea — Fox Trot Whiteman’s Orl
l Grieving for You— Feather Your Nest — Fox Trot Whiteman’s Or)
ry Yellow Jacket Girl (From “Honeymoon Express”) A1 Jolson]
Spaniard that Blighted My Life (“Honeymoon Express”) Al Jolson!
N
(Delibes)
Pryor’s Band!
Sousa’s Band)
Benson Orchestral
Benson Or)
Wm. S. Battisl
Wm. Sterling Battisl
Clarence Whitehill
I Naila — Intermezzo — Pas des Fleurs
l Chimes of Normandy Selection
(Na-Jo — Fox Trot (Wiedoeft-Holliday)
l San — Oriental Fox Trot (Me Phail-Michels)
(Name of Old Glory (Riley) Recitation
\ American Flag (Jos. R. Drake) Recitation
Nancy Lee (Weatherly-Adams)
(Nanny (I Never Loved Another Lass But You) (Lauder- Milligan) Lauder]
l Wedding of Sandy McNab — Scotch Specialty Sir Harry Lauder!
(Napoleon’s March Across the Alps Elite Orkester]
\ Hussars ’ Review Elite Orkester I
(Napoleon’s Last Charge (Descriptive) (Ellis-Paull) Conway’s B1
l Battle of the Nations Conway ’s Band I
Narcissus (From “Water Scenes,” Op. 13) (Ethelbert Nevin)
By Charles Kellogg {Orchestra with Bird Voices) and Serenade — Kellogg
By Phil Ohman Pianoforte
By Felix Arndt Pianoforte
By Florentine Quartet
By Victor Herbert’s Orchestra
By Pryor’s Band
By Sousa’s Band
and Last Hope — Himmelreich
and Humoresque — Pianoforte — Arndt
and La Serenata {Tosti) Neapolitan Trio
and Melody in F — Herbert’s Orchestra
and Hearts and Flowers — Victor Orchestra
and Handel’s Largo — Sousa’s Band
(Nat’an (For What Are You Waitin’, Nat’an ?) (Kendis) Rhoda Bernard]
l Cohen Owes Me Ninety-Seven Dollars Rhoda Bernard I
NATIONAL AND PATRIOTIC SELECTIONS
For “America, ” “Battle Cry of Freedom,” “Columbia, Gem of the Ocean,” “Dixie,”
“Hail Columbia” and “Star Spangled Banner,” see these titles in their regular
alphabetical position in this
AMERICA
Address at Hoboken 35718
Address at Wash. 35718
Airs of the Allies 18361
Airs of the Allies 35472
America Forever 35112
American Fanta^ie 35119
American Fantasie 55093
American Flag 35692
American History 16418
American Nat. Airs 18361
American Pat. Air3 16137
American Patrol 16523
American War Songs 3535 I
Army Bugle Calls 16056
Army 2-4 March 1 8299
Battle Hymn of the
Republic 45121
Battle of Gettysburg 18339
Battleship Conn M 16113
Blue and the Grey 17310
Blue- White March 18209
Boy Scouts of Am M 1 8209
Bugle Calls of U. S.
18324 18306
Call to the Colors 18297
Columbus 35653
Cosmopolitan Over- 35282
Declaration of
Independence 35291
General Mixup,
U. S. A, March 17142
Give Me Liberty 35377
God Give Us Men 35653
Golden Star 35709
Good-Bye, Dolly
Gray 18339
Landing of Pilgrim 35653
Lincoln’s Address 35377
Lincoln, the Great
Commoner 18200
Marching Thro’ Ga. 64602
Marching Thro’ Ga. 16416
Meaning of Our Flag 18297
Memories of the War 35525
My Country ’Tis of Thee
— See “America”
Name of Old Glory 35692
National Capital
Centennial 18768
National Emblem
March 17957, 18498
Patrick Henry’s
Speech 35377
Patriotic Medley
March 35608
Patriotic Medley
No. 2 35657
Quickstep 6-8 March 18299
Red. White and Blue —
See “Columbia”
Sleep, Noble Hearts 17310
• VICTOR RECORDS
NATIONAL AND PATRIOTIC AIRS— Continued
Number
4J *->
t/5 3
Sousa Medley March I 7921
Stars and Stripes
Forever 16777. 35709
Taps 87299
Tenting on Old Camp
Ground 16404
Tramp, Tramp,
Tramp 16531, 16987
Vision of War 18200
War Songs 35351
WashingtonPostMch 17302
Washington’s Farewell
Address 17371
Webster’s Reply to
Hayne 17371
When Johnny Comes 16984
Yankee Doodle 16495
ARGENTINE REPUBLIC
Himno Argentino 64648
BELGIUM
Brabanjonne. La
17668. 64558
Carillon 55050
BRAZIL
Brazilian Hymn 74675
CANADA
For French-Canadian see's
Victor French Catalogue/
Land of Maple 16953
Maple Leaf Forever
17304, 17999
National Airs Medley 17304
O Canada I 7999
CHINA
National Air 67066
DENMARK
National Air — King
Christian 16591,67586
ENGLAND
See “Great Britain”
FRANCE
Clairon, Le 74473
Marche Frangaise 18534
Marche Lorraine 64586
Marseillaise, La — See
‘‘Marseillaise’’
Pere de la Victoire,
17712, 64557
Regiment de Sambre
17712. 88600
GREAT BRITAIN
British Bulldog’s
Watching 45213
British Troops
Passing 17696
Bugle Calls of the
British Army 69013, 69014
Carillon 55050
Flag That Never
Comes Down 1 7696
Girl I Left Behind
Me 18371
God Save the
King 16134. 64717
It’s a Long Way to
Tipperary 1 7639, 64476
Keep the Home-Fires
Burning 64696
Pomp and Circum¬
stance March 35247
Regimental Marches
69009, 6901 I
Rule, Britannia 16134
Trumpeter, The 74432
HAWAII
Hawaii Ponoi
and Aloha oe 18579
National Anthem 18576
IRELAND
Songs of Ireland 35513
Wearing of the
Green I 7348. 64258
ITALY
Garibaldi’s Hymn
16136. 87297
Hymne de Mameli. 64567
Royal March of I taly
16136. 17162
JAPAN
National Air — Fou so
ka 67066
MONTENEGRO
National Air —
Onward, Onward 67067
NORWAY
National Hymn 16596
RUSSIA
Chant d'Guerre
Cosaque 64585
National Airs of
the Allies 35472
Russian Hymn 69229
SCOTLAND
Scotch Medley March 17140
Songs of Scotland 35513
SERBIA
National Air 67067
SWEDEN
National Airs 16596
UNITED STATES
See “America’’
previous page
/National Capital Centennial March (Santelmann)U. S. Marine Band j
United States Marine B
Arthur Pryor’s Band!
Arthur Pryor’s Band )
U. S. Marine Bandl
Arthur Pryor’s Band)
l President Harding March ( Azzolina )
/National Emblem March (Bagley)
l Garde du Corps March ( R . B. Hall)
/National Emblem March (E. E. Bagley)
1 Lights Ou t March (E. E. McCoy)
{Natoma — Dagger Dance, Act II Victor Herbert’s Orchestral
Sweethearts — The Angelus ( Herbert ) MacDonald- Werrenrath)
Natoma — Spring Song (I List the Trill of Golden Throat) Alma Cluck
NAUGHTY MARIETTA - Operetta by Victor Herbert
I'm Falling in Love With Someone John McCormack
Italian Street Song — Marsh and Barcarolle — Marsh-Dunlap
Naughty Marietta Intermezzo and Babes in Toy land — Herbert’s Orchestra
NAUTICAL SONGS — See “Sea Songs”
{Naval Reserve March (Sousa) Conway’s Bandl
White Rose March (Sousa) Conway ’s Band /
18768
17957
18498
55113
74274
64174
45181
55054
18360 10
.75
.75
.75
1.50
1.75
1.25
1.00
1.50
.75
VICTOR RECORDS
Number
C/5
To w
13 Cfc
Nazareth — Christmas Song (Henry F. Chorley-Charles Gounod)
Bv Reinald Werrenrath (Baritone)
74719
12
1.75
By Pol Plan^on (Bass) In French Piano accompaniment
85065
12
1.75
By Frank Croxton (Bass) and Yule-Tide — Arthur Pryor's Band
35261
12
1 .25
By Lyric Quartet and The First Nowell — Lyric Quartet
17647
10
.75
Neapolitan Favorites — See “ Medley No. 26”
NEAPOLITAN ORCHESTRA
Flowerof Italy — Waltz68560 1 Guitars and Mandolins 1 Love You — Waltz 73344
Grace Polka 68560 I —Polka 73344 I
NEAPOLITAN SONGS — See ‘‘Italian Songs,” Neapolitan Catalogue
NEAPOLITAN TRIO— Violin,
Harp, Flute
Nothing, perhaps, that the Victor
has done in years has so pleased the
public as the making of the fine series
of violin, flute and harp trios by the
Neapolitan Trio, which have been
pronounced perfect examples of pure
music. This organization which the
Victor has assembled for these in¬
strumental trios has made a number
of sweet-toned and altogether delightful
reproductions, and the records should
be secured by every music-lover.
NEAPOLITAN TRIO RECORDS
NEAPOLITAN TRIO
“ Venetian Trio” and" Florentine Quartet
Herd Girl’s Dream 16967
For other records of this type see
Across theStill Lagoon 1 7435
Addio a Napoli 17787
At the Mountain Inn 17747
Come Back to Sorrento69502
Come Where My Love 1 7364
Dawn of Love 18296
Dear Heart 35210
Evening Chimes 17523
Fedora Gavotte 17681
Flower Song 17055
Fond Memories 35210
Happy Days 1 6967
Idyll (Idilio) 17681
I Hear You Calling 17979
Longing for Home 17379
Love'sOld SweetSong35 1 96
Maiden’s Prayer 17893
Memories of Home 35196
My Old Ky. Home 18127
O sole mio 17787
Serenade (Schubert) 16995
Serenade of Olden
Times 69502
Serenata(Moszkowski) 17134
Serenata (Tosti) 17472
Silent Night 18389
Silver Threads 17816
Simple Confession 17143
Sound of the Harp I 7893
Spring Song 1 7435
Sweetest Story 17143
Sweet Spirit, Hear 18156
Thou’rt Like Unto 17364
Woodland Echoes 17523
Nearer My God to Thee (Sarah F. Adams-Lowell Mason)
By Ernestine Schumann-Heink (Contralto)
By John McCormack (Tenor)
By Raymond Dixon (Tenor) and Flee as a Bird — Frederick Wheeler
By Hayden Quartet and Jesus, Saviour, Pilot Me — Harry McClaskey
By Whitney Brothers Quartet and Yield Not to Temptation — Hemus
By Conway’s Band and Onward Christian Soldiers — Conway’s l
By Pryor’s Band and Boston Commandery March — Pryor's l
By W estminster Chimes and A deste Fideles — Oh Come, A ll Ye Faithful — Chimes
(Near the Cross (Doane) Alice Green-Raymond Dixon "I
\ Some Sweet Day, Bye and Bye Anthony and Harrison S
{Neath the South Sea Moon — Fox Trot (“Ziegfeld Follies”)
Whiteman’s Or
It’s Up to You ( J’en ai Marre ) — Fox Trot Whiteman’s Or,
87280
10
64345
10
17029
10
16742
10
16451
10
17848
10
16817
10
16053
10
16688
10
18911
10
1.25
1.25
.75
.75
.75
.75
.75
.75
.75
.75
NEGRO COMPOSERS - Works of Colored Composers
Banjo Song 16466 Onawayl Awake,
Deep River 64687, 74246 Beloved I 55059
Viking Song 64786
When Malindy Sings
35097, 35545
Who Knows 64424
VICTOR RECORDS
Number -H .2 £
/Nell Gwyn — Pastoral Dance
l Nell Gwyn — Merrymakers ‘ Dance
NEGRO SONGS — See also “Braslau,” “Cheatham,” 44Fisk Quartet,44 “Forster Songs,”
“Golden,” “Golden and Hughes,” “Southern Songs” and 4 ‘Tuskegee Institute Singers”
NOTE. — Under this heading are grouped a few negro songs of the old-fashioned type — plantation
songs, lullabies, darky comedy, etc., as distinguished from the once popular type of “ coon song.”
For the so-called ‘coon songs” see Collins, Collins and Harlan, Jones, Jones and Spencer,
Murray. Peerless Quartet, Victor Minstrel Co., Greene and American Quartet.
See “After You’ve Gone,” “Bake Dat Chicken Pie,” “Banjo Song,” “Down on the
Levee,” “Hear dem Bells,” “Hush-a-bye Ma Baby,” “I’m Longin’ Fo’ You,’’ “Little
Alabama Coon,” “Little Bit O’ Honey,” “Little Old Log Cabin,” “Ma Curly-Headed
Babby,” “Massa’s in the Cold Ground,” “Mighty Lak’ a Rose,” “My Lady Chlo’,”
“My Mammy,” “Negro Medley,” “Niggah Loves His ’Possum,” “Pickaninny Rose,”
“Pickaninny’s Lullaby,” “Rockin’ inde Win’,” “Roll on de Ground,” “Sweet Cookie
Mine,” “There’s a Corner Up in Heaven” and “When They Ring the Golden Bells.”
/Negro Medley — Darky Songs (See “Medley No. 11”) American Qtl
l Talk on Married Life Murry K. Hill)
NEGRO SPIRITUALS - See “Cheatham,” 44 Fisk” and “Tuskegee”
Negro Wedding in Southern Georgia Peerless Quartet'
The church bell rings out — “ Hear dem Bells," by Choir — An original
marriage service — Saluting.the bride — “Hail. Jerusalem Hail ”
School Days (Edwards) Byron G. Harlan.
Neil Gow — My Wife She Brewed It — Blacksmith of Killichassie
Bagpipes and Drums Pipe-Major Forsyth
Hundred Pipers — Miss Drummond of Perth Pipe- Major Forsyth
/Nell Gwyn — Country Dance Victor Military Band!
Henry VIII — Morris Dance (2) Shepherd’s Dance Conway’s Band )
Conway’s Band!
Conway ’s Band )
/Nellie Kelly, I Love You (“Little Nellie Kelly”) American Qtl
l You Remind Me of My Mother (Cohan) Henry Burr)
Nelly Was a Lady (Foster) (With Orpheus Qt.) Alma Gluck
Nero— Ah, mon sort ! (Oh, My Fate) (Rubinstein) In French Caruso
{Nestle in Your Daddy’s Arms (Herscher-Burke) American Qtl
I’m Missin’ Mammy’s Kissin’ (Clare- Pollack) Peerless Qt)
{Neuer Omar Rabbi Elosor (New “Omar Rabbi
Eleazar”) Hebrew Rosenblatt
Tikanto Shahbos (Thou Didst Institute the Sabbath) Rosenblatt
/Never Mind — Fox Trot (Breau-Sanders) All Star Trio and Orl
1 Hortense — Medley Fox Trot (See “ Medleys”) All Star Trio-On
/’N’ Everything — Fox Trot (Intro. “Cleopatra”) Smith’s Orchl
l Hindustan — Fox Trot (W allace-W eeks) Smith’ s Orchestra)
NEVIN, ETHELBERT ( 1862-1901)
This famous American composer was born in Edgeworth, Pennsylvania, November 25,
1862, and began his musical training in Boston, where he studied piano and composition.
His work as a composer was confined almost entirely to songs and piano pieces of the lyrical
type and of finished workmanship.
His early death has been deeply lamented in the United States, as he was one of
the American composers in whom was felt the greatest promise for the future. His com¬
positions, including his best known song, “The Rosary,” are world famous.
For records of Nevin’s compositions see 44 Little Boy Blue,” “Mighty Lak’ a Rose,”
“Narcissus,” 44 Oh, That We Two,” “Rosary” and “Serenade”
NEVIN, GEO. B. — See “Blow Trumpet,” “My Bonnie Lass” and “Some Blessed Day”
/New Born King, The (L’Espoir) Hamilton Hill-!
Beautiful Valley of Eden Mr. and Mrs, Wheeler)
New Orleans Minstrels — See “Minstrels”
16463
10
16526
10
67845
10
35530
12
18164
10
18957
10
64828
10
88589
12
18751
10
55142
12
18863
10
18507
10
.75
.75
.75
1.25
.75
.75
1.25
1.75
.75
1.50
.75
.75
l
16563
10
.75
Number
| Size!
— i Oi
16024
10
.75
64926
10
1.25
17256
10
.75
18910
10
.75
35702
12
1.25
18178
10
.75
55109
12
1.50
88103
12
1.75
55140
12
1.50
16194
10
.75
64978
10
1.25
64566
10
1.25
35500
12
1.25
35229
12
1.25
35304
12
1.25
89090
12
2.00
64932
10
1.25
87189
10
1.25
64545
10
1.25
16532
1G
.75
18581
10
.75
18630
10
.75
VICTOR RECORDS
Pryor’s Band"!
Pryor’s Band)
(New Tipperary March (Helf)
l Merry Widow Waltz — Burlesque ( Bellstedt )
New World Symphony — See “Symphonies”
New York Philharmonic Orch. (See “Mengelberg” in Pink Section)
Next Market Day (2) Ballynure Ballad John McCormack
NIEBELUNGEN RING {Nee -bel-oong-en) Music from — See “ Gotter-
daramerung” and “ Walkiire”
NIELSEN, ALICE, Soprano (See “Nielsen” in Pink Section)
(Niggah Loves His ’Possum (Dresser) Collins and Harlan"!
I Turkey in de Straw — Darky Specialty Billy Golden )
fNight — Fox Trot (Seymour Simons) Club Royal Orchestra"!
I Soothing — Fox Trot ( Fiorito-Storman ) All Star Trio Orch)
Night Boat, The — Gems from (Caldwell-Kern) Victor Opera Co
Cho. “ Good Night Boat," Solo, “ I Love the Lassies,” Solo, “Whose
Baby Are You,” Solo and Cho., “ Left All Alone Again Blues'"
Gems from “Mary” (Harbach-Hirsch) Victor Light Opera Company.
Night Hymn at Sea (Hemans-T'nomas) Baker- Wheeler 1
Dreams {Strelezki) {Poem by Baroness Porteous) Frederick Wheelerl
Nightingale, Actual Song of - See “Bird Song Records”
John Lemmonel
John Lemmone)
Sembrich
Lucy Marsh "1
Lucy Marsh)
Clement Barone "I
Flerbert L. Clarke)
fNightingale, The (Donjon) Flute
l Wind Amongst the Trees {Briccialdi) Flute
Nightingale, The (AlabiefI) Soprano In Russian
fNightingale, The (Alex. N. AlabiefI)
l Spring’s Awakening {Waltz Song)
fNightingale and the Frog Piccolo
\ Bride of the Waves Cornet
Nightingale and the Rose (From “Parysatis”) (Saint-Saens) Garrison
Nightingale Song (Zeller) (From “ The Tyrolean”)
{with Bird Voices) Alma Gluck-Charles Kellogg
fNightingale Waltz (Czibulka) Conway’s Band "I
l Angel’s Dream — Waltz {Herman) Conway’s Band)
{Nightmare in the Desert (Powell) (with specialties and imitations 1
by the orchestra) Mark Sheridan [
Conundrum {What Will I Play Next ?) Puzzle Record)
fNights of Gladness — Boston (Aucliffe) Victor Military Bandl
l Maori — Tango {Tyers) Vidor Military Band)
NIGHT, Songs of— See “ A la Luz de la Luna,” “All Through the
Night,” “Beau Soir,” “Beneath the Moon,” “Holy Night,” “Last
Night,” “Luna Nova,” “Mondnacht,” “Moonrise,” “Noche Serena,”
“Oh Lovely Night,” “ Oi Luna,” “Old Ky. Moonlight,’ “Soir, Le,”
“ Stille Nacht,” “ Still wie die Nacht,” “Wanderers Nachtlied” and
“When Night Descends”
Nil, Le (Renaud-Leroux) French Gluck and Zimbalist
Nina (Pergolesi) Violoncello Hans Kindler
Nina Pancha (Americana) (Romea-Valverde) In Spanish Bori
Ninety and Nine (Clephane-Sankey) Evan Williams
f Ninety and Nine (Sankey) Tenor Harry McClaskeyl
l In the Sweet Bye and Bye ( Webster ) Hayden Quartet)
fNinipo (To Love) Toots Paka Hawaiian Troupe"!
I Kamawe {Shake Your Feet) Toots Paka Hawaiian Troupe)
(Nobody Knows — Medley One Step (Berlin) (See “Medleys”) Smith’s Ol
l Oh! What a Pal Was Mary — Medley Waltz Jos. C. Smith’s O)
VICTOR RECORDS
X
/ Nobody Knows the Trouble I See Tuskegee Institute Singers)
l Roll, Jordan {2} I Want God’s Heaven Tuskegee Singers )
Nobody Knows the Trouble I See (Negro Melody) Violin Kreisler
(Nobody Lied — Fox Trot (When They Said That I Cried Over You) 1
The Virginians (
Yankee Doodle Blues— Fox Trot { Gershwin ) The Virginians)
/Nobody Like Jesus (Gospel Hymn) (Mapes-Gabriel) Mrs. Asher"!
l Somebody Cares ( Stafford-Rodeheaver ) Mrs. William Asher )
/Nobody’s Rose (Wood-Fried-White) Wm. Robyn"!
Held Fast in a Baby’s Hands ( Perkins ) Henry Burr)
Noche Serena (Calm Night) (Mexican Folk Song) In Spanish deGogorza
Nocturne (A. Borodin) Flonzaley Quartet
Nocturne (Grieg, Op. 54, No. 4) (Arr. by Elman) Violin Elman
Nocturne (Grieg, Op. 54, No. 4) Piano Olga Samaroff
Nocturne (Paderewski) Pianoforte Guiomar Novaes
Nocturne in B Flat (Paderewski, Op. 16) Piano Paderewski
NOCTURNES — See also “Chopin” and “Fifth Nocturne”
Noel (Holy Night) (Adam) In French Enrico Caruso
Noel (Holy Night) (Adam) French (See also “ Holy Night ") Plan^on
Venetian Trio)
Felix Arndt )
Felix Arndt)
Felix Arndt)
{Norton) Alan Turner
Nat M. Wills'!
Tom McNaughton)
Elsie Baker"!
Elsie Baker)
Benson Orchestral
Benson Orchestra )
/Noel (Holy Night) (Adam) Violin- ’Cello- Harp
\ Stille Nacht, heilige Nacht { Gruber ) Celesta
fNoIa Fox Trot (Arndt) Pianoforte
\ An Operatic Nightmare — Fox Trot {Arndt)
Non e ver (’Tis Not True) (Mattei)
By Emilio de Gogorza (Tenor) In Italian
By Alan Turner (Baritone) and luanita
/No News, or “ What Killed the Dog”
l The Three Trees {From “ Spring Maid ”)
/No Night There ( Clements- Danks)
l Leave It With Him ( Miner-Ellis )
/No One’s Fool — Fox Trot (Fred Rose)
l June Moon — -Fox Trot {Magine-Straight)
NORMA {Nor -maF) (Milan, 1831) (Bellini) All sung in Italian
(For complete description of thisoperaseeVictroIaBook of the Opera)
Overture — Pryor’s Band and Oberon Overture ( Weber) Pryor’s Band
Casta Diva (Queen of Heaven) Marcella Sembrich
Hear Me, Norma and Lucia — Prelude — Harp — Lapitino
Hear Me, Norma Oboe and Clarinet Doucet-Christie
and Siegfried's Call — French Horn — Horner
/Norsemen Two-Step (Brannan) Victor Dance Orchestral
l Over the Waves Waltz {Rosas) Victor Dance Orchestra)
/North Carolina Minstrels (See “Minstrels”) Victor Minstrel Col
l Jimmie Trigger ; or. The Military Hero Golden and Hughes)
/Norway — National Hymn of Victor Orchestral
l Sweden — National Airs Victor Orchestra)
Norwegian Echo Song (Korn Kjyra) (Bjerregaard-Thrane) Garrison
Norwegian Folk Dances and Marches — See “Educational Records
Norwegian Records — See “Norwegian Catalogue”
NORWORTH, JACK, Comedian
College Medley — Parody on College Airs Jack Norworth
Number
uo
List
prc.
18237
10
.75
64824
10
1.25
18913
10
.75
17989
10
.75
18763
10
.75
64480
10
1.25
74733
12
1.75
74643
12
1.75
74785
12
1.75
74676
12
1.75
74765
12
1.75
88561
12
1.75
85099
12
1.75
17842
10
.75
18056
10
.75
74421
12
1.75
17933
10
.75
17222
10
.75
45322
10
1.00
18833
10
.75
35166
12
1.25
88104
12
1.75
17929
10
.75
17174
10
.75
16384
10
.75.
35307
12
1.25
16596
10
.75
64714
10
1,23.
COO 14 10
.75
VICTOR RECORDS
to Do ’Till To-Morrow (Drislane- Meyer) Billy Murray \
Golden and Hughes )
(Nothing
l Matrimonial Troubles (Dar^y Comedy)
(No Use Crying — Fox Trot (Hirsch) All Star Trio and Orchl
l Teasin’ — Fox Trot (Carlton- Biese- Walsh) / 111 Star Trio and Orch)
NOV AES, GUIOMAR, Pianist (See “Novaes” Pink Section)
November (Novembre) (Bourget-Tremisot) In French Ruffo
(Now I Know (Warren-Henry-Onivas) Shannon Four)
l I’ll Always Be Waiting for You Peerless Quartet)
(Now I Lay Me Down to Sleep (Mitchell-Meyer) Hart-Shaw)
I My Mother’s Evening Prayer (Green- Pierce- Dubin) Burn
NOZZE di FIGARO (Not-zeh dee Fee' -gar-oh) See “Marriage of Figaro”
NUNES, MME., Contralto — See “Manon Lescaut”
( Nursery Rhymes — No. 1 (See “Medley No. 13”) Kitty Cheatham 1
l Nursery Rhymes — No. 2 (See “ Medley No. 13") Kitty Cheatham)
Nur wer die Sehnsucht kennt (Ye Who Have Yearned Alone)
(Tschaikowsky)
By Louise Homer (Contralto) In German ’Cello obbligato
By Alma Gluck (Soprano) and Efrem Zimbalist In German
By Mischa Elman V iolin A rranged by Elman
Nutcracker Ballet (Tschaikowsky) See " Casse Noisette ”
Nuttata ’e Sentimento (Cassese-Capolongo) Neapolitan de Luca
llnmber
t-J
2 ^
_J O.
17047
10
.75
18888
10
.75
87343
10
1.25
18642
10
.75
18747
10
.75
45082
10
1.00
87265
10
1.25
87518
10
1.50
74178
12
1.75
64685
10
1.25
NOTE — In listing the many selections beginning with the word O or Oh, this rule has been
observed : In all foreignjitles the word is written O, and in English titles Oh, as is customary. For
example, if you want "O sole mio," or "Oh, Dry Those Tears ” do not look for "Oh sole mio"
— or"0 Dry Those Tears.”
OAKLAND, CAMPBELL, BURR— See “Trios”
OAKLAND, WILL, Counter-Tenor — See also “Heidelberg Quintette”
In the Gloaming 16928
Ma Pickaninny Babe 17819
Silver Threads 16786
Wait Till Clouds
Roll By
When It’s Moonlight
16928 in Mayo 17819
| White Wings 16355
in Pink Section)
OBER, MARGARETE, Contralto— (See “ Ober
OBERON (Weber)
Overture — Part I Willem Mengelberg and N. Y. Philharmonic Orch 74766
Overture — Part 2 Willem Mengelberg and N. Y. Philharmonic Orch 74767
Overture — Pryor’s Band and Norma Overture ( Bellini ) Pryor’s Band
OBOE — See “Instrumental Duets” and “Educational”
O’Brien Girl, The — See “Learn to Smile”
(O’Brien’s Automobile — Irish Specialty Steve Porter)
l Si and Sis — “ Rube ” Specialty Ada Jones and Len Spencer)
(O Canada! (Patriotic Air) Victor Military Band)
l The Maple Leaf Forever (Alexander Muir) Victor Military Band)
OCARINA RECORDS— BY MOSEi TAPIERO
The ocarina, sometimes flippantly called the “musical sweet potato,” has risen to
high rank in the hands of a gifted Italian performer. These records are very, very loud —
use a half-tone needle unless you are on the deck of your private yacht far at sea 1
Carnival of Venice 16659 | First Kiss Waltz 16488 | Swiss Shepherd 16434
O Cease Thy Singing, Maiden Fair (Rachmaninoff ) McCormack-Kreisler 87574 10 1.50
{O’er the Hill to Ardenteny (Lauder) Sir Harry Lauder)
I’m Going to Marry ’Any on the 5th of January Lauder)
74766
12
74767
12
35166
12
16016
10
17999
10
1.75
1.75
1.25
.75
.75
55138 12,1.50
VICTOR RECORDS
Nomber
&
to V
3 a.
O’er Waiting Harp Strings — Christian Science Hymn
Hamlin
74200
12
1.75
Of a Tailor and a Bear (MacDowell) (2) Wild Horseman Victor O)
Spinning Song (2) Little Hunters Victor Orchestra)
18598
10
.75
OFFENBACH, JACQUES (O/ ' -fen-bach) (1819-1890)
Born Offenbach-on-Main. Son of Cantor of Jewish synagogue. Went to Paris in
youth. Studied ’cello at Conservatoire; played in orchestra of Opera Comique. Wrote
successful songs and became conductor at Thedtre Francois. Compositions number ninety,
mostly light operas written in twenty-five years. Best known operas Qrande Duchesse,
La Belle Helene, Madame Favart, all formerly popular here. Only work now in vogue
in America is Tales of Hoffmann, revived by Hammerstein in 1907, now in Philadelphia-
Chicago repertoire, and in English by Aborn Opera Company. He visited America in 1875.
OFFENBACH’S COMPOSITIONS — See “Chanson de Fortunio,” “Fille du Tambour
Major,” “Orpheus” and “Tales of Hoffmann”
{
{
{
{
{
Officer of the Day March (Hall)
King Cotton March (Sousa)
Pryor’s Band)
Pryor’s Band)
16386
10
.75
Officer of the Day March ( Hall)
King Cotton March ( For School Marching)
Victor Military Band)
(Sousa) Victor Band)
35284
12
1.25
Off to Philadelphia (Old Irish Melody)
Wearing of the Green ( Old Irish)
Wilfred Glennl
William F. Hooley)
17348
10
.75
Oft in the Stilly Night (Moore-Stevenson)
Calm as the Night ( Carl Bohm)
Christine Miller)
Christine Miller)
45059
10
1.00
Oft in the Stilly Night (Thomas Moore)
Good-Bye ( Tosti )
Reinald Werrenrath)
Reinald Werrenrath)
55065
12
1.50
O’HARA, GEOFFREY, Tenor
Mr. O’Hara is a Canadian composer who has produced a
number of excellent compositions, and is also himself a singer.
One of his compositions is “Your Eyes Have Told Me," of which
a record was made by Caruso.
A highly interesting work in which Mr. O’Hara has been
engaged is the conservation of the music of our American Indians,
to which enterprise he was appointed by Secretary of the Interior
Lane. He spent some time among the Navajos in Arizona, who
are the richest in treasures of Indian music, encouraging them to
sing, and taking down their melodies note by note on paper.
O’HARA RECORDS o’hara
Navajo Indian Songs 17635 1 Parodies of the Camp 1 845 1 1 Soldier’s Day, A
Oh Boys, Carry Me ’Long (Foster) (with Male Qt) Louise Homer
fOh! By Jingo ! (Lew Brown-A. Von Tilzer) Margaret Young)
l Profiteering Blues ( Al . Wilson-Irving Bibo) Billy Murray)
Oh, Canada — See “O Canada”
Oh Come, All Ye Faithful — See “Adeste Fideles ”
Oh, Dry Those Tears (Del Riego)
By Sophie Braslau (Contralto)
By Evan Williams (Tenor)
By Pryor and Band Trombone and Love’s Old Sweet Song — Morgan
f Oh Fair, Oh Sweet and Holy (Heine-Cantor) Lambert Murphy)
l Murmuring Zephyr ( Jensen , Op. 21) Lambert Murphy)
Oh, for the Wings of a Dove (Mendelssohn) In English Farrar
fOh, for the Wings of a Dove (“Hear My Prayer”) Lucy Marshl
\ Messiah — I Know That My Redeemer Liveth ( Handel ) Lucy Marsh)
fOh! Frenchy! (Ehrlich-Conrad) Arthur Fields 1
l Oh! How I Hate to Get Up in the Morning Arthur Fields)
87309
10
18666
10
74456
12
74199
12
16800
10
45312
10
87073
10
55053
12
18489
10
18451
1.25
.75
1.75
1.75
.75
1.00
1.25
1.50
.75
VICTOR RECORDS
Trinity Choir)
Trinity Choir!
Elsie Baker)
Nellie Melba
r Oh Gee! Oh Gosh! — One-Step Benson Orchestral
l I Love You Sunday — Medley Fox Trot { Straight ) Benson Orchestra)
(Oh Gee! Say Gee! You Ought to See My Gee Gee Murray!
l My Home Town is a One Horse Town Roberts and Harmonizers Qt)
(Oh God, Our Help in Ages Past (Watts-Croft) Trinity Male Choir!
l Mighty Fortress is Our God { Luther ) Trinity Male Choir)
{Oh Happy Day (Vivian-Goetz) Elsie Baker and F. Wheeler!
Long, Long Ago ( Bayly ) Elsie Baker)
(Oh, How I Hate That Fellow Nathan (Brown-Von Tilzer) Brice!
\ Fm An Indian { Merrill-Edwards ) Fanny Brice)
(Oh! How I Hate to Get Up in the Morning (Berlin) Fields'!
\ Oh! Frenchy! { Ehrlich-Conrad ) Arthur Fields)
(Oh, Italia, Italia, Beloved (Donizetti) Victor Chorus'!
I Gypsy Life ( Schumann ) Lyric Quartet)
(Oh Joy (in Fox Trot Tempo) (Schroeder) Piano Duet Arden-Ohman!
l Saturday {In Fox Trot Tempo) ( Brooks ) Piano Duet Arden-Ohman)
(Oh, Little Town of Bethlehem (Christmas Hymn) Trinity Choir^
l Angels from the Realms of Glory ( Christmas Hymn)
(Oh, Lord, Most Holy (Franz Abt)
l Calvary {Vaughan- Rodney)
Oh, Lovely Night (Ronald) In English
OHMAN, PHIL, Pianist For Duets See “Arden and Ohman
Narcissus — Transcription (Nevin) and Last Hope Piano Himmelreich
(Oh Me! Oh My! — Med. Fox Trot (intro. “Dolly”) Vdiiteman’s Or!
l Learn to Smile — Fox Trot {from The “O’Brien Girl”) Whiteman’s O)
(Oh! — Medley Fox Trot (intro. “Just Like the Rose”) Biese’s Orchl
l Mystery l — Medley Fox Trot Paul Biese and his Novelty Orchestra )
Oh Morning Land (Rexford- Phelps) Mme. Homer and Mme. Stires
(Oh Morning Land (Phelps) Macdonough and Hamilton!
I God Be With You Till W e Meet Again Orpheus Quartet)
Oh Promise Me (From “Robin Hood”) (Reginald de Koven)
By Louise Homer (Contralto)
By Elsie Baker (Contralto) and In the Qtoaming — Bake)
By William Robyn (Tenor) and Sing Me to Sleep — Elsie Baker
By Alan Turner (Baritone) and Dearie — -Elsie Baker
By Venetian Trio and Silver Threads — Neapolitan Trio
Oh Rest in the Lord — Elijah — See “ Elijah ”
Oh Sleep ! Why Dost Thou Leave Me? (From “Semele”) Gluck
Oh Sleep! Why Dost Thou Leave Me? (Handel) McCormack
Oh, Song Divine (Ives-Temple) Emilio de Gogorza
Oh, That We Two Were Maying (Nevin) Gluck and Homer
(Oh, That We Two Were Maying (Kingsley- Nevin) Hinkle!
\ Cornin’ Thro’ the Rye {Old Scotch Air) Florence Hinkle)
(Oh, That Will Be Glory (Towner) Criterion Quartet!
I The Radiant Morn {Anthem) {Woodward) Lyric Quartet)
Oh Thou that Tellest Good Tidings to Zion — S ee “Messiah”
(O Hush Thee, My Babie (Scott-Suilivan) Lyric Quartet!
I Sweet and Low {Tennyson- Barnby) Lyric Quartet)
(Oh! What a Pal Was Mary (Leslie- Wendling) Henry Burr!
I Dear Heart {Polla-Goldsmith) John Steel)
Number
22
c/3
List
prc.
18701
10
.75
18712
10
.75
18897
10
.75
17343
10
.75
45303
10
1.00
18489
10
.75
35254
12
1.25
18809
10
.75
35594
12
1.25
17240
10
.75
88182
12
1.75
17100
10
.75
18778
10
.75
18647
10
.75
87575
10
1.50
16399
10
.75
87255
10
1.25
17806
10
.75
16196
10
.75
17189
10
.75
17816
10
.75
74423
12
1.75
66096
10
1.25
74502
12
1.75
87525
10
1.50
45084
10
1.00
35014
12
1.25
18417
10
.75
18606
10
.75
VICTOR RECORDS
f Oh! What a Pal Was Mary — Medley Waltz Smith’s Orcli)
I Nobody Knows — Medley One-Step Joseph C. Smith’s Orchestra)
fOh! You Beautiful Baby (Lewis-Young-Akst) Stanley-Murrayl
l Georgia {Johnson- Donaldson) Peerless Quartet)
(Oh, You Silv’ry Bells (Jingle Bells) Peerless Quartet)
l You’re Just as Sweet at Sixty { Heelan-Helf ) Van Brunt)
Oi Luna (OK Silvery Moon) In Neapolitan de Luca
Ol’ Car’lina (Jas. Francis Cooke) Amelita Galli-Curci
OLCOTT, CHAUNCEY, Compositions of — See "I Love the Name of
Mary,” “Mother Machree,” “My Wild Irish Rose,” “Sweet Innis-
carra” and “When Irish Eyes”
OLCOTT -M ACK-SC ANLAN — See “Songs of the Past, No. 9”
Old Black Joe (Stephen Collins Foster)
By Alma Gluck (Soprano with Male Chorus)
By Louise Homer (Contralto)
By Christine Miller (Contralto) and Come Out, Mr. Sunshine— Miller
By Clarence Whitehill (Baritone)
By Efrem Zimbalist Violin with String Orchestra
By Peerless Quartet and T ramp, T ramp, T ramp — Criterion Quartet
By Fisk University Jubilee Qt. and When Malindy Sings — Myers
By Felix Arndt Celesta and Old Folks at Home — Arndt
By Chicago Glee Club Trombone Qt. and Amoureuse Waltz — Gialdini
By Conway's Band {for Community Singing) and Old Folks at Home Conway sB
(Old Brigade — Military Song (Barri)
l Ben Bolt { Kneass ) In English
fOld Comrades March (Teike) Victor Military Bandl
l Wiener Blut— Waltz {"Vienna Blood”) {Strauss) Victor Band)
Old Country Fiddler — For“01d Country Fiddler” series see “Taggart’
fOld Dan Tucker — Country Dance Victor Military Bandl
l The White Cockade — Country Dance Victor Military Band)
{Old Dog Sport — with Dog Imitations Spencer and Girard)
Irish Repartee Steve Porter and Billy Murray)
(Old Dog Tray (Foster) Hayden Quartetl
l Hear Dem Bells {McCosh) ( with Chimes) Billy Murray)
( Old-Fashioned Faith (Ackley) {Organ acc.) Rodeheaverl
l De Brewer’s Big Hosses — Temperance Song {with Chorus) Rodeheaver)
(Old Fashioned Garden (From “Hitchy-Koo”) (Cole Porter) Klinel
l The Japanese Sandman {R. B. Egan-R. A. Whiting) Olive Kline)
(Old Fashioned Girl— Fox Trot (“Bombo”) (Jolson) Whiteman’s Ol
l Little Grey Sweetheart of Mine — Med. Fox Trot Club Royal Orch )
Old Folks At Home (Swanee River) (Stephen Collins Foster)
By Emma Calve (Soprano)
By Nellie Melba (Soprano)
By Adelina Patti (Soprano) Piano acc.
By Alma Gluck (Soprano) ( V iolin obb., Dvorak's Humoresque by Zimbalist )
By Amelita Galli-Curci (Soprano)
By Fritz Kreisler Violin
Macdonough and Stanley)
Elsie Baker)
By Ernestine Schumann-Heink
By Elsie Baker (Contralto)
By Elsie Baker (Contralto)
By Venetian Trio
By Fred Van Eps Banjo
By Felix Arndt Celesta
By Conway’s Band (for Community Singing) and Old Black Jo>
By Ford Hanford Wood Saw and Down in Arkansaw — 1\
(Contralto)
and My Old Kentucky Home — Macdonough
and Home, Sweet Home — Elsie Baker
and My Old Kentucky Home — Neapolitan Trio
and Cradle Song ( Brahms ) Rinaldi and Band
and Old Black Joe — Felix A rndt
Conway’s B
Number
1 Size
List
prc.
18630
10
.75
18876
10
.75
17202
10
.75
64912
10
1.25
66014
10
1.25
74442
12
1.75
88128
12
1.75
45056
10
1. 00
64359
10
1.25
64640
10
1.25
16531
10
.75
35097
12
1.25
17674
10
.75
16838
10
.75
18519
10
.75
35162
12
1.25
17470
10
.75
18490
10
.75
16017
10
.75
16686
10
.75
17455
10
.75
45201
10
1.00
18879
10
.75
88089
12
1.75
88454
12
1.75
95033
12
5.00
87514
10
1.50
66092
10
1 .25
64130
10
1.25
88620
12
1.75
16389
10
.75
35398
12
1.25
18127
10
.75
17417
10
.75
17674
10
.75
18519
10
.75
18767
10
.75
VICTOR RECORDS
|OId Grey Mare, The (Frank Panella) Collins and Harlan 1
l If You Saw All that 1 Saw in Arkansaw Collins and Harlan)
{Old Grey Mare — Fox Trot Earl Fuller’s Famous Jazz Band!
Beale Street Blues — Fox Trot Earl Fuller’s Famous Jazz Band)
fOId Gypsy, The (A ven czigany) (Bela) Olga Munkacsy’s Orchl
l Prends Moil Valse (A. Nilson Fyscher) Olga Munfcacsy’s Orch)
fOId Gypsy Waltz, The Sio’s Hungarian Gypsy Orchj
l Danube Waves Waltz Sio’s Hungarian Gypsy Orch)
Old Hundred or “Old Hundredth” — See “Doxology”
fOId Kentucky Moonlight (Gillespie- Van Alstyne) Sterling Triol
l Rock. Me in My Swanee Cradle Peerless Quartet )
fOId Man Jazz — Fox Trot (Gene Quaw) All Star Trio'l
l Dance-O-Mania — Fox Trot {L. W. Gilbert-Jos. Cooper ) Selvin’s O)
{Old Nassau — Princeton Air (Langlotz)
Yale Boola Song { Hirsch )
Old Oaken Bucket (Samuel Woodworth)
fOId Oaken Bucket (Woodworth)
\ The Bridge ( Carew )
roid Pal, Why Don’t You Answer Me?
\ Feather Your Nest {Kendis-J ohnson)
(Old Plantation (Kuu Home) Pale K. Lua-David K. Kailil
l Hawaiian Echoes — Medley Hawaiian Guitars Louise- Ferera)
Old Refrain, The (Vienna Popular Song) Violin Fritz Kreisler
Old Refrain, The (Mattullath-Kreisler)
fOId Road, The (Darow-Scott)
\ Ship o’ Dreams ( Montanye-Francis )
( Old Rugged Cross (Rev. Geo. Bennard) Mrs.
I Forgive Me Lord {Ackley- Ackley)
fOId Sacred Lullaby (England-Liddle) Kline-Murphyl
\ Virgin’s Lullaby {from “Coming of the King”) {Buck) Alcock)
{Old Sexton (Benjamin-Russell) Wilfred Glennl
I’m a Jolly Old Rover { Henry-O’Hara ) Wilfred Glenn)
{Old Soldier’s Vision Charles Ross Taggart!
Old Country Fiddler in a N. Y. Restaurant Charles R. Taggart)
Old Songs — Medleys (See “ Songs of the Past ”)
{Old Sweetheart of Mine (Riley) Recitation Frank Burbeckl
The Knight’s Toast Recitation Frank Burbeck)
Werrenrath and Qtl
Hayden Quartet)
Herbert Witherspoon
Peerless Quartet-!
Hayden Quartet)
Henry Burr-!
Campbell-Burr)
John McCormack
Merle Alcockl
Merle Alcockl
Asher-Rodeheaverl
Homer Rodeheaver)
Number
4J
*4
c/0
"to «
13 o.
18387
10
.75
18369
10
.75
18071
10
.75
72485
10
.75
18908
10
.75
18699
10
.75
16860
10
.75
64743
10
1.25
16217
10
.75
18708
10
.75
18147
10
.75
64529
10
1.25
64559
10
1.25
45254
10
1.00
18706
10
.75
45257
10
1.00
18025
10
.75
17737
10
.75
16913
10
.75
OLD-TIME BALLADS (A partial list for reference — See also “Foster”)
NOTE — For particulars see these records in their regular alphabetical positions
Afterwards
Alice, Where Art
Annie Laurie
Beautiful Isle of Sea
Ben Bolt
Bonnie Sweet Bessie
Bonnie Wee Thing
Bridge
Bring Back My Bon
Carry Me Back to
Old Virginny
Come Back to Erin
Come Into the
Garden, Maud
Cornin’ Thro’ Rye
Come Where My
Love Lies Dream’ g
Darling Nelly Gray
Dream Faces
Drink to Me Only
Emmett’s Lullaby
Excelsior
Forsaken
Good-bye, Sweet¬
heart, Good-bye
Good Night, Little G
Hard Times
Harp That OnceThr
I Cannot Sing Old S
I’ll T ake Y ou Home
In the Gloaming
Jock o’ Hazeldean
Juanita
Little Brown Church
Love’s Old Sweet S
Marguerite
Mary of Argyle
Mocking Bird
Mollie Darling
Mother’s Prayer
My Pretty Jane
Old Oaken Bucket
Passing By
Quilting Party
Rocked in Cradle
Rock Me to Sleep
Sally In Our Alley
Say Au Revoir
Silver Threads Am
Some Day
Sweet Genevieve
T enting on the Old
‘Tis But a Little
Faded Flower
Tis Not True
Vacant Chair
Warrior Bold, A
When You and I
Were Young
Whispering Hope
White Wings
VICTOR RECORDS
Tuskegee Institute Singers)
Tuskegee Institute Singers)
Criterion Quartet)
Harry McClas\ey)
Rev. J. A. Myers)
Fisk Jubilee Quartet)
f Old-Time Religion
l Heaven Song (2) Inchin’ Along
(Old-Time Religion, The (Tillman)
l Softly and Tenderly
(Old Tunes, The (Dunbar)
l Po’ Mo’ner Got a Home at Last
/Old Wooden Tub (Guest) Recitation Edgar A. Guest)
l Lost Pocket-Book (Guest) Recitation Edgar A. Guest)
/Old Zip Coon (Country Dance) (arr. by Burchenal) Victor Band)
l Lady of the Lake Victor Band)
OLSON, ERIC, Accordionist — Styrmans — Waltz and Ball in Karlstad
O! Na Byddai’n Haf O Hyd In Welsh Evan Williams
{Onaway! Awake, Beloved! (From "Hiawatha’s Wedding Feast”) |
(Longfellow — Coleridge-Taylor) Paul Althouse t
In a Persian Garden — Ah Moon of My Delight Paul Althouse)
Once a Little Shepherd Maiden (Old French Folk Song, "II etait 1
une Bergere”) (Explanatory talk with Piano) Kitty Cheatham r
Mother Goose Songs, No. 2 (with Piano) Kitty Cheatham J
/Once Upon a Time ("Magic Melody”) (Kummer -Romberg) Murphy)
l Deep in Your Eyes (“The Half Moon’ ’) (Le Baron- Jacobi) Marsh)
/One Day in June (It Might Have Been You) Campbell-Burr)
l I’m Sorry I Made You Cry (N. J. Clesi) Henry Burr)
/One Fleeting Hour (Fubrmann-Lee) 'Cello obbligato Elsie Baker)
l Memories (Gustave Kahn-Egbert Van Alstyne ) John Barnes Wells)
/One Kiss — Fox Trot (Burtnett-Arnheim) Benson Orch)
l Just Like a Rainbow — Fox Trot (Earl-Fiorito) Benson Orch)
ONE-STEPS FOR DANCING — See "Dance Records”
One Sweetly Solemn Thought (Phoebe Cary-R. S. Ambrose)
By Ernestine Schumann-Heink (Contralto)
By Alma Gluck-Louise Homer (Soprano-Contralto)
By Herbert Witherspoon (Bass)
By Elsie Baker (Contralto) and Crossing the Bai — Alan Turner
By Elliott Shaw (Baritone) and Guide Me, O Thou Great Jehovah — Hart-Shaw
By Elliott Shaw (Baritone) and Lord, /’ m Coming Home — Harry McClaskcy
/ One — T wo — Three — F our— Medley Waltz Guitars F erera-Franchini)
l El Relicario (The Charm) (Padilla) Blue and White Marimba Band)
/One — Two — Three — Four — Waltz Song Hawaiian Quintet)
l My Honolulu Hula Girl In English and Hawaiian Rose and Quintet)
/On Heel — Schottische Accordion Duet Arvid Franzen-Eric Berg)
l Life in the Woods of Finland — Waltz Franzen-Berg )
/Only a Beam of Sunshine Sacred Macdonough and Bieling)
l Sabbath Morn (Part of “Holy City ” with Chimes) Henry Burr)
/Only a Smile (Edson-Zamecnik) John Steel)
l My Machree’s Lullaby (Waltz Ballad) Chas. Harrison)
Only Girl — When You’re Away (Herbert) Mabel Garrison
/Only Girl — When You’re Away (Herbert) ’ Cello Bourdon)
l Underneath the Stars Violoncello Bourdon)
Only to Dream You Love Me! (Lasciali dir, tu m’ami!)
(Stechetti-Quaranta) Italian de Gogorza
/Only Waiting (Maeo- Williams) Frederick Wheeler)
l Asleep in Jesus (Bradbury) Lyric Quartet)
Humber
<U
N
C Si
List
prc.
18075
10
.75
16743
10
.75
16843
10
.75
45320
10
1.00
18356
10
.75
69133
10
.75
74181
12
1.75
55059
12
1.50
45104
10
1.00
45214
10
1.00
18462
10
.75
17968
10
.75
18823
10
.75
88549
12
1.75
87534
10
1.50
74417
12
1.75
17564
10
.75
35141
12
1.25
16009
10
.75
18749
10
.75
18573
10
.75
73175
10
.75
16288
10
.75
18934
10
.75
64899
10
1.25
18059
10
.75
66046
10
1.25
17389
10
.75
Number
Size
I List
1 prc.|
64838 10
1.25
64947
10
1.25
18632
10
.75
45310
10
1.00
17613
10
.75
18931
10
.75
17397
10
.75
18132
10
.75
17880
10
.75
16983
10
.75
18752
10
.75
17704
10
.75
18859
10
.75
18439
10
.75
35476
12
1.25
74783
12
1.75
17272
10
.75
17368
10
.75
16431
10
.75
87298
10
1.25
16419
10
.75
35227
12
1.25
17848
10
.75
74583
12
1.75
45065
10
1.00
18060
10
.75
17781
10
.75
18917
'°
.75
VICTOR RECORDS
Only You (E. K. R.-Ewd. Schneider) John McCormack
On On Miami Shore — Waltz (Jacobi) Violin Fritz Kreisler
(On Miami Shore — Waltz (V. Jacobi) Jos. C. Smith’s Orchestral
l Peggy — Medley Fox Trot {Mo ret) {See Medleys) Smith’s Orch)
(O No, John (Farnsworth-Sharp)
l Barbara Allen ( Hatton-Faning )
(On the Banks of the Brandywine
1 California and You (E. Leslie-H. Puck )
fOn the Alamo — Fox Trot
l Don’t Bring Me Posies — Mea. Fox Trot
/On the Banks of the Wabash (Dresser)
Royal Dadmun)
Royal Dadmun)
Campbell and Burr)
Irving Kaufman )
Benson Orchestra)
Benson Orchestra)
American Quartet)
Dear Old Girl {Buck-Morse) Macdonough and Hayden Quartet)
On the Beach at Waikiki — Medley — Hula (introducing “ Bath
House Hula” and “Two More Hula”)
My Luau Girl Ukulele- Guitar by Louise and Ferera
On the Beach at Waikiki — Medley Hawaiian Guitars
Moe Uhane W altz Hawaiian Guitars
Wright-Dietrich t
Wright- Dietrich)
Louise-Ferera)
On the Bosphorus — Intermezzo (Lincke)
Dollar Princess Medley {Fall) Whistling
On the Campus— March (Sousa)
Bullets and Bayonets — March {Sousa)
On the 5.15 (Murphy- Marshall)
They All Had a Finger in the Pie
On the ’Gin ’Gin ’Ginny Shore — Fox Trot
Marie — Fox Trot {Motzan-Santly)
Louise and Ferera )
Whistling Gialdinil
Guido Gialdini)
Sousa’s Band)
Sousa’s Band )
{
(On the Road to Home, Sweet Home (Kahn- Van Alstyne)
l Just a Baby’s Prayer at Twilight {Lewis- Young- Jerome)
(On the Road to Mandalay (Kipling-Speaks) Fred Whe
l Danny Deever (Kipling- Damrosch) Reinald Werrer
On the Road to Mandalay (Kipling-Speaks) Werrei
(On the Sea (Mendelssohn) Victor Brass Qua
l Traumerei ( Schumann ) Vessella’s Italian L
(On the Wing Galop (Lemoire) Victor Military B
l Military Escort March { Lindsay ) Victor Military t
On to Victory March — See “Free Lance”
f Onward Christian Soldiers (Jude) {with band) WestminsterC
l Throw Out the Life Line Burr-Peerless Qu
Onward Christian Soldiers (Sir Arthur Sullivan)
By Ernestine Schumann-Heink (Contralto)
By Trinity Choir and Praise Ye the Father ( Gounod ) Trinili
By Victor Band (March Religioso) and Soldier’s Chorus from Faust — V
By Conway’s Band and Nearer My God to Thee (Mason) Conway ;
On Wings of Song (Auf Fliigeln des Gesanges) (Mendelssohn)
By Jascha Heifetz Violin
By Paul Reimers In German (Harp acc.) and Wohin? (Schubert) F
By Balalaika Orchestra and Remembrance of Gatshina — V alse — Balalc
(On, Wisconsin! — March (W. T. Purdy) Victor Military B
l Pasadena Day March (Vessella) Vessella’s Italian l
fOogie Oogie Wa Wa — Fox Trot (Cottier) Benson Orche
\ Deedle Deedle Dum — Fox Trot (Sherman- Mills) Benson Orch
Hemus
Burr.
VICTOR RECORDS
Number
V
t-4
c/5
List
prc.
Open the Gates of the Temple (Knapp) English Evan Williams
74198
12
1.75
OPERA AIRS IN ENGLISH — See “Africana,” “Atalanta,” “Bohemian Girl,”
“Carmen,” “Faust,” “ Favorita,” “Flying Dutchman,” “Lohengrin,” “Lucia,”
“Madama Butterfly,” “Maritana,” “Martha,” “Meistersinger,” “Natoma,” “Queen
of Sheba,” “Samson,” “Snow Maiden,” “Tannhauser” and “Trovatore” — See also
“ Gems ” and the list under “Comic Operas,” all of which are sung in English.
OPERA AIRS IN ITALIAN, GERMAN AND FRENCH— For several hundred
operatic records see titles of various operas
OPERA RECORDS — This Catalogue now contains records from the following grand
operas (see these titles): See also “Comic Operas.”
Africana
Alda
Andrea Chenier
Armide
Atalanta
Attila
Barbiere di Siviglia
Bartered Bride
Boheme (Puccini)
Bohdme (L’nc'v’llo)
Bohemian Girl
Boris Godounow
Caid, Le
Carmen
Cavalleria Rusticana
Chimes of Norm’dy
Cid, Le
Cl^opatre
Coq d'Or
Cosi Fan Tutte
Cristoforo Colombo
Damnation of Faust
Daughter ofthe Reg.
Dinorah
Don Carlos
Don Cesar deBazan
Don Giovanni
Don Pasquale
Don Sebastian
Duca D’Alba
Egmont
Elisir d’Amore
Ernani
Eugen Onegin
Falstaff
Faust
Favorita
Fedora
Fidelio
Flying Dutchman
Forza del Destino
Fra Diavolo
Freischtitz
Germania
Gianni Schicchi
Gioconda
Girl of theG’den W
Golden Cockerel
Gotterdammerung
Goyescas
Guarany
Hamlet
Hansel and Gretel
Henry VIII
Herodiade
Huguenots
Iris
Jewels of Madonna
Jolie Fille de Perth
Jongleur de Notre D
Joseph
Juive, La
Lakme
Lohengrin
Lombardi
Louise
Lucia di Lammerm’r
Lucrezia Borgia
Macbeth
Madama Butterfly
Magic Flute
Manon (Auber)
Manon (Massenet)
Manon Lescaut
Maria di Rohan
Maria di Rudenz
Maritana
Marriage of Figaro
Martha
Masked Ball
Mefistofele
Meistersinger
Merry Wives of W
Mignon
Mikado
Mirella
Modest Suzanne
Monsieur Beaucaire
Natoma
Nero
Norma
Oberon
Orfeo ed Euridice
Otello
Pagliacci
Parsifal
Patrie
Pearl Fishers
Pearl of Brazil
Pinafore
Pique Dame
Poet and Peasant
Prince Igor
Prophete
Puritani
Queen of Sheba
(Goldmark)
Queen of Sheba
(Gounod)
Raymond
Re di Lahore
Rienzi
Rigoletto
Rinaldo
Robert le Diable
Robin Hood
Roi d| Ys
Roi s’amuse
Romeo and Juliet
Ruins of Athens
Ruy Bias
Sadko
Salome
Saltimbanques, Les
Samson and Delilah
Schiavo, Lo
Secret of Suzanne
Semiramide
Siegfried
Snow Maiden
Sonnambula
Star of the North
Stradella
Tales of Hoffmann
Tannhauser
Thais
Toreador, Le
Tosca
Tote Stadt
Traviata
Tristan und Isolde
Trumpeter vonSack.
Trovatore
Vespri Siciliana
Walktlre
Wally. La
Werther
William Tell
Xerxes
Zampa
Zaza
{
{
{
{
{
Opera at Pun’kin Centre Rural Comedy
Uncle Josh Buys a Victrola Rural Comedy
Operatic Airs— Medley (See “Medley No. 88”)
Italian Airs — Medley
Operatic Nightmare — Fox Trot Piano (See “Medley 89”) Arndt)
Nola Fox Trot (Arndt) Pianoforte Felix Arndt)
OPERETTAS — See “Comic Operas and Musical Comedies”
Cal Stewart)
Cal Stewart)
Street Piano)
Street Piano)
Opium Dreams (Suenas de opio) Fox Trot International Orch)
Hesitating ( Ya me voy a vacilar) Fox Trot International Orch)
O Primavera (Spring Time) (Bonnetti-Tirindelli) In Italian Zanelli
Orange and the Black (Princeton College Song) Hayden Qtl
Lord Geoffrey Amherst ( Amherst College Song) Werrenrath- Hayden Qt)
18793
10
18328
10
18056
10
73369
10
64923
10
16873
10
.75
.75
.75
.75
1.25
.75
ORATORIO RECORDS - See “Creation,” “Crucifixion,” “Elijah,” “Holy City,’’
“Judas Maccabaeus," “Messiah," “ Prodigal Son,” "Redemption," “St. Paul,”
“Saul,” “Semele,” “Seven Last Words,” “Stabat Mater” and “Theodora”
_ VICTOR RECORDS _
ORCHESTRA ACCOMPANIMENTS— Records with
NOTE — All vocal solos, duets, etc., and man)) instrumental solos, etc., have accompaniments by
orchestra. The exceptions are certain records which specially call for pianoforte accompani¬
ments, such as violin solos, etc.; as a rule if no accompaniment is indicated it is an orchestral one.
ORCHESTRA BELLS— See “ Bell Solos ”
ORCHESTRA, Instruments of — -For three Double-Faced Records, illustrating the
various instruments, see “ Educational Records ”
ORCHESTRA RECORDS — See “Boston Symphony Orchestra,” “Mengelberg and
N. Y. Orch.,” "Philadelphia Orch.” and “Toscanini and La Scala Orch.” in Pink
Section. Also “Educational Records,” “Benson Or.,” “McKee’s Orch.,” “Selvin’s
Or.,” “Smith’s Orch.,” “Virginians, The” and “Whiteman’s Orch.”
Air for G String
35656, 55105
All Men are Sinners 69145
Alpine Flower 73174
Amaryllis 16474
American Fantasie 55093
Amoureuse Waltz 35655
Andante Beethoven's
5th Sym. 35275
Angel’s Serenade 55040
Angelus 35437
Anvil Chorus
("Trovatore ’’) 17231
Anvil Polka 16175
Apple Blossoms 35101
Apprenti Sorcier 55169
Arrival of the Robins 16094
Babes in Toyland —
March of Toys 55054
Babes in Toyland —
Military Ball 55104
Badinage 55104
Barcarolle — Tales of 17311
Belle of the North 73111
Berceuse (Jarnefelt) 16323
Birds and Brook 1 6052
Bolero in D Major 1 8396
Bright Moon 73153
Carillon (Elgar) 55050
Carmen Suite — See
“ Carmen ”
Carnival Romain
Overture 35241
Casse Noisette 357 1 7, 45053
Cavalleria Rusticana
— See "Cavalleria"
Chanson T riste 18314
Chimes of Normandy
Sel. 35583
Cinquantaine, La 18223
College Life March 16312
Coppelia Ballet 18379,35714
Cricket’s Serenade 17521
Dance of the Honey
Bees 16175
Dance of the Hours —
“Gioconda” 55044
Dance of Song Birds 17521
Dollar Princess
Waltz 16473
Don Juan
55176
Don Juan
55177
Don’t Be Cross
Waltz
16396
Dream of Love
55094
Dream Waltz
16923
Dutch Kiddies
16839
Dying Poet
35642
Egmont Overture
35493
Egyptien Ballet
18329
Erminie Selection
35583
Extase (Ecstasy)
35574
Faust — Ballet Music
See " Faust ’’
Fete Boheme
74725
Fifth Symphony
(Beethoven) See
“Symphonies”
Firefly Waltzes
35278
Flower Song
45107
Gavotte in B Flat
18754
Gavottes (Bach)
35656
Give Me a Kiss
73171
Glow-Worm — Inter¬
mezzo
17227
Gotterdammerung
55167
Goyescas — Inter¬
mezzo
35574
Grace Polka
68560
Hearts and Flowers
16029, 35344
Humoresque
45165
Hunt in the Forest
35324
Hussars’ Review
67554
In a Clock Store
35324
In a Monastery
Garden
35710
In the Forest
18753
In the Shadows
16978
Irish Tune from Co.
Derry
17897
Italian Svmphony
35452
It Came Upon Mid¬
night
18086
It was in Schoneberg 69 1 45
Jewels of the Ma-
donna 35270, 35381
Kamennoi-Ostrow
55044
King Christian
16591
Kiss Me Again
45165
Kiss Waltzes 16978
Lady of the Slipper
Sel. 55039
Largo— (Handel) 55040
Largo — New World
Sym. 35275
Laurentian Echoes 16593
Leonore Over 35268, 35269
Liebesfreud 45093
Liebestraum 55094
Lively Relations 73198
Lohengrin — Bridal
Chorus 55048
Loveland Waltzes 16089
Lullaby from Jocelyn 16696
Madame Butterfly —
Fantasie 55094
Magic Flute 18951
Malaguena 35714
Marche Militaire 35493
Marche Militaire
Framjaise 35668
Marche Romaine 18754
Marche Slave 55105
Meistersingei —
Prelude 55171
Melody in F 45052
Merry Widow Waltz 16577
Merry Wives of
Windsor 35270
Midsummer-Night’s
Dream 35527. 35625
Mignon Overture 17909
Mikado Selection 1 81 91
Military Symphony 3531 I
Minuet (Pad¬
erewski) 45054
Minuet in G Major 16474
Morning, Noon, Night35543
Mother Goose
Suite 55170,55175
Musette (Gluck) 18314
My Swedish Rose 16875
Napoleon’s March 67554
Narcissus (Nevin) 45052
Narcissus 45085
Natoma — Dagger
Dance 55113
Naughty Marietta 55054
Norwegian Hymn 1 6596
VICTOR RECORDS
ORCHESTRA RECORDS— Continued
Old Gipsy 18071
On Wings of Song 18060
Parade of Wooden
Soldiers 73366
Pas des Amphores 45093
Pastoral Symphony 35320
Peer Gynt 18042,35470
Peter the Vagabond 73182
Pinafore Selection 18176
Pink Lady Selection 35193
Pique Dame Over¬
ture 1 8298
Pirouette 18223
Poet and Peasant 35509
Polish Dance 45107.45113
Praeludium 18323
Prelude in C Minor 35625
Prends Moi I Valse 18071
Reconciliation Polka 35644
Remembrance of
Gatshina 18060
Rendez-vous-Inter-
mezzo 17476
Reverie du soir 35668
Romance 35710
Roses and Memories 35200
Russian Komarinska 73198
Rustic Wedding
Sym. 35627
Secret of Suzanne 6608 1
Semiramide Overture 18927
Serenade 45085
Sevilla Waltz 35193
Shepherd’s Hey 17897
Siegfried-Forest 55168
Siren Waltzes 35206
Slavonic Dance 35715
Songe d’Automne 16760
Song of Volga B. 73153
Spanish Dance 35644, 18445
Spanish Serenade 18445
Sphinx Valse 16484
Spring, Beautiful
Spring 35200
Spring Song 45186
Suite in D Major 35669
Surprise Symphony
(Haydn) See
’’Symphonies’’
Sweden National Airs 16596
Sweethearts Selection 55039
Sylvia Ballet 45113
Sylvia Ballet 17686
Symphony — Excerpts
from — See “ Sym¬
phonies”
Traume (Wagner)
Traviata — Prelude
Tristan and Isolde
See “Tristan"
Turkish March
Twinkling Star
Valse Triste
Venetian Love Song
Village Swallows
Wedding March
Whispering Flowers
William Tell Overture
17815, 18012
55041
35717
18396
73366
35437
45054
35655
55048
35642
ORCHESTRA WITH VOCAL CHORUS — See “Bands with Chorus”
ORFEO ED EURIDICE (Or-feh'-oh ayd Ay-oo-ree-dee -cheh) (Orpheus
and Eurydice) (Vienna, Oct. 5, 1762) (Gluck)
Book by Ramieri De Calzabigi ; music by Christoph Willibald Von Gluck. First pro¬
duction in Vienna, October 5, 1 762, Gluck conducting. First Paris production, 1 774, when
the role of Orpheus was transposed for high tenor. First London production at Covent
Garden, June 26, 1770. Other revivals were during the Winter Garden season of 1863; in
1883 (in German), by the Metropolitan Opera under Walter Damrosch; the English pro¬
duction in 1886 by the National Opera Company; the Abbey revival in Italian in 1892;
and the Metropolitan production of 1910, with Homer, Gadski and Gluck.
NVif
SETTING OF ACT III
VICTOR RECORDS
Number ;a 35
The opera has had only one adequate American production previous to this
Metropolitan revival, and that was during the American Opera Company season of 1886 —
the Abbey revival of 1892 meeting with but indifferent success.
This opera, which has been called “Gluck’s incomparable masterpiece,” and of
which the great Fetis wrote, “it is one of the most beautiful productions of genius,” may be
properly termed a purely classical music drama. The music is exquisite in its delicacy and
grace, while the story is an interesting and affecting one. “Orpheus” may be called the grand¬
father of grand opera, it being the oldest work of its kind to hold its place on the stage, the
first representation occurring over one hundred and fifty years ago.
The story concerns the Greek poet Orpheus, who grieves deeply over the death of his
wife Euridice, and finally declares he will enter the realms of Pluto and search for hei
among the spirits of the departed. The goddess Love appears and promises to aid him, on
condition that when he has found Euridice he will return to earth without once looking at her.
(See Victrola Book of the Opera for complete illustrated description.)
ORFEO RECORDS
Melodie Violin Maud Powell (
Melodie (Transcribed by Wilhelmj) Violin (Piano acc.) Mischa Elman'
Ballet Music — Dance of the Spirits Philadelphia Orchestra 1
Che faro senza Euridice (1 Have Lost My Eurydice) In Italian Louise Homer
ORGAN RECORDS
Funeral March (Chopin) (Estey Pipe Organ) Richard K. Biggs
and Hallelujah Chorus (" The Messiah”) ( Handel) (Automatic Estey
Pipe Organ) Reginald L. McAll
Orientale (No. 9 of a series of 24 pieces called “Kaleidoscope,” Op. 50)
(Cesar Cui)
By Efrem Zimbalist Violin
By Mischa Elman Violin
By Hans Kindler Violoncello
By Beatrice Harrison 'Cello and Liebesfreud (Kreisler) Harrison
(Oriental Fox Trot (Cui’s “Orientale”) Whiteman and His Orch)
\ Three O’ClocI f in the Morning — Waltz Whiteman and His Orch)
ORIGINAL DIXIELAND JAZZ BAND — See <4Jazz Band”
{Original Fox Trot (Klickmann) Banjo- Piano- Drums
That Moaning Saxophone Rag Saxophone Sextet
ORLANDO’S ORCHESTRA — See “Till We Meet Again”
{Orpheus in Hades Overture ( Orfee aux Envers) Pryor’s Band!
Forza del Destino Overture ( Verdi ) Pryor’s Band)
ORPHEUS QUARTET - Male Voices
Van Eps Triol
Brown Bros)
64075
10
1.25
74459
12
1.75
74567
12
1.75
88285
12
1.75
35547
12
1 25
64261
10
1.75
64639
10
1.25
64896
10
1.25
45066
10
1.00
18940
10
.75
17677
10
.75
35215
12
1.25
Aloha Oe 74534
Battle Cry of F reedom 18316
Blow, Trumpet
Cany Me Back
Columbia, the Gem
Deep River
Fair Harvard
Flow Gently, Sweet
Afton 45132
35581 God Be With You 16399
18195 God Save the King 64717
45121 Hail Columbia 18316
64687 Johnny Harvard 17413
17413 Little Alabama Coon 64697
Mammy's LittleCoal 18183
O Salutaris (Jean Luce) In Latin Marcel Journet
OSBORN, MASTER BILLEE, Bird-warbler— See “Swanee Bluebird”
OSBOURNE, SALLY — See “Father Goose Songs”
O sole mio (My Sunshine) (G. Capurro-E. di Capua)
By Enrico Caruso (Tenor) In Italian
By Emilio de Gogorza (Baritone) In Italian
By Emilio de Gogorza (Baritone) In Italian
By Alan Turner (Baritone) and LaPaloma (The Dove) — Alan Turner
By Neapolitan Trio and Addio a Napoli (Farewell to Naples) — Neapolitan T
By Michele Rinaldi Cornet and Funiculi-Funicula — Vessella ’s Band
Perfect Day 64607
Serenade 45304
She Sang "Aloha” 18032
Stein Song, A 1 7899
Swing Along 17899
When Evening
Shadows 18183
1.75
1.25
1.25
1.75
.75
.75
.75
74472
12
87243
10
64136
10
74105
12
17536
10
17787
10
16899
10
VICTOR RECORDS
Number
N | V3 w
c/3 I ca.
OSSMAN, VESS L., Banjoist
Buffalo Rag 16779 I Four Little Black-
I berries 16488
OSSMAN-DUDLEY TRIO
St. Louis Tickle Banjo-Mandolin-Guitar and Qay Gossoon— Banjo — Ossman
f Ostrich Walk — Fox Trot (Larocca-Shields) Dixieland Jazz Band!
I At the Jazz Band Ball — One-Step Original Dixieland Jazz Band)
OTELLO (Oh-tel' -loh) (Milan, 1887) (Verdi) ( All sung in Italian )
(See Victrola Book of the Opera for complete illustrated description)
ACT I — AN INN AT CYPRUS
Gay Gossoon 16092
Way Down South 16755
Brindisi “ Inaffia 1’ugola ” — Drinking Song
ACT 11 — ROOM IN OTELLO'S CASTLE
Credo (lago’s Creed)
Credo (Iago's Creed)
Ora e per sempre addio (Now Forever Farewell)
Ora e per sempre ( Piano acc.)
Era la notte (Cassio’s Dream)
Si pel ciel (We Swear by Heaven and Earth)
ACT IV — desdemona’s bedroom
Salce, salce (Willow Song)
Ave Maria (Hail, Mary)
Morte d'Otello (Death of Othello)
Morte d'Otello (Death of Othello) {.Piano acc.)
Antonio Scotti
Pasquale Amato
Titta Ruffo
Enrico Caruso
Francesco Tamagno
Titta Ruffo
Caruso-Ruffo
Nellie Melba
Nellie Melba
Nicola Zerola
Francesco Tamagno
Fantasia (Brindisi — Morte d'Otello) and Gioconda — Prelude— Vessella’s Band
fOtilia March (Hurtado) Hurtado Bros. Royal Marimba Band)
l Guatemala-Panama March ( Hurtado ) Hurtado Bros. Royal M. B /
fOuld Plaid Shawl (Fahy-Haynes) Henry Burr)
l Flow Gently, Sweet Afton (Burns- Spilman) Reed Miller)
fOur Director March (Bigelow) (Harvard Football Mch) Pryor’s B)
l Yankee Shuffle March ( Moreland ) Pryor’s Band)
(Our Director March (Bigelow) (in slow time for marching) Victor B)
l Royal Trumpeters’ March ( Seltzer ) Victor Military Band)
{Our Guide in Genoa (From “Innocents Abroad,” Mark Twain) Battisl
How Tom Whitewashed the Fence (“Tom Sawyer”) (Twain) Batiis)
fOur Hired Girl (Riley) Sally Hamlin-!
I The Raggedy Man (Riley) Sally Hamlin)
{Our Lord is Risen from the Dead (Hatton) Trinity Quartet)
Strife Is O’er, the Battle Done (Palestrina) Trinity Quartet)
f Our Yesterdays (Francis Lake-Herbert Leslie) Elsie Baker)
l Ma Little Sun Flow’ r, Good-night (Vanderpool) Olive Kline]
(Out to Old Aunt Mary’s (Riley) James Whitcomb Riley)
\ Happy Little Cripple (From “Rhymes of Childhood”) J. W. Riley)
Ouvre ton coeur (Open Thy Heart) (Bizet) In French Martinelli
Chas. Hart)
Henry Burr)
Trinity Choir)
Trinity Choir)
(Over the Hill (Klein- Allen-Rubens)
l Angels (We Call Them Mothers Down Here)
(Over the Line (Bradford-Phelps)
l Whiter Than Snow (Nicholson-Fischer)
Over There (George M. Cohan)
By Enrico Caruso I st verse in English; 2nd verse in French
By American Quartet and I May Be Gone for a Long, Long Time — Shannon
By Victor Military Band (One-Step) and Where Do We Go From Here — Vic
(Over the Stars There is Rest (Franz Abt) Baker-Wheeler)
l A Perfect Day (Carrie Jacobs-Bond) Elsie Baker)
16092
10
.75
18457
10
.75
88082
12
1.75
88328
12
1.75
88466
12
1.75
87071
10
1.25
95003
10
5.00
88621
12
1.75
89075
12
2.00
88148
12
1.75
88149
12
1.75
74217
12
1.75
95002
10
5.00
35459
12
1.25
18040
10
.75
17386
10
.75
16795
10
.75
35204
12
1.25
35563
12
1.25
18276
10
.75
18860
10
.75
45168
10
1.00
55095
12
1.50
64574
10
1.25
18736
10
.75
17299
10
.75
87294
10
1.25
18333 10
.75
18370
10
.75
17387
10
1
.75
VICTOR RECORDS
Number
Ut
fq
List
Prc.
Over the Waves (Sobre las Olas Waltz)
(Rosas)
By Victor Dance Orchestra
and La Gitana IV altz — Victor Dance Orchestra
35138
12
1.25
By Victor Dance Orchestra
and Norsemen — 1 wo Step — Dance Or
16384
10
.75
By Arthur Pryor's Band
and La Paloma ( The Dove) Sousa’s Band
16529
10
.75
By Sousa’s Band and Militaire
Valtz (Waldteufel) Victor
Dance Orch
35068
12
1.25
By Pietro Accordion
and Sirens IV altz ( Waldteufel ) Pietro
17950
10
.75
OVERTURES (For the complete combinations see following titles)
Bartered Bride Band
35148
12
1.25
Oberon — Part 2
Orch
74767
12
1.75
Bohemian Girl Band
16287
10
.75
Oberon
Band
35166
12
1.25
Bridal Rose Accordion
35345
12
1.25
Orpheus
Band
35215
12
1.25
Carnival Romain Orch
35241
12
1.25
Pique Dame
Orchestra
18298
10
.75
Cavalleria Rusticana Orch
35104
12
1.25
Pique Dame
Accordion
35569
12
1.25
Cavalleria Rusticana Band
35453
12
1.25
Poet and Peasant
Band
16385
10
.75
Comedy Accordion
35503
12
1.25
Poet and Peasant
Orchestra
35509
12
1 .25
Coriolan — Part 1 Orch
74756
12
1.75
Poet and Peasant
Accordion
35569
12
1.25
Coriolan — Part 2 Orch
74757
12
1.75
Rienzi
Orchestra
74602
12
1.75
Cosmopolitan Band
35282
12
1.25
Rienzi
Orchestra
74603
12
1.75
Don Pasquale — Part 1 Orch
66030
10
1.25
Rienzi
Band
35387
12
1.25
Don Pasquale — Part 2 Orch
66031
10
1.25
Secret of Suzanne
Orchestra
66081
10
1.25
Egmont Orchestra
35493
12
1.25
Semiramide
Orchestra
18927
10
.75
Forza del Destino Band
35215
12
1.25
Semiramide
Band
35167
12
1.25
Fra Diavolo Band
35109
12
1.25
Stradella
Accordion
35345
12
1.25
FreischUtz Band
35000
12
1.25
Stradella
Band
35276
12
1.25
Jolly Robbers Band
35077
12
1.25
Suite in D Major
Orchestra
35669
12
1.25
Leonora No. 3 Orchestra
35268
12
1.25
Tannhauser
Orchestra
74758
12
1.75
Leonora No. 3 Orchestra
35269
12
1.25
Tannhauser
Orchestra
74759
12
1.75
Light Cavalry Accordion
35367
12
1.25
Tannhauser
Orchestra
74768
12
1.75
Light Cavalry Band
35045
12
1.25
Tranquillo
Accordion
35488
12
1.25
Magic Flute Orchestra
18951
10
.75
Traviata
Orchestra
35717
12
1.25
Marriage of Figaro Band
35109
12
1.25
T raviata
Orchestra
68027
12
1.25
Martha Band
35133
12
1.25
T rieste
Accordion
35503
12
1.25
Meistersinger Orchestra
55171
12
1.50
Tristan and Isolde
Orchestra
68210
12
1.25
Merry Wives of Windsor Or
35270
12
1.25
William Tell
Orchestra
17815
10
.75
Midsummer-Night's D'm Or
35625
12
1.25
William Tell
Orchestra
18012
10
.75
Mignon Orchestra
17909
10
.75
William Tell
Band
35120
12
1.25
Mirella Band
68471
12
1.25
William Tell
Band
35121
12
1.25
Morning. Noon, Night Band
35276
12
1.25
William Tell
Band
16380
10
.75
Morning, Noon, Night Orch
35543
12
1 .25
William Tell
Band
16381
10
.75
Norma Band
35166
12
1.25
Yelva
Band
35081
12
1.25
Oberon — Part 1 Orch
74766
12
1.75
Zampa
Orchestra
35584
12
1.25
fOvinu Malkeinu (OGod.OurKing) Heb Jos. and Leivi Rosenblatt')
\ W e ’ afhu boyu mis’chaven {High Priest Awaits ) /. andL. Rosenblatt I
55163
12
1.50
fOwI and the Pussy Cat
(de Koven)
Hayden
Quartet!
l Bring Back My Bonnie to Me — College Air Criterion Quartet)
16105
10
.75
f Owl, The (2) Crow’s Egg
(3) Why?
(Wells) John B. Wells!
l Long Ago in Alcala (W eatberly-Ross-Messager) John B. Wells)
18062
10
.75
(Pack Up Your Troubles in Your Old Kit Bag Hamilton!
l Home Again Alice Green and Lyric Quartet /
18222
10
.75
PADEREWSKI, IGNACE {Pad-er-ef' -skee) (For list of records see Pink Section)
PAGANINI, N1CCOLO, (Pagh-ah-nee' -nee) (1784-1840) Violinist, Composer
Most famous of all violinists. B. Genoa, Italy. Invented certain violin effects, devel¬
oped pizzicato and harmonic playing. Made sensational tours of Europe. Popularly
thought to be in league with supernatural powers. Many of his most important compositions
and studies were published only after his death. His Guarnerius violin is preserved in the
Municipal Palace at Genoa.
For compositions — See “Caprice,” “Dans les Bois” and “Moto Perpetuo”
VICTOR RECORDS
PAGLIACCI, I (Pah-ly-ah1 -chee) The Players (In Italian unless otherwise noted )
Dramatic opera in two acts ; libretto and music both by Ruggiero Leoncavallo. First
production, Milan, 1 892 ; London, 1 893 ; first American production, 1 894, with Kronold,
Montegriffo and Campanari. The scene is laid in Calabria, between 1865 and 1870.
During the orchestral introduction Tonio, in clown costume, appears and explains
that the subject of the play is taken from real life ; reminds the audience that actors are but
men, with passions like their own, and that the author has endeavored to express the real
feelings and sentiments of the characters he will introduce. He then orders up the curtain.
The first act shows the entrance to an Italian village. Canio, and his troupe of strolling
players, or pagliacci, having paraded through the village, now announce a performance for
that evening at seven, and Canio goes with Peppe into the tavern. Tonio, the clown,
remains behind, ostensibly to care for the donkey, but in reality to make love to Nedda,
IE THEATRE ARRIVAL OF THE PLAYERS VICTROLA BOOK OF THE OHERA
Canio’s wife. She repulses him, striking him with her whip, and he swears to be revenged.
Silvio, a rich young villager, in love with Nedda, now joins her and begs her to fly with
him. She refuses, but admits that she loves him, her confession being overheard by Tonio,
who hurries in search of his master. Canio returns too late to catch Silvio, but mad with
jealousy, he demands the lover’s name, and when Nedda refuses, tries to kill her, but is
restrained by the others. Nedda goes to dress, and Canio is in despair at the thought
of being obliged to play while his heart is breaking.
Act II. The audience is now assembled and the play begins. This proves to be the
usual farce in which the clown makes love to Columbine during the absence of her husband,
Punchinello. Strangely enough, this conventional farce is very like the situation in the real
lives of the players, and when Punchinello (Canio) arrives and surprises the lovers, as the
play demands, he loses his head as he hears Columbine repeat in the farce the very words
Tonio had heard her say to the real lover earlier in the day. Mad with rage, he again
demands her lover’s name. Nedda tries to save the situation by continuing the play, and
the audience is delighted by such realistic acting, until the intensity of Canio ’s passion begins
to terrify them. The other players endeavor to silence him, but in vain. Finally, stung
by his taunts, Nedda defies him and is stabbed, Canio hoping that in her death agony she
will reveal the name of her lover. She falls, calling upon Silvio, who rushes from the
VICTOR RECORDS
Number Ls 1 .3 £
crowd only to receive in turn the dagger of the outraged husband,
by the peasants he cries, as if in a daze, “ The comedy is ended. ’
PAGLIACCI RECORDS
As Canio is disarmed
-AN ITALIAN VILLAGE
Prologo
Prologo
Prologo
Prologo
Pasquale Amato
Emilio de Gogorza
Antonio Scotti
Emilio de Gogorza
Titta Ruffo
Vesti la giubba
Vesti la giubba
Vesti la giubba
Vesti la giubba
ACT 1
(Prologue)
(Prologue)
(Prologue)
(Prologue)
Prologo, Part 1 — Si puo (A Word)
Prologo, Part 11 — Un nido di memorie (A Song of Tender Memories) Ruffo
Prologue, Part 1 (A Word) Renato Zanelli
Prologue, Part 11 (So Then) Renato Zanelli
Prologue — Werrenrath and Carmen — Chanson da Toreador — Werrenrath and Cho
Opening Chorus-“Son qua' -LaScalaCh and T rovatore-Perme ora-Caronna-Ch
Ballatella — “Che volo d’augelli" Lucrezia Bori
Che volo d’augelli (Ye Birds Without Number) Alma Gluck
De toi depend mon sort (My Fate is in Thy Hands) — Part I
and Pourauoi ces ueux Part 2 French — Heilbronner-Vigneau
(On With the Play) Enrico Caruso
(On With the Play) Giovanni Martinelli
(On With the Play) Edward Johnson
(On With the Play) Beniamino Gigli
Air de Paillasse (On With the Play) In French
and Boheme — Que celte main estfroide — In French — Campagnola
Vesti la giubba and Tosco — E luceoan — In Italian — Paul A It house
Vesti la giubba — Pietro and Cavalleria Rusticana — Pietro’s Accordion Quartet
ACT 11 - IN FRONT OF THE PLAYERS’ TENT THEATRE
Serenata d’ Arlecchino (Harlequin’s Serenade) Schipa I
Versa il filtro nella tazza sua 1 (Pour the Potion) Barbaini, Huguet, Cigada
and Pini-Corsi and No, Pagliaccio non son! — Augusto Barbaini
No, Pagliacci non son I (No, Punchinello No More) Enrico Caruso I
No, Pagliacci non son ! (No, Punchinello No More) Agusto Barbaini
and Versa il filtro nella tazza sua! — Barbaini, Huguet, Cigada and Pini-Corsi '■
PAGLIACCI, GEMS FROM Victor Opera Co)
Bell Chorus, "Ding Dong ” — -Solo, " This Evening at Seven” — Solo, “ Ye
Birds Without Number ” — Solo, Pagliacci’s Lament — “ Vesti la giubba”
— Duet, “ Just Look, My Love ” — Chorus," See, They Come”
Gems from "Cavalleria Rusticana’’ Victor Opera Co.
PALACE TRIO {Saxophone- Accordion-Piano)
Hold Me-Med. 1 8682 — I'll See You in C-U-B- A 1 8663
(Pale Moon (Indian Love Song) (Glick-J_ogan) Marsh!
I Where the Lazy Mississippi Flows Kline-Bafyer)
fPalesteena — Fox Trot (Robinson-Conrad) Dixieland Jazz B1
l Margie — Medley Fox Trot ( Conrad-Robinson ) Dixieland Jazz B)
PALESTRINA, GIOVANNI {Pah- les- tree- na) (1526-1594)
One of the greatest composers of contrapuntal music, who established great reforms in
the Roman service. His music ranks with that of Handel and Bach, as the culminating
point of the polyphonic period. For compositions see “Gloria," “Popule" and “Strife
Is O’er."
fPalms, The (Jean Faure) Reinald Werre
( The Lost Chord { Proctor-Sullivan ) Reinald Wert
/Palms, The (See also the French title, “ Rameaux ”) Wm. H
1 The Holy City {Adams) Harry Macdc
Paloma, La (The Dove) (Spanish Serenade) (Yradier)
By Lucrezia Bori (Soprano) In Spanish
By Emilio de Gogorza (Baritone) In Spanish
By Alan Turner (Baritone) In English and O sole mio ( My Sunshine )-
By Carlos Francisco (Baritone) In Spanish and La Golondrina — /
By Sousa’s Band and Over the Waves Waltz (Sobre las Olas Waltz) — F
88326
12
1.75
88176
12
1.75
88029
12
1.75
64584
10
1.25
88392
12
1.75
88393
12
1.75
64831
10
1.25
64832
10
1.25
55068
12
1.50
16814
10
.75
88398
12
1.75
74238
12
1.75
69099
10
.75
88061
12
1.75
64484
10
1.25
64840
10
1.25
66095
12
1.25
55083
12
1.50
45055
10
1.00
17941
10
.75
66045
10
1.25
35175
12
1.25
88279
12
1.75
35175
12
1.25
35343
12
1.25
45252
10
1.00
18717
10
.75
'45089
10
16408
10
88480
12
1 74379
12
r' 17536
10
17442
10
i 16529
10
1.00
.75
1.75
1.75
.75
.75
.75
VICTOR RECORDS
Panis Angelicus (Oh Lord Most Holy) (Franck) Latin {'Cello obb .) Alda
PAOLI, ANTONIO, Tenor {Pah' -oh- lee) See “Aida”
fPapa’s Baby Boy — Yodel Song George P. Watson)
l Cuc\oo Song — Yodel Song (J. K. Emmett) George P. Watson /
fPapillon (Butterfly) (Grieg) (2) Rustle of Spring Schendel)
l Walkiire — Magic Fire Spell Pianoforte Julius L. Schendel)
fPapillon — The Butterfly (d’Hervelois) ’Cello Fernand Pollain)
I Serenade { Pierne ) Violoncello Fernand Pollain J
Papio Huli — Medley Irene West Royal Hawaiiansl
Introducing “Papio Huli" — "Palolo" — “Mileannae" — “Luna Loa" >
Ua Like No a Like Hawaiian Guitar Pale K. Lua)
(Parade of the Wooden Soldiers International Novelty Orch)
I Twinkling Star Gavotte International Novelty Orch)
Paradise (Viennese Folk Songs) (Krakauer-Kreisler) Violin Kreisler
Paraphrase on Minuet (Paderewski -Kreisler) Violin Fritz Kreisler
/Parisian Polka (From “Folk Dances of Denmark”) Victor Band)
l French Reel {From “Folk Dances of Denmark”) Victor Band)
Parla Valse (Oh, Speak) (Luigi Arditi)
By Marcella Sembrich (Soprano) In Italian
By Lucy Marsh In Italian and Traviata — Ah.forselui — Marsh
PARODIES — See “Arkansaw Traveler,” “Automobile Parody,” “College
Airs,” “Evolution of Dixie” and “Jolson”
{Parodies of the Camp Geoffrey O’Hara )
A Soldier’s Day Geoffrey O’Hara)
PARSIFAL (Wagner) (Bayreuth, 1882) (See Victrola Book of the
Opera for complete illustrated description. ( Sung in German )
PARSIFAL RECORDS
Ich sah das Kind (1 Saw the Child) Act II Margarete Matzenauer
Charfreitags-Zauber (Good Friday Spell) Scene from Act III Witherspoon
Charfreitags-Zauber (Good Friday Spell) Parti and Part II — Jorn-Miiller
Amfortas' Gebet (Amfortas’ Prayer) Clarence Whitehill
Parted (F. Paolo Tosti) In English Enrico Caruso
Parted (Weatherly-Tosti) John McCormack
Partida, La (The Departure) (Alvarez) In Spanish de Gogorza
Partida, La (Alvarez) In Spanish Amelita Galli-Curci
{Pasadena Day March (Marco Vessella) Vessella’s Italian Band)
On, Wisconsin ! — March {W. T. Purdy ) Victor Military Band)
fPas des Amphores (Chaminade) (Orch. with bird voices) Kellogg)
l Liebesfreud {Vidor Orchestra with bird voices) Charles Kellogg)
(Pasquinade — Caprice, Op. 59 (Gottschalk) Pianoforte La Forge)
l Danse Creole, Op. 94 { Chaminade ) Pianoforte Frank La Forge)
Passepied (from “Le Roi s’amuse”) (Delibes-Elman) Violin Elman
fPassing of Salome — Waltz Hesitation (Joyce) Victor Military B)
l Barcarolle — Waltz Hesitation {Offenbach) Victor Military Band)
(Passion Dance — Parisian Fox Tango (Jones) Six Brown Brothers)
\ Rigoletto Quartet {Verdi) Saxophones Six Brown Brothers)
PASTERNACK, JOSEF A. — Victor Musical Director — For sketch and
portrait see “Pasternack,” 3rd page of Pink Section
Pastoral Dance — See “Nell Gwyn”
Pastorale (Scarlatti) {Pianoforte by Gordon ) Violin Mischa Elman
Number
<U
C A)
List
prc.
74399
12
1.75
17012
10
.75
35448
12
1.25
45158
10
1.00
17804
10
.75
73366
10
.75
66023
10
1.25
64709
10
1.25
18600
10
.75
88023
12
1.75
55107
12
1.50
18451
10
.75
88364
12
1.75
74144
12
1.75
55061
12
1.50
74406
12
1.75
87186
10
1.25
64578
10
1.25
74360
12
1.75
74500
12
1.75
17781
10
.75
45093
10
1.00
45050
10
1.00
64903
10
1.25
35383
12
1.25
18217
10
.75
64636
10
1.25
VICTOR RECORDS
Pastoral Symphony (Sixth Symphony) Andante molto moto
(2d Movement) (Beethoven) Victor Concert Orchestra
Pastoral Symphony — Andante {Part II) { Beethoven ) V. Concert Orch
Pastoral Symphony — See “Messiah”
{Patches — Fox Trot (Lee S. Roberts) Jos. C. Smith’s Orchestral
1 Might Be Your “Once-in-a-lVhile” — Medley Fox Trot Smith’s Or)
PATRICOLA, MISS, Comediene
\
All for the Love of Mike 18967 I Hot Lips 18967
Happy Hottentot 18838 ! I’ve Got My Habits On 18838
Patrie — Cantabile de Rysoor (Song of Rysoor) (Paladilhe) Ft. Ruffo
/Patrick Henry’s Speech — Give Me Liberty Harry E. Humphrey-!
Lincoln’s Gettysburg Address Harry E. Humphrey I
PATRIOTIC AIRS — See “ National and Patriotic Airs”
/Patriotic Medley March — No. 1 (See Medley No. 90) Victor B1
l Jolly General March {Moret) Conway ’s Band I
/Patriotic Medley March No. 2 (See “Medley 91”)
Standard Bearer March ( Fahrbach )
/Patrol Comique (Hindley) Piccolo
Sorella March ( Gallini ) Whistling
/Patrol of the Scouts (Boccalari)
Baltimore Centennial March ( Herbert )
\
Victor Band)
Conway ’s Band)
Darius Lyons'!
Guido Gialdini)
Conway’s Bandl
Conway’s Bandl
‘Marche
Number
35320
18629
88643
35377
35608
35657
16761
18241
12
10
1.25
.75
1.75
1.25
1.25
1.25
.75
.75
35555
73161
12
10
1.25
.75
Patrols — See also “American Patrol,” “Guard Mount,”
Turque,” "Turkish Patrol” and “U. S. A. Patrol”
PATTEN, CORA MEL — See “Children’s Records” and “Educational”
PATTI, ADELINA, Soprano (See “ Patti ” in Pink Section)
PATTISON, LEE, Piano — See “Maier and Pattison”
{Paul Revere’s Ride (Reading with descriptive effects) Battisl
The Rising of ’76 {Read) William Sterling Battisl
PAYNE, JOHN HOWARD, (1792-1852) See “ Home, Sweet Home”
/Peacocks, The (Los Pavitos) — Fox Trot International Orchestral
l My Dear Captain {Mi Querido Capitan — Fox Trot Int. Orch)
PEARL FISHERS — Pescatori di Perle (Paris, 1863) (Bizet)
( All sung in Italian unless otherwise noted.)
This beautiful opera tells of the love of two Cingalese pearl fishers for Leila, a priestess,
and of the generosity of the unsuccessful one, who helps his rival and his love escape at the
cost of his own life. Nadir appears to Zurga, a lifelong friend, during a dance of the pearl
fishermen. A mysterious veiled lady, who comes once a year to pray for the fisheries, ap¬
pears and begins her invocation. Despite her veil, she is recognized by Nadir and contrives
to let him know that his love is returned. She is reminded later, at a temple, of her vow to
renounce love and marriage. The high priest, who reminds her that the penalty is death,
then leaves her alone, and Nadir enters. The lovers are surprised by Nourabad, the high
priest, and Nadir flees. He is recaptured, and Zurga is brought to pronounce sentence upon
the pair. Their funeral pyre is ready when Zurga cries that the camp is on fire ; the lovers
escape in the melee ; Zurga later confesses and is burned to death.
ACT 1 - ON THE COAST OF CEYLON
Del tempio al limitar (In the Depths of the Temple)
Au fond du temple saint (In the Temple) French
Je crois entendre encore (I Hear as in a Dream) In French Caruso
Mi par d’ udir ancora (1 Hear as in a Dream) Dmitri Smirnov
ACT II - A RUINED TEMPLE
De mon amie
(My Love) In French ( W ith Harp and Oboe)
Caruso
89007
12
76022
12
88580
12
74741
12
87269
10
2.00
2.00
1.75
1.75
1.25
VICTOR
RECORDS
Humber
Size
to
— i a
PEARL OF BRAZIL (David)
Sung in French
Charmant oiseau (Thou Brilliant Bird) Flute obbligato Emma Calv6
88087
12
1.75
Charmant oiseau Flute obbligato
Luisa Tetrazzini
88318
12
1.75
Charmant oiseau Flute obbligato
Amelita Galli-Curci
74552
12
1.75
Charmant oiseau Flute obbligato
Mabel Garrison
74542
12
1.75
Pearl of the Harem (Guy) (Pi
ano acc.) Banjo Fred Van Eps\
16969
10
.75
The Mocking Bird — Fantasia (A
rr. by Stobbe) Xylophone Win. H . Heitzf
PEARY, Lieut., R. E. — Address by
Discovery of the North Pole
and Dash for the South Pole — Shackleton
55096
12
1.50
Pecche ? (Why ?) Neapolitan Song (De Flaviis-Pennino) Caruso
88517
12
1.75
Pecheurs — See “ Pearl Fishers ”
Peer Gynt ( Pair Cint) (Edvard Hagerup Grieg)
Solvejg's Song (Sunshine Song)
In French Amelita Galli-Curci
74522
12
1.75
Solvejg’s Song (Sunshine Song)
and The Swallows — V ocal W allz — Marsh
55108
12
1.50
Solvejg's Song — Grieg Instrumental Qt and Chalet Girl’s Sunday — Uhe
72356
10
.75
Solvejg’s Cradle Song (2nd Suite)
Marsh an A First Primroo: — Marsh
45321
10
1.00
Suite — Parti, “Morning” and Part II, “ Death of Ase" — Pryor's Band
35007
12
1.25
Suite No. 1, “Morning’' and “ The Death of Ase” — Victor Concert Orchestra
35470
12
1.25
Suite No. 1, “Morning" and
The Death of Ase” — Vessella's Italian Band
35597
12
1.25
Suite — “Anitra’s Dance"
Philadelphia Orchestra
64768
10
1.25
Suite — Part 111, “Anitra's Dance"
and Part IV “In Hall of King" — Victor O
18042
10
.75
BURR MEYER CAMPBELL CROXTON
PEERLESS QUARTET
This popular singing organization has made a number of fine records for the Victor
Catalogue, and the manner in which these selections have been rendered has made the
Peerless a welcome feature of the entertainment staff. The late Frank C. Stanley was the
organizer and manager of the Peerless for many years, and several of the records listed below
were made by the Quartet during the life of this popular basso.
PEERLESS QUARTET RECORDS-See the following titles:
Ain’t You Coming
Auld Lang Syne
Away Down South
Beyond Smiling and Weeping
Big Bass Viol
Blue Jeans
Broadway Rose
By the Camp Fire
By the Old Cathedral Door
Christmas Light, Behold
College Days
Come Where My Love Lies
Cornfield Medley
Darling Nelly Gray
Down on the Levee
Down Yonder
Drifting
Georgia
Good Morning, Mr. Zip
Home Over There
I’d Love to Fall Asleep
I’ll Always be Waiting
I’ll Take You Home Again
I’m Coming Back to Dixie
I’mMissin’ Mammy’s Kissin’
Is There Still Room for Me
I Want My Mammy
Mammy Lou
My Gal Sal
My Mammy
My Sunny Tennessee
My Swanee Home
Negro Wedding in Georgia
Oh, You Silv’ry Bells
Old Black Joe
Old Oaken Bucket
Pick Me Up
Red, White and Blue
Rock-a-Bye Lullaby Mammy
Rock Me in My Cradle
Silver Bell
Sleepy Head
VICTOR RECORDS
Number ~ —
PEERLESS QUARTET RECORDS— Continued
Somebody’s Mother Thinking of You
Swanee 'Way Down Yonder
Sweet Cider Time When You’re Gone
There’sa Little White Church Yellow and the Blue
Weep No More, My Mammy
When I ’m Gone You’ll Forget
/Peggy — Medley Fox Trot (Intro. “Rose of Romany”) Smith’s Orchl
l On Miami Shore — Waltz (V. Jacobi) Jos. C. Smith’s Orch)
{
Peggy O’Neil (Pease-Nelson-Dodge) Victor Roberts'!
Wait Until You See My Madeline (Brown- Von Tilzer) Roberts )
Peg o’ My Heart (Fischer) Charles Harrisonl
When I Dream of Old Erin ( I’m Dreaming of You ) Arthur Clough 1
PENNEY, DR. CLARENCE, Mandolin
Azalea Waltz 17643 | Indianola Patrol 17694 | Toots One-Step
Pensieroso, II — Sweet Bird (Handel) In English Nellie Melba
Perdita Waltz (Frank W. McKee) McKee’s Orchestral
Rosalie Waltz ( Frank McKee) McKee’s Orchestra )
Pere de la Victoire (Father of Victory March) (Ganne)
By Marcel Journet (Bass) In French
By Victor Band and Regiment de Sombre el Meuse — Victor Band
PEREIRA, M. — See “Lucia” and “ Rigoletto ”
Perfect Day (Carrie Jacobs-Bond)
By Alma Gluck and Orpheus Quartet
By Evan Williams (’Cello obbligato by Bourdon )
By Elsie Baker and Over the Stars There Is Rest — Baker- W heeler
By Elizabeth Spencer and Love’s Dream After the Ball — E. Spencer
By Imperial Quartet of Chicago and My Ain Folk — Imperial Quartet
By McKee Trio and Mother Machree (Violin-'Cello-Piano) McKee Trio
By McKee Orchestra (Waltz) and In Wintertime Waltz — McKee’s Orch
PERINI, FLORA, Contralto — See “Rigoletto — Quartet”
{Perjura Danza — Mexican Dance (Fickle Maiden) Victor Band!
La Golondrina (The Swallow) ( Serradell ) Victor Military Band)
(Peter the Vagabond — Intermezzo (Bummel-Petrus) Victor Orchl
l Why Cry When We Part? — -Fox Trot German Dance Orch)
PERLE DU BRESIL — See “ Pearl of Brazil ”
PEROSI, DON LORENZO, Director of Sistine Choir
For records by Sistine Choir, directed by this famous priest-composer, see "Sistine
Perpetual Motion — Moto Perpetuo (Paganini) Violin Heifetz
Perpetuum Mobile — Suite No. 3— Op. 34, No. 5 (Ries) Violin Kubelik
(Perpetuum Mobile (Perpetual Motion) (Weber) Piano Moiseivitch)
l Waltz in G Flat Major (Chopin) Piano Benno Moisdivitch)
P ersian Garden — See “ In a Persian Garden”
PESCATORI DI PERLE - See “Pearl Fishers”
(Peter Gink — One Step (George L. Cobb) Six Brown Brothers'!
I Egyptland — Fox Trot (Casey) Saxophones Six Brown Brothers)
/Peterson at the Turkish Bath (Swedish Dialect) Chas. G. Widdenl
Peterson’s Brother- in-Law (Widden) Charles G. Widden)
/Peterson’s Brother-in-Law (Widden) (Swedish Dialed) Widdenl
Peterson at the Turkish Bath Charles G. Widden /
Petite Valse (Herbert) ’Cello Victor Herbert
PHILADELPHIA ORCHESTRA — See Pink Section
PHILHARMONIC BRASS OCTET
Sounds from My Native Land and Trumpeter of Sdckingen — Octet
18764
17412
10
10
10
.75
.75
.75
17694
88068
12
1.75
35481
12
1.25
64557
10
1.25
17712
10
.75
64607
10
1.25
64306
10
1.25
17387
10
.75
18250
10
.75
17872
10
.75
17835
10
.75
35511
12
1.25
17515
10
.75
73182
10
.75
74581
12
1.75
74257
12
1.75
55156
12
1.50
18562
10
.75
69565
10
.75
69565
10
.75
64297
10
1.25
68588
12
1.25
VICTOR RECORDS
Number
List
prc.
PHILLIPS, SIDNEY, Comedian
Moon Shines on the Moonshine
and
Ho Long 1 Uo-Long — Roberts
18672
10
.75
Phyllis und die Mutter In German
To Mary (Shelley -White)
Paul Reimers)
45062
10
1.00
Paul Reimers)
PIANOFORTE SOLOS — For many Chopin numbers ( Etudes , Preludes, Mazurkas,
Nocturnes, etc.) see "Chopin." For selections by Cortot, de Pachmann, Novaes, Paderewski
Rachmaninoff and Samaroff see these artists in “ Pink Section." For Piano Duets see “ Arden
and Ohman," “ Maier-Patlison"
Adagio from 5 th
Concerto 55030
Arabesque in A 55157
Blue Bells of Scotland 1 8305
Caprice Espanol 35223
Carnival of Venice 18194
Classical Spasm 18229
Concerto (Grieg) 55 1 54
Concerto (Grieg) 55155
Concerto(SaintSagns) 55 1 60
Concerto (Saint Saens) 55 161
Dance Creole 45050
Delirious Rag 18229
Desecration Rag 17608
Finlandisch Dance 55157
First Arabesque 18179
From Soup to Nuts 1 7558
Hacienda 1 7608
Hesitation Waltz 17558
Humoresque 18311
Hungarian Fantasie 55158
Hungarian Fantasie 55159
Impromptu in F 55157
Last Hope 17100
Last Rose of Summer 18305
Liebestraum (A Dream
of Love) 55112
Liebestraum (Liszt) 35486
Lucia Sextette 35223
Marionette (Arndt) 18284
Mocking Bird, Listen 18245
Narcissus (Nevin) 17100
Narcissus (Nevin) 18311
Nola Fox Trot 18056
Operatic Nightmare 18056
Papillon (Grieg) 35448
Pasquinade
(Gottschalk) 45050
Perpetuum Mobile 55156
Prelude in C Minor 35486
Rosary
(Transcription) 17055
Rustle of Spring 35448
Scarf Dance — Air de
Ballet 55030
Serenade Levantine 18179
Silver Threads 18245
Sylvains, Les 55031
Valse Bleue 18284
Walkiire — Magic Fire 35448
Waltz in G Major 55156
Whispering Winds 18194
{Piano Tuner, The — Comic Specialty Jones and Porter)
That’s Why I Never Married ( From “Slim Princess") Billy Murray)
PICCOLO SOLOS AND DUETS — See also “ Educational Records”
Chant du Rossignol 17134 | Nightingale and Frog 16194 | Patrol Comi
{Pickaninny Rose (Burns-Sheppard) Olive Kline)
Butterfly {Edward Loc^ton- Haydn Wood) Lucy Marsh)
[Pickaninny Sleep-Song (Wheeler-Strickland) Lucy Marsh)
l Damon (Bekehrte) ( Goethe-Stange ) Lucy Isabelle Marsh)
[Pickaninny’s Lullaby (Geo. W. Gage) Elsie Baker 1
l Mammy’s Song (Porter-Ware) John Barnes Wells)
(Pickaninny’s Lullaby (Macy) Imperial Quartet of Chicago)
My Lady Chlo — Negro Love Song ( Clough-Leighter ) Imp. Qt of Chid
PICKELS, MASTER WILLIAM ( Pick-elz ') Boy Soprano
Just a-Wearyin’ for You (Jacobs-Bond) and Mattinata ( Tosti ) Pickels
[Pickin’ Cotton (Wenrich) (Banjo by Van Eps) Collins and Harlan 1
l Mobile Minstrels Victor Minstrel Company)
[Pick Me Up and Lay Me Down in Dear Old Dixieland Peerless Qt)
\ Mammy Lou (Sterling- Moran- Von Tilzer) Peerless Qt)
[Pick Me Up and Lay Me Down — Fox Trot Club Royal Orchl
l Kitten on the Keys — Fox Trot (Confrey) Confrey and His Orchestra)
[Picnic, The (Every Laddie Loves a Lassie) Sir Harry Lauder)
l Don ’t Let Us Sing Anymore About War; Let Us Sing of Love — Lauder)
Pieta Signore! (Lord, Have Mercy) (Attributed to Stradella) Italian Caruso
16851
10
.75
que
16761
45244
10
1.00
45179
10
1.00
17039
10
.75
18158
10
.75
17905
10
.75
17293
10
.75
18884
10
.75
18900
10
.75
55122
12
1.50
88599
12
1.75
PIETRO (Peay -troh) Accordionist
Pietro’s full name is Pietro Deiro, but in all his professional work he uses only the
first name and is known universally as Pietro. To say that the Victor’s Pietro records have
made a “hit” is putting it but mildly, and that much-abused word “furore” might even be
used. That no such accordion playing has ever been reproduced on records is the universal
opinion of customers who have heard the fine numbers already issued. The first accordion
VICTOR RECORDS
Number
was manufactured in Vienna about 1 829, and soon became very popular throughout Europe.
It was a very simple affair, however, compared to Pietro’s instrument, which has an elaborate
keyboard with hundreds of keys.
The overtures especially have caused a sensation, and they give one an idea of the
wonderful instrument used by Pietro — which he calls a “ piano-accordion.’’ It might be
called also a full military band and an orchestra, judging by the effects produced. Pur¬
suing its usual policy of always giving Victor customers the best, Pietro, being the greatest
accordionist in the world, has been engaged to make Victor records.
PIETRO RECORDS
American Nat. Airs 18361
Barbiere Overture 35524
Beautiful Days 17551
Blaze Away Mch 17921
Bridal Rose Over. 35345
Ciribiribin 17643
Comedy Overture 35503
Estudiantina W. I 7865
Faust Waltz 18883
Guarany Selection 35488
Hummer Medley 1 7609
Hungarian Rag 1 7609
I talianSpan. Favorites I 7802
Light Cavalry Over. 35367
Luna Waltz 17531
Marsovia Waltz 18770
Med. Operatic Airs 18883
My Treasure Waltz 18770
Over the Waves 17950
Pagliacci-Vesta 17941
Patriotic Airs-Allies 18361
Pietro’s Return Mch. 17531
Pique Dame Overture 35569
Poet & Peasant Over. 35569
Rigoletto Qt. 35367
Romeo Selection 35524
Russian Rag 18743
Sharpshooters March 17551
Sirens Waltz 17950
Sousa Medley March 17921
Stradella Overture 35345
Tranquillo Overture 35488
Trieste Overture 35503
Turkey in Straw 18743
Verona Waltz 17802
Wedding of Winds I 7865
fPietro’s Return March (Pietro) Accordion
Pietro)
17531
10
l Luna Waltz ( Paul Lincl^e) Accordion
Pietro /
(Pig Brother (2) The Dog and the Kitty Cats
l The Little Bull Calf {Children ’s Story)
Sara Cone Bryant)
35643
12
Sara Cone Bryant)
Pilgrims’ Chorus — Tannhauser — See “Tannhauser
PILZER, MAXIMILIAN, Violinist
Maximilian Pilzer was born in New York City not
so many years ago, and when still a very young boy went
to Europe where he completed his studies with Gustav
Hollaender and Joseph Joachim. With a foreign repu¬
tation he returned to the United States, appearing with
some of the leading orchestras, acting as concertmaster of
the Russian Symphony Orchestra and the People’s Sym¬
phony Orchestra. At the present day Mr. Pilzer is solo¬
ist and concertmaster of the New York Philharmonic
Orchestra. The list of records offered by the Victor exhibits
in a marked degree the fine playing of this young artist.
PILZER RECORDS pilzer
Humoresque 35306 1 Serenata Napolitana 18175 Spring Song
Kol nidre 68366 | Souvenir (Drdla) 35399 | Thais — Meditation
Pimpinella (Florentine Song) (Tschaikowsky) Italian Caruso
Pinafore — Gems from ( Part 7) Victor Light Opera Company
Opening Chorus, “ We Sail the Ocean Blue” — “A Maiden Fair to See”
— ”1 am Monarch of the Sea” — “I’m Called Little Buttercup" — “Captain
of the Pinafore" — Finale, “His Foot Should Stamp” (Gilbert -Sullivan)
Pinafore — Gems from ( Part II) Victor Light Opera Co
87128
35386
“ The Gallant Captain of the Pinafore” — “ When I Was a Lad” — ‘‘The
Merry Maiden and the Tar” — “ Carefully on Tip-Toe Stealing" — “Baby
Farming” — “Farewell, My Own” — “For He is an Englishman"
Pinafore Selection ( Part I) (Sullivan) Victor Concert Orch
“ Now Give Three Cheers for the Sailor’s Bride" — “A Maiden Fair to
See ” — “We Sail the Ocean Blue ” — " I’m Called Little Buttercup" —
“Admiral’s Song" — “When 1 Was a Lad”
18176
17395
35306
10
12
10
1.25
1.25
.75
Pinafore Selection ( Part II) ( Sullivan ) Victor Concert Orchestra
"Fair Moon ” — “Carefully on Tip-Toe Stealing ” — "Refrain, Audacious
Tar ” — “ He is an Englishman”
VICTOR RECORDS
{Pineville Band, The (Monologue with Violin Specialty) Taggartl
At the County Fair Charles Ross Taggart)
(Pineville School Board Charles Ross Taggartl
l Automobile Parody (Parodies on Famous Songs) Nat M. Wills)
PINI-CORSI, GAETANO, Tenoi - See “Don Pasquale” and “Traviata
PINK LADY — Operetta by Cary 11
Beautiful Lady Waltz — Marsh and Chocolate Soldier — My Hero — Marsh
JPink Lady, Geras from _ Victor Light Opera Company)
“ By the Saskatchewan” — "Oh, So Gently” — “ Donny Did, Donny
Didn’t" — "My Beautiful Lady" — Finale
t _ «* Tt. J >•
Gems from “ The Spring Maid ” Victor Light Opera Companj/I
{Pink Lady Selection _ Victor Concert Orchestra]
“By the Saskatchewan” — "Beautiful Lady Waltz" — “Oh, So l
Gently” — “Donny Did, Donny Didn’t" — Waltz. “Love is Divine”
Sevilla Waltz (Porter Steele) Victor Concert Orchestra)
Pink Lady Waltzes and Immortellen Waltz — Victor Dance Orchestra
Pipe Organ — See “Organ Records’’
Pipes of Gordon’s Men (Glasgow-Hammond) Evan Williams
PIQUE DAME ( Peek Dahm) (Queen of Spades) (Tschaikowsky)
O viens mon doux berger (My Dear Shepherd) French Destinn-Duchene
{Pique Dame Overture (von Suppe) Accordion Pietrol
Poet and Peasant Overture ( von Suppd) Pietro)
(Pique Dame Overture — Part I (Von Suppe) Victor Concert Orchl
l Pique Dame Overture — Part II Victor Concert Orchestra)
Pirate Dreams (Lullaby) (Charles Huerter) Sophie Braslau
(Pirouette (Herman Finck) McKee’s Orchestral
l La Cinquantaine (Gabriel Marie) McKee’s Orchestra)
Pisanelle, La — Le Quai du Port de Famagouste
(The Quay of the Port of Famagusta) (Pizzetti) T oscanini-La Scala O
PITT, PERCY (Conductor) and SYMPHONY ORCHESTRA
Gotterdammerung — Siegfried’s Journey Parti and Part II — Wagner
Siegfried — Forest Murmurs Part 1
PLACE, WILLIAM. JR.. Mandolin
Believe Me. if All Those Charms
PLANCON, POL, Bass (Plan-sohn)
PLANQUETTE, JEAN ROBERT
Wrote popular light operas. See 4
Number
<U
N
3 E
— j a.
17794
10
.75
35601
12
1.25
45193
10
1.00
35423
12
1.25
35193
12
1.25
35194
12
1.25
64513
10
1.25
89118
12
2.00
35569
12
1.25
18298
10
.75
64757
10
1.25
18223
10
.75
64952
10
1.25
55167
12
1.50
55168
12
1.50
17416
10
.75
and Part II — Wagner
and Annie Laurie — Harp — Schuetze
(See “Plan^on” in Pink Section)
(Plahn-ket') (Born in Paris, 1848; died, 1903).
Chimes of Normandy” and “Regiment de Sambre”
(Plantation Lullaby (Stevens-Gillette-Holmer)
l Tuck Me to Sleep (In My Old ’Tucky Home)
PLANTATION SONGS — See also “Negro Songs,
PLANTATION TRIO — Banjos and Guitar
Dixie Girl March (Lampe) and Bunch of Rags-
PLAYS, Scenes from
For extracts from “ A Fool There Was" — " As You Like It" — “ Littlest
Girl" — “Merchant of Venice” — “ Much Ado” — see “Hilliard" and
“Shakespeare"
(Play That ‘Song of India’ Again (Wood-Bibo)
l Those Days Are Over (Sterling-Moran-Von Tilzef)
(Please Keep Out of My Dreams (Bayes- Maxwell)
l Broken Doll (Harris-Tate)
Poet and Peasant Overture (von Suppe)
By Victor Concert Orchestra, Part 1 and Part II — Victor Orchestra
By Arthur Pryor’s Band and Chimes of Normandy Sel. — Pryor's Band
By Pietro Accordion and Pique Dame Overture — Pietro
Hart-Shawl
Dalhart and Trio)
“Southern Songs”
-Van Eps
C. Harrisonl
Campbell-Burr)
Nora Bayes 1
Nora Bayes)
18807
10
16667
10
18877
10
45136
10
35509
12
16385
10
35569 12
.75
.75
.75
1.00
1.25
.75
1.25
VICTOR RECORDS
POLICE BAND OF MEXICO CITY
Felix Diaz March (Presa) and Light Cavalry Overture (von Suppi) Soust
Semiramide Overture (Rossini) and Marche Slave (Tschaikowsky) Pryo
Polichinelle Serenade (Kreisler) Violin Fritz Kreisler
(Poli Pumehana — Press Me to Thy Bosom Toots Paka Troupel
l Ko Maka Palupanu ( Soft Eyes ) Toots Paka Hawaiian Troupe )
Polish Dance (From “Drei Slavische Tanze”) (Zimbalist) Zimbalist
(Polish Dance (Scharwenka) (Orchestra with bird voices) Chas. Kellogg]
l Flower Song (Lange) Charles Kellogg I
(Polish Dance, No. 1 (Scharwenka) Xylophone William H. Reitz)
l Cupid’s Arrow — Concert Polka Banjo Fred Van Eps)
Polish Dance — Kujawiak (2d Mazurka) (Wieniawski) Violin Powell
(Polish Dance (Wieniawski) (Orchestra with bird voices) Kellogg)
l Sylvia Ballet — Pizzicato (Delibes) Charles Kellogg )
POLITICAL ADDRESSES
RECORDS BY WARREN G. HARDING, President of the United States
Address at Hoboken, May 23rd, 1921 , and Address at Washington, Nov. 1 2 th, 1921
RECORDS BY WILLIAM HOWARD TAFT, Former President of the United States
Labor and Capital— W. H. Taft and Who Are the People — W. H. Taft
RECORDS BY WOODROW WILSON— Ex -President of the United States
Address to the Farmers and Democratic Principles — Woodrow Wilson
Labor — Woodrow Wilson and The Tariff " — Woodrow Wilson
RECORDS BY THE LATE THEODORE ROOSEVELT
Farmer and the Business Man — Theodore Roosevelt
and Why the T rusts and Bosses Oppose the Progressive Party — T. Roosevelt
Polka de W. R. (W. Rachmaninoff) Piano Sergei Rachmaninoff
POLKAS FOR DANCING — See “ Dance Records"
POLLAIN, FERNAND— Violoncellist
Serenade (Piern6) and The Butterfly (Le Papillon) d’Hervelois
(Pollyanna and the Boy (From the Novel by Mrs. Porter) Hamlin)
l Pollyanna Arrives (Reading) Sally Hamlin J
(Pollyanna Arrives (From the Novel by Mrs. Porter) Sally Hamlin)
l Pollyanna and the Boy (Reading) Sally Hamlin)
(Polonaise (W. Andreef) Balalaika with Piano Alexander Kirilloff)
l Czardas (IV. Andreef) Balalaika with Piano Alexander Kirilloff)
Polonaise (Vieuxtemps, Op. 38) Violin Maud Powell
Polonaise Militaire (Chopin) (Op. 40, No. l) Paderewski
(Polonaise Militaire (Chopin) Vessella’s Italian Band)
l Carnival Romain Overture (Berlioz) Victor Concert Orch J
(Po’ Mo’ner Got a Home at Last Fisk Jubilee Quartet)
l The Old Tunes (Dunbar) Rev. J. A. Myers J
(Pomp and Circumstance March — Introducing “Land of Hope and 1
Glory” (Elgar) Pryor’s Band |
Dream Pictures— Fantasia with bell solo (Lumbye) Pryor’s Band)
PONCHIELLI, AMILCARE (Pohn-kee^ll'^e) (1834-1886)
Born Cremona, Italy. Pupil Milan Conservatory. Chapelmaster at Bergamo
First Opera, “I Promessi Sposi,” 1872. Best known as composer “ La Gioconda,'
but wrote many other works. For Compositions see “Gioconda.”
Poor Butterfly (From “The Big Show”) (Golden-Hubbell)
By Frances Alda 64653
By Fritz Kreisler Violin 64655
Popular Medleys — See “Medleys”
Number
Size!
List
prc.
35045
12
1.25
35167
12
1.25
64731
10
1.25
17867
10
.75
64562
10
1.25
45107
10
1.00
16855
10
.75
74326
12
1.75
45113
10
1.00
35718
12
1.25
35256
12
1.25
35252
12
1.25
35253
12
1.25
35250
12
1.25
74728
12
1.75
45158
10
1.00
35652
12
1.25
35652
12
1.25
73089
10
.75
64028
10
1.25
74530
12
1.75
35241
12
1.25
16843
10
.75
35247
12
1.25
1881.
1876,
10 1.25
1 01. 25
VICTOR RECORDS
Number ~ Us s
Ameri an Qt.
Avon Comedy
Four
Bayes
Bernard
Burr
Cawthorn
Clark
Collins-Harlan
Dalhart
Day
Dixon
Fields
Green
Orpheus Qt.
Feerless Qt.
Phillips
Roberts
Robyn
Shannon Four
Shaw
Hackel-Berge Or
Stanley
Steel
Sterling Trio
Van-Schenck
POPULAR SONGS OF THE DAY — For an alphabetical list of the songs issued
during the current year, see the Victor Monthly Supplements, and see also the follow¬
ing, in this catalogue.
Harris
Harrison, Chas.
Hart, Chas.
James, Lewis
Jones-Murray
Kaufman
Murray
(Popular Songs of Y esterday — Med. Waltz No. 1
1 Popular Songs — Medley Waltz {See “Medleys”) Hackel-Berge Or)
fPopular Songs of Y esterday — Med. Waltz No. 3 International Or)
l Popular Songs — Medley Waltz {See “Medleys”) International Or)
(Popule Meus (Palestrina-Damrosch) In Latin Victor Mixed Choi
l Gloria Patria ( Palestrina-Damrosch ) In Latin Victor Mixed Chorus)
PORTER, STEVE — Comic Songs and Specialties
Mr. Porter is one of the pioneer makers of talking machine records, having been
engaged in this work since 1897. He is a most versatile singer and comedian, and an ex¬
perienced male quartet member. His work in the American Quartet is of the greatest
value to that organization and his famous Irish and other dialect specialties have been
much enjoyed by lovers of clean comedy.
PORTER RECORDS
Walker
Young
[ 35713
12
1.25
j> 35716
12
1.25
| 17548
10
.75
Christmas Morning 16936
O'Brien’s Automobile 16016
Duets in which
Mr. Porter sings
lrish-Dutch Argument 16322
(Portuguese Songs, Medley of Serra-Moura Mandolin Qt)
l Lisbon Fantasie Serra-Moura Mandolin Qt)
Postilion (2) Lullaby (Lithuanian Folk Song) (3) Spanish
Gypsy (Spanish Folk Song) (4) Linden Tree Wheeler [
Pull a Cherry (2) Nightingale (3) Fire ( 4 ) See-Saw E. Wheeler)
POTTER, PAULINE— Fairy Tales
Cinderella and Little Red Riding Hood (.Fairy Tales) Pauline Potter
Poupee Valsante (Waltzing Doll) (Poldini-Hartmann) Violin Powell
fPoupee Valsante (Waltzing Doll) (Poldini) Herbert’s Orchestral
I At Dawning (Chas. Wakefield Cadman) Herbert’s Orchestra)
Pourquoi? (Tell Me Why?) French (Heine-Tschaikowsky) Caruso
Pour un baiser (For a Kiss) (Tosti) In French Enrico Caruso
POWELL, MAUD, Violinist — (See “Powell” in Pink Section)
(Praeludium (Jarnefelt) Victor Concert Orchestral
l Berceuse ( Jarnefelt ) Victor Concert Orchestra)
Praise God From Whom — See “Doxology”
(Praise Ye the Father — Anthem (Gounod)
l Onward Christian Soldiers (Sullivan)
(Preacher and the Bear (Arzonia)
l Bake dat Chicken Pie ( Dumont )
(Precious Name, The (Baxter- Doane)
l Happy Day ( Doddridge-Rimbault )
Preguntale a las Estrellas (Go Ask of the High Stars Gleaming)
(Mexican Folk Song) Spanish Emilio de Gogorza
Prelude in C Sharp Minor (Rachmaninoff, Op. 3, No. 2)
By Sergei Rachmaninoff Pianoforte
By Julius L. Schendel Piano and Liehestraum (Liszt) Schendel
By Victor Concert Orchestra and Midsummer Night's Dream Victor Orch
Prelude in G Major (Rachmaninoff, Op. 32) Piano Rachmaninoff
Irish Repartee 16017
Two Jolly Sailors 17418
Two Rubes Swapping 16849
Trinity Choir 1
Trinity Choir)
Arthur Collins)
Collins and Harlan)
Trinity Choir)
Trinity Choir )
72315
10
.75
18330
10
.75
35447
12
1.25
64734
10
1.25
45170
10
1.00
87271
10
1.25
87042
10
1.25
18323
10
.75
16419
10
.75
17221
10
.75
17499
10
.75
64597
10
1.25
66016
10
1.25
35486
12
1.25
35625
12
1.25
74645
12
1.75
VICTOR RECORDS
Humber
N
35
3 S
— J o.
Prelude in G Sharp Minor (Rachmaninoff, Op. 32) Rachmaninoff
64963
10
1.25
Prelude in G Minor (Rachmaninoff, Op. 23)
Piano Rachmaninoff
74628
12
1.75
Preludes (Chopin) (For Chapin Preludes see “
Chopin")
P rends Moi ! Valse (Fyscher) Olga Munkacsy’s Orchestral
18071
10
.75
The Old Gypsy (A \>en czigany) Olga
Munkacsy’s Orchestra)
President Harding March (Azzolina)
U. S. Marine Bandl
18768
10
.75
National Capital Centennial March (Santelmanri) U. S. Marine B)
Pretty Indian (La India Bonita) — Fox Trot
International Orchl
73259
10
.75
The Colombine {La Colombina) — Fox Trot
International Orch)
Pretty Kitty Kelly (Pease-Nelson)
Charles Harrison\
18679
10
.75
Drifting {Lamb-Polla)
Peerless Quar/e/J
\
PREVE, CESARE {Pray' -veh) Bass — See
PRICE, HENRY ALLAN. Entertainer
‘Forza del Destino'
Knee-Deep in June 35188
Little Orphant Annie 1 683 1
Aunt Shaw’s Pet Jug 1683 1
Camel and the Butter¬
fly (2) Elephant 16694
PRINCE, ALEXANDER— Concertina Records
Diadem Quick-Step and Honest Toil March
Prince Igor — Coro di donne (Chorus of the Tartar Women) (Borodin) j
Italian Metropolitan Opera Chorus f
Moo Cow Moo (2)
His New Brother 16863
Tin Gee Gee 16694
Prince Igor — Coro e danza Italian
Prince of Pilsen (Gustav Luders)
Message of the Violet — Kline
College Days — Shannon Four
Prince of Pilsen — Gems from
Metropolitan Opera Chorus]
and
and
17345 10
18792 10
75
75
35329 12
16919 10
17651
10
Lullaby from Erminie — Elsie Baker
Auld Lang Syne — Peer lees Quartet
Victor Light Opera Co
“Welcome”- — “Stein Song" — “The Message of the Violet" — “The
Pretty City Widow”— “Sweetheart, I’ll Love You Forever"
Gems from “The Red Mill” { Herbert ) Victor Light Opera Co.
( Prince of Pilsen Selection Sousa’s Bandl
\ Robin Hood Airs Pryor’s Band)
PRINCETON COLLEGE. Songs-See “Old Nassau,” “Orange and Black
(Private Tommy Atkins — Medley March Victor Military Bandl
l It’s a Long, Long Way to Tipperary — Medley March Victor Band)
Prize Song — Meistersinger - See “ Meistersinger”
Procession, La (Brizeux-Franck) In French Enrico Caruso
Proch’s Air and Variations Flute obbligato In Italian Tetrazzini
Proch’s Air and Variations Flute obbligato In Italian Galli-Curci
Prodigal Son — How Many Hired Servants (Sullivan) Williams
{Professor’s Birthday (Smith) Avon Comedy Fourl
Ginsberg’s Stump Speech Avon Comedy Four)
(Profiteering Blues (AI. Wilson-Irving Bibo) Billy Murray 1
l Oh ! By Jingo l ( Lew Brown-A. Von Tilzer) Margaret Young)
PROPHETE — PROFETA — PROPHET (Paris, 1849) (Meyerbeer)
(See Victrola Book of the Opera for complete illustrated description)
Ah, mon fils I (Ah, my Son I) In French Schumann-Heink
Inno — Re del cielo (Triumphal Hymn) In Italian Francesco Tamagno
Coronation March and Carmen Selection — Vessella’ s Italian Band
Coronation March — Pryor’s Band and IVedding March (Sousa) Sousa’s B
Prison Scene — Part 11 In French Schumann-Heink
Prophet, The (Poushkin-Rimsky-Korsakow) Feodor Chaliapin
PRYOR, ARTHUR — Compositions- — See “Artful Artie,” “Blood Lilies,” “Coon Band
Contest,” “In Lover’s Lane,” “On Jersey Shore” and “Whistler and His Dog"
18037 10
45133 10
88556 12
88307 12
74557 12
74127 12
35606
18666
12
10
88187 12
95005 10
35610 12
35683 12
88095! 12
88655 12
.75
1.00
1.25
.75
.75
1.75
1.75
1.75
1.75
1.25
.75
1.75
5.00
1.25
1.25
1.75
1.75
VICTOR RECORDS
PRYOR, ARTHUR, Trombone Solo*
Cujus Animam 35157 Mr. Pryor also plays in
Oh, Dry Those Tears 16800 Good Night Beloved 17109
Trovatore-Miserere 16371
PRYOR’S BAND, ARTHUR PRYOR, Conductor
Pry or‘s Band has settled into its permanent place as one
of the greatest bands in the world, under the leadership of the
brilliant conductor and composer, Arthur Pryor.
At the engagements of the band at Asbury Park, and Willow
Grove in Philadelphia, at Miama, and elsewhere, this organi¬
zation has played to millions of people. Mr. Pryor’s Victor
audience is a still larger one, and the superb Pryor Victor
records are enjoyed in every part of the world.
PRYOR BAND RECORDS— S,
Aida Selection 35195
Aloha Oe and Ha¬
waii Ponoi 18579
America Forever 35112
American Eagle 16089
American Fantasie 35119
American Pat. Airs 16137
Amina — Serenade 16959
Angel of Love 16391
Arcadians — Melodies 1 6923
Arkansaw Traveler 18055
Artful Artie 16021
Auld Scotia 35224
Bartered Bride 35148
Battleship Conn.
March 16113
Blaze Away March 16307
Blue Danube Waltz 1 7228
Boheme Selection 35077
Bohemian Girl Over 16287
Bohemian Girl Sel. 35081
Bombasto March 16316
Boston Command. 16817
Breezes of the Night 16112
Capitan March, El 35389
Cappa’s 7th Regim 17080
Casse Noisette 16974
Cavalleria Selection 35104
Chimes of Normandy 16385
Chocolate Soldier 16473
Cosmopolitan Over 35282
Creme de la Creme 35263
Czarine Mazurka 16287
Day at West Point 16021
Dead March (“Saul ”) 16980
Death of Custer 35028
Dixie 16819
Dream of Wagner 35230
Dream Pictures 35247
Flatterer, The 35022
Forest Whispers 16113
Forge in the Forest 17231
Fortune Teller 35224
Forza del Destino 35215
Fra Diavolo Over 35109
Frangesa March 16760
Funeral March 35157
Garde du Corps Mch 1 7957
“ Band Records”
Gen. Mix-up, U.S. A. 17142
Georgia Sunset 16796
Girl I Left Behind 18055
Glow-Worm 35344
Guard Mount 16316
Happy Days March 16001
Humoresque 16974
Hungarian Rhap. 35122
In Lover's Lane 17227
Italian Riflemen 16796
Ivanhoe Two-Step 16112
Japanese Nat. Air 67066
Jolly Coppersmith 16396
Jolly Fellows Waltz 35161
Jolly Robbers Over 35077
Kentucky Kut-Ups 16755
King Cotton March 16386
King of Rags 16821
Land of the Maple 1 6593
Lights Out March 18498
Madame Butterfly 35148
Marche Heroique 16980
Marche Slave 35167
March Shannon 17110
Marriage of Figaro 35109
Marsovia Waltzes 16069
Marsovia Waltzes 35112
Martha Overture 35133
Merry Widow Walt 16024
Messiah— Hallelujah 35484
Monastery Bells 16397
Moon Winks 16069
Morning in Noah’s
Ark 16955
Mr. Rooster March 16955
My Md. Fantasia 35028
Naila Intermezzo 35134
Narcissus 16029
National Emblem I 7957
Nearer My God 16817
New Tipperary Mch 16024
Norma Overture 35166
Oberon Overture 35166
Officer of the Day 16386
Oh, Dry Those T’rs 16800
Orpheus in Hades 35215
Our Director Mch 16795
Over the Waves 16529
Peer Gynt Suite 35007
Poet and Peasant 16385
Pomp and Circum¬
stance 35247
Prophete — Corona¬
tion 35683
Rainbow Division 18559
Rienzi Overture 35387
Robin Hood Airs 16919
Romeo — Selection 35234
Royal March of Italy 16136
Royal Trumpeters 16273
Samson and Delilah 35234
Saul — Dead March 16980
Scarf Dance 35022
Second Conn. Mch 16416
Seventh Reg. Mch I 7080
Shepherd’s Life 35282
Skyrocket March 1 7080
Soldiers of King I 7639
Southern Roses 35289
Southern Roses 16395
Souv. de Beethoven 35263
Stabat Mater 16918
Standard Bearer 16307
Stars and Stripes 35389
Sunny South Med. 16819
Swedish Guard Mch 16875
Tannhauser 16537,35331
Teddy Bears’ Picnic 16001
Traviata Selection 35076
Trovatore Selection 35076
Universal Peace 1 7229
Vienna Beauties 16522
Virginia One-Step 16003
Warbler’s Serenade I 7380
Wedding of Winds 16387
Whispering Flowers 35161
Whistler and His Dog I 7380
Wm. Tell— See
’’William Tell"
With Sword and
Lance
16397
Woodland Whisper¬
ings
35217
Yankee Shuffle
16795
Yelva Overture
35081
Yule-Tide Fantasia
35261
Pr
VICTOR RECORDS
l
and American Eagle March — Pryor’s Band
Harry E. Humphrey!
Humphrey)
Louise-Ferera!
Louise- Ferera!
Hawaiian Quintette!
Hawaiian Quintette J
E. K. Rose!
E. K. Rose)
Number
Size
122 a.
16089
10
.75
18161
10
.75
18087
10
.75
18575
10
.75
35622
12
1.25
PRYOR’S ORCHESTRA
Loveland Waltzes
/Psalm of Life, A (Longfellow)
Village Blacksmith ( with organ, chimes and anvil)
{Pua Carnation — One-Step Hawaiian Guitars
Maui Aloha — One-Step Hawaiian Guitars
(Pua i mohala (My Love is Like a Flower)
\ Akahi hoi (/ Love But Thee ) (Kalakaua)
/Pua Sadinia (Gardenia Flower) ( Ukulele accompaniment )
X Aloha Oe ( Farewell To Thee)
PUCCINI, GIACOMO {Poo- c hee' - nee) (B. Lucca, 1858.) Most noted of living Italian
operatic composers.
See “Boheme," “Gianni Schicchi,” “Girl of the Golden West,” “Madama Butterfly,”
“Manon Lescaut" and “Tosca”
/Pucker Up and Whistle (Till the Clouds Roll By) Murray!
X Home Again Blues {Berlin-Akst) Aileen Stanley!
/Pull a Cherry (2) The Nightingale, etc. Elizabeth Wheeler!
Postilion {2) Lullaby ( 3 ) Spanish Gypsy (4) Linden Tree Wheeler! \
/Pull the Cork Out of Erin (Burkhardt-Fisher) Nora Bayes
\ Daniel in the Lions ’ Den Nora Bayes
PURITANI, I (Poo-ree-tah' -nee) The Puritans (Paris 1835) (Bellini)
Quartet and Mirella Overture — Allegro ( Gounod) Vessella’ s Band
Qui la voce (In Sweetest Accents) In Italian
Qui la voce (In Sweetest Accents) In Italian
/Pussyfoot March (Fox Trot) Saxophone Sextet
l Bull Frog Blues Saxophone Sextet
/Put On Your Old Grey Bonnet (Wenrich)
l It’s Hard to Kiss Your Sweetheart When the Last Kiss Van Brunt!
/Put on Your Slippers and Fill Up Your Pipe (VonTilzer) Jonesl
( If it Wasn’t for You Ada Jones-Billy Murray!
Puzzle Record — See “ Conundrum
Marcella Sembrich
Amelita Galli-Curci
Brown Bros!
Brown Brothers!
Hayden Quartet!
Q
Quaker Girl, The — Gems from Victor Light Opera Company
Chorus, “The Dear Little Quaker" — Solo, “Tony from America" — ■
Duet, “A Dancing Lesson" — Chorus, “Tiptoe” — Solo, “A Quaker
Girl” — Solo, “Come to the Ball” — Finale (Ross-Greenbank-Monckton)
Gems from “Madame Sherry’’ Vidor Light Opera Company.
/Quartet for Strings — Molto Lento (Rubinstein) Victor String Qt!
I Quartet in C Minor — Scherzo (Beethoven) Victor String Quartet!
Quartet in A Major — Theme and Variations (3rd Movement)
(Beethoven) Flonzaley Qt
Quartet in A Major — Assai agitato (Schumann) Flonzaley Qt
Quartet in A Minor — Scherzo (Schumann) Flonzaley Quartet
Quartet in C Major — Fugue (Op. 59, No. 3) (Beethoven) Flonzaley Qt
Quartet in C Minor — Allegretto (Brahms, Op. 51, No. 1) Flonzaley Qt
/Quartet in C Minor — Menuetto (Beethoven) Victor String Qt!
l Quartet in F Major — Scherzo ( Beethoven ) Victor String Quartet!
/Quartet in C Minor — Scherzo (Beethoven) Victor String Quartet!
l Quartet for Strings — Molto Lento ( Rubinstein ) Victor String Qt!
18760
45123
68471
88105
74558
18097
16377
18205
35410
35506
74754
74710
74578
74592
74685
17964
35506
10
10
10
10
10
12
75
.75
1.00
1.25
1.75
1.75
.75
.75
.75
1.25
1.25
1.75
1.75
1.75
1.75
1.75
.75
1.25
VICTOR RECORDS
Quartet in D Major-Allegro Moderato (Haydn, Op. 64) Flonzaley Qt
Quartet in D Major — Adagio cantabile (Haydn) - Flonzaley Qt
Quartet in D Major — Andante (Mozart) Flonzaley Qt
Quartet in D Major — Menuet (Mozart) Flonzaley Qt
Quartet in D Minor — Allegretto ma non troppo (Mozart) Flonzaley Q
Quartet in D Minor — Menuetto (Mozart) Elman String Quartet
Quartet in E Flat — Allegro (Finale) (von Dittersdorf) Elman String Qt
Quartet in EFlat — Canzonetta (Op. 12) (Mendelssohn) Flonzaley Qt
Quartet in E Flat — Menuetto (Mozart) Elman String Quartet
Quartet in E Minor — Allegro Moderato (Smetana) Flonzaley Qt
Quartet in E Minor — Scherzo (Mendelssohn) Flonzaley Qt
(Quartet in F Major — Scherzo (Beethoven) Victor String Qtl
l Quartet in C Minor — Menuetto ( Beethoven ) Victor String Quartet)
Quartet in G Major — Andante (Dittersdorf) Elman String Quartet
Quartet in G Major — Finale (Mozart) Flonzaley Quartet
Quartet No. 3, in E Flat Minor-Scherzo (Op. 30) Flonzaley Qt
Quartets from Rigoletto and Boheme — See those operas
QUARTETS, INSTRUMENTAL— See “Athenian Mandolin Quartet.”
“Brass Quartets,” “Florentine Qt.,” “Grieg Instrumental Qt.”
“String Quartets,” “Vienna Qt.” and “Weidoeft-Wadsworth Qt.”
QUARTETS, MALE — See American, Avon Comedy Four, Chicago
Glee Club, Criterion, Fisk, Hayden, Imperial, Orpheus, Peerless,
Shannon Four, Victor and Whitney Quartets
QUARTETS, Mixed Voices — See “Lyric,” “Educational” and “ Hymns ’
QUARTETS, WOMEN’S VOICES— See "That Girl” Quartet
{Queen Among the Heather — Scotch Specialty Sir Harry Lauder)
Bonnie Leczie Lindsay Sir Harry Lauder )
QUEEN OF SHEBA (Paris, 1862) (Gounod)
Prete-moi ton aide (Lend Me Your Aid) In French Enrico Caruso
Lend Me Your Aid — Air In English Evan Williams
QUEEN OF SHEBA (Vienna, 1875) (Goldmark)
Magiche note (Magic Tones) In Italian Enrico Caruso
Querida (My Darling) (Spaeth-Seismit-Doda) In Spanish Ruffo
{Quickstep 6-8 March ( “Bonnie Briar Bush ” and “ Steady Step ") 1
Field Music 7th Regt. N. Y. National Guard?
Army 2-4 March Field Music 7th Regt. N. Y. National Guard J
Quilting Party (Seeing Nellie Home) (Fletcher) Mabel Garrison
Quintets, Vocal — See “Hawaiian,” “Boston Quintet” and “Heidelberg
(Rabbit Hash — “Darky” nonsense Billy Golden)
l Arfcansaw Traveler ( Violin Specialty ) Len Spencer)
RACHMANINOFF, SERGEI ( Rach -mah' -nee-noff) See Pink Section
(Rackety Coo! (From “Katinka”) (Haverbach-Friml) Alice Green)
l Kiss Me Again (From “Mile. Modiste”) Alice Green)
fRadetzky March (Strauss) Conway’s Ba
\ Rafyoczy March Conway ’s Bi
(Radiance in Your Eyes, The (Novello) Werrenr*
l Smiles (Callahan- Roberts) Lambert Mart
Number
Size
List
prc.
74726
12
1.75
74746
12
1.75
74579
12
1.75
74596
12
1.75
74652
12
1.75
64661
10
1.25
64671
10
1.25
64784
10
1.25
74576
12
1.75
74634
12
1.75
74755
12
1.75
17964
10
.75
74525
12
1.75
74693
12
1.75
64889
10
1.25
45208
10
1.00
88552
12
1.75
64096
10
1.25
87041
10
1.25
87331
10
1.25
18299
10
.75
64815
10
1.25
16199
10
.75
17954
10
.75
67965
10
.75
45155
10
LOO
VICTOR RECORDS
(Radiant Morn — Anthem (Woodward) Lyric Quartet)
\ Glory Song (Oh, That Will Be Glory ) (Gabriel) Criterion Quartet I
Raff’* Cavatina (J. Raff) See “ Cavatina”
Raggedy Man (“Rhyme* of Childhood”) (James Whitcomb Riley)
By James Whitcomb Riley and Little Orohant Annie {from" Afterwhiles’') Riley
By Sally Hamlin and Our Hired Girl (Riley) Sally Hamlin
(Ragging the Scale — Fox Trot (Claypoole) Banjo
l Eldorado March ( Victor Herbert) Xylophone
(Rag Pickings (Arr. by Van Eps) Banjo
l U. S. A. Patrol (Peck;) Xylophone
(Ragtime Drummer (Lent) Drum
l Iffa-Saffa-Dill (Brown) Xylophone
Van Eps)
IVm. H. Reitz)
Fred Van Eps)
William H. Reitz )
James I. Lent)
Wm. H. Reitz)
Number
►j
t/5
List
prc.
35014
12
1.25
45190
10
1.00
18276
10
.75
18085
10
.75
16934
10
.75
17092
10
.75
RAGTIME MUSIC — Instrumental See the following; titles — also “Medleys”
Buffalo Rag
Bunch of Rags
Classical Spasm
Delirious Rag
Desecration Rag
Dill Pickles Rag
King of Rags
Laughing Rag
| Ragtime Volunteers Are Off to War
Southern Gals
| Railroad Blues
Rainbow (Bryan-Wenrich)
Fox Trot (Roberts)
Bow Wow Blues — Fox Trot (Friend-Osborne)
Rag Pickings That Moaning Saxo-
Ragtime Drummer phone Rag
Red Pepper Tiger Rag
Russian Rag Trilby Rag
Van and Schenck)
Van and Schenck)
Benson Orchestral
Dixieland Jass Band)
{
Billy Murray and Hayden Qt)
Red Wing (Mills) (With Quartet Chorus) Dudley and Macdonough)
(Rainbow Division March (Nirella) Arthur Pryor’s Band)
Spirit of Independence March ( Holtzmann ) Conway’s Band J
Rainbow of Love (Kirk-Ferrari) John McCormack
{Rain Tuahine — Rain of Manoa Toots Paka Hawaiian Troupe)
Toots Paka Medley Tools Paka Hawaiian Troupe)
Rakoczy March — Hungarian March (“Damnation de Faust”) (Berlioz)
By Toscanini and La Scala Orchestra
By Maier-Pattison (Duet for Two Pianos) and Scherzo (Arensky) Pianos
By Conway's Band and Radetzky March (Strauss) Conway's Band
By Orchestra Symphonique and Menuet des Follets — Orch Symphonique
Rally ’Round the Flag — See “Battle Cry of Freedom”
Rameaux — The Palms (Jean B. Faure) See also “Palms”
By Pol Plan^on (Bass) In French
By Marcel Joumet (Bass) In French
By Enrico Caruso (Tenor) In French
By Edmond Clement (Tenor) In French
RATTAY, HOWARD. Violinist
Mr. Rattay, who is one of the most prominent violinists of
Philadelphia, is a pupil of Joachim, having spent several years under
the tuition of that distinguished master of the violin. Several years
ago Mr. Rattay was persuaded to become the concertmeister of the
Victor Orchestra, and his splendid work in that organization is
familiar to Victor audiences, both in his solos and in the accom.
paniments for Victor singers. Mr. Rattay also plays in the i
“Florentine Quartet,” “Neapolitan Trio” and “Venetian Trio”
18340
10
.75
18850
10
.75
17233
10
.75*
18559
10
.75
64732
10
1.25
18582
10
.75
74695
12
1.75
45311
10
1.00
67965
10
.75
35462
12
1.25
85020
12
1.75
74037
12
1 .75
88459
12
1.75
74319
12
1.75
RATTAY
Cavatina
Fifth Nocturne
Largo (Handel)
\ Razzber ries — One-Step
For Duets and Trios, see
Angel's Serenade 16410
16051
16410
16313
Banjo- Piano-Saxophone
Birds in Forest
Sweet Longings
16296
35700
The Darktown Strutters’ Ball — Fox Trot
Van Eps Trio)
Six Brown Brothers)
18376 10 .75
VICTOR
RECORDS
Humber
►4
t/5
«■>
=3 a.
Rebecca (Came Back from Mecca) (Kalmar-Ruby) Monroe Silver)
My Old New Jersey Home ( From “The Rose Girl”) Billy Murray)
18748
10
.75
I
RECITATIONS, Dramatic — See also
“Riley” and “Shakespeare”
‘Battis,” “Burbeck,” “Humphreys,” “Myers,”
55057
Gunga Din
Lasca (Deprez)
Littlest Girl
Our Hired Girl
Raggedy Man
55057
35090
55099
18276
18276
See also " Uncle Josh.” For Comic Monologues see
Guest,” “Hamlin,” "Hill,” “Hitchcock,” “Kelly.”
Little Orphant Annie 45190
Man Who Fanned
Casey
Moo Cow Moo (2)
His New Brother
No News
Small Boy and His
Mother 16413
35290
16863
17222
(Drigo)
X
Boots (Kipling)
Christmas Day in
Workhouse 55100
Daddy (2) That
Little Chap 17478
Granny’s Laddie 55173
RECITATIONS, Humorous
“Bingham,” “Cahill,” “Case,
“Taggart” and “Wills”
Aunt Shaw’s Pet Jug 16831
Bear Story 35378
Camel and the But¬
terfly 1 6694
Casey at the Bat 35290
If I Could Be By Her 45073
Knee-Deep in June 35188
Little Orphant Annie 16831
(Reconciliation Polka (From “Les Millions d’Arlequin”)
Victor Concert Orchestra
Spanish Dance in G Minor (Mosz^owshi) Victor Concert Orchestra
/Redemption — Unfold Ye Portals (Gounod) Trinity Choir-!
Angels Ever Bright and Fair ( Handel ) Lucy Isabelle Marsh )
RE DI LAHORE (King of Lahore) (Massenet) ( Sung in Italian)
O casto fior (Oh What Promise of a Joy Divine) Titta Ruffo
O casto fior (Oh What Promise of a Joy Divine) Mattia Battistini
Red Mill, Gems from (Blossom-Herbert) Victor Light Opera Co
"Enough of Work" — "Moonbeams Shining" — " When You're Pretty
and the World's Fair” — “Good-a-Bye John” — " Because You're You ”
— “ The Streets of N ew York ”
Gems from ‘ * Prince of Pilsen ’ ’ ( Luders ) Victor Light Opera Co
/Red Pepper — A Spicy Rag (arr. by O’Hare) Banjo Van Eps)
1 The Lobsters’ Promenade — Humoresque Banjo Fred Van Eps )
Red, Red Rose (Cottenet) Alma Gluck
/Red, Red Rose (Rogers-Cook) Clough and Hayden Quartet)
l My Wild Irish Rose Macdonough and Hayden Quartet )
RED SEAL RECORDS (For complete list see Pink Section)
All records priced al$l .25 or above are Red Seat records, with the exception of
the following :
Numbers beginning 35 and 68, which are Black Label, double-faced, $1.25
Numbers beginning 55, which are Blue Label, double-faced, $1.50
Numbers beginning 70, which are Purple Label. 12-inch, $1 .25
Red, White and Blue — See “Columbia, Gem of the Ocean”
/Red, White and Blue (Arthur-Hirsch) Peerless Quartet)
l When You Wore a Tulip and I Wore a Big Red Rose American Qtl
/RedWing (Mills) (with Quartet Chorus) Dudley and Macdonough)
l Rainbow (Bryan- Wenrich) Billy Murray and Hayden Quartet)
REED, JAMES, Tenor
Scenes from "A Fool
There Was” 55100
To My Son (2)
Mother’s Love 17478
When Malindy Sings 35545
Sugar Plum Tree 18599
Tar Baby 17996
Three Trees 17222
Tin Gee Gee 16694
Wynken, Blynken
and Nod 18599
35644
12
35075
12
88639
12
88649
12
35329
12
17033
10
64321
10
35085
12
17652
10
17233
10
1.25
1.25
1.75
1.75
1.25
.75
1.25
1.25
.75
.75
Duets in which Mr. Reed My Little Dream
Sings Girl 1 7789
Fair Hawaii 18032
REELS — See “ Dance Records — Reels ”
Regimental Marches — See “ National Airs — Great Britain ”
Somewhere M y Love 18214
There’s a Long Trail 17882
VICTOR RECORDS
Regiment de Sambre et Meuse (Planquette) French Caruso
Re ^Regiment de Sambre et Meuse (French March) Victor Band)
Number
88600
17712
.22 Si
— J a
1.75
.75
Le Pere de la Victoire ( Father of Victory March) ( Ganne ) Victor B)
REGINA DI SABA — Reine de Saba — See “Queen of Sheba”
REGIS, GEORGES, Tenor— See “Mignon,” “Wm. Tell”
REICHL, John, Zither — See “Longing for Home” and “Shepherd Boy”
REIMERS, PAUL, Tenor ( Ry'-mers )
Mr. Reimers, who has for years played an important role in
Europe, both as a lieder singer and as soloist at important oratorio
performances and who has been acclaimed by the press as one
of the finest interpreters of Beethoven and Schubert, has made a
very great success in America in recitals and other concerts.
Musical America has said of Mr. Reimers’ singing :
"His voice has flexibility and sweetness of lyrical quality and his
singing shows much artistic discretion, refinement of style and
tastefulness in phrasing and nuance."
The series of records, both solos and some charming duets with Mme. Gluck, which
this singer has made for the Victor, have been very successful.
REIMERS RECORDS For Duets with Alma Gluck, see "Gluck'
Du hist wie eine
Blume 45060
I Wonder How 45134
Memories 45134
REIMERS
Auf Fliigeln des
Gesanges
Coeur de ma mie
Dimanche a l’aube
45065
45063
45063
in Pink Section.
Phyllisunddie Mutter45062
Standchen (Schubert) 55045
To Mary 45062
Wohin? (Whither?) 45065
Reine de Saba — See “Queen of Sheba’
REITZ, W. H. ( Rights ) Bell and Xylophone Solos
It has always been the impression of the average xylophone
player that he alone among instrumental soloists was privileged to
“drop” notes ad libitum — at least so audiences have come to
believe! But Mr. Reitz has shown, in the series of records he
has made for the Victor, that accuracy is just as possible in
“ wooden music ” as with other instruments.
The Reitz-Victor xylophone records are the finest ever made
anywhere, both in tone and accuracy of playing. Mr. Reitz has
played a number of charming selections on the orchestra bells.
REITZ
Bell Solos
Brightest Days
Gavotte 16428
Cupid’s Garden 18018
Dance California 17357
Heather Bells 17178
Little Flatterer 17337
Menuett (Gluck) 17917
Spoontime Two-Step 17337
Sunbeam Dance 16678
Xylophone Solos
Blood Lilies 17457
Buffalo News March 17357
Carmen Selection 16892
Charmer. The 16917
Cinquantaine, La 18296
Dill Pickles Rag 16678
Dorothy (2) Gavotte 18216
Dream After the Ball 16428
Eldorado March 18085
Estudiantina Waltz 17050
Gavotte 17917
I ffa-Saff a-Dill 17092
Love’s Caprice 16917
Mocking Bird 16969
Moment Musicale 18216
Polish Dance 16855
Southern Melodies I 701 5
Turkish Patrol 16562
U. S. A. Patrol 16934
RELICARIO, EL (The Charm) (Jose Padilla)
ByTittaRuffo (Baritone) In Spanish
By Renato Zanelli (Baritone) In Spanish
By Blue and White Marimba B and One-Two-Three-Waltz Ferera-Franchini
Remember Me, Oh Mighty One (Sacred Words to air of
“ Soldier’s Farewell”) (Kinkel) Whitney Brothers Quartet ?
Galilee — Gospel Hymn Whitney Brolhers Quartet J
Remember the Rose (Mitchell-Simons) Elliot Shaw)
I Wonder If You Still Care for Me? {Smith- Snyder) Hart!
87341
.10
64954
10
18749
10
16430
10
18806
10
1.25
1.25
.75
.75
.75
Number
o»
C/5
List
prc.
18060
10
.75
35230
12
1.25
17476
10
.75
18607
10
.75
55075
12
1.50
88514
12
1.75
16261
10
.75
64217
10
1.25
66049
10
1.25
35668
12
1.25
89127
12
2.00
72812
10
.75
74602
12
1.75
74603
12
1.75
35387
12
1.25
18785
10
.75
64201
10
1.25
VICTOR RECORDS
[Remembrance of Gatshina — Valse (Andreeff) Balalaika Orch)
l On IVings of Song Imperial Russian Balalaika Court Orchestra )
Reminiscences of Verdi Sousa’s Band
Rigoletto, “Della mia incognito,” Act 1 — Rigoletto, "Tuttelefeste,” Act
11— Trovatore, “Miserere” — Traviata, “Dell’ invito trascorsas,” Act I —
Traviata, “Libiam nei lied”
Dream of Wagner — Fantasie on Wagner’s Operas Pryor’s Band.
RENAUD, MAURICE, Baritone (See "Famous Artists” in Pink Sec.)
{Rendez-vous — Intermezzo (The Trysting Place) (Kemzak) Victor Or)
Wedding of the Rose — Intermezzo ( Jesse l) Conway ’s Band )
{Repasz Band— March (Chas. S. Sweeley) Conway’s Band]
General Pershing — March { Vandersloot ) Victor Band)
[Requiem Mass in C Minor Latin Victor Oratorio Chorus)
l Guide Thou My Steps {From “The Water Carrier”) Werrenrath )
Requiem Mass — Ingemisco (Sadly Groaning) (Verdi) Latin Caruso
Hayden Quartet)
Hayden Quartet )
Evan Williams
Hans Kindler
Victor Concert Orch)
[Rest for the Weary (McDonald)
l Shall We Gather at the River {Lowry)
Return of Spring (Robert Schumann)
Reverie (Dunkler, Op. 20) V ioloncello
[Reverie du soir (“Suite Algerienne”)
l Marche Militaire Frangaise {Saint-Saens) Victor Concert Orchestra)
Revoltosa, La-Por que de mis ojos (Romance) Spanish Bori-de Segurola
Rhapsodie Hongroise — See "Hungarian Rhapsody”
Rhyfelgyrch Gwyr Harlech (March of the Men of Harlech)
Welsh Glyndwr Male Choir
Gypsies’ Laughing Chorus In English Glyndwr Welsh Male Choir.
Rienzi Overture — Part I (Wagner) Philadelphia Orchestra
Rienzi Overture — Part II (Wagner) Philadelphia Orchestra
[Rienzi Overture ( Wagner) Arthur Pryor’s Band)
l Walkiire — Magic Fire Spell ( Wagner ) Vessella’s Band)
{Rifle Regiment March (Sousa) United States Marine Band)
Marine Corps Institute March {Branson) U. S. Marine Band)
Rigaudon (Monsigny) Violin Mischa Elman
RIGOLETTO {Rig-oh-let' -toh) {Sung In Italian unless otherwise noted)
Opera in three acts ; text by Piave, adapted from Hugo’s drama Le Roi s ’Amuse ;
music by Verdi. First produced Venice, 1851 ; London, 1853; Paris, 1857 ; N. Y., 1857.
The scene is laid in Mantua and vicinity in the sixteenth century.
The story tells of the gay and unprincipled Duke of Mantua, who is assisted in his
crimes by his jester, Rigoletto, a hunchback. The father of one of the Duke’s victims
is mocked by Rigoletto, and launches upon him a father’s awful curse, which stuns and
sobers the jester, as he, too, has a daughter, Gilda, unknown to the court. On his way
home Rigoletto meets a professional assassin, Sparafucile, who offers, for a price, to kill
any enemy he may have. Rigoletto says he may need him later. The Duke, in the guise
of a young student, has already met Gilda, not knowing who she is, and the young girl has
fallen in love with him. When Rigoletto has left the house the Duke’s courtiers abduct
Gilda and take her to the Palace. The father’s rage is terrible to witness, and he goes to
the Palace, but too late to save his daughter. She pleads for the Duke’s life, but Rigo¬
letto swears to kill him, and arranges with the assassin, Sparafucile, to accomplish the deed.
The Duke is lured to a lonely inn by Sparafucile’ s attractive sister, Maddalena, and is
about to be murdered when Maddalena, who has taken a fancy to him, begs for his life.
Sparafucile consents provided a substitute should happen along before midnight. Gilda,
whom Rigoletto had brought hither (disguised as a page) in order that she might witness the
VICTOR RECORDS
NMrt« ,-= 5 g.
PHOTO HALL
THE QUARTET - RIGOLETTO, ACT III
fickleness of her lover, has been listening to the conversation, and now resolves to save the
Duke's life at the cost of her own. She enters the hut, is stabbed by Sparafucile, who
delivers the body to Rigoletto according to agreement. Rigoletto is about to cast the body
into the river when he hears the Duke’s voice in the distance. The wretched man opens
the sack, sees his daughter and falls senseless on her body.
RIGOLETTO RECORDS
ACT I — Scene I — ballroom in the duke's palace
Questa o quella (Mid the Fair Throng) Enrico Caruso
Questa o quella (Mid the Fair Throng) Piano acc. Enrico Caruso
Questa o quella (Mid the Fair Throng) Giovanni Martinelli
Questa o quella (Mid the Fair Throng) John McCormack
Qu’une belleCMid the Fair Throng) and Comme la plume — French — Campagnola
ACT 1 — Scene II — A street in mantua
Deh, non parlare al misero (Recall Not the Past). Pereira-Maggi
and E it sol dell' anima — de Gregorio-Pereira
Monologo — “Pari siamo” (We are Equal) Titta Ruffo
E il sol dell’anima-de Gregorio-Pereira and Deh, non parlare-Pereira-Maggi
Caro norae (Dearest Name) Luisa Tetrazzini
Caro nome (Dearest Name) Nellie Melba
Caro nome (Dearest Name) Marcella Sembrich
Caro nome (Dearest Name) Amelita^Galli-Curci
ACT 11 - HALL IN THE DUKE S PALACE
Parmi veder le lagrime (Each Tear That Falls) Enrico Caruso
Povero Rigoletto I (Poor Rigoletto I ) Amato and Metropolitan Chorus
Cortigiani, vil razza dannata (Vile Race of Courtiers) Pasquale Amato
Piangi fanciulla (Weep, My Child) Galli-Curci and de Luca
ACT Ill - A RUINED TAVERN ON THE RIVER M1NC1Q
La donna 6 mobile (Woman is Fickle) Enrico Caruso
La donna 6 mobile (Woman is Fickle) Piano acc. Enrico Caruso
La donna e mobile (Woman is Fickle) Giovanni Martinelli
Comme la plume au vent (Woman is Fickle)
and Qu'une belle — French — Campagnola
Quartet — Bella figlia dell’ amore (Fairest Daughter of the Graces)
Abott, Homer, Caruso and Scotti
Quartet — Bella figlia dell’ amore Sembrich, Severina, Scotti and Caruso
Quartet — Bella figlia dell’ amore Bori-Jacoby-McCormack-Werrenrath
87018
10
1.25
81025
10
1.25
64286
10
1.25
64344
10
1.25
45118
10
1.00
67135
10
.75
88618
12
1.75
67135
10
.75
88295
12
1.75
88078
12
1.75
88017
12
1.75
74499
12
1.75
88429
12
1.75
88340
12
1.75
88341
12
1.75
87567
10
1.50
87017
10
1.25
81026
10
1.25
64382
10
1.25
45118
10
1.00
96000
12
3.00
96001
12
3.00
89080
12
2.00
VICTOR RECORDS
RIGOLETTO RECORDS — Continued
Quartet — Bella figlia dell’ amore Galli-Curci-Perini-Caruso-de Luca
Quartet — Bella figlia dell' amore — Victor Opera Quartet
and Lucia Sextellc — • V ictor Opera Sextette
Quartet Accordion and Light Cavalry Overture — Pietro
Quartet — Kryl’s Band and Trovatore — “ Home to Our Mountains "■ — Vessella’s B
Quartet and Passion Dance — Saxophone Sextette — Brown Brothers
MISCELLANEOUS RIGOLETTO RECORDS
Paraphrase de Concert (Verdi-Liszt) Pianoforte de Pachmann
Paraphrase de Concert (Verdi-Liszt) Pianoforte Cortot
RILEY, JAMES WHITCOMB (1853-1916) Recitations
Riley, the “ Hoosier Poet,” was perhaps the best-beloved of
American rhymers, in any generation. His first book, in Indiana
dialect, brought him immediate fame, and this spread rapidly through¬
out the whole of the English-speaking world. Now that he has passed
away, to hear him recite his own poems on the Victrola is an
unforgetable experience. For records of Riley Poems by other
speakers and singers see “Bear Story,” ‘‘Her Beautiful Hands,”
“Knee-Deep in June,” Little Orphant Annie,” “Name of Old Glory,”
“Old Sweetheart,” “Our Hired Girl,” “Prayer Perfect,” “Raggedy
Man,” “There, Little Girl.”
RECORDS BY JAMES WHITCOMB RILEY
number
<v
c/7
ts «
— 1 A
95100
12
3.00
55066
12
1.50
35367
12
1.25
35239
12
1.25
18217
10
.75
74261
12
1.75
74636
12
1.75
Happy Little Cripple
Little Orphant Annie
55095
45190
Out to Old Aunt Mary’s
Raggedy Man
PHOTO HICnODOl
RILEY
55095
45190
RIMSKY-KORSAKOW, NICKOLAS ANDREIEVITCH {Rim -ski-Kor -sa-kof) (1844-
1908.) Celebrated Russian composer of operas, orchestra music, songs, etc.
See “Aller au Bois,” “Chanson Arabe,” “Chanson Indoue,” “Coq d’Or,” “Festival
at Bagdad,” “Prophet,” “Song of Shepherd Lehl” and “Young Prince”
RINALDI, MICHELE, Cornetist
Cradle Song
My Heart at Thy
Voice
17417
O Sole mio 16899
Serenade (Schubert) 35508
17216
Rinaldo — Lascia ch’io pianga (My Tears Shall Flow) Italian de Luca
RING, BLANCHE, Comedienne — I’ve Got Rings and Yip, I Adeel I Aye
Ring Dance from Bucovina Petru Laicu and His Orchestra)
Beautiful Helen, The Petru Laicu and His Orchestra)
Ring Out, Wild Bells (Tennyson-Gounod) Percy Hemusl
Christmas Light, Behold {von der Mehden) Peerless Quartet)
Rising of ’76 Reading with Descriptive Effects (Read) Battisl
Paul Revere' s Ride {Longfellow) William Sterling Battis)
/Riverside Bells Waltz (McKee) McKee’s Orchestral
Youth and Beauty Waltz {McKee) McKee’s Orchestra)
Road That Brought You to Me ( Hamblen ) John McCormack
Roamin’ in the Gloamin’
Wee Hoose ’Mang the Heather
Roamin’ in the Gloamin’
Wee Hoose ’Mang the Heather
Stabat Mater - In-
Hammatus 35508
X
Sir Harry Lauderl
Sir Harry Lauder)
Sir Harry Lauderl
Sir Harry Lauder)
ROBERT LE DIABLE— Robert the Devil (Paris. 1831) (Meyerbeer)
Valse Infernale — Ecco una nuova preda
ROBERTS, VICTOR. Tenor
In French Joumet and Chorus
74572
12
1.75
45188
10
1.00
73494
10
.75
35335
12
1.25
35555
12
1.25
35526
12
1.25
66024
10
1.25
45209
10
1.00
55129
12
1.50
74282
12
1.75
Don’t Feel Sorry 18892
Down by theO-Hi-O 18723
For Every Boy 18709
Gee! But I Hate 18892
I’m a Lonesome
Raindrop 18709
My Home Town 18712
Peggy O’Neil 18764
So Long 1 Oo-Long 18672
Wait Until You See
My Madeline 18764
Why Should I Cry 18922
VICTOR RECORDS
Humber
4^
C/5
~ 2
— a Cl
Robin Adair — Scotch Air (Keppel)
By Adelina Patti (Soprano)
By Hayden Quartet and Soldier’s Farewell (KunkeD
Hayden Quartet
95031
16039
12
10
5.00
.75
ROBIN HOOD — Operetta by Reginald de Koven
Comic Operetta in three acts ; libretto by Harry B. Smith ; music by Reginald de
Koven. First performance in Chicago, June 9, 1890, by the Bostonians, who sang the
opera more than four thousand times. Recently revived at the New Amsterdam, New York,
“Robin Hood” is the most genuinely and deservedly popular of all American comic
operas. It is interesting to remember that Mr. de Koven wrote the score at the age of
twenty-five, after having previously composed several operas, among them “ Don Quixote,”
also produced by the Bostonians. “Robin Hood” has now been presented more than eight
thousand times, and in nearly every country of the globe.
ROBIN HOOD RECORDS
Armorer’s Song-
Cross Bow, The
Oh, Promise Me
Oh, Promise Me-
Oh, Promise Me-
Oh, Promise Me
Oh, Promise M<
Glenn and Till the Sands of the Desert Grow Cold ( Ball) Glenn
and Way Down Yonder in the Cornfield— Imperial Quartet
Louise Homer
-Robyn and Sing Me to Sleep ( Greene ) Elsie Baker
-Turner and Dearie ( Kummer ) Elsie Baker
and In the Gloaming — Elsie Baker
-Venetian Trio and Silver Threads — Neapolitan Trio
Favorite Airs — Pryor's Band and Prince of Pilsen Selection ( Luders ) Sousa's B
GEMS FROM “ ROBIN HOOD ” (Parti) Victor Opera Company
Chorus, “ Then Hey!. for the Merry Greenwood" — Solo and Chorus,
“ Brown October Ale” — Duet, “Come, Dream So Bright" — "Tinkers'
Chorus" — Solo, “Oh, Promise Me” — Chorus, “Come Away to the
Woods")
Gems from" Robin Hood ” (Part II) Victor Opera Company
"Ho Ho Then for Jollity" — "Ye Birds in Azure Winging" — "Armorer's
Song" — "A Hunting We'll Go’’— "Ah ! I Do Love You" — “ Sweetheart ,
My Own" — "Love, We Never More Will Part”
{Robin Red Breast (de Koven) Macdonough and Belmont)
Arrival of the Robins {Allen) Belmont and Pryor’s Orchl
(Robin’s Return (Fisher) ( Orchestra with bird voices) Charles Gorstl
l Spring Song {Mendelssohn) Charles Gorstl
fRob Roy Macintosh — Scotch Specialty
l Wedding o ’ Lauchie McGraw
ROBYN, WILLIAM. Tenor
Down the Trail 18686 Mother of Pearl
I’m in Heaven 18686 Nobody’s Rose
Jealous of You 18805 Oh Promise Me
Molly-O 18829 Palms. The
Sir Harry Lauderl
Sir Harry Lauderl
17268
10
17873
10
87255
10
16196
10
17189
10
17806
10
17816
10
16919
10
35413
12
16094
10
18019
10
55128
12
.75
.75
1.25
.75
.75
.75
.75
.75
1.25
.75
.75
1.50
18741
18763
16196
16408
Rosel CallSweetheart 18741
Tripoli 18693
Who’ll Dry Your
Tears 18795
{
{
{
{
{
{
{
{
{
{
{
VICTOR RECORDS
Number
«->
N
t n
2 kl
13 ex
Rock-a-Bye Baby (Barton) with Guitar
Barton-Carroll)
18035
10
.75
When the Moon am Shining ( Barton )
Ward Barton-Frank Carroll)
Rock-a-Bye Baby (Effie I. Canning)
Merle Alcock)
45302
10
1.00
My Trundle Bed (/. C. Balder)
Merle Alcock)
Rock-a-Bye Lullaby Mammy (Clarke-Donaldson) Peerless Qt)
18707
10
.75
Avalon ( Al Jolson- Vincent Rose)
Chas. Harrison)
Rocked in the Cradle of the Deep
Frank C. Stanley)
16392
10
.75
The Mocking Bird
Wheeler and Macdonough)
Rocked in the Cradle of the Deep (Knight) Wilfred Glenn)
17309
10
.75
Asleep in the Deep ( Lamb-Petrie )
Wilfred Glenn /
Rockin’ in de Win’ — Negro Lullaby (Neidlinger) Kline)
45307
10
1.00
Longing, Dear, For You (John S. Densmore) Olive Kline /
Rockin’ Time (Gertrude L. Knox)
Kline-Baker-Dunlap)
17918
10
.75
Go to Sleep, My Dusky Baby ( Dvofak )
Kline-Baker- Dunlap)
Rock Me in My Swanee Cradle (Parish-Young-Squires) Peerless Qt\
18908
10
.75
Old Kentucky Moonlight ( Gillespie- Van
Alstyne) Sterling Trio)
Rock Me to Sleep Mother (Akers)
Elizabeth Wheeler)
16405
10
.75
In the Gloaming ( Harrison )
Elizabeth Spencer)
Rock of Ages (Toplady-Hastings) Alma Gluck-Louise Homer
87528
10
1.50
Rock of Ages (Toplady-Hastings)
Trinity Choir)
16394
10
.75
Lead, Kindly Light (Newman- Dykes)
Hayden Quartet)
Rock of Ages — Anthem (Dudley Buck)
Lyric Quartet)
16269
10
.75
Calvary ( Rodney )
Frank C. Stanley)
RODEHEAVER, HOMER, Baritone
Every one of the hundreds of thousands attending the revival
meetings of “ Billy” Sunday, the former baseball star, who for¬
sook the diamond for the saving of souls, is familiar with the
genial, big-voiced baritone who at these services sang revival hymns
so sweetly and clearly. Homer Rodeheaver is a Southerner. He
began his career in a mountain log camp, and in later years learned
the trombone and played in the 4th Tennessee Band, going with
them to the Spanish- American War. After singing and playing
his way through the Ohio Wesleyan University, he leaned toward
the law, but was induced to enter the evangelical field.
RODEHEAVER
All the Way 18780
Brewer's Big Hosses 17455
Brighten the Corner I 7763
Carry Your Cross 18720
Daddy (2) That
Little Chap 17478
Evening Prayer, An 17714
Forgive Me Lord 18706
Great Judgment M 35326
He Knows the Way 17786
How Sweet is His 17714
I Am Coming Home 17786
If Your Heart 17456
In the Garden 18020
I Walk With the
King 1 7763
Jesus, Blessed Jesus 17713
Jesus Remembered 17713
Make Somebody
Happy 18373
Molly and the Baby 1 7988
Mother’s Love 17478
Mother’s Prayers 35326
My Wonderful
Dream 1 7988
Old-Fashioned Faith 17455
Since Jesus Came 17773
Sweeter as the Years 17773
Tell It To-day
18373
Tell Me the Story
18720
To My Son
17478
Unclouded Day
17456
When Malindy Sings 35545
When the World
Forgets
18020
Duets in which
Mr. Rodeheaver
sings
Closer to Jesus
18341
Drifting
18341
In the Garden
18020
Old Rugged Cross
18706
Where the Gates
18780
Roi cTYs, Le (The King of Ys) (Lalo) Sung in French
Vainement, ma bien aim6e (In Vain, My Beloved) Edmont Clement
Vainement, ma bien aim£e (In Vain, My Beloved) Beniamino Gigli
Roi s’amuse, Le — Passepied (Delibes-Elman) Violin Elman
Rolling Down to Rio (Kipling-German) Herbert Witherspoon
74264
12
66070
10
64903
10
64151
10
1.75
1.25
1.25
1.25
VICTOR RECORDS
Fisk University Jubilee Quartetl
Rev. J. A. Myers)
Tuskegee Singers'!
Tuskegee Institute Singers)
Billy Golden!
Cal Stewart)
' Masses, ’
/Roll, Jordan, Roll
l Banjo Song ( Dunbar )
(Roll, Jordan, Roll — I Want God’s Heaven
l Nobody Knows the Trouble I See
(Roll on de Ground — Specialty
l Uncle Josh’s Trip to Coney Island
ROMAINE, MARGARET, Soprano
My Skylark Love and Welcome, Pretty Primrose — .
ROMAN CATHOLIC MUSIC — See “Gregorian Records,’
"Sistine Choir” and “Stabat Mater”
Romance (Adolph Wenig-Emmy Destinn) In Bohemian Emmy Destinn
Romance (Anton Rubinstein) (Op. 44, No. l)
By Jan Kubelik Violin
By Ada Sassoli Harp and Gavotte in B Minor (Bach-St. Saens) Sassoli
By Tollefsen Trio and Walkiire — Siegmund’s Love Song — Tollefsen Trio
Romance (from Second Concerto, in D Minor) (Wieniawski) (Op. 22)
By Maud Powell Violin
By Jascha Heifetz Violin
By Erika Morini Violin
{Romance (Tschaikowsky) Victor Concert Orchestral
In a Monastery Garden ( Ketelbey ) ( Male Cho .) Victor Orchestra >
Romance Sans Paroles — See “Song Without Words’
(Romance — Waltz (Lee David) Smith’s Orchestral
l Kiss a Miss — Waltz ( Maurice Baron ) Smith’s Orchestra)
(Romany Love— Fox Trot (Zamecnik) Whiteman and His Orchl
l Lovely Lucerne — Waltz {Godin) Great White Way Orch)
Romanza Andaluza — See “Spanish Dance, No. 3’’
ROMEO AND JULIET (Paris, 1867) (Gounod) ( Sung in French)
(See Victrola Book of the Opera for complete illustrated description)
Ah! kve-toi soleil (Arise. Fair Sun) Fernand Anssea
Valse (Juliet’s Waltz Song) Amelita Galli-Curc
Valse (Juliet's Waltz Song) In Italian Luisa Tetrazzir
Ange Adorable (Lovely Angel) Farrar-Clemer
Selection ajjd Barber of Seville— Overture — Accordion — Pietr
(SELECTION OF THE PRINCIPAL AIRS Pryor's Band
Intro. to_Act I, “ The Capulets’ Ball" — Interlude — Act IV, Capulet’s
Solo, “The Altar is Prepared" — Ballet-
Samson and Delilah Selection
-Nuptial Procession
Pryor’s Band
Romeo and Juliet (Shakespeare) See “Shakespeare”
Ronde des Lutins (“Dance of the Goblins”) (Bazzini) Violin Heifetz
(Kreisler) Mischa Elman
with String Quartet Kreisler
(Saint-Saens) Violin Elman
Vessella’s Italian Band!
V essella ’s Italian Band)
Violin Heifetz
Rondino (On a theme by Beethoven)
Rondino (On a theme by Beethoven)
Rondo Capriccioso and Introduction
{Rondo Capriccioso (Mendelssohn)
Aida — Grand March {Verdi)
Rondo in G Major (Mozart-Kreisler)
ROOSEVELT, THEODORE— The Late
Farmer and the Business Man
and Why the Trusts and Bosses Oppose the Progressive Party — Roosevelt
(Rory O’More (Samuel Lover) Raymond Dixon)
l Girl I Left Behind Me (Lover) Raymond Dixon)
(Rosalie Waltz (Frank W. McKee) McKee’s Orchestral
l Perdita Waltz (Frank W. McKee) McKee’s Orchestra)
Rosamunde — Ballet Music (Schubert-Kreisler) ( Orch acc.) Kreisler
Number
<W
(*U
53
— J A
16466
10
.75
18237
10
.75
16804
10
.75
45192
10
1.00
88624
12
1.75
74365
12
1 .75
45070
10
1.00
17749
10
.75
74179
12
1.75
74600
12
1.75
74717
12
1.75
35710
12
1.25
18739
10
.75
18966
10
.75
74738
12
1.75
74512
12
1.75
88302
12
1.75
89113
12
2.00
35524
12
1.25
35234
12
1.25
74570
12
1.75
64547
10
1.25
64600
10
1.25
74165
12
1.75
35265
12
1.25
74750
12
1 75
35250
12
1.25
17597
10
.75
35481
12
1.25
64670
10
1.25
VICTOR RECORDS
Rosary, The (Ethelbert Nevin)
By F ritz Kreisler Violin
By Alma Gluck and Efrem Zimbalist
By Ernestine Schumann-Heink (Contralto)
By Ernestine Schumann-Heink (Contralto)
By John McCormack (Tenor)
By John Barnes Wells (Tenor) and For A H Elernilu — Turner
By Alan Turner (Baritone) and Tannhauser — Evening Star — Turner
By Victor Herbert’s Orchestra and Woodland Sketches — Herbert’s Or
By Venetian Trio (with Bells) and To a Wild Rose — Venetian Trio
By Ferdinand Himmelreich Piano and Flower Song (Lange) Neapolitan Trio
By Leon L. Handzlik ( Cornet with Band) and Voice of Love — Bourdon-Barone
By Pale K. Lua Hawaiian Guitar and Aloha Oe — Lua-Kaili
ROSE, E. K., Hawaiian Tenor
Aloha Oe 35622 I Pua Sadinia 35622
Lei poni moi 18571 | Sweet lei lehua 18572
ROSED ALE, LILLIAN, Mezzo-Soprano — For Duets, see
18550
18597
When Shadows Come
18550
Hush-a-Bye, Ma Baby
Sweet Haw’an Moonlight
{Rose I Call Sweetheart (H. Johnson-E. Burkhart)
Mother of Pearl (McCarthy. Graff, Jr. -Ball) Wm. Roby
/Rose Maiden — Bridal Chorus (Cowen) , Lyric Quartet)
l Miller’s Wooing ( Choral Ballad) ( Goddard-Faning ) Lurie Qt)
Wm. Robyn)
unJ
Miller’s Wooing ( Choral Ballad) (Goddard-Faning)
ROSENBLATT, JOSEPH, Cantor — Sung in Hebrew
Number
64502
87517
88108
87221
64257
17234
17446
45187
18208
17055
16046
17803
18741
10
35209
12
Achenu Kol Beth 45204
Adoshem moloch geus 55152
Elokay Ad Schelo 55164
Elokay Neshomo 55125
Habet Mishomaim 55139
Neuer Omar Rabbi 55 1 42
Ovinu Malkeinu 55163
Shomer Israel 55125
Tikanto Shabbos 55142
Umipnu Chatuenu 45242
W’chol Maaminim
We' af hu boyu
Yistabach
1.25
1.50
1.75
1.25
1.25
.75
.75
1.00
.75
.75
.75
.75
.75
1.25
55164
55163
55152
/Rose — Nightingale — Medley Fox-Trot All Star Trio and Orchestra)
1 Tip-Top — Medley One-Step (Caryll) Smith’s Orchestra /
Rose of My Heart (Eardley-Wilmot-Lohr) John McCormack
(Rose of My Heart (Eardley-Wilmot-Lohr) Werrenrathl
l Where My Caravan Has Rested (Teschemacher-Lohr) Harrison )
John Steell
John Steel)
John Steell
John Steel)
Hart-Shawl
Charles Harrison)
Sousa’s Band)
Sousa ’ s Band)
(Rose of My Heart (Wilson- Moret)
l When I Looked in Your Wonderful Eyes
(Rose of My Soul (Steel-Jarnagin)
l Whisper to Me in the Starlight ( Steel-Jarnagin )
(Rose of No Man’s Land (Caddigan-Brennan)
l Dreaming of Home, Sweet Home
(Rose of Schiras Waltz (Valse Rosen)
l Paderewski Minuet (I. J. Paderewski)
Rose of Stamboul — Med. Waltz (intro. “My Heart is Calling”)
Smith’s Orchestra f
Every Day — Medley Fox Trot (Daly) Smith’s Orchestra)
(Rose of Washington Square-Fox Trot (lntro.“Smi!e Dear”) All StarTl
l You Ain’t Heard Nothing Yet — Med. Fox Trot All Star Trio)
(Rose Room — Fox Trot (Hickman-Smith) Smith’s Orchestra)
l Smiles — Fox Trot ( Roberts ) Joseph C. Smith’s Orchestra)
(Roses and Memories (Snyder) Victor Orchestral
l Spring, Beautiful Spring Waltz Victor Orchestra)
(Roses at Twilight — Medley Waltz Yerkes Jazzarimba Orchl
l Behind Your Silken Veil — Med. Fox Trot Yerkes Jazzarimba Or)
(Roses of Memory (Bernard Hamblen) Lambert Murphy 1
1 A Youny Man’s Fancy (Anderson- Yellow- Ager) Olive Kline)
18733
66012
17618
18724
18836
18508
35152
18885
18659
18473
35200
18636
45215
.75
1.25
.75
.75
.75
.75
1.25
.75
.75
.75
1.25
.75
1.00
VICTOR RECORDS
Number
<U
List
pre.
Roses of Picardy (Weatherly-Wood)
Love’s Garden of Roses (Rutherford-Wood)
Lambert Murphy 1
Lambert Murphy)
45150
10
1.00
Roses of Picardy (Weatherly-Wood)
John McCormack
64825
10
1.25
Rosie — Med. Fox Trot (intro. “Tired of Me”) Whiteman’s Orchl
Honolulu Eyes — Medley Waltz (Violinsky-Ager) Whiteman’s Or)
ROSS, “BLACK FACE” EDDIE, Banjo
18721
10
.75
Ross’ Dog Trot and
Ross’ Double Shuffle and
Ross' Reel — Eddie Ross
18815
10
.75
Ross' Juba — Eddie Ross
18926
10
.75
ROSSINI, GIOACCHINO (Ros-see - nee)
One of the greatest of Italian opera composers. Born Pesaro,
Italy, 1 792. Mother opera singer and father musician. Studied
piano from 7. At 15 went to Bologna Conservatory. When 16
wrote cantata, and in 1 8 1 0 an opera. During 1812 produced five light
operas, and in 1813 first grand opera, Tancredi, a success; then
Italian in Algiers. In 1816 produced his finest of comic operas.
Barber of Seville. In next eight years wrote twenty operas. Went to
London, 1 823, and produced his works with success. Went to Paris,
managed Thedtre Italien, producing his masterpiece, William Tell.
In 1832 wrote famous Stabat Mater. Last years spent quietly and
happily among devoted friends. Died in Paris, 1868.
ROSSINI COMPOSITIONS — See “Barbiere,” “ Danza,” “ Messe Solennelle,”
ROSStNr
‘Semir
amide,” “Stabat” and “Wm. Tell”
leeks-
{
Or 1
Whiteman’s Ori
Club Royal Orch]
Whiteman’s Orchl
f
18801
18891
72229
18436
/Rosy Cheeks — Fox Trot (Parish- Young-Squires) AllStarTrio
l South Sea Isles — Medley Fox Trot ( Gershwin )
Rosy Posy — Fox Trot (from “Blushing Bride”)
Some Sunny Day — Fox Trot ( Berlin )
ROTHIER, LEON, Bass— See “ Masked Ball ”
(Roumanian Dances Roumanian Tamburica Orchestra
l Carmen Sylva Roumanian Tamburica Orchestra.
ROUMANIAN MUSIC — See also Roumanian Catalogue
Round Her Neck She Wears a Yeller Ribbon American Qt
I’ll Tal^e You Back to Italy (“Jack O’ Lantern”) Jones-Murray.
/Round the Town — Fox Trot (Victor Arden) All Star Trio
l Teach Me — Fox Trot (Geo. H. Green) All Star Trio — Or.
ROWLAND, ADELE, Soprano
Mammy o’ Mine and When You See Another Sweetie 1 8560
ROY AL ALBERT HALL ORCHESTRA — Sir Landon Ronald, Con¬
ductor. (For other records by this Orchestra see DeGreef, Pianist)
Apprenti Sorcier — Parts I and 2 (Scherzo Symphonique) Dukas
/Royal Garden Blues — Fox Trot (VocalCho.) Dixieland Jazz Band
\ Dangerous Blues — Fox Trot (Vocal Cho.) Dixieland Jazz Band.
/Royal March of Italy (Sardinia March) (Gabetti) Sousa’s Band
l 7th Regiment (Gray Jackets) March (Neyer) Sousa’s Band.
(Gabetti)
( Mercantini )
/Royal Trumpeters March (Seltzer)
l Invincible Eagle March (Sousa)
{Royal Trumpeters March (Seltzer) (Slow march time) Victor Band!
Our Director March (Bigelow) Victor Military Band)
RUBE COMEDY — See “ Rural Comedy ”
/Rubetown Minstrels (Contents under “Minstrels”) V. Minstrel Col
l Clamy Green — Darky Specialty Golden and Hughes)
10
10
10
10
7 th Regiment
/Royal March of Italy
l Patriotic Airs of Italy
Pryor’s Band)
Sousa ’s Band J
Pryor’s Band)
Sousa ’s Band J
18750 10
10
55169 12
18798 10
17162 10
16136
10
16273 10
35204
12
.75
.75
.75
.75
.75
.75
1.50
.75
.75
.75
.75
1.25
35294 12.1.25
VICTOR RECORDS
Number
(B. Bessarabia, 1829; D. Peterof, 1894.)
Wrote operas, orchestral music, chamber
Visited U. S. 1872-73.
.75
RUBINSTEIN, ANTON G. (Roo' -bin-sCine)
Celebrated Russian pianist and composer,
music, oratorios, songs and piano pieces.
See “Dew is Sparkling,” “Kamennoi Ostrow,” “Melody in F,” “Nero,” “Quartet
for Strings,” “Romance,” “Solitude,” “Toreador,” “Voices of the Woods” and
“Wanderers Nachtlied”
RUFFO, TITTA, Baritone — See “ Ruffo ” in Pink Section
RUGEL, YVETTE, Soprano — Granny and Ka-Lu-A — Brou)n-Shaw\
RUINS OF ATHENS — See “Chorus of Dervishes” and “Turkish March”
(Rule Britannia (Arne) Alan Turner and Male Chorus'!
I God Save the King Alan Turner and Male Chorus )
(Rum Turn Tiddle (Madden-Schwartz) AI Jolson'l
l That Haunting Melody (Cohan) Al Jolson)
RURAL COMEDY — See also “Taggart,” “ Uncle Josh Monologues ”
Two Rubes
Swapping H
Village Gossips
ORCHESTRA — See “Balalaika”
Kirilloff’s Balalaika Orchestra"!
Kirilloff’s Balalaika Orch)
Efrem Zimbalist
Herbert L. Clarke)
Howard Rattayl
18854
10
16134
10
17037
10
.75
75
Cornfield Medley
Long Boy
Si and Sis
16218
18413
16016
16849
17854
Working on the
Farm
35260
RUSSIAN BALALAIKA
{Russian Ballroom Dance
Lezginka — Russian National Dance
Russian Dance (Zimbalist) Violin
(Russian Fantasie Comet
X Largo ( Handel ) Violin
Russian Folk Dance — See “ Educational Records — Folk Dances ”
%
Russian Folk Songs — See “Balalaika,” and “Michailowa”
{Russian Komarinska Kandel’s Orchestral
Lively Relations (Freyleche Mechitonim) Kandel’s Orch)
RUSSIAN MUSIC — See also “Chaliapin,” “Balalaika” and Russian Catalogue
73210
10
64955
10
16313
10
73198
10
.75
1.25
.75
.75
Chant de Guerre 64585
Marche Slave 35167
Nightingale. The
(Alabieff) 55140,88103
Song of Volga
Boatmen 65147, 64997
Stormy Breezes 61126
Troika en traineaux 74630
Two Folk-Songs of
Little Russia 64727
RUSSIAN OPERAS — Records from — See “Boris,” “ Eugen Onegin,”
Dame,” “ Prince Igor,” “ Sadko” and “Song of the Shepherd”
{Russian Rag (George L. Cobb) Accordion Pietrol
Turkey in the Straw ( Otto Bennell) Accordion Pietro)
(Rustle of Spring (Friihlingsrauschen) (Sinding) (2) Papillon
i (Butterfly) (Grieg) Pianoforte Julius Schendel ?
l Walkure — Magic Fire Spell ( Feuerzauber ) Pianoforte Schendel)
(Rustic Vi^edding Symphony — Part 1 (Intermezzo, “Bridal Song”) 1
) (Goldmark) Victor Orchestra ?
Victor Orchestra)
[ Rustic Wedding Symphony — Part 2 ( Serenade )
Ruy Bias (Marchetti) ( Sung in Italian)
A ’ miei rivali cedere (To My Rivals 1 Must Yield)
Mattia Battistini
(Sabbath Morn — The Holy City with Chimes Henry Burr)
l Only a Beam of Sunshine (Crosby-Sweeney) Macdonough and Bieling)
i Sabre and Spurs March (March of American Cavalry)
Solid Men to the Front — March (Sousa)
Sousa’s Bandl
Sousa ’s Band)
18743
10
35448
12
35627
12
88650
12
16288
10
18504
10
‘Pique
.75
1.25
1.25
1.75
.75
.75
VICTOR RECORDS
Number ~
SACRED SONGS — See also "Ave Maria,” "Crucifix,” " Face to Face,” “Holy City,”
"Holy Night,” "Hosanna.” "Nazareth.” “Palms” and “Lost Chord”
NOTE — Under this heading are grouped sacred numbers other than hymns — for complete list
of gospel and standard hymns see “Hymns." For oratorio numbers see" Creation" — " Cruci¬
fixion ’’ — " Elijah " — “ Holy City," — “Judas Maccabaeus" — “Messiah" — "Prodigal Son " —
“Redemption" — " Samson ” — “St. Paul" — “Saul” — "SevenLast Words" and” Stabat Mater"
Agnus Dei 88416, 88425
Angels Ever Bright
35075. 74559
Before the Crucifix 88548
Calvary (Rodney)
16269. 17240
Crossing theBarl 7564,741 19
Eili. Eili 74577
Festival Te Deum 35674
Flee as a Bird I 7029. 87260
Gloria Patria 17548
God is Love I 7096
Guide Me. Great
Jehovah 35141
Heavens Resound 35576
Holy, Holy 16966
Jerusalem 35116
Living God 74737
Lord is My Light 64726
Messe Solennelle 35110
My Heart Ever
Faithful 88575
New Born King 16563
Oh Lord, Most Holy 17240
Oh, Song Divine 74502
Only Waiting 17389
O Salutaris 74472
Panis Angelicus 74399
Pieta Signorel 88599
Praise Ye the Father 16419
Radiant Morn 35014
Remember Me 16430
Rock of Ages 16269
Sabbath Morn 16288
Sacred Songs 35613
Sancta Maria 35110,88559
Saviour. When Night 35055
Sorrows of Death 74498
Star of Bethlehem
35055, 74187
There is a Green
Hill 35049, 88309
Trinity Choir 1
(Boyce) Lyric Qt)
Sir Harry Lauder!
Sir Harry Lauder )
The Goldman Band!
The Goldman Band)
16877
55127
18952
18322
10
12
10
10
75
1.50
75
.75
SADKO (Rimsky-Korsakow) See “Chanson Indoue
SAENGER, OSCAR — See "Singing Lessons"
(Safe in the Arms of Jesus (Crosby)
\ The Lord’s Prayer ( Dressier ) 2. Gloria Patri
^Saftest of the Family
He Was V ery Kind to Me
f Sagamore March (Goldman)
l Chimes of Liberty March ( Goldman )
[Sail On (Gabriel) (Homer Rodeheaver, Director)
| Billy Sunday Chorus of 2500 Voices N. Y. Tabernacle [
l America (My Country ’Tis of Thee) Sunday Chorus)
Sailor’s Hornpipe — See “Medley No. 63”
SAINT— See “St.”
SAINT-SA£NS, CAMILLE (Sanh-sanss) ("n” only partially sounded) B. Paris, 1835.
D. Morocco 1921. Dean of French composers. Noted for his versatility; accomplished
organist, pianist, and conductor.
See“Cygne,” “Concertos, "“Danse Macabre, ’’“Deluge,” “Gavotte, ’’“Marche Heroique,”
“Nightingale and the Rose, ” “ Reverie du Soir, ” “ Rondo Capriccioso,” “ Samson,”
“Suite Algerienne” and “Waltz Etude”
Sally (Bud de Sylva-Jerome Kern)
Look for the Silver Lining — Brown-Harrison and Wandering Home — Duel
Sally — Medley Fox Trot and Lady Billy — Medley Fox Trot — Smith's Or
( Sally Green (The Village Vamp) Murray!
I I've Got The A-B-C-D Blues Murray-Smalle)
Sally in Our Alley (Henry Carey) Emilio de Gogorza
(Sally in Our Alley (Carey) Whitney Quartet!
I Believe Me, If All Those Endearing Young Charms (Moore) Wheeler)
(Sally Won’t You Come Back (“Follies 1921”) Steel!
I Bring Back My Blushing Rose (‘‘Follies 1921”) Steel)
(Sal-O-May (Salome) Fox Trot (Stolz) Smiths Orchl
l Why, Dear? Fox Trot (Cohen) Jos. C. Smith and His Orch)
Salome’s Dance — Part 1 (from “Salome”) (Strauss) Philadelphia Or
Salome’s Dance — Part 2 (from “Salome”) (Strauss) Philadelphia Or
Saltarelle (Wieniawski-Thibaud) (2) Tambourin Violin Thibaud
18731
10
35706
12
18704
10
64501
10
16401
10
18813
10
18816
10
74729
12
74730
12
66066
10
.75
1.25
.75
1.25
.75
.75
.75
1.75
1.75
1.25
VICTOR RECORDS
Saltimbanques, Les — C’est l’amour (The Montebanks — ’Tis Love)
(Ganne) In French Orville Harrold
Salut d’amour (Love'* Greeting) (Elgar)
By Maud Powell V iolin
By Efrem Zimbalist V iolin
By Margaret McKee Whistling and Invitation — Waltz McKee
{Salvation Lassie of Mine (Caddigan-Story) Hart-Jamesl
That Wonderful Mother of Mine ( Hager-Goodwin ) Henry Burr)
(My Little Girl) Italian
Caruso
Salvator Rosa — Mia piccirella
SALVI, ALBERTO, Harpist
Fantasie Impromptu 55141
Fantasie in B Flat 55141
Last Rose of Summer 453 1 5
SAMAROFF, OLGA, Pianist (See “Samaroff” in Pink Section)
(Sambre et Meuse (French National Defile March) (Turlet) Victor B
1 Le Pere de la Victoire {Father of Victory March) (Ganne) Victor B
66017
64373
66101
18755
18524
88638
Mighty Lak’ a Rose
Mother Machree
Scherzo in E Flat Minor
45315
45248
45248
(Same as His Farther Was Before Him
l I’ve Something in the Bottle for the Morning
(Same as His Faither Was Before Him
l I’ve Something in the Bottle for the Morning
Same Old, Dear Old Place (Bowles-Wilson)
SAMSON ET DALILA (Weimar, 1877)
Sir Harry Lauder 1
Sir Harry Lauder)
Sir Harry Lauderl
Sir Harry Lauder )
Sophie Braslau
(Saint-Saens) ( Sam-sohn
ay Dah-lee-lah) (See Victrola Book of the Opera; also “Educational”)
ACT I - PUBLIC SQUARE IN GAZA, PALESTINE
Ja viens c6l£brer la victoire (1 Come to Celebrate Victory) In French
Homer-Caruso-Joumet 89088
Der Frtlhling erwacbte (Delila's Song of Spring) German Schumann-Heink 88417
Printemps qui commence (Delila's Song of Spring) In French Homer 88627
Printemps qui commence (Delila's Song of Spring) French Gerville-R6ache 88244
Spring Flowers English Women's Cho and A noil Chorus — Victor Male C ho 17 624
ACT 11 - DELILA’S DWELLING IN VALLEY OF SORECK
Amour viens aider (Love, Lend Me Thy Might) In French Louise Homer 88201
Mein Herz (My Heart at Thy Sweet Voice) In German Schumann-Heink 88190
Mon coeur s'ouvre k ta voix (My Heart at Thy Voice) French Louise Homer 88199
Mon coeur (My Heart) In French (’ Cello obbligato) Julia Culp 64490
S’apre per te il mio cor (My Heart) In Italian Gabriella Besanzoni 64877
My Heart at Thy Sweet Voice Cornet Rinaldi and Farewell to Forest-Brass Ql 17216
ACT 111 — a PRISON AT GAZA. SAMSON, IN CHAINS, BLINDED
AND SHORN, IS GRINDING AT A MILL
Vois ma mis^re, h£las 1 (Sore My Distress, Alas 1) In French (with Metro¬
politan Opera Chorus ) Caruso
Bacchanale Philadelphia Orchestra
Chorus and Bachanal and Minuet from Military Symphony (Haydn) Banda Real
MISCELLANEOUS SAMSON RECORDS
Selection — "The Breath of God”— Act 1; Chorus of Philistines, Act HI —
"My Heart at Thy Sweet Voice” — Act il — Pryor's Band
and Romeo and Juliet Selection — Pryor’s Band
Sancta Maria (Bertrand-Faure) In French Enrico Caruso
(Sanctus from “Messe Solennelle ” (Gounod) Trinity Choir)
\ Coronation (“All Hail”) and Doxology Trinity Choir)
SANKEY, IRA D. (1840-1908), Hymns by — See "Harbor BeH,” “1 Am
Praying,” " Ninety and Nine ” and “ When the Mists ”
(San — Oriental Fox Trot (Me Phail- Michels) Benson Orchestral
l Na-Jo-Fox Trot (Wiedoeft- Holliday) Benson Orchestra)
(Santa Claus Tells About His Toys (Girard) Gilbert Girard)
l Santa Claus Gives Away His Toys ( Descriptive Specialty) Girard)
(Santa Claus Tells of Mother Goose Land — Part 1 Girardl
l Santa Claus Tells of Mother Goose Land — Part 2 Girard)
Number £
17712
45205
55126
74681
88581
74671
62660
35234
88559
35110
18779
35679
18953
10
10
10
12
10
<->
— “
1.25
1.25
1.25
.75
.75
1.75
.75
LOO
1.50
1.75
2.00
1.75
1.75
1.75
.75
1.75
1.75
1.75
1.25
1.25
.75
1.75
1.75
.75
1.25
1.75
1.25
.75
1.25
.75
VICTOR RECORDS
Number
QJ
e-4
uO
to «
— J Ck
Santa Claus Visits the Children Part 1 (Girard) Gilbert Girard)
35711
12
1.25
Santa Claus Visits the Children Part 2 (with Imitations) Girard /
Santa Lucia (Neapolitan Folk Song)
By Enrico Caruso (.Tenor) Neapolitan
88560
12
1.75
By George Hamlin (Tenor) Italian
64531
10
1.25
By Emilio de Gogorza (Baritone) Italian
64663
10
1.25
By Reed Miller (Tenor)- and Funiculi. Funicuta (Penza) Lurie Quartet
18968
10
.75
Santa Lucia Luntana (Santa Lucia I Long for You) Neapolitan Gigli
64975
10
1.25
Santiago Waltz (Corbin) Guitar and Bandurrias Estudiantina Triol
The Turkish Patrol (Michaelis) Xylophone William H. Reitz /
16562
10
.75
17162 10
SARASATE, PABLO MARTIN MEL1TON SARAS ATE Y NAVASCUES (1844-1908)
Distinguished Spanish violinist and composer. Born Pamplona, (Navarra, Spain.) Prize
pupil at Paris Conservatoire. Toured the world at 26. Wrote many compositions for the
violin, and had many written for him by other composers. See “Gavotte,” “Guitarre,”
“Gypsy Airs,” “Introduction and Tarantelle,” “Spanish Dance” and “Zapateado”
{Sardinia March (Royal March of Italy) (Gabetti) Sousa’s Band 1
7th Regiment (Gray Jackets) March ( Neyer ) Sousa’s Band)
SARI— Love’s Own SweetSong (Cushing-Heath-Kalman) Frances Alda 74401
SASSOLI, ADA, Harpist (Sass' -oh-lih)
This most romantic and picturesque of musical instruments
is often considered to be useful only in the accompanying of
songs, but should be pre-eminently a solo instrument.
To make a faithful reproduction of the tones of the harp
has long been the ambition of the best recorders in America
and Europe, but their labors were in vain until the Victor,
after years of experimenting, announced the result of these
experiments in a series of beautiful reproductions, by Miss
Ada Sassoli, whose artistic playing is familiar to concert-
goers. Miss Sassoli's exquisite tone, her mastery of phrasing
and amazing technique are perfectly recorded.
SASSOLI RECORDS
SASSOLI
Chanson de Pecheur
Concerto for Harp
and Flute
First Arabesque
45243
55111
45243
55102
45070
Romance
(Rubinstein)
Valse de Concert
Fountain. The
Gavotte (Bach)
Menuett
(Hasselmans) 45194
(Saturday (“Snap Shots of 1921”) (Brooks) PianoDuet Arden-Ohmanl
l Oh Joy (In Fox Trot Tempo) (Schroeder) Piano Duet Arden-Ohman)
{Saul — Dead March (Funeral March from Handel’s Oratorio) Pryor’s B1
March Heroique ( Saint-Saens ) Pryor’s Band)
/Saved By Grace (Stebbins) Macdonough and Bielingl
My Faith Looks Up to Thee (Mason) Trinity Choir )
/Saviour, Breathe an Evening Blessing (Autumn) Trinity Choirl
God is Love (Shelley) Lyric Quartet )
/Saviour, Like a Shepherd Lead Us (Thrupp-Bradbury) Kline-Bakerl
Come, Thou Fount of Every Blessing (Robinson -Wyeth) Kline-Baker )
/Saviour, When Night Involves theSkies (Shelley) Trinity Choirl
Star of Bethlehem (Adams) Harry Macdonough)
Saw Ye My Saviour (Christian Science Communion Hymn) Hamlin
/Saxophobia (Wiedoeft) Saxophone Ruby Wiedoeft 1
False Erica (Wiedoeft) Saxophone Ruby Wiedoeft)
SAXOPHONE RECORDS — For Saxophone Sextettes see “Brown
Brothers.” For Solos see “Henton” and “Wiedoeft.” For Dance
Records with Saxophone effects see almost any recent fox trot
Dance Records) by an orchestra, (not a brass band)
\
\
l
l
l
18809
10
16980
10
16216
10
17096
10
45306
10
35055
12
64270
10
18728
10
45070
55102
.75
.75
.75
.75
1.00
1.25
1.25
.75
VICTOR RECORDS
Number
18803
18867
1.25
.75
Say “Au Revoir” but Not “Good-Bye" (Kennedy) McCormack 64328
/Say It While Dancing — Fox Trot (Silver) Benson Orchl
l I’m Just Wild About Harr}) — Fox Trot Whiteman and His (Jrch)
/Say It With Music (from “Berlin’s Music Box Revue”) Steell ^ ..
I If You Only Kneu) ( Fleeson-Von Titzer) John Steel) j
(Say It With Music — Fox Trot (Berlin) Whitman’s Or)
1 Sweet Lady — Medley Fox Trot {from “Tangerine”) Whiteman’s Or)
(Say, Persianna. Say (In Fox Trot Tempo) Piano Duet Arden-Ohman)
l I’ve Got the Wonder Where He Went Blues Arden-Ohman I
SCALA CHORUS — For operatic records by La Scala Chorus see "Cavalleria,”
“Don Pasquale,” “Forza,” “Hamlet,” “Manon,” “Masked Ball,” “Mignon,” “Pearl
Fishers,” “Rigoletto,” and “Tosca”
SCALA ORCHESTRA — See “Cavalleria” and "Tristan und Isolde”
SCALA ORCHESTRA with Toscanini, Conductor
10
10
75
75
.75
Arlesienne Suite 64986
Carmen — Aragonaise 64999
Damnation of Faust 74695
Don Pasquale 66030
Don Pasquale 66031
/Scandinavia — Fox-Trot (Ray Perkins)
Ain’t We Got Fun — Fox-Trot (R. A
/Scarf Dance — Air de Ballet
l Adagio from Fifth Concerto
F£te Boheme 74725
Gagliarda 74672
Pisanelle 64952
Secret of Suzanne 66081
Symphony (Beethoven)
74690
Symphony (Mozart) 74668
Symphony (Mozart) 74669
Wedding March 74745
Benson Orchestral
Whiting) Benson Orchestra)
(Chaminade) Pianoforte La Forge!
( Beethoven ) Pianoforte La Forge )
(Scarf Dance (Pas des Echarpes) (Chaminade) Pryor’s Band!
I The Flatterer {Lisonjera) { Chaminade ) Pryor’s Band)
(Scenes from “A Fool There Was’’ Robert Hilliard)
l Christmas Day in the Workhouse {Sims) Robert Hilliard)
Scenes Pittoresques (Massenet) See “Angelus,” “Fete Boheme”
Scheherazade (Rimsky-Korsakow) See “Chanson Arabe,” “Festival” and
Prince”
SCHENDEL, JULIUS L., Pianoforte Records
18757
10
55030
12
35022
12
55100
12
.75
1.50
1.25
1.50
‘Young
First Arabesque
Liebestraum
18179
35486
Prelude
Rustle of Spring
f Scherzo (from 3rd Suite for Two Pianos) (Arensky)
l Rakoczy March ( Arr . by Hutcheson) Pianos
Scherzo (Dittersdorf) Violin
Scherzo (van Goens) ( Piano by Bourdon) ’ Cello
{Scherzo Capriccio (Sabathil) Flute
Bolero — Spanish Dance {Pessard) Flute
(Scherzo in E Flat Minor (Salvi) Harp
X Mother Machree {Ernest R. Ball) Harp
Scherzo-Taran telle (Wieniawski, Op. 16) Violin
35486
35448
Serenade Levantine 18179
Walkiire— Magic Fire 35448
Maier-Pattison)
Maier-Pattison)
Fritz Kreisler
Victor Herbert i
John Lemmonel
John Lemmone)
Alberto Salvi)
Alberto Salvi)
Heifetz
Scherzo - See also “String Quartets” and “Symphonies”
Schiavo, Lo - Quando nascesti tu (A Flower was Born at Your Birth)
(Gomez) In Italian Caurso
SCHIPA, TITO, Tenor {Skee-pah) (See Pink Section)
fSchmied, Der (The Blacksmith) (Brahms) (2) Friihlingsnacht Miller')
l Du bist wie eine Blume {Thou’rt Like a Lovely Flower) Ger. Reimers)
{Schneider, Does Your Mother Know You’re Out? Yodel Song Watson l
Bring Back My Lena to Me {“He Came from Milwaukee ’ ’) BurkhardV
Schon Rosmarin (Fair Rosmarin) (Kreisler) Violin Kreisler
45311
10
1.00
74294
12
1.75
64298
10
1.25
55110
12
1.50
45248
10
1.00
74562
12
1.75
88345
12
1.75
45060
10
1.00
16994
10
.75
64314
10
1.25
VICTOR RECORDS
Number
N
t r>
List
prc.
Schonste von Allen — Walzerlied In German
Paul Nelva)
16594
10
.75
W enn Zwei sich lieben aus “ Der Rastelbinder" (Lehar) In German Nelva /
School Days (Edwards)
Negro W edding in Southern Georgia
Byron G. Harlan)
Peerless Quartet /
16526
10
.75
SCHOOL RECORDS— See " educational records ”
SCHUBERT, FRANZ PETER (1797-1828) Composition, by
Born near Vienna, 1 797. Son of peasant schoolmaster. Boy
taught violin and voice by local choirmaster. At 16 wrote 1st
Symphony. At 1 7 began writing songs with remarkable facility —
between 1 7 and 1 8 wrote 1 44 songs, including masterpiece, Erlking.
Schubert led a somewhat Bohemian life, never married and was
frequently out of funds. Was much underpaid, some of his best songs
bringing only 20c. each! Works numerous, including 600 songs,
1 0 symphonies, several overtures, much piano and chamber music,
operas, etc. Schubert was the greatest of all song composers, and
really creator of art of song. Also most remarkable of youthful
writers. Died 1 828, leaving many MSS. valued by officials at $ 1 2.50
( ! ) but which afterward made the fortune of several publishers.
RECORDS OF SCHUBERT COMPOSITIONS — See 4* Educational Records, " “Ave
Maria," “Coronach," “Du bist die Ruh,” “Erlkonig,” “Valse Sentimentale,"
“Haidenrdslein," “Hark! Hark! the [Lark," “Im Abendrot,” “Lindenbaum, Der,”
“Marche Militaire," “Moment Musical," “My Sweet Repose," “Rosamunde —
Ballet,” "Serenade,” “Symphony in B Minor,” “Valse Sentimentale," “Wanderer,”
“Who is Sylvia,” “Wiegenlied” and “Wohin? ”
Schubert’s Serenade — See “Serenade" (Schubert)
SCHUBERT
SCHUETZE, CHARLES, Harpist — See “Annie Laurie”
SCHUMANN, ROBERT (1810-1856) Compositions by
Born Zwickau, Saxony. Son of bookseller. Learned piano
at 6. Began composition at 7. When 1 6 father died ; boy went
Heidelberg University. Studied piano at Leipsic; injured finger and
turned to composition, first piano, and, after marriage to Clara Wieck,
famous pianist, other forms of composition. Toured Russia, 1844;
lived Dresden, 1845; Director of Musical Society Dusseldorf 1850.
Wrote symphonies, one opera, Genoceva, and many other works,
including his great series of songs, composing 1 30 of these in one year.
SCHUMANN COMPOSITIONS — See “Am Springbrunnen,” “Du bist wie eine Blume,”
“Friihlingsnacht,” “Gypsy Life," “Hey Baloo,” “Lotusblume, Die,” “Mondnacht,”
“Quartet in A Major,” “Quartet in A Minor," “Return of Spring,” “Traumerei,”
“Two Grenadiers,” “Vogel als Prophet" and “Voice of Love"
SCHUMANN-HEINK, ERNESTINE, Contralto (See Pink Section)
Scotch Pastorale (Gustave Saenger, Op. 130, No. 2) Violin Elman 64884 10] 1.25
SCOTCH SONGS AND INSTRUMENTAL MUSIC— See these titles:
Annie Laurie
Auld Lang Syne
Auld Scotia
Bagpipe Records
Barbara Allen
Battle of Killiecrankie
Battle of Stirling
Blue Bells of Scotland
Bonnie Sweet Bessie
Bonnie Wee Thing
Cornin’ Thro’ the Rye
Cottage Maid
Educational — Folk Dances
Flow Gently, Sweet Afton
Hail to the Chief
Highland Fling
Highland Laddie
Hundred Pipers
John Anderson, My Jo
Lassie o’ Mine
Lauder
Loch Lomond
March Past of the Cameron
Highlanders
Mary of Argyle
My Ain Countrie
My Ain Folk
My Bonnie Lass SheSmileth
My Laddie
Neil Gow
Pipes of Gordon’s Men
Robin Adair
Scotch Bagpipe Medley
Scotch Medley March
Scots. Wha’ Hae’
79th Highlanders
Songs of Scotland
Turn Ye to Me
Wi’ a Hundred Pipers
Within a Mile of Edinboro’
Ye Banks and Braes
VICTOR RECORDS
/Scots, Wha’ Hae’ Wi’ Wallace Bled (Scotch War Song) Werrenrath)
l Jock o’ Hazeldean (Scott) (Scotch Ballad) John Young)
/Scots, Wha’ Hae’ Wi’ Wallace Bled (Burns) Henry Burrl
l Loch Lomond — Old Scotch Air Henry Burr)
SCOTTI, ANTONIO, Baritone (Shot' -tih) (See Pink Section)
{Scrooge — Part 1 — “ Marley’s Ghost” (Monologue arranged from
“A Christmas Carol ”) (Dickens) William Sterling Battis
Scrooge — Part 2 — “The Ghost of Christmas Past ’’ Battis.
/Scrooge — Part 3 — “ The Ghost of Christmas Present ” Battis)
l Scrooge — Part 4 — “The Ghost of Christmas to Come ” Battis )
/Sea Songs (See “Medley No. 16”) Victor Mixed Chorus)
l War Songs (See “Medley No. 32”) Victor Male Chorus)
SEA SONGS - See “Asleep in the Deep,” “Boat Song,” “Bounding
Bounder,” “Chanson de Pecheur,” “Fishermen,” “I Love to Be a
Sailor,” “Nancy Lee,” “Rocked in the Cradle,” “There is Somebody
Waiting for Me,” “Viking Song” and “Medleys”; also various
Barcarolles in “ Gioconda,” “Masked Ball,” “Tales of Hoffmann"
and “ William Tell"
Second Concerto — See “Concertos”
f Second Connecticut March (Reeves) Pryor’s Band)
l Marching Through Georgia (Work) Harlan and Stanley)
/Second Hand Rose (“Ziegfeld Follies 1921”) Fanny Brice)
l My Man (Mon Homme) (“Follies 1921”) Fanny Brice)
/Second Hand Rose — Fox Trot ("Follies 1921”) Whiteman’s Or)
\ Have You Forgotten? — Medley Fox Trot Whiteman’s Or)
{Secret, Le — Intermezzo (L. Gautier) Vessella’s Italian Band)
Sylvia Ballet (Valse Lento) (Delibes) Victor Concert Orchestra)
Number
O
N
«
16961
10
16062
10
35566
12
35567
12
35351
12
16416
10
45263
10
18818
10
17689
10
.75
.75
1.25
1.25
1.25
.75
1.00
.75
.75
SECRET OF SUZANNE, Opera in one act. By Ermanno Wolf-Ferrari, Munich 1909,
New York 1911
Count Gil is aware that Suzanne, his wife, has a secret. He scents tobacco in his own
drawing-room, and he suspects a clandestine lover. His jealousy grows, until, one night,
he climbs to her window, and sees that Suzanne, herself, is the only culprit, indulging her
weakness for- — a cigarette.
SECRET OF SUZANNE RECORDS
Oh gioia. la nube leggera (What Joy to Watch) Italian Bori
Overture Toscanini and La Scala Orchestra
Seeing Nellie Home (Quilting Party) (Fletcher) Mabel Garrison
/See the Pale Moon (Campana) Comet Duet Clarke and Kenekel
l Kiss Waltz — 11 bacio (Arditi) Whistling Charles Capper)
Seguidilla (Castilian Dance) (Albeniz) Pianoforte Cortot
SEGUROLA, BASS (Say-goo-roh' -lah) See “ de Segurola”
Sei morta ne la vita mia! (Your Heart) (Costa) In Italian Ruffo
SELECTIONS FROM GRAND OPERAS— Instrumental
Full particulars about Instrumental Selections (Medleys) from the following
Operas will be found under the titles of the Operas:
88647
12
66081
10
64815
10
16546
10
64819
10
87342
10
1.75
1.25
1.25
.75
1.25
1.25
Alda
Babilona
Boheme
Bohemian Girl
Carmen
Cavalleria
Chimes of Norm’dy
Contes d'Hoffmann
Daughter of the
Regiment
Echoes from Met.
Opera House
Erminie
Flying Dutchman
Fra Diavolo
Guarany
Lohengrin
Madama Butterfly
Prophet
Tales of Hoffmann
Tannhauser
Traviata
Trovatore
Walkure
Number
1 4J
1X1
1 trfO
to
—> a.
Dreams
18633
1
8682
k 74423
12
1.75
k 66096
10
1.25
a 18927
10
.75
d 35167
12
1.25
h 88141
12
1.75
| 16190
10
.75
| 35208
12
1.25
} 18920
10
.75
[ 18483
10
75
3 87175
10
1.25
E 66022
10
1.25
t 64710
10
1.25
[ 45304
10
1.00
l 66048
10
1.25
[ 17785
10
.75
t 74467
12
1.75
l 64123
10
1.25
> 17600
10
.75
> 35615
12
1.25
88119
12
1.75
87257
10
1.25
r 45147
10
1.00
87579
10
1.50
17379
10
.75
74426
12
1.75
64966
10
1 .25
87547
10
1.50
64281
10
1.25
64576
10
1.25
17134
10
.75
45085!
10
1.00
o
0)
rH
00
10
.75
VICTOR RECORDS
SELVIN’S NOVELTY ORCHESTRA
Dance-O-Mania 18699
Dardanella 18633
I m Forever Blowing 18603 I My Isle of
In Your Arms 18650 \ Wond’nng
SEMBRICH, MARCELLA, Soprano (See Pink Section)
Semele (Handel)
OK, Sleep 1 Why Dost Thou Leave Me?
Oh, Sleep 1 Why Dost Thou Leave Me?
Semiramide (Rossini)
Overture — Parti and Part 2 Vidor Sump
Overture — Pol ce Band of Mexico and Marche Slave
Bel raggio lusinghier (Bright Gleam of Hope) In Italian Mai
(Semper Fidelis March (Sousa) So
l Hands Across the Sea March (Sousa) S
{Semper Fidelis (In slower time for school marching and grand marche
High School Cadets March (Sousa) Victor M
(Send Back Mv Honeyman — Fox Trot (Handman) The
1 Hot Lips — Blues Fox Trot (He’s Got Hot Lips) Whitt
(Sensation Rag — One-Step (Edwards) Original Dixiel
l Bluin’ the Blues — Fox Trot (Ragas) Original Dixielan
Serbia — See “ National and Patriotic Selections”
Serenade de Don Juan (Tschaikowsky) In French En
Serenade (d’Ambrosio, Op. 4) Violin Jas
Serenade (d’Ambrosio, Op. 40) Violin Efrei
(Serenade (from “Blossom Time”) (Donnelly-Romberg) I
l Song of Love (from ‘ ‘Blossom Time ’ ’) Ma
Serenade (Ddla) Violin Mi
(Serenade (Drdla) Vessella’s It
l La Manola — Spanish Serenade (Eilenberg) Con
Serenade (Harlequin’s Serenade) (Drigo) Violin
Serenade (Drigo) Violin (See also “Love’s Nocturne”) Mi
(Serenade (Drigo) Violin- ’Cello- Flute- Harp Florentii
l At the Brook (Rene de Boisdeffre) Violin- ’Cello- Piano T
(Serenade (Waltz from Drigo’s Serenade) Smith’s
l Havanola Fox Trot Smith
Serenade (Sing, Smile, Slumber) (Gounod)
By Emma Calve ( Flute obbligato ) In French
By Geraldine Farrar ( Flute obb. by Barone ) In French
By Olive Kline and In An Old-Fashioned Toul
Serenade (W, Jeral-F. Kreisler) Violin-’Cello
John McCormack
Pry a
Tollefsen Triol
Neapolitan Trio)
{Serenade (Kotzschmar) Violin-’Cello-Piano
Longing for Home (Heimweh) (Jungmann)
Serenade (Mascagni) with Mandolin In Italian Ma
Serenade ( Moritz Moszkowski)
By Mabel Garrison (Soprano)
By John McCormack and Fritz Kreisler
By Maud Powell (Op. 15, No. I) Violin
By Efrem Zimbalist (Op. 15, No. 1) Violin
By Neapolitan Trio and Chant du Rossignol — Concert Polka — Piccolo
By Chas. Kellogg (Bird Voices with Orch.) and Narcissus ( Nevin )
(Serenade (Good Night, Beloved) (Nevin) McKei
l Then You’ll Remember Me, and I Dreamt I Dwelt McKt
VICTOR RECORDS
Serenade (Gabriel Pierne)
By Efrem Zimbalist Violin
By Fernand Pollain Violoncello and The Butterfly (Le Papillon ) Pollain
By Michel Gusikoff Violin and Raff's Cavatina — Violin — Rattay
By Jacques Hoffmann Violin and To a Wild Rose (MacDowell) Hoffmann
Serenade (Rosier-Raff) McCormack-Kreisler
Serenade (Schubert)
By Julia Culp (Contralto) In German
By John McCormack and Fritz Kreisler
By Evan Williams (Tenor)
By Paul Reimers (Tenor), German and Aida — Celeste Aida In Italian Althouse
By Mischa Elman Violin
By Victor Sorlin ’Cello and Calm as the Night — Vienna Quartet
By Rattay and Barone Violin-Flute and Call Me Thine Own — D Almaine-Lyons
By Neapolitan Trio and Serenade ( Till) Neapolitan Trio
By Michele Rinaldi Cornet with Vessella’s Band and Stabat Mater — Rinaldi
Serenade (Rimpianto) (Silvestri-Toselli) In Italian Gigli
Neapolitan Trio)
Neapolitan Trio )
Keneke and Barone)
Herbert L. Clarke)
(Serenade (Titl)
l Serenade ( Schubert ) Violin-Flute-Harp
(Serenade (Titl) Cornet-Flute
\ Carnival of Venice ( Arban ) Comet
Serenade (Tosti)
By Nellie Melba (Soprano) Harp accompaniment In Italian
By Adelina Patti (Soprano) Piano accompaniment In Italian
By Alma Gluck (Soprano) Violin, Flute and Harp acc. In Italian
By Neapolitan Trio and Narcissus ( Nevin ) Florentine Quartet
Serenade — See also "Angel’s Serenade” " Cavalleria Rusticana—
Sicilians, ” “Damnation of Faust,” “ Don Giovanni,” " Faust,
"Harlequin’s Serenade,” "Jewels of Madonna,” "Mattinata,” “Rustic
Wedding,” “Serenata,” “Sioux Serenade” and "Voice of Love”
(Serenade Badine (Gabriel -Marie) Violin- ’Cello-Piano McKee Trio)
l Serenade Coquette ( Barthelemy ) McKee Trio )
{Serenade Coquette (Barthelemy) Violin-’Cello-Piano McKee Trio)
Serinade Badine ( Gabriel-Marie ) McKee Trio)
Serenade Espagnole (Teschemacher-Ronald) In French
Serenade Espagnole (Chaminade-Kreisler) Violin
Serenade Espagnole (Chaminade-Kreisler) ’Cello
(Serenade Falet Imperial Russian Balalaika Court Orchl
l Toreador et Andalouse (“Bal Costume ’ ’) (Rubinstein) Balalaika Orch)
(Serenade Levantine (Alpheraky) Pianoforte Julius L. Schendel)
l First Arabesque ( Debussy ) Pianoforte Julius L. Schendel)
Serenade Melancolique (Tschaikowsky, Op. 26.) Violin
{Serenade of Olden Times (Silvestri) Neapolitan Trio)
Come Back to Sorrento Neapolitan Trio)
Maximilian Pilzerl
Samuel Gardner)
Serenata — See also “ Serenade”
(Serenata Napoletana (Sgambati) Violin
\ Andante from Second Concerto (de Beriot)
Serenite (Serenity) (Vieuxtemps, Op. 45) Violin Jacques Thibaui
Serra-Moura Mandolin Quintet
Portuguese Songs, Medley of and Lisbon Fantasie — Quinti
{Servant Girls — Comic Dialogue Golden and Hughes
Gwine Back to Arkansaw — Darky Specialty Golden and Hughes
Number
N
c/5
if
—i o.
64936
10
1 .25
45158
10
1 .00
16051
10
.75
17101
10
.75
87552
10
1.50
74431
12
1.75
87545
10
1.50
64093
10
1.25
55045
12
1.50
74167
12
1.75
16545
10
.75
35140
12
1.25
16995
10
.75
35508
12
1.25
66102
10
1.25
16995
10
.75
16088
10
.75
88079
12
1.75
95038
12
5.00
64399
10
1.25
17472
10
.75
18268
10
.75
18268
10
.75
87169
10
1.25
64503
10
1.25
66040
10
1.25
18058
10
.75
18179
10
.75
74711
12
1.75
69502
10
.75
88628
12
1.75
18175
10
.75
66064
10
1.25
72315
10
.75
17612
10
.75
Number
Size
To ^
— J A
88076
12
1.75
55136
12
1.50
88177
12
1.75
18173
10
.75
17080
10
.75
17162
10
.75
17408
10
.75
64041
10
1.25
35193
12
1.25
55096
12
1.50
17623
10
.75
74701
12
1.75
17717
10
.75
17623
10
.75
17634
10
.75
64218
10
1.25
64627
10
1.25
74702
12
1.75
74703
12
1.75
17717
10
.75
74706
12
1.75
74699
12
1.75
74700
12
1.75
18528
10
.75
35530
12
1.25
18528
10
.75
17662
10
.75
64252
10
1.25
VICTOR RECORDS
Se Saran rose (Where Bloom the Roses) (Melba Waltz) Italian Melba
Se SETON, Ernest Thompson — Three Sioux Scouts Part land Part II
Seven Last Words of Christ — God, My Father English de Gogorza
(Seven Last Words of Christ — Part I (Opening Chorus)
(Schiitz) ( with Violin, ’ Cello and Organ ) Oratorio Chorus
Seven Last Words of Christ — Part II ( Recitative ) V. Oratorio Cho
(Seventh Regiment March — Cappa’s (Quinn) Pryor’s Band)
l Skyrocket March ( Grafulla ) {Drum effects) Pryor’s Band)
(Seventh Regiment (Gray Jackets) March (Neyer) Sousa’s Band)
l Sardinia March ( Gabelti ) Sousa’s Band)
(79th Highlanders’ Farewell ( Bagpipes with Drum ) Sutcliffe Troupe)
l Highland Laddie (2) My Love She’s But a Lassie— Sutcliffe Troupe)
SEVERINA, GINA, Contralto — See “Rigoletto”
Seviliana (Yradier) In Spanish Emilio de Gogorza
(Sevilla Waltz (Porter Steele) Victor Concert Orchestral
\ Pink Lady Selection ( McLellan-Caryll ) Victor Concert Orchestra)
Sextette — Lucia — See “Lucia”
SHACKLETON, SIR ERNEST. Address by
A Dash for the South Pole and Discovery of the North Pole — Lieut. Peary
SHAKESPEARE, WILLIAM (1564-1616). Excerpts from Shake¬
speare’s works; musical settings of Shakespeare text; and incidental
music written for the plays.
AS YOU LIKE IT
Act II, Scene 3 — Song, "Under the Greenwood Tree” (Dr. Arne)
Dixon and Cho and IV hat Shall He Have Who Killed the Deer — Male Cho
Act II, Scene 7 — Seven Ages of Man — “All the World’s a Stage" Sothern
Act II, Scene 7 — Song, “ Blow Blow, Thou Winter Wind” (Stevens)
Dixon and Male Qt and Hamlet — Kline
Act IV, Scene 2 — Song, “ What Shall He Have Who Killed the Deer”
(Bishop) Victor Male Qt and Under the Greenwood Tree — Dixon and Cho
Act V, Scene 3 — Song, ‘‘It Was a Lover and His Lass” (Morley)
Dixon and Macdonough and Two Gentlemen of Verona — Werrcnralh
CYMBELINE
Act II, Scene 3 — Song, “ Hark 1 Hark ! the Lark " (Schubert) Williams
Act II, Scene 3— Song, “ Hark I Hark I the Lark ” (Schubert) Alma Gluck
HAMLET
Act 111, Scene 1 — Hamlet’s Soliloquy — “To Be or Not to Be” Sothern
Act III, Scene 2 — Hamlet’s Speech to the Players Sothern
Act IV, Scene 5 — Traditional Songs of Ophelia — Kline
and As You Like It — Dixon and Qt
1ULIUS CAESAR
Act II, Scene 1 — Brutus and Portia Sothern-Marlowe
Act III, Scene 2 — Antony’s Oration, Part I (Friends, Romans. Countrymen,
Lend Me Your Ears) E. H. Sothern
Act III, Scene 2 — Antony’s Oration, Part 11 (If You Have Tears Prepare to
Shed Them Now) E. H. Sothern
KING HENRY THE EIGHTH
Act 111 — Orpheus With His Lute (2) She Never Told Her Love
and When Daisies Pied — Litllefii
Act I, Scene 4 — Shepherd’s Dance and Morris Dance (Edward German)
Conway’s Band and Country Dance from “ Nell Gwyn’ — Victor Band
LOVE’S LABOR LOST
When Daisies Pied and Violets Blue and She N ever Told Her Love — Littlefield
MEASURE FOR MEASURE
Act IV, Scene I — -Song. “Take, Oh Take Those Lips Away” (Traditional)
( 2) Come Away, Death and Oh Mistress Mine— Dixon
Take, Oh Take Those Lips Away (Bennett) John McCormack
Number
_ VICTOR RECORDS _
SHAKESPEARE RECORDS— Continued
MERCHANT OF VENICE
Act III, Scene I — Shylock’s Speech (2) Act IV, Scene I — The Mercy
Speech Sothern-Marlowe
Act III, Scene 2 — The Casket Scene (Reading with Music) Sothern-Marlowe
Act III, Scene 2 — Song, "Tell Me Where is Fancy Bred?” (Stevenson)
Marsh and Werrenrath and Midsummer-Night’s Dream — Victor Women's Cho
Act IV, Scene I — Recitation, “ Mercy Speech” Ellen Terry
MERRY WIVES OF WINDSOR
Overture (Nicolai) Symphony Orchestra of London
and Jewels of the Madonna — Victor Orchestra
Song, " Greensleeves” (very old) (2) Come Unto These Yellow Sands —
Werrenrath-Dixon-Hooley and Twelfth Night — Male Trio
MIDSUMMER-NIGHT’S DREAM
Overture and Prelude (Rachmaninoff) Victor Concert Orchestra
Wedding March (Mendelssohn, Op 61, No. 4)
Toscanini and La Scala Orchestra
Wedding March (Mendelssohn) and Lohengrin — Bridal March — Herbert' s Or
Nocturne (Mendelssohn) and Intermezzo (Mendelssohn) Victor Orchestra
Scherzo (Mendelssohn) Philadelphia Orchestra
Scherzo (Mendelssohn. Op 61) Toscanini — La Scala Orchestra
Act II, Scene 2 — Song, “You Spotted Snakes” (Mendelssohn) Victor
Women’s Chorus and Merchant of Venice — Marsh and Werrenrath
Over Hill, Over Dale — Wheeler, Dunlap and Baker
and Summer Now Hath Come A mong Us — Wheeler and Dunlap
MUCH ADO ABOUT NOTHING
Act II, Scene 3 — Song, “ Sigh No More, Ladies” (Stevens) Dixon
and The Tempest — Werrenrath
OTHELLO
Act IV, Scene 3— Desdemona’s Song, “Oh Willow, Willow” — Kline
(2) Sumer is Icumen In — Mixed Chorus and Hymn to Apollo — Baker
ROMEO AND JULIET
Act II, Scene II Balcony Scene — Part I Sothern-Marlowe
Act II, Scene II Balcony Scene — Part 2 Sothern-Marlowe
TAMING OF THE SHREW
Act II — Good-Morrow, Kate; for That’s Your Name Sothern-Marlowe
Act IV, Scene 2 — What is Your Will, Sir, That You Send for Me
Sothern-Marlowe
THE TEMPEST
Act I, Scene 2 — Ariel’s Songs, “Come Unto These Yellow Sands” (2)
Green Sleeves — Werrenrath-Dixon-Hooley and Twelfth Night — Mate Trio
Act I, Scene 2 — Full Fathom Five (2) Act V, Scene 2 — Where the Bee
Sucks (R. Johnson) Werrenrath and Much Ado About Nothing — Dixon
TWELFTH NIGHT
Act II, Scene 4 — ThetDuke and Viola (Reading with Music)
Sothern-Marlowe
Act II, Scene 4 — Come Away, Death (2) Measure for Measure
and Act II, Scene 3 — Clown's Songs, “ Oh, Mistress Mine" — Raymond Dixon
Act II. Scene 4 — She Never Told Her Love (2) Orpheus
and When Daisies Pied — Littlefield
Act V, Scene 1 — When That I Was a Little Tiny Boy (2) Act II, Scene 3
— Old Catch, "Hold Thy Peace, Thou Knave” — Macdonough, Dixon
and Werrenrath and The Tempest — Male Trio
TWO GENTLEMEN OF VERONA
Act IV, Scene 2 — Serenade, " Who is Sylvia? ” (Schubert) Werrenrath
and As You Like It — Dixon and Macdonough
Act IV, Scene 2 — Who is Sylvia? (Schubert) Emma Eames
POEMS AND SONNETS
Lo, Here the Gentle Lark (Bishop) (Flute obb.) Nellie Melba
Lo, Here the Gentle Lark (Bishop) (Flute obb.) Alma Gluck
Lo, Here the Gentle Lark (Bishop) (Flute obb.) Amelita Galli-Curci
Lo, Here the Gentle Lark and Ma Curly-Headed Babby — Olive Kline
74673
74708
55060
64194
35270
17724
35625
74745
55048
35527
74560
74779
55060
17209
17702
35276
74662
74663
74704
74705
17724
17702
74707
17662
18528
17724
17634
88013
88073
64267
74608
45115
1.75
1.75
1.50
1.25
1.25
.75
1.25
1.75
1.50
1.25
1.75
1.75
1.50
.75
.75
1.25
1.75
1.75
1.75
1.75
.75
.75
1.75
.75
.75
.75
.75
1.75
1.75
1.25
1.75
1.00
VICTOR RECORDS
Hayden Quartet-!
Hayden Quartet )
18333 Now I Know
18455
Accordion Pietrol
f Shall We Gather at the River (Lowry)
l Rest for the Weary ( McDonald )
(Shall We Meet Beyond the River (Hastings-Rice)
Macdonough-Hemus ?
Almost Persuaded (Bliss) Macdonough and H emus)
SHANNON FOUR — Male Quartet
Break the News 18358 I I May Be Gone
College Days 18792 I Last Long Mile
(Sharpshooters March (Bersaglieri) (Metallo)
l Beautiful Days Waltz (Bei giorni) Accordion
SHAW, ELLIOTT— Baritone
I’m Always Falling 18660
In the Shade of Palm 16061
Jerusalem 35116
One Sweetly Solemn
16009-35141
Remember the Rose 1 8806
Duets in which
Mr. Shaw sings
Beautiful Annabelle 18726
Carolina Rolling 18869
Number
Size
To
— ) a
16261
10
.75
17356
10
.75
18642
17551
10
.75
Crucifix
Don’t Cry, Frenchy
Golden Gate
Guide Me, O Thou
Hawaiian Lullaby
Honolulu Honey
I'm Forever Blowing
I m Like a Ship
Ka-Lu-A
Mississippi Cradle
35012
18538
18612
35141
18597
18796
18540
18638
18854
18841
My Faith Looks
Now I Lay Me
Plantation Lullaby
Rose of No Man’s L
Sweet Hawaiian Girl
There’s Only One
Trail to Long Ago
When Shall We Meet 18841
While the Years 18955
Wyoming 18740
35012
18747
18807
18508
18796
18786
18961
SHEAN, AL, Comedian — See “Mister Gallagher”
(She Gives Them All the Ha! Ha! Ha! (von Tilzer) Murray-!
\ Stop! Look/ Listen! (To the Music of the Band) American Qt.i
f Sheik, The — Fox Trot (Snyder) Club Royal Orchestral
l Dapper Dan — Fox Trot ( Von Tilzer ) Club Royal Orchestra /
Bricel
Brice )
) McCormack
Sir Harry Lauder-!
Sir Harry Lauder )
Sir Harry Lauder-!
Sir Harry Lauder)
Sir Harry Lauderl
Sir Harry Lauder >
Club Royal Or
(Sheik of Avenue B (Kalmar-Ruby-Downing)
l Becky *s Back in the Ballet (Merrill- Edwards)
She is Far from the Land — Irish Ballad (Moore
(She is My Daisy
1 When / Was Twenty-one
(She is My Rosie (Harper-Lauder)
l Stop Your Tickling, Jock — Laughing Specialty
(She is My Rosie (Harper-Lauder)
1 / Lone a Lassie (My Scotch Bluebell)
She Loves Me, She Loves Me Not — Med. Fox T
Intro. “A Doll House" (from “The Perfect Fool")
Wanna — Fox Trot (Cliff Friend) Club Royal Orch
(She Never Told Her Love (2) Orpheus With His Lute Littlefield-!
I When Daisies Pied and Violets Blue Laura Littlefield)
f Shepherd Boy (G. D. Wilson) Venetian Trio)
l Fifth Nocturne (J. Leybach, Op. 52) Florentine Quartet)
(Shepherd Boy (Wilson) Zither John Reichll
l Longing for Home (Jungmann) Zither John Reichl)
(Shepherd’s Dance and Morris Dance (“Henry VIII”) Conway’s B1
l Country Dance from “Nell Gwyn ” Victor Military Band)
{Shepherd’s Hey — Morris Dance Tune (“British Folk Music,” No. 16) 1
(Grainger) (With Harp and Xylophone) Victor Concert Orch?
Irish Tune from County Derry Victor Concert Orchestra)
Shepherd, Show Me How to Go — Christian Science Hamlin
18732
10
.75
18831
10
.75
45323
10
LOO
74242
12
1.75
55123
12
1.50
45197
10
LOO
55116
12
1.50
18864
10
.75
18528
10
.75
17843
10
.75
69414
10
.75
35530
12
1.25
17897
10
.75
64295
10
1.25
VICTOR RECORDS
(Shepherd’s Life in the Alps ( Descriptive effects) Pryor’s Bandl
1 Cosmopolitan Overture { Prendiville ) Arthur Pryor’s Band)
SHERIDAN, MARK, Comedian — See “Nightmare in the Desert”
She’s a Good Fellow (First Rose of Summer) (Kern) McCormack
She’s a Good Fellow — Gems Victor Light Opera Company
Chorus, “Some Party” — Solo, “First Rose of Summer” — Solo and Chorus,
“Jubilo” and “Teacher, Teacher” — Chorus, “I’ve Been Waiting for You"
Gems from Sometime Victor Light Opera Company
(She Sang “Aloha” to Me (Carey) Raymond Dixon-Orpheus Qt)
l Fair Hawaii Edna Brown and James Reed)
f She’s the Daughter of Mother Machree (Nenarb-Ball) Harrison 1
\ My Mother’s Rosary {Lewis- Meyer) Charles Harrison >
{She’s the Lass for Me (Lauder) Sir Harry Lauder)
Trixie from Dixie {Lauder) Sir Harry Lauder)
{She’s the Lass for Me (Lauder) Sir Harry Lauder 1
Trixie from Dixie {Lauder) Sir Harry Lauder)
She Wandered Down the Mountain Side (Clay) Alma Gluck
SHILKING ORCHESTRA
Bring Back My Rose 18797 | When the Sun Goes Down 18804
(Ship o’ Dreams (Montanye- Francis) Merle Alcockl
l Old Road, The {Darow- Scott) Merle Alcock /
{Ship of My Dreams (Lamb-Solman) Hayden Quartet)
Snow Deer {Indian Song) {Mahoney-W enrich) Campbell and Burr)
(Shomer Israel (Guardian of Israel) Hebrew Rosenblatt)
l Elokoy Neshomo ( The Soul Thou Gavest Me) Hebrew Rosenblatt)
{Shopping — Humorous Monologue Marie Cahill)
Washing Baby — Humorous Monologue Marie Cahill)
{Showers of Gold — Scherzo (Clarke) Cornet H. L. Clarke)
Gondolier and Nightingale — Barcarolle {Langey) Clarke- Barone)
f Si and Sis — Rural Sketch Ada Jones and Len Spencer)
l O’Brien’s Automobile {Porter) Steve Porter /
SIBELIUS, JAN {Jean) (1865- ) Composer.
Born Tavastehus, Finland. Studied at Helsingfors, Berlin, Vienna.
Wrote first Finnish opera, “Tornissa Olija lmpi," 1896. Composer of many
tone-poems for orchestra, symphonies and other works. For compositions
see “Finlandia” and “Valse Triste”
Sicilian Vespers — See “Vespri Siciliani”
Sicilienne and Rigaudon (Francoeur-Kreisler) Violin Heifetz
SIEGEL and BUTIN — See “ Mandolin and Guitar Duets”
(Siegfried — Forest Murmurs — Part I (Wagner) Pitt, and Symp. O.)
I Siegfried — Forest Murmurs — Part II Pitt, and Symphony Orch. )
(Sighing (Stover) Henry Burr)
l Good-Bye, Good Luck, God Bless You Henry Burr)
Si j’etais Jardinier (Were I Gard’ner) (Chaminade) French Farrar
Silent Night (Christmas Hymn) (Franz Gruber) (See also “Stille Nacht”)
By Alma Gluck-Paul Reimers
By Elsie Baker and Hark! The Herald Angels Sing — Trinity Choir
By Trinity Choir and Holy Night (C antique de Noel) Marsh with Ql
By Hayden Quartet and IV ill There Be Any Stars in My Crown — Hayden Ql
By Neapolitan Trio and Christmas Hymns — Selection — Harp — Lapitino
By Felix Arndt Celesta and Noel (Holy Night) Venetian Trio
Number
I Size
2 it
— i o.
35282
12
1.25
64818
10
1.25
35694
12
1.25
18032
10
.75
17948
10
.75
45210
10
1.00
55130
12
1.50
74503
12
1.75
45254
10
1.00
17398
10
.75
55125
12
1.50
45265
10
1 00
17153
10
.75
16016
10
.75
t-
64917
10
1.25
55168
12
1.50
17984
10
.75
87322
10
1.25
87544
17164
45145
16286
18389
17842
10
10
10
10
10
10
1.50
.75
1.00
75
.75
.75
VICTOR RECORDS
SILLICH, ARISTODEMO, Bass (Sit -lik) See “Favorita” and “Masked
Ball ”
(Silver Bell (Madden-Wenrich)
l Winter ( Bryan-Gumble )
f Silver Heels (Moret) Banjo
X Keep Off the Grass Banjo
Peerless Quartet)
Hayden Quartet)
Fred Van Eps)
Van Eps)
SILVER, MONROE, Comedian — See “Cohen” and “Rebecca”
Silver Threads Among the Gold (Eben Rexford — Hart Pease Danks)
By Julia Culp (Contralto)
By John McCormack (Tenor)
By Maud Powell Violin
By Elsie Baker (Contralto) and When You and l Were Young — Harrison
By W. Oakland (Counter-Tenor) and Alice, Where Art Thou — Bourdon-Barone
By Ferdinand Himmelreich Piano and Listen to Mocking Bird—Himmelreich
By Rosario Bourdon Violoncello and Broken Melody — Bourdon
By Neapolitan Trio and Oh, Promise Me (Robin Hood) Venetian Trio
Si mes vers avaient des ailes (Were My Song with Wings
Provided) (Harp acc.) In French Geraldine Farrar
Simple Confession (Simple Aveu) (Thome)
By Mischa Elman Violin ( Pianoforte by Phillip Gordon)
By Hans Kindler Violoncello
By Neapolitan Trio Violin, Flute, Harp and Sweetest Story Ever Told — Trio
Since Jesus Came Into My Heart (McDaniel-Gabriel) Rodeheaverl
Sweeter As the Years Go By (Mrs. C. H. Morris) Rodeheaverl
Since Molly Went Away (Stanton-Burleigh) de Gogorza
Since You Went Away (Johnson) McCormack-Kreisler
Sing a Song of Sixpence (2) I Love Little Pussy, etc. E. Wheeler)
Humpty Dumpty (2) To Market ( 3 ) Crooked Man, etc. Wheeler I
Singer, The (Elsa Maxwell) Frances Alda
Singing Games — See “Educational Records”
Number
<u>
&
"to
S3 A
16927
10
.75
16266
10
.75
74527
12
1.75
64260
10
1.25
64459
10
1.25
17474
10
.75
16786
10
.75
18245
10
.75
17342
10
.75
17816
10
.75
87348
10
1.25
74515
12
1.75
66011
10
1.25
17143
10
.75
17773
10
.75
64624
10
1.25
87573
10
1.50
18076
10
.75
66093
10
1.25
SINGING LESSONS— The Oscar Saenger Course
The Oscar Saenger Course in Vocal Train¬
ing is a practical, efficient system for teaching
people to sing. It is based on the simplest and
most direct principle of all teaching, which for the
first time is now applied to singing in a new and
original way.
No matter where they may live, all those
who wish to sing may now learn to do so under
the direction of a master who is credited with
having entered more pupils upon successful operatic,
oratorio or concert careers than has any other
teacher in the United States.
The course consists of ten double-faced
Victor records, which provide twenty lessons in
vocalization. There is a separate set for each
of the following five voices: Soprano, Mezzo-
Soprano, Tenor, Baritone and Bass. In the
Mezzo-Soprano there are special instructions for
the training of children's voices.
With each set of records for any of the
above voices there is also provided a textbook of
supplementary information for the student, which
VICTOR RECORDS
Number
information is set forth so definitely and clearly, that the art of singing may be fully under¬
stood by those who have had no previous training. Q j
All the necessary technique and all the necessary exercises for the development of v
perfect vocalization are provided, explained and worked out in the same definitely con¬
structive way as they are in Oscar Saenger’s own studio.
The Oscar Saenger Course in Vocal Training for any of the voices mentioned below
may be procured from any Victor dealer.
Each set is furnished in a special container as follows
Soprano
Mezzo-Soprano
Tenor
Baritone
Bass
List Price
$25.00
25.00
25.00
25.00
25.00
Aileen Stanley!
Stanley )
Frances Alda
18703
64716
10
10
89094 12
16196 10
35136 12
fSingin’ the Blues (Till My Daddy Comes Home)
l I’ve Got the Blues for My Kentucky Home
Sing Me Love’s Lullaby (Terriss- Morse)
Sing Me to Sleep (Clifton Bingham-Edwin Greene)
By Alma Gluck, and Efrem Zimbalist (Soprano and Violin) with String Qt
By Elsie Baker (Contralto) and Robin Hood — Oh Promise Me — tV m. Robyn
By Elsie Baker and Those Songs My Mother Used to Sing — Brown-Dixon
{Sing, O Heavens (Berthold Tours) Victor Mixed Chorus)
It Came Upon the Midnight Clear Victor Mixed Chorus /
Sing! Sing! Birds on the Wing (Cooke-Nutting) John McCormack
(Sing! Sing! Birds on the Wing ( Boy Soprano) Claude Isaacs)
l Comin ’ Thro ’ the Rye (Bon Soprano) Claude Isaacs >
Sing, Smile, Slumber — See “ Serenade” (Gounod)
(Sinner, Please Don’t Let This Harvest Pass (2) Walk in
| Jerusalem Just Like John Kitty Cheatham
l Swing Low (2) I Don’t Feel No-Ways Tired Kitty Cheatham
{Sioux Serenade, A (Alfred Fletcher) Princess Watahwaso)
By the Waters of Minnetonka (Lieurance) Princess Watahwaso)
f’Sippy Shore — Medley One-Step (Donaldson) Whiteman’s Orchl
l Underneath Hawaiian Skies — Medley Fox Trot Whiteman’s Orch)
(Siren of a Southern Sea — Fox Trot (“Hula Blues”) All Star Trio-O)
1 Why Don’t You? — Marimba — Medley Fox Trot All Star Trio-Orch)
{Sirens Waltz (Sirene) (Waldteufel) Accordion Pietro l
Over the Waves Waltz ( Sobre las Olas) (Rosas) Pietro j
(Siren Waltzes (From “The Siren”) (Leo Fall) Victor Orch)
l Count of Luxembourg Waltzes (Lehar) Victor Military Band )
SIROTA, GERSON — Famous Hebrew Cantor — See Hebrew Catalogue
(Sister Sorrowful Entertains the Minister (Rural Comedy) Taggart)
l Old Country Fiddler on the School Board Charles Ross Taggart)
SISTINE CHOIR RECORDS-of Music in use before the “Motu Proprio”
This style of music was recently in vogue not only in Rome, but throughout the
world, and it might be said that there were no church solemnities without sacred music of
masters such as Capocci, Battaglia, Aldega and others. When Pope Pius X issued his
“Motu Proprio" on sacred music, music of this kind was interdicted in all church func¬
tions, and may now be heard only in concert-rooms or colleges.
The Victor was fortunate enough to secure a number of records by the Sistine Choir
before the Pope’s order went into effect, and now offers Americans an opportunity of hear¬
ing this most famous of religious singing bodies. Among these records is a remarkable one by
Prof. Moreschi, the famous male soprano.
35661
64532
18274
45086
18431
18744
35707
17950
35206
17910
.75
1.25
2.00
.75
1.25
1.25
1.25
.75
1.00
.75
.75
1.25
.75
1.25
.75
INTERIOR OF SISTINE CHAPEL, ROME
SISTINE CHOIR RECORDS
LaudamusTe (Capocci) Professors Moreschi, Boezi, Dado and Choi
Oremus Pro Pontefice (Emilio Calzanera) Prof. Moreschi and Choi
Exultate Justi (Viadana ) Sistine Choi
Filiae Jerusalem (Gabrielli) Sistine Choi
Si vous l’aviez compris — Melodie (Had You But Known)
(Denza) In French Enrico Caruso-Mischa Elmai
SIX BROWN BROTHERS — See “ Brown Brothers ”
Sixth Symphony (Pastoral) (Beethoven) See “ Symphonies ”
(Six Times Six is Thirty-Six (B. Hanlon- W. White) Frances White)
l M-i-s-s-i-s-s-i-p-p-i ( Hanlon-Ryan-Tierney ) Frances White)
(Skaters Waltz (Les Patineurs) (Waldteufel) Sousa’s Band)
l American Fantasie — Patriotic Medley ( Herbert ) Pryor’s Band)
(Skeleton Jangle — Fox Trot (La Rocca) Original Dixieland Jazz B)
l Tiger Rag — One-Step ( La Rocca) Original Dixieland Jazz Band )
( Drum Effects) Pryor’s Band)
(Quinn) (Drum Effects) Pryor’s Band)
Slavische Tanze — See “ Hebraisches Lied ” and “ Polish Dance ”
Slavonic Cradle Song (Neruda) Violin Maud Powell
(Slavonic Dance No. 1— C Major (Dvorak, Op. 46) Victor Concert Or)
1 Slavonic Dance No. 2 — E Minor (Dvorak, Op. 46) Victor Concert Or)
Slavonic Dance, No. 1 — G Minor (Dvorak-Kreisler) Violin Kreisler
Slavonic Dance, No. 2 — E Minor (Dvorak-Kreisler) Kreisler
{Slavonic Dance (Dvorak) (Slavische Tanze) Vessella’s Italian B)
Tales of Hoffmann — Venetian Scene, inc. Barcarolle Vessella’ B)
(Sleep, Baby, Sleep — Yodel (with Guitar) Barton and Carroll)
l Hawaiian Love Song Yodling (with Guitar) W. Barton-F. Carroll)
(Sleep, Little Baby of Mine (Dennee) Elsie Bakerl
\ Slumber Sea (Chisholm) Elsie Baker)
(Sleep, Noble Hearts (Memorial Day Hymn) Lyric Quartet)
l Blue and the Gray (Memorial Day Recitation) Harry E. Humphrey)
( Skyrocket March (Grafulla)
l Cappa’s 7th Regiment March
61116
71015
61123
71023
10
12
10
12
89084
12
45137
10
35119
12
18472
10
17080
10
64027
10
35715
12
64488
10
74437
12
35507
12
17965
10
17212
10
17310
10
1.25
1.75
1.25
1.75
2.00
1.00
1.25
.75
.75
1.25
1.25
1.25
1.75
1.25
.75
.75
.75
VICTOR RECORDS
dumber
4}
2 Si
-J a.
Sleepy Head (Gunsky-Brown-Hill) Peerless Qt!
There’s Only One Pal After All {Frost-Klickman) Hart-Shaw)
18786
10
.75
Sleepy Little Village (Where the Dixie Cotton Grows) Murray-Smalle!
Kicky- Koo — Kicky-Koo {Young- Lewis- Meyer) Murray-Smalle)
18918
10
.75
SLEIGHING SONGS — Sleigh Bell Effects — See "Professor’s
Birthday”
SLEZAK, LEO, Tenor (For portrait and sketch see
Pink Section)
Slidus Trombonus (A Trombone Comedy) (Lake)
Lanette — Waltz Caprice {Saxophone with Band)
Conway’s Band!
Henton)
18117
10
.75
Slovak Records — See "Slovak Catalogue”
Slow and Easy (Williams-Spencer)
What-cha Gonna Do When There Ain’t No Jazz
Esther Walker!
Esther Walker)
18680
10
.75
Slumber Boat, The (Mrs. Alice C. D. Riley-Gaynor)
Absent {Glenn- Metcalf)
Christine Miller!
Christine Miller)
45075
10
LOO
Slumber Boat, The (Mrs. Alice C. D. Riley-Gaynor)
Hey Baloo {Schumann)
Laura Littlefield!
Laura Littlefield)
18448
10
.75
Slumber Sea (Chisholm)
Sleep, Little Baby, of Mine {Denude)
Elsie Baker!
Elsie Baker)
17212
10
.75
Small Boy and His Mother at the Circus
Uncle Josh at the Dentist’s
Mrs. Burnleyl
Cal Stewart J
16413
10
.75
SMALLE, ED., Comedian — Duets in which Mr. Smalle sings
Dardanella Blues 18688
Humpty Dumpty 18810
I Ain’t ’en Got ’en 18593
I’ve Got A-B-C Blues 18704
Kicky- Koo 18918
Sleepy Little Village 18918
Ten Little Fingers
Yankee Doodle
Blues
18830
l
SMETANA, FRIEDRICH (1824-1884). Bohemian composer,
operatic works. Became deaf and eventually went insane. See
"Bohemian Cradle Song," "Bohemian Fantasie"
f Smile and the World Smiles with You L. James-Peerless Qt!
l That Tumble-down Shack, in Athlone ( Sanders ) Sterling Trio )
fSmiles (J. Will Callahan-Lee S. Roberts) Lambert Murphy!
l The Radiance in Your Eyes ( Novella ) Werrenrath )
/Smiles — Fox Trot (Roberts) Joseph C. Smith’s Orchestral
Rose Room — Fox Trot Joseph C. Smith’s Orchestra )
Smiles and Chuckles — One-Step Tempo Six Brown Brothers!
Comedy Tom ( One-Step Tempo) Six Brown Brothers)
Smile Through Your Tears (Hamblen) Lambert Murphyl
Hand of You {Carrie Jacobs-Bond) Lucy Marsh)
Smilin’ — Fox Trot (Rose-Krausgrill) Green Bros. Marimba Or!
Somewhere in Naples — Med. Fox Trot All Star Trio and Orchestra)
Smilin’ Through (Arthur Penn)
Think Love of Me {Frank H. Grey )
SMIRNOV, DMITRI, Tenor — See “Smirnov” in Pink Section
SMITH’S ORCHESTRA
18959
Wrote orchestral and
Bartered Bride,"
Reinald Werrenrath!
Reinald Werrenrath)
18545
45155
18473
18385
45267
18851
45166
10
10
10
10
10
10
10
.75
1.00
.75
.75
1.00
.75
1.00
-Joseph C. Smith and His Orchestra
Alice Blue Gown 18700
Apple Blossoms 18646
Blossom Time 18827
Broken Moon 18745
Carolina Sunshine 18646
Ching-a-Ling’s 35695
Dear Old Pal 18543
Every Day 18885
Happy — One-Step 18715
Havanola 35615
Head Over Heels 35682
Hindustan 18507
Honeydew 18719
If You Could Care 18715
I Lost My Heart 18745
I 'm Always Chasing 35682
I Might Be Your 18629
Irene 35695
It’s You — Fox Trot 18827
I Want My Mammy 18845
Kara van 18662
Kiss a Miss 18739
Kiss Me Again 35663
Lady Billy 35706
VICTOR RECORDS
Number
SMITH S ORCHESTRA RECORDS-Continued
Legend, The 18761
Lola Lo — Fox Trot 18866
Love Nest 18678
Mammy’s Lullaby 18531
Mello ’Cello — Waltz 18761
Missouri Waltz 35663
’N’ Everything 18507
Nobody Knows 18630
Oh! What a Pal 18630
On Miami Shore 18632
Patches 18629
Peggy 18632
Romance — Waltz 18739
Rose of Stamboul 18885
Rose Room 18473
Sally 35706
Sal-O-May
— Fox Trot 18816
Smiles 18473
Stealing 18845
Sweet Hawaiian
Moonlight 1 853 1
Tell Me 18594
That Naughty Waltz 18650
Three O’Clock 18866
Tip-Top 18733
Tripoli — Med. Waltz 18700
Tulip Time 18618
Vamp. The 18594
Waltz from Drigo’s
Serenade 15615
When You Look 18543
While Miami Dreams 18878
Why, Dear?
— Fox Trot 18816
Yearning 18603
Yellow Dog Blues 18618
Young Man’s Fancy 18678
SMITH TRIO - Violin-’Cello-Piano
Mickey and Kisses {In Fox Trot Tempo) ( with Vocal Refrain) Smith Trio
(Sneak! — Fox Trot (Nacio Herb Brown) Club Royal Orchestral
1 Are You Playing Fair? — Fox Trot Confrey and His Orchestra )
Sneezes (Comic Monologue) and Snores Robert J. Wildhack
(Snow Deer— Indian Song (Mahoney- Wenrich) Campbell-Burrl
l Ship of My Dreams (Lamb-Solman) Hayden Quartet)
Snow Maiden— Song of the Shepherd (Rimsky-Korsakow) English Gluck
Snow Maiden — Aller au Bois (Go to the Forest) French Gluck
Snowy Breasted Pearl (Robinson) In English John McCormack
Sobre las Olas Waltz — See “Over the Waves”
(Softly and Tenderly (Thompson) Harry McClaskeyl
l The Old Time Religion ( Tillman ) Criterion Quartet)
(Softly Now the Light of Day (Gottschalk) Mr.-Mrs. Wheeler 1
l Beyond the Smiling and the Weeping ( Stebbins ) Peerless Quartet)
Sogno, II (The Dream) (Stecchetti-Tosti) In Italian Zanelli
Soir, Le (At Evening) (Gounod) In French Maurice Renaud
/Soldier, Rest (From Scott’s “Lady of the Lake”) ICline and Baker/
l Coronach ( FromScott’s“LadyoftheLake ”) Kline- Wheeler-Dunlap)
Soldiers’ Chorus — See “ Faust ” and “Huguenots”
(Soldier’s Day, A Geoffrey O’Hara/
l Parodies of the Camp Geoffrey O ’ Hara )
(Soldier’s Farewell (Kunkel) Hayden Quartet/
\ Robin Adair (Burns) Hayden Quartet)
(Soldier’s Joy (American Folk Dance) (Arr. by Burchenal) Victor B/
l Affansau) Traveler (American Folk Dance) Victor Military Band)
(Soldiers of the King (Parry) Pryor’s Band/
l It’s a Long, Long Way to Tipperary (Judge- Williams) American Qt)
(Soldiers’ Return (II Ritorno dei Soldati) — Waltz The Four Sicilians/
\ Hurrah for Orlando — Waltz The Four Sicilians)
(Solid Men to the Front — March (Sousa) Sousa’s Bandl
l Sabre and Spurs March (March of American Cavalry) Sousa’s Band)
Solitude (Offoel-Rubinstein) (with Balalaika Orch.) In French Alda
{So Long Oo-Long (How Long You Gonna Be Gone?) Roberts/
The Moon Shines on the Moonshine (de Witt- Bowers) Phillips )
Solvejg’s Song (from “ Peer Gynt Suite ”) (Edvard Hagerup Grieg)
By Amelita Galli-Curci (Soprano) In French
By Lucy Isabelle Marsh and The Swallows (.Viltanetle) Lucy Marsh 55108, 1 2i 1 .50
18532
18921
35590
17398
64209
64421
74166
16743
16500
66055
91072
17987
18451
16039
18331
17639
72704
18504
64450
18672
74522
10
10
12
10
10
10
12
10
10
10
10
10
10
10
10
10
10
10
10
10
12
.75
.75
1.25
.75
1.25
1.25
1.75
.75
.75
1.25
1.25
.75
.75
.75
.75
.75
.75
.75
1.25
.75
1.75
VICTOR RECORDS
(Some Blessed Day (Nevin) Imperial Quartet]
l I’m a Pilgrim, I’m a Stranger Imperial Quartet)
(Some Blessed Day (Ray-Nevin) (With Brass Qt) Criterion Qt]
l Wayside Cross (St. John- Palmer) Criterion Quartet )
(Somebody — Medley One-Step (intro. “Just for To-Day”) Benson Or]
X Biddy — Fox Trot ( Zamecnik ) Benson Orchestra J
fSomebody Cares (Gospel Hymn) (Stafford-Rodeheaver) Mrs. Asher\
X
Mrs. William Asher I
Sophie Braslau
Peerless Quartet]
Sterling Trio /
Clarence Whitehill
fSome Day I Shall Know (Gardner-Towner)
l When the Mists Have Rolled Away ( Sankey )
{
Whiteman’s Or'
Whiteman’s Or J
Nobody Like Jesus (Mapes-Gabriel)
Somebody Loves Me (Hattie Starr)
/Somebody’s Mother (Sterling- Von Tilzer)
I Found a Rose in the Devil’s Garden
Some Day — Old Ballad (Conway-Wellings)
Some Day I’ll Wander Back Again (Huntley) (with Qt) Whitehill
Earl Cartwright]
Trinity Choir I
Some Little Bird — Fox Trot (“Mocking Bird”)
Make Believe — Medley Fox Trot (Shilkret-Jerome)
Someone Worth While (Johnstone-Ward-Stephens)
fSome Sunny Day (Irving Berlin) American Quartet]
X Angel Child (Price-Silver-Davis) Campbell-Burr)
fSome Sunny Day — Fox Trot (Berlin) Whiteman’s Orch]
1 Rosy Posy — Fox Trot (From “ Blushing Bride”) Club Royal Orch)
fSome Sweet Day, Bye and Bye Anthony and Harrison
l Near the Cross (Doane) Alice Green-Raymond Dixon
Sometime — Gems from Victor Light Opera Company
Chorus, “The Tune You Can’t Forget” — Duet, “Keep on Smiling" —
Solo, “Spanish Maid" — Solo and Chorus, “Sometime"
Gems from “She’s a Good Fellow” Victor Light Opera Company
Sometime We’ll Understand (McGranahan) Schumann-Heinl
/Sometime We’ll Understand (McGranahan) Trinity Choir
Tell Mother I’ll Be There (Fillmore) Hayden Quartet
l
Somewhere (Alston Waters) John McCormack
Somewhere a Voice is Calling (Newton-Tate)
By Frances Alda (Soprano)
By John McCormack (Tenor)
By Harry McClaskey (Tenor) and Maiden in Grey Baker-F. Wheeler
Somewhere in Naples — Medley Fox Trot
(Intro. “Maria, Mari”) All Star Trio-Orch
Smilin’ — Fox Trot ( Rose-Wolohan-Krausgrill )
Green Bros. Marimba Orch.
(Somewhere My Love Lies Dreaming (Brown) Reed-Harrisonl
l Hush-a-bye, Ma Baby ( The Missouri Waltz) Edna Brown J
Sonata in G Minor — Presto non troppo (Tartini) Violin Chemel
Sonata in G Minor — Andante con moto (Tartini) Violin Chemel
fSonge d’Automne (Dream of Autumn) (Joyce) Bohemian Orch'
l ’A Frangesa March (Costa) Pryor’s Band.
Song Medleys and Songs of the Past — See “ Medleys, Vocal ”
jSong of a Thousand Years (Work) Raymond Dixon'
l Battle Cry of Freedom (Root) Raymond Dixon.
Song of India — Chanson Indoue (From “Sadko”) See “Chanson Indoue’
Number
to
3 cL
18199
10
.75
18808
10
.75
18718
10
.75
17989
10
.75
66084
10
1.25
18746
10
.75
74452
12
1.75
64609
10
1.25
17137
10
.75
18742
10
.75
66029
10
1.25
18903
10
.75
18891
10
.75
16688
10
.75
35694
12
1.25
87326
10
1.25
16414
10
.75
64976
10
1.25
64654
64405
17475
10
10
10
1.25
1.25
.75
18851
10
.75
18214
10
.75
66076
10
1.25
74751
12
1.75
16760
10
.75
' 17582
10
.75
VICTOR RECORDS
/Song of India — Fo* T. (Rimsky-Korsakow-Whiteman) Whiteman’s Ol
- j
Cho-Cho-San — Fox Trot {Puccini- Frey)
Song of the Chimes — Cradle Song (Worrell)
Song of the Flea (Goethe-Moussorgsky)
Song of Love (from "Blossom Time")
Serenade {Donnelly- Romberg)
Whiteman's Or.
Alma Gluck
Chaliapin
Marsh-Dadmun]
Murphy-Orpheus Quartet )
Song of the Shepherd Lehl (From Snegourotchka — “ Snow Maiden ")
(Rimsky-Korsakow) In English Alma Gluck
/Song of the Smile (Cancion de sonrisa) Fox Trot International Or]
l Why Lower Your Eyes {Por que bajas los ojos) Waltz International Or)
/Song of the Soul (Breil) Violoncello Victor Sorlin]
l Sphinx W altz {Popy) Victor Orchestra)
/Song of the Vikings (Faning) Victor Male Quartet]
\ Sweet the Angelus is Ringing {Enoch-Smart) Lucy Marsh- Elsie Balder)
Song of the Volga Boatmen (Russian Folk Song)
By Emilio de Gogorza (Baritone)
By Albert Janpolski (Baritone) and Moskow ( Folk Song) Janpolski
By Kirilloffs Balalaika Orchestra and Bright Moon — Balalaika Orch
Songs and Calls of Our Native Birds — See “ Bird Songs”
Songs My Mother Taught Me (“Gypsy Song”) Violin Kreisler
SONGS MY MOTHER USED TO SING— See “Those Songs”
/ Songs of Good Fellowship (See “Medley No. 1 7”) Victor Male Cho)
l Favorite College Songs Victor Male Chorus)
/Songs of Ireland (See “Medley No. 18”) Victor Mixed Chorus]
l Songs of Scotland Victor Mixed Chorus )
Songs of Our Native Birds — No. 1 Charles Kellogg
Catbird ; stormy petrel ; cardinal redbird ; Jenny or house wren ; loon ;
red wing blackbird ; bobolink ; California mountain quail, and general
conversation of the birds of the marsh
Songs of Our Native Birds — No. 2 Charles Kellogg
Ring dove; goldfinch (wild canary); wood pewee ; blue jay ; whip¬
poorwill ; mourning dove ; meadow lark ; peabody bird (white-throated
sparrow) ; catbird ; wood or barn-owl ; hoot owl
/Songs of Scotland (See “Medley No. 19”) Victor Mixed Chorus]
l Songs of Ireland Victor Mixed Chorus)
SONGS OF THE PAST — For twenty-four medleys of old
see “Medleys, Vocal”
SONGS WITHOUT WORDS (Mendelssohn)
Consolation (No. 9) and Humoresque ( Doofdk ) Harp Francis J. Lapitino
Cradle Song (Op. 67, No. 6) V iolin Mischa Elman
Hope (No. 16) VenetianTrio and SweetSpirit, Hear My Prayer — NeapolitanT
Spinning Song (No. 34) Pianoforte Rachmaninoff
Spring Song — For Ten Records see “Spring Song”
songs
/Song to Hawaii (Redding) ( With Guitars) Wright and Die
My Honolulu Hula Girl {Sonny Cunha) Wright-Di
/Song to Hawaii Hawaiian Guitars Louise-F<
Hawaiian Hula Medley — in Fox Trot Time Louise-F
Song Without Words {Chant sans paroles) (Tschaikowsky) Ki
Song Without Words (Romance Sans Paroles) (van Goens)
l
/Song Without Words
l The Dream {Thome)
(van Goens)
Violin- ’Cello-Pianoforte
Number
t*J
List
prc.
18777
10
.75
64322
10
1.25
88644
12
1.75
45304
10
1.00
64209
10
1.25
73177
10
.75
16484
10
.75
55055
12
1.50
64997
10
1.25
65147
10
.75
73153
10
.75
64563
10
1.25
35573
12
1.25
35513
12
1.25
55049
12
1.50
35513
12
1.25
18119
10
.75
74607
12
1.75
18156
10
.75
64921
10
1.25
74571
12
1.75
18159
10
.75
18069
10
.75
64142
10
1.25
74682
12
1.75
17525
10
.75
VICTOR RECORDS
SONNAMBULA (Son-nahm' -boo-lah) (Milan, 1831) (Bellini) In Italian
( See Victrola Book of the Opera for complete illustrated description)
Come per me sereno (Oh! Love, for Me Thy Power) Galli-Curci
Sovra il sen (While My Heart Its Joy Revealing) Galli-Curci
Ah! non credea mirarti (Could 1 Believe) Alma Gluck
Ah ! non credea mirarti (Could I Believe) Galli-Curci
Ah, non giunge (Oh, Recall Not One Earthly Sorrow) Tetrazzini
Ah, non giunge (Oh, Recall Not One Earthly Sorrow) Sembrich
jSoothing — Fox Trot (Fiorito-Storman) All Star Trio-Orch)
l Night — Fox Trot ( Seymour Simons) Club Royal Orchestra )
Sorella March (Gallini)
By Sousa's Band and American Patrol ( Meacham ) Sousa’s Band
By Guido Gialdini Whistling and Patrol Comiaue ( Bindley ) Piccolo — Lyons
Sorrows of Death (From “Hymn of Praise ”) (Mendelssohn) Williams
SOTHERN, E. H., Actor (See Pink Section)
Sound an Alarm — Judas Maccabaeus (Handel) Evan Williams
(Sound of the Harp (Lichner) Neapolitan Trio)
l The Maiden’s Prayer Violin, Harp, Flute with Bells Neapolitan Trio )
{Sounds from the Hudson — Valse Brilliante Cornet Herbert Clarke)
American Valor March Mandolin-Guitar Siegel-Butin)
(Sounds from My Native Land Philharmonic Brass Octet)
■s Trumpeter of Sahfingen — Werner’s Farewell
l Philharmonic Brass Octet
Sounds of the Forest, Part I (Birds and Animals) Kellogg
“ Mocking Bird ” — “ Cricket ’’ — “ Frog "
Sounds of the Forest, Part II Charles Kellogg
“Alarm Note’’ — “Chicken" — “Crow” — “ Yellow-Breasted Chat” — "Thrush”
“ Wild Turkey" — “Moose” — “ Marshbirds”
SOUSA, JOHN PHILIP. Born Washington, D. C., 1856. Violinist in Offenbach’s
Company, 1877. Leader of U. S. Marine Band 1880-1892. Founded band of his
own (see below). U. S. N. R. F., and conductor Great Lakes Naval Band during
Composer of comic operas and marches. For records of Sousa’s compositions see
Number
e/5
jo 2 ^
— J <=L
74644
12
1.75
64918
10
1.25
74263
12
1.75
74538
12
1.75
88313
12
1 .75
88027
12
1.75
18910
10
.75
16523
10
.75
16761
10
.75
74498
12
1.75
74131
12
1.75
17893
10
.75
16679
10
.75
68588
12
1.25
55092
12
1.50
war.
Boy Scouts of America
Bullets and Bayonets
Capitan, El
Comrades of the Legion
Fairest of the Fair
Free Lance
Gliding Girl
Glory of Yankee Navy
Golden Star
Hands Across the Sea
High School Cadets
Invincible Eagle
Jack Tar
King Cotton
Lambs’ March
Liberty Loan March
Man Behind the Gun
Manhattan Beach
Naval Reserve March
On the Campus March
Sabre and Spurs March
Solid Men to the Front
Semper Fidelis
Stars and Stripes Forever
Thunderer
U. S. Field Artillery March
Volunteers March
Washington Post
Wedding March
White Rose March
Who’s Who in Navy Blue
Yorktown Centennial Mch
SOUSA’S BAND — JOHN PHILIP SOUSA, Conductor
Sousa’s Band is acknowledged to be one of the finest con¬
cert bands in the world, and has delighted millions of hearers,
not only in America but throughout the countries visited by
the band during its five triumphal tours of Europe. Many
fine records by this famous band are in the Victor lists, includ¬
ing a superb series of the Sousa marches, the most successful of all
musical compositions, more than six million copies having been sold,
netting their composer the greatest royalty ever paid an American
composer. They are popular in every country on the globe,
and are played by twenty thousand bands in the U. S. alone.
Sousa’s Band plays only for the Victor.
PHOTO MARC£AU
SOUSA
VICTOR RECORDS
SOUSA’S BAND RECORDS
Number
Aloha Oe 17035
America 16137
American Patrol 16523
Amoureuse Wakz 17228
At a Georgia Meeting 16402
Ben Hur Chariot Race I 7 1 1 0
Blue Danube Waltz 35289
Bullets and Bayonets 18752
Canadian Nat. Airs 1 7304
Capitan March. El I 7302
Carmen Selection 35000
Chimes of
Normandy Sel 35 1 34
Comrades of Legion 1 8683
Creole Belles I 7252
Don Carlos March 17133
Dying Poet 35467
Fairest of the Fair 16777
Four Dance 1 7329
Free Lance March 16383
Freischtitz Overture 35000
From an Indian Lodge 1 7035
Gallant Seventh 18929
Gliding Girl 1 7976
Glory of Yankee Navy 17229
Golden Star 35709
Golden Trumpets 35228
Hands Across the Sea 16190
Hiawatha Two-Step 17252
High School Cadets 16200
Invincible Eagle 16273
Italian Patriotic Airs 16136
Jack Tar March 16151
Keeping Step 18929
Lambs’ March 17976
Largo (Handel's) 16525
Liberty Loan March 18430
Light Cavalry Over. 35045
Lohengrin Selection 35114
London Bridge 17104
Man Behind the Gun 16395
Manhattan Beach M 16383
Marseillaise, La 17668
Merrymakers’ Dance 18164
Minuet in G 351 52
My Maryland March 17142
Narcissus 16525
Nigarepolska 17327
On the Campus-Mch 18752
Over the Waves W 35068
Paloma, La 16529
Prince of Pilsen Sel. 16919
Reminiscences of
Verdi 35230
Rose of Schiras W altz 35152
Round and Round 17104
Royal March of Italy 17162
Sabre and Spurs Mch 1 8504
Sardinia March 17162
Semper Fidelis March 16190
Seventh Regt March 17162
Skaters Waltz 35119
Solid Men to the Front 18504
Sorella March 16523
Stars and Stripes
Forever 35709
Stars and Stripes Mch. 1 6777
Thunderer March 16151
Unrequited Love
Waltz 35101
U. S. Field Artillery 18430
Washington Post
March 17302
Wedding Mch (Sousa)35683
Who’s Who in Navy
Blue 18683
TSousa Medley March (See “Medley No. 107”) Accordion Pietro 1
\ Blaze Away March Accordion Pietro )
SOUTH AMERICAN MUSIC — See “National and Patriotic Airs —
Argentina,” etc. ; also Spanish Catalogue
fSouthern Cross Comet Herbert L. Clarkel
l Good Night, Good Night Beloved l ( Pinsuti ) Brass Quartet)
fSouthern Lullaby (Robert H. Terry) Elsie Bakerl
l Sweet and Low ( Jas . S. Royce-C. L. Johnson ) Elsie Balder)
( Southerner March (Alexander) Conway’s Band)
l First Brigade March ( Weldon ) Conway's Band)
f Southerner March (Alexander) Conway’s Band)
l Thunderer March (Sousa) Victor Military Band)
fSouthern Melodies Xylophone (See “ Medley No. 109”) Reitz)
\ Fascination Waltz Whistling Guido Gialdini)
17921
10
17109
10
45174
10
17648
10
35531
12
17015
10
.75
.75
1.00
.75
1.25
.75
SOUTHERN MELODIES AND BALLADS— See
And They Called 1 1 Dixieland
Are You from Dixie?
Carolina Rolling Stone
Carolina Sunshine
Carry Me Back to Old Va.
Croon, Underneat’ de Moon
Dixie
Doan Ye Cry, Ma Honey
Down Where Swanee River
Floatin’ Down to Cotton T
Georgia Moon
Southern Roses Waltz
I’m Coming Back to Dixie
1’se Gwine Back to Dixie
I’ve Got Blues for Ky.Home
Ma Curly-Headed Babby
Ma Little Sunflow’r,
Melon Time in Dixieland
My Maryland Fantasia
My Old Kentucky Home
Negro Songs
Ol’ Car’lina
Old Black Joe
(Johann Strauss)
the following titles:
Old Folks at Home
Old Kentucky Moonlight
Pick Me Up
Plantation Lullaby
Rock Mein My Swanee Cradle
Southern Lullaby
Southern Melodies
Sunny South — Medley
There’s a Lump of Sugar
Down in Dixie
Tuck Me to Sleep
By Pryor’s Band and Blue Danube W altz ( Strauss ) Sousa's Band
By Pryor’s Band and Man Behind the Gun March — .Sousa’s Band
By Hurtado Bros. Marimba Band and Blue Danube Waltz — Marimba Band
SOUTH POLE EXPEDITION— See “SHACKLETON”
35289
12
16395
10
35564
12
1.25
.75
1.25
VICTOR RECORDS
Number
/South Sea Isles — Fox Trot (Intro. “She’s Just a Baby”) Whiteman’s Ol
l Rosy Cheeks — Fox Trot ( Parish-Young- Squires ) All Star Trio — Or)
Souvenir (Franz Drdla)
By Maud Powell V iolin
By Mischa Elman Violin
By Efrem Zimbalist Violin
By Fritz Kreisler Violin
By Maximilian Pilzer Violin and Lohengrin Fantasie — ’Cello — Bourdon
/Souvenir de Beethoven— Fantasia (Medley No. 1 10) Pryor’s B1
l Creme de la Creme — Fantasia ( Tobani ) Pryor’s Band I
Souvenir de Moscow (Wieniawski) Violin Mischa Elman
/Souvenir Poetique (Fibich) (Paraphrase for Violin by Schindler) Gusikoff 1
l To a Wild Rose ( MacDowell ) Violin Michel Gusikoff)
Spagnuola, La (Spanish Dancer) (Dole-di Chiara) In Italian Zanelli
/Spagnuola, La (di Chiara) (2) Ciribiribin Accordion Pietro 1
l Azalea Waltz ( B . Hartz ) Mandolin Dr. Clarence Penney)
/Spaniard That Blighted My Life — “Honeymoon Express” Jolson)
l My Yellow Jacket Girl~From "Honeymoon Express" Al Jolson)
Spanish Dance (Enrique Granados) (arr. by Kreisler) Kreisler
Jascha Heifetz
Mischa Elman
Kubelik
Erika Morini
Maud Powell
Jan Kubelik
Victor Concert Orch)
Victor Concert Orchestra)
Violin
Violin
Violin
Violin
V iolin
Violin
Spanish Dance (Sarasate, Op. 21, No. l)
Spanish Dance, No. 3 (Sarasate, Op. 22),
Spanish Dance, No. 3 (Sarasate, Op. 22)
Spanish Dance, No. 3 (Sarasate, Op. 22),
Spanish Dance, No. 8 (Sarasate, Op. 26),
Spanish Dance, No. 8 (Sarasate, Op. 26),
/Spanish Dance in G Minor (Moszkowski)
l Reconciliation Polka
/Spanish Dance No. 1 (Moszkowski, Op. 12) Victor Concert Or)
l Spanish Serenade ( Open Thy Heart ) (Bizet) Victor Concert Orch >
/Spanish Dances — Bolero in D Major (Moszkowski) V. Concert O
1 Turkish March ("Ruins of Athens") (Beethoven) Victor Concert Or
Spanish Serenade (Open Thy Heart) (Bizet) French Martinelli
/Spanish Serenade (Open Thy Heart) (Bizet) Victor Concert Or)
l Spanish Dance No. / (Moszkowski, Op. 12) Victor Concert Orch)
SPANISH SONGS AND INSTRUMENTAL MUSIC — See
“A Granada,” “Argentine Dance,” “Ay-Ay-Ay,” “Banda Alabar-
deros,” “Bolero,” “Bori.” “Caprice Espanol,” “deGogorza,” “Espana
Rapsodie,” “From Foreign Parts — Spain,” “Golondrina,”“Goyescas,”
"Inspiration,” “Los Ojos Negros,” “Malagueiia,” “Manola, La,”
“Mantilla,” “Manzanillo,” “Paloma,” “ Partida, La,” “Preguntale
a las Estrellas,” “Relicario,” “Ruffo,” “Schipa,” “Serenade Espag-
nole,” “Songs of the Past No. 14,” “Spanish Dances,” “Tu Haba¬
nera” and Victor Spanish Catalogue
/Spanish Waltz Kirilloff’s Russian Balalaika Orchestral
l Coquette Polka Kirilloff’s Russian Balalaika Orchestra)
Sparks (Etincelles) (Moszkowski, Op. 36, No. 6) Piano Samaroff
/Speed the Plow (Country Dance) Victor Military Band)
l Green Mountain Volunteers (Country Dance) Victor Military Band)
/Speed the Plow Reel (Country Dance) Violin John Taylor)
l Devil’ s Dream Reel (Country Dance) Violin John Taylor)
/Speed the Republic (2) Onward Christian Soldiers Victor B)
t America the Beautiful (2) Stars of Summer Night Vidor Band)
18801
64074
64644
64813
64974
35399
35263
74051
18144
64834
17643
17318
64556
74569
74455
74367
74692
74259
74366
35644
18445
18396
64574
18445
10
.75
10 1.25
10 1.25
73504
64995
18491
16045
18627
1.25
1.25
1.25
1.25
1.75
.75
1.25
.75
.75
1.25
1.75
1.75
1.75
1.75
1.75
1.75
1.25
.75
.75
1.25
.75
.75
1.25
.75
.75
.75
VICTOR RECORDS
SB
SPENCER, ELIZABETH, Soprano
Elizabeth Spencer, who is Mrs. E. B. Southworth in private life,
was born in the W est, and received her first vocal instruction from Hattie
Sims, of Denver, Colorado, who was in turn a pupil of Marchesi.
Later she studied in Paris with Jacques Bouhy, the celebrated Belgian
baritone. She has been very successful as a soprano in the United
States, and particularly in making Victor records, which may be said
to be an art in itself. Elizabeth Spencer has a son who promptly
joined the engineers as soon as the United States entered the Great
War, and perhaps because of that she was particularly active singing at
the various war camps, where she was a great favorite with the troops.
Some of the songs she used on these occasions are here recorded.
SPENCER RECORDS
SPENCER
Blue Bird 18452
Home, Sweet Home 1 6663
In the Gloaming 16405
Love’s Dream 18250
Perfect Day 18250
Star-Spangled Banner 18338
Where the Morning 18403
For Duets see
If You Look 18452
Let the Rest of World 18638
a}
SPENCER, JANET, Contralto (See “Spencer” in Pink Section)
SPENCER AND JONES — Sketches — See “Jones and Spencer”
SPENCER, LEN, Comedian — See “Arkansaw Traveler,” “Barnyard
Serenade,” “Old Dog Sport”
(Sphinx Waltz (Popy) Victor Orchestra
l Song of the Soul ( Breil) Violoncello Victor Sorli
Spielmann, Der (The Minstrel) (Hildach) German Gluck-Zimbalist
Spinnerliedchen (Spinning Song) (Reimann) German Schutnann-Heink
Spinning Song (Song Without Words, No. 34) (Mendelssohn)
Pianoforte Rachmaninoff
Spinning Song — Flying Dutchman — See “ Flying Dutchman ”
(Spinning Song (2) Little Hunters (Th. Kullah) Victor Orchj
l Of a Tailor and a Bear ( 2 ) Wild Horseman ( Schumann ) Victor OJ
Spinning Wheel Quartet — See “Martha”
Spirit Flower (Stanton-Campbell-Tipton)
(Spirit of Independence March (Holtzmann)
l Rainbow Division March ( Nirella )
(Spirit of Peace March (Edw. F. Goldman)
l National Airs of the Allies ( See “Medleys")
Evan Williams
Conway’s Band]
Pryor’s Band)
Victor Mil. Band]
Victor Military Band)
(Spoontime — -Two-Step (A. Von Tilzer) Bell Solo Wm. Reitz]
l Little Flatterer ( Eilenberg ) Bell Solo William H. Reitz)
(Spring, Beautiful Spring Waltz (Lincke) Victor Orchestral
l Roses and Memories ( Snyder ) Victor Orchestra)
SPRING MAID, THE — Operetta by Reinhardt
Day Dreams. Visions of Bliss and Cricket on Hearth — MacDi
Three Trees — Humorous Monologue with orchestra specialties— McNaughton
and No News or What Killed the Dog — Nat M. W il
SPRING MAID, THE — GEMS FROM Victor Light Opera Company
Chorus, “At the First Glass” — Solo, “Day Dreams” — Duet, “Two
Little Love Bees” — Solo and Chorus, “The Fountain Fay” — Solo,
“ Howl Love a Pretty Face" — Finale, “ Day Dreams ”
Gems from “The Pink, Lady’’ Victor Light Opera Co
SPRING, SONGS OF — See “Aprile,” “Au Printemps,” “Friihlingslied,”
“ Friihlingsnacht,” “Friihlingszeit,” “Joys of Spring,” “May Morning,”
“Natoma — Spring Song,” “O Primavera” “Return of Spring,” “Samson
— Printemps,” “Spring Song,” “Spring Voices,” “Voce di primavera”
(Spring’s Awakening (Waltz Song) (Cunningham-Sanderson) Marsh]
l The Nightingale {Alex. N. Alabiejf) Lucy Marsh /
16484
10
89095
12
87124
10
64921
10
18598
10
74331
12
18559
10
35472
12
17337
10
35200
12
45189
10
17222
10
35423
12
55140
12
.75
2.00
1.25
1.25
.75
1.75
.75
1.25
.75
1.25
1.00
i75
1.25
1.50
VICTOR RECORDS
Number ~ ~ !
Spring Song (Chopin) (2) Spring’s Messenger (Schumann)
(3) Greeting (Mendelssohn) ( with Piano ) Olive Klinef 17532
Morning Song (Grieg) (2) The Rose (3) Brooklet Kline
Spring Song (Gounod) See “Au Printemps”
Spring Song (Song Without Words, No. 30) (Op. 62) (Mendelssohn)
By Vladimir de Pachmann Pianoforte (2) Vogel als Prophet (Schuman)
By Guiomar Novaes Pianoforte
By Olga Samaroff Piano
By Efrem Zimbalist Violin
By Maximilian Pilzer Violin and Extase ( Ganne ) 'Cello — Bourdon
By Herbert’s Orchestra and Cavalleria — Intermezzo — Herbert's Orchestra
By Florentine Quartet and To a Water Lily ( MacDowelt) Florentine Quartet
By Victor Sorlin ’Cello and Melody in F (.Rubinstein) 'Cello — Bourdon
By Victor String Quartet and Miserere (“ Trooatore") Pryor-Keneke
By Charles Gorst (Orch. with Bird Voices) and Robin’s Return — Gorst
f Spring Song (Pinsuti) (2) Farewell to Forest V. Brass Qt.l
l Samson and Delilah— My Heart at Thy V oice Cornet Rinaldi and Band I
(Spring Song (Friihlingslied) (Oscar Weil) Florence Hinkle)
l Will-o’ -the-Wisp ( Benjamin-Spross ) (Harp acc.) Florence Hinkle)
(Spring Song (Weil) Violin-Harp-Flute Neapolitan Trio)
l Across the Still Lagoon ( Loge ) Neapolitan Trio)
(Springtime (Kahn-Friedland) Charles Harrison 1
l Little Crumbs of Happiness (Brennan-Balt) Charles Harrison )
(Spring Voices (Strauss) (Whistling) (See also “Voce di prima”) Gialdinil
l Birds of the Forest Gavotte (Waldvoglein) (Adolfo) Gialdini)
Sprosser or Field Nightingale — See “ Bird Song Records
(Squeers the Schoolmaster (Dickens’ “Nicholas Nickleby”) Battisl
l Capt ’n Cuttle (From Dickens ’ 4 ‘Dombey and Son ’ ’) Battisl
STABAT MATER (Stah1 -baht M ah' -ter) (Paris, 1842) (Rossini)
Cujus animam (Through His Bleeding Side) In Latin Evan Williams
Cujus animam (Through His Wounded Side) In Latin Enrico Caruso
Cujus animam — Murphy and Inflammatus — Marsh and Chorus
Cujus animam — Arthur Pryor’s Band and Inflammatus — Arthur Pryor’s Band
Cujus animam Trombone Prvor and B and Chopin’ s Funeral March — Pryor’s B
Fac ut portem (Oh 1 Endow Me) In Latin Louise Homer
Inflammatus — Marsh and Chorus and Cujus animam — Murphy
Inflammatus — Arthur Pryor’s Band and Cujus animam — Arthur Pryor’s Band
Inflammatus — Rinaldi and Victor Or and Serenade — Rinaldi — Band
Quis est homo (Who Shall Blameless Stand?) Latin Homer-Stires
Quis est homo (Who Shall Blameless Stand?) Latin GIuck-Homer
(Stack of Barley — Irish Reels (See 44 Medley No. 1 1 1”) Kimmel I
l Geese in the Bog — Irish Jigs Accordion John J. Kimmel)
(Standard Bearer March (Fahrbach) Conway’s Bandl
( Patriotic Medley March No. 2 (See " Medleys ”) V ictor Military B)
{Standard Bearer March (Fahrbach)
Blaze Away March ( Holzmann )
Standchen — See 44 Serenade ”
(Stand Up and Sing for Your Father
V ictor Military B
Pryor’s Bandl
Pryor's Band)
\ I Wonder Where My Sweet, Sweet Daddy ’s Gone
STANLEY, AILEEN, Comedienne
All By Myself
Murray-American Qt.l
A. Stanley)
10
74285
64940
66075
66034
17395
45186
18648
16516
16371
18019
17216
45064
17435
18776
16835
35616
74093
88460
55162
16918
35157
88132
55162
16918
35508
89158
89098
18193
35657
16307
.75
12 1.75
10 1.25
10 1 .25
1 .25
.75
1.00
.75
.75
.75
.75
.75
1.00
.75
.75
.75
1.25
1.75
1.75
1.50
.75
1.25
1.75
1.50
.75
1.25
2.00
2.00
.75
1.25
.75
18784 10 .75
Dixie Highway
Home Again Blues
Ive Got the Blues
Ive Got the Joys
I Wonder Where
18774
18935
18760
18703
18799
18784
Singin’ the Blues 18703
Sweet Indiana Home I 8922
Duets in which
Stanley sings
All Over Nothing 18943
Boo-Hoo-Hoo 18855
I’ll Stand Beneath
Your Window 18943
In My Heart 18855
Oh! You Baby 18876
Whenever You’re
Lonesome 18909
Number
£3
List
prc.
e Cradle 16392
35055
12
1.25
74187
12
1.75
74784
12
1.75
18769
10
.75
35709
12
1.25
16777
10
.75
35389
12
1.25
18092
10
.75
87247
10
1.25
87277
10
1.25
64664
10
1.25
45135
10
1 .00
35009
12
1.25
18338
10
.75
17579
10
.75
17581
10
.75
16160
10
.75
17890
10
.75
18845
10
.75
16937
10
.75
VICTOR RECORDS
STANLEY, FRANK C., Bass — See also “Peerless Qt”
Calvary
I Am Praying
16269
16372
Marching Thro Ga. 16416
Old Brigade 35162
(Star of Bethlehem (Adams)
l Saviour, When Night Involves the Sky
Star of Bethlehem (Adams)
Star of the North — Prayer and Barcarolle (Meyerbeer) In French
Amelita Galli-Curci
Harry Macdonough)
( Shelley ) Trinity Choir )
Evan Williams
(Star of the Sea — Reverie (A. Kennedy)
l Meditation (C. S. Morrison, Op. 90)
Florentine Quartet)
Florentine Quartet )
Stars and Stripes Forever — March (John Philip Sousa)
By Sousa's Band and Golden Star {A Memorial March) (Sousa) Sousa’s B.
By Sousa’s Band and Fairest of the Fair (Sousa) Sousa’s l
By Pryor’s Band (In Slow Time) and El Capilan March Pryor’s I
By Hurtado.Bros. Marimba Band and Love's Power — Waltz Marimba l
Star-Spangled Banner (Francis Scott Key-Samuel Arnold-1814)
By Geraldine Farrar (Soprano)
By Louise Homer (Contralto)
By John McCormack (Tenor) (with Male Chorus)
By Reinald Werrenrath (Baritone) and America — Reinald Werrenrath
By Wilfred Glenn (Bass) and Columbia, Gem of the Ocean — Macdonough
By Elizabeth Spencer (Soprano) and The Marseillaise — Hamilton
By Victor Mixed Chorus and Hail Columbia — V ictor Mixed Chorus
By Victor Military Band and Hail Columbia — Victor Military l
By Chimes and My Old Kentucky Home (2) Home, Sweet Home — Cl
(Steal Away (Negro Spiritual)
Tuskegee Institute Singers)
\ Swing Low, Sweet Chariot ( Negro Chant) Tuskegee Inst. Singers.
(Stealing — Fox Trot (Dan Sullivan) Smith and His Orchestral
X I Want My Mammy — Mandy “N” Me — Fox Trot Smith’s Orch)
(Steamboat Bill — Comic Song (Shields-Leighton Bros.) Collins)
l The Mississippi Dippy Dip (Macdonald- Walker) Collins and Harlan)
STEEL, JOHN— Tenor
Bring Back My Rose 18813
Love Nest
18676
Dear Heart
18606
Only a Smile
18934
Girl of My Dreams
18687
Rose of My Heart
18724
If You Only Knew
18828
Rose of My Soul
18836
I’ll Forget You
18844
Sally Won’t You
Love Boat
18695
Come
18813
Say It With Music 18828
Tell Me, Little Gypsy 1 8687
When I Looked 18724
Whispering 18695
Whisper to Me 18836
World is Waiting 18844
Gluck-Reimers
Werrenrath
Steierland, Das (Folk Song) (Seidel) In German
Stein Song (Richard Hovey-Frederic F. Bullard)
(Stein Song (Bullard) (See also “Prince of Pilsen ”) Orpheus Qtl
l Swing Along (Cook) Orpheus Quartet)
(Stephen Foster, Gems of (American Fantasia)
Memories of the War — 1861-63 (Laurendeau)
Conway’s Band)
Conway ’s Band)
87541
10
64914
10
17899
10
35525
12
STERLING TRIO — Male Voices
Carolina Sunshine 18612
Georgia Moon 17927
Georgia Rose 18837
Have a Smile 18518
Hiawatha’s Melody 18660
1 Found a Rose 18746
I Miss that Miss
In the Heart
Just Like a Gypsy
Louisiana
Mother’s Lullaby
My Lonely Lola
18496
18795
18696
18726
18710
181 71
My Sunshine Jane
Old Ky. Moonlight
That Old I rish
That Tumble-down
Shack
Tomorrow Land
1.50
1.25
.75
1.25
18403
18908
18696
18545
18837
_ VICTOR RECORDS _
STEWART, CAL — See “ Uncle Josh Monologues”
Stille Nacht, heilige Nacht (Franz Gruber) (See also “Silent Night”)
By Julia Culp (Contralto) In German
By Ernestine Schumann-Heink (Contralto) In German
By Felix Arndt Celesta and Noel (.Holy Night) Venetian Trio
(Still, Still with Thee (Garrish) Chicago Glee Club)
l The Valley of Peace {Breck.- Meredith) Anthony and Harrison)
Still wie die Nacht (Calm as the Night) (Carl Bohm)
By John McCormack (Tenor) and Fritz Kreisler
By Ernestine Schumann-Heink (Contralto) In German
By Alma Gluck (Soprano) In German
By Christine Miller (Contralto) and Oft in the Stilly Night — Miller
By Vienna Quartet and Serenade (Schubert) 'Cello Victor Sorlin
(St. Louis Blues — Fox Trot (W. C. Handy) Dixieland Jazz Band)
l Jazz Me Blues — Fox Trot {Tom Delaney) Dixieland Jazz Band)
{St. Louis Tickle Banjo- Mandolin- Guitar Ossman-Dudley Trio)
Gay Gossoon {Kendall) Banjo Vess L. Ossman)
(Stolen Kisses — Fox Trot (Ted Snyder) Coleman and Orchl
l Bring Back. My Blushing Rose — Med. Fox Trot Shilling Orchestra )
STONE, FRED, Comedian — See “Montgomery and Stone”
(Stop It — One-Step (Mel. B. Kaufman) Accordion Pietro-!
\ My Sahara Rose — Med. Fox Trot {Donaldson-Berlin) Pietro j
{Stop! Look! Listen! (To the Music of the Band) American Quartet)
She Gives Them All the Ha! Ha! Ha! {Von Tilzer) Murray)
{Stop Your Tickling, Jock — Laughing Specialty Sir Harry Lauder)
She is My Rosie {Harper -Lauder) Sir Harry Lauder /
STORIES, HUMOROUS — See “Recitations, Humorous,” “Monologues”
STORM— RECORDS OF— See “Shepherd’s Life in the Alps” and
“William Tell Overture, Part II”
Stormy Breezes (Edlichko) {Piano acc.) Russian Michailowa
Story Book Ball (Montgomery- Perry) Billy Murray)
. There’ s a Lump of Sugar Down in Dixie {Gumble) Marion Harris)
Story of the Rose (“Alice” — Andrew Mack) Werrenrath
St. Patrick’s Day (Vieuxtemps) Violin Maud Powell
ST. PAUL (Oratorio by Mendelssohn)
Be Thou Faithful Evan Williams
But the Lord is Mindful Ernestine Schumann-Heink
But the Lord is Mindful of His Own Louise Homer
{Stradella Overture (Flotow) Vessella’s Italian Bandl
Morning, Noon and Night in Vienna — Overture Vessella’s Band )
(Stradella Overture (Flotow) Accordion Pietro)
\ Bridal Rose Overture {Lavallde) Accordion Pietro)
STRAUS, OSCAR (b. Vienna, 1870) Composer of light opera. See
“ Chocolate Soldier ” and * 4 Last Waltz ’ ’
STRAUSS, JOHANN (II) (Vienna, 1825-1899) “Waltz King,"
violinist and composer. See “Artist’s Life,” “Blue Danube,”
“Radetzky,” "Southern Roses,” “Spring Voices,” “Thousand and
One Night,” “Voce di primavera,” “Wiener Blut” and “Wine,
Woman and Song ”
STRAUSS, RICHARD — See “Allerseelen,” “Don Juan,” “Morgen”
and “Salome” *
Number
o
e-J
C/5
to
IZj a.
64397
10
1.25
88138
12
1.75
17842
10
.75
16853
10
.75
87550
10
1.50
87332
10
1.25
64589
10
1.25
45059
10
1.00
16545
10
.75
18772
10
.75
16092
10
.75
18797
10
.75
18702
10
.75
18732
10
.75
45197
10
1.00
61126
10
1.25
18482
10
.75
64950
10
1.25
74025
12
1.75
74136
12
1.75
88191
12
1.75
88658
12
1.75
35276
12
1.25
35345
12
1.25
VICTOR RECORDS
STREET PIANO RECORDS — See “Italian Airs,” “Operatic Airs”
/Strife is O’er, The Battle Done (Palestrina) Trinity Quartet"!
Trinity Quartet)
l Our Lord is Risen from the Dead ( Hatton )
STRING QUARTETS AND TRIOS — See “Athenian Mandolin
Qt,” “Educational Records,” “Elman String Quartet,” “Estudian-
tina Trio,” “Flonzaley Quartet,” “Serra-Moura Mandolin Quintet,”
“Venetian Trio” and “Vienna Qt”
/Strut Miss Lizzie (Creamer-Layton) American Quartet"!
I Toe Got the Joys ( Young-Lewis- Af^st) Aileen Stanley)
/Struttin’ at the Strutters’ Ball — Fox Trot Confrey’s Orchl
1 French Trot — Fox Trot (Milton Davis) All Star Trio and Their Or )
ST. saEns - See “ Saint-Saens ”
STUDIES — See “Chopin — Etudes”
Study from “The Children’s Corner” — No. 1 — Dr. Gradus ad Pamassum
(Debussy) Pianoforte Rachmaninoff
/Stumbling (Zez Confrey) Billy Murray!
I Coo-Coo ( from “ Bombo ”) ( Jolson-DeSyha ) Chas. Harrison)
/Stumbling — Fox Trot (Confrey) Whiteman and His Orchestral
l Georgia — Fox Trot ( Donaldson ) Whiteman and His Orchestra)
/Stuttering — Fox Trot (Maceo Pinkard) Benson Orchestral
l Those Longing for You Blues — Fox Trot Benson Orchestra)
STUTTERING SONGS AND RECITATIONS
If I Could Be By 45073 1 K-K-K-Katy 18455
/Styrmans — Waltz Accordion Duet John Lager-Eric Olson 1
l The Ball in Karlstad — Schottische John Lager-Eric Olson)
Such a Li’l’ Fellow (Lowell-Dichmont) Alma Gluck
{Suez — Fox Trot (Grofe-De Rose) Doerr and His Orch)
I Wish I Knew — Fox Trot (Spencer- Bryant)
/Sugar Plum Tree (Eugene Field) Recitation
\ Wynfcen, Blynken and Nod ( Field) Recitation
/Suite Algerienne — Reverie du soir (St. Saens)
\ Suite Algerienne — Marche Miliiaire Frangaise
/Suite in D Major — Air for G String (Bach)
l Suite in D Major — Gavottes Nos. I and 2
{Suite in D Major — Overture (Bach) Victor Concert Orchl
Suite in D Major— Bourree and Gigue (Bach) Victor Concert Orch)
SULLIVAN, SIR ARTHUR (London, 1842-1900) English composer
of Irish-Italian descent, famous for his charming light operas, oratorios,
songs, hvmns, etc. — See “It Came Upon the Midnight Clear,”
“Lost Chord," “Mikado," “O Hush Thee, My Babie,” “Onward
Christian Soldiers,” “Pinafore” and “Prodigal Son”
SUMMER, SONGS OF — See “ Chanson de Juin,” “Last Rose of
Summer,” “Summertime,” “ When the Roses Bloom”
{Summertime (von Reuenthal) Reinald Werrenrath)
When the Nightingale Shall Sing (de Coucy) Werrenrath)
/Sunbeam Dance (Rolfe) Bells Wm. H. Reitzl
l Dill Pickles Rag (Johnson) Xylophone Wm. H. Reitz)
SUNDAY CHORUS, N. Y. Tabernacle (2,500 voices) Homer
Rodeheaver, Director— America and Sail On — Billy Sunday Chorus
/Sunny South — Medley (Lampe) (See “Medley No. 113”) Pryor’s B1
l Dixie (Emmett) Pryor’s Band)
Doerr and His Orch)
Sally Hamlinl
Sally Hamlin)
V. Concert Orchl
V ictor Concert Orch)
Victor Concert Ol
Victor Concert Orch)
Number
18860
18799
18932
64935
18906
18899
18948
69133
64625
18947
18599
35668
35656
35669
17290
16678
18322
16819
10
.75
.75
.75
.25
.75
.75
.75
.75
.25
.75
.75
.25
.25
.25
.75
.75
.75
.75
VICTOR RECORDS
Ernestine Schumann-Heink
Helen Clark)
Trinity Choir )
Edward Johnson
John McCormack
Lambert Murphy)
Lambert Murphy)
Sun of My Soul (Keble- Ritter)
(Sun of My Soul (Keble-Ritter)
l Calvary ( Darwood -Sweney)
Sunrise and You (Penn)
Sunshine of Your Smile (Cooke-Ray)
(Sunshine of Your Smile (Cooke-Ray)
l Mavourneen Roamin’ (Johnstone-O’ Neill)
Sunshine Song (From “Peer Gynt Suite”) See “Peer Gynt ”
Suonn ’e fantasia (Dream and Fantasy) (Genise-Capolongo)
SUPPE — See “Von Suppe”
(Supplication (Meditation) (McKee) with Celesta McKee T rio)
l In the Gloaming V iolin- ‘ Cello- Piano-Celesta McKee Trio )
Surprise Symphony (Haydn) See “ Symphonies”
SUTCLIFFE TROUPE — Bagpipes and Drums
Highland Laddie (2) My Love She’s But a Lassie
and 79th Highlanders’ Farewell-
79th Highlanders’ Farewell — March and Highland Laddie-
Scotch Medley March (Contents under “ Medleys ”)
Swallows, The (Bingham-Cowen) English
Swallows, The (Bingham-Cowen) English
Swallows, The (Villanelle) (Eva dell’ Acqua)
By Amelita Galli-Curci (Soprano) (Flute obbligato)
By Lucy Isabelle Marsh and Peer Gynt Suit (
/Swanee (I. Caesar-George Gershwin)
In French
~ Sunshine Song-
_ v o , Peerless Quartet)
l Dardanella Blues (Fred Fisher-J. S. Black) Murray-Smalle)
Swanee — One-Step (George Gershwin) All Star Trio)
Venetian Moon — Fox Trot ( Goldberg-Magine ) All Star Trio)
Swanee Bluebird — Fox Trot (Friend-Conrad) Benson Orchestra)
Just Because You’re You — Fox Trot All Star Trio-Orch)
Swanee River Moon — Waltz (Intro. “Indiana Lullaby” )
International Novelty Orchestra |
Do It Again I — Fox Trot (From “ French Doll”) Whiteman’s Orch )
Swanee River — See “Old Folks at Home”
Swan, The — See “ Cygne, Le ”
(Sweden — National Airs of Victor Orchestra)
l National Hymn of Norway ( Sinding ) Victor Orchestra)
Swedish Cradle Song (Folk Song) In English Gluck-Zimbalist
Swedish Folk Dances and Singing Games — See “Educational’
(Swedish Guard March (Lovander) Pryor’s Band)
l My Swedish Rose Waltz — Swedish Melodies Victor Orchestra)
SWEDISH RECORDS — See" Victor Swedish Catalogue”
(Sweet Adeline (Armstrong) Hayden Quartet)
l Arab Love Song ( Hobart-Hein ) Harry Macdonough )
Sweet and Low (Alfred Tennyson- Joseph Barnby)
By Hulda Lashanska (Soprano) (with Criterion Quartet)
By Lyric Quartet and OHush Thee, My Babie Lyric Qnartet
(Sweet and Low (Royce-Johnson) Elsie Baker)
l A Southern Lullaby (Rob’t. Huntington Terry ) Elsie Baker)
Number
1 Size!
2 si
L_! Cl
87302
10
1.25
17479
10
.75
64864
10
1.25
64622
10
1.25
55069
12
1.50
87123
10
1.25
18063
10
.75
17408
10
.75
17408
10
.75
17140
10
.75
88349
12
1.75
64392
10
1.25
74639
12
1.75
55108
12
1.50
18688
10
.75
18651
10
.75
18924
10
.75
18882
10
.75
16596
10
.75
87566
10
1.50
16875
10
.75
16803
10
.75
66020
10
1.25
18417
10
.75
45174
10
1.00
Number
iP
2
a
88068
12
1.75
17969
10
.75
17773
10
.75
64708
10
1.25
17165
10
.75
17143
10
.75
64309
10
1.25
16440
10
.75
18130
10
.75
18796
10
.75
18531
10
.75
18597
10
.75
18789
10
.75
55113
12
1.50
45189
10
1.00
55039
12
1.50
45199
10
1.00
17013
10
.75
18922
10
.75
18901
10
.75
17676
10
.75
18146
10
.75
18619
10
.75
18803
10
.75
18572
10
.75
35700
12
1.25
18722
10
.75
64080
10
1.25
16765
10
.75
VICTOR RECORDS
Nellie Melba
Peerless Quartet"!
Murray- Kaufman)
Sweet Bird— 11 Pensieroso (Handel) In English
{Sweet Cider Time When You Were Mine
Way Down in Arfaansaw ( James White )
(Sweeter As the Years Go By (Morris) Homer Rodeheaver)
l Since Jesus Came Into My Heart { McDaniel-Gabriel) Rodeheaver )
Sweetest Story Ever Told (R. M. Stults)
By Sophie Braslau (Contralto)
By Reed Miller (Tenor) and Marguerite
By Neapolitan Trio and Simple Confession (.Thome) Neapolitan Trio
Sweet Genevieve (Cooper-Tucker)
By John McCormack ( Tenor)
By John Barnes Wells (Tenor) (with Hayden Qt.)
and Where the River Shannon Flows
By McKee Trio and When You and I Were Young, Maggii
(Sweet Hawaiian Girl of Mine (Perry) Hart-Shaw)
\ Honolulu Honey ( with Hawaiian Guitars) Hart-Shaw)
(Sweet Hawaiian Moonlight— Waltz J. C. Smith’s Orchestra)
l Mammy’s Lullaby — Waltz {Callahan- Roberts) Smith’s Orchestra)
(Sweet Hawaiian Moonlight (Frost-Klickman) Holt-Rosedale)
\ Hawaiian Lullaby ( with Kapela Hawaiian Quintette) Hart-Shaw)
(Sweetheart — Fox Trot (Arnold Johnson) Whiteman’s Orch)
l In a Boat — Fox Trot ( Lange-Liggy-Klapholz ) Whiteman’s Orch)
SWEETHEARTS, Opera by Victor Herbert
Angelas, The — MacDonald-Werrenrath and N,
Cricket on the Hearth and Day Dreams —
Sweethearts Selection — Medley and Lady of Slipper-
/Sweetheart Shop — Waiting for the Sun (Gershwin) Murphy)
l Girl in the Spotlight — I Cannot Sleep { Herbert )
(Sweet Hour of Prayer (Walford-Bradbury)
l In the Cross of Christ I Glory
{Sweet Indiana Home (Walter Donaldson)
Why Should I Cry Over You {Miller-Cohn)
Murphy)
Trinity Choirl
Trinity Choir)
Aileen Stanley)
Victor Roberts)
{Sweet Indiana Home — Fox Trot (Donaldson) Club Royal Orch)
You Won’t Be Sorry — Fox Trot ( Burtnett-Marcasie ) Whiteman’s O)
(Sweet Inniscarra (Chauncey Olcott) Reed Miller)
l Macushla ( RoWe-MacMurrough ) Charles Harrison)
(Sweet is True Love (From “Idyls of the King”) Elsie Baker)
l My Bonnie Lass She Smileth {Neoin) Lyric Quartet)
(Sweet Kisses (Brown-Von Tilzer) Esther Walker)
\ Blues {My Naughty Sweetie Gives to Me) Esther Walker)
(Sweet Lady — There’s a Sunbeam Fox Trot Whiteman’s Or)
l Say It With Music — Fox Trot {from” Music Box Reuue”) Whiteman’s O)
(Sweet lei lehua (the Lehua Wreath) (with Quintette) E. K. Rose)
l Honolulu Tom Boy {Sonny Cunha) Hawaiian Quintette)
(Sweet Longings (Menzel) Violin-Flute Rattay and Barone)
l Berceuse from " Jocelyn ” {Godard) 'Cello Rosario Bourdon )
(Sweet Mamma — Med. Fox Trot (intro. “Strut Miss Lizzie”) Jazz B)
l Broadway Rose — Medley Fox Trot Dixieland Jazz Band )
Sweet Miss Mary (Neidlinger) Evan Williams
(Sweet Peggy Magee— Irish Sketch Jones and Spencer)
l Mother Hasn’t Spoke to Father Since ( Jerome-Schwartz ) Murray)
VICTOR RECORDS
Sweet Peggy O’Neil (Redding-Waldrop) John McCormacl
(Sweet Spirit, Hear My Prayer (“Lurline”) Violin-Flute D’Almaine-Lyons
l Vienna Beauties Waltz ( Ziehrer ) Pryor’s Band
(Sweet Spirit, Hear My Prayer (Lurline) (Wallace) Neapolitan Trio
l Songs Without Words — “Hope” ( Mendelssohn ) Venetian Trio
(Sweet the Angelus is Ringing (“King Rene’s Daughter”) Marsh-Baker
l Song of the Vikings ( Gihney-Faning—arr . A. H. Ryder) Victor Male Qt
(Swing Along (Cook) Orpheus Quartet
l A Stein Song ( HoVey-Bullard) Orpheus Quartet.
Swingin’ Vine (Ralph L. Grosvenor) Sophie Braslai
Swing Low, Sweet Chariot (Old Negro Spiritual)
By Mabel Garrison (Soprano)
By Kitty Cheatham (Soprano) and Walk in Jerusalem — Kitty Cheathar
By Tuskegee Institute Singers and Steal Away — Tuskegee Singer
By Fisk University Jubilee Quartet and Golden Slippers — Fisk Q
Swiss Echo Song ( L’Eco ) (Eckert) In Italian Luisa Tetrazzin
(Swiss Shepherd (Morlarchi) Ocarina Mose Tapiero
l Amoureuse Waltz ( Berger ) Concertina P. Frosini.
(Sylvains, Les (The Fauns) (Chaminade, Op. 60) Frank La Forge
l Berceuse ( Chopin , Opus 57) Pianoforte Frank La Forge.
(Sylvia (Clinton Scollard-Oley Speaks) Lambert Murphy)
l Homing {Arthur L. Salmon- Teresa Del Riego) Elsie Baker)
Sylvia Ballet (Leo Delibes)
Pizzicato — (Bird Voices) Chas. Kellogg and Polish Dana
Valse Lento — V. Concert Orch. and Le Secret — Intermezzo — V
Symphonie Espagnole — Andante (Fourth Movement) (Lalo) Heifetz
Symphonie Espagnole — Andante (Fourth Movement) (Lalo)
SYMPHONIES — Excerpts from
BEETHOVEN
Eighth Symphony in F Major — Allegretto scherzando Philadel
Fifth Symphony — Andante and New World Symphony ( Dvorak)
Fifth Symphony — 1st Movement — Allegro con brio — Part I
and Allegro con brio — Part 2— -Victor Concer
Fifth Symphony — 2d Movement — Andante con moto — Part 1
and Andante con moto — Part II — Victor Concer
Fifth Symphony — 3d Movement — Allegro (Scherzo) — Part I
and Part II — Victor Concer
Fifth Symphony — 4th Movement — Finale: Allegro — Part I
and Part II — Victor Concei
Fourth Symphony — Adagio — Vessella’s B and Leonore Overture i
Pastoral Symphony (Sixth Symphony)
Symphony No. I in C Major
Symphony in A Major, No. 7~
Andante molto (2d) Parts 1
and II — V ictor Concert Orchestra
-Finale Toscanini- La Scala Orch
-Vivace 1st Movement, Part I
and Part 2 Coates and Symphony Orchestra
Symphony in A Major, No. 7 — Allegretto 2d Movement, Part I
and Part 2 Coates and Symphony Orchestra
Symphony in A Major, No. 7 — Presto (3rd Movement)
and Symphony — Allegro con brio {4th Movement) Coates and Symphony Orch
BRAHMS
Symphony No. 3 — C Minor Movement (Poco Allegretto) Phila. Orch
DVORAK
Philadelphia Orchestra
and Beethoven’s 5th Andante — V ictor Orch
New World Symphony — Largo
New World Symphony — Largo
GOLDMARK
Rustic Wedding Symphony — Bridal Song
and In the Garden — Victor Orch
Number
1 «->
t«J
CO
to
— J a.
66028
10
1.25
16522
10
.75
18156
10
.75
55055
12
1.50
17899
10
.75
64996
10
1.25
64969
10
1.25
45086
10
1 .00
17890
10
.75
16453
10
.75
88311
12
1.75
16434
10
.75
55031
12
1.50
45249
10
1.00
45113
10
1.00
17689
10
.75
74646
12
1.75
74771
12
1.75
74661
12
1.75
35275
12
1.25
18124
10
.75
35580
12
1.25
18278
10
.75
35637
12
1.25
35269
12
1.25
35320
12
1.25
74690
12
1.75
55165
12
1.50
55166
12
1.50
55174
12
1.50
74722
12
1.75
74631
12
1.75
35275
12
1.25
35627!
12
1.25
VICTOR RECORDS
SYMPHONIES. EXCERPTS FROM-Continued
HAYDN
Military Symphony — Allegro and Allegretto — Victor Concert Orchesti
Military Symphony— Minuet and Samson-Coro y Bacanal— Banda de Alabarden
Surprise Symphony — Andante Cantabile and Vivace ( 1 st Movement)
and Menuetto ( 3d ) Victor Concert Orchesti
Surprise Symphony — Andante (2d) and Allegro di Molto (4th) V. Con. Ore
MENDELSSOHN
Italian Symphony — Andante con moto and Con molo moderato — V. Con. C
MOZART
Symphony in E Flat Major — Menuetto (3rd Movement) Toscanini-Scala C
Symphony in E Flat Major — Allegro (4th Movement) Toscanini-La Scala 0
Symphony in G Minor — Allegro molto (1st) and Andante (2d) Victor Ore
Symphony in G Minor— Menuetto Philadelphia Orchestr
Symphony in G Minor — Menuetto (3d) and Allegro (4th) Concert Orchestr
SCHUBERT
Symphony in B Minor — Allegro (1st) and Andante (2d Movement) V. Ore
TSCHA1KOWSKY
Symphonie Pathetique — March- — Scherzo (Op. 74) Philadelphia Ore!
Symphony in F Minor No. 4 (Finale) Boston Symphony Orchestr
Symphony in F Minor No. 4 (Finale, Part II) Boston Symphony Orchestr
SYMPHONY ORCHESTRA (See also “Coates” and “Pitt”)
Carillon — Parti and II (Recitation, “Sing, Belgians" by H. Ainley) Elgar
(Syncopate — Med. Fox Trot (“Some Little Someone”) Club Royal Or
l Little Thoughts — Fox Trot ( Straight-Bargy ) Benson Orch
T
TAFT, WILLIAM H., Ex-President of the United States — Addresses b;
Labor and Capital — W. H. Taft and Who Are the People — W. H. Taj
TAGGART, CHARLES ROSS— Monologues
At the County Fair and Pineville Band — with Violin — Taggai
Old Country Fiddler and the Bandit and At the Dance — C has. R. Taggai
Old Country Fiddler and the Book Agent and Moving Pictures — Stewai
Old Country Fiddler at the Dance and And the Bandit — C has. R. Taggai
Old Country Fiddler at the Party and On Woman Suffrage — -Taggai
Old Country Fiddler at the Telephone and On Astronomy — Taggai
Old Country Fiddler in New York and Violin Mimicry — withVioli
Old Country Fiddler in a N. Y. Restaurant and Old Soldier’s Visit
Old Country Fiddler on Astronomy and At the Telepho
Old Country Fiddler on School Board and Sister Sorrowfu
Old Country Fiddler on Woman Suffrage and At the Part
Old Soldier's Vision and Old Country Fiddler in New Yon
Pineville Band end At the County Fait— with Violi
Pineville School Board and Automobile Parody^
Violin Mimicry and Old Country Fiddle
Take Me Back to Home and Mother
(Take Me to the Land of Jazz (Wendling)
l / Aint ’en Got ’en No Time to Have the Blues
(French-Huntley) White
Marion Harris)
Murray-Smalle /
Take, Oh, Take Those Lips Away (Bennett) McCormack
TALES OF HOFFMANN (Contes d’Hoffmann) (Offenbach)
(See Victrola Book of the Opera for complete illustrated description)
ACT II — a physician's room, richly furnished
C’est elle CTis She) In French Charles Dalmores
Doll Song — Les oiseaux dans la Charmille In French Mabel Gan
Number
C/5
to if
— : c=l
a 35311
12
1.25
s 62660
10
.75
535244
12
1.25
h 35243
12
1.25
r 35452
12
1.25
74668
12
1.75
74669
12
1.75
35482
12
1.25
74609
12
1.75
35489
12
1.25
35314
12
1.25
74713
12
1.75
74553
12
1.75
74554
12
1.75
55050
12
1 .50
18912
10
.75
35256
12
1.25-
17794
10
.75
35632
12
1.25
17931
10
.75
35632
12
1.25
18036
10
.75
18148
10
.75
35538
12
1.25
35538
12
1.25
17700
10
.75
17737
10
.75
18148
10
.75
17910
10
.75
18036
10
.75
17737
10
.75
17794
10
.75
35601
12
1.25
17910
10
.75
17700
10
.75
64610
10
1.25
18593
10
.75
64252
10
1.25
87089
10
1.25
74482
12
1.75
VICTOR RECORDS
Number
87532
87502
87551
45181
17311
64457
18375
35383
88525
35337
35507
72602
16463
74202
66066
64198
74203
64821
87543
12
TALES OF HOFFMANN RECORDS-Continued
ACT 111 - IN VENICE. A GALLERY IN FESTIVAL ATTIRE, IN A
PALACE ON THE GRAND CANAL
Barcarolle — “ Belle Nuit" (OK, Night of Love) In French Gluck-Homer
Barcarolle In French Farrar and Scotti
Barcarolle McCormack-Kreialer
Barcarolle — MarsK-Dunlap and Italian Street Song — Marsh
Barcarolle and Cavalleria Rusticana — Intermezzo — Victor Concert Orch
Barcarolle Violin Maud Powell
Barcarolle and Mighty Lak' a Rose ( Nevin ) Boston Quintet
Barcarolle — Waltz (for Dancing) and Passing of Salome — Waltz — Victor Band
ACT IV - AT MUNICH ATCRESPEl’s. A ROOM FURNISHED IN A BIZARRE FASHION
Romance— Elle a fui (The Dove Has Flown) In French Lucrezia Bori
MISCELLANEOUS TALES OF HOFFMANN RECORDS
GEMS FROM “ TALES OF HOFFMANN " Victor Opera Company
Chorus, "Our Good Host” — Solo, " Song of Olympia ” — Chorus, “ Hear
Him His Tales Disclose” — Solo, "Ah, Now Within M\) Heart” — Bar¬
carolle, " Oh, Night Divine ” — Chorus, " See She Dances ” — Finale,
"Fill Up Our Glasses ”
Gems from “ Mignon ” Victor Opera Company .
Venetian Scene with “Barcarolle" and Slavonic Dance ( Dvorak ) — Vessella ’s Band
(Talisman of Good Luck (Talisman Szczescia) Waltz Wanatl
Wedding-Night Polina (Noc po Slubie) Accordion Jan Wanat /
TALKING RECORDS — See “Recitations”
[Talk on Married Life — Humorous Monologue Murry K. Hill)
l Negro Medley — Popular Airs American Quartet}
TAMAGNO, FRANCESCO, Tenor (See Pink Section)
Tambourin (Rameau-Kreisler) (2) Moment Musicale (Schubert) Kreisler
Tambourin (Rameau-Kreisler) (2) Saltarelle Violin Thibaud
Tambourin (Gossec) (2) Gavotte (Gretry) Violin Mischa Elman i
Tambourin Chinois (Kreisler, Op. 3) Violin Fritz Kreisler '
TAMBURICA ORCHESTRA - See “Carmen Sylva” and “Roumanian)
Dances”
Taming of the Shrew (Shakespeare) See “Shakespeare”
Tango (Albemz-Elman) Violin Mischa Elman i
TANGOS — For Dancing — See “ Dance Records”
Tannenbaum, Der (The Christmas Tree) In German Gluck-Reimers i
TANNHAUSER ( Tahn’ -hoy-zer )
Words and music by Richard Wagner. First presented Dresden, 1845 ;
1861 ; London, 1876; New York, 1859.
Tannhduser, with its poetry, and romance; its characters, who are real human beings
and not mythological gods, goddesses and heroes, appeals strongly to the average opera-goer.
The story tells of conflict between two kinds of love : pure love as distinguished from mere
sensuous passion ; and relates how the higher love triumphed in the end.
Tannhduser, a knight and minstrel, in an evil moment, succumbs to the wiles of Venus
and dwells for a year in the Venusberg. Tiring of these monotonous delights, he leaves the
goddess and returns to his home, where he is warmly received and told that the fair Elizabeth,
niece of the Landgrave, still mourns for him. He is urged to compete in the Tournament
of Song not far distant, the prize being the hand of Elizabeth. The theme of the contest
is The Nature of Love, and when Tannhduser’ s turn arrives the evil influence of the
Venusberg is apparent when he delivers a wild and profane eulogy of passion. Outraged
by this insult, the minstrels draw their swords to slay him, but Tannhduser is protected by
Elizabeth, who pleads for his life. Coming to his senses, too late, he repents, and when a
company of Pilgrims pass on their way to Rome, he joins them to seek pardon for his sin.
10
1.50
1.50
1.50
1 .00
.75
1.25
.75
1.25
1.75
1.25
1.25
.75
.75
1.75
1.25
1.25
1.75
1.25
1011.50
Paris,
VICTOR RECORDS
Number £ 13
In the last act we see Elizabeth, weary and worn, supported by the noble Wolfram, who
also loves her, watching for the Pilgrims to return, but Tannhauser is not among them.
Elizabeth is overcome with disappointment and feebly returns to her home.
Tannhauser now appears, in a wretched plight, on his way to re-enter the Hill of
Venus. He tells Wolfram that he appealed to the Pope for pardon, but was told that his
redemption was as impossible as that the Pope’s staff should put forth leaves. Wolfram’s
remonstrances are in vain, and Tannhauser is about to invoke the goddess, when a chant is
heard and the Pilgrims appear, announcing that the Pope’s staff had blossomed as a sign that
the sinner was forgiven. Tannhauser kneels in prayer as the mourners pass with the body
of Elizabeth, who, overcome by her bitter disappointment, had suddenly passed away.
Tannhauser begins and ends with the Chorus of Pilgrims, which appears also in the
third act. During the opera it is penitential in spirit, but it becomes at the close a
magnificent triumph-chant.
TANNHAUSER RECORDS
ACT I - Scene I - THE ABODE OF VENUS (//) A GERMAN VALLEY
Philadelphia Orchestra
Philadelphia Orchestra
Philadelphia Orchestra
-Grand March — Sousa’s B
Tannhauser Overture — Part 1
Tannhauser Overture — Part 2
Tannhauser Overture — Part 3
Pilgrims’ Chorus — Victor Brass Qt and Don Carlo.
Pilgrims’ Chorus — Pryor’s B and Lohengrin — Bridal Chorus — La Scala Cho
Pilgrims’ Chorus and Trovatore — Anvil Chorus — Victor Male Chorus
Lied des Hirtenknaben und Chor der Pilger (Shepherd’s Song and
Pilgrims’ Chorus) Part 1 In German and Part II — Runge and Nebe
ACT 11 - HALL OF SONG AT THE WARTBURG
-Louise Voigt
Dich, teure Halle In German and Freischiitz
ACT 111
Leise, fromme IV eis.
THE VALLEY NEAR THE WARTBURG
Elisabeths Gebet (Elizabeth’s Prayer) In German Geraldine Farrar
Elisabeths Gebet (Elizabeth's Prayer) In German Emmy Destinn
Elisabeths Gebet (Elizabeth’s Prayer) In German Maria Jeritza
O du mein holder Abendstern (The Evening Star) In German de Gogorza
O du mein holder Abendstern In German Marcel Joumet
O douce £toile (Song to the Evening Star) In French Maurice Renaud
74758
12
1.75
74759
12
1.75
74768
12
1.75
17133
10
.75
16537
10
.75
17563
10
.75
68352
12
1.25
68473
12
1.25
88053
12
1.75
88488
12
1.75
74760
12
1.75
88154
12
1.75
74006
12
1.75
91067
10
1.25
VICTOR RECORDS
TANNHAUSER RECORDS— Continued
O du mein holder dstern — WerrenrathAben German and Treue Liebe — Muench
The Evening Star In English and The Rosary (Neoin) Alan Turner
The Evening Star ’Cello Bourdon and Last Rose of Summer — Wheeler
MISCELLANEOUS TANNHAUSER RECORDS
Selection and Madame Butterfly Selection No. 2 — Pryor's Band
Fantasie on Tannhauser (Dream of Wagner) Prelude, Act II — Air for
Venus, Act 1 — Duet, Elizabeth and Tannhauser, Act II — Bachanale,
Actl-Tannhauser’s Air, Act I-Pryor’s B and Reminiscences of Verdi-Sousa’ sB
TAPIERO, MOSE, Ocarina — See “ Ocarina Records
Taps (Musical Setting by Pasternack) Ernestine Schumann-Heink
Tarantella and Introduction (de Sarasate) Violin Jascha Heifetz
Tarantella Napolitana — La Danza (Rossini) In Italian Caruso
Tarantella Napolitana — Danza (Pepoli-Rossini) In Italian Bori
(Tarantella of Potenza (Tarantella Potenzese) Italian Village Band)
\ My Little Sweetheart — Polina Italian Village Band )
Tarantella Sincera — Neapolitan Song (de Crescenzo) Caruso
Tarantelle (Chopin, Op. 43) Pianoforte Alfred Cortot
Tar Baby, The — Part I (Harris) (Uncle Remus Tells How Br’er
Rabbit was Too Smart for Mr. Fox)
The Tar Baby — Part II ( Harris )
(Ta, Ta, My Bonnie Maggie Darling
l I Think I’ll Get Wed in the Summer
TAYLOR, JOHN— Violin
Devil’s Dream Reel 16045 Mocking Bird
Medley of Old Time Speed the Plow
Reels 16393 35008
(Teach Me — Fox Trot (Geo. H. Green)
l Round the Town — Fox Trot (Victor Arden)
(Teach Me To Smile (From “Girl Who Smiles”)
l Auf Wiedersehn ( From “ Blue Paradise ’ ’)
(Tearin’ o’ the Green — Humoresque (Douglas)
l Cornin’ Thro’ the Rye — Humoresque (Bellstedt)
(Teasin’ — Fox Trot (Carlton- Walsh)
l No Use Crying — Fox Trot (Hirsch)
(Teddy Bears’ Picnic — Descriptive Novelty
l Happy Days March (Levi)
(Tee-Pee Blues — Fox Trot
l Black Eyed Blues — Fox Trot (Kendall)
(Tell Her at Twilight— Fox Trot (Donaldson)
l While Miami Dreams — Fox Trot (Whiting)
Tell Her I Love Her So (Weatherly-DeFaye)
(Tell It Today (Chas. H. Gabriel, Jr.)
I Make Somebody Happy Today (Gabriel)
(Tell Me (Callahan-Kortlander)
l Yearning (Sidney Carter-Neil Morel)
(Tell Me — Fox Trot (Callahan-Kortlander)
l The Vamp — Fox Trot (Gay) (Vocal Chorus)
Tell Me Daisy (from “Blossom Time”)
Harry E. Humphrey?
Harry E. Humphrey )
Sir Harry Lauderl
Sir Harry Lauder)
16538
16045
All Star Trio — Orchl
All Star Trio)
”) Green-Hamilton)
Green- Macdonough)
Conway’s Bandl
Conway's Band)
All Star Trio and Orchl
All Star Trio and Orch)
Pryor’s Band)
Pryor’s Band)
Benson Orchestra)
Benson Orchestra)
Hackel-Berge Or)
Smith ’s Orchestra)
Orville Harrold
Homer Rodeheaver)
Homer Rodeheaver)
Lambert Murphy 1
Lambert Murphy >
Smith’s Orchestra)
Smith’s Orchestra)
Reinald Werrenrath
(Tell Me Little Gypsy
l Girls of My Dreams
(“Ziegfeld Follies”) (Berlin) John Steel)
(“Ziegfeld Follies”) (Berlin) John Steel)
Number
s
Cfi
to sf
—3 a
35160
12
1.25
17446
10
.75
16813
10
.75
35331
12
1.25
35230
12
1.25
87299
10
1.25
74626
12
1.75
88355
12
1.75
87181
10
1.25
73305
10
.75
88347
12
1.75
64910
10
1.25
17996
10
.75
55124
12
1.50
18750
10
.75
17858
10
.75
17444
10
.75
18888
10
.73
16001
10
.75
18874
10
.75
18878
10
.75
66100
10
1.25
18373
10
.75
45171
10
1.00
18594
10
.75
66032
10
1.25
18687
10
.75
VICTOR RECORDS
Rodeheaverl
Rodeheaver )
Hayden Quartet"!
Trinity Choir )
fTell Me Pretty Maiden (“ Florodora”) V. Light Opera Sextette!
I In the Shade of the Palm ( From “ Florodora ”) ( Stuart ) Shaw)
fTell Me the Story of Jesus (Crosby-Sweney)
\ Carry Your Cross with a Smile ( Ogdon-Gabriel )
fTell Mother I’ll Be There (Fillmore)
l Some Time We’ll Understand ( McGranahan )
Tempestad — Monologo (Chapi) In Spanish de Gogorza
fTen Little Fingers and Ten Little Toes Murray-Smallel
l When Francis Dances With Me (Ryan- Violinsl^y) Jones- Murray)
fTen Little Fingers and Ten Little Toes — Fox Trot Benson Or"!
I In Bluebird Land-— Fox Trot (Short) Benson Orchestra)
TENNYSON, ALFRED, Poems of — See “ Blow Trumpet, for the World
is White with May,” “Brook,” “Come Into the Garden, Maud,”
“Crossing the Bar,” “Little Birdies,” “Ring Out, Wild Bells,” “Sweet
and Low ” and “Sweet is True Love ”
(Tenth Regiment March (in slow tempo for marching) Victor Bandl
In the Park March (Carl Dorn ) Victor Military Band)
fTenting on the Old Camp Ground (Kittredge)
l Kathleen Mavourneen (Crawford- Crouch)
Teresita Mia
Hayden Qtl
Alan Turner)
de Gogorza
dumber
1 Size!
List
prc.
16061
10
.75
18720
10
.75
16414
10
.75
64045
10
1.25
18830
10
.75
18871
10
.75
18017
10
.75
16404
10
.75
66033
10
1.25
A1 Jolsonl
Al Jolson)
Homer Rodeheaverl
Homer Rodeheaver)
(My Teresita) (Nieto) In Spanish
TERRELL, LOUISE — See “Tripoli”
TERRY, ELLEN Actress (See Pink Section)
TESCHEMACHER, EDWARD Nom de plume of Edward Lockton. Lyric writer.
Born in London, Eng., 1876. He has written words for more than 1000 songs by
various composers.
See “Any Place is Heaven,” “Because,” “Calling Me Home,” “I Know a Lovely
Garden,’’ “I’ll Pray for You,” “Little Home,” “ Little Shawl,” “Love is Mine,”
“Oh, Lovely Night,” “ Serenade Espagnole,” “Tommy Lad,” “Trusting Eyes,”
“Until,” “When the Great Red Dawn” and “Where My Caravan.”
TesYeux! (Thine Eyes) (Rene Rabey) In French Alda-Elman :
TETRAZZINI, LUISA, Soprano ( Tet-lrah-tzee' -nee) (See Pink Section) |
THAIS (Tah-ees) (1894) (Jules Massenet)
(See Viclrola Book of the Opera for complete illustrated description )
Meditation (Te souviens-tu du lumineux) In French Farrar i
Meditation Violin Fritz Kreisler
Meditation Violin with Orchestra acc. Maud Powell
Meditation Violin Mischa Elman
Meditation Violin M. Pilzer and Humoresque (Door 6k.) Violin — M. Pilzer
Thank God for a Garden (Teresa Del Riego) John McCormack i
“THAT GIRL” QUARTET — Women’s Voices — See “Kentucky
Babe”
fThat Haunting Melody (Cohan)
l Rum Turn Tiddle (Madden-Schwartz)
fThat Little Chap of Mine (2) Daddy
l To My Son (2) The Mother’s Love
fThat Moaning Saxophone Rag Brown Bros. Saxophone Sextette"!
I Original Fox Trot (Klickmann) Van Eps Trio)
/That Naughty Waltz (Stanley-Levy) Kline-Bakerl
l Alabama Moon (Geo. H. Hamilton) Kline-Baker)
/That Naughty Waltz (Sol P. Levy) Joseph C. Smith’s Orchestral
l In Your Arms — Medley Fox Trot Selvin’s Novelty Orchestra)
87556
10
1.50
88594
12
1.75
74182
12
1.75
74135
12
1.75
74341
12
1.75
35306
12
1.25
64900
10
1.25
17037
10
.75
17478
10
.75
17677
10
.75
45203
10
1.00
18650
10
.75
VICTOR RECORDS
l Just Li^e a Gypsy (Simons- Bayes) Sterling 7
(That’s an Irish Lullaby (From “Shameen Dhu”) MacFarla
1 Can’t You Hear Me Calling, Caroline (Caro Roma) MacFarh
That’s How I Believe in You Henry Bi
I Want You Morning, Noon and Night Chas. Harri
(That Sweet Story of Old (Luke-Bradbury) Elsie Baker!
l What a Friend We Have in Jesus Mr. and Mrs. Wm. Wheeler )
/That’s Worth While Waiting For (Lewis-Young-Ruby) Murray"!
I’ll See You in C-U-B-A ( Irving Berlin ) Billy Murray)
(That’s Why I Never Married (Cawthorn-Golden) Billy Murray "I
l The Piano Tuner Ada Jones and Steve Porter)
{
\
(That Tumble-down Shack in Athlone (Sanders) Sterling Trio
l Smile and the World Smiles with You Lewis James and Peerless Qt
(That Wonderful Mother of Mine (Hager-Goodwin) Burr"!
I Salvation Lassie of Mine (Caddigan- Story) Hart-James)
The- — For titles beginning with “The” see the next word
Then Shall the Righteous Shine Forth (“Elijah”) Evan Williams
Then You’ll Remember Me — See “ Bohemian Girl ”
Theodora — See “Angels Ever Bright and Fair”
(There are Birds in the Valley (Housman-Lehmann) Reed Miller "1
l Little Grey Home in the West (Lohr) Chas. Harrison )
(There is a Balm in Gilead Fisk Jubilee Quartetl
l The Great Campmeeting Fisk Jubilee Quartet)
There is a Flower — Maritana (Wallace)
(There is a Fountain Fill’d with Blood (Mason) Trinity Choir\
Hayden Quartet )
Louise Homer
Alan Turner"!
Alan Turner)
Lambert Murphyi
Lambert Murphy /
American Qt!
Van Brunt)
l Where is My Boy To-night (Lowry)
There is a Green Hill Far Away (Gounod)
(There is a Green Hill Far Away (Gounod)
l Lost Chord (Sullivan)
(There is No Death (Geoffrey O’Hara)
l Christ in Flanders ( Johnstone- Ward-Stephens)
(There is Silver Now Where Once Was Gold
l I Love the Name of Mary (Ball)
(There is Somebody Waiting for Me (Sea Song) Sir Harry Lauder!
I Bounding Bounder, or On the Bounding Sea Sir Harry Lauder)
There, Little Girl, Don’t Cry (Riley-Stephens) Evan Williams
(There’s a Corner Up in Heaven (Berlin) Kline-Baker!
l Little Tin Soldier (MacBoyle-Hanley) Kline-Baker)
(There’s a Little White Church in the Valley (Lange) Peerless Qt"!
I My Little Girl (Lewis- Dillon-von Tilzer) Campbell- Burr)
There’s a Long, Long Trail (King-Elliott) John McCormack
(There’s a Long, Long Trail (King-Elliott) Reed-Harrison!
l For Better or for Worse (“The Princess Pat”) Kline-Baker)
(There’s a Lump of Sugar Down in Dixie Marion Harrisl
l Story Book Ball ( Montgomery-Perry ) Billy Murray)
(There’s a Vacant Chair at Home Sweet Home Chas. Harrison!
I When You’re Gone I Won’t Forget Peerless Qt)
Number
e-J
in
to £
— I o.
18696
10
.75
45185
10
1.00
18848
10
.75
18287
10
.75
18652
10
.75
16851
10
.75
64837
10
1.25
18545
10
.75
18524
10
.75
64650
10
1.25
17522
10
.75
16487
10
.75
64307
10
1.25
16412
10
.75
88309
12
1.75
35049
12
1.25
45175
10
1.00
17107
10
.75
55121
12
1.50
64711
10
1.25
45251
10
1.00
17810
10
.75
64694
10
1.25
17882
10
.75
18482
10
.75
18705
10
.75
VICTOR RECORDS
(There’s Only One Pal After All Harl-Shaw
l Sleepy Head (Glinsky- Brown- Hill) Peerless Qt. .
(There’s Silver in Your Hair (David-Wright) Chas. Hart
l Carolina Rolling Slone ( Parish - Young-Squires) Hart-Shaw.
There’s Sunlight in Your Eyes (Lewin-Harling) Werrenratl
(They All Had a Finger in the Pie (Von Tilzer) American Qt
l On the 5. 1 5 ( Murphy-Marshall ) American Quartet.
(They Bid Me Sleep (From Scott’s “Lady of the Lake”) Littlefield
l Toils Are Pitch’d (“Lady of the Lake ’) Laura Littlefield.
They Call It Dancing — Med. Fox Trot Whiteman’s Orch'
(Introducing “The Schoolhouse Blues”)
Dear Old Southland — Fox Trot Whiteman’s Orch J
THIBAUD, JACQUES, Violinist — See "Famous Artists” in PinkSectioi
(Thinking of You (Eastman-Heltman) Peerless Quartet)
l Carolina Lullaby (Hirsch-Panella) Campbell- Burr)
(Think Love of Me (Frank H. Grey) Reinald Werrenrathl
l Smilin’ Through (Arthur A. Penn) Reinald Werrenralh)
THOMAS, AMBROISE (Toh-mah) (B. Metz, 1 8 1 1 ; D. Paris, 1896.)
French Composer of Operas. See “Caid,” “Hamlet,” Mignon”
THOMAS, HARRY, Pianist — See “ Delirious Rag”
(Those Days Are Over (Sterling- Moran- Von Tilzer) Campbell-Burrl
\ Play That ‘ Song of India’ Again ( Wood-Bibo ) C. Harrison /
(Those Longing for You Blues — Fox Trot Benson Orchestral
l Stuttering — Fox Trot (Fm Always Stuttering) Benson Orch)
{Those Songs My Mother Used to Sing (Smith) Brown-Dixonl
Sing Me to Sleep (Greene) Elsie Baker)
Thou Art Near Me, Margarita (Meyer-Helmund) de Gogorza
Thoughts of You (Gray-Novello) Frances Alda
(Thou’rt Like Unto a Lovely Flower (Degele) Neapolitan Trio-)
l Come Where My Love Lies Dreaming (Foster) Neapolitan Trio)
(Thousand and One Night — Waltz (Strauss) Hurtado Bros. Band 1
X Blue Waves Waltz (Valverde) Hurtado Brothers Marimba Band)
(Thousand Kisses, A — Waltz Hungarian Gypsy Orchestral
l Alpine Flower (Edelweiss) Victor Orchestra)
(Three Little Pigs (Old English Folk Tale) Sally Hamlin)
l The Duel (Eugene Field) Recitation Sally Hamlin)
Three Little Songs for Very Little Children (l) “ Frere Jacques”
(Brother James) (2) “Au clair de la lune” (in the Moonlight)
(3) “Une poule” (The Hen) French Emma Calve
Three O’Clock in the Morning (Terriss-Robledo)
By John McCormack (Tenor)
By Smith’s Orchestra (Waltz) and Lola Lo — Fox Trot — Smith’s Orchestra
By Whiteman’s Orchestra (Waltz) and Oriental Fox Trot — Whiteman's Or
(Three Sioux Scouts — Part 1 Ernest Thompson Setonl
l Three Sioux Scouts — Part / Ernest Thompson Seton)
(Three Solitaires Comet Trio Clarke, Keneke and Pryor)
l Hornpipe Medley Accordion John Kimmel)
(Three Trees (From “ Spring Maid ”) Tom McNaughtonl
1 No News, or * * What Killed the Dog ’ ’ Nat M. W ills)
(Throw Out the Life Line (Stebbins) Burr-Peerless Qt)
l Onward Christian Soldiers (Jude) W estminsier Choir)
Number
N
lr>
to Si
— j 0.
18786
10
.75
18869
10
.75
64987
10
1.25
17704
10
.75
18674
10
.75
18856
10
.75
18762
10
.75
45166
10
1.00
18877
10
.75
18948
10
.75
35136
12
1.25
64722
10
1.25
64927
10
1.25
17364
10
.75
35565
12
1.25
73174
10
.75
18685
10
.75
88572
12
1.75
66109
10
1.25
18866
10
.75
18940
10
.75
55136
12
1.50
16317
10
.75
17222
10
.75
16431
10
.75
Number
Size
3 si
— J Ck
35531
12
1.25
16151
10
.75
87288
10
1.25
64470
10
1.25
17106
10
.75
74126
12
1.75
88472
12
1.75
18472
10
.75
55142
12
1.50
35259
12
1.25
17268
10
.75
18518
10
.75
18526
10
.75
18875
10
.75
16694
10
.75
18714
10
.75
18733
10
.75
18692
10
.75
45169
10
1.00
64925
10
1.25
64707
10
1.25
17217
10
.75
17933
10
.75
18648
10
.75
17101
18144
18208
45187
17691
10
10
10
10
10
.75
.75
.75
1 .00
.75
VICTOR RECORDS
Thrush, Song of — See “Bird Song Records”
{Thunderer March (Sousa) Victor Military Ba
Southerner March (. Alexander ) Conway’s Bi
fThunderer March (Sousa) Sousa’s Ba
l Jack Tar March (Sousa) Sousa’s Bt
Thy Beaming Eyes (Gardner- MacDo well) Schumann-H<
Thy Beaming Eyes (Gardner-MacDowell) ( Pianoforte acc .) Brai
fThy Flow’ry Banks, Oh Lovely River Wheeler-Dunlap-Baker)
I Voice of the W estern Wind ( Barnby ) Wheeler-Dunlap-Baker !
Thy Rebuke (2) Aria — Behold and See (“The Messiah”) Williams
Tiempo Antico (Olden Times) (Caruso) In Italian Caruso
fTiger Rag — One-Step (La Rocca) Original Dixieland Jazz Band)
l Skeleton Jangle — Fox Trot (La Rocca ) Dixieland Jazz Band !
fTikanto Shabbos (Thou Didst Institute the Sabbath) Rosenblatt)
l Der Neuer Omar Rabbi Elosor Hebrew Cantor Josef Rosenblatt!
f Till the Sands of the Desert Grow Cold (Graff-Bail) Turner)
) Beautiful Isle of the Sea (Cooper- Thomas) Frank Coombs!
/Till the Sands of the Desert Grow Cold (Ball) Glenn)
l Armorer’s Song (From “Robin Hood”) (de KoVen) Glenn!
/Till We Meet Again (Egan- Whiting) Charles Hart-Lewis James)
l Have a Smile (Brennan-Cunningham- Rule) Sterling Trio!
/Till We Meet Again — Waltz (with Vocal Chorus) Orlando’s Orch)
l Beautiful Ohio — Waltz (Earl) Waldorf-Astoria Dance Orchestra!
(Time After Time (Brennan-Ball) Henry Burr)
l Don’t Leave Me Mammy (Davis-Santly) Vernon Dalhart!
fTin Gee Gee, The (Cope) Henry Allan Price)
l Camel and the Butterfly (2) Elephant and the Portmanteau Price!
(Tip Top— Medley Fox Trot (from “Tip Top”) Brown Bros)
l If a Wish Could Make It So — Medley Fox Trot Brown Bros I
fTip Top — Medley One-Step (Caryll) (See “Medleys”) Smith’s Orch)
l Rose-Nightingale — Medley Fox Trot All Star Trio and Orch!
fTired of Me (Clarke-Donaldson) Henry Burr)
1 I’d Love to Fall Asleep and Wake Up Peerless Qt!
f’Tis All That I Can Say (Tom Hood-Hope Temple) Merle Alcock)
l Gentle Annie (Stephen C. Foster) Merle Alcock!
’Tis an Irish Girl I Love and She’s Just Like You McCormack
’Tis But a Little Faded Flower (Howarth-Thomas) Whitehill
f’Tis But a Little Faded Flower Anthony and Harrison)
l Emmett’s Lullaby (Emmett) (with Oakland) Heidelberg Quintette!
f’Tis Not True (Non e ver) (Mattei) (S ee also “Non e ver”) Turner)
l Juanita (Norton) Alan Turner!
Titl’s Serenade — See “Serenade (Titl)” (Tee -tl)
fTo a Water-Lily (“Woodland Sketches”) (MacDowell) Florentine Qt)
l Spring Song (Mendelssohn) Florentine Quartet!
To a Wild Rose (Edward Alexander MacDowell)
By Jacques Hoffmann Violin and Serenade ( Pierne ) Violin Hoffmann
By Michel Gusikoff Violin and Souvenir Poetique Violin Gusikoff
By Venetian Trio and The Rosary {Neoin) Venetian Trio
By Herbert’s Orchestra and The Rosary {Neoin) Herbert’s Orchestra
By Felix Arndt Celesta and Drink to Me Only With Thine Eyes — Arndt
VICTOR RECORDS
| Humber
<U
c/3
2 ^
133 o.
Tobermory — Scotch Specialty
Sir Harry Lauder!
45206
10
1.00
W earing Kilts — -Comic Song
Sir Harry Lauder)
Toddle — Medley Fox Trot (intro. “Maori”)
Benson Orch!
18756
10
.75
Moonlight — Fox Trot ( Con Conrad)
Whiteman’s Orch)
To Have, To Hold, To Love (MacBoyle-Ball)
Macdonough!
17338
10
.75
The Trail of the Lonesome Pine ( Carroll )
Brown and Harrison)
Toils Are Pitch’d (From Scott’s “Lady of the Lake”) Littlefield!
18674
10
.75
They Bid Me Sleep ( ‘ ‘Lady of the Lake ’ ’)
Laura Littlefield)
I
TOLLEFSEN TRIO — Violin, ’Cello, Pianoforte
At the Brook 1 7600 | Romance
Dream. The 17525 I Serenade
17749 | Song Without Words 1 7525
17379 I Walkiire — Love Song I 7749
Paul Rentiers] _ _ _ _
D , D ■ ? 45062 10
Paul Retmers)
(To Mary (Shelley- White)
1 Phyllis und die Mutter
/Tomi Tomi — Hula Hula (Press Me to Thee) Hawaiian Quintette!
I Mai poina oe ia’u ( Forget Me Not ) Hawaiian Quintette )
/To-morrow — Fox Trot (Turk-Robinson) Great White Way Orch!
I You Gave Me Your Heart — Fox Trot {Snyder) Great White Way Or)
18569 10
18964 10
Sterling Trio!
Sterling Trio)
John McCormack
Reinald Werrenrath!
Reinald Werrenrath)
18837 10
1
l
64630
45101
17478
17768
18582
(Tomorrow Land (H. J. Tandler)
l Georgia Rose ( Sullivan-Flynn-Rosenthal )
Tommy Lad (Teschemacher-Margetson)
(Tommy Lad (Teschemacher-Margetson)
l House of Memories {Adcock- Aylward)
Tom Sawyer — See “How Tom Whitewashed the Fence ”
(To My Son (2) Mother’s Love Recitations Rodeheaver!
I Daddy (2) That Little Chap of Mine Recitations Rodeheaver)
/Too Much Dog — Comic Monologue Nat M. Vfills!
Darky Stories — Comic Monologue Nat M. Wills )
/Toots — One-Step (Arndt) Mandolin with Piano Clarence Penney ! j 7694
Indianola Patrol — One-Step {Hartz) Mandolin with Piano Penney)
Toots Paka Hawaiian Troupe — See “Hawaiian Records’’
/Toots Paka Medley Toots Paka Hawaiian Troupe!
Rain Tuahine {Rain of Manoa ) Toots Paka Hawaiian Troupe)
Toot, Toot, Tootsie! (Goo’bye) — Fox Trot Benson Orch!
Do I? — Fox Trot {Do I Love Her?) {Akst) Benson Orch)
Toreador et Andalouse (Bal Costume) (Rubinstein) Balalaika Or!
Serenade Falet Imperial Russian Balalaika Court Orchestra)
Toreador, Le (Mozart- Adam) (Sung in French)
Variations on Air — “Ah! vous dirai-je maman” (Flute obb.) Frieda Hempel 88404 12
Variations on Ail — “Ah! vous dirai-je maman" (Should I Tell You,
Mother?) Galli-Curci 74734 12
Toreador Song — Carmen — See “Carmen”
Torna a Surriento (Neapolitan Song) (De Curtis) Italian Amato
TOSCA (Toss’ -kah) (Rome, 1900) (Giacomo Puccini)
(See Victrola Booh of the Opera for complete illustrated description)
(Sung in Italian unless otherwise noted)
ACT I - INTERIOR OF CHURCH OF ST. ANDREA
Recondita armonia (Strange Harmony) Enrico Caruso 87043 1 0
Recondita armonia (Strange Harmony) Giovanni Martinelli 64420 1 0
Recondita armonia (Strange Harmony) Beniamino Gigli 64944, 1 0
18954 10
18058 10
87180 10
1.00
.75
.75
.75
1.25
1.00
.75
.75
.75
.75
.75
.75
1.75
1.75
1.25
1.25
1.25
1.25
Number
|Size|
[So si
3 O.
88122
12
1 .75
88075
12
1 .75
88192
12
1.75
88487
12
1.75
74400
12
1.75
45017
10
1.00
87044
10
1.25
81028
10
1.25
64393
10
1 .25
45055
10
1.00
45017
10
1.00
64264
10
1.25
64993
10
1.25
VICTOR RECORDS
TOSCA RECORDS — Continued
ACT II — SCARPIA’S ROOM IN FARNESE PALACE
Cantab ile di Scarpia (Venal, My Enemies Call Me)
Vissi d'arte (Love and Music) (Prayer of Tosca)
Vissi d’arte (Love and Music)
Vissi d’arte (Love and Music)
Vissi d’arte (Love and Music) (with ’Cello obb.)
Antonio Scotti
Nellie Melba
Geralidne Farrar
Emmy Destinn
Frances Alda
Vissi d’arte — Maria Bronzoni and E lucevan le stelle — de Gregorio
ACT 111 - TERRACE OF SAN ANGELO CASTLE. ROME
E lucevan le stelle (The Stars Were Shining) Enrico Caruso
E lucevan le stelle (The Stars Were Shining) (Piano acc.) Caruso
E lucevan le stelle (The Stars Were Shining) Giovanni Martinelli
E lucevan le stelle — Althouse and Pagliacci — Vesli la giubba — Althouse
E lucevan le stelle — de Gregorio and Vissi d'arte — Maria Bronzoni
TOSCANINI, ARTURO and LA SCALA ORCH. (See Pink Section)
To Spring (Grieg) (Op. 43, No. 6) Violin Maud Powell
To Spring (Grieg) (Op. 43, No. 6) Violin Fritz Kreisler
TOSTI, FRANCESCO PAOLO ( Tos-tih ) (b. Ortona, Abruzzi, 1846;
d. Rome, 1916.) Italian voice teacher and composer of songs.
TOSTI COMPOSITIONS — See “Alba separa dalla luce 1’ombra,”
“Aprile,” “Beauty’s Eyes,” “Bid Me Good-Bye.” “Could I,” “For
Ever and For Ever,” “Good-Bye,” “Ideale,” “La mia canzone,”
“L’Ultima Canzone,” “Luna d’Estate,” “Mattinata,” “My Dreams,”
“Parted,” “ Pour un baiser,” “Serenade,” “Venetian Song” and
“Vucchella”
TOTE STADT, DER (The Dead City) (Erich W. Korngold)
Lautenlied der Marietta (Song of the Lute) In German Maria Jeritza
TOUHEY, PATRICK J. — Irish Pipes — -See “Dance Records — Reels'
/Tout Passe Waltz (Berger) Whistling Guido Gialdinil
l Mocking Bird ( Winner) Whistling Margaret McKee )
/To You — Waltz Serenade (An dich !) (Czibulka) Venetian Trio\
Forget Me Not — Intermezzo ( Macbeth )
Venetian Trio)
{Trail of the Lonesome Pine (Macdonald-Carroll) Brown-Harrison)
To Have, To Hold, To Love ( MacBoyle-Ball ) Macdonough)
(Trail to Long Ago (White-Keithley) James-Shaw)
l When You Long for a Pal ( Keithley-Duryea ) Lewis James)
(Train Time at Pun’kin Centre (with Male Quartet) Cal Stewart)
l Uncle Josh and Aunt Nancy Put Up the Kitchen Stove Stewart-Jones)
Tramp, Tramp, Tramp (George Frederick Root)
By John Young (Tenor) and Just Before the Battle, Mother — Young
By Criterion Quartet (Male voices) and Old Black Joe — Peerless Quartet
(Tranquillo Overture (Pietro) Accordion Pietro)
l Guarany Selection (Gomez) Accordion Pietro)
Traum der Sennerin — See “ Herd Girl’s Dream”
Traume (Dreams) (Wagner) In German Schumann-Heink
(Traume (Dreams) (Wagner) Victor Herbert’s Orchestra)
l Tristan and Isolde — Isolde’s Love-Death Victor Herbert’s Orchestra)
Traumerei (Reverie) (Robert Schumann)
By Mischa Elman Violin
By Hans Kindler 'Cello and A Dream ( Bartlett ) Kindler
By Rosario Bourdon ’Cello and Hearts and Flowers — Intermezzo — Florentine Q
By Sascha Jacobson V iolin and Berceuse — Lullaby ( Renard) Jacobson
By Florentine Quartet and Minuet ( Boccherini ) Florentine Quartet
By Vessella’s Italian Band and On the Sea ( Mendelssohn ) V. Brass Ql
66057
10
1.25
18083
10
.75
17951
10
.75
17338
10
.75
18961
10
.75
18595
10
.75
16987
10
.75
16531
10
.75
35488
12
1.25
88343
12
1.75
55041
12
1.50
64197
10
1.25
45102
10
1 .00
35342
12
1.25
17385
10
.75
18049
10
.75
17272
10
.75
VICTOR RECORDS
Number
4>
t-J
t/5
List
prc.
Travel, Travel Little Star (Bryan-Pryor)
Gay Paree — Comic Duet
Montgomery-Stone]
Montgomery-Stone)
55098
12
1.50
TRAVIATA, LA ( Trah-oeeah' -tahi) Sung in Italian unless otherwise noted.
Opera in three acts ; libretto by Piave, founded on Dumas’ Lady of the Cornelias ;
music by Verdi. First presented Venice, 1853; London, 1856; New York, 1856.
Traviata is one of the most beautiful works of its class, and is full of lovely melodies;
while the story of the unfortunate Violetta has caused many tears to be shed by sympa¬
thetic listeners. The plot, being quite familiar, will be but briefly sketched here. V ioletta,
a courtesan of Paris, is holding a brilliant revel in her home. Among the guests is a young
man from Provence, Alfred, who is in love with Violetta, and after much persuasion, the
spoiled beauty agrees to leave her gay life and retire with him to an humble apartment near
Paris. After a few brief months of happiness the lovers are discovered by Alfred’s father,
who pleads with Violetta to release his son from his promises. She yields for his sake,
and resumes her former life in Paris. Alfred, not knowing the real cause of her desertion,
seeks her out and publicly insults her. Too late he discovers the sacrifice Violetta has
made, and when he returns, full of remorse, he finds her dying.
Questa donna
TRAVIATA RECORDS
ACT 1 - DRAWING ROOM IN VIOLETTA’S HOUSE, PARIS
Prelude — Victor Symphony Orch. and Waltz of the Flowers
V ictor Symph
Brindisi — Libiam nei lieti calici ( A Bumper We’ll Drain)
Gluck-Caruso, with Metropolitan Opera <
Ah. tors’ 6 lui (The One of Whom I Dreamed) Frieda F
Ah, fors’ & lui (The One of Whom 1 Dreamed) Luisa Tel
Ah, fors' i lui (The One of Whom 1 Dreamed) Marcella Sei
Ah, fors’ 6 lui (The One of Whom 1 Dreamed) Nellie
Ah, fors’ 6 lui (The One of Whom I Dreamed) Gall
Ah, fors* 6 lui and Par la Valse ( Arditi ) In Italian
Sempre libera (I’ll Fulfill the Round of Pleasure) Gall
Sempre libera — This is the second part of the "A h, fors’ e lui ”
ACT 11 — Scene 1 — a country house near Paris
Dei miei bollenti spiriti (Wild My Dream of Youth)
Dei miei bollenti spiriti — Alberto Amadi and
Dite alia giovine (Say to Thy Daughter)
Imponete (Now Command Me) Galli-Curci-
Di Provenza il mar (Thy Home in Fair Provence) Pasquah
Di Provenza il mar (Thy Home in Fair Provence) Giuseppe
ACT II — Scene 11 - A SALON IN FLORA’S palace
Questa donna (Know Ye This Woman) Amadi
and Dei miei bollenti spiriti ( W ild My Dream of Youth )
ACT HI - VIOLETTA'S APARTMENT, PARIS
Addio del passato (Farewell to the Bright Visions) Lucr<
Addio del passato (Farewell to the Bright Visions) Amelita Galli-Curci
Addio del passato In Russian Marie Michailowa
Parigi o cara (Far from Gay Paris) Bori-McCormack
Parigi o cara (Far from Gay Paris) Nielsen and Constantino
MISCELLANEOUS TRAVIATA RECORDS
SELECTION — “ Bacchanal Chorus,” “ Far from the Busy Throng, "Finale,
“ Death of Violetta” — Pryor's Band
and T rooatore Selection ( Verdi) Pryor’s Ban
GEMS FROM “ TRAVIATA,” Part I Victor Opera Co
Chorus, " Drinking Song ” — Duet, “ The One of Whom I Dreamed ” —
(Ah, fors’ £ lui) — Solo, ‘ Thy Home in Fair Provence ” ( Di Provenza) —
Solo, “ I'll Fulfill the Round of Pleasure ” ( Sempre libera) — Chorus of
Matadors
Qems from “ Traviata, ” Part II Victor Opera Co
Chorus of Matadors — Duet, " May He be Spared the Anguish ” (Cono sea il
Sacrifizio) — Solo, “ Farewell to the Bright Visions” (Addio) — Duet, “ Far
from Gay Parts " (Parigi o cara)— Chorus, Finale
35717
12
87511
10
88471
12
88293
12
88018
12
88064
12
74594
12
55107
12
64820
10
74518
12
63314
10
89134
12
89133
12
88474
12
74528
12
63314
10
87178
10
64945
10
61178
10
89126
12
74075
12
35076
12
35433
12
1.25
1.50
1.75
1.75
1.75
1.75
1.75
1.50
1.25
1.75
.75
2.00
2.00
1.75
1.75
.75
1.25
1.25
1.25
2.00
1.75
1.25
1.25
Number
fsl
l/n
£
1Z5 a
88659
12
1.75
87021
10
1.25
87540
10
1.50
35160
12
1.25
18939
10
.75
35503
12
1.25
VICTOR RECORDS
Trepak (Still Is the Forest) (Moussorgsky) Feodor Chaliapin
Treue Liebe (True Love) (Klicken) Sung in German
By Ernestine Schumann-Heink, (Contralto)
By Alma Gluck, (Soprano) and Paul Reimers, (Tenor)
By Emil Munech, (Tenor) and Tannhausei — O du mein holder — Werrenrath
/Tricks — Fox Trot (Zez Confrey) Whiteman and His Orch)
Whiteman’s Orch)
Pietro)
Pietro J
l Coal Black Mammy — Fox Trot (St. Helier )
{Trieste Overture (Pietro) Accordion
Comedy Overture ( Kiler-Bela )
TRINITY CHOIR (Mixed Voices)
Accordion
Adeste Fideles 16996
All Hail the Power 35110
Angels from Realms 35594
Autumn — Saviour,
Breathe
Blest Be the Tie
Calvary
Christmas Hymns
Come Thou Almighty 16135
Come Y e Disconsolate 1 6709
Coronation and
Doxology
Festival Te Deum
Full Surrender
Happy Day
Hark I the Herald
Angels
Holy Ghost, with
Light Divine
17096
16178
17479
35712
35110
35674
16709
17499
17164
16966
Holy, Holy, Holy
How Firm a
Foundation
I Love to Tell the
Story
In the Cross of
Christ
Jerusalem the Golden
Joy to the World
King’s Business
Lead, Kindly Light
My Faith Looks Up
Oh, Little Town
of Bethlehem
Oh Lord Most Holy
Onward Christian
Soldiers
Over the Line
Praise Ye the Father
16966
16674
16889
17013
16135
16996
16889
16533
16216
35594
17240
16419
17299
16419
Precious Name I 7499
Rock of Ages 16394
Safe in the Arms
of Jesus 16877
Sanctus from
“ Messe Solennelle ” 35110
Saviour, When
Night Involves 35055
Silent Night 45145
Some Time We’ll
Understand 16414
Sweet Hou r of Prayer 17013
There is a Fountain 16412
Unfold Ye Portals 35075
When the Mists
Have Rolled Away 17137
Whiter Than Snow 17299
God So Loved
Our Lord is Risen
TRINITY QUARTET
Christ the Lord is Risen
18873
TRINITY MALE CHOIR
Christians, Awake
Mighty Fortress
TRIOS, Instrumental — For complete list of Trios — See
Birds in Forest 1 6296 I Three Solitaires
18873
18860
Strife Is O’er
18860
18958
18897
Oh God, Our Help
Watchman, Tell Us
18897
18958
‘Instrumental Trios”
16317
TRIOS, Vocal — For additional Trios see the various Operas; also
'Sterling Trio”
Faust — Finale 95203
Faust — Que voulez 95206
Go to Sleep 17918
Lombardi — Qual 95211
1 Educational Records” and 1
Berceuse "Jocelyn” 35581
Coronach 17987
Dear Love Days I 7789
Do They Think of Me 1 6355
(Tripoli (On the Shores of Tripoli) (Weill)
l I’ll Be With You in Apple Blossom Time
(Tripoli — Medley Waltz (Intro. “Down the Trail”)
l Alice Blue Gown — Waltz (from ‘"Irene”)
(Trip to Inverary, A — Scotch Specialty
l Hey! Donal! — Scotch Specialty
{Trip to Paradise (with Banjo)
The Death of Towser
Madama Butterfly —
Lo soche alle 87503
Rockin’ Time 17918
.75
.75
1.00
1.25
} 18693
10
[ 18700
10
| 45207
10
} 35641
12
TRISTAN UND ISOLDE (Munich, 1865) (V^agner)
(NOTE. — See Victrola Book of the Opera for complete description)
Opera in three acts; words and music by Richard Wagner, the plot being derived
bom an old Celtic legend which was popular during the Middle Ages. His direct source
VICTOR RECORDS
Number
was the unfinished poem by Gottfried of Strasburg, who flourished in the thirteenth century.
Tristan is one of the most popular of legendary heroes and has been treated of by numerous
writers, among them Tennyson and Swinburne.
This great drama of love and hatred, with its wonderful music, is now quite generally
admitted to be the finest of the master’s operas. Written at the time of Wagner’s own love
affair (with a German noblewoman), it is supposed that he sought to emphasize the fact
that love is not always bound by convention.
TRISTAN UND ISOLDE RECORDS
Preludio — LaScala Orch and Mode d’Isotta (Isolde’s Love-Death) LaScala Orch 68210
Isoldens Liebestod (Isolde’s Love-Death) and Trdume — Dreams — Herbert’s O 55041
Morte d'Isotta (Isolde’s Love-Death) La Scala Orch and Preludio — LaScala O 68210
Triste ritorno ! (Home-Coming) (Barthelemy) Italian
Caruso
{Trixie from Dixie (Lauder)
She’s the Lass for Me ( Lauder )
Sir Harry Lauderl
Sir Harry Lauder)
(Trixie from Dixie (Lauder)
\ She ’s the Lass for Me ( Lauder )
Sir Harry Lauder-!
Sir Harry Lauder)
Troika en traineaux (in a Three-Horse Sleigh)
Pianoforte
(Tschaikowsky)
Rachmaninoff
88048
45210
55130
74630
12
10
12
12
1.23
1.50
1.25
1.75
1.00
1,50
1.75
TROMBONE QUARTET— See “Old Black Joe”
TROMBONE SOLOS AND DUETS
Stabat Mater — Cujus35l 57
Favorita — Fantasia 35449
Oh. Dry Those Tears 1 6800
Trovatore — Miserere 16371
TROVATORE (Troh-l/ah-tohr -eh) Sung in Italian unless otherwise noted.
Opera in four acts ; words by Cammanaro, the story being suggested by a Spanish
drama of the same name; music by Verdi. First produced at Rome, 1853; Paris, 1854;
London, 1855; New York, 1855. The scene is laid in Biscay and Arragon in the
fifteenth century.
Many years previous to the opening of the story the mother of Azucena, an old gypsy,
had been burned as a witch by the father of the present Count di Luna , and Azucena, to
revenge her mother’s death, stole the young brother of the Count and brought him up as
her son under the name of Manrico. He becomes a Troubadour and gains the love of
Leonora, who is also beloved by the Count.
In Act 1 the rival suitors, in an effort to see Leonora, meet and a duel takes place, but
Manrico generously spares the Count's life. Act 11 opens in the gypsy camp, where
Manrico, under the care of Azucena, is recovering from a recent wound. He learns that
Leonora, thinking him dead, is about to take the veil, and that the Count intends to abduct
her. He hastens to her and after an encounter in the Convent, Leonora is rescued. In the
third act the lovers are finally about to be united, but Manrico suddenly learns that
Azucena is in the power of the Count and condemned to be burned, and in his attempt to
release her he is also captured by di Luna. In the last act Leonora, to save Manrico,
offers to wed the Count, but takes poison as soon as the order of release is signed. Dis¬
covering this, the Count orders Manrico to instant execution, but just as the Troubadour
dies the gypsy, Azucena, reveals to di Luna that he has killed his own brother.
TROVATORE RECORDS
ACT I — Scene I — vestibule in aliaferia palace
Abbietta zingara (Swarthy and Threatening)
ACT 1 — Scene II — gardens of the palace
Marcel Journet
Tacealanotte (Peaceful Was the Night) Luisa Tetrazzini
Peaceful was the Night — Helena In English and Lucia — Mad Scene — Helena
Di tale amoi — See “ Tacea la notte "
74474
12
88420
12
35214
12
1.7
1.7
1.2
VICTOR RECORDS
-GYPSY CAMP IN THE BISCAY MOUNTAINS
-Pilgrims’ Chorus — Victor Me
and Samson and Delilah — IV or
TROVATORE RECORDS— Continued
ACT II — Scene I _
Anvil Chorus and Tannhauser
Anvil Chorus In English V Male Cho
Anvil Chorus — Victor Orchestra and Forge in the Forest — Pi
Stride la vampa ! (Fierce Flames Are Soaring) Lou
Stride la vampa ! (Fierce Flames Are Soaring) Marg;
Stride la vampa 1 (Fierce Flames Are Soaring) Gabriella
Mai reggendo all’ aspro assalto Louise Homer and Enr
ACT 11 — Scene II — a convent cloister
II balen del suo sorriso (The Tempest of the Heart) Emilio d
II balen del suo sorriso (The Tempest of the Heart) Giusepf
Tempest of the Heart (11 balen) Turner English and Toreador Sor
Per me ora fatale — Caronna and Cho and Pagliacci — Son qua — L<
*
ACT III— Scene II - MANRICO’S CASTLE
Ah, si ben mio (The Vows We Plighted) Enr
Ah, si ben mio (The Vows We Plighted) Giovanni
Di quella pira (Tremble, Ye Tyrants) Enr
Di quella pira (Tremble, Ye Tyrants) Francesco
Di quella pira (Tremble, Ye Tyrants) Giovanni
ACT IV — Scene 1 — outside the palace of aliaferia
D'amor sull' ali rosee
Miserere
Miserere
Miserere In English
(Love, Fly On Rosy Pinions) Luisa Tetrazzini
Enrico Caruso, Frances Alda and Chorus
Emmy Destinn-G. Martinelli-Opera Chorus
Kline, Macdonough and Chorus
and Home to Our Mountains — Dunlap-Macdon
Miserere — Stevenson-Mac and Cho and I Would that My Looe-Stevenson-Mac
Miserere — Pryor and Keneke T rombone-Cornet and Spring Song — String Q
ACT IV — Scene II — prison ceil of manrico
Ai nostri monti (Home to Our Mountains) Hqmer and Caruso
Ai nostri monti (Home to Our Mountains) Schumann-Heink and Caruso
Home to Our Mountains In English Dunlap-Mac and Miserere — Duet-Chorus
Home to Our Mountains — Morgan and Macdonough In English
and Heart Bow'd Down (“ Bohemian Girl”) Alan Turner
Home to Our Mountains — Vessella's B and Rigoletto — Quartet — Kryl’s Band
MISCELLANEOUS TROVATORE RECORD
Selection (Introduction, Act HI — Fierce Flames, Act II — Introduction,
Act 1 — At My Mercy, Act II) Pryor's B and Traviata Selection — Pryor s B
(Truly — Fox Trot (Vincent Rose) Whiteman and His Orch)
l Birdie — A Sweety-Tweety Fox Trot Benson Orchestra >
Trumpeter, The (J. Francis Barron-J, Airlie Dix) McCormack
(Trumpeter of Sackingen — It was not so to be Zither Wormserl
l German Folk Song — Potpourri Zither Wormser)
(Trumpeter of Sackingen — Werner’s Farewell
Philharmonic Brass Octet '
Sounds from My Native Lana Philharmonic Brass Octet.
Trumpet Shall Sound (“Messiah”) (Handel) Herbert Witherspoon
Trusting Eyes (Teschemacher-Gartner) English Enrico Caruso
TSCHAIKOWSKY, PETER ILJ1TCH (CAi -koff'-skee)
Born in 1840; died, 1893. Most famous of Russian composers. Wrote many operas,
symphonies and other orchestral music, chamber music, piano music, songs, etc.
See “Andante Cantabile,” “Canzonetta,” “Casse Noisette,” “Chanson Triste,” “Chant
d’Automne,” “Chant sans paroles,” “Don Juan’s Serenade,” “Eugen Onegin,”
“Marche Slave,” “Marche Miniature,” “Melodie,” “Nur wer die Sehnsucht,”
Pique Dame,” “Pourquoi,” ‘"Quartet No. 3,” “Romance,” “Serenade Melancolique,”
“Song Without Words,” “Troka en traineaux,” “ Valse” and “Symphonies”
Number
O
2 e
—a a.
17563
IG
.75
17624
10
.75
17231
10
.75
87033
10
1.25
64506
10
1.25
64875
10
1.25
89049
12
2.00
88175
12
1.75
64668
10
1.25
16521
10
.75
16814
10
.75
88121
12
1.75
74439
12
1.75
87001
10
1.25
95006
10
5.00
64505
10
1.25
88426
12
1.75
89030
12
2.00
89119
12
2.00
35443
12
1.25
16013
10
.75
16371
10
.75
89018
12
2.00
89060
12
2.00
35443
12
1.25
16407
10
.75
35239
12
1.25
35076
12
1.25
18937
10
.75
74432
12
1.75
17862
10
.75
68588
12
1.25
74080
12
1.75
87187
10
1.25
VICTOR RECORDS
Number
V
IV)
£73
to
—a ea.
Tuck Me to Sleep (In My Old ’Tucky Home) Dalhart-Criterion Triol
18807
10
.75
Plantation Lullaby ( Stevens-Gillette-Holmer ) Hart-Shawl
Tuck Me to Sleep — Fox Trot
Benson Orchestral
18820
10
.75
Wabash Blues — Fox Trot (Meinken)
Benson Orchestral
Tu — Habanera (To You-A Song of Havana)
(Fuentes) Spanish Gluck
64182
10
1.25
Tulip Time — Fox Trot (intro. “Shimmee Town”) Smith’s Ol"ch\
18618
10
.75
Yellow Dog Blues — Medley Fox Trot
Smith ’s Orchl
Turkey in de Straw— Darky Specialty
Billy Golden-!
17256
10
.75
Niggah Loves His ’Possum ( Dresser )
Collins and Harlan!
Turkey in the Straw — Rag-Time Fantasie
(Bonnell) Pietrol
18743
10
.75
Russian Rag ( George L. Cobb) Accordion
Pietro 1
Turkey in the Straw Medley Banjo
Auld Lang Syne (Burns)
Fred Van Epsl
Westminster Chimes 1
16390
10
.75
Turkey Specialty — Darky Comedy
Golden and Hughes-!
16681
10
.75
Grizzly Bear ( Berlin-Botisford ) Murray and American Quartet)
Turkish March (from “Ruins of Athens”)
(Beethoven)
By Jascha Heifetz Violin
64770
10
1.25
By Mischa Elman Violin
64915
10
1.25
By Olga Samaroff Pianoforte
64965
10
1.25
By Guiomar Novaes Pianoforte
64939
10
1.25
By Victor Concert Orch. and Bolero in D Major ( Moszkowski ) V. Concert Or.
18396
10
.75
TURKISH MUSIC— See “ Moskowitz ” and
Turkish Catalog
Turkish Patrol (Michaelis) Xylophone
William H. Reitzl
16562
10
.75
Santiago Waltz Guitar and Bandurrias
Estudiantina Trio!
TURNER, ALAN, Baritone
Mr. Turner has become a great favorite with Victor customers
through the fine series of standard songs and opera airs he has
made for us. This baritone’s range is a remarkable one, his
upper notes being particularly pure and clear.
The selections which this singer has made — Irish ballads,
English patriotic airs, sacred songs and opera songs in English —
are all rendered with dignity and artistic finish. Mr. Turner was
a member of the Chicago Opera Company during a recent season.
TURNER
TURNER RECORDS
Bedouin Love Song 17473
Carmen — Toreador 16521
Crossing the Bar 17564
For All Eternity 1 7234
God Save the King 16134
Heart Bow’d Down 16407
How Can I Forget 18352
Juanita 17933
Kathleen Mavourneen 1 6404
Lost Chord 35049
Maple Leaf Forever I 7304
Oh, Promise Me 17189
O sole mio 1 7536
Paloma, La 17536
Rosary, The 1 7446
Rule Britannia 16134
Tannhauser 17446
There is a Green 35049
Till the Sands 35259
'Tis Not True 17933
Trovatore — Tempest 16521
Turn Ye to Me — Scotch Air (Wilson-North) John McCormack 74435 12 1 .75
TUSKEGEE INSTITUTE SINGERS — See the following titles
We take pleasure in presenting these examples of Negro Folk Songs by the Tuskegee
Institute Singers — from the famous school of the late Dr. Booker T. Washington, Tuskegee,
Ala. — who sing these inherited old “ Spirituals,” as did their grandfathers, in deep reverential
spirit, with all the native, peculiar richness of tone-coloring and harmonies that make these
songs of real use in an educational and historical sense. There are no more beautiful
examples of genuine folk songs anywhere in the world than those which have grown up in
the peculiar conditions of the development of singing among our American negroes The
roots of melody and rhythm and the weird harmonies were brought no doubt from Africa,
VICTOR RECORDS
Number ~ ~ g
but the application to the needs of expression in religious fervor, unity of effort in labor, in
the cotton field or on the levee, are wholly American. Another curious fact is that while
the early music of the Egyptians, Orientals, Greeks, Indians and practically all primitive
peoples is almost invariably in one part, yet set any three or four negroes singing at any time
or place and you will instantly hear an accompanying harmony in one or more of the voices.
Been a-Listenin’ 18446
Go Down Moses 1 7688
Good News 1 7663
Heaven Song 18073
I’ve Been ’Buked 18447
I Want to Be Like 17688
I Want to be Ready 18446
Live a-Humble I 7663
My Way’s Cloudy 18447
Nobody Knows 18237
Old Time Religion
Roll, Jordan, Roll
Steal Away
Swing Low
Gigli 66010
18073
18237
17890
17890
18198
Tu Sola (Thou Alone) (Genise-de Curtis) In Italian
[’Twas Only an Irishman’s Dream (O’Brien-Dubin-Cormack) Burr)
l Everybody Loves an Irish Song American Quartet)
TWELFTH NIGHT (Shakespeare) See “Shakespeare”
[12th Street Rag — Fox Trot (Bowman) All Star Trio)
l Dotty Dimples — One-Step {Green- Arden) All Star Trio)
[Twenty-third Psalm and Lord’s Prayer Sacred Reading-!
I Eternity ( P . P. Bliss) Whitney Brothers Quartet)
[Twickenham Ferry (Theo. Marzials) Lucy Marsh)
l Within a Mile of Edinboro’ Town { D’Urfey-Hook ) Marsh)
Twilight (Crepuscule) (Massenet) In French Galli-Curci 64807
[Twilight (Crepuscule) ( Massenet-Hubay) Venetian Trio)
Florentine Quartet)
45253
International Novelty Orchl
International Novelty Orch)
Alma Gluck 64727
l Album Leaf {Wagner)
[Twinkling Star Gavotte
l Parade of the Wooden Soldiers
Two Folk-Songs of Little Russia
Two Grenadiers (Heine-Schumann)
By Clarence Whitehill (Baritone)
By Pol Plangon (Bass) In French
By Marcel Journet (Bass) In French
By Feodor Chaliapin (Bass)
Two Grenadiers - For records in French see “Deux Grenadiers”
[Two Indian Songs (“ Pa-Pup-ooh ” — “The Sacrifice”) Watahwaso)
l Four Penobscot Tribal Songs Princess Watahwaso)
[Two Jolly Sailors (Porter-Israel) Porter and Harlan)
\ And Then I Laughed — Laughing Song Cal Stewart)
Two Little Ruby Rings — Fox Trot (From “Daffy Dill”)
Whiteman and His Orchestra
I Found a Four Leaf Clover — Fox Trot Whiteman’s Orchestra
[Two Little Wooden Shoes — Fox Trot (“Spice of 1922”)Club Royal O)
l Can You Forget — Fox Trot {Hugo Frey) Club Royal Orch )
[Two Roses (Selinger-Gilberte) Elsie Baker)
l I’m a-Longin’ Fo’ You {Fuhrmann-Hathaway) Elsie Baker)
[Two Rubes Swapping Horses — Comic Dialogue Porter-Harlan)
l Burbank, the Wizard — Monologue Murry K. Hill)
TWO-STEPS — See “ Dance Records ”
Tympanon Records {Cembalom or Dulcimer) See “ Moskowitz”
{Tyrolean Dance (Scherzo from “Sonatine,” Op. lOO) (Dvorak) 1
Violin and Pianoforte Natalie and Victoria Boshko t
Menuett in G {Beethoven) Natalie and Victoria Boshko)
Tyrolean V^altz - See “Nightingale Song”
[Ty-Tee — Fox Trot (Irving Bibo) Whiteman and His Orch\
74556
85024
74038
88645
18444
17418
18950
18936
18044
16849
17934
Just a Little Love Song — Fox Trot
Whiteman ’s Orchestra)
18842
10
10
10
10
10
10
10
10
10
10
1.23
.75
.75
.75
1.00
1.25
.75
.75
1.25
1.75
1.75
1.75
1.75
.75
.75
.75
.75
.75
.75
.75
.75
VICTOR RECORDS
U
fUa Like No a Like (Pale K. Lua) Irene West Royal Hawaiiai
l Papio Huli Medley Irene West Royal Hawaiia
{Ua Like No a Like (Constancy) Hawaiian Quint
Lei poni moi ( Wreath of Carnations) ( with Quintet) E. K. Rc
UHE, ARTHUR E., Violinist— See “Chalet Girl’s Sunday”
Ukulele — See “ Hawaiian Records”
Ultima Rosa (Lonely Rose) (Fogazzaro-Sibella) Italian de Ll
fUmipnu Chatuenu — Teilel (Because of Our Sins) Hebrew Rosenbla
l Umipnu Chatuenu — Teile 2 {Because of Our Sins) Hebrew Rosenbh
UNCLE JOSH MONOLOGUES, by Cal Stewart
Although this genial comedian has passed away, his “Pun’kin Centre”
stories continue to give much enjoyment to thousands of his admirers.
“Uncle Josh's” rural wit and philosophy and his infectious laughs are
simply irresistible. More than thirty of his specialties are offered by the
Victor for your choice.
STEWARTS “UNCLE JOSH" RECORDS
And Then 1 Laughed — Laughing Song and Two Jolly Sailors — Porter-Ha
County Fair at Pun’kin Centre and Widow Dooley — Specialty — Jones and Mu
I’m Old, but Awfully Tough and Uncle Josh Joins the Grangers — Cal Ste
Last Day of School at Pun’kin Centre and Uncle Josh’s Huskin Dance — Ste
Moving Pictures at Pun'kin Centre and Old Country Fiddler — Tat
Opera at Pun’kin Centre and Uncle Josh Buys a V ictrola — Ste
Train Time at Pun'kin Centre and Uncle Josh and Nancy Put Up Stove-Ste
Uncle Josh and Aunt Nancy Put Up Kitchen Stove (with Jones)
and Train Time — Ste
Uncle Josh and Aunt Nancy Visit N. Y. and Uncle Josh on Street Car — Ste
Uncle Josh and the Fire Department and Uncle Josh at Skating Rink — Ste
Uncle Josh and the Honey Bees and Uncle Josh in a Cafeteria — Cal Ste
Uncle Josh and Lightning Rod Agent and Down in Jungle Town — Collins-Ho
Uncle Josh and the Photographer and Farmyard Medley — American Qu
Uncle Josh at a Camp Meeting and Uncle Josh Playing Golf — Cal Ste
Uncle Josh at Skating Rink and Uncle Josh and the Fire Department — Ste
Uncle Josh at the Circus and Uncle Josh' s Troubles in a Hotel — Cal Ste
Uncle Josh at the Dentist’s and Small Boy and Mother at the Circus — Bui
Uncle Josh at the Opera and Uncle Josh in Society — Cal Ste
Uncle Josh Buys an Automobile and Pillage Gossips — Stewart-Ha
Uncle Josh Buys a Victrola and Opera at Pun’kin Centre — Ste i
Uncle Josh in a Barber Shop and W ar Talk ot Pun’kin Centre — Ste
Uncle Josh in a Cafeteria and Uncle Josh and the Honey Bees — Cal Stei
Uncle Josh in a Chinese Laundry and Uncle Josh on a Bicycle — Cal Ste
Uncle Josh in a Dep’t Store and Uncle J's 2nd Visit to the Metropolis — Ste
Uncle Josh in Society and Uncle Josh at the Opera — Cal Ste
Uncle Josh Joins the Grangers and I’m Old, but Awfully Tough — Ste i
Uncle Josh on a Bicycle and Uncle Josh in a Chinese Laundry — Cal Ste
Uncle Josh on a Fifth Avenue Bus and Uncle Josh Playing Baseball — Ste i
Uncle Josh on the StreetCar and Uncle Josh and Nancy Visit N. Y. — Ste
Uncle Josh Playing Baseball and Uncle Josh on a Fifth Avenue Bus — Ste
Uncle Josh Playing Golf and Uncle Josh at a Camp Meeting — Cal Ste i
Uncle Josh’s Arrival in N. Y. City and Uncle Josh’s Trip to Boston — Ste
Uncle Josh’s Huskin’ Dance and Last Day of School at Pun’kin Centre — Ste i
Uncle Josh’s 2nd Visit to Metropolis and Uncle Josh in Department Store — Ste i
Uncle Josh’s Trip to Boston and Uncle Josh’s Arrival in New York — Ste i
Uncle Josh’s Trip to Coney Island and Roll on de Ground — Billy Go
Uncle Josh’s Troubles in a Hotel and Uncle Josh at the Circus — Cal Ste i
War Talk at Pun'kin Centre and Uncle Josh in a Barber Shop— Stei
(Uncle Tom’# Cabin (Lampe) (See “ Medley No. 1 16”) Conway’s B1
l Folks Up Willow Creek — March {Old Time Tunes) Conway’s B\
Number
O
N
c/5
it
— 1 o.
[ 17804
10
.75
f 18571
10
.75
\ 64776
10
1.25
[ 45242
10
1.00
J8m*
lift*
r
^yt, ^
mtth
f \
STEWART
n 17418
10
.75
y 16019
10
.75
rt 16403
10
.75
-/ 16109
10
.75
rt 17931
10
.75
rt 18793
10
.75
rt 18595
10
.75
/ 18595
10
.75
rt 16227
10
.75
rt 16931
10
.75
rt 18711
10
.75
n 16805
10
.75
;/ 16676
10
.75
rt 16226
10
.75
rt 16931
10
.75
rt 16193
10
.75
y 16413
10
.75
rt 16145
10
.75
n 17854
10
.75
i 18793
10
.75
rt 17820
10
.75
■t 18711
10
.75
rt 16068
10
.75
rt 16520
10
.75
rt 16145
10
.75
't 16403
10
.75
t 16068
10
.75
■t 16228
10
.75
rt 16227
10
.75
rt 16228
10
.75
■t 16226
10
.75
i 16225
10
.75
f 16109
10
.75
t 16520
10
.75
t 16225
10
.75
r, 16804
10
.75
/ 16193
10
.75
/ 17820
10
.75
> 17493
10
.75
VICTOR RECORDS
(Unclouded Day (Alwood) Homer Rodeheaverl
l If Your Heart Keeps Right (de Armond- Ackley) Rodeheaverl
f Underneath Hawaiian Skies (Erdman-Rose) Campbell-Burrl
Peerless Qt I
Whiteman’s Or-!
Whiteman ’s Or)
l My Mammy ( Lewis - Young- Donaldson)
(Underneath Hawaiian Skies — Medley Fox Trot
l ’Sippy Shore — Medley One-Step ( Donaldson )
Underneath the Stars (Herbert Spencer)
By Fritz Kreisler Violin with Orchestra
By Rosario Bourdon ’Cello and When You’re Away (“ Only Girl”)— -Bourdon
(Under the Bridge at Paris — Waltz Whistling Margaret McKee!
l Dance of the Toy Regiment Xylophone Joe Green)
Unfinished Symphony (Schubert) See “Symphonies ”
(Unfold Ye Portals (Gounod’s “Redemption”) Trinity Choir!
I Angels Ever Bright and Fair ( Handel ) Lucy Isabelle Marsh)
UNITED STATES— PATRIOTIC SELECTIONS— See “ National
and Patriotic Airs— America ”
(Universal Peace March (Lampe) Pryor’s Band!
l Glory of the Yankee Navy March (Sousa) Sousa's Band I
(Unlucky Mose — Darky Specialty Golden and Hughes!
I New Orleans Minstrels, No. 27 Victor Minstrel Co)
(Unnatural History — Parti (Humorous Specialty) R. J. Wildhack!
l Unnatural History — Part II (Wildhaclf) Robert J. Wildhacl jJ
(Unrequited Love Waltz (Lincke) Sousa’s B!
l Apple Blossoms — Reverie (Roberts) Victor Orchestra I
Until (Edw. Tescbemacber- Wilfrid Sanderson) John McCormack
Uocchie Celeste (Blue Eyes) (Gill-de Crescenzo) In Italian Caruso
(Up for Sentence (Court Scene)
l In a Bird Store (Imitations by Girard)
(Uriah Heep (“David Copperfield ”)
l Micawber (“ David Copperfield”)
(U. S. A. Patrol (Peck) Xylophone
l Rag Pickings (An. by Van Eps ) Banjo
(U. S. Field Artillery March (Sousa)
l Liberty Loan March (Sousa)
Golden and Heins!
Golden and Heins)
Wm. Sterling Battisl
Wm. Sterling Battisl
William H. Reitz!
Fred Van Eps I
Sousa’s Bandl
Sousa ’s Bandl
Number
4J>
C/3
to W
13 A
17456
10
.75
18730
10
.75
18744
10
.75
64660
10
1.25
18059
10
.75
73438
10
.75
35075
12
1.25
17229
10
.75
35280
12
1.25
18248
10
.75
35101
12
1.25
64495
10
1.25
88587
12
1.75
35659
12
1.25
35556
12
1.25
16934
10
.75
18430
10
.75
U. S. MARINE BAND, of Washington, D. C.
The history of the United States Marine Band is a most interesting one and dates from
1801. Before that time the country had no band in its navy, but then the spirit of pride,
which would not passively sanction Uncle Sam’s being outdone in the matter of naval
equipment by any European or other power, began to manifest itself. It was not until 1838,
however, that this little band was detailed to the U. S. Marine Corps for duty at Washing¬
ton. The band was then conducted by a fife major, and so continued until 1854, when a
bill was passed providing for one leader and thirty classed musicians, and this number was
increased to sixty. The Marine Band has been an indispensable factor in the music life of
Washington and is familiarly known as the “President’s Own.” The band is under the
direction of Captain Wm. H. Santelmann, a famous bandmaster and composer.
U. S. MARINE BAND RECORDS
Anchors Aweigh 18817
Gate City March 16299
Lincoln Cent’l Mch. 16299
Marche Turque 18894
Marine Corps Inst. 18785
Marsovia Waltzes 16959
Messenger — March 1 8894
Nat l Emblem Mch 18498
Nat*l Capital
Centennial March 18768
Pres. Harding March 18768
Rifle Reg't. March 18785
Yorktown Centennial
March 18817
VICTOR RECORDS
V
Vacant Chair (Dr. Geo. F. Root-Henry F. Washburn)
By John McCormack (Tenor) with Male Quartet
By Lyric Quartet (Mixed Voices — unaccompanied) and When Johnny -Young
By Hayden Quartet (Male Voices) and When You and l Were Young — Duet
By McKee Trio Violin, ’Cello, Piano and / Cannot Sing Old Songs — Trio
(Valley of Peace, The (Breck-Meredith) Anthony and Harrison)
l Still, Still with Thee — Gospel Hymn ( Garrish ) Chicago Glee Club I
Valse (From “Serenade for String Orch.”) (Tschaikowsky) Violin Heifetz
(Valse Bleue (Margis) Pianoforte Felix Arndt)
\ Marionette (Arndt) Pianoforte Felix Arndt I
Valse Bluette (Richard Drigo) Violin Heifetz
Valse Caprice (Karl Rissland, Op. 16) Violin Mischa Elman
{Valse de Concert (Hasselmans) Harp Ada Sassolil
Am Springbrunnen (The Fountain) (Zabel) Harp Ada Sassolil
{Valse des Fleurs (From “Casse Noisette)” Victor Symphony Orch)
Traviata — Prelude (Verdi) Victor Symphony Orchestral
Valse d’ oiseau (Bird Waltz) (Varney) In French Blanche Arral
Valse du Ballet Raymonde (Glazounow) (2) Berceuse Heifetz
Valse in D Flat Major (Chopin, Op. 64, No. 1) Piano Rachmaninoff
Valse in E Flat Major (Chopin, Op. 18) Piano Rachmaninoff
Ruby Wiedoeft)
Ruby Wiedoeft)
Victor Concert Orch)
Vessella ’s Italian Bandl
Violin Erika Morini
Violin Maud Powell
{Valse Erica (Wiedoeft) Saxophone
Saxophobia (Wiedoeft) Saxophone
f Valse Lento — Sylvia Ballet (Delibes)
l Le Secret— Intermezzo (L. Gautier)
Valse Sentimentale (Schubert-Franko)
Valse Triste (Jean Sibelius) (Op. 44)
f Valse Triste (Jean Sibelius) (Op. 44) Victor Concert Orchestra)
l Scenes Pittoresques “A ngelus” (Massenet) Victor Concert Orchestral
(Vamp, The — Fox Trot (Byron Gay) (Vocal Cho.) Smith’s Orch)
1 Tell Me — Fox Trot (Callahan-Kortlander) (Vocal Cho.) Smith’s Ol
(Vamping Rose — Fox Trot All Star Trio and Orchestral
l You’re the Sweetest Girl — Medley Fox Trot Whiteman’s Orchestral
Number
2 ^
— i ex
64499
10
1.25
16984
10
.75
16361
10
.75
18230
10
.75
16853
10
.75
74635
12
1.75
18284
10
.75
64758
10
1.25
64643
10
1.25
55102
12
1.50
35717
12
1.25
64099
10
1.25
74660
12
1.75
64971
10
1.25
74679
12
1.75
18728
10
.75
17689
10
.75
66086
10
1.25
74402
12
1.75
35437
12
1.25
18594
10
.75
18787
10
.75
VAN AND SCHENCK
The piano to many people is a serious
instrument, to be approached only in the
proper spirit of reverence. To Van and
Schenck a piano is a pal who enters gladly
into their fun making.
Van and Schenck, though both are
still quite young, have been “vaudeville
headliners” for a considerable time, and
during a recent season they were much in
demand in New York, where they appeared
with “ The Century Girl, ” and also at the
Cocoanut Grove. A number of their most
successful contributions are listed below, in¬
cluding a popular Irish song written by Van
and Schenck themselves, and the catchy
“Yaddie Kaddie.”
VAN AND SCHENCK
VAN AND SCHENCK RECORDS
Huckleberry Finn 18318 | I Don’t Want to Get Well 18413 | Mulberry Rose 18318
VICTOR RECORDS
Number
►4
e/5
Ust
prc.
VAN BRUNT, WALTER. Tenor
I Love the Name
17107
It’s Hard to Kiss
16377 |
You’re Just as Sweet
17202
VAN EPS, FRED-
— Banjo Solos
Bunch of Rags
16667
Keep Off the Grass
16266
Ragging the Scale
18065
Cupid's Arrow
16855
Lamb’s Gambol
17457
Rag Pickings
16934
Daly’s Reel
181 16
Lobsters’ Promenade 1 7033
Red Pepper Rag
17033
Dance of the Bugs
17834
Med. of Southern
Silver Heels
16266
Frolic of Coons
17369
Melodies
181 16
Turkey in Straw
16390
Infanta March
16847
Pearl of Harem
16969
VAN EPS TRIO
Banjo, Piano, Drums or Saxophone
—See “
Banjo Orch”
Variations (Tartini) (Kreisler arrangement) Violin Fritz Kreisler
Variations on a Mozart Air — “Ah! vous dirai-je maman” ( Flute
obbligato by Vries) (Adam) In French Frieda Hempel
Variations on a Mozart Air — “Ah! vous dirai-je” In French Galli-Curci
Varsity March (Earl Moore — arr. Barnard) Victor Military Band)
The Victors’ March (Louis Ethel) Victor Military Band)
VAUDEVILLE CO., VICTOR
Court Scene in Carolina
and Darktown Campmeetiri Experiences
fVeeda, La — Castilian Fox Trot (John Alden)
l Desert Dreams — Fox Trot ( Leonard Lewin)
fVelvet Lady — Life and Love (Herbert)
l Waiting ( from "Listen Lester’’)
f Venetian Boat Song (Blumenthal)
l Canoe Song ( Cirihiribin )
fVenetian Love Boat — Fox Trot
l Virginia Blues — Fox Trot (Meinken)
fVenetian Love Song (Nevin)
l Minuet ( Paderewski ) (Op. 14, No. 1)
fVenetian Moon — Fox Trot (Goldberg- Magi ne)
l Swanee — One-Step (George Gershwin)
Venetian Song (F. Paolo Tosti)
Green Bros.’ Band)
Green Brothers ’ Band)
Lambert Murphyl
Lambert Murphy)
Littlefield-Baker)
Littlefield- Balder)
Benson Orchestral
Benson Orchestra)
Herbert’s Orchestra)
Herbert’s Orchestra)
All Star Trio)
All Star Trio)
John McCormack
Venetian Song (Stephenson-Tosti) Louise Homer-Louise Stires
64156
10
1.25
88404
12
1.75
74734
12
1.75
17672
10
.75
35609
12
1.25
18667
10
.75
45164
10
1.00
45172
10
1. 00
18868
10
.75
45054
10
1.00
18651
10
.75
64549
10
1.25
87578
10
1.50
VENETIAN TRIO— Violin-’Cello-Harp
VENETIAN TRIO
This organization consists of violin, ’cello and harp,
a most effective combination, as all who hear these beauti¬
ful records will admit. A number of familiar and popular
light classics have been selected for the Venetian play¬
ers’ list.
RECORDS BY THE VENETIAN TRIO
Alpine Violet 18070
Berceuse "Jocelyn” 17454
Evening Bells 18070
Evening Chimes 18018
Forget Me Not 17951
Holy Night 17842
Humoresque 17454
Little Grey Home 17979
Love’s Dream 17720
Oh, Promise Me 17816
Old Folks at Home 18127
Rosary 18208
Shepherd Boy I 7843
Songs Without Words 1 8 1 56
Swanee River 18127
To a Wild Rose 18208
To You 17951
Twilight 17784
VEO, HAROLD, Violinist
Irish Jigs — Medley
and Medley of Irish Reels — Veo\ 18308 I0| .75
VICTOR RECORDS
j Number ] J 1 2 £
VERDI, FORTUNIO GIUSEPPE FRANCESCO {V air -dee)
Born 1813, near Roncole, Italy. Parents, though poor inn-keepers,
gave him spinet lessons from parish organist. At 10 succeeded his
teacher at church organ. Boy became so popular that village sent him
to Milan for further study, where director of Conservatory refused
scholarship because of lack of talent! (Many years after, this same
institution was renamed Cons, di Giuseppi V erdi in Verdi’s honor.)
Then studied with Lavigna, returning to Roncole to marry Sirta Barezzi.
Settled permanently in Milan 1836. Among works were Nabucco,
1842; Lombardi, 1843; Ernani, 1844; Rigoletto, 1851; Trovatore
and Traviata, 1853; Masked Ball, 1859; Forza del Destino, 1862;
Don Carlos, 1867; Aida, 1871; Requiem, 1875; Otello, 1887;
Falstaff, 1893. Died in 1901.
'
VERDI
VERDI RECORDS— See “Aida,” “ Attila,” "Don Carlos,” “Ernani,” "Falstaff,”
“Forza,” “Lombardi,” “Macbeth,” “Masked Ball,” “Otello,” “Requiem,”
“Rigoletto,” “Traviata,” “Trovatore,” “Vespri Siciliani ” and “Reminiscences
of Verdi ”
("Verona Waltz (Pietro) Accordion Pietrol
l Italian-Spanish Favorites (See “ Medleys ”) Pietro )
(Vesper Service (Abide With Me, Chimes and Doxology) Hayden Qt\
l Beulah Land ( Sweeney ) Hayden Quartet)
(Vespri Siciliani— Ballet Selection Coldstream Guards Bandl
l Vespri Siciliani — Selection The Band of H. M . Coldstream Guards)
17802
16166
35434
.75
.75
1.25
VESSELLA’S ITALIAN BAND (Vessel' -lah)
This famous band has filled many engagements, some of the
most important of them in large resort cities, at Atlantic City, at
Brighton Beach, and elsewhere. As a conductor. Signor Vessella
is vigorous and picturesque, and his control over the band is remark¬
able — fine precision and delicate shading being two of the things most
commending themselves to the attention of music lovers. The band
has made many Victor records, covering a large range of music, from
the symphony to the dance.
VESSELLA BAND RECORDS
Adagio — 4th Sym. 35269
Addio a Napoli 16900
Aida — Grand March 35265
Arlesienne, L’, Suite 17908
Boheme Selection 35353
Broadway — Waltz 68535
Caprice Espanol 1 7908
Carmen Selection 35610
Cavalleria Rusticana 35453
Cavalleria Rusticana 67896
Chocolate Soldier 35217
Coronation March 35610
Danse Macabre 35381
Daughter of Reg. 35191
Dear One 68535
Faust — Ballet Music I 7284
Faust — Prison Scene 35449
Favorita — Fantasia 35449
Forza del Destino 35512
Fra Diavolo Sel. 35191
Funeral March 35426
Funiculi-Funicula 16899
Gioconda — Prelude 35459
Gotterdammerung 35369
Hungarian Rhap. 35352
Inglesina March 16891
Jewels of Madonna 35356
Last Hope 35467
Lucia Sextette 35356
Marcia Militaire 35258
Maria, Mari 16900
Mefistofele — Sel. 35512
Minuet (Boccherini) 67896
Mirella Overture 68471
Moonlight Sonata 35426
Morning, Noon 35276
VESSELLA
Otello — Fantasia 35459
Pasadena Day Mch. 17781
Peer Gynt Suite 35597
Polonaise Militaire 35241
Puritani Quartet 68471
Rondo Capriccioso 35265
Samson - My Heart 17216
Secret, Le 1 7689
Serenade (Drdla) 17785
Serenade (Schubert) 35508
Slavonic Dance 35507
Stradella Overture 35276
Tales of Hoffmann 35507
Traumerei 17272
Trovatore Selection 35239
Walkiire — Magic F. 35387
Walkiire — Ride of
Valkyries 35369
VIAFORA, GIN A C., Soprano See “Boheme — Quartet."
VICTOR BRASS QUARTET
Farewell to Forest 17216
Good Night, Beloved 17109
17272
17216
Pilgrims' Chorus
On the Sea
Spring Song
17133
VICTOR RECORDS
Number ~
VICTOR CONCERT ORCHESTRA (See also Victor Symphony Orchestra)
Adeste Fideles 18664
Air for G String 35656
Alpine Flowers 73174
Amaryllis 16744
Amoureuse Waltz 35655
Angelus, The 35437
Anvil Polka 16175
Apple Blossoms 35101
April Smiles Waltz 16200
Armide-Musette
Ballet 18314
Ballet Egyptien 18329
Berceuse (jarnefelt) 18323
Berceuse (Jocelyn) 16696
Birds and Brook 16052
Bolero in D Major 18396
Carnival Romain 35241
Cavalleria 17311
Chanson Triste 18314
Chimes of Normandy 35583
College Life March 16312
Coppelia Ballet 18379,35714
Cricket’s Serenade 17521
Dance of Honey Bees 16175
Dance of Song Birds 17521
Denmark — Nat’l Air 16591
Dollar Princess 16473
Don’t Be Cross 16396
Dream Waltz 16923
Dutch Kiddies 16839
Dying Poet, The 35642
Egmont Overture 35493
Egyptien Ballet 18329
Erminie Selection 35583
Erminie — Lullaby 18622
Estudiantina Waltz 16154
Fidelio-Leonore Over. 35268
Fidelio-Part III
Fifth Symphony —
See Symphonies
Firefly Waltzes
Flower Song
Gavotte in B Flat
Gavottes, Nos. 1 &
Glow Worm
35269
35278
45107
18754
2 35656
17227
35344
Glow Worm
Hark! the Herald
Angels
Hearts and Flowers
Hearts and Flowers
Hunt in the Forest
Hush My Babe
In a Clock Store
In a Monastery
Garden
In the Forest
In the Shadows
Irish Tune
Italian Symphony —
See Symphonies
It Came Upon
Midnight
Jewels of Madonna
35270. 35381
Joy to the World
Kiss Waltzes
Largo (New World
Symphony)
Laurentian Echoes
Leonore Overture
Leonore Overture
Malaguena
Marche Militaire
Marche Militaire
Francaise
Marche Romaine
Merry Widow Waltz
Midsummer Night’s
Dream 35527. 35625
Mignon Overture 1 7909
Mikado Selection 18191
Minuet (Paderewski) 16474
Morning, Noon & N. 35543
Musette Ballet
My Swedish Rose
Narcissus
Norway-Nat. Hymn
Pas des Amphores
Pastoral Symphony
Peer Gynt Suite
18086
35344
16029
35324
18622
35324
35710
18753
16978
17897
18086
18086
16978
35275
16593
35268
35269
35714
35493
35668
18754
16577
18314
16875
45085
16596
45093
35320
35470
Peer Gynt Suite 18042
Peter the Vagabond 73182
Pinafore Selection 18176
Pink Lady Selection 35193
Pique Dame Overture 1-8298
Poet and Peasant 35509
Polish Dance 45113
Polish Dance 45107
Praeludium 18323
Prelude in C Minor 35625
Reconciliation Polka 35644
Rendez-vous
Intermezzo 17476
Reverie du soir
35668
Rock-a-Bye Baby
18664
Romance
(T schaikowsky)
35710
Roses and Memories
35200
Rustic Wedding Sym
35627
Serenade
(Moszkowski)
45085
Sevilla Waltz
35193
Slavonic Dance
35715
Siren Waltzes
35206
Spanish Dance
35644
Spanish Dance
18445
Spanish Serenade
18445
Sphinx Waltz
16484
Spring, Beautiful
Spring
35200
Suite Algerienne
35668
Suite in D Major
35669
Sweden-Nat. Airs
16596
Symphonies —
See Symphonies
Sylvia Ballet-Valse
17689
Tales of Hoffmann
17311
Turkish March
18396
Trovatore- Anvil Cho. 17231
Valse Triste
35437
Village Swallows
35655
Waltz Dream
16923
Whispering Flowers 35642
William Tell Over.
17815, 18012
VICTOR DANCE ORCHESTRA
Amanecer, El-Tango
Boston Virginia Reel
Blue Danube Waltz
Eros-Scherzo Valse
Gitana Waltz
Norsemen Two-step
Over the Waves
Over the Waves
Pink Lady Waltzes
16384
35138
16384
35194
17981 Immortellen Waltz 35194
16847 Kerry Mills Barn D. 16003
16391 Militaire Waltz 35068
35228 Mi Ricurita-Tango 17981
35138 Miss McLeod’s Reel 35008
VICTOR DRUM, FIFE AND BUGLE CORPS— See “Drum, Fife,” etc.
VICTOR HERBERT'S ORCHESTRA— See “Herbert's Orchestra”
/Victorious America — March (Eilenberg-Tobani) Conway’s Bandl I Qg4
! De Malay Commander}) — March ( Halt) Victor Military Band)\
VICTOR MALE CHORUS— See “Favorite College Songs,” “Fidelio,” “Songs of Good
Fellowship,” “Tannhauser,” “Trovatore, ” “War Songs” and “Educational”
VICTOR MALE QUARTET— See “Little Brown Church,” also “ Educational Records ”
VICTOR MILITARY BAND
10
.75
Aloha Oe 17733
America 17580
Am. the Beautiful 18627
Annie Laurie 181 77
Arkansaw Traveler 18331
Barcarolle-Waltz 35383
Battle Hymn 18145
Believe Me 18145
Blue- White March 18209
VICTOR RECORDS
VICTOR MILITARY BAND— Continued
Boy Scouts of Am. 18209
Brabangonne, La 1 7668
Chicago. We’re True 18382
China-Nat’l. Airs 67066
Circle. The 18367
Circle No. 2 18616
Clayton’s Grand
March
Columbia, Gem
Count of Luxembourg35206
Cupid and Butterfly 35532
Dansk Potpourri
De Molay
Commandery
Dixie
Dorothy Three Step
Dove Waltz
Drink to Me Only
Farandole
Faust— Soldier’s Cho. 35227
French Reel 18600
General Pershing 18607
Girl I Left Behind 18371
Golondrina 17515
Green Mt. Volunteersl849l
Hail Columbia 17581
Hatikva 68366
High School Cadets 35208
Home Sweet Home 18145
Hot Time in Old
Town 18371
Hull's Victory 18367
35397
17580
67586
18084
17583
35532
67982
18177
18368
Illinois Loyalty
In Dreamland Waltz
In Lilac Time Mch.
In the Park March
It’s a Long Way
King Cotton March
Lady of the Lake
Liberty Forever
Lights Out March
Little Grey Home
Little Love
Lott’ ist Tod
Madelon
Maori-Tango
Maple Leaf Forever
Marche Francaise
March Religioso
Mexican Dance
Military Escort
Money Musk
Montenegro-Nat. Air
My Old Ky. Home
Nat. Airs of Allies
Nell Gwyn-Country
Nights of Gladness
O Canada Pat. Air
Officer of Day
Old Comrades
Old Dan Tucker
Old Zip Coon
On the Wing Galop
Onward Christian
18382
67982
35397
18017
17651
35284
18356
18471
35283
17547
17547
18368
18534
35304
17999
18534
35227
17515
17368
18552
67067
18145
35472
35530
35304
17999
35284
17470
18490
18356
17368
35227
Number 1 g.
On Wisconsin! Marchl778l
Our Director March 35204
Over There 18370
Parisian Polka 18600
Passing of Salome 35383
Patriotic Med. No. 1 35608
Patriotic Med. No. 2 35657
Pere de la Victoire 17712
Perjura Danza 17515
Portland Fancy 18616
Private Tommy
Atkins 17651
Reg't de Sambre 17712
Royal Trumpeter 35204
Semper Fidelis 35208
Serbia Nat. Airs 67067
Soldier’s Joy 18331
Speed the Plow 18491
Speed the Republic 18627
Spirit of Peace 35472
Star Spangled Banner I 758 1
Tenth RegimentMch- 1801 7
Thunderer March 35531
Varsity March 17672
Victor’s March 17672
Virginia Reels 18552
Volunteers. The 18471
Washington Post 35283
Where Do We Go 18370
White Cockade 18490
Wiener Blut-Waltz 17470
Yankee Doodle 17583
VICTOR MINSTRELS— See “Minstrels”
VICTOR MIXED CHORUS — See “America,” “ Choruses,” “Columbia, Gem of Ocean,”
“Gloria Patria,” “Gospel Songs,” “Hymns of Praise,” “ It Came Upon the Midnight
Clear,” “Medleys, Vocal,” “Popule Meus,” “Sing, O Heavens” and “Songs of
the Past”
VICTOR OPERA CHORUS— See “Lohengrin— Bridal Chorus”
VICTOR OPERA COMPANY
The series of Victor operatic medleys is the most popular, the most costly and the
most widely distributed feature ever introduced by the Victor. These medleys have, of
course, been extensively imitated, but the fine organization which the Victor controls and the
Victor process of recording make the records absolutely beyond competition.
More than thirty operettas and grand operas have been treated in this novel fashion, and
the skill used in combining the most attractive bits of these musical works is most remarkable.
For list of Victor Opera Company records, see “Gems from Operas and Operettas.”
VICTOR OPERA QUARTET— See “ Martha Quartet ”
VICTOR OPERA SEXTETTE— See “Florodora” and “Lucia Sextette”
VICTOR OPERA TRIO— See “Faust”
VICTOR ORATORIO CHORUS — See “Gloria,” “Messiah,” “Requiem,” “Seven
Last Words” and “While Shepherds Watched”
(Victors’ March, The (Louis Elbel)
l ’V arsity March ( Earl Moore — art. Barnard )
Victor Military Band'll
Victor Military Band) |
10
.75
VICTOR STRING QUARTET
Canzonetta 18753 | Quartet in C Minor 17964 | Quartet in F Major 17964
Quartet for Strings 35506 I Quartet in C Minor 35506 I Spring Song 16371
VICTOR RECORDS
Number ~ ~
VICTOR SYMPHONY ORCHESTRA (See also Victor Concert Orchestra)
Magic Flute — Over. 18951 j Semiramide Overture 18927 | Waltz of the Flowers 35717
T raviata-Prelude
Merry Wives of
Windsor 35270 1
VICTOR WOMEN’S CHORUS— See
Snakes”
VICTROLA BOOK OF THE OPERA— See “
Vieni Sul Mar ! (Over the Sea) In Italian
(Vienna Beauties Waltz (Ziehrer)
Sweet Spirit, Hear My Prayer Violin-Flute
35717 | Zampa Overture 35584
Flying Dutchman,” “Samson” and “You Spotted
Book of the Opera”
Enrico Caruso
Pryor’s Band)
D’Almaine and Lyons )
87305
10
16522
10
1.25
.75
VIENNA QUARTET, THE ( Two violins, piano, ’cello)
The Vienna Quartet records are always
warmly greeted by lovers of good music.
The playing of the Quartet is a fine exam¬
ple of the spirit and finish that can be put
into popular music and the lighter classics
when properly played.
Many notable composers and critics
have heard and admired the work of this
organization, and have expressed their pleas¬
ure in no uncertain manner. The constant
association of the players during many years
has given them a perfection of ensemble
which is most delightful.
VIENNA QUARTET RECORDS
Calm as the Night 16545
VIENNA QUARTET
Viennese Folk Song — Fantasy (Arr. H. Kreisler) ‘Cello H. Kreisler
Viennese Melody (Gaertner- Kreisler) Violin Fritz Kreisler
Viennese Popular Song — See “ Old Refrain ”
Viennese Waltz ( Wienerisch ) (Godowsky) Fritz Kreisler
VIGNEAU, M . — Baritone — See “ Pagliacci”
Viking Song (There are Steel Ships Wanted on the Sea) de Gogorza
fVildgaes, Vildgaes In Danish Peter Cornelius'!
I Denmark — National Air — King Christian Victor Orchestra)
(Village Blacksmith (Longfellow) ( with Organ, Chimes, Anvil) Humphrey"!
I A Psalm of Life ( Longfellow ) Recitation Harry E. Humphrey)
(Village Gossips (Rural Specialty) Cal Stewart-Byron Harlan "I
l Uncle fosh Buys an Automobile ( Rural Comedy) Cal Stewart)
Village Swallows Waltz (J. Strauss) Victor Concert Orchestra^
l Amoureuse Waltz { Berger ) Victor Concert Orchestra }
Villanella (Gabriele Sibella) In Italian Lucrezia Bori
Villanella (Gabriele Sibella) In Italian Sophie Braslau
Villanelle (The Swallows) (Dell’ Acqua) French {Flute obb.) Galli-Curci
VIOLA — See “ Instrumental Duets ” and “ Educational Records ”
/Violets (Ev’ry Morn I Send Thee Violets) Merle Alcockl
l Giannina Mia {Otto Hauerbach- Rudolf Friml) Lucy Marsh)
VIOLIN and CELLO— VIOLIN-FLUTE— See “Instrumental Duets
VIOLIN DUETS — See “Concerto for Two Violins”
Charles Ross Taggart!
{Monologue with Violin) Taggart)
{Violin Mimicry
Old Country Fiddler in N.
66082
10 1.25
64406
10
1.25
74463
12
1.75
64786
10
1.25
16591
10
.75
18161
10
.75
17854
10
.75
35655
12
1.25
87328
10
1.25
64718
10
1.25
74639
12
1.75
45313
10
1.00
17700
10
.75
VICTOR RECORDS
VIOLIN OBBLIGATO, Records with (See
also “Angel’s Serenade” and “Ave Maria”)
Berceuse from
Jocelyn 89106
Calm as the Night 87550
Carme 87548
Chanson Hebraique 87519
Deux Serenades 89085
Elegie 87513
Elegie 89066
Fiddle and I 89093
Flirtation 87549
God Be With You 87520
Happy Days 64616
Hatikva (Our Hope) 87522
VIOLIN SOLOS
Air for G String 74292
Air for G String 64390
Alice Where Art 74724
Andante Cantabile 74487
Andante from
Concerto No. 2 18175
Andantino 64315
Annie Laurie 17756
At the Brook 64103
At the Fountain 66074
Aubade Proven^ale 64202
Ave Maria (Schubert) 74 1 77
Ave Maria (Schubert) 74339
Ave Maria (Schubert) 74563
Beautiful Ohio 64817
Bee, The (Schubert) 64076
Believe Me. If All 17871
Berceuse (Juon) 74660
Berceuse (Renard) 1 7385
Berceuse Romantique64565
Berceuse (Townsend) 64319
Bohemian Fantasie 74172
Broken Melody 74445
Canto Amoroso 74392
Capricieuse 64760
Canzonetta 74678
Canzonetta 66008
Canzonetta 66038
Capricieuse 64760
Capriccio 64642
Capriccio Valse 74173
Capriccio Waltz 74686
Caprice Basque 74176
Caprice (Ogarew) 64301
Caprice (Paganini) 64833
Caprice (Paganini) 66037
Caprice Viennois 74197
Capricietto 64204
Cavatina, (Raff) see
“Cavatina”
Chalet Girl’s Sunday 72356
Chanson Arabe 66079
Chanson I ndoue 64890
Chanson Louis XIII 64292
Chanson-Meditation 74330
Chant d’Automme 64577
Chant de la
Veslemoy 64737
Chant Negre 64736
In the Hour of Trial 87523
Last Hour, The 87576
Lost Chord 89096
Mighty Lak’ a Rose 89108
Mignon — Connais tu 89109
Nil. Le 89090
Old Folks at Home 87514
O Cease Thy Singing 87574
Rosary, The 87517
Serenade
(Moszkowski) 87547
Serenade
(Rosier-Raff) 87552
Chant sans paroles 64142
Chorus of Dervishes 64759
Cinquantaine, La 66073
Concerto, A Minor 74764
Concerto, E Minor 74026
Concerto, E Minor 74721
Concerto, 2nd Finale 74370
Concerto in G 74493
Coq d’Or — Hymn 74597
Coq d’Or — Hymn 74720
Country Dance 64537
Country Dance 64968
Cygne, Le
(Saint-Saens) 74338
Cygne, Le
(Saint-Saens) 64265
Czardas (Hejre Kati) 74324
Dans les Bois 74395
Darling Nelly Gray 1 7888
Deep River 74246
Deluge, The 64827
Devil’s Dream Reel 16045
Dew is Sparkling 64894
Dream of Youth 64730
Elegie 74548
Eili, Eili 74732
Faust — Fantasie 64122
Faust — Waltz 64979
Favorite Hornpipe 16393
Fifth Nocturne 74531
Fifth Nocturne 16410
Fond Recollections 66099
Forsaken 64873
Four Amer. Folk S. 74547
Gavotte (Gossec) 74 1 64
Gavotte (Gretry) 64198
Gavotte — Mignon 64454
Gavotte in E Major 64132
Gitana, La 64842
Guitarre 64823
Guitarrero 64621
Gypsy Airs No. 1 74689
Cypsy Airs No. 2 74694
Cypsy Airs No. 2 64262
Gypsy Serenade 64857
Hebraisches Lied 64455
Hebrew Melody 74568
Hornpipe Medley 16393
Serenade (Schubert)
87545
Since You Went
Away
87573
Sing Me to Sleep
89094
Sivous l’aviez
compris
89084
Spielman, De*
89095
Sunshine of Smile
64622
Swedish Cradle Song
87566
Tes Yeux
87556
When Night Descends 8 75 71
When the Swallows
87516
Humoresque —
(For five records
see “Humoresque”)
Hung. Dance No. 5 64131
Hung. Dance No. 7 64439
Hung. Dance No. 17 64977
Hung. Dances No. 20 74303
In a Gondola 64530
Indian Lament 74387
Intro, and Taran telle 74626
Kol nidre 68366
Kol Nidrei 74355
Kol Nidrei 74601
Larghetto (Handel) 64335
Largo (Handel) —
See “Largo ”
Lark, The 74582
L’Arlesienne 64601
Last Rose of Summer 64958
Last Rose of Summerl 7871
Legende 74337
Liebesfreud 74196
Liebesleid 74333
Long Ago 64266
Long. Long Ago 1 7888
Love Nest (“Mary ”) 64924
Maiden’s Wish 74548
Massa’s in de Cold 64638
Mazurka (Chopin) 64504
Mazurka (Zarzycki)
64104, 74727
Meditation 64769
Meditation —
See “Thais”
Medley of Reels 35008
Medley of Reels 16393
Meistersinger 74186
Melodie (Gluck) 64075
Melodie (Gluck) 74459
Melodie
(Tschaikowsky) 74053
Melody in A Major 64961
Menuett —
See “Menuett”
and “ Minuet”
Mocking Bird, The 16538
Molly on the Shore 6461 1
Moment Musical
66065. 74202
VICTOR RECORDS
VIOLIN SOLOS— Continued
My Old Ky. Home 17756
Nobody Knows 64824
Nocturne (Grieg) 74643
Nocturne (Chopin) 74052
Nocturne (Chopin) 74590
Nocturne (Chopin) 74616
Nur wer die
Schnsucht kennt 74178
Old Black Joe 64640
Old Folks at Home 64130
Old Refrain 64529
On Miami Shore 64947
On Wings of Song 74583
Orientale 64261
Orientale 64639
Paradise 66023
Paraphrase on
Minuet 64709
Passepied 64903
Pastorale 64636
Perpetuum mobile 74257
Polichinelle Serenade 64731
Polish Dance 64562
Polish Dance 74326
Polonaise 64028
Poor Butterfly 64655
Poupee Valsante 64734
Rigaudon 64201
(Rubinstein) 74365
Romance (Wieniaw-
ski) 74179. 74600. 74717
Romanza Andaluza 74367
Ronde des Lutins 74570
Rondino 64547
Rondino 64600
Rondo Capriccioso 74165
Rondo in G 74750
Rosamunde 64670
Rosary, The 64502
Russian Dance 64955
Saltarelle 66066
Salut d'amour 64373, 66101
Scherzo 74294
Scherzo-Tarantelle 74562
Schon Rosmarin 643 1 4
Scotch Pastorale 64884
Serenade —
For various Sere¬
nades see ‘'Sere¬
nade "
Serena ta Napolitana 18175
Serenite 66064
Sicilienne and
Rigaudon 64917
Silver Threads 64459
Simple Confession 745 1 5
Slavonic Cradle S. 64027
Slavonic Dance,
No. 1 64488
Slavonic Dance, No. 2 74437
Sonata in G Minor 74751
Sonata in G Minor 66076
Songs My Mother 64563
Songs Without
Words 74607
Souvenir (Drdla)
see ‘Souvenir”
Souvenir Poetique 18144
Souvenir
(Wieniawski) 74051
Spanish Dance —
see” Spanish Dance”
Speed the Plow 16045
VIOLONCELLO OBBLIGATO. Records with
Ave Maria 88016
Ave Maria (Gounod) 88562
Eili. Eili 74577
Elegie 88014
Holy Night 64106
I’m a-Longin’ fo’ You 64747
I Wonder How 45134
VIOLONCELLO SOLOS
Angel’s Whisper 64240
Arabian Melody 66026
Ave Maria 55067
BerceuseC’Jocelyn ”) 16387
BerceuseC’Jocelyn”) 35700
Broken Melody 17342
Butterfly, The 45158
By the Brook 1 7844
Cygne. (The Swan) 45096
Dream, A (Bartlett) 45102
Evening Star 16813
Extase (Ganne) 1 7395
Flower Song 35114
Gavotte (M6hul) 66053
Gavotte (Popper) 45116
Life’s Twilight 45103
Little Grey Home 64412
Little Grey Home 64425
Memories 45134
Morgen — Tomorrow 64339
Nur wer die
Sehnsucht Kennt 87265
Liebesfreud 45066
Lohengrin Fantasie 35399
Lullaby (Verne) 1 7844
Madama Butterfly 35353
Meistersinger, Die 55067
Melody in F 16516
Melody in F 45096
Menuet (Valensin) 45116
Menuett (Handel) 64841
Nina 64932
Nocturne in E Flat 35133
Orientale (Cui) 45066
Orientale (Cui) 648%
Petite Valse 64297
Reverie (Dunkler) 66049
Spring Song 17395
Spring Song 66034
St. Patrick’s Day 74025
Symphonie
Espagnole 74646. 74771
Tales of Hoffmann 64457
Tambourin 66066, 74202
Tambourin Chinois 74203
Tambourin (Gossec) 64198
Tango 64821
Thais — I ntermezzo
see "Thais ’’
To a Wild Rose 17101
To a Wild Rose 18144
To Spring (Grieg) 64264
To Spring (Grieg) 64993
Traumerei 17385
Traumerei 64197
Turkish March 64770
Turkish March 64915
Underneath Stars 64660
Valse (Tschaikowsky)74635
Valse Bluette 64758
Valse Caprice 64643
Valse du Ballet 74660
Valse Sentimentale 66086
Valse Triste 74402
Variations 64156
Viennese Melody 64406
Waltz (No. 15)
(Brahms) 66041
Waltz (Weber) 66043
Waltz in E Flat 64336
Wienerisch 74463
Will-o'-the-Wisp 74183
Zapateado 66097. 74255
Panis Angelicus 74399
Perfect Day 64306
Samson — Mon coeur 64490
Tales of Hoffmann 87551
Tosca — Vissi d’arte 74400
Yohrzeit (Kadish) 74595
Scherzo 64298
Serenade (Pierne) 45 1 58
Serenade (Schubert) 16545
S6r6nade Espagnole 66040
Silver Threads 1 7342
Simple Confession 66011
Spring Song 16516
Song of the Soul 16484
Song Without Words 74682
Traumerei 35342
Traumerei 45102
Underneath the Stars 18059
Viennese Folk Song 66082
When You’re Away 18059
Wiegenlied(Schubert)66053
VICTOR RECORDS
Pryor’s Band!
Dance Orchestra)
Benson Orchestral
Benson Orchestra I
/Virginia — One-Step (Ringleben)
l Kerry Mills’ Barn Dance (Mills)
/Virginia Blues — Fox Trot (Meinken)
l Venetian Love Boat — Fox T rot
Virginia Minstrels — See “ Minstrel Records ”
Virginian Judge
Southern Court Scene — First Session, Part 1 and Part II Walter C. Kelly
Southern Court Scene — Second Session, Part 1 and Part II Walter C. Kelly
Southern Court Scene — Third Session, Part I and Part II W alter C. Kelly
VIRGINIANS, THE (Orchestra under direction of Ross Gorman)
Blue — Fox Trot 18933
Cuddle Up Blues 18881
Early in the Morning 18946
Gee! But I Hate to Go 18963
I Wish 1 Could Shimmy 18963
Lonesome Mama 1 8893
Memphis Blues 18895
My Honey s Arms 18881
Nobody Lied — Fox Trot 18913
Send Back My Honeyman 18920
Why Should I Cry 18933
Yankee Doodle Blues 18913
VIRGINIA REELS — See “ Dance Records ”
/Virgin’s Lullaby (from “The Coming of the King”) (Buck) Alcockl
l Old Sacred Lullaby, An ( England-Liddle ) Kline- Murphy)
Visione Veneziana — Barcarolle (Orvieto-Brogi) Italian Titta Ruffo
/Vision of War (Memorial Day Speech) (Ingersoll) Humphrey-!
Lincoln, the Great Commoner ( Markham ) Harry E. Humphrey J
Vittoria, mio core! (Victorious is My Heart!) (Carissimi) Italian Battistini
VOCAL DUETS — See “Duets, Vocal”
VOCAL MEDLEYS — See “Medleys, Vocal”
VOCAL WALTZES— See “Waltzes, Vocal”
Voce di primavera — Valse (Voice of Spring) (Strauss) Ital. Sembrich
Voce di primavera — Valse (Johann Strauss) In Italian Garrison
Vogel als Prophet (Schumann) (2) Spring Song
(Mendelssohn) Pianoforte Vladimir de Pachmann
/Voice of Love (Schumann) ’Cello and Flute Bourdon-Baronel
Rosary (Nevin) Comet, with Band Leon L. Handzlih)
/Voice of the Western Wind (Barnby) Wheeler-Dunlap-Bakerl
Thy Flow’ry Banins, Oh Lovely River Wheeler- Dunlap- Baker)
Voices of Spring M^altz — See “Spring Voices” and “Voce di prima”
/Voices of the Woods (Watson-Rubinstein) (“Melody in F”) Baker"!
/ Love You Truly ( Bond) Elsie Baker)
VOIGT, LOUISE, Soprano — See “ Freischiitz ” and “Tannhauser”
Volga Boatman’s Song— See “Song of the Volga Boatmen”
/Volunteers, The — March (Sousa) Victor Military Band"!
Liberty Forever ! — March ( Enrico Caruso ) Victor Military Band)
Vom Himmel hoch da komm’ ich her (Christmas Hymn)
(Martin Luther) In German Ernestine Schumann-Heink
VON BLON, FRANZ — See “Whispering Flowers”
VON SUPPE, FRANZ (Von Soup-pay) (1820-1895) Austrian com¬
poser of Belgian descent. Light operas, overtures, etc. See “Jolly
Robbers,” “ Light Cavalry,” “Morning, Noon and Night,” “Pique
Dame ” and “ Poet and Peasant ”
Vous dansez, Marquise (Marchioness, Your Dancing) French Garrison
Vowel Songs — See “Educational Records”
Vucchella, ’A (A Little Posy) (D’Annunzio-Tosti) Neapolitan Caruso
l
X
Number
9J
N
OO
List
prc.
16003
10
.75
18868
10
.75
45180
45202
45250
10
10
10
1.00
1.00
1.00
45257
10
1.00
87133
10
1.25
18200
10
.75
87338
10
1.25
88019
12
1.75
74488
12
1.75
74285
12
1.75
16046
10
.75
17106
10
.75
17121
10
.75
18471
10
.75
88381
12
1.75
64811
10
1.25
87304
10
1.25
VICTOR RECORDS
Number ~ ~
W
WAGNER
'WAGNER, RICHARD ( Vahg'-ner ) (For records of Wagner compositions see “Album
Leaf,” "Dream of Wagner,” “Flying Dutchman,” “Gotterdammerung,” “Lohengrin,”
“ Meistersinger,” “Parsifal,” “Rienzi Overture,” “Siegfried” “Tannhauser,” “Traume,”
“Tristan und Isolde” and “Walkure.”)
Born Leipsic, 1813, son of city official. Father died, mother
married Geyer, actor, when Wagner was 6. Family moved to
Dresden, boy studied piano. Profoundly affected hearing Weber’s
Freischiitz. Composed string quartets, overture, a symphony.
Began opera The Wedding, 1832, unfinished. Directed Mag¬
deburg Opera 1 834. Married Mina Planer, actress. (Separated
1862, marrying divorced wife of Hans Von Biilow.) Conductor
Riga, Russia, 1837, began Rienzi. Failed. Went England in
small vessel, conceiving idea Tristan and Flying Dutchman during
storms. Failed London, lived poor, obscure in Paris. Wrote
dance music. Rienzi produced Dresden 1842 through Meyerbeer. Flying Dutchman
followed. Tannhauser 1845. Fled to Switzerland in revolution 1849. Began Niebelungen
Ring. Returned Germany 1861. Tristan dropped as “unsingable” after 57 rehearsals,
Vienna. Helped by King Ludwig of Bavaria. Built Festival Theatre, Bayreuth 1876.
Last opera, Parsifal, produced there 1882. Went to Italy for health, died there 1883.
fWabash Blues — Fox Trot (Fred Meinken) Benson Or)
l Tuck, Me to Sleep — Fox Trot ( Lewis- Young-Meyer ) Benson On
fWaggle o’ the Kilt (Lauder) Sir Harry Lauder-!
I Bella McGrow ( Lauder ) Sir Harry Lauder )
{Waialae — Waltz Song (Sparkling Waters) Hawaiian Quintette 1
Mauna Kea — Sacred Dancing Hula Song (with Quintette) Kaiawe )
{Waikiki Mermaid Medley Hawaiian Guitara Louise-Ferera)
Kamehameha Helen Louise-Frank Ferera)
fWailana Waltz (Drowsy Waters) Hawaiian Guitar Lua-Kaili)
l Hilo — Hawaiian March Irene West Royal Hawaiians)
fWailana — Waltz Song (Drowsy Waters) Hawaiian Quintette)
l Kaua i ka huahuai (The Bubbling Spring ) Hawaiian Quintette)
("Waiting (from “Listen Lester") Lambert Murphy)
\ Life and Love (from “ The Velvet Lady”) Lambert Murphy)
("Waiting for the Sun to Come Out (“ Sweetheart Shop”) Murphy)
\ I Cannot Sleep Without Dreaming of You (Bruce- Herbert) Murphy)
Waiting for Your Return (Genise-DeCurtis-Caesar) de Gogorza
(Wait Till the Clouds Roll By (Wood-Fulmer) Will Oakland)
l In the Gloaming (Harrison) Oakland and American Quartet )
(Wait Till You Get Them Up in the Air, Boys Billy Murray"!
I Floatin’ Down to Cotton Town American Quartet)
(Wait Till Your Pa Comes Home (2) It Couldn’t Be Done Guest"!
I Ma and the Auto (Guest) Recitation Edgar A. Guest)
(Wait Until You See My Madeline (Brown-Von Tilzer) Roberts'!
I Peggy O ’Neil (Pease-Nelson-Dodge) V ictor Roberts S
fWaiu Luliluli — March (Old Melody) Helen Louise-Frank Ferera "I
l Kai Maia o ka Maoli (Medley March) Helen Louise-Frank Ferera)
(Wake Up Little Girl You’re Just Dreaming Henry Burr)
l It’s a Wonderful World After All (Alexander) Chas. Harrison)
WALDORF-ASTORIA DANCE ORCHESTRA
American Serenade 18432 | Beautiful Ohio 18526 | Maytime Waltz
WALDTEUFEL, EMIL (1837-1915) (Vahid1 -toy-fell) See “Angel of
“ Estudiantina,” “ Militaire Waltz,” “ Premiere,” “ Sirens” and “ Skaters’
18820
55153
18574
18090
17767
18568
45164
45199
66094
16928
18628
45258
18764
18157
18893
.75
1.50
.75
.75
.75
.75
1.00
1.00
1.25
.75
.75
1 .00
.75
.75
.75
18432
Love,”
VICTOR RECORDS
Number
WALKER, ESTHER, Comedienne
Esther Walker went on one night as a “pinch hitter” at a
Winter Garden show in New York and brought down the house.
She began by singing at Sunday school socials in Pee Wee Valley,
Kentucky, because there wasn't anybody else there who could
entertain. She studied stenography and went to Chicago for fif¬
teen dollars a week. A friend who was singing in cabaret shows
was making thirty-five, and it occurred to Miss Walker that if she
could entertain in Pee Wee Valley she might have chances elsewhere.
At twenty-one she was pretty near the top of her profession.
WALKER RECORDS
Blues 18619 I Sweet Kisses 18619
Slow and Easy 18680 | What-cha Gonna Do 18680
(Walk in Jerusalem (2) Sinner, Please Kitty Cheatham)
l Swing Low, Chariot (2) 1 Don ’t Feel No- Ways Tired — Cheatham /
WALKURE, DIE (Dee Vahl-kuer' -reh) (Munich, 1870) (Wagner)
CFor Complete Description see Victrola Book of the Opera)
Siegmund's Love Song and Romance ( Rubinstein ) Tollefsen Trio
Ho-yo-to-ho 1 — BrUnnhilde’s Battle Cry In German Johanna Gadski
Ride of the Valkyries Philadelphia Orchestra
Ride of the Valkyries Piano Olga Samaroff
Ride of Valkyries and Goiter dammerung-Siegf ried' a Funeral March- Vessella' s B
Fort denn eile (Fly Then Swiftly) Act III In German Margarete Matzenauer
Wotans Abschied (1) (Wotan's Farewell, Part I) In German Whitehill
Wotan's Farewell and Magic Fire Music Philadelphia Orchestra
Magic Fire Spell — Vessella’s Band and Rienzi Overture — Pryor’s Band
Magic Fire Spell and Rustle of Spring (2) Papillon — Pianoforte — Schendel
WALLY, LA (A. Catalana) ( Sung in Italian)
Ebben? Ne andrd lontana (Farewell, My Joyous Home) Frances Alda
T’amo ben iol (1 Love You!) Renato Zanelli
(Waltz (Arensky, Op. 15) (From Suite for Two Pianos) Maier-Pattisonl
l Espana Rapsodie ( Chabrier ) Piano Duet Maier-Pattison /
Waltz (Brahms-Hochstein) (Op. 39) Violin Fritz Kreisler
Waltz (Chopin, Op. 64, No. l) (2) Le Cygne (Saint-Saens) Zimbalist
Waltz (Weber) Violin Renee Chemet
(Waltz Dream — “Dream Waltz” (Strauss) Victor Orchestral
l The Arcadians — Favorite Melodies ( Monc^ton ) Pryor’s Band )
(Waltz in G Flat Major (Chopin, Op. 70, No. 1) Piano Moiseivitchl
l Perpetuum Mobile ( Perpetual Motion) (Weber) Piano Moiseivitchl
WALTZES in Concert Time Standard — See the following titles :
NOTE — These waltzes are played too fast for dancing — for dance waltzes
f-
VALKER
45086
10
1.00
17749
10
.75
87002
10
1.25
74684
12
1.75
74772
12
1.75
35369
12
1.25
87102
to
1.25
64278
10
1.25
74736
12
1.75
35387
12
1.25
35448
12
1.25
64981
10
1.25
64922
10
1.25
45305
10
1.00
66041
10
1.25
74338
12
1.75
66043
10
1.25
16923
10
.75
55156
12
1.50
Amoureuse
Don’t Be Cross
Loveland
Siren
Angel of Love
Dream of Autumn
Marsovia
Sobre las olas
April Smiles
Estudiantina
Merry Widow
Songe d’Automne
Artist’s Life
I nvitation to Waltz
My Swedish Rose
Southern Roses
Blue Danube
Jolly Fellows
Over the Waves
Sphinx
Ciribiribin
Kiss
Rose of Schiras
Spring Beautiful S.
Dollar Princess
Laveme
Sevilla
Sylvia
WALTZES, VOCAL (A
Adorables Tourments88! 15
Amor Mio(My Love) 87176
Bacio ("The Kiss”) 74107
Bacio ("Kiss Waltz") 55024
Beautiful Ohio 45161
Boheme — Musetta 64560
Carmena 64400
few of the most popular)
Carissima 66036
Indiana Lullaby 45309
Kiss Me Again 64795
Love’s Messenger 64991
Love’s Own Sweet 74401
Merry Widow Waltz 88107
My Hero Waltz 45193
see Dance Records.
To You— Waltz
Serenade
Unrequited Love
Valse Bleue
Vienna Beauties
Village Swallows
Wedding of Winds
Nightingale Song 64566
Parla Waltz 55107
Printemps (Spring) 17135
Romeo and Juliet 74512
Romeo and Juliet 88302
Rose of My Heart 660 1 2
Se saran rose 88076
Number
Size!
to
— > CL.
n. Song 88588
74588
12
1.75
35615
12
1.25
74539
12 1.75
64336
10
1.25
64734
10
1.25
45170
10
1.00
35717
12
1.25
72602
10
.75
18731
10
.75
87504
10
1.50
18864
10
.75
64985
10
1.25
18694
10
.75
17380
10
.75
64528
10
1.25
64626
10
1.25
35351
12
1.25
16154
10
.75
17820
10
.75
45265
10
1.00
17302
10
.75
35283
12
1.25
17371
10
.75
VICTOR RECORDS
WALTZES. VOCAL— Continued
Spring's Awakening 55140 Valse d’ oiseau 64099
Swallows, The See Voce di primavera 88019
“Swallows" Voce di primavera 74488
Waltz Etude (Saint-Saens) (Op. 52, No. 6) Pianoforte Cortot
{Waltz from Drigo’s Serenade (Lumbye) Smith’s Orch)
Havanola — Fox Trot Smith’s Orch)
Waltz in C Sharp Minor (Chopin) (Op. 64, No. 2) Pianoforte Paderewski
Waltz in E Flat (Hummel-Burmester) Violin Mischa Elman
Waltzes by Famous Composers — see also “Valse’’
Waltzing Doll (Poupee Valsante) (Poldini) Violin Powell
(Waltzing Doll (Poupee Valsante) (Poldini) Herbert’s Orchl
l At Dawning ( Cadman ) Herbert’s Orchestra )
(Waltz of the Flowers (from “Casse Noisette”) Victor Symphony Or)
l Traviata — Prelude (Verdi) Victor Symphony Orchestra )
WAN AT, JAN, Accordion
Talisman of Good Luck — Waltz and Wedding-Night Polka — Wanat
(Wandering Home (Case-Stevens) Helen Clark-Chas. Hart)
l Lool^ for the Silver Lining (From "Sally”) Brown-Harrison)
Wanderers Nachtlied (Wanderer’s Night Song) In German
Farrar — Schumann-Heink
(Wanna — Fox Trot (Cliff Friend) Club Royal Orchestra)
l She Loves Me — She Loves Me Not — Med. Fox Trot Club Royal Or)
Want of You (Gillespie- Vanderpool) Johnson
(Wang-Wang Blues — Fox Trot (Mueller-Busse) Whiteman’s Or)
1 Anytime, Anyday, Anywhere — Fox Trot (Kortlander) Whiteman’s Or)
(Warbler’s Serenade (Whistling Chorus) (Perry) Pryor’s Band)
\ Whistler and His Dog (with descriptive effects) (Pryor) Pryor’s B)
WARE, HARRIET, Compositions — See “Boat Song,” “Joy of the
Morning” and “ Mammy’s Song”
WAR RECORDS — See “National and Patriotic”
Warrior Bold, A (Thomas-Adams) Herbert Witherspoon
War schoner als der schonste Tag (Loewe) (Harp acc.) Gluck
WAR SONGS OF THE CIVIL WAR— See “ National and
Patriotic Airs” and “Southern Songs”; also “Do They Think of
Me at Home,” “Just Before the Battle,” “ Tenting,” “Tramp,
Tramp” and “Vacant Chair”
(War Songs (See “Medley No. 32”) Victor Male Chorus)
l Sea Songs Victor Mixed Chorus)
(War Songs March Victor Drum, Fife and Bugle Corps|
l Estudianlina Waltz (Waldteufel)
(War Talk at Pun’kin Centre (Yankee Talk)
l Uncle Josh in a Barber Shop (Yankee Talk)
(Washing Baby — Humorous Monologue
l Shopping — Humorous Monologue
(Washington Post March (Sousa) (See also “ Medleys”) Sousa’s B)
l El Capitan March (Sousa) Sousa’s Band)
Washington Post March (Sousa) (In slow time for marching) Victor B)
Lights Out March (McCoy) Victor Military Band)
s Farewell Address (Sept. 19, 1796) Humphrey)
ne Harry E. Humphrey)
Victor Orchestra)
Cal Stewart)
Cal Stewart)
Marie Cahill)
Marie Cahill)
{
(Washington’s Farewell j
\ Webster’s Reply to Hayr
VICTOR RECORDS
Henry Burrl
Charles Harrison )
fWas There Ever a Pal Like You (Irving Berlin)
l You ’re a Million Miles from Nowhere
WATAHWASO, PRINCESS, Mezzo-Soprano
Aooah (Love Song) 18418 Four Penobscot Tribal Songs 18444
By the Waters of Minnetonka 1843 I Sioux Serenade, A 18431
By the Weeping Waters 18418 Two Indian Songs 18444
(Watchman, Tell Us of the Night ( With Organ and Chimes)
< Trinity Male Choir ?
Trinity Male Choir )
Christians, Awake ( Byrom-Wainwright )
WATSON, GEORGE P., Yodler
Alpine Specialty 16968 I Emmett’s Favorite 16968
Cuckoo Song 17012 [ Hi-Le-Hi-Lo 17257
Murray-Kaufman 1
Peerless Quartet)
Vess L. Ossmanl
Pryor’s Band)
Way Down Yonder in the Cornfield Imperial Qt of Chicago)
The Cross Bow ( From “ Robin Hood”) (de Koven ) Imperial Quartet )
Number
18645
18958
10
10
.75
.75
Papa’s Baby Boy 17012
Schneider Does You 1 6994
r ay Down in Arkansaw (James White)
Sweet Cider Time When You Were Mine
/Way Down South — A Plantation Idyl Banjo
l Kentucky Kut-ups — March ( Frantzen )
Avon Comedy Four)
Marion Harris)
Criterion Quartet)
Criterion Quartet)
{
{’Way Down Yonder in New Orleans (“Strut Miss Lizzie”)
Peerless Quartet i
Away Down South (Lewis-Young- Akst) Peerless Quartet J
r ay Out Yonder in the Golden West
I Ain’t Got Nobody Much
(Wayside Cross (St. John-Palmer)
l Some Blessed Day (Ray-Nevin)
(W ’chol Maaminim (God is King of All) (Violin obb.) Hebrew Rosenblatt)
l Elokay Ad Schelo Nozarli Hebrew Cantor J osef Rosenblatt)
(We’af hu boyumis’chaven (High Priest Awaits) J. and L. Rosenblatt)
l Ovinu Malkeinu (O God, Our King) Hebrew Josef and Leivi Rosenblatt)
(Wearing Kilts — Comic Song Sir Harry Lauder)
l Tobermory — Scotch Specialty Sir Harry Lauder)
Wearing of the Green (Old Irish) John McCormack
(Wearing of the Green (See also “Medley No. 18”) Hooleyl
l Off to Philadelphia (Old Irish Melody) Wilfred Glenn)
17969
10
.75
16755
10
.75
17873
10
.75
18942
10
.75
18133
10
.75
18808
10
.75
55164
12
1.50
55163
12
1.50
45206
10
1.00
64258
10
1.25
17348
10
.75
WEBER, CARL MARIA ( Vay'-ber)
Born Eutin, Germany, 1 786, musical family. Choir boy Salz¬
burg 10. Wrote an opera at 12, and at 13 opera Waldmadchen
sung. Conductor Breslau Theatre, Musik-lntendant to Duke of
Wurtemb^urg at 18. Banished for selling Court appointment. Went
to Darmstadt, after concert tour reorganized Prague opera. Frei-
schiitz, greatest opera, 1821, immediate success. Went to England
1823 to superintend productions, though warned against climate.
Died there following year.
WEBER
RECORDS OF WEBER COMPOSITIONS — See “Country Dance,” "Freis-
chiitz,” “Hungarian Fantasie,” “Invitation to the Waltz,” “My
Jesus, as Thou Wilt” “ Oberon Overture” and “Perpetuum Mobile,”
“Waltz”
/Webster’s Reply to Hayne Harry E. Humphrey/
1 Washington’s Farewell Address (Sept. 19, / 796) Harry E. Humphrey)
Wedding, The (Folk Song) (Uz Mou Milou) In Bohemian Destinn-Gilly 87554
10
10
.75
1.50
Number
4_>
to
L~i o.
74745
12
1.75
55048
12
1.50
35683
12
1.25
72602
10
.75
55117
12
1.50
17476
10
.75
17913
10
.75
16387
10
.75
17865
10
.75
55128
12
1.50
55120
12
1.50
45209
10
1.00
55129
12
1.50
45211
10
1.00
18609
10
.75
18847
10
.75
18825
10
.75
45192
10
1.00
VICTOR RECORDS
Wedding March (Mendelssohn, Op. 61, No. 4) Toscanini-LaScala Or
/Wedding March (Mendelssohn) Herbert’s Orchestral
l Lohengrin — Bridal March Herbert’s Orchestra)
/Wedding March (Sousa) Sousa’s Bandl
l Coronation March ( from “ Le Prophete”) Arthur Pryor’s Band)
WEDDING MUSIC— See “ Lohengrin,” “Rustic Wedding,”
and “Wedding March”
/Wedding-Night Polka (Noc po Slubie) Accordion Jan Wanatl
l Talisman of Good Luck (Talisman Szczescia) — Waltz Wanatl
/Wedding of Sandy McNab Sir Harry Lauderl
l Nanny (/ Never Loved A nolher Lass but You) Sir Harry Lauder )
/Wedding of the Rose — Intermezzo (Leon Jessel) Conway’s Bandl
l Rendez-vous — Intermezzo (The Try sting Place) Victor Concert Orch)
/Wedding of the Sunshine and the Rose Campbell-Burrl
1 M-o-t-h-e-r (A Word That Means the World to Me) Henry Burr )
Pryor’s Band\
Victor Sortin'
’Cello
Accordion Pietrol
Accordion Pietro )
Sir Harry Lauderl
Sir Harry Lauder '
Sir Harry Lauderl
Sir Harry Lauder)
/Wedding of the Winds Waltz (Hall)
1 Berceuse (From “Jocelyn ”) (Godard)
/Wedding of the Winds — Waltz (Hall)
1 Estudiantina Waltz ( Emil Waldteufel)
/Wedding o’ Lauchie McGraw
l Rob Roy Mac Intosh — Scotch Specialty
/Wee Deoch an’ Doris (Lauder)
1 Bonnie Maggie Tamson (Lauder)
/Wee Hoose ’Mang the Heather-Scotch Specialty Sir Harry Lauderl
1 Roamin ’ in the Gloamin ’ (Lauder) Sir Harry Lauder >
/Wee Hoose ’Mang the Heather-Scotch Specialty Sir Harry Lauderl
1 Roamin’ in the Gloamin’ ( Lauder ) Sir Harry Lauder )
/Wee Jean MacGregor — Scotch Specialty Sir Harry Lauderl
1 Killiecrankie — Scotch Specialty Sir Harry Lauder)
/Weeping Willow Lane (Keith) Henry Burr-Frank Croxtonl
1 When I’m Gone You’ll Soon Forget Peerless Quartet )
/Weep No More, My Mammy (Mitchell-Clare-Pollock) Peerless Qtl
1 I’ll Be Glad to Get Back to My Home Town American Qt /
/Weep No More, My Mammy — Fox Trot (Pollack) Whiteman’s Orl
1 April Showers — Fox Trot (Silvers) Whitemap’s Orch)
/Welcome, Pretty Primrose (Pinsuti) Marsh-Dunlapl
1 My Skylark Love (Bowles- Denni) Romaine)
WELLS, JOHN BARNES, Tenor
Mr. Wells, who is a native of Pennsylvania, first became
known as a singer while at Syracuse University, where he took
a prominent part in the musical life of the college. On his grad¬
uation he was secured by the Brick Presbyterian Church of East
Orange, always noted for its fine choir. New York soon dis¬
covered Mr. Wells, and he was promptly captured by the
Madison Avenue M. E. Church, when his concert career may
be said to have begun.
The audiences who hear this singer are always in
complete sympathy with him, not only because of his lovely
voice and the charm of his singing, but because of the clearness of his enunciation, which
enables every word to be heard, and these unusual qualities are fully apparent in the
numbers he has sung for the Victor.
VICTOR RECORDS
Number -S -S £
tS} | — o.
WELLS RECORDS
16700
17693
17693
Beautiful Isle
Boat Song
Joy of the Morning
WELSH SONGS — See also “All Through the Night'
Long Ago in Alcala 18062
Mammy's Song 17039
Memories 1 7968
Owl, ( 2)Crow’sEgg, etc. 18062
Rosary 17234
Sweet Genevieve 16440
Mentra Gwen
O Na Byddai’n
Rhyfelgyrch Gwyr
64141
74181
72812
Y Deryn Pur
Y n iach i ti Gumri
Sir Harry Lauder!
Sir Harry Lauder V
Aberystwyth 72813
Bydd Myrdd O 72813
Gypsies' LaughingCh. 72812
| We Parted on the Shore
l I Love to Be a Sailor ( Lauder )
WERRENRATH, REINALD, Baritone (For Werrenrath’s Red Seal
records, sketch and portrait see “Werrenrath” in Pink Section)
WERRENRATH RECORDS — See also “Educational"
Fuzzy-Wuzzy 45109
Good-Bye (Tosti) 55065
Guide Thou My Steps 55075
Gypsy Trail 45109
He Leadeth Me 16749
House of Memories 45101
Hymn of
Charlemagne 55072
1 Attempt from Love's
Sickness to Fly 45092
Ivy Green 45067
Lord Geoffrey Amh. 16873
Lorraine. 45148
Lost Chord
Moon Has Raised
My Lovely Celia
O cessate di piagarmi
Oft in the Stilly Night 55065
Old Nassau 1 6860
Pagliacci — Prologue 55068
Palms 45089
64764
64763
55118
12
1.50
After All
45162
Allerseelen
17179
America
45135
Battle Hymn of
Republic
45121
Blacksmith, The
17569
Boheme — Ah, Mimi
45182
Bohemian Girl — -
Heart Bow’d
55079
Carmen — Chanson
du Toreador
55068
Caro mio ben
17718
Come raggio di sol
17703
Crucifix
64712
Danny Deever
35476
Drink to Me Only
451 14
Euridice — Non
piango
45069
Faust — Even Bravest
55079
Forza del Destino
70103
Funeste piaggie
55051
45089
64440
45114
17718
Radiance in Your
Eyes 45 1 55
Rigoletto — Quartet 89080
Rose of My Heart 17618
Scots, Wha Hae 16961
Smilin’ Through 45166
Star-Spangled Banner 45 1 35
Summertime 17290
Tannhausei — O du 35160
Think Love of Me 45166
Tommy Lad 45101
Tu se’ morta 45083
Vittoria, mio core ! 1 7703
When the Nightingale 1 7290
Who is Sylvia ? 17634
Zur Ruh,’ zur Ruh’ 17179
Duets in which
Werrenrath sings
Excelsior 35116
Sweethearts 55113
WERTHER (Jules Massenet)
Ah! non my ridestar! (Why Awake Me?) In Italian Mattia Battistini 88354
O Nature, pleine de grace (Invocation to Nature) In French Ansseau 74739
Pourquoi me reveiller (Why Awake Me?) In French Edmond Clement 64234
64774
Pourquoi me reveiller (Why Awake Me?) In French Giovanni Martinelli
{West Lawn Polka (Glynn-Bacon) Banjo ( Piano acc.) F. J. Bacon!
Ciribirihin Waltz ( Pestalozza ) Whistling Guido Gialdini)
Westminster Chimes — See “ Chimes ”
WEST POINT SONGS — See “Army Blue’’ — “Benny Havens, Oh!’’
fWe Would See Jesus (Warner-Mendelssohn) Kline-Baker!
l Jesus, My All {Fanny J. Crosby) Kline-Bakerl
fWhat a Friend We Have in Jesus Mr. and Mrs. Wheeler!
I That Sweet Story of Old Elsie Baker I
fWhat-cha Gonna Do When There Ain’t No Jazz E. Walker!
I Slow and Easy (An Indigo Fantasie ) Esther Walker I
fWhat Good is Water When You’re Dry Nora Bayes!
I How Can They Tell That I’m Irish ( Norworth ) Bayes I
WHEELER, ELIZABETH, Soprano
Elizabeth Wheeler is an old friend of the Victor and of Victor audiences. She is a
soprano who cannot only sing but enunciate, and she preserves admirably the balance between
these two essentials of good balladry.
She has made a number of standard favorites, both alone and in combination with other
17129
45314
18287
18680
55101
10
10
10
10
12
1.75
1.75
1.25
1.25
75
1.00
75
.75
1.50
VICTOR RECORDS
Number I ~
artists; some of these are simple and “homey," and others call for rare
and subtle qualities of artistic expression.
WHEELER RECORDS — See also “Educational Records”
Summer Now Hath
Come 17209
Duets and Trios in which
Mrs. Wheeler sings
Berceuse from Jocelyn 3558 1
Coronach 1 7987
Mocking Bird 16392
When You and 1 16361
16490
16401
Ave Maria
Believe Me if All
Bohemian Girl —
1 Dreamt 16398
Humpty Dumpty 18076
Last Rose of Summer 16813
Mother Goose Songs 16863
Rock Me to Sleep 1 6405
WHEELER, Mr. and Mrs. Wm. — Soprano and Tenor Duets
WHEELER
Beautiful Valley 16563
Dear Lord and Father 16700
Homeland, The 1 7940
I Heard the Voice
My Jesus, as Thou
16490
17940
Softly Now the Light 16500
What a Friend We 18287
WHEELER, FREDERICK, Baritone
Dreams (Strelezki)
Flee as a Bird
In Old Madrid
Only Waiting
On the Road
18178
17029
17473
17389
35476
/When Antelo Plays the ’Cello (Janis)
l Fo ’ de Law’d’s Sake Play a Waltz (Janis)
Duets in which Fred
Wheeler sings
By and By 17312
Maiden in Grey 18178
WHEELER, WILLIAM, Tenor — See “Marguerite” and Duets above
T When a Maid Comes Knocking at Your Heart (“Firefly”) Klinel
1 Firefly Waltzes (“The Firefly”) ( Friml ) Victor Concert Orchestra)
Elsie Janisl
Elsie Janis)
When Aunt Dinah’s Daughter Hannah Bangs on that
Piano — One-Step (Jas. “Slap” White) Six Brown Brothers?
Chasing the Chickens — Fox Trot (Walker -Olman) Brown Brothers)
{When Buddha Smiles— Med. Fox Trot (Introducing “Drifting Along)
With the Tide” Whiteman and His Orchestra ?
Gypsy Blues (“ Shuffle Along”) Whiteman and His Orchestra)
When Chloris Sleeps (Pierson-Samuels) Galli-Curci
/When Daisies Pied and Violets Blue (Shakespeare) Littlefield/
1 She Never Told Her Love (2) Orpheus With His Lute Littlefield)
When Dull Care (Old English) Emilio de Gogorza
(When Evening Shadows Fall (Branen-Polla) Orpheus Quartet
l Mammy’s Little Coal Black Rose (Egan-Whiting) Orpheus Qt
/When Francis Dances With Me (Ryan-Violinsky) Jones-Murrayl
l Ten Little Fingers and Ten Little Toes Murray-Smalle)
/Whenever You’re Lonesome (Just Telephone) A. Stanley-Murray"!
Night Hymn at Sea 18178
Oh Happy Day 1 7343
Over the Stars 17387
When Twilight Comes 17312
Billy Murray)
(Friedman)
I Certainly Must Be in Love
(When I Dream of Old Erin
1 Peg o ’ My Heart (Fischer)
(When I Get Back Again to Bonnie Scotland
l MacGregor’s Toast — Scotch Specialty
When I Looked in Your Wonderful Eyes
Rose of My Heart (Wilson- Moret)
/When I Met You Last Night in Dreamland
l When Irish Eyes are Smiling ( ‘ ‘ Isle of Dreams ’ ’)
(When I’m Gone You’ll Soon Forget
l Weeping Willow Lane Henry Burr-Frank Croxtonf
Arthur Clough")
Charles Harrison)
Sir Harry Lauder/
Sir Harry Lauder)
John Steel/
John Steel)
Charles Harrison"!
Macdonough)
35278
12
45191
10
18476
10
18839
10
64929
10
18528
10
64629
10
18183
10
18830
10
18909
10
17412
10
55131
12
18724
10
17317
10
18609
10
1.25
1.00
.75
.75
1.25
.75
1.25
.75
.75
.75
.75
1.50
.75
.75
.75
Wh
VICTOR RECORDS
When Irish Eyes are Smiling (“Isle of Dreams”) McCormack
Wh (When Irish Eyes are Smiling (“ Isle of Dreams”) Macdonough!
- I When I Met You Last Night in Dreamland ( Williams ) Harrison )
(When It’s Moonlight in Mayo (Mahoney-Wenrich) Oakland]
l Ma Pickaninny Babe ( Chas . Johnson ) Oakland-Murray)
fWhen I Was a Dreamer Macdonough-Lyric Quartet!
I Down Among the Sheltering Palms Lyric Quartet I
When I Was Seventeen (Swedish Folk-Tune) (Lilljebjorn) Garrison
fWhen I Was Twenty-One Sir Harry Lauder!
I She is My Daisy — Scotch Specially Sir Harry Lauder)
fWhen Johnny Comes Marching Home (Lambert) John Young!
I The Vacant Chair (Root) ( Unacc .) Lyric Quartet)
When Love is Kind (Moore) Alma Gluck
When Love is Kind (Moore) Lucrezia Bori
fWhen Malindy Sings — Negro Dialect Recitation J. A. Myers!
I Old Black Joe ( Foster ) Fisk University Jubilee Quartet)
fWhen Malindy Sings (Dunbar) Homer Rodeheaver!
I Me and Jim ( Anonymous ) Recitation Harry E. Humphrey)
When My Ships Come Sailing Home (Stewart-Dorel) McCormack
When Night Descends (Rachmaninoff, Op. 4) McCormack-Kreisler
fWhen Shall We Meet Again (Egan- Whiting) Brown-Shaw!
\ Mississippi Cradle ( Yellen-Olman ) Brown-Shaw)
{When Shall We Meet Again — Med. Waltz (introducing “Before 1
We Say Good-Night”) Hackel-Berge Orch |
By the Old Ohio Shore— Waltz (Earl) Green Bros. Marimba OrJ
{When the Angelus is Ringing (Young-Grant) Lyric Qt!
In the Valley of the Moon (Jeff Branen) Clark and Burr)
When the Bloom is On the Rye — See “ My Pretty Jane ”
When the Boys Come Home (Hay-Speaks) Schumann-Heink
{When the Corn is Waving, Annie Dear Burr-Peerless Qt!
I’ll Take You Home Again, Kathleen Burr-Peerless Quartet)
When the Dew is Falling (MacLeod-Schneider) John McCormack
fWhen the Honeymoon was Over (Fred Fisher) Burr
l Jealous of You ( Freedman-Ingham-Johnson ) Roby,
When the King Went Forth to War (Kenemann) Chaliapin
fWhen the Leaves Come Tumbling Down — Fox Trot Doerr’s Or!
I Zenda — Fox Trot (Breau-Luz) Confrey and His Orch )
fWhen the Mists Have Rolled Away (Sankey) Trinity Choir!
I Some Day I Shall Know (Gardner- Towner) Earl Cartwright)
fWhen the Moon Am Shining (Barton) (with Guitar) Barton-Carroll!
I Rock-a-Bye Baby (Barton) Ward Barton-Frank Carroll )
fWhen the Nightingale Shall Sing Reinald Werrenrath]
I Summertime (von Reuenthal) Reinald Werrenrath)
fWhen the Roll is Called Up Yonder Criterion Quartet!
I He Leadeth Me (Bradbury) Reinald Werrenrath)
When the Roses Bloom (in the Time of Roses) (Louise Reichardt)
By Ernestine Schumann-Heink (Contralto)
By Louise Homer (Contralto)
By Florence Hinkle (Soprano) and From the Land of Sku-Blue Water — Hinkle
By Lambert Murphy (Tenor) and Life's Twilight ( Ward-Speaks) — Murphy
Number
O
*2 z
— a Ob
64631
10
1.25
17317
10
.75
17819
10
.75
17778
10
.75
64808
10
1.25
55123
12
1.50
16984
10
.75
64325
10
1.25
87344
10
1.25
35097
12
1.25
35545
12
1.25
74428
12
1.75
87571
10
1.50
18841
10
.75
18858
10
.75
17587
10
.75
87295
10
1.25
18781
10
.75
64497
10
1.25
18805
10
.75
88646
12
1.75
18945
10
.75
17137
10
.75
18035
10
.75
17290
10
.75
16749
10
.75
87129
87327
45184
45103
10
10
10
10
1.25
1.25
1 .00
1.00
VICTOR RECORDS
(When the Shadows Softly Come and Go Holt-Rosedale!
l Hush-a-bye, Ma Baby { Missouri W altz) Vivian Holl-Lillian Rosedale)
(When the Sun Goes Down— Fox Trot (Bloom) Shilking Orch.!
I It Must Be Someone Like You— Fox Trot Benson Orchestra)
When the Swallows Homeward Fly (Franz Abt)
By Alma Gluck (Soprano) Efrem Zimbalist In German Violin
By Lucy Marsh (Soprano) (.Flute obb. )and Ivu Green (Beethoven) — Werrenralh
By Emil Muench (Tenor) (In German ) and The Tyrolese and His Child — Muench
(When the Twilight Comes to Kiss the Rose Baker- Wheeler!
I By and By You Will Forget Me {French- Huntley) Baker- F. Wheeler)
(When the World Forgets {Gospel Hymn) (Ackley) Rodeheaver!
l In the Garden {Miles) Mrs. Wm. Asher and Homer Rodeheaver)
fWhen They Ring the Golden Bells (Marbelle) Imperial Qt!
l The Little Brown Church in the Vale {Pitts) Victor Male Quartet)
(When Tony Goes Over the Top (Frisch-Fletcher-Marr) Murray!
I Good Morning, Mr. Zip-Zip-Zip l Arthur Fields and Peerless Qt)
When You and I Were Young, Maggie (Johnson-Butterfield)
By Evan Williams (Tenor)
By John McCormack (Tenor)
By Charles Harrison (Tenor) and Silver Threads Amons the Gold — Baker
By Elizabeth Wheeler-Harry Macdonough and Vacant Chair — Hayden Qt
ByMcKeeTrio and Sweet Genevieve (Violin- Cello-Piano) McKee Trio
By H. BenneHenton Saxophone Conway's B and Aloha Oe — Henton Band
(When You Long for a Pal (Keithley-Duryea) Lewis James!
Trail to Long Ago {White-Erickson-Klickmann-Keithley) >
James-Shaw)
When You Look in the Heart of a Rose John McCormack
(When You Look in the Heart of a Rose — Waltz Smith’s Orch!
1 Dear Old Pal of Mine — Waltz Joseph C. Smith’s Orchestra)
(When Y ou’re Alone — Fox Trot Paul Biese and his Novelty Or!
I Karavan — Fox Trot Joseph C. Smith’s Orchestra)
When You’re Away (“The Only Girl”) (Herbert) Mabel Garrison
fWhen You’re Away (“ The Only Girl ”) (Herbert) Violoncello Bourdon!
I Underneath the Stars {Spencer) ’Cello Rosario Bourdon)
(When You’re Gone I Won’t Forget Peerless Quartet!
I There’s a Vacant Chair at Home, Sweet Home Charles Harrison)
When Your Ship Comes In (Strickland) Orville Harrold
(When You See Another Sweetie Hanging Around Rowland-!
I Mammy o’ Mine ( Tracey -Pinkard ) Adele Rowland)
(When You Wore a Tulip and I Wore a Big Red Rose American Qt!
I Red, White and Blue {Arthur- Hirsch) Peerless Quartet)
{Where Do We Go From Here — Medley March Victor Band!
Over There — One-Step Victor Military Band)
Where is My Boy To-Night {Gospel Hymn) (Lowry) Louise Homer
{Where is My Boy To-Night (Lowry) Hayden Quartet!
There is a Fountain Fill’d with Blood {Mason) Trinity Choir)
{Where My Caravan Has Rested (Teschemacher-Lohr) Harrison!
Rose of My Heart (Eardley-Wilmot-Lohr) Werrenrath)
Where My Dear Lady Sleeps (Weatberly-Breville-Smith) Werrenrath
{Where the Gates Swing Outward Never (Gabriel) Asher-Rodeheaver!
All the Way to Calvary {Ackley) Homer Rodeheaver)
Number
18550
18804
87516
45067
16798
17312
18020
17982
18510
74490
64913
17474
16361
18130
18344
18961
64814
18543
18662
64899
18059
18705
64909
18560
17652
18370
87264
16412
17618
66018
18780
.75
.75
1.50
1.00
.75
.75
.75
.75
.75
1.75
.25
.75
.75
.75
.75
.75
.25
.75
.75
.25
.75
.75
.25
.75
.75
.75
.25
.75
.75
.25
.75
VICTOR RECORDS
Number
[ Where the Lazy Mississippi Flows (De Freyne) Kline-Bakerl
l Pale Moon ( Indian Love Song) ( Glick-Logan ) Marsh i
[Where the Lazy Mississippi Flows — Waltz Hackel-Berge Orch)
l /n My Tippy Canoe — Waltz ( Fisher ) Hackel-Berge Orchi
[Where the Morning Glories Grow Spencer with Sterling Trio"!
I My Sunshine Jane Sterling Trio)
Where the River Shannon Flows (Russell)
By John McCormack (Tenor)
By Harry Macdonough (Tenor) and Sweet Genevieve — f.B. W ells-Hayden Qt
By McKee Trio and A Little Bit of Heaven (Ball) McKee Trio
[While Miami Dreams — Fox Trot (Whiting) Smith’s Orchestral
l Tell Her at Twilight — Fox Trot ( Donaldson ) Hackel-Berge Orchi
{While Shepherds Watched (Christmas Hymn) (Hymn by Nahum "I
Tate — Air arr. from Handel ) Victor Oratorio Chorus f
It Came Upon the Midnight Clear Victor Oratorio Chorus)
Brown-Shawl
Henry Burri
[Whirlwind (Tourbillon) (Krantz) Flute Arthur Brookel
l Hungarian Fantasie {Andante e Rondo) (Weber) Bassoon Gruneri
[Whispering — Fox Trot (J. Schonberger) Whiteman’s Orchi
l The J apanese Sandman — Fox Trot Whiteman’s Orchi
[Whispering (M. Schonberger-J. Schonberger) John Steel"!
l The Love Boat (“ Ziegf eld Follies of 1 920 ”) (Buck- Herbert) J-Steeli
Victor Concert Orchestral
[While the Years Roll By (Lewis-Austin)
l Mary, Dear (Some Day We Will Meet Again)
[Whispering Flowers (von Blon)
l The Dying Poet (Gottschalk)
[Whispering Flowers (von Blon)
l Jolly Fellows Waltz ( Vollstedt )
Whispering Hope (Hawthorne)
[Whispering Hope (Hawthorne)
1 Abide With Me (Lyte-Monk)
[Whispering Winds (Himmelreich)
l Carnival of Venice (Variations)
Victor Concert Orchestrai
Pryor’s Band "I
Pryor’s Bandi
Alma Gluck and Louise Homer
Olive Kline and Elsie Baker"!
Olive Kline-Elsie Bakeri
Pianoforte F. Himmelreich"!
Ferdinand Himmelreichi
[Whispering to Me in the Starlight (Steel-Jarnagin) Steell
1 Rose of My Soul (Steel-Jarnagin) John Steeli
[Whistler and His Dog (With descriptive effects) (Pryor) Pryor’s B1
l Warbler’s Serenade (Whistling chorus) (Perry) Pryor’s Bandi
[Whistlers, The — Intermezzo (From “Joyous Spring”) Conway’s Bandi
l Whistling Johnnies (A Whistling Novelty) (Hager) Conway’s Bandi
[Whistle While You Walk (Belmont) Murray and Belmont"!
l The Blue Jay and the Thrush Murray, Harlan and Belmonti
[Whistling Coon (Devere) Billy Murray and S. H. Dudley"!
\ King of Rags (Swisher) Pryor’s Bandi
[Whistling Johnnies (A Whistling Novelty) (Hager) Conway’s B1
l The Whistlers — Intermezzo Conway’s Bandi
[Whistling Pete — Minstrel Specialty Golden and Hughes 1
l Carolina Minstrels, No. 20 Victor Minstrel Companyi
WHISTLING RECORDS
45252
18783
18403
64311
16440
17898
18878
35412
18955
18684
18690
18695
35642
35161
87524
17782
18194
18836
17380
17396
17891
16821
17396
35202
2 E
1.00
.75
.75
1.25
.75
.75
.75
1.25
.75
.75
.75
.75
1.25
1.25
1.50
.75
.75
.75
.75
.75
.75
.75
.75
1.25
Amoureuse Waltz 16838
Birds of the Forest 16835
Ciribiribin Waltz 17129
Dollar Princess 1 6983
Fascination Waltz 17015
Gretchen’s Dream I 7050
In Venice (Rubens) 16052
Invitation Waltz 18755
Joys of Spring 16757
_ VICTOR RECORDS
WHISTLING RECORDS— Continued
Number
I 23 I jt? ^
I c/5 I — ■ s»
Kiss Waltz 16546
Love's Smile 17369
Mocking Bird 1 8083
Musetta Waltz
(Boheme) 16892
My Hero Waltz
On the Bosphorus
Robin Red Breast
Salut d’ amour
Sorella March
16854
16983
16094
18755
16761
WHISTLING — Records with Whistling Effects — See
Arrival of the Robins
Baby’s Sweetheart
Birds and the Brook
Blue Jay
Cricket’s Serenade
Dance of the Honey Bees
Dance of the Song Birds
Robin Red Breast
Swanee Bluebird
Warbler’s Serenade
Whistler and His Dog
Whistlers
Spring Voices 16835
Tout Passe Waltz 18083
Under the Bridge 73438
When the Sun Goes 1 8804
Whistle While You Walk
Whistling Coon
Whistling Johnnies
Whistling Pete
(For Bird Calls see “Kel¬
logg” and “Gorst”)
(White Cockade, The ( Country Dance )
l Old Dan Tucker ( Country Dance)
Victor Military Bandl [
Victor Military Band) |
18490
10
.75
WHITE, FRANCES
Frances White has humor of the rarest kind, based on keen intuitive gift for character.
She invariably has good songs to sing, yet it is more through her personality than through
words or music that the humor appeals, and that personality comes out of the records
just as surely as over the footlights.
WHITE RECORDS
M-i-s-s-i-s-s-i-p-p-i and Six Times Six is Thirty-Six lT/n'fc|45137| 10| 1 .00
WHITEHILL, CLARENCE, Baritone (See “Whitehill” in Pink Section)
WHITEMAN’S
ORCHESTRA
This organization is now
one of the most famous
dance orchestras in the
world. Its records of dance
music have introduced a
new element into the
American dance. Every¬
thing it does is characterized
by marvelous precision of
time, by skilful scoring, and
by the equally skilful use
of sustained harmony in in¬
struments not occupied with
the dance rhythm.
Whiteman’s orchestra
WHITEMAN'S ORCHESTRA
After the Rain 18872
All for You 35708
All Over Nothing 18963
Anytime, Anyday 18694
April Showers 18825
Avalon — Medley 35701
Best Ever — Medley 35701
Blowing Bubbles 18960
Bright Eyes 18735
Bygones — Fox Trot 1 8880
By the Sapphire Sea 18880
Canadian Capers 18824
Caresses 35704
Carolina 18962
Cherie — Fox Trot 18758
Chicago — Fox Trot 18946
Cho-Cho-San 18777
RECORDS
Coal Black Mammy 18939
Coo-Coo — Fox T rot 1 8898
Cutie — Medley 18865
Dear Old Southland 18856
Do It Again! 18882
Do You Ever Think 18734
Everybody Step 1 8826
Georgia — Fox Trot 18899
Grieving for You 35703
Gypsy Blues 18839
Have You Forgotten 18818
Homesick 18963
Honolulu Eyes 18721
Hot Lips 18920
Humming — Medley 18737
1 Found a Clover 18950
I'll Build a Stairway 18949
I'm Just Wild 18938
1 Never Knew 18734
In a Boat 18789
It’sUptoYou 18911
Japanese Sandman 18690
Jimmy 18872
Just a Little Love 18842
Just as Long 18960
Just Snap Fingers 35704
Ka-Lu-A — Fox Trot 18826
Learn to Smile 18778
Lonesome Hours 1 8865
Love Bird — Med. 18735
Make Believe — Med. 18742
Marie — Fox Trot 18859
Moonlight — Fox Trot 18756
VICTOR RECORDS
Number I ~ I ~ i
WHITEMAN S ORCHESTRA RECORDS— Continued
My Mammy 18737
My Man (Mon
Homme) 18758
My Rambler Rose 1 8923
My Wonder Girl 35703
"Neath the So. Sea
Moon 18911
Oh M e 1 Oh My — M ed. 18778
Old Fashioned Girl 18879
On the 'Ginny Shore 18859
Oriental Fox Trot 18940
Romany Love 18966
Rosie— Medley 18721
Say It With Music
Second Hand Rose
‘Sippy Shore — Med.
Some Little Bird
Song of India
Some Sunny Day
South Sea Isles
Stumbling — Fox Trot
Sweetheart — F. Trot
Sweet Lady
They Call It Dancing
Three O’clock in
the Morning
18803
18818
18744
18742
18777
18891
18801
18899
18789
18803
18856
18940
Tricks — FoxTrot 18939
T ruly — F ox Trot 1 893 7
Two Little Rings 18950
Ty-Tee 18842
Underneath Ha. Skies 18744
Wang- Wang Blues 18694
Weep No More 18825
When Buddha Smiles 18839
Whispering 18690
You Remind Me 18949
You’re the Sweetest 18897
You Won’t Be Sorry 18901
(White Race — Fox Trot (Raza Blanca) International Orchestral
16372
NearerMyGodtoThee 1 645 1
Belle of the North { Nortefia ) Mexican Song
(White Rose March (Sousa)
l Naval Reserve March (Sousa)
(Whiter Than Snow (Nicholson-Fischer)
l Over the Line {Bradford- Phelps)
(White Wings (Winter)
l Do They Think of Me at Home { Glover )
WHITNEY BROTHERS QUARTET
Eternity (Gates) 16362 | Home of the Soul
Galilee 16430
(Who Believed in You? — Fox Trot All Sta
l California — Fox Trot ( Friend-Conrad )
Who Can Tell (From “Apple Blossoms”) (Kreisler)
Who Is Sylvia (Schubert) In English {Piano acc.)
(Who Is Sylvia (Schubert) {Harp acc.) Rein
\ It Was a Lover and His Lass {Unacc.) Dixon
Who Knows (Dunbar-Ball)
(Who’ll Be the Next One (To Cry Over You)
l Kentucky Home {Br ashen- Weeks) 1
(Who’ll Dry Your Tears When You Cry?
I In the Heart of Dear Old Italy { West — Glogau)
(Who’ll Take My Place (When I’m Gone) — Fox Trot
l Georgette — Fox Trot {Henderson) Club
( Who’s Who in Navy Blue — March (Sousa)
l Comrades of the Legion — March {Sousa)
(Why Cry When We Part? — Fox Trot Germ
l Peter the Vagabond — Intermezzo {Bummel- Petrus)
(Why Dear? — Fox Trot (H. R. Cohen)
l Sal-O-May — FoxTrot {Richard Stolz)
Intern 7 Orch)
Conway’s Band)
Conway’s Band /
Trinity Choir)
Trinity Choir)
Will Oakland 1
Metropolitan Trio )
73111
10
18360
10
17299
10
16355
10
Remember Me
Sally in Our Alley
.75
.75
.75
.75
16430
16401
V iolin
(Black)
Smith’s Orch.’
Smith’s Orch.
Siren of a Southern Sea — Medley Fox Trot All Star Trio — Orch,
Why Do the Nations — Messiah (Handel) Witherspooi
Why Lower Your Eyes — Waltz (Por que bajas los ojos)
International Orchestra
Song of the Smile {Cancion de sonrisa) — Fox Trot
International Orchestra
r hy Should I Cry Over You? (Miller-Cohn) Victor Roberts
Sweet Indiana Home ( Walter Donaldson) Aileen Stanley
r hy Should I Cry Over Y ou? — Fox Trot The Virginians
Blue — Fox Trot {Lou Handman) The Virginians
' 18890
10
r 64902
10
5 88013
12
• 17634
10
c 64424
10
- 18821
10
> 18795
10
[ 18919
10
[ 18683
10
| 73182
10
[ 18816
10
| 35707
12
n 74072
12
73177
10
| 18922
10
| 18933
10
.75
1.25
1.75
75
1.25
.75
.75
.75
.75
.75
.75
1.25
1.75
.75
.75
.75
VICTOR RECORDS
l
JWi’ a Hundred Pipers (Nairne) (Scotch Ballad) Murray 1
The Battle of Stirling ( Scotch Ballad) Farquhar Murray)
WIDDEN, C. G. — Swedish Dialect Stories — See “Petersen'
{Widow Dooley — Irish Specialty Jones and Murray)
County Fair at Pun ’kin Centre Cal Stewart )
WIEDOEFT, RUBY, Saxophone - Valse Erica
WIEDOEFT— WADSWORTH QUARTET ( 7 wo Saxophones, (wo Pianos )
Crocodile — Fox Trot and I’ll See You in C-U-B-A — Fox Trot — Palace Trio
Wiegenlied (Cradle Song) (Johannes Brahms)
By Julia Culp (Contralto) In German Piano accompaniment
By Laura Littlefield (Soprano) and The Little Dustman — Littlefield
By Michele Rinaldi (Cornet) with Vessella's Band and Old Folks — V an Eps
Wiegenlied (Schubert) (2) Gavotte (Mehul-Burmester) 'Cello Kindler
/Wiener Blut — Waltz (“ Vienna Blood ”) (Strauss) Victor Band)
Old Comrades March ( Teike ) Victor Military Band)
Wienerisch — Viennese Waltz (Godowsky) ( Piano acc.) Kreisler
WIENIAWSKI, HENRI ( Veen-yav'-skee ) B. Poland, 1835; d. Moscow,
1880. Polish violinist and composer. See “Capricco,” “Concertos,
“ Legende,” '* Polish Dance,” “ Romance,” ’’Saltarelle,” “Scherzo-
Tarantelle”and “ Souvenir ’’
(Wild Flower — Waltz (intro. “Hawaiian Smiles”) Ferera-Franchini)
l Alabama Moon — Waltz (Geo. H. Green ) Hawaiian Trio)
WILDHACK, ROBERT J. — Humorous Talks with Imitations — See
“Sneezes,” “Snores” and “Unnatural History”
WILLIAMS, EVAN, Tenor (See“Williams,” Pink Section) (Also“Edu.”)
WILLIAM TELL (Paris, 1829) (Rossini) (In Italian unless noted )
For complete illustrated description see V ictrola Book of the Opera
Overture — Parti — At Dawn and Part II — The Storm — V ictor Concert Orchestra
Overture — Part I— At Dawn — Pryor’s B and Overture — Partll— Storm — Pryor’s B
Overture — Parti — Dawn — Pryor's B and Partll — The Storm — Pryor’s B
Overture — Part III — The Calm — Pryor’s B and Part IV — Finale — Pryor’s B
Overture — Part III — The Calm — Pryor’s Band and Part IV — Finale — Pryor’s B
Overture — Part HI — The Calm and Part IV — Finale — Victor Concert Orchestra
ACT I - A SWISS VILLAGE
Barcarolle (Come, in My Boat) French Regis and Asile hMditaire — Beyle
Ah, Matilde, io t’amo e amore (Matilde, I Love Thee) Martinelli-Journet
ACT IV
O muto sail
-ROCKY SHORE OF A SWISS LAKE
(Oh, Blessed Abode)
Asile h£r6ditaire (Blessed Abode) Beyle In French
and Barcarollt
Francesco Tamagno
Will-o’-the- Wisp
Will-o’-the-Wisp
/Will-o’-the-Wisp
In French — Regis
(Farfalla) (Sauret) Violin Maud Powell
(Charles Gilbert Spross) (Pianoforte acc.) Gluck
(Benjamin -Spross) ( Harp acc. by Lapitino) Hinkle)
l Spring Song ( Friihlingslied ) (Oscar Weil)
Florence Hinkle)
Number
rp)
to «
Z3 Gl.
18265
10
.75
16019
10
.75
18728
10
.75
18663
10
.75
64402
10
1.25
18440
10
.75
17417
10
.75
66053
10
1-25
17470
10
.75
74463
12
1.75
18669
10
.75
17815
10
.75
16380
10
.75
35120
12
1.25
16381
10
.75
35121
12
1.25
18012
10
.75
45026
10
1 .00
76032
12
2.00
95009
10
5.00
45026
10
1.00
74183
12
1.75
64192
10
1.25
45064
10
1.00
WILLS, NAT M., Comedian
No entertainer on the American stage was more popular with
the public than Nat Wills. His familiar impersonation of a tramp
was unique and always amusing, without a touch of offensiveness or
vulgarity. His stories and monologues were so witty and laugh-
compelling that one suspects they were written, like his parodies, by
himself — and he never failed to make the most of them.
Mr. Wills may be said to have had a voice created for record¬
making, so powerful and resonant was his rich baritone ; and the
distinctness with which he gave every syllable of his talks and songs
WILLS AS A TRAMP
VICTOR RECORDS
Number
added to his popularity. The untimely death of this genial comedian was mourned by a
host of friends and admirers.
WILLS RECORDS
Automobile Parody 35601
Darky Stories 17768
Father of Thirty-six 1 7894
No News
Parody on Familiar
Songs
17222
Too Much Dog
17768
17894
Criterion Quartetl
16286
10
17140
10
18399
10
18432
10
18857
10
55109
12
88588
12
.75
.75
.75
75
fWill There Be Any Stars in My Crown
l Silent Night, Hallowed Night ( Gruber ) Hayden Quartet I
(Will Ye No Come Back Again (2) Battle of Killiecrankie
Bagpipes and Drums Sutcliffe Troupe [ 17140
Scotch Medley March — " Clendarual Highlanders,” etc. Sutcliffe Troupe J
{Will You Remember? (From “ Maytime ”) Green-Dixonl
Just a Voice to Call Me, Dear (" Riviera Girl") Green-Orpheus Qli
fWill You Remember? — Maytime Waltz Waldorf Orchestra "1
l American Serenade — Fox Trot Waldorf-Astoria Dance Orchestra I
WILSON, FRANK, Yodler - See “ German’s Arrival ”
WILSON, WOODROW, Ex-President of the United States
Address to the Farmers 35252 I Labor 35253
Democratic Principles 35252 I Tariff, The 35253
f Wimmin — Med. Fox T (Intro. “Glow Little Lantern”) Club Royal Orl
( Good-Bye Shanghai — Fox Trot {Meyer) Club Royal Orch!
{Wind Amongst the Trees (Briccialdi) Flute John Lemmonel
The Nightingale ( Donjon ) Flute John Lemmonel
Wine, Woman and Song — Waltz (Strauss) In Italian Frieda Hempel 88588
WIRELESS TELEGRAPH RECORDS
A system of Victor records by means of which instruction in wireless may
obtained at home, originated in conjunction with the Marconi institute of New York.
The course consists of six ten-inch double-face Victor records with a booklet of
instruction, packed in a special case, and in the opinion of the Marconi Institute
the instruction provided is so complete that with a reasonable amount of practice the
student should become an efficient operator in a comparatively few weeks.
WIRELESS TELEGRAPH RECORDS— List price per set $5.00
Lesson No. I — Alphabet and Figures
and Lesson No. 2 — Punctuation and Special Signs
Lesson No. 3 — Easy Sentences with Periods (10 words per minute)
and Lesson No. 4 — Easy Sentences (15 words per minute)
Lesson No. 5 — Marconi Press Dispatch
and Lesson No. 6 — Messages with Static Interference
Lesson No. 7 — Press Messages with Static Interference
and Lesson No. 8 — Messages with Erasures, etc
Lesson No. 9 — Press with Interference from other Stations
and Lesson No. 1 0 — Special Practice with Figures
Lesson No. 1 1— ' Ten-letter Dictionary Words
and Lesson No. 12 — Ten-letter Code Words
WISCONSIN, UNIVERSITY OF — See “On, Wisconsin ”
WITHERSPOON, HERBERT, Bass (See Pink Section)
/Within a Mile of Edinboro’ Town (D’Urfey-Hook) Marsh/
75
1.50
1.75
be
l Twickenham Ferry {Theo. Marzials)
Within the Garden of My Heart (Roberts-Scott)
(With Sword and Lance March (Starke)
l Monastery Bells ( Wely )
fWohin? (Whither?) (Schubert) German (Piano acc.) Paul Renners'!
I On Wings of Song (Mendelssohn) In German (Harp Acc.) ReimersI
Lucy Marsh I
McCormack
Pryor’s Band "I
Pryor’s Band I
101
10
102
10
103
10
104
10
105
10
106
10
45253
10
64317
10
16397
10
45065
10
1.00
1.25
.75
1.00
_ VICTOR RECORDS _ Number I Jj j2j s
WOLF-FERRARI, Ermanno (1876- ) Composer
Born in Venice, 1876; son of August Wolf, painter. Began study of music alone,
later went to Munich. Director Liceo Benedetto Marcello, Venice, 1902-09, when he
devoted himself to composition. Wrote number of operas, including Jewels of the
Madonna, 1908, the Secret of Susanne, Le Donne Curiose and less-known operas, the
oratorio La Vita Nuova after Dante, and innumerable smaller compositions.
For compositions see “Jewels of the Madonna” “Secret of Suzanne”
Wonderful World of Romance (Simpson-Wood) McCormack
("Wonderland of Dreams (Kerr-Abbott) Kline-Baker)
l Little Coon’ s Prayer ( d’Arcy-Hope ) Olive Kline)
JWond’ring — Fox Trot (Intro. “Clouds") Selvin’s Novelty Or)
l Hold Me — Medley Fox Trot (Intro. “Do You Know’’) Palace Trio)
("Woodland Echoes (A. P. Wyman, Op. 34) Neapolitan Trio)
l Evening Chimes ( Abendglockchen ) ( with Bells) Neapolitan Trio)
Woodland Sketches (Edward MacDowell) See also “To a Wild Rose”
From An Indian Lodge — Sousa's Band and Aloha Oe — Cornet — Clarke
Old Trysting Place (2) To a Wild Rose — Herbert’s Or and The Rosary — Or
To a Water Lily— Florentine Qt. and Spring Song (Mendelssohn) Florentine Qt
| Woodland Whisperings — Idyl (Bird Effects) Pryor’s Band"!
I Chocolate Soldier Selection ( Strauss ) Vessella ’s Band)
("Working on the Farm— Minstrel Specialty Golden and Hughes’!
I Kentucky Minstrels, No. 23 Victor Minstrel Company I
fWorld is Waiting for the Sunrise (Lockhart-Seitz) Steel)
l I'll Forget you (Annelu Burns-E. R. Ball) John Steel)
WORMSER, D. — Zither Solos
Au Printemps 17861 I German Folk Songs 17862 I Lorelei
Dew is Sparkling 17861 I Ich hatte einst 17860 | Trumpeter
("Worst is Yet to Come (Lewis- Young-Grant) Billy Murray)
l Can You Tame Wild Wimmen? (Sterling-Von Tilzer) Murray)
66080
10
1.25
45325
10
1.00
18682
10
.75
17523
10
.75
17035
10
.75
45187
10
1. 00
18648
10
.75
35217
12
1.25
35260
12
1.25
18844
10
.75
18515
17860
17862
10 .75
WRIGHT AND DIETRICH — Hawaiian Selections with Guitar and Ukulele Accom¬
paniment by Louise and Ferera
Lei Aloha 18228 My Luau Girl
My Hawaiian Maid 18228 My Own Iona
My Honolulu Girl 18159
18132 On the Beach 18132
18171 Song to Hawaii 18159
Wynken, Blynken and Nod (Field-Paissiello)
fWynken, Blynken and Nod (Field) Recitation
l Sugar Plum Tree (Eugene Field) Recitation
{Wyoming — Lullaby (Go to Sleep, My Baby)
Blue Jeans (Harry D. Kerr-Lou Traveller)
(Piano acc.) Williams
64219
10
Sally Hamlin)
Sally Hamlin )
18599
10
Hart-Shaw)
Peerless Quartet)
18740
10
X
XERXES, Opera by Handel — See “ Largo (Handel) ”
XYLOPHONE SOLOS
Blood Lilies 17457
Buffalo News March 17357
Carmen Selection 1 6892
Carnival of Venice 16757
Charmer, The 16917
Cinquantaine, La 18296
Dance of Toy Reg't 73438
Dill Pickles Rag 16678
Dorothy (2 )Gavotte 18216
Dream After the Ball 1 6428
Eldorado March 18085
Estudiantina Waltz 17050
Gavotte 17917
Iffa-Saffa-Di 17092
Love’s Caprice 16917
Mocking Bird 16969
Moment Musicale 18216
My Hindoo Man 16948
Polish Dance 16855
Southern Melodies 17015
Turkish Patrol 16562
U. S. A. Patrol 16934
VICTOR RECORDS
Number
Avon Comedy Four!
Avon Comedy Four'
(Yaaka Hula Hickey Dula
\ My Mother’s Rosary ( Lewis-Meyer )
Y ALE — Songs of — See “ Boola”
{Yankee Doodle (l) Violin (as jig) Old Version (2) Oldest Printed j
Version (3) Fife and Drum (4) Full Band Victor Band |
Dixie (/) Banjo; Tambourine; Clappers {2) Drum; Piccolo (j) FulIB Victor B)
| Yankee Doodle (See also “ Medleys”) Murray-Hayden Qt)
l Hail Columbia Harry Macdonough and Hayden Quartet !
Murray-Smalle )
American Quartet)
The Virginians'!
The Virginians)
Pryor’s Band!
Pryor’s Band)
(Yankee Doodle Blues (Caesar-Gershwin)
l Childhood Days {Creamer -Franklin)
fYankee Doodle Blues — Fox Trot (Gershwin)
l Nobody Lied — Fox Trot {Edwin J. Weber)
fYankee Shuffle March (Moreland)
l Our Director March ( Bigelow )
Y Deryn Pur (The Dove) (Old Welsh Song) In Welsh Evan Williams
f Yearning (Sidney Carter-Neil Moret) Lambert Murphy )
l Tell Me ( Callahan-Kortlander ) Lambert Murphy)
f Yearning — Fox Trot (introducing “Spring Time”) Smith’s Orch)
l Fm Forever Blowing Bubbles — Waltz Selvin’s Novelty Orch)
Year’s at the Spring — See “Ah, Love, But a Day”
Ye Banks and Braes o’ Bonnie Doon Geraldine Farrar
Ye Banks and Braes o’ Bonnie Doon Nellie Melba
/Yellow and the Blue (University of Mich. Song) Peerless Qt)
l College Days {From ' ' Koanzaland”) {Kahn-Moore) Peerless Qt)
(Yellow Dog Blues — Fox Trot (intro. “Hooking Blues”) Smith’s O)
\ Tulip Time — Medley Fox Trot {Stamper) Smith’s Orchestra)
(Yelva Overture (Reissiger) Pryor’s Band)
l Bohemian Girl Selection Pryor s Band)
YERKES JAZZARIMBA ORCHESTRA
Behind Your Silken Veil — Fox Trot and Roses at Twilight — Jazzarimba Orch.
Ye Who Have Yearned (Tschaikowsky) See “Nur wer die Sehnsucht”
(Yield Not to Temptation (Palmer) Percy Hemusl
\ Nearer My God to Thee {Mason) Whitney Brothers Quartet)
I Yip, I Adee! (Cobb-Flynn) Blanche Ring)
l Fve Got Rings on My Fingers {Weston- Scott) Blanche Ring!
(Yistabach (Praised Be Thy Name) Hebrew Cantor Rosenblatt)
l Adoshem moloch geus {The Lord Reigneth) Hebrew
Y n iach i ti Gumri (Adieu to Dear Cambria) In Welsh
18081
17583
16495
18959
18913
16795
64764
45171
18603
87062
88150
18168
18618
35081
18636
16451
45188
Rosenblatt! j
Williams 64763
10
.75
.75
.75
.75
.75
.75
1.25
1.00
.75
1.25
1.75
.75
.75
1.25
.75
.75
1.00
1.50
10 1.25
YODEL SONGS
Alpine Specialty 1 6968
Cuckoo Song 17012
Emmett's Favorite 16968
German's Arrival 17257
Hawaiian Love Song 1 7965
Hi-Le-Hi-Lo 17257
Papa’s Baby Boy 17012
Rock-a-Bye Baby 18035
Schneider, Does Y our 1 6994
Sleep, Baby, Sleep 1 7965
When the Moon am 18035
Y ohrzeit (Radish) (In Memoriam) (Silberstein-Silberta) Hebrew Braslau
(Yoo-Hoo — Fox Trot (De Sylva-Jolson) (Vocal Cho.) Heckel-Berge Orl
1 I Ain’t Nobody’s Darling — Medley Fox Trot All Star Trio — Orch!
74595
18802
12
10
1.75
.75
VICTOR RECORDS
Billy Murray 1
Billy Murray )
Henry Burr-!
Campbell-Burr)
1 Anchors Aweigh — March (Zimmer mann) U. S. Marine Band}
You Ain’t Heard Nothing Yet — Medley Fox Trot All Star Trio]
(intro. “I’m Always Falling in Love”)
Rose of Washington Square — Medley Fox Trot All Star Trio J
(You Are Free (“Apple Blossoms”) (LeBaron-Jacobi) Kline]
l I Might Be Your “Once-in-a- While” (“Angel Face”) Klinel
You Can Have Every Light — Fox Trot
International Novelty Orchestra
Looey Dove — Fox Trot (“Rose of Stamboul ”) Club Royal Orch
You Can’t Play Every Instrument in the Band Cawthori
{You’d Be Surprised (Irving Berlin)
Freckles (Hess-Johnson-Ager)
fYou Didn’t Want Me When You Had Me
l / Am Climbing Mountains (Russell-Bennett)
fYou Gave Me Your Heart— Fox Trot Great White Way Orch)
s To-morrow — Fox Trot (FllBe in My Dixie Home)
l Great White Way Orch
fYou Know What I Mean (Dubin-Rath) Al. Bernard!
I Bell Hop Blues (Goodman-Piantadosi) Al. Bernard I
fYou Made Me Forget How to Cry Henr
l Emaline (Geo. Little — ]. McHugh) Vernon
YOUNG, JOHN, Tenor — See also “Educational Records”
Jock o’ Hazeldean 1696 1 | Tramp. Tramp, Tramp
Just Before the Battle, Mother 16967 I When Johnny Comes
YOUNG, MARGARET, Comedienne
Oh 1 By Jingo 1 and Profiteering Blue,
{Young Man’s Fancy, A (Anderson-Yellow-Ager) Olive Klein!
Roses of Memory (Bernard Hamblen) Lambert Murphy)
fYoung Man’s Fancy, A — Fox Trot (Milton Ager) Smith’s Or!
I Love Nest — Medley Fox Trot (L. A. Hirsch) Smith’s Orch)
Young Prince and the Young Princess (“Scheherazade”)
f You’re a Grand Old Flag (“Geo. Washington, Jr.”) (Cohan) Murray!
I Yankee Doodle Boy (Cohan) Billy Murray)
{You’re a Grand Old Flag (Cohan) American Quartet!
Break the News to Mother Shannon Four)
{You’re a Million Miles from Nowhere (Donaldson) C. Harrison!
Was There Ever a Pal Like You? (Berlin) Henry Burr)
f You’re Just as Sweet at Sixty (with Quartet Chorus) Van Brunt!
I Oh You Silv’ry Bells (Jingle Bells) (Botsford) Peerless Quartet)
fYou’re Just the Type for a Bungalow Kaufman!
1 Don’t Throw Me Down (Brown- Von Tilzer) Kaufman)
/You Remind Me of My Mother (“Little Nellie Kelly”) Burrj
16987
16984
American Qt
Whiteman’s Orch!
Whiteman’s Or)
l Nellie Kelly, I Love You (Geo. M. Cohan)
fYou Remind Me of My Mother — Fox Trot
l Fll Build a Stairway to Paradise — Fox Trot
fYou’re the Best Little Mother that God Ever Made MacFarlane!
l Good Night, Good Night (Gardiner- Ball) George MacFarlane)
You’re the Flower of My Heart— See “Sweet Adeline”
Number
Size
List
prc.
18817
10
.75
18659
10
.75
45173
10
1.00
18889
10
.75
70098
12
1.25
18634
10
.75
18620
10
.75
18964
10
.75
18644
10
.75
18782
10
.75
18666
10
.75
45215
10
1.00
18678
10
.75
74691
12
1.75
16799
10
.75
18358
10
.75
18645
10
.75
17202
10
.75
18811
10
.75
18957
10
.75
18949
10
.75
45079
10
1.00
VICTOR RECORDS
You’re the Sweetest Girl — Medley Fox Trot
(Intro. “What Could Be”) Whiteman’s Orchestra |
Vamping Rose — Fox Trot All Star Trio and Orchestral
Your Eyes (Reynolds-Schneider) John McCormack
Your Eyes Have Told Me (Bowles-O’Hara) Enrico Caruso
Your Eyes Have Told Me So (Kahn-Blaufuss) John McCormack
You Spotted Snakes (From “Midsummer-Night’s Dream”)
(Shakespeare-Mendelssohn) Victor Women’s Chorus?
Tell Me, Where is Fancy Bred Lucy Marsh-Reinald Werrenrath J
f Youth and Beauty Waltz (McKee) McKee’s Orchestral
1 Riverside Bells Waltz (McKee) McKee’s Orchestra)
(You Won’t Be Sorry — Fox Trot (Burtnett-Marcasie)Whiteman’sOrl
l Sweet Indiana Home ( Donaldson ) Club Royal Orch /
/Yule-Tide — Christmas Fantasia (Kappey) (“Medley 118”) Pryor’s Bl
l Nazareth — Christmas Song ( Horley-Gounod) Frank. Croxton)
Zalo dievca, Zalo travu (The Mower) (Dvorak) In Bohemian Destinn
(Zampa Overture, Part I (Herold) Victor Symphony Orchestral
l Zampa Overture, Part II V ictor Symphony Orchestra)
ZANELL1, RENATO, Baritone (See "Zanelli” in Pink Section)
Zapateado (Pablo de Sarasate) Violin Jan Kubelik
Zapateado (The Cobbler) (Spanish Dance) (Sarasate, Op. 23) Heifetz
ZAZA (Tsah-tsah') Opera in Four Acts. (Sung in Italian) Composed
by Ruggiero Leoncavallo. Text by the composer, adapted from play by
Simon and Berton. First produced, Milan, 1900. First American
production, San Francisco, 1903.
ZAZA RECORDS
Buona Zaza, del mio buon tempo
£ un riso gentil (’Tis a Gentle Smile)
II Bacio (The Kiss)
Mamma usciva di Casa (Mother has Gone)
Ruffo
Martinelli
Farrar-de Luca
Farrar
O mio piccolo tavolo ingombrato (My Desk. Like My Heart, is
Encumbered with Care) Martineli
Zaza, piccola zingara (Zaza, Little Gypsy) Ruffo
Zaza, piccola zingara (Zaza, Little Gypsy) Zanelli
fZenda — Fox Trot (Breau-Luz) Confrey and His Orch
l When the Leaves Come Tumbling Down — Fox Trot Doerr’s Or.
ZEROLA, NICOLA, Tenor (Zer -oh-lah) (Sung in Italian)
Aida — La fatal pietra (The Fatal Stone) (2) Morir ! si pura e bella
Otello — Morte d’Otello (Death of Othello) Verdi
Zigeunerweisen (de Sarasate) See “Gypsy Airs”
ZIMBALIST, EFREM, Violinist (See “Zimbalist” in Pink Section)
ZITHER SOLOS, DUETS AND TRIOS-By D. Wormser, Mme
See algo Swedish Catalogue
Number
Size!
2 Si
— J A
18787
10
.75
64604
10
1.25
87159
10
1.25
64860
10
1.25
55060
12
1.50
35526
12
1.25
18901
10
.75
35261
12
1.25
87324
10
1.25
35584
12
1.25
74255
12
1.75
66097
10
1.25
87114
10
1.25
66062
10
1.25
87568
10
1.50
87311
10
1.25
74683
12
1.75
87125
10
1.25
64907
10
1.25
18945
10
.75
74225
12
1.75
74217
12
1.75
Kitty Berger,
Au Printemps
Dew is Sparkling
Fisher Boy
German Folk Songs
(Zur Ruh’, zur Ruh’!
17861
17861
17178
17862
73078
Hunter's Greeting
Ich hatte einst ein
schiines 1 7860
Longing for Home 694 1 4
(To Rest) (Wolf) In German
Allerseelen (All Souls’ Day) (Strauss) In German
Lorelei, Die
My Heart's Delight
Shepherd Boy
T rumpeter — It W as
Werrenrath) I
Werrenrathll17179
17860
73078
69414
17862
10
.75
VICTOR
RED SEAL
RECORDS
fjbrary of
Famous
e Voices
The <zArt of Cjreat Singers and T layers Re¬
corded in Imperishable Form for the Benefit
of the Present and Future Generations
The following artists have made records for
THE VICTOR’S
RED SEAL LIST
(. Alphabetically Arranged )
Abott
Alda
Amato
Ancona
Ansseau
Arral
Battistini
Besanzoni
Boninsegna
Bori
Boston Symphony
Orchestra
Braslau
Calve
Campanari
Caruso
Chaliapin
Chemet
Clement
Constantino
Cortot
Culp
Dalmores
De Gogorza
De Luca
De Pachmann
Destinn
Eames
Elman
Farrar
Flonzaley Qt.
Fornia
Gadski
Galli-Curci
Garrison
Gerville-Reache
Gigli
Gilibert
Gilly
Gluck
Hamlin
Harrold
Heifetz
Hempel
Herbert
Homer
Jeritza
Johnson
Journet
Kindler
Kreisler, Fritz
Kreisler, Hugo
Kubelik
Lashanska
Marlowe
Martin
Martinelli
Matzenauer
McCormack
Melba
Mengelberg
Metropolitan
Opera Chorus
Michailowa
Morini
Nielsen
Novaes
Ober
Paderewski
Paoli
Patti
Philadelphia
Orchestra
Plan^on
Powell
Rachmaninoff
Renaud
Ruffo
Samaroff
SCHIPA
Schumann-Heink
ScOTTI
Sembrich
Slezak
Smirnov
SoTHERN
Spencer
Stires
Tamagno
Terry
Tetrazzini
Thibaud
Toscanini
VlAFORA
Werrenrath
Whitehill
Williams
Witherspoon
Zanelli
Zerola
ZlMBALIST
Josef A. Pasternack
zJACusical Director
STILL a young man, the musical director of the Victor Talking Machine
Company is a musician of wide experience and broad sympathies. Born in
Poland of a family rich in musical traditions, Pasternack began the study
of music as a child of four, finishing his period of instruction at the Warsaw
Conservatory. Coming to the United States soon after, he became principal
viola with the Metropolitan Opera House Orchestra, which position he held with
distinction for eleven years. Then on the recommendation of Toscanini he was
appointed conductor. After three years’ experience in that capacity he went
abroad and won new laurels in a number of European cities. A year later he
was recalled to this country to conduct the “Century Opera.” After filling
an engagement as conductor of the Boston Symphony operatic concerts with
unprecedented success he became, in 1916, Musical Director for the Victor
Talking Machine Company, in which capacity the benefit of his musical genius
has been enjoyed by infinitely greater audiences.
VICTOR RED SEAL RECORDS
A
ABOTT, BESSIE, Soprano — See “Caruso - Miscellaneous Quartets ”
ALDA, FRANCES, Soprano ( Ahl'-dah )
Frances Alda’s amazing versatility is one of the most
conspicuous of the many gifts bestowed upon her by Nature
in a prodigal mood. A mere list of the operas in which
she has sustained leading soprano roles would fill a para¬
graph. Since making her debut in “Rigoletto” at the Paris
Opera Comique in 1904, she has sung a great number of
exacting roles. As the wife of Giulio Gatti-Casazza,
general manager and impresario of the Metropolitan Opera,
she has long taken a prominent place as a factor in Ameri¬
can musical affairs, and her vocal gifts have won her count¬
less friends both at the opera and on the concert platform.
Perhaps the fact that she was born in Christchurch, New
Zealand, has given her a special sympathy with American
musical aspirations. Her voice is singularly fresh and sweet,
though capable of remarkable color-shading. A certain in¬
tensity of temperament gives a thrilling quality to some of her
records that fairly grips the imagination of all who hear her.
ALDA
THE ALDA RECORDS
Angel’s Serenade Italian {Violin by Elman — Piano by La Forge) Braga
An Open Secret Anonymous-Woodman
Ave Maria In Latin {Violin by Elman — Pianoforte by La Forge) Gounod
Bells of St. Mary's, The Furber-Adams
Bless You Douglas Furber-Ivoi Novello
Boheme — Mi chiamano Mimi (My Name is Mimi) In Italian Puccini
By the Waters of Minnetonka (Indian Love Song) Cavanass-Lieurance
Carissima Arthur A. Penn
Carmen — Micaela’s Air (I Am Not Faint Hearted) In French
Bizet
Coleridge-Taylor
Furber-Novello
Deep River (Negro Melody) (with Orpheus Qt.)
Every Bit of Loving in the World
Gianni Schicchi — O mio babbino caro (Oh, My Beloved Daddy) Italian
God Save the King (with Orpheus Quartet) Henry Carey
I’d Build a World in “The Heart of a Rose” David-Nicholls
If You Could Care (From “As You Were”) Wimperis-Darewski
1 Love You Truly Jacobs-Bond
I Passed by Your Window Helen Taylor-May Brahe
Just a-Wearyin’ For You Stanton— Jacobs-Bond
Lakme — Dans la foret (In the Forest) In French Delibes
Love’s Own Sweet Song (From “Sari ’’) Cushing-Heath-Kalman
Love-Token (“ Simple Aveu”) (Eng. ver. Baker) Bordese-Thome
Madama Butterfly — Un bel di vedremo (Some Day He’ll Come) Italian
Madama Butterfly — Ancora un passo (One More Step) In Italian
Magic of Your Eyes, The Arthur Penn
Marseillaise, La (French National Air) In French Rouget de Lisle
Mefistofele — L’Altra Notte (They Threw My Child Into the Sea) Italian
Mighty Lak’ a Rose Stanton-Nevin
Morgen (Tomorrow) In German {’Cello obb. by G. Casini ) Strauss
Mother of My Heart C. S. Montanye-F. H. Grey
Panis Angelicus (Oh Lord Most Holy) In Latin {'Cello obb.) Franck
Poor Butterfly (From “The Big Show”) Golden-Hubbell
Singer, The Elsa Maxwell
No. Size
List p.
89130
12
$2.00
64960
10
1.25
89129
12
2.00
64844
10
1.25
66027
10
1.25
74448
12
1.75
64908
10
1.25
66036
10
1.25
74353
12
1.75
64687
10
1.25
66056
10
1.25
64802
10
1.25
64717
10
1.25
64893
10
1.25
64859
10
1.25
64662
10
1.25
64948
10
1.25
64674
10
1.25
64715
10
1.25
74401
12
1.75
64675
10
1.25
74335
12
1.75
64334
10
1.25
64782
10
1.25
64693
10
1.25
74651
12
1.75
64303
10
1.25
64339
10
1.25
64988
10
1.25
74399
12
1.75
64653
10
1.25
66093
10
1.25
VICTOR RED SEAL RECORDS
THE ALDA RECORDS — Continued
Sing Me Love’s Lullaby
Solitude In French ( Balalaika Orch. acc .)
Somewhere a Voice is Calling
TesYeux! (Thine Eyes) ( Melodic ) In French
Thoughts of You
Tosca — Vissi d’arte
Wally La — Ebben?
In Italian
Terriss-Morse
d’Offoel-Rubinstein
Newton-Tate
( Violin by Elman) Rabey
Clifford Gray-Novello
(Love and Music) (with ’Cello obb .) Italian Puccini
Ne landro lontana (Farewell, My Joyous Home)
Catalani
No.
Size
List p.
64716
to
$1.25
64450
10
1.25
64654
10
1.25
87556
10
1.50
64927
10
1.25
74400
12
1.75
64981
10
1.25
89131
12
2.00
89030
12
2.00
89132
12
2.00
89163
12
2.00
95211
12
2.50
95207
12
2.50
ALDA AND BRASLAU — Madama Butterfly — Tutti i fior Italian
ALDA AND CARUSO — Trovatore — Miserere (with Chorus) Italian 89030 12 2.00
ALDA AND MART1NELL1 — Boheme — O soave fanciulla Italian
Madame Butterfly — O quanti occhi fisi (Oh Kindly Heavens) Italian
TRIO BY ALDA, CARUSO AND JOURNET
Lombardi — Qual volutta (With Sacred Joy) In Italian Verdi
QUARTETS BY ALDA, CARUSO, JACOBY AND JOURNET
Martha — Siam, giunti, o giovinette (This is Your Future Dwelling) Flotow
Martha — Che vuol dir cio (Surprised and Astounded !)
In Italian Flotow 95208 12 $2.50
Martha — Presto, presto (Spinning
Wheel Quartet) In Italian Flotow 95209 12 2.50
Martha — Quartetto notturno (Good
Night Quartet) In Italian Flotow 95210 12 2.50
AMATO, PASQUALE, Baritone ( Ah-mah'-toh )
Pasquale Amato was born in Naples, and was not
originally destined for a musical career. After his voice
developed under the teaching of famous masters, however,
it became evident that he was destined for operatic success.
One of the most gifted baritones of the day, he has achieved
success not only in Italy, but also in London and other
European music centres, as well as South America. He
made his debut with the Metropolitan Opera House in
New York, 1908, in “Traviata,” and has since sustained
many roles at the leading American opera house.
THE AMATO RECORDS (Sung in Italian unless otherwise noted)
Barbiere— Largo al factotum (Room for the Factotum) Rossini
Carmen — Canzone del Toreador (Toreador Song) Act 11 Bizet
Favorita — Ah 1 l'alto ardor (Oh, Love !) Act II Duet with Matzenauer
Gioconda — Barcarola, “Pescator, affonda l’esca” (Fisher Boy, Thy Bait
be Throwing) Act II (with Metropolitan Opera Chorus) Ponchielli
Jewels of the Madonna — Rafael's Serenade Wolf-Ferrari
Lucia — Sextette — with Caruso, Tetrazzini, etc. Donizetti
Masked Ball — Eri tu che macchiavi (Is it Thou?) Verdi
Otello — Credo dago’s Creed) Verdi
Pagliacci — Prologo (Prologue) Leoncavallo
Rigoletto — Cortigiani, vil razza dannata 1 (Vile Race of Courtiers) Verdi
Rigoletto — Povero Rigoletto ! (Poor Rigoletto!) with Bada, Setti and Cho
Torna a Surriento (Neapolitan Song) G. B. De Curtis-E. De Curtis
Traviata — Di Provenza il mar (Thy Home in Fair Provence) Verdi
DUETS WITH CARUSO AND FARRAR— See "Caruso" and" Farrar”
AMATO AND JOURNET
Faust— Sc^ne des Epees (Scene of the Swords)
(with Chorus) French
No.
Size
List p.
88329
12
$1.75
88327
12
1.75
89062
12
2.00
87093
10
1.25
87193
10
1.25
96201
12
3.50
88464
12
1.75
88328
12
1.75
88326
12
1.75
88341
12
1.75
88340
12
1.75
87180
10
1.25
88474
12
1.75
89055
12
2.00
VICTOR RED SEAL RECORDS
ANCONA, MARIO, Baritone (Ahn-koh' -nah) See "Caruso and Ancona ”
ANSSEAU, FERNAND, Tenor (Ahn[ nasal]soh ) See "Famous Artists of Europe’’
ARRAL, BLANCHE, Soprano ( Ar-rahl' ) See "Arral” — White Section
B
BATTISTINI, MATTIA, Baritone
Battistini is one of the few great artists whom Amer¬
ican impresarios have not succeeded in luring away from
Europe. It is said that his dread of the ocean voyage
alone has caused him to refuse brilliant offers from New
York. In Russia, where he sang regularly for more than
twenty years, in Spain and in his native Italy, he is highly
regarded because of the sheer beauty of his voice, his
warm, true Italian style, and the dramatic force of his
acting.
It is with pleasure that we are able to offer these
splendid solos by this singer, including a selection from
“Ernani” made with the assistance of artists and chorus of
La Scala, Milan.
THE BATTISTINI RECORDS (Sung in Italian)
Don Carlos — Per me giunto e il di supremo (The Day Supreme) Verdi
Favorita — Vien Leonora (Leonora, Thou Alone) Donizetti
Mantilla, La (Spanish Song) In Spanish Alvarez
Maria di Rohan — Bella e di sol vestita (Radiant as the Sun) Donizetti
Maria di Rohan — Voce fatal di morte (Fatal Voice of Death) Donizetti
Maria di Rudenz — Ah! non avea piu lagrime (Not a Tear Remains)
Re di Lahore— O casto fior (King of Lahore — Oh What Promise
of a Joy Divine!)
Ruy Bias — A’ miei rivali cedere (To My Rivals 1 Must Yield) Marchetti
Vittoria, mio core! (Victorious is My Heart!) Carissimi
Werther — Ah! non mi ridestar (Ah! Do Not Awaken Me !) Massenet
BATTISTINI. DEWITT, TACCANI AND CHORUS
Ernani — O sommo Carlo (Noble Carlos) Verdi
No.
Size
Listp.
88651
12
$1.75
88653
12
1.75
87339
10
1.25
88350
12
1.75
88652
12
1.75
88654
12
1.75
88649
12
1.75
88650
12
1.75
87338
10
1.25
88354
12
1.75
89135
12
2.00
BESANZONI, GABRIELLA, Contralto
Gabriella Besanzoni is one of the great mezzo-con¬
traltos of the younger generation. She is by birth a
Roman, and it was in the Imperial City that she first made
her operatic debut at the Costanzi Theatre. Her fame
spread rapidly as she appeared at one Italian opera house
after another, including La Scala at Milan. She appeared
then with high honors at the Reale of Madrid and the
Liceo of Barcelona. Her Santuzza in Italy was a triumph,
as was her Carmen in Spain, where, as a rule, this opera
had formerly been received with coldness. South Ameri¬
can and Mexican engagements led to her coming to the
United States, where she was instantly engaged to sing
with the Metropolitan Opera Company.
Signorina Besanzoni’s voice is remarkable for its range
and beauty. She has mastered roles as unlike as Amneris
in “Aida,” and Norma in the opera of the same name. She
has made a number of Victor records, some of them of almost unsurpassable beauty, the
lower tones of her contralto range exhibiting a grandeur not often vouchsafed to singers.
She has been engaged for a number of important roles with the Chicago Opera Company.
VICTOR RED SEAL RECORDS
THE BESANZONI RECORDS (Sung in Italian ) No.
Carmen — Habanera (Love is Like a Wood Bird) Bizet 74613
Favorita — O mio Fernando (Dearest Ferdinand) Donizetti 74680
Samson and Delilah — S’apre per te il mio cor (My Heart at Thy Voice) 64877
Trovatore — Stride la vampa (Fierce Flames are Soaring) Verdi 64875
BONINSEGNA, CELESTINA, Soprano (Bon-neen-sayn-yah) {.In Italian)
Forza del Destino — Madre pietosa Vergine (Holy Mother) (with Chorus) 92031
Size List p.
12
$1.75
12
1.75
10
1.25
10
1.25
12
1.75
BORI, LUCREZIA, Soprano (Boh' -ree)
Lucrezia Bori s real name is Lucrezia Borgia (or
Borja, in Spanish), but she prefers to be known as Bori.
Though of Italian descent, she is a native of Valencia,
Spain. Permitted to follow her obvious destiny as a
singer, she went to Milan for study, and eventually made
her debut in Rome as Micaela in “Carmen." Her first
season was very successful, and she followed it up with
success in South America. After another European season
she was engaged for the Metropolitan Opera Company in
New York. Her American career began as one of the
youngest singers ever heard in opera in this country, and
her youth and beauty, together with her lovely voice and
dramatic ability, make her unique. The singer’s numer¬
ous records well display the beauty of her voice and the
charm of her personality.
gtaUSHKtN
BORI
THE BORI RECORDS ( Sung in Italian unless otherwise noted) No.
Boheme — Mi chiamano Mimi (My Name is Mimi) Puccini 88475
Boheme — O soave fanciulla (Thou Sweetest Maiden) with McCormack 87512
Clavelitos (Carnations) InSpanish {with Orch. and Mandolin) Valverde 87217
Cosi Fan Tutte — In uomini, in soldati (School for Lovers — In
Lovers and in Soldiers for Constancy You Look) Mozart 87346
Danza — Tarantella Napolitana (Neapolitan Song) Pepoli-Rossini 87181
Don Giovanni — Vedrai, carino (Dearest. Shall I Tell Thee) Mozart 87333
Don Pasquale — Pronta io son (My Part I’ll Play) with de Luca 89161
Don Pasquale — Vado corro (Haste We) with de Luca 89162
Iris — In pure stille (Life is Gaily Passing) Mascagni 87219
Malaguena In Spanish Pagans 87 1 90
Marriage of Figaro — Deh vieni, non tardar? (Why Delay so Long) 88633
Nina Pancha (Americana) InSpanish Romea- Valverde 87189
Pagliacci — Ballatella — Che volo d’augelli (Ye Birds) Leoncavallo 88398
Paloma, La (The Dove) In Spanish Yradier 88480
Revoltosa, La — Por que de mis ojos InSpanish with Segurola 89127
Rigoletto Quartet with Jacoby, McCormack and Werrenrath 89080
Secret of Suzanne — Oh gioia, la nube Ieggera (What Joy to Watch) 88647
Tales of Hoffmann — Elle a fui (The Dove Has Flown) In French Offenbach 88525
Traviata — Addio del passato (Farewell to the Bright Visions) Verdi 87178
Traviata — Parigi o cara (Far from Gay Paris) with McCormack 89126
Villanella Gabriele Sibella 87328
When Love is Kind In English Thomas Moore 87344
BOSTON SYMPHONY ORCHESTRA
Size List p.
12 $1.75
10 1.50
10 1.25
10 1.25
10 1.25
10 1.25
12 2.00
12 2.00
10 1.25
10 1.25
12 1.75
10 1.25
12 1.75
12 1.75
12 2.00
12 2.00
12 1.75
12 1.75
10 1.25
12 2.00
10 1.25
10 1.25
The Victor Records of the Boston Symphony Orchestra represent this world-famous
organization at the height of its powers. Its place in the history of American music is
almost unique, for it was founded, and for a time virtually supported, by one individual
— the late Henry L. Higginson of Boston, who brought together its first personnel in 1881.
Under his guidance, it grew to be self-supporting, the Boston Symphony concerts being a
characteristic part of the city’s whole life and extending its fame as a musical and intel¬
lectual centre. Many great conductors in turn had the orchestra, which introduced many
things for the first time in the country — the idea of a pension fund for its members being
among them. Its finest players remained with it year after year, many of them achieving
individual fame of their own. Despite the orchestra’s reputation, comparatively few
persons in the immense United States have had the chance to hear it, for not all
Americans live in Boston, and symphony organizations, generally speaking, do not travel
with ease.
BOSTON SYMPHONY ORCHESTRA RECORDS
^ Lohengrin — Prelude to Act 3 Wagner
Marche Miniature (From First Suite, Op. 43, No. 4) Tschaikowsky
Symphony in F Minor No. 4 (Finale, Part I) Tschaikowsky
Symphony in F Minor No. 4 (Finale, Part II) Tschaikowsky
No.
64744
64766
74553
74554
Size
10
10
12
12
List p.
$1.25
1.25
1.75
1.75
BRASLAU, SOPHIE, Contralto {Bran -low)
Sophie Braslau was first engaged, as a very young
artist by the Metropolitan Opera Company. This artist
was born in New York, and is the only child of Dr.
Abel Braslau, a distinguished Russian physician. By the
time she was seventeen she spoke four languages, and
since then has added Russian to her accomplishments.
Naturally, she also sings in these tongues, and it is her
special delight to sing all arias and songs in the languages
of their composers. The range of Miss Braslau’s programs
is remarkable. She sings the classic lieJer with a rarely
sympathetic intelligence as well as the beautiful old songs
of France and the lovely old airs of Italy; she sings the
modern songs of France, and the best songs by American
and English composers. In opera she has studied every
school and is at home in all branches of this fascinating art.
VICTOR RED SEAL RECORDS
THE BRASLAU RECORDS
No.
Size List p.
Bid Me Good-Bye
W eatherly-T osti
64541
10
$1.25
Carmen — Habanera (Love is Like a Wood Bird) In French Bizet
64469
10
1.25
Cradle Song
Helen B. Knox- Alex Iljinsky
66035
10
1.25
Croon, Croon, Underneat' de Moon (with Male Chorus) Clutsam
64799
10
1.25
Eili, Eili (“Father, Why Hast Thou Forsaken Me?’’) Hebrew M. Shalitt
74577
12
1.75
Ever of Thee I’m Fondly Dreaming
Linley-Hall
64883
10
1.25
Girometta (My Sweetheart) In Italian Piano acc.) Sibella
64967
10
1.25
I’m a-Longin' fo’ You (’Cello obbligato)
Fuhrmann-Hathaway
64747
10
1.25
1 Love You Truly
Carrie Jacobs-Bond
64633
10
1.25
Jasmine Door
Weatherly-Scott
66044
10
1.25
Just a Little House of Love
Glanville-Wood
64937
10
1.25
Last Night
Kjerulf
64540
10
1.25
Lucrezia Borgia — Brindisi (Drinking Song)
In Italian Donizetti
64468
10
1.25
Madama Butterfly — Tutti i fior In Italian
with Alda
89131
12
2.00
Ma LiT Batteau
De Longpre-Strickland
66083
10
1.25
My Laddie Boy
H. E. Rogers-H. Akst
64983
10
1.25
My Lady Chlo (African Love Song)
H. Clough-Leighter
64742
10
1.25
Oh, Dry Those Tears
Del Riego
74456
12
1.75
Pirate Dreams (Lullaby)
Charles Huerter
64757
10
1.25
Same Old, Dear Old Place
Bowles-Wilson
74681
12
1.75
Somebody Loves Me !
Hattie Starr
66084
10
1.25
Sweetest Story Ever Told, The
R. M. Stults
64708
10
1.25
Swingin' Vine
Ralph L. Grosvenor
64996
10
1.25
Thy Beaming Eyes (Pianoforte acc.)
Gardner-MacDowell
64470
10
1.25
Villanella In Italian
Gabriele Sibella
64718
10
1.25
Yohrzeit (Kadish) (In Memoriam) Hebrew (’Cello obb.) Silberstein-Silberta
74595
12
1.75
CALVE, EMMA, Soprano (Kahl-oau)
Half French, half Spanish by descent, Emma Calve
possesses warmth of temperament and dramatic instinct
unique even among artists. She was born in Madrid, of
weli-to-do parents, but the early death of her father forced
her to make a career for herself. She went to Paris and
studied. Her operatic debut was made at Nice, but her
first important appearance was made at the Thddtre de la
Monnaie, in Brussels, in 1882, as Marguerite in “Faust.”
Following this came her Paris debut at the Opera Comique,
but her first real triumphs came in Italy, where she made
several tours. When she reappeared in Paris, her perform¬
ance of the roles of Santuzza in “Cavalleria Rusticana” and
Carmen fairly took the city by storm. She appeared in
London in 1 892, and at the Metropolitan, New York, two
years later. Here as elsewhere her success was overwhelm¬
ing, especially in “Carmen” and her name is perhaps more
closely identified with this than with any other work.
The Victor records made by Mme. Calve reveal her voice at its best — as they
reveal, also, the perfection of her subtle and exquisite art.
THE CALVE RECORDS (Sung In French unless noted ) j\j0 g;ze jjs, p
Carmen — Habanera (Love is Like a Bird) Bizet 88085 12 $1.75
Cavalleria Rusticana — Voi lo sapete (Santuzza’s Air, "Well You Know.
Good Mother”) In Italian Mascagni 88086 12 1.75
H^rodiade — 11 est doux, il est bon (He is Kind, He is Good) Massenet 88130 12 1.75
Marseillaise, La (with Metropolitan Opera Chorus) Rouget de Lisle 88570 12 1.75
_ VICTOR RED SEAL RECORDS
THE CALVE RECORDS — Continued
No. Size List p.
Old Folks at Home (Swanee River) In English Foster 88089 12 $1.75
Pearl of Brazil — Charmant oiseau (Brilliant Bird) Flute obbligato David 88087 12 1.75
Serenade— Chantez, riez, dormez (Flute obbligato) Gounod 88119 12 1.75
Three Little Songs forVery Little Children (Trois chansons pour les tout-
petits) (a) “Fr^re Jacques” (Brother James) (b) “Au clair de la Iune'
(In the Moonlight) (c) “Une poule” (The Hen) (Pianoforte acc.) 88572 12 1.75
CAMPANARI, GIUSEPPE, Baritone — See "Campanari” in White Section
CARUSO, ENRICO, Tenor {Kah-roo' -zoh)
Enrico Caruso, so recently dead, was the greatest tenor
of his generation, having had no equal within the memory
of living humankind. His voice, of unrivalled sweetness
and power, was a natural gift, developed to the highest de¬
gree by faithful training and study. There was little in
the domain of song which he did not make his own, turning
even less precious metal, at times, into gold, by the peculiar
magic of his art. He was born in Naples, in 1873, and
sang, as a child, in the churches of Naples. He was
eighteen when he began serious study, aided by a distin¬
guished singer who realized his powers. He made his
debut at Naples, in 1894, in “L’Amico Francesco,” then
sang in Italy, Egypt and elsewhere. He came to the United
States in 1903, where recognition was immediate.
His fame spread enormously. His services were in
demand everywhere throughout the civilized world. He gave them, freely and without
reserve, his career being a record of generosity, in the world of art and in the world of
common life. He came into such honors as have rarely been given any singer. At the
crown of his career, late in 1920, while singing in the Metropolitan Opera House, he was
taken ill on the stage. A long and distressing illness followed, from which he was
believed to have recovered. Going home to Italy for final convalescence, he suffered a
relapse, dying in Naples on August 2, 1921.
Caruso's long connections with the Victor Company were of an intimately personal
nature. He made for it many superb records — together forming an artistic achievement
unprecedented in the world of song.
THE CARUSO RECORDS (Sung in Italian unless otherwise noted)
Addio a Napoli (Farewell to Naples) T. Cottrau
Adorables Tourments (Love’s Teasing) In French Barthelemy
Africana — O Paradiso (Oh, Paradise !) Meyerbeer
Agnus Dei (Lamb of God) In Latin Bizet
A Granada In Spanish Gras y Elias-Alvarez
Aida — Celeste Aida (Heavenly Aida) Verdi
Alba separa dalla luce l’ombra (Day Banishes the Night) Tosti
Amor Mio (My Love) (Vocal Waltz) Gaeta-Ricciardi
Andrea Chenier — Come un bel di di maggio Giordano
Andrea Chenier — Un di all’ azzurro spazio Umberto Giordano
Ave Maria In Latin ( V iolin by Elman) Kahn
Because In French Teschemacher-d’Hardelot
Boheme — lo non ho che una povera stanzetta Leoncavallo
Boheme — Racconto di Rodolfo (Rudolph’s Narrative) Leoncavallo
Boheme — Testa adorata (Adored One !) Leoncavallo
Campana di San Giusto (Chimes of San Giusto) Drovetti- Arona
Campane a Sera (Ave Maria) Billi-Malfetti
Canta pe’ me (Neapolitan Song) Bovio-de Curtis
Carmen — Air de la fleur (Flower Song) In French Bizet
Carmen — II fior che avevi a me (Flower Song) Bizet
Cavalleria Rusticana — Addio alia madre (Turiddu's Farewell) Mascagni
No.
Size List p.
87312
10
$1.25
881 15
12
1.75
88054
12
1 75
88425
12
1.75
88623
12
1.75
88127
12
1.75
87272
10
1.25
87176
10
1.25
87266
10
1.25
88060
12
1.75
89065
12
2.00
87122
10
1.25
88335
12
1.75
88002
12
1 75
88331
12
1.75
88612
12
1.75
88615
12
1.75
87092
10
1.25
88208
12
1.75
88209
12
1.75
88458
12
1.75
VICTOR RED SEAL RECORDS
THE CARUSO RECORDS-Continued
Cavalleria Rusticana — Brindisi (Drinking Song) ( Piano acc.) Mascagni
Cavalleria Rusticana — Siciliana (Thy Lips LikeCrimson Berries) ( Piano acc. )
Cavalleria Rusticana — Siciliana (Harp accompaniment) Mascagni
Chanson de Juin (Song of June) In French Barrucand-Godard
Cid, Le — O souverain, 6 juge, 6 pere 1 In French Massenet
Cielo Turchino (Neapolitan Song) G. Capaldo-M S. Ciociano
Core 'ngrato (Neapolitan Song) Cordiferro-Cardillo
Danza— Tarantella Napolitana Pepoli-Rossini
Deux Serenades (Two Serenades) In French (Violin by Elman)
Don Pasquale — Serenata, “Com’ 6 gentil” (Soft Beams the Light)
(Piano acc.)
Don Sebastian — In terra solo (On Earth Alone) Donizetti
Dream, A In English Chas. B. Cory-J. C. Bartlett
Dreams of Long Ago In English Carroll-Caruso
Duca D’Alba — Angelo casto e bel (Beauteous Angel) Donizetti
Elegie — Melodie In French ( V iolin by Elman) Massenet
Elisir d’amore — Una furtiva lagrima (A Furtive Tear) Act II Donizetti
Etemamente (For All Eternity) Mazzoni-Mascheroni
Eugen Onegin — Air de Lenski (Faint Echo of My Youth) French
Faust — Salut demeure (All Hail, Thou Dwelling !) In French Gounod
Favorita — Spirto gentil (Spirit So Fair) Donizetti
Fenesta che lucive (The Shining Window) (Neapolitan Song)
For You Alone In English O’Reilly-Giehl
Forza del Destino— O tu che in seno agl’ angeli (Thou Heavenly One)
Garibaldi’s Hymn (Italian Patriotic Air) Mercantini
Germania — Non chiuder gli occhi vaghi (Those Dreamy Eyes) Franchetti
Germania — Studenti, udite (Students, arise !) Franchetti
Gioconda — Cielo e mar (Heaven and Ocean) ( Piano acc.) Ponchielli
Gioconda — Romanza— Cielo e mar (Heaven and Ocean) Ponchielli
Goodbye — Addio Paolo Tosti
Guardann’ a Luna (Lovely Moon) Crescenzo
Hantise d’ Amour (Love’s Haunting) In French Roize-Szulc
Hosanna (Easter Song) In French Jules Granier
Huguenots — Bianca al par (Fairer Than the Lily) (Piano acc.) Meyerbeer
Huguenots — Piu bianca — Romanza (Fairer Than the Lily) Meyerbeer
Ideale (My Ideal) Paolo Tosti
1’ m’ Arricordo e Napule (Memories of Naples) Neapolitan Gioe
Juive, La — Rachel ! quand du Seigneur la grace tutelaire In French Halevy
La mia canzone (My Song to Thee) Paolo Tosti
Largo from Xerxes Handel
Lasciati amar (Let Me Love Thee) Leoncavallo
Lolita — Spanish Serenade Buzzi-Peccia
Lost Chord In English Proctor-Sullivan
Love is Mine In English Teschemacher-Gartner
Love Me or Not In English Secchi
Luna d’Estate (Summer Moon) Riccardo Mazzola-F. Paolo Tosti
Macbeth — Ah, la paterna mano (My Paternal Hand) Verdi
Mamma mia che vo’sape (Neapolitan Song) Nutile
Manella Mia (Neapolitan Song) V. Valente
Manon — “Ah! fuyez, douce image” (Preceded by “Je suis seul”) French
Manon — II Sogno (The Dream) (Piano acc.) Massenet
Manon Lescaut — Donna non vidi mai (A Maiden So Fair) (Harp acc.)
Martha — M'appari (Like a Dream) Flotow
Masked Ball — Di’tu se fedele (with Opera Chorus) Verdi
Masked Ball — Ma se m'6 forza perderti (Forever to Lose Thee)
MesseSolennelle — Crucifixus (Crucified to Save Us) In Latin Rossini
Messe Solennelle — Domine Deus (Praise Forever to God, the Father)
In Latin Rossini
Mia sposa sara le mia barvdiera (My Bride Shall Be My Flag) Rotoli
Musica Proibita (Forbidden Music) Stanislas Gastaldon
Nero — Ah, mon sort ! In French (Harp acc.) Rubinstein
Noel (Holy Night) (Christmas Song) In French Adam
( Continued on next page)
No. Size List p.
81062 10 $1.25
81030 10 1.25
87072 10 1.25
88579 12 1.75
88554 12 1.75
87218 10 1.25
88334 12 1.75
88355 12 1.75
89085 12 2.00
85048 12
88106 12
87321 10
88376 12
88516 12
89066 12
88339 12
88333 12
88582 12
88003 12
88004 12
88439 12
87070 10
88207 12
87297 10
87054 10
87053 10
85055 12
88246 12
88280 12
87162 10
87211 10
88403 12
85056 12
88210 12
88049 12
88635 12
88625 12
87213 10
88617 12
87161 10
88120 12
88378 12
87095 10
88616 12
87242 10
88558 12
88206 12
88465 12
88348 12
81031 10
87135 10
88001 12
87091 10
88346 12
87335 10
88629 12
88555 12
88586 12
88589 12
88561 12
1.75
1.75
1.25
1.75
1.75
2.00
1.75
1.75
1.75
1.75
1.75
1.75
1.25
1.75
1.25
1.25
1.25
1.75
1.75
1.75
1.25
1.25
1.75
1.75
1.75
1.75
1.75
1.75
1.25
1.75
1.25
1.75
1.75
1.25
1.75
1.25
1.75
1.75
1.75
1.75
1.25
1.25
1.75
1.25
1.75
1.25
1.75
1.75
1.75
1.75
1.75
VICTOR RED SEAL RECORDS
THE. CARUSO RECORDS — Continued
O sole mio (My Sunshine) Capurro-di Capua
Otello — Ora e per sempre addio (Forever Farewell) Verdi
Over There / st verse English, 2nd verse French George M. Cohan
Pagliacci — No, Pagliacci non son (Punchinello no more) Leoncavallo
Pagliacci — Vesti la giubba (On with the Play) Leoncavallo
Parted In English F. Paolo Tosti
Pearl Fishers — De mon amie (My Love) In French Bizet
Pearl Fishers — Je crois entendre encore (I Hear as in a Dream) French Bizet
Pecche? (Why?) Neapolitan Song De Flaviis-Gaetano E. Pennino
Pieta, Signore! (Lord, Have Mercy!) Attributed to Stradella
Pimpinella (Florentine Song) ( Piano acc.) Tschaikowsky
Pourquoi? (Tell Me Why?) In French Heine-Tschaikowsky
Pour un baiser (For a Kiss) In French Tosti
Procession, La In French Ch. Brizeux-C^sar Franck
Queen of Sheba— Magiche note (Magic Tones !) Goldmark
Queen of Sheba— Prete-moi ton aide (Lend Me Your Aid) French Gounod
Rameaux, Les (The Palms) In French Jean Faure
Regiment de Sambre et Meuse (Marching Song of French Soldiers)
In French Planquette
Requiem Mass — lngemisco In Latin Verdi
Rigoletto — La donna e mobile (Woman is Fickle) Verdi
Rigoletto — La donna e mobile (Woman is Fickle) (Piano acc.) Verdi
Rigoletto — Parmi veder le lagrime (Each Tear That Falls) Verdi
Rigoletto — Questa o quella (Mid the Fair Throng) Verdi
Rigoletto — Questo o quella ('Mid the Fair Throng) (Piano acc.) Verdi
Salvator Rosa — Mia piccirella (My Little Girl) Gomez
Samson et Dalila — Voisma misere (Sore My Distress) French (with Chor.)
Sancta Maria In French Bertrand-Faure
Santa Lucia Neapolitan Neapolitan Folk Song
Schiavo.Lo — Quando nascesti tu(A Flower was Born at Your Birth) Gomes
Serenade de Don Juan (Don Juan’s Serenade) In French Tschaikowsky
Serenade Espagnole (Spanish Serenade) In French Teschemacher-Ronald
Serenata (Memories of a Concert) Caruso-Bracco
Si vous l’aviez compris (Had You But Known) French (Violin by Elman)
Stabat Mater-Cujus Animam (Through His Wounded Side) Latin Rossini
Tarantella Napolitana — La Danza Pepoli-Rossini
Tarantella Sincera (Neapolitan Song) de Crescenzo
Tiempo Antico (Olden Times) Caruso
Tosca — E lucevan le stelle (The Stars Were Shining) Puccini
Tosca— E lucevan le stelle (The Stars Were Shining) (Pianoacc.) Puccini
Tosca — Recondita armonia (Strange Harmony) Puccini
Triste ritorno! (Home-coming) Richard Barthelemy
Trovatore — Ah, si ben mio (The Vows We Fondly Plighted) Verdi
Trovatore — Di quella pira (Tremble, Ye Tyrants) Verdi
Trusting Eyes In English E. Teschemacher-C. G. Gartner
Uocchie Celeste (Blue Eyes) Armando Gill-Vincenzo de Crescenzo
Vieni Sul Mar ! (Over the Sea)
Vucchella, 'A (A Little Posy) Neapolitan D’Annunzio-Tosti
Your Eyes Have Told Me In English Bowles-O'Hara
CARUSO AND FARRAR
Faust — Eternelle (Garden Scene) In French Gounod
Faust — 11 se fait tard (Garden Scene) In French Gounod
Faust — Act V, Attends, voici la rue (Prison Scene) In French Gounod
Faust — Act V (Mon coeur) (Prison Scene) In French Gounod
Madama Butterfly — O quanti occhi fisi (Kindly Heavens) Puccini
Manon — On l’appelle Manon (She is Called Manon) In French Massenet
No.
Size
List p.
87243
10
$1.25
87071
10
1.25
87294
10
1.25
88279
12
1.75
88061
12
1.75
87186
10
1.25
87269
10
1.25
88580
12
1.75
88517
12
1.75
88599
12
1.75
87128
10
1.25
87271
10
1.25
87042
10
1.25
88556
12
1.75
87041
10
1.25
88552
12
1.75
88459
12
1.75
88600
12
1.75
88514
12
1.75
87017
10
1.25
81026
10
1.25
88429
12
1.75
87018
10
1.25
81025
10
1.25
88638
12
1.75
88581
12
1.75
88559
12
1.75
88560
12
1.75
88345
12
1.75
87175
10
1.25
87169
10
1.25
88628
12
1.75
89084
12
2.00
88460
12
1.75
88355
12
1.75
88347
12
1.75
88472
12
1.75
87044
10
1.25
81028
10
1.25
87043
10
1.25
88048
12
1.75
88121
12
1.75
87001
10
1.25
87187
10
1.25
88587
12
1.75
87305
10
1.25
87304
10
1.25
87159
10
1.25
89031
12
2.00
89032
12
2.00
89034
12
2.00
89033
12
2.00
89017
12
2.00
89059
12
2.00
VICTOR RED SEAL RECORDS
CARUSO AND HOMER No
Alda — Aida a me togliesti (Aida Thou Hast Taken) Verdi 89051
Aida — Gia i sacerdoti adunansi (The Priests Assemble) Verdi 89050
Trovatore — Ai nostri monti (Home to Our Mountains) Verdi 89018
Trovatore — Mai reggendo (At My Mercy Lay the Foe) Verdi 89049
CARUSO AND SCOTTI
Boheme — Ah, Mimi, tu piu (Mimi, False One) Puccini
Don Carlos — Dio che nell'alma (Infuse Friendship into Our Souls) Verdi
Forza del Destino — Solenne in quest' ora (Swear in this Hour 1) Verdi
Madama Butterfly — Velodissi? (Did 1 Not Tell You?) Puccini
Madama Butterfly — Act 1, Amore o grillo (Love or Fancy) Puccini
MISCELLANEOUS DUETS
Aida — La fatal pietra (The Fatal Stone) Caruso and Gadski
Aida — O terra addio (Farewell, Oh Earth) Caruso and Gadski
A la Luz de la Luna (Anton-Michelena) Spanish Caruso and de Gogorza
Size List p_
12 $2.00
89006
89064
89001
89047
89043
Caruso and Melba
Caruso and Journet
Caruso and De Luca
Caruso and Journet
Caruso and de Luca
Boheme — O soave fanciulla (Sweetest Maiden)
Crucifix In French
Elisir d’ Amore — Vend Scudi (Twenty Crowns)
Faust — Finale Act I (Heavenly Vision)
Forza del Destino — II segreto fu dungue violato ?
Forza del Destino— Invano, Alvarol (In Vain, Alvaro!) Caruso and Amato
Forza del Destino — Le minaccie Caruso and Amato
Guarany — Sento una forza indomita Caruso and Destinn
Martha — Solo, profugo (Lost, Proscribed) Caruso and Journet
Otello — Si pel ciel Caruso and Ruffo
Pearl Fishers — Del tempio al limitar Caruso and Ancona
Traviata — Brindisi — Libiam nei lieti calici Caruso and Gluck
Trovatore — Ai nostri monti Caruso and Schumann-Heink
Trovatore — Miserere Caruso, Alda and Metropolitan Opera Chorus
TRIOS BY CARUSO AND OTHER ARTISTS
Faust — Alerte! ou vous etes perdus French Caruso, Farrar and Journet 95203 12 2.50
Faust — Trio du Duel (What is Your Will?) Caruso, Scotti and Journet 95206 12 2.50
Lombardi — Qual volutta (With Sacred Joy ) Caruso, Alda and Journet 95211 12 2.50
Samson et Dalila — Je viens c£l6brer la victoire French
Caruso-Homer-Journet 89088 12 2.00
89028
89029
89083
95200
89054
89089
89039
89087
89052
89053
89078
89036
89075
89007
87511
89060
89030
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
10
12
12
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.50
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.00
2.00
1.50
2.00
2.00
QUARTETS BY CARUSO, ALDA, JACOBY AND JOURNET
Martha — Siam giunti, o giovinette (This is Your Future Dwelling) Flotow 95207 12
Martha — Che vuol dir cio (Surprised and Astounded!) Flotow 95208 12
Martha — Presto, presto (Spinning Wheel Quartet) Flotow 95209 12
Martha — Quartetto notturno (Good Night Quartet) Flotow 95210 12
QUARTETS BY CARUSO, FARRAR. JOURNET AND MME. GIL1BERT
Faust — Seigneur Dieu (From Garden Scene, Part I) In French Gounod 95204 12
Faust — Eh quoi toujours seule (From Garden Scene, Part II) French 95205 12
MISCELLANEOUS QUARTETS. ETC., BY CARUSO AND OTHER ARTISTS
Boheme — Quartet, Act III Caruso, Farrar, Viafora and Scotti 96002 12
Lucia— Sextette, Act II Caruso, Galli-Curci, Egener, de Luca, Journet, Bada 95212 12
Lucia — Sextette, Act II Caruso, Sembrich, Severina, Scotti, Journet, Daddi 96200 12
Lucia — Sextette, Act II Caruso, Tetrazzini, Amato, Journet, Jacoby, Bada 96201 12
Masked Ball— E scherzo Caruso, Hempel, Duchene, Rothier, deSegurola 89076 12
Masked Ball — La rivedra Caruso, Hempel, Rothier, de Segurola ( Cho ) 89077 12
Rigoletto — Quartet Caruso, Abott, Homer and Scotti 96000 12
Rigoletto — Quartet Caruso, Galli-Curci, Perini and de Luca 95100 12
Rigoletto — Quartet Caruso, Sembrich, Severina and Scotti 96001 12
2.50
2.50
2.50
2.50
2.50
2.50
3.00
3.50
3.50
3.50
2.00
2.00
3.00
3.00
3.00
VICTOR RED SEAL RECORDS
No.
Size List. p.
88648
12
$1.75
88661
12
1.75
87349
10
1.25
88657
12
1.75
88656
12
1.75
88655
12
1.75
88644
12
1.75
88659
12
1.75
88645
12
1.75
88646
12
1.75
CHALIAPIN, FEODOR, Bass (Shahl-yah' -pin)
This remarkable Russian basso is not simply a singer
but an artist; not merely a personality but a man. Being
such, he has had not a “career,” but a life. He was
born at Kazan, Russia, in 1873. At 7 he was a cobbler’s
apprentice; he became wood-carver, book-binder, pawn¬
broker s clerk, novice in a monastery of the Russian church,
and longshoreman on the Volga at 17 cents a day. At 17
he was in comic opera at $6 a week — machinist, prompter,
stage manager, singer, all in one. Not long afterwards he
was singing in Moscow at $6,000 a year. He upset all
stage tradition, expanding, not breaking, rules. In Boito’s
“Mefistofele” he appears with the upper half of his body
nude and covered with luminous paint. Chaliapin not only
sings, but acts a song; every record is a drama in miniature.
At that, he has one of the most beautiful voices of history.
THE CHALIAPIN RECORDS
Barbiere di Siviglia — La calunnia (Slander's Whisper) In Italian
Boris Godounow — Farewell of Boris (Farewell My Son, 1 Am Dying)
Boris Godounow — In the Town of Kazan Moussorgsky
In questa tomba oscura (Within the Tomb Forgotten) Italian Beethoven
Midnight Review Joukovsky-Glinka
Prophet, The Poushkin-Rimsky-Korsakow
Song of the Flea Goethe-Moussorgsky
Trepak (Still Is the Forest) (No. I from “Songs and Dances of
Death”) Moussorgsky
Two Grenadiers Heine-Schumann
When the King Went Forth to War Konemann
CHEMET, RENEE, Violinist ( Sheh-may Reh-nay) See " Famous Artists of Europe"
CLEMENT, EDMOND, Tenor {Klay-mon[g])
This favorite French artist, who has for many years
been the leading tenor at the Paris Opera Comique, was
born in Paris. He was destined for a civil engineer, and
graduated from the Polytechnic; but his love for music
compelled him to enter the Conservatoire, where he was
one of the most brilliant pupils of his class. He was soon
placed on the staff of the Opera Comique, where he
remained continuously until brought over by the Metro¬
politan in 1909 ; and during his stay in America duplicated
his French success.
In the records which M. Clement has made for
the Victrola his beautifully schooled voice, graceful style
and perfect diction are shown to fine effect. They have
that exquisite finish characteristic, it would seem, of every¬
thing which is touched by French ait.
THE CLEMENT RECORDS ( Sung in French )
Bergere L6gere (2) L’ adieu du Matin (Pianoforte by La Forge)
Jocelyn — Berceuse (Lullaby)
Manon — Le Reve (The Dream) ( Pianoforte acc. by La Forge)
Rameaux, Les (The Palms)
Roi d’Ys — Vainement, ma bien aim6el (In Vain. Beloved!)
Werther — Pourquoi me reveiller (Why Awake Me?)
CLEMENT AND JOURNET
Pearl Fishers — Au fond du temple saint (In the Temple)
CLEMENT AND FARRAR— See “ Farrar "
No. Size List p.
Pessard 64223 10 $1.23
Godard 64233 10
Massenet 74258 12
Faure 74319 12
Lalo 74264 12
Massenet 64234
10
1.25
1.75
1.75
1.75
1.25
Bizet 76022 12 2.00
CONSTANTINO, FLORENCIO, Tenor — See " Nielsen and Constantino Duets'
VICTOR RED SEAL RECORDS
CORTOT, ALFRED, Pianist ( Cor-toh ')
Born in Switzerland, of French parents, Alfred Cortot
went to Paris to study. After graduating with high honors
he toured Europe with great success, earning himself a place
among the foremost pianists of the day. Not content with
this, however, he won great distinction as a conductor, and
founded the Parisian Societe de Concerts, and directed the
Concerts Populaires in Lille. When only thirty years old
he became a professor at the Conservatoire, succeeding
Marmontel and Pugno — two of the greatest of French
pianists. During the war Cortot was on the staff of General
Galieni, defender of Paris, having charge of concerts in
hospitals, training camps, etc., and devoting special care to
the “reconstruction” of wounded soldiers. For his services
he has been made a Chevalier of the Legion of Honor, and
was selected as the soloist for the semi-official visit to the
United States, with Messager and the Conservatoire Orchestra. His style is brilliant,
clear, and at all times poetic, and his conscious control of tone is a resource achieved by
few pianists, a dazzling, almost mercurial quality in one number being contrasted with
sombre, almost orchestrally distributed colors in another. He has made a number of
characteristic records for the Victor, some of the happiest being among those modern com¬
positions which are making their way slowly but certainly into the musical consciousness of
the world. His recent tours of the United States have established firmly his reputation,
and his place, among American music lovers, who have been no less cntically appreciative
— and no less enthusiastic — than those who have known him in Europe.
THE CORTOT RECORDS
No.
Size Listp.
Berceuse (Op. 57)
Chopin
74623
12
$1.75
Caprice Poetic (La Leggierezza)
Franz Liszt
74589
12
1.75
Etude in G Flat Major (Chopin, Op. 10) (2) Etude (Op. 25) (The Butterfly)
Fille aux cheveux de Lin, La (The Maiden with Flaxen Hair)
64989
10
1.25
(B) Menestrels (Minstrels)
Debussy
64956
10
1.25
Fountain, The (Jeux d’eau)
Ravel
74659
12
1.75
Hungarian Rhapsody, No, 2 — Part 1
Liszt
74670
12
1.75
Malaguena (Spanish Dance)
I. Albeniz
64846
10
1.25
Melody Polonaise (Op. 74, No. 5)
Chopin-Liszt
64973
10
1.25
Rigoletto — Paraphrase de Concert
Verdi-Liszt
74636
12
1.75
Seguidilla (Castilian Dance)
I. Albeniz
64819
10
1.25
Tarantelle (Opus 43)
Chopin
64910
10
1.25
Waltz Etude, in D Flat (Opus 52, No. 6)
Saint-Saens
74568
12
1.75
CULP, JULIA, Contralto
Julia Culp’s success in America has placed her among
the foremost singers in this country, and it is a rare
privilege to number her among the artists who make
records for the Victor. She was born in Holland, and
received her first training at the Amsterdam Conservatory.
Later she studied with Etelka Gerster, after which she
made a most successful debut. Following this she toured
extensively, singing with the greatest success in Austria-
Hungary, Russia, England, France, Belgium, Holland,
Spain and Scandinavia, in addition to the United States.
Invariably her singing won the highest praise, and she is
today among the foremost artists singing in America. She
has the gift of languages, and finds no difficulty with the
English tongue. Of her vocal powers a well-known
American critic has said, “ She is indeed unmatched as a
singer of songs in our generation.”
VICTOR RED SEAL RECORDS
She has contributed much to the actual history of music. She was one of a group
of artists who endeavored to bring to popular appreciation the works of the composer
Hugo Wolf, a struggling and unheard of genius who died before he became fully and properly
known. Some of her concert programs in the past have been given up almost exclusively
to the songs of one composer. Beethoven, Schubert, Brahms, all have been among
these so interpreted. As with many other artists, she did not begin as a singer, but as a
violinist, playing for nine years before she began to take up seriously the study of vocal
music. Her special field is the song, as against the operatic aria — though she has touched
this too with the certainty and the understanding of true art.
THE CULP RECORDS
All Through the Night ( Old Welsh Air )
Auf Wiedersehn! (From “The Blue Paradise") Reynolds-Romberg
Auld Lang Syne Old Scotch Air
Ave Maria In German Schubert
Bendemeer's Stream (Irish Melody) Moore — Arr. by Alfred Scott Gatty
By the Waters of Minnetonka (Indian Love Song) Cavanass-Lieurance
Beethoven
Schubert
Cottage Maid, The ,
Du bist die Ruh’ (My Sweet Repose) In German
Geluckig Vaderland (Dutch Folk Song)
Haidenroslein (Hedge Rose) In German (Piano acc.)
1m Abendrot (In the Afterglow) In German
Long, Long Ago
Love’s Old Sweet Song
Lullaby (From “Indian Songs”)
Mignonette In French
Goeth e-Schubert
Schubert
T. Haynes Bayly
Bingham-Molloy
Thurlow Lieurance
Le Roux-Weckerlin
Mondnacht (Moonlight) ( Pianoforte acc.) In German Schumann
Oh Rest in the Lord (From “ Elijah”) Mendelssohn
Samson et Dalila — Mon coeur s'ouvre & ta voix In French Saint-Saens
Serenade (Standchen) In German Schubert
Silver Threads Among the Gold
Stille Nacht, heilige Nacht
Wiegenlied (Cradle Song) In German
( Piano acc.)
Rexford-Danks
Franz Gruber
Brahms
No.
Size
List p.
64414
10
$1.25
74523
12
1.75
64418
10
1.25
64489
10
1.25
64720
10
1.25
64721
10
1.25
64493
10
1.25
74461
12
1.75
64551
10
1.25
64396
10
1.25
64492
10
1.25
64419
10
1.25
74540
12
1.75
64491
10
1.25
64403
10
1.25
64554
10
1.25
74427
12
1.75
64490
10
1.25
74431
12
1.75
74527
12
1.75
64397
10
1.25
64402
10
1.25
D
DALMORES, CHARLES, Tenor ( Dahl-moh-ms )
Mr. Dalmores has made a splendid success in Amer¬
ica, and has proven one of the best French tenors heard
in many years.
Charles Dalmores was born at Nancy, France, in 1872,
and made his debut at Rouen in 1899 with such success
that he was engaged for the Brussels Opera, and his
Brussels triumphs were repeated at Covent Garden, where
he sang with Calve in “Carmen,” and with Melba in
“Faust.” He was brought to the U. S. in 1906 by Oscar
Hammerstein, and his successes at the Manhattan in Don
Jose, Hoffmann and other roles are well remembered.
THE DALMORES RECORDS
Lohengrin — Atmest du nicht mit mir die sUssen Dufte? No. Size List p.
(Dost Thou Breathe the Incense Sweet ?) Act II In German Wagner 87088 10 $1.25
Tales of Hoffmann — C’est elle ('Tis She I) French Offenbach 87089 10 1.25
VICTOR RED SEAL RECORDS
DE GOGORZA, EMILIO, Baritone (deh Goh-gor -thah or Goh-gort' -zah)
If you will glance down the list of records made by
this brilliant baritone, you will observe that language evi¬
dently presents no barrier. If you go a step further and listen
to the records, you will further note that whatever the lan¬
guage, the artist enters into the spirit of the nation whose songs
he interprets. Mr. De Gogorza was born in Brooklyn, N.Y. ,
of Spanish parents who were passing through America.
He left America at the age of two months and went to
Spain where his parents resided for some time. The first
languages that he spoke were French and Spanish. He
subsequently was sent to England at the age of eleven to
learn the language. Later he went to Ecole “Monge” in
Paris, coming to America in his twentieth year. He obtained
American citizenship after residing several years in this
country, as he had been registered at his birth at the Spanish
consulate as a Spanish subject. There is Anglo-S axon
strength and virility, Spanish passion and abandon, Italian
subtlety and latent fire, French nicety of detail in all his work. Above all, there is the
perfect freedom of vocal technique which belongs to no country in particular but to the
cosmopolitan realms of consummate art.
De
THE DE GOGORZA RECORDS
Absent Glenn-Tirindelli
A la Luz de la Luna (In the Moonlight) In Spanish with Caruso
Barbiere — Largo al factotum (Room for the Factotum) In Italian Rossini
Beauty’s Eyes Weatherly-Tosti
Canto del Presidiario, El In Spanish Alvarez
Carmen — Chanson du Toreador (Toreador Song) French (with Cho) Bizet
Chanson de Fortunio — Serenade (Fortunio’s Song) French Offenbach
Clang of the Forge In English Paul Rodney
Comme se cant6 a Napule In Italian (.with Mandolin) Rolonda-Mario
Could I (Vorrei) F. Paolo Tosti
Damnation de Faust — Serenade French (2) Don Giovanni-Serenata Italian
Dear Heart Bingham-Mattei
Don Giovanni — Serenata In Italian (2) Faust — Serenade In French Berlioz
(Sleep On) In Italian
Dormi pure — Serenade
Dream Faces
Drink to Me Only with Thine Eyes In English
Each Shining Hour
El Celoso (The Jealous One) In Spanish
Faust — Dio possente (Even the Bravest Heart)
For All Eternity
For Ever and For Ever !
For You a Rose
Garden of Memory, The
Garden of Sleep
God, My Father — From ‘‘Seven Last Words of Christ” In English Dubois
Herodiade— Vision Fugitive (Fleeting Vision !) In French Massenet
Holy City Stephen Adams
1 Know a Lovely Garden Teschemacher-D’Hardelot
In Old Madrid Clifton Bingham-H. Trotere
fn the Shade of the Palm (from “Florodora”) Stuart
Je sais que vous etes jolie (1 Know You Are Pretty) In French Christina
John Peel — Old Hunting Song
Scuderi
Wm. M. Hutchinson
Ben Jonson
Glad Forster
Alvarez
In Italian Gounod
Mascheroni
F. Paolo Tosti
Cobb-Edwards
Curzon-Phillips
Scott-de Lara
No.
Size Listp.
64628
10
$1.25
89083
12
2.00
88181
12
1.75
64372
10
1.25
74042
12
1.75
88178
12
1.75
64632
10
1.25
64037
10
1.25
64479
10
1.25
64794
10
1.25
88447
12
1.75
64836
10
1.25
88447
12
1.75
74047
12
1.75
64949
10
1.25
74077
12
1.75
64888
10
1.25
64482
10
1.25
88174
12
1.75
64038
10
1.25
66019
10
1.25
64816
10
1.25
6491 1
10
1.25
64698
10
1.25
88177
12
1.75
88153
12
1.75
74041
12
1.75
66072
10
1.25
64953
10
1.25
64984
10
1.25
64598
10
1.25
64928
10
1.25
( Continued on next page)
VICTOR RED SEAL RECORDS
THE DE GOGORZA RECORDS-Continued
Hon. Mrs. Norton
In French Symiane
Juanita
Lina — Chanson Napolitaine (Neapolitan Song)
Linda mia — Spanish Folk Song
Lost Chord, The Proctor-Sullivan
Magic Flute — La dove prende In Italian with Eames
Mandolinata, La (Mandolin Serenade) In Italian Paladilhe
Masked Ball — Eritu? (Is it Thou ?) In Italian Verdi
Mi Nina (My Nina !) In Spanish Guetary
'Mong the Green Irish Hills Nellie I. Freese
Mother o' Mine (Tours) (2) Lark Now Leaves Its Wat’ ry Nest Parker
Noche Serena (Calm Night) (Mexican Folk Song) In Spanish
Non e ver (’Tis Not True) In Italian Mattei
Oh, Song Divine Arthur St. Ives-Gordon Temple
Only to Dream You Love Me! (Lasciali dir, tu m' ami!) Italian Quaranta
di Capua
di Capua
Leoncavallo
Leoncavallo
Yradier
Alvarez
O sole mio (My Sunshine !) (Neapolitan Folk Song)
O sole mio (My Sunshine!) (Neapolitan Folk Song)
Pagliacci — Prologo (Prologue) In Italian
Pagliacci — Prologo (Prologue) In Italian
Paloma, La (The Dove) In Spanish
Partida, La (The Departure) In Spanish
Preguntale & las Estrellas (Mexican Folk Song) In Spanish
Sally in Our Alley (Hatton-Boosey version) Henry Carey
Santa Lucia In Italian Neapolitan Folk Song
Sevilliana, La In Spanish Yradier
Since Molly Went Away Stanton- Burleigh
Song of the Volga Boatmen (Russian Folk Song) Arr. by Bromberg
Tannhauser — O du mein holder Abendstern In German Wagner
Tempestad, La — Monologo In Spanish
Teresita Mia (MyTeresita) In Spanish
Thou Art Near Me, Margarita
Trovatore — -11 balen (Tempest of the Heart)
Viking Song
Waiting for Your Return
Chapi
Nieto
Barnett — Meyer-Helmund
I n Italian Verdi
W right — Coleridge-T aylor
Genise-de Curtis-Caesar
When Dull Care (Old English)
Arranged by H. Lane Wilson
No. :
Size List p.
64812
10
$1.25
64101
10
1.25
64042
10
1.25
74359
12
1.75
89003
12
2.00
64160
10
1.25
88324
12
1.75
74149
12
1.75
74422
12
1.75
74118
12
1.75
64480
10
1.25
74421
12
1.75
74502
12
1.75
66046
10
1.25
64136
10
1.25
74105
12
1.75
88176
12
1.75
64584
10
1.25
74379
12
1.75
74360
12
1.75
64597
10
1.25
64501
10
1.25
64663
10
1.25
64041
10
1.25
64624
10
1.25
64997
10
1.25
88154
12
1.75
64045
10
1.25
66033
10
1.25
64722
10
1.25
88175
12
1.75
64786
10
1.25
66094
10
1.25
64629
10
1.25
DE LUCA, GIUSEPPE, Baritone
Giuseppe de Luca is one of the most distinguished
members of the Metropolitan Opera Company, and no
artist has more successfully proven his right to a place
of distinction than this great Italian baritone.
A Roman by birth, at the age of thirteen his talent for
singing was brought to the attention of Bartolini, the famous
baritone and teacher. The boy then showed indications of
musical feeling in marked degree, and his voice at that time
was of the distinctly baritone quality. Fearing a possible
change in it, though, it was not until some two years later
that de Luca entered the Conservatory of Santa Cecilia
in Rome, where he studied for five years before making
his debut in “Faust.” He spent eight winter seasons in the
famous La Scala, then appeared with most significant
success in all the considerable capitals of Europe.
Mr. de Luca’s American debut was made as Figaro in the “Barber of Seville” at the
Metropolitan Opera House, November 25, 1915, when he won instant favor with press and
public alike. The Victor, after hearing this fine artist, promptly secured his record services;
since then his artistic achievements and his fame have grown together.
VICTOR RED SEAL RECORDS
Mr. de Luca’s name will always be associated, in musical history, with the great
artists of his generation. It does not always happen that even a great artist is so assiduous
in his search after perfection, the tendency, here and there, being to rely unduly upon
great natural gifts. He has not made this mistake; and the result appears in every phrase
he sings.
His mature artistic life has been put in the company of high presences. The rich
mellow quality of his voice, the easy perfection of his method, the finished subtlety of his
purely musical consciousness, and the fine glow of personality which has surrounded his stage
performances, have given him a place in operatic music which has been well and justly earned.
THE DE LUCA RECORDS ( Sung in Italian unless otherwise noted )
Barber of Seville — Largo al Factotum (Room for the Factotum) Rossini
Beau Soir (A Beautiful Evening) In French Bourget-Debussy
Don Carlos — O Carlo, ascolta (Listen to My Plea) Verdi
Don Carlos — Per me giunto e il di supremo (The Day Supreme)
Don Pasquale — Pronta io son (My Part I’ll Play) with Bori
Don Pasquale — Vado corro (Haste We) with Bori
Elisir d’Amore — Venti Scudi (Twenty Crowns) with Caruso
Ernani — O de’ verd’ anni miei (Oh Bright and Fleeting Shadows) Verdi
Faust — Dio possente (Even the Bravest Heart) Gounod
Favorita — A tanto amor (Thou Flow'r Beloved) Donizetti
Forza del Destino — 11 segreto fu dungue violato? with Caruso
Herodiade — Vision fugitive (Fleeting Vision) In French Massenet
Lucia — Sextette — Galli-Curci, Egener, Caruso, De Luca, Journet, Bada
Marietta In English Romilli
Marriage of Figaro — Se vuol ballare ? Mozart
Mattinata (Morning Song) Carducci-Fatuo
Masked Ball — Eri tu (Is it Thou?) Verdi
Nuttata ’e Sentimento Neapolitan A. Cassese-G. Capolongo
Oi Luna (Oh Silvery Moon) In Neapolitan Cordiferro-Cardillo
Rigoletto — Piangi fanciulla (Weep My Child) with Galli-Curci
Rigoletto — Quartet with Galli-Curci, Perini, Caruso
Rinaldo — Lascia ch’io pianga (My Tears Shall Flow) Handel
Traviata — Di Provenza il mar (Thy Home in Fair Provence) Verdi
Traviata — Dite alia giovine (Say to Thy Daughter) with Galli-Curci
Traviata — Imponete (Now Command Me) with Galli-Curci
Trovatore — Il Balen del suo sorriso (The Tempest of the Heart) Verdi
Ultima Rosa (Lonely Rose) A. Fogazzaro-G. Sibella
Zaza — Il Bacio (The Kiss) with Farrar
No.
Size
List p_
74514
12
$1.75
64934
10
1.25
64957
10
1.25
74697
12
1.75
89161
12
2.00
89162
12
2.00
89089
12
2.00
74506
12
1.75
74633
12
1.75
74591
12
1.75
89087
12
2.00
74744
12
1.75
95212
12
3.50
66068
10
1.25
64673
10
1.25
64990
10
1.25
74526
12
1.75
64685
10
1.25
64912
10
1.25
87567
10
1.50
95100
12
3.00
74572
12
1.75
74528
12
1.75
89134
12
2.00
89133
12
2.00
64668
10
1.25
64776
10
1.25
87568
10
1.50
DE PACHMANN
DE LUCA AND MARTINELLI DUET— See"
DE PACHMANN, VLADIMIR, Pianist (deh Pahk'-man)
M. de Pachmann has been frequently heard in Amer¬
ica, but his last tour was the most successful of all, his
remarkable playing of the Chopin works being greeted
with the greatest enthusiasm.
The reproductions which the Victor has made of this
artist’s playing show in a marvelously faithful manner his
beautiful tone and exquisite delicacy of touch. These
include four exquisite Chopin compositions ; Mendelssohn
and Schumann numbers; and that celebrated encore piece,
the “Rigoletto” transcription.
M. De Pachmann is known as one of the great tonal-
ists of the piano, and the Victor records were made at the
height of his extraordinary powers.
VICTOR RED SEAL RECORDS
DE PACHMANN RECORDS
Funeral March (Marche funebre) (Op. 35, No. 2)
Mazurka, Op. 59, No. 3, F Sharp Minor
Nocturne in G Major, Opus 37, No. 2
Prelude, Opus 28, No. 24 (2) Etude, Opus 10, No. 5
Prophet Bird (Schumann) (2) Spring Song, Op. 62
Rigoletto — Paraphrase de Concert
Spring Song, Op. 62 (Mendelssohn) (2) Prophet Bird
Chopin
Chopin
Chopin
Chopin
Mendelssohn
Verdi- Liszt
Schumann
No. Size List p.
74304 12 $1.75
64263 10 1.25
74313 12 1.75
74260 12 1.75
74285 12 1.75
74261 12 1.75
74285 12 1.75
DESTINN, EMMY, Soprano
Emmy Destinn was born at Prague, Czecho-Slovakia,
1878, and began her musical career as a violinist. Discovering
that nature had endowed her with an exceptional voice — to
say nothing of an exceptional dramatic instinct — she wisely
gave up the violin. From the first she was successful, and
after brilliant continental successes as an opera singer, she was
heard in London and subsequently in New York with the
Metropolitan. Quickly she established herself as among the
first favorites of the great artists of that illustrious com¬
pany. Rarely has so beautiful a voice been united to so
intense a dramatic instinct, and there is a genuine “thrill ”
in any dramatic number that she sings. She made her
debut as Santuzza in “Cavalleria Rusticana,” and then was
chosen by Cosima Wagner to sing Senta in “The Flying
Dutchman”; she was selected by Richard Strauss for the
first performances of “Salome”; she appeared in London in “Madama Butterfly,” then
came to America and sang in “Don Giovanni” and in “Aida” — surely a record for
versatility to make any singer proud. She once wrote the libretto for an entire opera.
THE DESTINN RECORDS
Aida — O patria mia (My Native Land) In Italian Verdi
Ave Maria In Latin Bach-Gounod
Gioconda — Suicidio (Suicide Only Remains) Italian Ponchielli
Hubicka — Ukolebavka (Cradle Song) In Bohemian Smetana
Masked Ball— Morro ma prima in grazia (I Die, Yet First Implore
Thee) In Italian
Mignon — Kennst du das Land (Knowest Thou the Land) Ger. Thomas
Romance In Bohemian Adolf Wenig-Emmy Destinn
Tannhauser — Elisabeths Gebet (Elizabeth’s Prayer) In German Wagner
Tosca — Visse d’arte e d’amore (Love and Music) Italian Puccini
Zalo dievca, Zalo travu (The Mower) In Bohemian Dvorak
DESTINN AND DUCH£NE
Pique Dame — O viens mon doux berger In French
T schaikowsky
DESTINN AND G1LLY
Good-Night (Folk Song) (Dobrou noc, ma mila) In Bohemian
My Homeland (Folk Song) (Kde domov Muj?) In Bohemian
Wedding, The (Folk Song) (Uz Mou Milou) In Bohemian
DESTINN AND CARUSO
Guarany — Sento una forza indomita (An Indomitable Force) Gomez
DESTINN AND MART1NELL1 (with Metropolitan Opera Cho.)
Trovatore — Miserere (Pray that Peace May Attend a Soul) Verdi
No.
Size List p.
88469
12
$1.75
88562
12
1.75
88478
12
1.75
88634
12
1.75
88636
12
1.75
88467
12
1.75
88624
12
1.75
88488
12
1.75
88487
12
1.75
87324
10
1.25
89118
12
2.00
89116
12
2.00
87555
10
1.50
87554
10
1.50
89078
12
2.00
89119
12
2.00
VICTOR RED SEAL RECORDS
EAMES, EMMA, Soprano ( Aymz )
Emma Eames was born in Shanghai, China, of
American parents, her father being a lawyer of the Inter¬
national Courts. The family soon returned to their Amer¬
ican home in Bath, Maine, where the young Emma began
the study of music — at first with her mother but finally
going to Paris, where she spent several years with Mme.
Marchesi in arduous study of voice culture, dramatic action
and the French language.
Mme. Eames made her way to the front by sheer
talent and hard study. A pure fresh voice, flexible and
expressive, remarkably good intonation, an attractive per¬
sonality, and an unbounded enthusiasm for her work were
the qualities which contributed to her rapid advancement.
She has, during her career, created a number of important
roles, and has sustained the best operatic traditions in many
others in what may be classed as the standard repertoire. Like so many others among the
truly great artists of our time Mme. Eames chose the Victor as the means of perpetuating
her art.
THE EAMES RECORDS
Ave Maria {'Cello obbligato by Hollman ) In Latin
Elegie {’Cello obbligato by Hollman) In French
Who is Sylvia ? In English (Words by Shakespeare)
EAMES AND DE GOGORZA
Magic Flute — La dove prende (Smiles and Tears) In Italian
No. Size List p.
Bach-Gounod 88016 12 $1.75
Massenet 88014 12 1.75
Franz Schubert 88013 12 1.75
Mozart 89003 12 2.00
EAMES AND SEMBR1CH
Marriage of Figaro — Che soave zeffiretto (Letter Duet) In Italian Mozart 95202
ELMAN, MISCHA, Violinist
Though he has lived for some years in America, and has
come to be regarded as one of our own, Mischa Elman was born
in South Russia, and owed his musical education to the accident
that the great teacher, Leopold Auer, while on tour, heard
him play. Owing to racial difficulties, a special permit from
the Czar had to be obtained to get Elman and his family out
of Moscow and into Petrograd. Once there, however, he
made astonishing progress. Overwhelming success in the
Russian capital was followed by equally astounding results in
London and eventually in Russia. Among violinists the
“Elman tone” is spoken of almost with bated breath, as of a
thing apart from ordinary experience. It has a fullness of
volume, a sensuous richness of quality that make it unique, and
it is used with extraordinary nicety of technique and a musi-
cianly understanding. Mischa Elman has interested himself
in chamber music, and the records of the Elman String
Quartet are an interesting feature in our recent catalogues.
The list of Elman records is a long one. It is particularly
2.50
ELMAN
rich in those compositions which belong in the standard concert repertoire of great violinists,
and which never lose interest for music-lovers from generation to generation. There is not
one which concert-goers do not know and love, and not one of which music- lovers are
likely to tire.
VICTOR RED SEAL RECORDS
THE ELMAN RECORDS (A cc. by Kahn, Golde, Loesser, Balaban or Bonime)
No.
Air for G String (Wilhelmj arr.) Bach
Alice Where Art Thou J. Ascher
Ave Maria Schubert and Wilhelmj
Canto Amoroso (Love Song)
Canzonetta (Op. 6)
Capriccio (Pianoforte by Gordon )
‘ Caprice Basque
^"■Capricietto (Arr. by Burmester)
Cavatina (Op. 85, No. 3)
Cinquantaine, La (The Golden Wedding)
Coq d’Or — Hymn to the Sun
Country Dance (Contredanse)
Country Dance (Landlicher Tanz)
Dans les Bois (Voice of the Woods) (Waldstimmen)
Dew is Sparkling
Eili, Elli
Faust — Fantasie from Garden Scene
Fond Recollections (Opus 64, No. 1)
Gavotte (Andre Gretry) (2) Tambourin
Sammartini
d’ Ambrosio
Scarlatti
Pablo de Sarasate
Mendelssohn
Raff
Gabriel-Marie
Rimsky-Korsakow
Beethoven-Elman
Weber-Elman
Paganini- Vogrich
Rubinstein- Elman
Arranged by Elman
Gounod
David Popper
Gossec
Gavotte (Gossec) (2) German dance (Deutscher Tanz) Dittersdorf
Humoresque (Opus 101 , No. 7) Antonin Dvorak
Hungarian Dance No. 7 — A Major Brahms-Joachim
Hungarian Dance No. 1 7 in F Sharp Minor Brahms-Joachim
In a Gondola — Impromptu Elman
Introduction and Rondo Capriccioso Saint-Safins
Kol Nidrei (Op. 47) Max Bruch
Last Rose of Summer Arranged by Leopold Auer
Meistersingei — Prize Song
M^lodie (Opus 42, No. 3)
M^lodie (Air from "Orfeo”) (Wilhelmj arr.)
Menuett in D, No. 2
Minuet in G, No. 2
Nocturne (Op. 54, No. 4) (Arr. by Elman)
Nocturne in D Flat (Op. 27, No. 2)
Nocturne in E Flat (Opus 9, No. 2) (Sarasate arr.)
Wagner
T schaikowsky
Gluck
Haydn-Burmester
Beethoven
Grieg
Chopin- Wilhelmj
Chopin
Nur wer die Sehnsucht kennt (Ye Who Have Yearned)
Orientale (From “Kaleidoscope," Op. 50, No. 9)
Passepied (from “Le Roi s’amuse ’’)
Pastorale (Pianoforte by Gordon)
Rigaudon
ondino (On a theme by Beethoven)
Scotch Pastorale (Op. 1 30, No. 2)
Serenade
Serenade
Serenade — Standchen (Arr. by Elman)
Simple Confession (Simple Aveu) (Pianoforte by Gordon )
Song Without Words (Cradle Song) (Op. 67, No. 6)
Souvenir
Souvenir de Moscow
Spanish Dance (Spanische Tanze — Op. 22, No. 3)
Symphonie Espagnole — Andante (Fourth Movement)
Tango (Pianoforte by Bonime )
Thais — Meditation
Tschaikowsky
C^sar Cui
Delibes-Elman
Domenico Scarlatti
Pierre Alexandre Monsigny
Fritz Kreisler
Gustave Saenger
Drdla
Drigo
Schubert
Thom6
Mendelssohn
Drdla
Wieniawski
Sarasate
(Op. 2 1 ) Lalo
Albeniz-Elman
Massenet
Traumerei (Reverie)
Robert Schumann
74292
74724
74339
74392
66008
64642
74176
64204
74336
66073
74597
64968
64537
74395
64894
74732
64122
66099
64198
74164
74163
64439
64977
64530
74165
74601
64958
74186
74053
74459
64538
64121
74643
74590
74052
74178
64639
64903
64636
64201
64547
64884
66048
64123
74167
74515
74607
64644
74051
74455
74771
64821
74341
64197
Size List p.
12 $1.75
1.75
12
12
12
10
10
12
10
12
10
12
10
10
12
10
12
10
10
10
12
12
10
10
10
12
12
10
12
12
12
10
10
12
12
12
12
10
10
10
10
10
10
10
10
12
12
12
10
12
12
12
10
12
10
1.75
1.75
1.25
1.25
1.75
1.25
1.75
1.25
1.75
1.25
1.25
1.75
1.25
1.75
1.25
1.25
1.25
1.75
1.75
1.25
1.25
1.25
1.75
1.75
1.25
1.75
1.75
1.75
1.25
1.25
1.75
1.75
1.75
1.75
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.75
1.75
1.75
1.25
1.75
1.75
1.75
1.25
1.75
1.25
VICTOR RED SEAL RECORDS
THE ELMAN RECORDS— Continued
Turkish March (from Ruins of Athens)
Valse Caprice (Op. 16)
Waltz in E Flat Hun
ELMAN STRING QUARTET (Mr. Elman and Messrs. Bak, Rissland
and Nagel, of the Boston Symphony Orchestra)
Andante Cantabile (from String Quartet, Op. 1 1 )
Quartet in D Minor — Menuetto
Quartet in E Flat — Allegro
Quartet in E Flat — Menuetto
Quartet in G Major — Andante
SOLOS BY CARUSO WITH OBBLIGATI BY ELMAN — See "Caruso"
SOLOS BY ALDA WITH OBBLIGATI BY ELMAN — See "Alda"
Beethoven
No.
64915
Size List p.
10 $1.25
Karl Rissland
64643
10
1.25
1 and Burmester
64336
10
1.25
Bak, Rissland
T schaikowsky
74575
12
1.75
Mozart
64661
10
1.25
von Dittersdorf
64671
10
1.25
Mozart
74576
12
1.75
von Dittersdorf
74525
12
1.75
F
FAMOUS ARTISTS OF EUROPE
The following records were made abroad by celebrated singers of important Euro¬
pean music centers. Ansseau is Belgian; Thibaud, Renaud and Chemet, French, and
Smirnov, Russian. All have risen to brilliant distinction in the Old World, and several
in the New. Maurice Renaud, the French baritone, made a brilliant reputation in
America in the days of Hammerstein’s operatic ventures.
ANSSEAU. FERNAND. TENOR In French
H^rodiade — Ne pouvant reprimer (The Power of Thy Faith) Massenet
Romeo et Juliette — Ah! leve-toi soleil (Arise, Fair Sun) Gounod
Werther — O Nature, pleine de grace (Invocation to Nature) Massenet
CHEMET, RENEE, VIOLINIST (Acc. by Marguerite Delcourt )
Sonata in G Minor — Andante con moto ( 1st Movement)
Sonata in G Minor — Presto non troppo (2nd Movement)
Waltz
RENAUD. MAURICE, BARITONE
Le Soir (At Evening) In French Gounod
Tannhausei — O douce 6toile (Song to the Evening Star) French Wagner
SMIRNOV, DMITRI, TENOR
Chanson Indoue (A Song of India) Rimsky-Korsakow
Maria, Mari (Neapolitan Song) In Italian Russo-Di Capua
Pearl Fishers — Mi par d’udir ancora (1 Hear as in a Dream) Italian
THIBAUD. 1ACQUES, VIOLINIST
Moment Musical (Schubert-Kreisler) (2) Minuet Caprice Rode-Thibaud
Serenit6 (Serenity) (Op. 45, No. 5) Vieuxtemps
Tambourin (Rameau-Kreisler) (2) Saltarelle Wieniawski-Thibaud
CONCERTED NUMBERS
Alda — Nume custode e vindice (Hear Us I) Paoli, de Segurola and Cho
Aida — Ohime ! Morir mi sento de Casas and Chorus
Tartini
Tartini
Weber
No.
Size
List p.
74763
12
$1.75
74738
12
1.75
74739
12
1.75
74751
12
1.75
66076
10
1.25
66043
10
1.25
91072
10
1.25
91067
10
1.25
74740
12
1.75
66042
10
1.25
74741
12
1.75
66065
10
1.25
66064
10
1.25
66066
10
1.25
89120
12
2.00
88270
12
1.75
VICTOR RED SEAL RECORDS
FARRAR, GERALDINE, Soprano ( Fah-rah /)
Few artists are so dear to the heart of the American
public as Geraldine Farrar. Her wonderful voice, her histri¬
onic gifts, her personal beauty, count for much, but above
all her courage, her spirit and enterprise, are peculiarly ap¬
pealing to the American point of view. She was born in
Melrose, Mass., and began her musical studies at the age of
twelve, under Miss Long, of Boston. Later she studied with
Emma Thursby in New York, at the same time learning
dramatic action from Capoul. In 1899 she went to Paris to
study with Trabadello, but being desirous of achieving the
highest development wisely went to Mme. Lilli Lehmann.
Operatic successes in Europe of the most brilliant kind made
her engagement by the Metropolitan inevitable. Among
American music-lovers, especially opera-goers, the name of
Geraldine Farrar has become a household word. The
number of roles she has successfully created is astonishing,
and to every one she has brought the same care, the same intelligence, the same superb
artistry. More especially, perhaps, we think of her as Tosca, as Carmen, Marguerite,
or Madama Butterfly, but to these may be added Mimi (an unforgetable achievement),
Zerlina, Juliet, Cherubino, Gilda, Violetta, Nedda and many others. Nor can we
omit reference to the charm with which she sings the old American and other folk
songs, and established favorites of the concert room.
THE FARRAR RECORDS
Abide with Me
Annie Laurie
At Parting
Au Printemps (To Spring) In French
Believe Me If All Those Endearing Young Charms
Ben Bolt
Boat Song
Boheme — Addio (Farewell) ( Harp by Mme. Rossini)
Boheme — Mi chiamano Mimi (My Name is Mimi)
Bonnie Sweet Bessie — Scotch Air
Carmen — Chanson Boheme (Gypsy Song) In French
Lyte-Monk
Douglass-Scott
Peterson-Rogers
Gounod
Moore
English-Kneass
G. Romilli
In Italian Puccini
In Italian Puccini
Gilbert
Bizet
Carmen — Habanera (Love is Like a Wood Bird) In French Bizet
Carmen — Jedisquerien ne m’epouvante (Micaela’s Air) In French
Carmen — La-bas dans la montagne In French Bizet
Carmen — Seguidilla (Near the Walls of Seville) In French Bizet
Carmen — Voyons quej'essaie (Let Me Know My Fate) French Bizet
Cornin’ Thro’ the Rye (Old Scotch)
Faust — Air des bijoux (Jewel Song) In French Gounod
Faust — Le Roi de Thule — Ballad of the King of Thule In French Gounod
Lead, Kindly Light Cardinal J. H. Newman-Rev. J. B. Dykes
Long, Long Ago Thomas Bayly
Madama Butterfly — Butterfly’s Death Scene (L’ ultima scena) Puccini
Madama Butterfly — Entrance of Cio-Cio-San (Butterfly) Puccini
Madama Butterfly — leri son salita (Hear What 1 Say) Puccini
Madama Butterfly — Sai cos’ ebbe (Do You Know, My Sweet One) Italian
Madama Butterfly — Un bel di vedremo (Some Day He’ll Come) Puccini
Manon — Adieu, notre petite table (Farewell Little Table) In French
Mighty Lak’ a Rose {Violin by Kreisler) Nevin
Mignon — Connais tu le pays ? (Knowest Thou the Land ?) In French
Mignon — Connais tu le pays > In French {Violin by Kreisler) Thomas
No.
Size
List p.
87076
10
$1.25
88052
12
1.75
87319
10
1.25
87313
10
1.25
87025
10
1.25
88283
12
1.75
87289
10
1.25
88406
12
1.75
88413
12
1.75
88193
12
1.75
88512
12
1.75
87210
10
1.25
88144
12
1.75
88513
12
1.75
88511
12
1.75
88534
12
1.75
87005
10
1.25
88147
12
1.75
88229
12
1.75
87248
10
1.25
87163
10
1.25
87030
10
1.25
87004
10
1.25
87031
10
1.25
87055
10
1.25
88113
12
1.75
88146
12
1.75
89108
12
2.00
8821 1
12
1.75
89109
12
2.00
VICTOR RED SEAL RECORDS
THE FARRAR RECORDS — Continued
My Old Kentucky Home Foster
Oh for the Wings of a Dove Mendelssohn
Serenade (Sing, Smile. Slumber) (.Flute obb. bp Barone ) French Gounod
Si J’etais Jardinier (Were I Gard'ner) In French Chaminade
Si mes vers avaient des ailes ! (Were My Song with Wings Provided)
(Harp acc.) In French Hugo-Hahn
Star-Spangled Banner Key-Arnold
Tannhauser — Elizabeth's Prayer In German Wagner
Thais — Meditation (Te souvient-il du lumineux) In French Massenet
Tosca— Vissi d'arte e d'amor (Love and Music) In Italian Puccini
Ye Banks and Braes o' Bonnie Doon Burns
Zaza — -Mamma usciva di Casa (Mother Has Gone) In Italian Leoncavallo
No. Size List p.
88238 12 $1.75
87073 10 1.25
87257 10 1.25
87322 10 1.25
87348 10 1.25
87247 10 1.25
88053 12 1.75
88594 12 1.75
88192 12 1.75
87062 10 1.25
87311 10 1.25
FARRAR AND AMATO
Carmen — Si tu m’aimes (If You Love Me) French (with
Metropolitan Opera Chorus)
Bizet
89086
12
2.00
FARRAR AND CARUSO
Faust — Eternelle (Garden Scene) In French
Gounod
89031
12
2.00
Faust — 11 se fait tard (Garden Scene) In French
Gounod
89032
12
2.00
Faust — Act V, Attends, voici la rue (Prison Scene) In French
Gounod
89034
12
2.00
Faust — Act V (Mon coeur) (Prison Scene) In French
Gounod
89033
12
2.00
Madama Butterfly — O quanti occhi fisi (Kindly Heavens)
Puccini
89017
12
2.00
Manon — On l'appelle-Manon (She is Called Manon) In French
Massenet
89059
12
2.00
FARRAR AND CLEMENT
Au Clair de la Lune (In the Moonlight) In French
Lully
87509
10
1.50
Mefistofele — Lontano, lontano (Away from All Strife) In Italian Boito
891 14
12
2.00
Romeo and Juliet — Ange Adorable (Lovely Angel) In French
Gounod
891 13
12
2.00
FARRAR AND DE LUCA
Zaza — 11 Bacio (The Kiss) In Italian Leoncavallo
87568
10
1.50
FARRAR AND HOMER
How Can 1 Leave Thee (Thuringian Folk Song)
87505
10
1.50
FARRAR AND JOURNET
Faust — Elle ouvre sa fenetre (She Opens the Window !) French
Gounod
89040
12
2.00
Faust — Scene de L’Eglise (I) (Church Scene, Part 1) French
Gounod
89035
12
2.00
Faust — Scene de L’Eglise (11) (Church Scene, Part 11) (with Chorus)
89037
12
2.00
Mignon — Les hirondelles (Swallows Duet) In French
Thomas
89038
12
2.00
FARRAR AND MART1NELL1
Carmen — C’est toi (You Here?) In French
Bizet
891 11
12
2.00
Carmen — Haltela! (Who Goes There?) In French
Bizet
891 12
12
2.00
Carmen — Je t'aime encore (Let Me Implore You) In French
Bizet
89110
12
2.00
FARRAR AND SCHUMANN-HE1NK
Wanderers Nachtlied (Wanderer’s Night Song) In German Rubenstein
87504
10
1.50
FARRAR AND SCOTTI
Boheme — Mimi, lo son (Mimi, Thou Here 1) In Italian
Puccini
89016
12
2.00
Don Giovanni — La ci darem la mano (Thy Little Hand) Italian Mozart
89015
12
2.00
Madama Butterfly — Ora a noi (Now, at Last !) Italian
Puccini
89014
12
2.00
Tales of Hoffmann — Barcarolle (Night of Love) In French Offenbach
87502
10
1.50
VICTOR RED SEAL RECORDS
FLONZALEY QUARTET {Flon-zah' -lee)
The engagement of the Flonzaley Quartet has opened up new and fascinating fields of
possibilities for the Victor. The world’s greatest composers have lavished their greatest
genius upon the production of chamber music — especially the string quartet, two violins,
viola, and ’cello — yet owing to its delicacy, and the rarity with which a true ensemble
is obtained, this music is perhaps the least known of any. The Flonzaley Quartet is an
organization devoted exclusively to playing this music. It was formed in 19.03 by E. J.
De Coppet, an American music lover, and named after his Swiss Villa on Lake Geneva.
The Quartet, however, has long maintained an independent existence, and is famous in
American musical circles for its devotion to its artistic ideals, and the perfection of its
achievements. The players who form the Quartet are Adolfo Betti, first violin; Alfred
Pochon, second; Louis Bailly, viola; and Iwan d’Archambeau, ’cello. The Quartet
binds its members not to play in orchestra or even solo, so as to preserve the perfect unity
of effect for which it is famous. Since the death of Mr. De Coppet in 1916, his place as
patron has been taken by his son Mr. Andre De Coppet. These and their future records
will be appreciated by all who are discriminating in their musical tastes, as the result of most
careful and painstaking effort.
FLONZALEY QUARTET RECORDS No
Canzonetta, Op. 12, No. 2 Mendelssohn 64784
Drink To Me Only With Thine Eyes Arr. by Alfred Pochon 64874
Interludium in Modo Antico (from “Five Novellettes") Glazounow 74667
-Molly on the Shore Percy Aldridge Grainger 74580
A. Borodin 74733
Schumann 74578
Schumann 74710
Beethoven 74754
Beethoven 74592
Brahms 74685
Haydn 74726
Mozart 74579
Haydn 74746
Mozart 74596
Mozart 74652
Mendelssohn 74755
Mozart 74693
Tschaikowsky 64889
Nocturne
““Quartet in A Minor — Scherzo (Op. 41 , No. I )
—.Quartet in A Major — Assai agitato (Op. 41, No. 3)
Quartet in A Major — Theme and Variations
Quartet in C Major — Fugue (Op. 59. No. 3)
^_Quartet in C Minor — Allegretto (Op. 51, No. I)
Quartet in D Major — Allegro moderato (Op. 64, No. 5)
Quartet in D Major — Andante
__X)uartet in D Major — Adagio cantabile (2nd Movement)
Quartet in D Major — Menuet
Quartet in D Minor — Allegretto ma non troppo
Quartet in E Minor — Scherzo (Op. 44, No. 2)
Quartet in G Major — Finale
Quartet No. 3, in E Flat Minor — Scherzo (Op. 30)
FORNIA, RITA, Soprano {For -nee- a h ) See " Fornia " — White Section
Size
List p.
10
$1.25
10
1.25
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1.75
12
1 75
12
1.75
10
VICTOR RED SEAL RECORDS
G
GADSKI, JOHANNA, Soprano {Gahda -kee)
Johanna Gadski was born in the Province of Pomera¬
nia. She received her musical education young, making
her debut at quite an early age, with artistic success, as
Undine in Lortzing's opera of that name. Her success was
immediate and has grown greater with each succeeding year.
From 1889 to 1893 she sang during the summers at Kroll’s
and filled winter engagements in Mayence, Stettin, Bremen
and Berlin. From 1895 to 1 898 she appeared in America
under Walter Damrosch’s direction, and was subsequently
engaged by Grau and, in the season of 1903-04, by Conried.
She has sung frequently at Covent Garden, London, and
has made extensive tours of America. Her repertoire em¬
braces some sixty dramatic and “ youthful-dramatic ” roles
in German, French and Italian. Her long association
with the Metropolitan is gratefully remembered.
THE GADSKI RECORDS No Sjze Ustp
Alda — Ritorna vincitor (Return Victorious) In Italian Verdi 88137 12 $1.75
Erlking, The (Erlkttnig) (Piano acc.) In German Schubert 88040 12 1.75
WalkUre — Ho-yo-to-ho (BrUnnhilde’s Battle Cry) In German Wagner 87002 10 1.25
GADSKI AND CARUSO-See “ Caruso ”
GALLI-CURCI, AMELITA, Soprano {Gal-lee Koor -chee)
Galli-Curci first came to the United States unheralded.
Her debut with the Chicago Opera Company in November,
1916, however, was such a triumph as has rarely been ex¬
perienced in recent times. As soon as her operatic engage¬
ments permitted she visited other important music centres in
America, where similar fortune awaited her. Not until Jan¬
uary, 1918, did she make her formal debut in opera in New
York. Her singing at once created the wildest enthusiasm,
and her conquest of the United States was complete. Galli-
Curci is an Italian by birth and training, but is something of a
cosmopolitan by nature. Her voice is one that haunts the
memory: wonderfully pure in quality, amazingly flexible,
and of even quality throughout its entire wide compass. In
addition, her musical training has given her an unusually broad
musicianship, for she is an accomplished pianist as well as a
coloratura soprano versed in the highest traditions of the bel canto school. With all these
talents she possesses also a winning personality, an old-world grace, an elusive femininity,
that combine to make her altogether exceptional. The Victor Company was quick to
recognize her genius, and her first records were made even prior to her American debut.
THE GALLI-CURCI RECORDS ( Sung in Italian unless noted)
Barbiere — Una voce poco fa (A Little Voice I Hear) Rossini
Capinera, La (The Wren) (Flute obbligato) Sir Julius Benedict
Caro mio b.en (Canst Thou Believe ?) Giordani
Clavelitos (Carnations) In Spanish Quinito Valverde
Coq d’Or — Hymne au Soleil (Hymn to the Sun) In French
Rimsky-Korsakow
( Continued on next page)
No. Size List p.
74541 12 $1.75
64792 10 1.25
64723 10 1.25
64904 10 1.25
66069 10 1.25
VICTOR RED SEAL RECORDS
THE GALLl-CURCI RECORDS— Continued N0-
Dinorah — Ombraleggiera (.Shadow Song) (Flute obb. by Barone) Meyerbeer 74532
Don Pasquale — Cavatina (Quel Guardo — Glances so Soft) Donizetti 74599
Echo Song (Flute obb. by Barone) In English Bishop 74743
Filles de Cadix (Maids of Cadiz) In French Delibes 64885
Home, Sweet Home In English Payne-Bishop 74511
Lakme — Dov’6 l’lndiana bruna (Bell Song) L^o Delibes 74510
Last Rose of Summer In English Moore 74536
Laughing Song from Manon Lescaut In French Auber 64669
Little Birdies In English Tennyson-Buzzi-Peccia 64724
Lo, Here the Gentle Lark (Flute obb. by Berenguer) In English Bishop 74608
Love's Messenger Waltz (Messaggero Amoroso) Chopin-Buzzi-Peccia 64991
Lucia — Mad Scene (Flute obbligato by Barone) Donizetti 74509
Lucia Sextette withEgener.Caruso.de Luca, Journet and Bada 95212
Marriage of Figaro — Non so piu cosa son (1 Know Not What I’m Doing) 64748
Mignon — -Polonaise (lo son Titania) Thomas 74653
OF Car 'lina James Francis Cooke 66014
Old Folks at Home (Swanee River) Stephen C. Foster 66092
Partida, La — Cancion Espanola (The Departure) In Spanish Alvarez 74500
Pearl Fishers — Comme autrefois (As in Former Times) InFrench Bizet 74718
Pearl of Brazil — Charmant oiseau (Thou Brilliant Bird) InFrench David 74552
Proch’s Air and Variations (Flute obbligato) H. Proch 74557
Puritani — Qui la voce (In Sweetest Accents) Bellini 74558
Rigoletto — Caro nome (Dearest Name) Verdi 74499
Rigoletto — Piangi fanciulla (Weep, My Child) with de Luca 87567
Rigoletto Quartet with Caruso, Perini and de Luca 95 1 00
Romeo and Juliet — Valse (Juliet’s Waltz Song) (ActI) InFrench Gounod 74512
Solvejg's Song (from "Peer Gynt”) InFrench Edvard Grieg 74522
Sonnambula — Ah! non credea mirarti (Could 1 Believe?) Bellini 74538
Sonnambula — Sovra il sen (While My Heart Its Joy Revealing) Bellini 64918
Sonnambula — Come per me sereno (Oh Love, for Me Thy Power) 74644
Star of the North — Prayer and Barcarolle (Flute obb.) InFrench Meyerbeer 74784
Traviata — Ah, fors’ e lift (One of Whom 1 Dreamed) Verdi 74594
Traviata — Addio del passato (Farewell to the Bright Visions) Verdi 64945
Traviata — Dite alia giovine (Say to Thy Daughter) (with de Luca) 89134
Traviata — Imponete (Now Command Me) (with de Luca) 89133
Traviata — Sempre Libera (I’ll Fulfill the Round of Pleasure) Verdi 64820
Twilight (CrepusculeJ In French Massenet 64807
Variations on a Mozart Air — “Ah! vous dirai-je maman?” (Flute obb.)
In French Adam 74734
Villanelle (The Swallows) In French (Flute obb.) Dell’ Acqua 74639
When Chloris Sleeps In English Pierson-Samuels 64929
Size List p.
12 $1.75
12 1.75
12 1.75
10 1.25
12 1.75
12 1.75
12 1.75
10 1.25
10 1.25
12 1.75
10 1.25
12 1.75
12 3.50
10 1.25
12 1.75
10 1.25
10 1.25
12 1.75
12 1.75
12 1.75
12 1.75
12 1.75
12 1.75
10 1.50
12 3.00
12 1.75
12 1.75
12 1.75
10 1.25
12 1.75
12 1.75
12 1.75
10 1.25
12 2.00
12 2.00
10 1.25
10 1.25
12 1.75
12 1.75
10 1.25
GARRISON, MABEL, Soprano
Miss Garrison is a native of Baltimore, and received
her early musical training in the Peabody Institute. Like
many another singer, she first attracted attention while a
member of a church choir, but her remarkable musician-
ship and the exquisite brilliancy and color of her voice
soon brought her success on the concert platform, and
subsequently with the Metropolitan forces. The past
few seasons have been a succession of triumphs for this
talented singer.
Miss Garrison peculiarly excels in those compositions
which are within the executive power of a very few singers.
Vocal works calling for the utmost exactitude in execution
are her particular forte. But she can take a popular song,
when she chooses, and with it bring wonder into the souls
of those who know music only in its popular forms.
Her voice is of flutelike purity, and her singing exhibits the skill and delicacy of the
finished artist, which Miss Garrison assuredly is. The records she has made display the
real beauty of her voice, and her coloratura work is little short of marvelous.
VICTOR RED SEAL RECORDS
No. Size List p.
64920 10 $1.25
64790 10 1.25
64695 10 1.25
64891 10 1.25
64641 10 1.25
64795 10 1.25
74491 12 1.75
64697 10 1.25
74481 12 1.75
74489 12 1.75
64978 10 1.25
64714 10 1.25
74542 12 1.75
64815 10 1.25
64966 10 1.25
64969 10 1.25
74482 12 1.75
74488 12 1.75
64811 10 1.25
64808 10 1.25
64899 10 1.25
GERVILLE-REACHE, JEANNE, Contralto
(Zhe/ -veel Rau-ahsh')
This accomplished French contralto, who made such
a success in America, was a native of the Basque country
in southwest France. Her mother was Spanish, while her
father was French, being long a Colonial Governor of
Guadaloupe. Even when a child her voice was phe¬
nomenal for its unusual quality; and when Mme. Calve
heard it she advised that it be trained for an operatic career.
To the great Criticos of Paris is due the credit for the de¬
velopment of this wonderful voice, remarkable for its wide
range and exquisite quality — attributes which are strikingly
shown in the beautiful record of the “Song of Spring,”
from “Samson et Dalila.” Mme. Gerville-Reache was
born in 1882 and died in 1915.
THE GARRISON RECORDS
Come, Ye Disconsolate Moore- Webbe
Coq d'Or- — Hymne au Soleil (Hymn to the Sun) French
Rimsky-Korsakow
Emmett’s Lullaby Emmett
Heaven is My Home Taylor-Sullivan
1 Dreamt I Dwelt in Marble Halls (from “Bohemian Girl”) (Act II) Balfe
Kiss Me Again Henry Blossom-Victor Herbert
Lakm6 — OCi va la jeune Hindoue (Bell Song) In French Delibes
Little Alabama Coon (with Orpheus Quartet) Hattie Starr
Lullaby from Erminie (with Victor Chorus) Jakobowski
Mignon — Polonaise (Je suis Titania !) (I’m Fair Titania I) Thomas
Nightingale and the Rose (from “Parysatis”) Saint-Saens
Norwegian Echo Song (Kom Kjyra) Bjerregaard-Thrane
Pearl of Brazil — Charmant oiseau (Thou Brilliant Bird) French David
Quilting Party (Seeing Nellie Home) (with Male Quartet) Fletcher
Serenade Nathan H. Dole-M. Moszkowski
Swing Low, Sweet Chariot
Tales of Hoffmann — Doll Song (Contes d’Hoffmann — Les oiseaux
dans la Charmille) In French Offenbach
Voce di primavera — Valse (Voice of Spring) In Italian Strauss
Vous dansez. Marquise (Marchioness, Your Dancing) In French
Bazot-Lemaire
When 1 Was Seventeen (Swedish Folk-Tune^ Lilljebjorn
When You’re Away (from “The Only Girl") Blossom-Herbert
GERVU.LE REACH E
Samson et Dalila — Printemps qui
commence (SpringSong) In French No. Size Listp.
Saint-Saens 88244 12 $1.75
GIGLI, BENIAMINO, Tenor ( Geel-yee )
Beniamino Gigli is one of the foremost Italian tenors
of the younger generation. He is of Italian birth and train¬
ing, and by right of those things is fitted to carry on the
great traditions of the art of bel canto. He is an artist of
fine powers; to a voice of altogether unusual beauty he has
added the equally potent artistic attributes of musicianship
and dramatic sense. Coming to the United States almost
unknown, he was engaged, practically offhand, by the
Metropolitan Opera Company, for which he sang a number
of important roles. His Victor records are of a highly
distinguished order, and the list of them is growing.
GIGLI
VICTOR RED SEAL RECORDS
THE GIGLI RECORDS ( Sung in Italian)
Faust — Salve, dimora (All Hail, Thou Dwelling Lowly) Gounod
Favorita — Spirto gentil (Spirit So Fair) Donizetti
Gioconda, La — Cielo e mar (Heaven and Ocean) Ponchielli
Iris — Apri la tua finestra (Open Thy Lattice Window) Mascagni
Love’s Nocturne (Notturno d'Amor) Fucacce-Drigo
Mefistofele-Dai campi, dai prati (From the Green Fields) Boito
Mefisto — Epilogo — Giunto sul passo estremo (Nearing the End of Life)
Pagliacci — Vesti la giubba (On With the Play) Leoncavallo
Roid'Ys — Vainement, ma bien aim6e (In Vain, Beloved) In French Lalo
Santa Lucia Luntana (Santa Lucia, I Long for You) E. A. Mario
Serenade (Rimpianto) Silvestri-Toselli
Tosca — Recondita armonia (Strange Harmony) Puccini
Tu Sola (Thou Alone) Genise-de Curtis
No.
Size Listp.
74687
12
$1.75
74688
12
1.75
64938
10
1.25
64959
10
1.25
74742
12
1.75
64933
10
1.25
64942
10
1.25
66095
10
1.25
66070
10
1.25
64975
10
1.25
66102
10
1.25
64944
10
1.25
66010
10
1.25
GILIBERT, CHAS., Baritone (Zheet -ih-bear)
Although the worth of this artist was well known to
New Yorkers, he had won new triumphs during his last
seasons at the Manhattan and Metropolitan, his work being
highly praised. M. Gilibert, a short time before his death
gave the Victor two delightful French songs, delivering them
with the artistic finish and good enunciation for which he
was noted. His singing of the Handel Largo affords a note¬
worthy example of the sincerity which was his. M. Gili¬
bert was born in 1 866 and died in 1910.
THE GILIBERT RECORDS (In French)
La Jolie Fille de Perth — Quand la damme No. Size List p.
(The Flame of Love) Bizet 74208 12 $1.75
Largo from Xerxes Handel 74155 12 1.75
GILIBERT
GILLY, DINH, Baritone (Zhee -lih) — For Duets see" Destinn"
GLUCK, ALMA, Soprano ( Glook )
Although born in Bucharest, Roumania, Mme. Gluck
is essentially American, as she came to this country at the
age of six, and most of her musical education was received
here. The public knew very little of this fine artist
until one morning, several years ago, when, after making
her first appearance as Sophie in “Werther” at the New
Theatre, she awoke to find herself famous. After several
seasons at the Metropolitan, Alma Gluck entered the
concert field, in which she has made a phenomenal success.
There are few singers today who can turn so readily from
the heavier operatic arias to the simple songs which find an
echo in every heart, and it would be difficult to say in
which province this brilliant artist is best appreciated.
GLUCK
THE GLUCK RECORDS KI c. , .
■ 1 ■ INo. bize Listp.
Aller au Bois (Snow-Maiden-Go to the Forest) French Rimsky-Korsakow 64421 10 $1.25
Aloha Oe (Farewell to Thee) (Queen Liliuokalani) (with Orpheus Qt) 74534 12 1.75
Angels Ever Bright and Fair Handel 74559 12 1.75
Angel’s Serenade (Braga) Gluck and Zimbalist 89092 12 2.00
As a Beam O’er the Face of the Waters (Irish Melody) Moore 64415 10 1.25
Ave Maria In Latin (Piano acc.) (Gounod) Gluck and Zimbalist 89091 12 2.00
Berceuse from Jocelyn (Lullaby) In French Godard 74369 12 1.75
VICTOR RED SEAL RECORDS
THE GLUCK RECORDS— Continued
Bird of the Wilderness Rabindranath Tagore-Edward Horsman
Boheme — Addio (Farewell) Act 111 In Italian Puccini
Boheme — Musetta Waltz (Act II) In Italian Puccini
Bohemian Cradle Song (From “ Hubicka") In English Smetana
Bonnie Sweet Bessie (Scotch Air) Root-Gilbert
Bring Back My Bonnie to Me (with Orpheus Quartet)
Brook, The ( Piano acc. by Bourdon) Tennyson-Dolores
Canzonetta (War schttner als der schOnste Tag)
( Harp by Lapitino) In German Goethe-Loewe
Care Selve — See ‘‘Come, Beloved”
Carmen — Micaela’s Air (I Am Not Faint-Hearted) In French Bizet
Carmena — Vocal Waltz Walton-Wilson
Carry Me Back to Old Virginny (with Male Chorus) James Bland
Chanson H^braique Hebrew (Ravel-Pasternack) Gluck and Zimbalist
Chanson Indoue (From “ Sadko ’’) In French Rimsky-Korsakow
Come, Beloved (Care Selve) (From the Opera “Atalanta”) Handel
Cornin’ Thro’ the Rye (Old Scotch Air)
Cradle Song Mozart
Darling Nelly Gray (with Orpheus Quartet) B. R. Hanbv
Elegie (Song of Mourning) In French (Massenet) Gluck and Zimbalist
Fiddle and 1 (Goodeve) In English ( Pianoforte acc.) Gluck and Zimbalist
From the Land of the Sky Blue Water (American Indian Songs) Cadman
God Be With You Till We Meet Again (Rankin-Tomer) Gluck-Zimbalist
Hark 1 Hark ! The Lark Shakespeare-Schubert
Hatikva — Our Hope (Zionist Hymn) (Imber) Hebrew Gluck-Zimbalist
Heure Exquise. L’ (The Enchanted Hour) In French
Home, Sweet Home
In the Hour of Trial (Montgomery-Lane) (.Organ acc.)
Irish Love Song In English (Pianoforte by Zimbalist)
1’se Gwine Back to Dixie (with Male Chorus)
Jocelyn — Berceuse (Lullaby) In French
La Colomba (The Dove) (Folk Song of Tuscany)
Lass With the Delicate Air
Little Grey Home in the West (’ Cello obbligato by Bourdon) Ltihr
Little Old Log Cabin in the Lane (with Orpheus Quartet) Hays
Lo, Here the Gentle Lark (Flute obbligato by Clement Barone) Bishop
Lost Chord (Proctor-Sullivan) Gluck and Zimbalist
Louise — Depuis le jour (Ever Since the Day) In French Charpentier
Mocking Bird (Winner) Bird Voices by Charles Kellogg
Mother’s Prayer, The Cooper-Thomas
My Laddie Troubetzkoy-Thayer
My Old Kentucky Home (with Male Chorus) Foster
Natoma — Spring Song (I List the Trill of Golden Throat) Herbert
Nelly Was a Lady (with Orpheus Quartet) Stephen C. Foster
Nightingale Song (From “The Tyrolean”) (with Kellogg) Zeller
Nil, Le In French (Renaud-Leroux) Gluck and Zimbalist
Nur wen die Sehnsucht kennt (Ye Who Have Yearned Alone)
Gluck and Zimbalist
Oh, Sleep! Why Dost Thou Leave Me ? (From “Semele”) Handel
Old Black Joe (with Male Chorus ) Stephen C. Foster
Old Folks at Home ( Violin obb., Dvorak's" Humoresque,” by Zimbalist)
Pagliacci — Balatella (BirdSong) In Italian Leoncavallo
Perfect Day, A (with Male Quartet) Carrie Jacobs-Bond
Red, Red Rose Cottenet
Rosary, The (Ethelbert Nevin) Gluck and Zimbalist
Serenata (The Serenade) In Italian (Violin, Flute and Harp acc.) Tosti
She Wandered Down the Mountain Side Stephenson-Clay
Sing Me to Sleep (Bingham-Greene) (with String Qt.) Gluck-Zimbalist
Song of the Chimes (Cradle Song) Worrell
Song of the Shepherd Lehl (‘‘Snow Maiden") English Rimsky-Korsakow
Sonnambula — Ah non credea mirarti (Could I Believe) Italian Bellini
Spielmann, Der (The Minstrel) (Hildach) German Gluck and Zimbalist
R. Hahn
Payne-Bishop
Gluck-Zimbalist
Margaret Lang
C. A. White
Godard
Italian Schindler
Thomas Arne
(Continued on next page)
No.
Size List p.
64591
10
$1.25
64225
10
1.25
64560
10
1.25
64213
10
1.25
64588
10
1.25
64793
10
1.25
64324
10
1.25
64626
10
1.25
74245
12
1.75
64400
10
1.25
74420
12
1.75
87519
10
1.50
64269
10
1.25
74504
12
1.75
64422
10
1.25
64590
10
1.25
64729
10
1.25
87513
10
1.50
89093
12
2.00
64190
10
1.25
87520
10
1.50
64627
10
1.25
87522
10
1.50
64750
10
1.25
74251
12
1.75
87523
10
1.50
64346
10
1.25
64564
10
1.25
74369
12
1.75
64277
10
1.25
64398
10
1.25
64412
10
1.25
64809
10
1.25
64267
10
1.25
89096
12
2.00
74252
12
1.75
74465
12
1.75
74475
12
1.75
64183
10
1.25
74468
12
1.75
74274
12
’ 1.75
64828
10
1.25
64566
10
1.25
89090
12
2.00
87518
10
1.50
74423
12
1.75
74442
12
1.75
87514
10
1.50
74238
12
1.75
64607
10
1.25
64321
10
1.25
87517
10
1.50
64399
10
1.25
74503
12
1.75
89094
12
2.00
64322
10
1.25
64209
10
1.25
74263
12
1.75
89095
12
2.00
VICTOR RED SEAL RECORDS
THE GLUCK RECORDS — Continued
Still wie die Nacht (Calm as the Night) In German Bohm
Such a LiT Fellow Frances Lowell- William Dichmont
Swallows, The Bingham-Cowen
Swedish Cradle Song (Folk Song) Gluck-Zimbalist
Tu — Habanera (To You — A Song of Havana) In Spanish
Two Folk Songs of Little Russia Arranged by Efrem Zimbalist
When Love is Kind Moore
When the Swallows Homeward Fly (Abt) German Gluck and Zimbalist
Will-o’-the- Wisp In English Charles Gilbert Spross
GLUCK AND CARUSO
Traviata — Brindisi — Libiam nei lieti calici (Bumper, We’ll Drain) Verdi
GLUCK AND HOMER
Abide With Me Lyte-Monk
Crucifix Jean Faure
Hansel und Gretel — Der kleine Sandmann In German Humperdinck
Hansel und Gretel — Hexenritt und Knusperwalzer (Witch’s Dance) Ger.
Hansel und Gretel— Suse, liebe Suse (Susy, Little Susy) In German
Hymn of Praise — 1 Waited for the Lord Mendelssohn
I Need Thee Every Hour Annie S. Hawks-Robert Lowry
Jesus, Lover of My Soul (Refuge) Chas. Wesley-Joseph P. Holbrook
Life’s Dream is O’er (Music to “Alice Where Art Thou ”)
Long, Long Ago T. Haynes Bayly
Oh, That We Two Were Maying (Op. 2, No. 8) Nevin
One Sweetly Solemn Thought Phoebe Carey-R S. Ambrose
Rock of Ages Rev. A. M. Toplady
Stabat Mater— Quis est homo (Who Shall Blameless Stand?) Latin Rossini
Tales of Hoffmann — Barcarolle In French Offenbach
Whispering Hope In English Hawthorne
GLUCK AND RE1MERS
Drunten im Unterland (Down in the Lowlands) In German Weigle
Du, du liegst mir im Herzen In German (Pax — arr. by Berger)
Es steht ein’ Lind' (The Linden in the Dale) (Arr. by Wilhelm Berger)
Hans und Liesel In German Folk Song
Silent Night, Holy Night (Christmas Hymn) Franz Gruber
Steierland, Das ("Hoch vom Dachstein an”) In German Carl Seidel
Tannenbaum, Der (The Christmas Tree) (Volkslied) In German
Treue Liebe (True Love) In German Kticken
No.
Size
List p.
64589
10
$1.25
64625
10
1.25
64392
10
1 25
87566
10
1.50
64182
10
1 25
64727
10
1.25
64325
10
1.25
87516
10
1.50
64192
10
1.25
87511
10
1.50
87527
10
1.50
89102
12
2.00
89100
12
2.00
87526
10
1.50
89099
12
2.00
89097
12
2.00
87533
10
1.50
87530
10
1.50
87531
10
1.50
87535
10
1.50
87525
10
1.50
87534
10
1.50
87528
10
1.50
89098
12
2 00
87532
10
1.50
87524
10
1.50
87539
10
1.50
87536
10
1.50
87542
10
1.50
87537
10
1.50
87544
10
1.50
87541
10
1.50
87543
10
1.50
87540
10
1.50
H
HAMLIN, GEORGE, Tenor
To George Hamlin belongs the unique distinction of having gained a leading
position in each of the three branches of the singer’s art. He first won a nation-wide
celebrity as an oratorio tenor of the first rank, and has appeared for many seasons with all
the leading choral organizations of America and many abroad. Over one hundred
oratorios and cantatas are included in his repertoire. In the season of 1911-1912 Mr.
Hamlin was engaged to sing the leading tenor part in Herbert’s opera, “Natoma,” with
the Chicago-Philadelphia Grand Opera Company. The genuine success in his first role
led to Mr. Hamlin’s re-engagement with the company for the following two seasons.
THE HAMLIN RECORDS
Bohemian Girl — Then You’ll Remember Me
Good Night, Little Girl, Good Night
O’er Waiting Harp Strings of the Mind (Christian Science)
Santa Lucia (Neapolitan Folk Song) In Italian
Saw Ye My Saviour (Christian Science Communion Hymn)
Shepherd, Show Me How to Go (Christian Science)
No. Size List p.
Balfe 74134 12 $1.75
Hays-Macy 74310 12 1.75
Eddy-Root 74200 12 1.75
64531 10 1.25
Brackett 64270 10 1.25
Brackett 64295 10 1.25
VICTOR RED SEAL RECORDS
HARROLD, ORVILLE, Tenor
Orville Harrold is an American, a native of Indiana.
He was “raised’’ on a farm, — and somewhere during the
process it was discovered he could sing. He soon became
soloist in boy choirs throughout the Middle West. He
learned the violin, studied harmony, and, when he was
twenty-five years old, began his real career, as a tenor.
He sang for various musical organizations, chiefly through¬
out his own Middle Western country, then came to New
York, where he was at once engaged by the Shubert
theatrical forces. After a season or two the late Oscar
Hammerstein insisted that he should drop everything and
study for grand opera. Three months were enough, when
he made his debut as Canio in “Pagliacci" with the Metro¬
politan forces. Next year he started again in comic opera,
giving himself no rest. He then went to London with the
Hammerstein forces for two seasons, returning to the United
States to plunge, still without rest, into concert work. The Century Opera Company, the
vaudeville stage and the Hippodrome held him for a while, until he at last was forced to
give up and take the sorely-needed vacation. After this he returned once more to the
Metropolitan forces, and the remainder is history.
HARROLD
THE HARROLD RECORDS No
Boheme — Racconto di Rodolfo (Rudolph's Narrative) Italian Puccini 74624
Great Awakening (Op. 45, No. 5) Johnstone-Kramer 66052
Life Frank L. Stanton-Oley Speaks 64916
Living God, The Johnstone-O'Hara 74737
Louise — Depuis longtemps j’ habitais cette chambre (For a Long Time
1 Have Occupied this Room) In French with Gauthier 74716
My Mother Blanche S. Wagstaff-G. S. White 66071
Saltimbanques, Les — C’ est 1’ amour (Tis Love) In French Ganne 66017
Tell Her 1 Love Her So Weatherly-De Faye 66100
When Your Ship Comes In Lily Strickland 64909
Size List p.
12 $1.75
10 1.25
10 1.25
12 1.75
12 1.75
10 1.25
10 1.25
10 I 25
10 1.25
HEIFETZ, JASCHA, Violinist (. Hlgh'-fiu )
To few it is given while still on the threshold of life
to achieve the success which comes ordinarily — if it comes
at all — only after maturity and experience. Yet that is
what Jascha Heifetz has accomplished. He began playing
the violin at three, completed the course at the Royal
Music School in Vilna, Poland, at the age of seven, and,
after study with Professor Leopold Auer in Petrograd, was
a mature artist at the age of ten. His tour through Russia
was a triumph ; the keenest critics of Europe had nothing
but praise for him. And now after a leisurely trip from
Russia to the United States, by way of Vladivostock
and California, he has conquered America. Hardly at
maturity, he ranks with the greatest violinists of the day.
Though his years can be counted, the measure of his genius
knows no bounds. His technique is flawless; the intonation
is perfect, the quality of tone superb and utterly individual,
complete mastery over bow and violin having been vouch¬
safed him in childhood by a beneficent Nature for once
bent upon creating a perfect model. Over and above all that is the ageless insight of
genius which makes his interpretations seem like mystic patterns woven with a thread of
iridescent flame.
Ha [e
VICTOR RED SEAL RECORDS
THE HEIFETZ RECORDS (Acc. by Benoiat and Chotzinoff)
(Op. 20)
(Op. 20)
Ave Maria
Berceuse (Paul Juon) (2) Valse du Ballet Raymonde
Caprice, No. 13 (from “Twenty-four Caprices")
Caprice, No. 20 (from “Twenty-four Caprices")
Canzonetta (from Violin Concerto, Op. 35)
Capricieuse (Morceau de Genre) (Op. 17)
Chorus of Dervishes (From “Ruins of Athens”)
Concerto in A Minor — Andante (2nd Movement)
Concerto in E Minor — Finale (Opus 64)
Guitarre (Op. 45, No. 2)
Gypsy Airs No. 1 (Zigeunerweisen)
Gypsy Airs No. 2 (Zigeunerweisen)
Hebrew Melody
Introduction and Tarantelle (Op. 43)
Meditation (Op. 32)
Minuet
Nocturne in E Flat (Op. 9, No. 2)
On Wings of Song
Romance (From “D Minor Concerto," No. 2, Op. 22)
Ronde des Lutins, La (Dance of the Goblins)
Rondo in G Major
Scherzo Tarantelle
''''Serenade (Op. 4)
Serenade Melancolique (Opus 26)
Sicilienne and Rigaudon
Spanish Dance (Op. 21, No. 1)
Schubert- Wilhelmj
Glazounow
Paganini-Kreisler
Paganini-Kreisler
T schaikowsky
Edward Elgar
Beethoven
Goldmark
Mendelssohn
Moszkowski-Sarasate
de Sarasate
de Sarasate
Joseph Achron
de Sarasate
Alexandre Glazounow
Porpora-Kreisler
Chopin
Mendelssohn
Wieniawski
A. Bazzini
Mozart-Kreisler
Wieniawski
A. d’Ambrosio
T schaikowsky
Francoeur-Kreisler
Sarasate
Symphonie Espagnole — Andante (Fourth Movement) (Op. 21) Ed. Lalo
Turkish March (From “Ruins of Athens”) Beethoven
Valse Bluette (Air de Ballet) Richard Drigo
Valse du Ballet Raymonde (Glazounow) (2) Berceuse Juon
Valse (From “Serenade for String Orch.”) Tschaikowsky
Zapateado (Spaniih Dance) (The Cobbler) (Op. 23, No. 6) Sarasate
HEMPEL, FRIEDA, Soprano
Mme. Hempel is a native of Leipsic, and as a child
showed such musical talent that she was sent to the Leipsic
Conservatory, where her unusual voice and great ambition
caused her to make rapid progress. In 1906 she sang at
Bayreuth as one of the Rhine maidens and in 1907 made
a few appearances in London, but her formal debut was
in the autumn of 1907 at the Royal Opera House in Berlin.
Mme. Hempel’s success was immediate, Berlin opera-
goers being delighted at the novelty of a colorature singer
who possessed not only a lovely voice but youth and beauty
as well. She was ambitious and industrious and she steadily
widened her repertoire until it included the coloratura parts
in the old Italian operas and in Mozart’s lighter pieces. As a
matured artist, she created important roles in modern operas.
(For quartet numbers in which Hempel sings, see “Caruso.”)
THE HEMPEL RECORDS
Ernani — Ernani involami (Ernani, Fly With Me) Act 1 In Italian
Traviata — Ah, fors'e lui (The One of Whom I Dreamed) In Italian
Variations on a Mozart Air — “ Ah! vous dirai-je maman" French Adam
Wine, Woman and Song — Waltz In Italian Johann Strauss
No.
Size
List p.
74563
12
$1.75
74660
12
1.75
66037
10
1.23
64833
10
1.25
74678
12
1.75
64760
10
1.25
64759
10
1.25
74764
12
1.75
74721
12
1.75
64823
10
1.25
74689
12
1.75
74694
12
1.75
74568
12
1.75
74626
12
1.75
64769
10
1.25
64856
10
1.25
74616
12
1.75
74583
12
1.75
74600
12
1.75
74570
12
1.75
74750
12
1.75
74562
12
1.75
66022
10
1.25
74711
12
1.75
64917
10
1.25
74569
12
1.75
74646
12
1.75
64770
10
1.25
64758
10
1.25
74660
12
1.75
74635
12
1.75
66097
10
1.25
- -]
No. Size
88383 12
88471 12
88404 12
88588 12
List p.
$1.75
1.75
1.75
1.75
VICTOR RED SEAL RECORDS
HERBERT, VICTOR
This famous director was born in Dublin in 1 859, and at
the age of seven was sent to Stuttgart as a student of the ’cello.
After some years’ study and a tour of Europe, he accepted the
position of solo ’cellist in the orchestra at the Metropolitan
Opera in 1 886. A more brilliant career as conductor became
possible and, after having been bandmaster of the Twenty -
Second Regiment Band and Conductor of the Pittsburgh
Symphony Orchestra, Mr. Herbert organized in 1904 the
Victor Herbert Orchestra, which has had a most successful
career. All this time Mr. Herbert continued to compose operas,
writing more than twenty-five, including two grand operas.
Mr. Herbert’s great fame as a composer of operas has
somewhat obscured the fact that he is a gifted ’cello vir¬
tuoso, and when but a young man held the position of first
’cellist in the Stuttgart Court Orchestra.
HERBERT
CELLO SOLOS BY VICTOR HERBERT ( Pianoforte by Bourdon) ^ jjs( p
Angel’s Whisper Samuel Lover 64240 10 $1.25
Petite Valse Victor Herbert 64297 10 1.25
Scherzo (Op. 12, No. 2) Van Goeas 64298 10 1.25
HOMER, LOUISE, Contralto
The popular American contralto comes from Pittsburgh,
Pa., where she was Louise Delworth Beatty, daughter of a
well-known clergyman. She is now the wife of Sidney
Homer, American composer and one of her earlier teachers,
known as the composer of many fine and original songs.
Louise Homer laid the foundations of her musical edu¬
cation in the United States, with Alice Groff in Philadel¬
phia, and with W. L. Whitney. Her unusual talent was
recognized by George W. Chadwick and Arthur Foote,
who with her husband then in Boston, encouraged her to
study and advised her to seek the operatic stage. Taking
this advice she went abroad, and two years of Paris
atmosphere and training accomplished wonders for her voice
and her stage experience. She made her debut as Leonora
in “Favorita”in 1898. An immediate engagement at Covent
Garden, London, followed, and in 1899 she was secured by the
The&tre de la Monnaie, in Brussels. Her success in that city
was immediate and she remained there for eight months. The
next year she returned to Covent Garden, where she achieved
an old-world triumph. This was followed by a return to home
soil, where she joined the forces of the Metropolitan Opera
Company. From that time her success was assured.
Mme. Homer’s genius has been transmitted to a new genera¬
tion — whereof the proof lies in the lovely duet records which
have been made by her and her daughter and namesake Louise
Homer Stires. Mme. Stires, who is a soprano, will bear on into
the future the tradition set up by her mother, who will be remem¬
bered on the Victor records as one of the great contraltos of her time.
MME.
THE HOMER RECORDS
Annie Laurie
Banjo Song
Elijah — O Rest in the Lord
Faust — Le parlate d’amor (Flower Song) In Italian
( Continued on next page )
No. Size Listp.
Lady John Scott 87206 10 $1.25
Weeden-Homer 87074 10 1.25
Mendelssohn 88288 12 1.75
Gounod 87075 10 1.25
VICTOR RED SEAL RECORDS
THE HOMER RECORDS— Continued
Flee as a Bird Mrs. M. S. B. Dana
Hard Times, Come Again No More Stephen Foster
I Cannot Sing the Old Songs Claribel
I Love to Tell the Story (with Male Chorus) Hankey-Fischer
Just for To-day S. F. Partridge-J. B. Abbott
Largo (From “ Xerxes”) In Italian Handel
Last Night Half dan Kjerulf
Lorelei, Die (The Loreley) In German Liszt
Lost Chord Sir Arthur Sullivan
Love's Old Sweet Song Bingham-Molloy
Messiah — He Shall Feed His Flock Handel
Messiah — He Was Despised Handel
Messiah — Oh Thou That Tellest Good Tidings to Zion Handel
Mother Goose Songs Sidney Homer
My Ain Countrie Demarest- Hanna
My Ain Folk Wilfrid Mills-Laura G. Lemon
My Heart Ever Faithful Bach
Nur wer die Sehnsucht kennt {'Cello obbligato ) German Tschaikowsky
Oh, Boys, Carry Me 'Long (with Male Qt.) Stephen C. Foster
Oh, Promise Me (From “ Robin Hood ”) de Koven
Old Black Joe Stephen Foster
Orfeo ed Eurydice — Che faro senza Euridice In Italian
Rigoletto — “ Bella Figlia dell’amore ’’ Homer, Caruso, Abott and Scotti
Samson et Dalila — Amour, viens aider In French Saint-Saens
Samson et Dalila — Mon coeur s’ouvre a ta Voix In French Saint-Saens
Samson et Dalila — Printemps qui commence (Song of Spring)
French Saint-Saens
Stabat Mater — Fac ut portem (Endow Me) In Latin Rossini
Star-Spangled Banner Key-Arnold
St. Paul — But the Lord is Mindful of His Own Mendelssohn
There is a Green Hill Far Away Gounod
Trovatore — Stride la vampa (Fierce Flames Are Soaring) In Italian
When the Roses Bloom (In the Time of Roses) Reichardt
Where is My Boy Tonight (Gospel Hymn) Rev. R. Lowry
HOMER, MME. and LOUISE HOMER ST1RES
Banjo Song Weeden-Homer
Go Pretty Rose Beverly-Marzials
Last Night Halfdan Kjerulf
My Sweet Repose Schubert
Oh Morning Land Rexford-Phelps
Stabat Mater — Quis est Homo (Who Shall Blameless Stand» In Latin
Venetian Song Stephenson-Tosti
DUETS WITH CARUSO. FARRAR AND GLUCK— See "Caruso,”
" Farrar ” and "Gluck”
No.
Size
List p.
87260
10
$1.25
87303
10
1.25
87204
10
1.25
87301
10
1.25
87329
10
1.25
88584
12
1.75
87259
10
1.25
88204
12
1.75
88088
12
1.75
88585
12
1.75
88613
12
1.75
88574
12
1.75
88614
12
1.75
88640
12
1.75
87345
10
1.25
87334
10
1.25
88575
12
1.75
87265
10
1.25
87309
10
1.25
87255
10
1.25
88128
12
1.75
88285
12
1.75
96000
12
3.00
88201
12
1.75
88199
12
1.75
88627
12
1.75
88132
12
1.75
87277
10
1.25
88658
12
1.75
88309
12
1.75
87033
10
1.25
87327
10
1.25
87264
10
1.25
87572
10
1.50
87580
10
1.50
87570
10
1.50
89159
12
2.00
87575
10
1.50
89158
12
2.00
87578
10
1.50
J
JERITZA, MARIA, Soprano ( Yer-itsah )
Maria Jeritza is in private life the Baroness Popper.
She is of Moravian birth, having been born in the little
town of Brun. Her debut was at Almitz, and she came
thence to Vienna in 1912. The Metropolitan forces had
her in mind for New York as early as 1914, but the war
interrupted all, and her debut here did not take place until
1919, when she sang in Erich Korngold’s “Dead City,” in
New York, at its first American presentation. Mme.
Jeritza has a fine large voice, a commanding presence, and
dramatic powers of a high order, especially fitting her for
the roles of the Northern opera — though indeed she sings
with facility, and with splendid intelligence, — in those of
the Italian and French schools. She is an artist who still
VICTOR RED SEAL RECORDS
is young, whose sympathies are keen, vivid and inclusive, and whose work will probably
grow even richer and finer as years advance.
THE JERITZA RECORDS ( Sung in German )
Flying Dutchman — Traft ihr das Schiff (A Ship the Restless No. Size List p.
Ocean Sweeps) Wagner 74776 12 $1.75
Lohengrin — Elsas Traum (Elsas Dream) Wagner 74749 12 1.75
Tote Stadt, Die — Lautenlied der Marietta (The Dead City —
Song of the Lute) Korngold 66057 10 1.25
Tannhauser — Elizabeths Gebet (Elizabeth’s Prayer) Wagner 74760 12 1.75
JOHNSON, EDWARD, Tenor
Edward Johnson, the great Canadian tenor, is one of
the greatest operatic artists developed within recent years.
As with so many singers born in the New World, his first
triumphs came to him in Italy. He was a born singer.
He began as a choir boy in New York, passed thence into
comic opera, then went abroad, translated his name into
Italian, and, as “Edoardo di Giovanni,” toured Europe for
seven years. He created a number of important roles, in¬
cluding those in “II Tabarro” and “Gianni Schicchi,” and
he first introduced Wagnerian roles into a number of Italian
cities. In July, 1920, King Victor Emanuel II conferred
upon him the Cross of Officer of the Order of the Crown of
Italy. Mr. Johnson’s reappearance in the New World, first
of all with the Chicago Opera Company, was one of the
events of recent musicals. His voice is fine, fresh, powerful
and with a certain quality altogether its own.
THE JOHNSON RECORDS
Because You’re Here Harold Robe-Gitz Rice
Elijah — If With All Your Hearts Mendelssohn
Fedora — Amor ti vieta di non amar (My Love Compels) In Italian
Girl of the Golden W est — Ch 'ella mi creda (That She May Believe) Italian
Heart to Heart (1 Hold You, Dear) Valentine-Vanderpool
1 Had a Flower Lawrence Kellie
1 Love You More Eldred Edson-Dorothy Lee
Just That One Hour Avery Werner-Vernon Eville
Land of the Long Ago Knight-Ray
Lassie o’ Mine Bowles- Walt
Pagliacci — Vesta la giubba (On With the Play) In Italian Leoncavallo
Someone Worthwhile Johnstone-Ward-Stephens
Sunrise and You Arthur A. Penn
Want of You Gillespie- Vanderpool
No.
Size List p.
64970
10
$1.25
74654
12
1.75
64905
10
1.25
64886
10
1.25
64998
10
1.25
66061
10
1.25
66060
10
1.25
64946
10
1.25
64895
10
1.25
64930
10
1.25
64840
10
1.25
66029
10
1.25
64864
10
1.25
64985
10
1.25
JOURNET, MARCEL, Bass ( Zhoor-nay ')
Journet was born at Nice, France. He studied
under Seghettini and made his debut at Bezieres, Belgium,
in 1891, where M. Calabresi, manager of the Brussels La
Monnaie, heard him and promptly engaged him for three
years. In 1897 he made his first appearance in London
and has since been a prime favorite there.
Journet is possessed of a magnificent voice, full and
resonant, and has a fine stage presence. He is perfectly at
home in an unusually varied repertoire, speaking the
languages as a native.
His records cover a great range of compositions, from
the splendid rolling bass numbers of the great operas to
the patriotic and popular songs of various countries.
This sterling artist is well known to opera-goers in Amer¬
ica, as he was a member of the Metropolitan Opera Com
VICTOR RED SEAL RECORDS
pany for many years. In 1 908 M. Journet was engaged by the Paris Opera, and has since been
one of the important members of that great company, returning to America only at intervals.
THE JOURNET RECORDS ( Sung in French unless otherwise noted ) jsj0>
Barbiere — La calunnia (Slander’s Whisper) In Italian Rossini 74104
Boeufs, Les (arr. by Victor Parizot) Pierre Dupont 64647
Boheme — Vecchia zimarra (Coat Song) In Italian Puccini 64035
Brabansonne, La (Belgian National Song) Ch. Rogier-F. Campenhout 64558
Cantique de Nofil (O Holy Night) In French Adolphe Adam 74519
Chant de Guerre Cosaque (Russian Cossack War Song) Massenet 64585
Clairon, Le (Chant du Soldat) Paul D£roulede-Emile Andre 74473
Cleopatre — Air de la Lettre (Letter Song) (Act 2) Massenet 64587
Cor, Le (The Horn) de Vigny-Flegier 74508
Deux Grenadiers (The Two Grenadiers) Schumann 74038
Don Giovanni — Leporello Aria — Nella bionda (Fair One) In Italian 74191
Faust — Invocation de Mephistopheles (Oh Night, Draw Thy Curtain!) 64119
Faust — Serenade de Mephistopheles Gounod 74036
Faust — Veau d’or (Calf of Gold) Gounod 64036
Flibustier, Le (The Filibuster) Victor Barrucand-Alexandre Georges 64656
Himno Nacional Argentino (National Hymn of Argentine)
In Spanish Conradi 64648
Hosanna! Julien Didi^e-Jiiles Granier 74735
Huguenots — Benediction des Poignards (Blessing of the Swords)
(with Metropolitan Opera Chorus) Italian Meyerbeer 74275
Huguenots — Piff ! Paff ! (Marcello’s Air) Act I Meyerbeer 74156
Hymne de Mameli, “Fratelli d’ltalia" (Italian Patriotic Song) Novaro 64567
Jongleur de Notre Dame — Legende de la Sauge Massenet 74123
Lohengrin — Koenig’s Gebet (King’s Prayer) In German Wagner 64013
Magic Flute — Invocation (Great Isis) Mozart 64235
Marche Lorraine Louis Ganne 64586
Marseillaise — French National Hymn de Lisle 74039
Martha — Canzone del porter (Porter Song) In Italian Flotow 64014
Mignon — Berceuse — Lullaby In Italian Thomas 74270
O Salutaris In Latin Jean Luce 74472
Pere de la Victoire, Le (Father of Victory) Louis Ganne 64557
Rameaux, Les (The Palms) J. Faure 74037
Robert le Diable — Valse Infernal, “ Ecco una nuova preda ” (I Have
Spread My Toils) (with Opera Chorus) Meyerbeer 74282
Tannhauser — O du mein holder Abendstern (Evening Star) In German 74006
Trovatore — Abbietta Zingara (Swarthy and Threatening) In Italian 74474
DUETS. ETC.. IN WHICH JOURNET SINGS— .See "Amato." "Caruso,"
“Clement," " Farrar " and " Martinelli”
Size List p.
12 $1.75
10 1.25
10 1.25
10 1.25
12 1.75
10 1.25
12 1.75
10 1.25
12 1.75
12 1.75
12 1.75
10 1.25
12 1.75
10 1.25
10 1.25
10 1.25
12 1.75
12 1.75
12 1.75
10 1.25
12 1.75
10 1.25
10 1.25
10 1.25
12 1.75
10 1.25
12 1.75
12 1.75
10 1.25
12 1.75
12 1.75
12 1.75
12 1.75
K
KINDLER, HANS, Violoncellist
Hans Kindler was born in Rotterdam, Holland, in
1892, and was educated in the high school and university
of that city. When he was nine years old he began to
play the ’cello, and later attended the Rotterdam Conserv¬
atory, where he studied under Mossel, Gerardy and Casals.
He was for two years solo ’cellist at the Charlottenburg
Opera, and taught the ’cello at the Scharwenka Conserva¬
tory. Mr. Kindler has appeared with the principal orches¬
tras in Amsterdam, Birmingham and Hanover, under such
famous conductors as Mengelberg, Kunwald, Schonberg,
Landon Ronald, etc. In 1914 he appeared with orchestras
in Europe and in the United States. In 1915 he became
first violoncellist of the Philadelphia Orchestra under Leo¬
pold Stokowski. Five years later, his powers fully matured
and fully recognized, he took to the concert stage. He has
VICTOR RED SEAL RECORDS
made a number of remarkable Victor Blue Label Records, of which, in addition to those
here listed, a number will be found under his name in the main body of the catalogue. j
THE KINDLER RECORDS
Arabian Melody (M^lodie Arabe)
Menuett
Nina
Orientale (from “Kaleidoscope,” Op. 50, No. 9)
Reverie (Opus 20)
Simple Confession (Simple Aveu) (Opus 25)
Song Without Words (Romance Sans Paroles)
Wiegenlied (Cradle Song) (Schubert) (2) Gavotte
No.
Size
List p.
Glazounow
66026
10
$1.25
Handel
64841
10
1.25
Pergolesi
64932
10
1.25
Cesar Cui
64896
10
I.2S.
Emile Dunkier
66049
10
1.25
Thome
6601 1
10
1.25
Van Goens
74682
12
1.75-
Mehul-Burmester
66053
10
1.25c
KREISLER, FRITZ, Violinist (Krice' -ler)
Kreisler was born in 1875, and although brought up in
an atmosphere of refinement, he confesses that at one period
of his boyhood his great ambition was to be a trolley
conductor! Fortunately this youthful ambition was succeeded
by an ambition to excel in music. This he did at an early
age, as do so many artists of real genius.
At the age of ten young Fritz won the first prize at the
Vienna Conservatory ; and in his twelfth year astonished the
professors at the Conservatoire in Paris by winning the Prix dt
Rome, an unprecedented occurrence. As a boy prodigy, he
toured America with Rosenthal, returning to Austria to enter
other fields. Although during these four years he abandoned
violin practice entirely, on his reappearance in 1 899 his bow
was as true and his technique as flawless as ever. Since then
he had toured and concertized, interpreting in the terms of his
own experience all that has come to his notice.
(For solos with Kreisler’s obbligati see “Farrar” and
“ McCormack.” For three records of the Bach Concerto for
Two Violins, see “Zimbalist.”)
THE KREISLER RECORDS — (The Pianoforte accompani-
meats are by CarlLamson, Qeorge Falkcnstein and Vincent O’Brien)
No. Size List p.
Adagietto (From “ L'Arl^sienne”) (with String Quartet) Bizet
64601
10
$1.25
Andante Cantabile ( String Qt., Op. II) (with String Qt.) Tschaikowsky
74487
12
1.75
Andantino
Martini-Kreisler
64315
10
1.25
Aubade Proven^ale (arranged by Kreisler)
Couperin
64202
10
1.25
Beautiful Ohio — Waltz
Mary Earl
64817
10
1.25
Berceuse
Townsend
64319
10
1.25
Berceuse Romantique (Slumber Song)
Kreisler
64565
10
1.25
Bohemian Fantasie
Fr. Smetana
74172
12
1.75
Caprice Viennois
Kreisler
74197
12
1.75
Chanson Arabe (from Rimsky-Korsakow’s
“Scheherazade")
Arranged by Kreisler
66079
10
1.25
Chanson Indoue (A Song of India) (from “Sadko”) Rimsky-Korsakow
64890
10
1.25
Chanson Louis Xlll et Pavane
Couperin-Kreisler
64292
10
1.25
Chanson — Meditation
Cottenet
74330
12
1.75
Chanson sans paroles (Song Without Words^ Tschaikowsky
64142
10
1.25
Coq d'Or — Hymn to the Sun
Rimsky -Korsakow-Kreisler
74720
12
1.75
Dream of Youth (Reve de Jeunesse)
Felix Winternitz
64730
10
1.25
Forsaken
Koschat-Winternitz
64873
10
1.25
Gavotte in E Major
Bach
64132
10
1.25
Gitana, La (Arabo-Spanish Gypsy Song)
64842
10
1.25
Gypsy Serenade (Serenade du Tsigane)
Valdez
64857
10
1.25
Humoresque (Op. 101, No. 7)
Dvorak
74180
12
1.75
Hungarian Dance in G Minor
Brahms-Joachim
64131
10
1.25
( Continued on next page)
VICTOR RED SEAL RECORDS
THE KREISLER RECORDS— Continued
Kr Indian Lament (Canzonetta Indienne)
■ Largo (arranged by Kreisler)
_ Liebesfreud (Old Vienna Waltz)
Liebesleid (Love’s Sorrow) (Old Vienna Waltz)
Love Nest (from “Mary”)
Mazurka in A Minor (Opus 67, No. 4)
Melody in A Major
Dvorak-Kreisler
Handel
Kreisler
arranged by Kreisler
Hirsch
Chopin-Kreisler
Gen. Chas. G. Dawes
— ’Minuet (“Celebrated Minuet")
Moment Musical (Schubert) (2)
Nobody Knows the Trouble I See (Negro Melody)
Old Folks at Home (Swanee River)
Old Refrain, The (Vienna Popular Song)
On Miami Shore — Waltz
Paradise (Viennese Folk Song)
Paraphrase on Minuet
Polichinelle Serenade
Poor Butterfly
Rondino (On a theme by Beethoven) (with String Quartet) Kreisler
— - Rosamunde — Ballet Music (Orch. acc.) Schubert-Kreisler
Rosary, The Ethelbert Nevin
Scherzo Dittersdorf
SchOn Rosmarin (Fair Rosmarin) Kreisler
Serenade Espagnole Chaminade-Kreisler
(with String Quartet) Boccherini
Tambourin Rameau-Kreisler
White
S. C. Foster
Kreisler
Victor Jacobi
Krakauer-Kreisler
Paderewski-Kreisler
Kreisler
Raymond Hubbell
Slavonic Dance, No. 1 (in G Minor)
Slavonic Dance, No. 2 (in E Minor)
Songs My Mother Taught Me (From “Gypsy Song”)
Souvenir
Spanish Dance (arranged by Kreisler)
Tambourin Chinois (Opus No. 3)
Thais — Meditation
To Spring (Opus 43, No. 6)
Underneath the Stars (arr. by Pasternack) (with Orch.)
Variations (Kreisler arrangement)
Viennese Melody
—Waltz (Op. 39, No. 15)
Who Can Tell? (from “Apple Blossoms”)
Wienerisch (Viennese Waltz)
Dvorak-Kreisler
Dvorak-Kreisler
Dvorak-Kreisler
Drdla
Granados
Kreisler
Massenet
Grieg
Herbert Spencer
G. Tartini
Gaertner-Kreisler
Brahms-Hochstein
Kreisler
Godowsky
FRITZ KREISLER AND HUGO KREISLER— Violin and ’Cello
Farewell to Cucullain (Londonderry Air)
Serenade W. Jeral-F. Kreisler
No.
Size
List p.
74387
12
$1.75
74384
12
1.75
74196
12
1.75
74333
12
1.75
64924
10
1.25
64504
10
1.25
64961
10
1.25
64614
10
1.25
74202
12
1.75
64824
10
1.25
64130
10
1.25
64529
10
1.25
64947
10
1.25
66023
10
1.25
64709
10
1.25
64731
10
1.25
64655
10
1.25
64600
10
1.25
64670
10
1.25
64502
10
1.25
74294
12
1.75
64314
10
1.25
64503
10
1.25
64488
10
1.25
74437
12
1.75
64563
10
1.25
64974
10
1.25
64556
10
1.25
74203
12
1.75
74182
12
1.75
64993
10
1.25
64660
10
1.25
64156
10
1.25
64406
10
1.25
66041
10
1.25
64902
10
1.25
74463
12
1.75
87577
10
1.50
87579
10
1.50
KREISLER, HUGO, Violoncellist
Hugo Kreisler, though he is less known in the United
States than his distinguished brother Fritz, is known widely
throughout Europe as a violoncellist of highly unusual
powers. His Victor records reveal a tone of remarkable
beauty; fluent, elegant, rich, varied, without “scrape” or
roughness of any description.
THE KREISLER RECORDS — ( Piano accompaniment by
Fritz Kreisler)
Serenade Espagnole (Spanish Serenade) No. Size List p.
Chaminade-Kreisler 66040 10 $1.25
Viennese Folk Song — Fantasy
Arrangedby Hugo Kreisler 66082 10 1.25
VICTOR RED SEAL RECORDS
KUBELIK, JAN, Violinist (Koo'-beh-leek)
Jan Kubelik was born in Michle, near Prague, on July
5, 1880. His father, an amateur violinist, began to teach him
the violin when but five years old, and the boy made his first
public appearance at the age of eight. When he was twelve he
entered the Prague Conservatory, where he remained for six
years. His wonderful success since that time is familiar to all.
Kubelik returned to the United States in the fall of 1920,
repeating some of his old triumphs and re-establishing his old
friendships with the American music-loving public.
The records which he has made for the Victor exhibit well
his firm, pure and beautiful tone, and his admirable technique.
KUBELIK RECORDS-For Due/see“Me/4a
Air for G String
Finale from Second Concerto
Perpetuum mobile (Suite No.
Romance in E Flat (Op. 44, No. 1 )
Romanza Andaluza (Spanish Dance, No. 3) (Op. 22)
Spanish Dance (VII I)
Zapateado
No.
Bach 64390
Wieniawski 74370
3 — Opus 34, No. 5)
(Wilhelmj arr.)
Size List p.
10 $1.25
12 1.75 No.
Franz Ries 74257
Rubinstein 74365
Pablo de Sarasate 74367
Pablo de Sarasate 74366
Pablo de Sarasate 74255
Size List p.
12 $1.75
12 1.75
12 1.75
12 1.75
12 1.75
L
LASHANSKA, HULDA, Soprano {Lah-shahn -skah)
Hulda Lashanska possesses that rare gift, a pure lyric
soprano voice, developed to the utmost fluency by colora¬
tura training. She is an American, born in New York
City, and reared among surroundings conducive to her
artistic development. At eighteen she was a pianist of
enviable powers. Then her voice was discovered. She
studied with Frieda Ashforth and with Marcella Sembrich,
and was encouraged, in moments of self-doubt, by Sophie
Braslau. She has appeared with practically every symphony
organization of importance in the United States since her
debut in New York under Walter Damrosch. She sings
with rare evenness, self-possession, and with quite extra¬
ordinary beauty of tone.
THE LASHANSKA RECORDS
Canzonetta (English version by Fred. Martens)
Sweet and Low (with Criterion Quartet)
No. Size List p.
Goethe-Loewe 66021 10 $1.25
Tennyson-Barnby 66020 10 1.25
M
MARLOWE, JULIA— Actress — See “Sothern and Marlowe”
MARTIN, RICCARDO, Tenor — See "Martin,” Habile Section.
MARTINELLI, GIOVANNI, Tenor
This brilliant singer has made a notable success at the Metropolitan, and is one of
the best Italian tenors ever heard in America. He was born in Montagnana. His
father, a cabinetmaker, was not able to give his son a musical education, but he
managed to learn the clarinet and finally joined the regimental band, where the director
VICTOR RED SEAL RECORDS
discovered the young player’s remarkable voice. He was
sent to Professor Mandolini, and soon made his debut at
the Dal Verme as Ernani. A Covent Garden engagement
soon followed, and as America eventually gets the best
singers, Martinelli soon came to the Metropolitan; and the
Victor, which also invariably acquires the best artists,
promptly secured his services.
No. Size
74440 12
74424
74381
74391
64344
64700 10 1.25
THE MARTINELLI RECORDS
( Sung In Italian unless otherwise noted)
Africana — O Paradiso ! Meyerbeer
Alda— Celeste Aida Verdi
Boheme — Racconto di Rodolfo Puccini
Carmen — Air de la fleur In French Bizet
Cavalleria Ru9ticana — Siciliana
( Harp acc.) Mascagni
Don Pasquale — Com’ e gentil ( With Piano-
Harp) (with Metropolitan Cho)
Ernani — Come rugiada al cespite (The Sweetest Flow’r) Verdi
Eugene Onegin — Air di Lenski (Faint Echo of My Youth) Tschaikowsky
Faust — Salut, demeure (All Hail, Thou Dwelling Lowly) French Gounod
Gioconda — Cielo e mar ( Heaven and Ocean) Ponchielli
Ideale (My Ideal) F. Paolo Tosti
Iris — Apri la tua finestra (Open Thy Lattice Window) ( Harp acc.)
Lucia — Fra poco a me ricovero (Farewell to Earth) Donizetti
Lucia — Tuche a Dio spiegasti Tali! (Thou Hast Spread Thy Wings) Donizetti
L'Ultima Canzone (The Last Song) F. Paolo Tosti
Manon Lescaut — Donna non vidi mai (A Maiden So Fair) Puccini
Martha — M'appari (Like a Dream) Flotow
Masked Ball — Barcarola (The Waves Will Bear Me) Verdi
Mattinata (’Tis the Day) ( Harp by Lapitino) Leoncavallo
Ouvre ton coeur (Open Thy Heart) (Spanish Serenade) French Bizet
Leoncavallo
Verdi
Verdi
Mascagni
Puccini
Puccini
Pagliacci — Vesti la giubba (On with the Play)
Rigoletto — La donna e mobile (Woman is Fickle)
Rigoletto — Questa o quella (’Mid the Fair Throng)
Serenata — Serenade {with Mandolin )
Tosca — E lucevan le stelle (The Stars Were Shining)
Tosca — Recondita armonia (Strange Harmony)
Traviata, La — Dei miei bollenti spiriti (Wild My Dream of Y outh) Verdi
Trovatore — Ah, si ben mio (The Vows We Plighted) Verdi
Trovatore — Di quella pira (Tremble, Ye Tyrants) Verdi
Werther — Pourquoi me r£veiller (Oh, Wake Me Not) French
Massenet
Zaz& — E un riso gentil (Tis a Gentle Smile) Leoncavallo
Zaza — O mio piccolo tavolo ingombrato (My Desk, Like My Heart, is
Encumbered with Care) Leoncavallo
MARTINELLI AND DE LUCA
Don Carlos — Dio, che nell’ alma infondere (Infuse Friendship
MARTINELLI AND JOURNET
William Tell — Ah, Matilde, io t’amo e amore (Matilde, I Love Thee)
.RTINELL1
No.
Size
List p.
64514
10
$1.25
74712
12
1.75
74573
12
1.75
64409
10
1.25
64486
10
1.25
64652
10
1.25
74483
12
1.75
74537
12
1.75
74517
12
1.75
64410
10
1.25
74469
12
1.75
64487
10
1.25
64595
10
1.25
64574
10
1.25
64484
10
1.25
64382
10
1.25
64286
10
1.25
74426
12
1.75
64393
10
1.25
64420
10
1.25
74518
12
1.75
74439
12
1.75
64505
10
1.25
64774
10
1.25
66062
10
1.25
74683
12
1.75
89160
12
2.00
76032
12
2.00
MARTINELLI DUETS — See “Alda,” “ Desiinn” and “Farrar'
VICTOR RED SEAL RECORDS
MATZENAUER, MARGARETE, Contralto
( Mahlz ' - en-auer )
Mrae. Matzenauer made her American debut as
Amneris in “Aida,” soon afterward attaining other successes.
She has impressed lovers of Italian opera as well as
German with her splendid voice, her musical intelligence
and her dramatic power.
THE MATZENAUER RECORDS
Cavalleria Rusticana — Voilosapete (Well No. Size Listp.
You Know) Italian Mascagni 88430 12 $1.73
Favorita — Ah! 1' alto ardor In Italian
with Amato 89062 12 2.00
Parsifal — Ich sah’ das Kind (I Saw the
Child) Act II Qerman Wagner 88364 12 1.75
Walktlre — Fort denn eile (Fly Then
Swiftly) Act 111 German Wagner 87102 10 1.25
McCORMACK, JOHN, Tenor
Born in Athlone, Ireland, John McCormack early
learned to sing the songs of his native land, but he had no
reason to suspect that the voice he loved to use was excep¬
tional. Induced to compete at the Dublin Musical Festival,
however, he met with such success as enabled him, with
the proceeds of a few other concerts, to go to Italy to study.
After a successful debut, followed with numerous other
operatic appearances in Italy, he was engaged for Covent
Garden, London, on October 15, 1907. His succeeding
triumphs in America are well within memory, and only
recently he reappeared in opera at the Metropolitan, New
York. It is chiefly, however, as a concert artist that he is
best known to American audiences. He has traveled the
length and breadth of the land, and is everywhere received
with tumultuous enthusiasm. Shortly after the American
entry into the war, he became an American citizen, and devoted himself to aiding war
work. John McCormack has come to be something of an “institution” in America, and
he undoubtedly interprets in song the heart of the American people in a way peculiarly his
own. Gifted with a voice of superb beauty, he can turn lightly from the most exacting
of operatic airs to simple, haunting melodies that linger in the memory with the most
treasured experiences of a lifetime. John McCormack’s faith in the Victrola as the only
means of effectually reproducing and preserving his voice is such that he has entered into
THE McCORMACK RECORDS
Adeste Fideles (Oh, Come, All Ye Faithful) In Latin (with Male Chorus)
Ahl Moon of My Delight (From “ In a Persian Garden") Lehmann
Angel’s Serenade (Violin by Kreisler) Braga
Annie Laurie — Old Scotch Air Douglass-Scott
Any Place is Heaven if You are Near Me Lockton-Lohr
Asthore Bingham-Trotere
At Dawning Eberhart-Cadman
Ave Maria In Latin (Violin by Kreisler) Bach-Gounod
Ave Maria (Intermezzo from Cavalleria) (Violin by Kreisler) Mascagni
Ave Maria (Violin by Kreisler) Schubert
Ballynure Ballad (2) Next Market Day Arr. by Herbert Hughes
( Continued on next page )
February,
1938.
No.
Size
List p.
74436
12
$1.75
74232
12
1.75
89103
12
2.00
64138
10
1.25
64699
10
1.25
74299
12
1.75
64302
10
1.25
89104
12
2.00
87546
10
1.50
89107
12
2.00
64926
10
1.25
VICTOR RED SEAL RECORDS
THE McCORMACK RECORDS-Continued
Barefoot Trail Marion Phelps-Alver S. Wiggers
Beautiful Isle of Somewhere Mrs. J. B. Pounds-J. S. Fearis
Because Teschemacher-d'Hardelot
Believe Me If All Those Endearing Young Charms Moore
Ben Bolt English-Kneass
Beneath the Moon of Lombardy Lockton-Craxton
Berceuse from Jocelyn (Violin by Kreisler) Godard
Boheme — Racconto di Rodolfo (Rudolph’s Narrative) In Italian Puccini
Bonnie Wee Thing Burns-Lehmann
Calling Me Home to You Teschemacher-Dorel
Calm as the Night (Violin by Kreisler) (Piano acc.) Mattullath-Bohm
Carme (Canto Sorrentino) In Italian (Violin by Kreisler) G. B. de Curtis
Carmen — -11 fior che avevi a me (Flower Song) In Italian Bizet
Come Back to Erin — Irish Ballad Claribel
Come Into the Garden, Maud Tennyson-Baire
Come Where My Love Lies Dreaming (with Male Chorus) Foster
CradleSong, 191 5 (Adaptedfrom “CapriceViennois”) Mattullath-Kreisler
Daughter of the Regiment — Romanza, “ Per viver vicino” In Italian
Dear Little Shamrock — Irish Ballad Cherry
Dear Love, Remember Me Harford-Marshall
Dear Old Pal of Mine Robe-Lieut. Gitz Rice
Don Giovanni — 11 mio tesoro (To My Beloved) In Italian Mozart
Down in the Forest Simpson-Ronald
Dream, A Charles B. Cory-J. C. Bartlett
Dreams Baroness Porteous-Strelezki
Drink To Me Only With Thine Eyes (Old English) Ben Jonson
Eileen (Alanna Asthore) (From "Eileen”) Blossom-Herbert
l A Furtive Tear)
Eilleen Allanna
Elisir d'amor — Una furtiva lagrima
Evening Song
Evening Song, An
Faust — Salve, dimora (All Hail, Thou Dwelling Lowly)
First Rose of Summer
Flirtation (Das Fensterln) (Violin by Kreisler)
Foggy Dew (Piano acc. b)) Spencer Clay)
Forgotten
Funiculi, Funicula In Italian (with Male Chorus)
Good-Bye
Good-Bye. Sweetheart, Good-Bye
Harp That Once Thro’ Tara’s Halls
Has Sorrow Thy Young Days Shaded ?
Honour and Love (From “ Monsieur Beaucaire")
1 Hear a Thrush at Eve — Serenade
1 Hear You Calling Me
I'll Sing Thee Songs of Araby
I’m Falling in Love With Someone (From “ Naughty Marietta”) Herbert
Ireland, My Sireland (From “Eileen") Blossom-Herbert
Irish Emigrant, The — Old Irish Ballad G. Baker
It’s a Long, Long Way to Tipperary (with Male Chorus) Judge-Williams
Joseph — Champs paternels In French Etienne Henri Mehul
Kathleen Mavourneen — Irish Ballad Crawford-Crouch
Keep the Home-Fires Burning (Till the Boys Come Home) Ford-Novello
Kerry Dance J. L. Molloy
Killarney — Irish Song Michael Balfe
Lakme — Vieni al contento profondo (Through Forest Depths) Italian
Marble-Thomas
In Italian
Lanier-Hadley
Blumenthal
In Italian
Caldwell-Kern
Meyer-Helmund
Milligan-Clay
Eugene Cowles
L. Denza
Tosti
Hatton
Thomas Moore
Thomas Moore
Ross-Messager
Eberhart-Cadman
Harford-Marshall
Wilis-Clay
No.
Size List p.
64878
10
$1.25
64428
10
1.25
64430
10
1.25
64180
10
1.25
64433
10
1.25
64962
10
1.25
89106
12
2.00
74222
12
1.75
64427
10
1.25
64803
10
1.25
87550
10
1.50
87548
10
1.50
74218
12
1.75
74158
12
1.75
74434
12
1.75
64423
10
1.25
64606
10
1.25
74221
12
1.75
64153
10
1.25
64318
10
1.25
64785
10
1.25
74484
12
1.75
64331
10
1.25
64434
10
1.25
64603
10
1.25
74204
12
1.75
64666
10
1.25
64341
10
1.25
74219
12
1.75
64496
10
1.25
74243
12
1.75
74220
12
1.75
64818
10
1.25
87549
10
1.50
64326
10
1.25
64546
10
1.25
64437
10
1.25
74346
12
1.75
64342
10
1.25
64259
10
1.25
74184
12
1.75
64901
10
1.25
64340
10
1.25
64120
10
1.25
64375
10
1.25
64174
10
1.25
64665
10
1.25
74237
12
1.75
64476
10
1.25
74564
12
1.75
74236
12
1.75
64696
10
1.25
74485
12
1.75
74157
12
1.75
64171
10
1.25
VICTOR RED SEAL RECORDS
THE McCORMACK RECORDS— Continued
Last Hour, The ( V iolin by Kreisler ) Brown-Kramer
Learn to Smile (From “The O’ Brien Girl”) Harbach-Hirsch
Little Bit of Heaven, A Brennan-Ball
Little Boy Blue Eugene Field-Ethelbert Nevin
Little Grey Home in the West {’Cello by Bourdon) Eardley-Wilmot-Lohr
Little Love, a Little Kiss (Un peu d’amour) Ross-Silesu
Little Mother of Mine Geo. S. Brengle-H. T. Burleigh
Little Town in the Ould County Down Pascoe-Carlo-Sanders
Lord Is My Light Frances Allitsen
Love, Here is My Heart ! Ross-Silesu
Love’s Garden of Roses Rutherford- Wood
Low Back’d Car Samuel Lover
Lucia — Fra poco a me ricovero (Farewell to Earth) Inltalian Donizetti
Lucia — Tu che a Dio spiegasti l’ali (Thou Hast Spread Thy Wings) Italian
Macushla — Irish Song Rowe-MacMurrough
Manon — 11 sogno (The Dream) In Italian Massenet
Maritana — There is a Flower Wallace
Mary of Argyle (Old Scotch Ballad) Chas. Jefferys-Sidney Nelson
Mavis L. A. Lefevre-Harold Craxton
Meistersinger — Prize Song Wagner
Minstrel Boy — Irish Ballad Thomas Moore
Molly Bawn — Irish Ballad Samuel Lover
Molly Brannigan — Old Irish Melody ( Piano acc. by Spencer Clay)
Mother Machree (From “ Barry of Ballymore ”) Olcott-Ball
Mother o’ Mine Kipling-Tours
My Dreams Weatherly-Tosti
My Irish Song of Songs Dubin-Sullivan
My Wild Irish Rose Chauncey Olcott
Nearer My God to Thee Adams-Mason
Next Market Day (2) Ballynure Ballad Arranged by Herbert Hughes
O Cease Thy Singing, Maiden Fair (Violin by Kreisler) Rachmaninoff
Oh, Sleep ! Why Dost Thou Leave Me? (From “Semele”) Handel
Old Refrain (Viennese Popular Song) Mattullath-Kreisler
Only You E. K. R.-Edw. Schneider
Parted Weatherly-Tosti
Rainbow of Love, The William F. Kirk-Gustave Ferrari
Rigoletto — -Questa o quella (Mid the Fair Throng) Inltalian Verdi
Road That Brought You to Me Bernard Hamblen
Rosary, The Ethelbert Nevin
Rose of My Heart Eardley-Wilmot-Lohr
Roses of Picardy Weatherly- Wood
Say ‘ ‘Au Revoir" But Not "Good-Bye” Kennedy
Serenade (Violin by Kreisler) Rosier-Raff
Serenade (Softly Through the Night) (Violin by Kreisler) Mattullath-Schubert
Serenata (English words by N. H. Dole) (Violin by Kreisler) Moszkowski
She is Far from the Land — Irish Ballad
Silver Threads Among the Gold
Since You Went Away (with Kreisler)
Sing! Sing ! Birds on the Wing
Snowy Breasted Pearl, The
Somewhere
Somewhere a Voice is Calling
Star-Spangled Banner (with Male Chorus)
Sunshine of Your Smile (with Violin Obbligato)
Sweet Genevieve
Sweet Peggy O’Neil
Take, Oh, Take Those Lips Away
Moore
Rexford-Danks
J. W.-J. R. Johnson
Cooke-N utting
Robinson
Alston Waters
Newton-Tate
Key-Arnold
Cooke-Ray
Cooper-T ucker
Jos. P. Redding-Uda Waldrop
Shakespeare-Bennett
No. Size
87576 10
64982 10
64543 10
64605 10
64425 10
64343 10
64778 10
64994 10
64726 10
64623 10
64787 10
64329 10
74223 12
74224 12
64205 10
64312 10
64307 10
64432 10
64407 10
74479 12
64117 10
74175 12
64316 10
64181 10
64332 10
64310 10
64796 10
64426 10
64345 10
64926 10
87574 10
66096 10
64559 10
64838 10
64578 10
64732 10
64344 10
66024 10
64257 10
66012 10
64825 10
64328 10
87552 10
87545 10
87547 10
74242 12
64260 10
87573 10
64532 10
74166 12
64976 10
64405 10
64664 10
64622 10
64309 10
66028 10
64252 10
List p.
$1.50
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.75
1.75
1.25
1.25
1.25
1.25
1.25
1.75
1.25
1.75
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.50
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.25
1.50
1.50
1.50
1.75
1.25
1.50
1.25
1.75
1.25
1.25
1.25
1.25
1.25
1.25
1.25
(Continued on next page)
VICTOR RED SEAL RECORDS
THE McCORMACK RECORDS— Continued
Tales of Hoffmann — Barcarolle (Violin by Kreisler) Offenbach
Thank God for a Garden Teresa Del Riego
That Tumble-Down Shack in Athlone Pascoe-Carlo-Sanders
Then You’ll Remember Me (From "Bohemian Girl”) Balfe
There’s a Long, Long Trail Stoddard King-Zo Elliott
Three O Clock in the Morning Terriss-Robledo
’Tis an Irish Girl 1 Love and She’s Just Like You Brennan-Ball
Tommy Lad Teschemacher-Margetson
Trumpeter, The J. Francis Barron-J. Airlie Dix
Turn Ye to Me (Old Scotch Air) John Wilson (North)
Until Edw. Teschemacher- Wilfrid Sanderson
Vacant Chair, The (with Male Chorus) Geo. F. Root-Henry F. Washburn
Venetian Song F. Paolo Tosti
Wearing of the Green Old Irish Air
When Irish Eyes are Smiling ( “ Isle of Dreams”) Olcott-Graff-Ball
When My Ships Come Sailing Home Reginald Stewart-Francis Dorel
When Night Descends (Violin by Kreisler) Rachmaninoff
When the Dew is Falling MacLeod-Schneider
When You and I Were Young, Maggie Johnson-Butterfield
When You Look in the Heart of a Rose Gillespie-Methven
Where the River Shannon Flows Russell
Who Knows? Paul Lawrence Dunbar-Ernest R. Ball
Within the Garden of My Heart Roberts-Scott
Wonderful World of Romance Simpson- Wood
Your Eyes Reynolds-Schneider
Your Eyes Have Told Me So Kahn- Van Alstyne-Blaufuss
McCORMACK AND BORI—5ee “Borf ”
McCORMACK AND MARSH
Aida — O terra addio (Farewell, Oh Earth) In Italian Verdi
Carmen — Parle-moi de ma mere (Tell Me of My Mother) In French Bizet
McCORMACK- WERRENRATH — Crucifix Rosier-Faure
Moon Has Raised Her Lamp Above (“Lily of Killarney”) Benedict
WITH BOR1, JACOBY, WERRENRATH— Rigoletto Quartet
No.
Size
List p.
87551
10
$1.50
64900
10
1.25
64837
10
1.25
64599
10
1.25
64694
10
1.25
66109
10
1.25
64925
10
1.25
64630
10
1.25
74432
12
1.75
74435
12
1.75
64495
10
1.25
64499
10
1.25
64549
10
1.25
64258
10
1.25
64631
10
1.25
74428
12
1.75
87571
10
1.50
64497
10
1.25
64913
10
1.25
64814
10
1.25
64311
10
1.25
64424
10
1.25
64317
10
1.25
66080
10
1.25
64604
10
1.25
64860
10
1.25
74398
12
1.75
74345
12
1.75
64712
10
1.25
64440
10
1.25
89080
12
2.00
MELBA, NELLIE, Soprano
No prima donna of the present day has ever been so
beloved in three continents as has this Australian artist.
Melba was born at Burnley, near Melbourne, Aus¬
tralia. Her father was a Scotch contractor who had been
in Australia some years. He was proud of his daughter’s
musical talent, but objected to her following it as a pro¬
fession, and it was not until her marriage to Captain
Charles Armstrong that she finally decided on a musical
career. The singer went to Europe in 1 886, and began to
study under Mme. Marchesi, making such rapid progress
that her debut was made in Brussels in 1887 under the
name of Melba (derived, of course, from her native city),
and her success was immediate.
THE MELBA RECORDS (Su ng
in Italian unless otherwise noted) No. Size
Annie Laurie In English Douglas-Scott 8855 1 1 2
Ave Maria In Latin (Violin by Kubelik)
Boheme — Addio (Farewell)
Boheme — Mi chiamano Mimi (My Name is Mimi)
Cornin' Thro’ the Rye In English
Don C6sar de Bazan— Sevillana (Fair Maidens of Seville)
Faust — Air des bijoux (Jewel Song) In French
Good-Bye (Addio) In English
Hamlet — Scfine et Air d’Oph^lie (Mad Scene) In French
p
75
No.
Size
List p.
Bach-Gounod
89073
12
$2.00
Puccini
88072
12
1.75
Puccini
88074
12
1.75
Scotch Air
88449
12
1.75
In trench
Massenet
88662
12
1.75
Gounod
88066
12
1.75
Paolo Tosti
88065
12
1.75
1 homas
88215
12
1.75
VICTOR RED SEAL RECORDS
THE MELBA RECORDS— Continued
Lo, Here the Gentle Lark (.Flute obbligato by Lemmone) In English
Louise — Depuis le jour (Ever Since the Day) In French Charpentier
Lucia — Scena della pazzia (Mad Scene) ( Flute obbligato by Lemmone)
Marriage of Figaro — Voi che sapete (What is This Feeling?) Mozart
Mattinata (Morning Serenade) Paolo Tosti
Oh, Lovely Night In English Landon Ronald
Old Folks at Home — Swanee River In English Foster
Otello — Ave Maria (Hail, Mary) Verdi
Otello — Salce, salce (Willow Song) Verdi
Pensieroso — Sweet Bird (Flute obbligato ) In English Handel
Rigoletto — Caro Nome (Dearest Name) Verdi
Serenata (Serenade) (Harp acc. by Ada Sassoli) Tosti
Se saran rose (Melba Waltz, “ When Bloom the Roses") Arditi
Tosca — Vissi d’arte (Love and Music; Puccini
Traviata — Ah, fors’ e lui (The One of Whom I Dreamed) Verdi
Ye Banks and Braes o’ Bonnie Doon In English Burns
MELBA AND CARUSO
Boheme — O soave fanciulla (Thou Sweetest Maiden) Puccini
No.
Size
List p.
88073
12
$1.75
88477
12
1.75
88071
12
1.75
88067
12
1.75
88077
12
1.75
88182
12
1.75
88454
12
1.75
88149
12
1.75
88148
12
1.75
88068
12
1.75
88078
12
1.75
88079
12
1.75
88076
12
1.75
88075
12
1.75
88064
12
1.75
88150
12
1.75
95200
12
2.50
MENGELBERG, WILLEM AND N. Y. PHILHARMONIC ORCHESTRA
The name of Willem Mengelberg is an honored one
in interpretative music; so honored, indeed, that it conveys
honor wherever its possessor goes. He is a native of
Holland, having been born in the quaint city of Utrecht,
the son of a famous authority on Gothic architecture. His
student years were spent training for the piano, when it
happened he was given a municipal music directorship in
Lucerne. This was in 1891; four years later he was ap¬
pointed to the directorship of the Concertgebouw Orchestra
in Amsterdam, which he developed to a high state of per¬
fection. His methods and his fame spread, and of late years
he has been in demand as a guest conductor in every country
which can boast of symphony orchestras. As a conductor,
he is a taskmaster who has imposed the heaviest discipline on
himself; being a composer, with a composer’s sympathies, his
readings of orchestral works are specially noted for their
sensitiveness of utterance and breadth of understanding.
THE MENGELBERG AND N. Y. PHILHARMONIC ORCH. RECORDS
Coriolan Overture — Part I
Coriolan Overture — Part II
Oberon Overture — Part 1
Oberon Overture — Part II
(Opus 62)
(Opus 62) No. Size List p.
Beethoven 74757 12 $1.75
Weber 74766 12 1.75
Weber 74767 12 1.75
No. Size List p.
Beethoven 74756 12 $1.75
MICHAILOWA, MARIE, Soprano (Misch-ih' -loh-ah)
Marie Alexandrowna Michailowa was born in Little
Russia, in the south of the Empire, and made her first ap¬
pearance in Charkow when quite a young girl. She then
went to Petrograd for further study, where her unusu¬
ally beautiful voice quickly attracted the attention of the
critics. At the close of her Conservatory studies she was
engaged at the Imperial Opera House ( Theatre Imperial
de Petrograd), soon becoming the chief prima donna,
a position which she held more than fifteen years. Her
voice is an unusually beautiful and sympathetic one.
VICTOR RED SEAL RECORDS
THE MICHAILOWA RECORDS
Ave Maria {Violin obbligato) In Latin Bach-Gounod
Stormy Breezes — Russian Folk Song Edlichko
Traviata — Addio del passato (Farewell to the Bright Visions) Verdi
No. Size List p.
61131 10 $1.23
61126 10 1.25
61178 10 1.25
MORINI, ERIKA, Violinist ( Moh-ree-nee )
To be famous at seventeen is the good-fortune of
Erika Morini — almost as if in reward for the struggles and
privations which she as a child, in common with so many, was
forced to undergo during the years of the great world-war.
Miss Morini is of Austrian birth but of Italian name and
semi-Italian parentage. She was the first child who ever
appeared as soloist at a concert with Arthur Nikisch. She
began her studies very young, with her father, a talented
musician, soon passing under the tuition of Ottokar Sevcik.
At nine, Nikisch declared, “she is not a wonder-child, she
is a wonder!” The war blotted all. Her first concerts in
the United States were quietly announced; in a few
days the newspapers were filled with her praise.
THE MORINI RECORDS
MORINI
Am Springbrunnen (At the Fountain)
Canzonetta (Opus 35, No. 3)
Capriccio Valse (Waltz Caprice)
Faust — Waltz (from New Fantasie)
Mazurka (Op. 26)
Romance (from Second Concerto in D Minor) (
Spanish Dance, No. 3 (Romanza Andaluza) (O]
Valse Sentimentale
N
NIELSEN, ALICE, Soprano
Miss Nielsen, though eminently successful some
years ago in light opera, was very ambitious and became
dissatisfied with her work, feeling that she could make no
further progress. She therefore began patiently to study
for grand opera. Her bravery in sacrificing at its height
one of the greatest careers in light opera the world had
ever known (and this at an age when glory and adulation
appeal most strongly to a young girl) and entering the
struggle for supremacy in Grand Opera, may account for
her remarkable rise into prominence within the ensuing
years. What she has accomplished is now a matter of
history, and the records she has made for the Victor speak
eloquently of her achievements.
mel Balaban )
No. Size
Listp.
Schumann
66074
10
$1.25
Godard
66038
10
1.25
Wieniawski
74686
12
1.75
Gounod-Sarasate
64979
10
1.25
A. Zarzycki
74727
12
1.75
22) Wieniawski
74717
12
1 75
.) Sarasate
74692
12
1.75
Schubert-Franko
66086
10
1.25
SBB
THE NIELSEN RECORDS (In Italian unless noted)
Bacio, II (Vocal Waltz, “ The Kiss ”)
Last Rose of Summer In English
NIELSEN AND CONSTANTINO
No. Size Listp.
Arditi 74107 12 $1.75
Moore 74121 12 1.75
Faust — Dammi ancor (Let me Gaze)
Traviata — Parigi o cara (Far from Gay Paris)
Gounod 74076 12 1.75
Verdi 74075 12 1.75
VICTOR RED SEAL RECORDS
NOV AES, GUIOMAR, Pianist ( Noh-Vah-es , Ghee-oh-mahr )
Guiomar Novaes is a Brazilian, born almost beneath
the shadow of the great “Sugar-Loaf” hill at Rio de
Janeiro, twenty odd years ago, the seventeenth child of a
family of nineteen. She first appeared as a pianist in Sao
Paulo, at the age of nine. She studied with Chiafarelli,
who encouraged her to try for one of the twelve vacant
scholarships at the Paris Conservatory. She won the first
place out of 388 candidates, the jury including Faure, De¬
bussy and Moszkowski. After two years with Phillip, she
began her first real tour, which included the greater part of
Europe. After a rest, America followed. Miss Novaes
has a superb technique and an individual and commanding
style. She possesses the faculty, rare even in artists, of
complete self-absorption in public, audiences and surroundings
disappearing for her, and music alone existing.
THE NOVAES RECORDS
Brazilian National Hymn-Grand Fantasie
Brazilian Tango
Feux-Follets
Gavotte
Guitarre (Op. 45, No. 2)
Mazurka in D Major (Op. 33, No. 2)
Nocturne
Spring Song
Turkish March (from “Ruins of Athens”)
No,
Size
List p.
Gottschalk
74675
12
$1.75
Alexander Levy
64879
10
1.25
I. Philipp
64826
10
1.25
Gluck
74618
12
1.75
Moszkowski
64880
10
1.25
Chopin
64941
10
1 25
Paderewski
74676
12
1.75
Mendelssohn
64940
10
1.25
Beethoven
64939
10
1.25
o
OBER, MARG ARETE, Contralto ( Oh'-baer )
Since her debut with the Metropolitan Opera Com¬
pany in 1913, Margarete Ober has had a distinguished
career in the United States. She was born in Berlin and
made her first operatic appearance in Frankfort. She has
sung the leading mezzo and contralto roles in Wagnerian
opera, and in addition earned particular distinction as
Azucena in “11 Trovatore,” her Victor record of “Stride
la vampa!” being a fine example of her singing in this role.
She also played an important part in the production of
“ Boris Godounow,” by that strange Russian genius, Mous-
sorgski. Her record from this work is noteworthy.
OBER
THE OBER RECORDS No. Size Listp
Boris Godounow (Garden Scene) In Italian with Althouse 76031 12 $2.00
Trovatore — Stride la vampa! (Fierce Flames are Soaring) Italian Verdi 64306 10 1.25
p
PADEREWSKI, IGNACE JAN, Pianist (Pad-er-ef -s*ee)
The world today knows the history of Ignace Jan Paderewski — and how he placed
in abeyance, for a time, his career as an artist, for the troublous paths of leadership as
the first Premier of the New Poland. Political duties fulfilled, for the moment, he has
returned to the art- life. ’•
VICTOR RED SEAL RECORDS
These numbers, which are among the great favorites
of Mr. Paderewski’s concert repertoire, have been selected
by this famous artist for his best representation in the Vic¬
tor Catalogue. They are an epitome of recorded piano
music during the history of Paderewski’s time. The piano
has been one of the most difficult instruments to record
satisfactorily, because notes played on the piano retain
their full volume for a moment only, and the gradual
diminution of the tone has been hard to maintain satisfactorily
in the record. It is in this respect that the most satisfactory
advances have been made by the Victor. Three of Pad¬
erewski’s own compositions and six other numbers are
here listed, and we are gratified that the technique and
artistry of a master have been worthily reproduced.
THE PADEREWSKI RECORDS
No.
Size
List p.
Cracovienne Fantastique (Op. 14, No. 6)
Paderewski
74535
12
$1.75
^ Etude in G Flat Major (Op. 25, No. 9)
Chopin
64706
10
1.25
Maiden’s Wish, The (Chant polonais, Op. 74, No. I)
Chopin-Liszt
74777
12
1.75
Minuet in G (Op. 14, No. 1)
Paderewski
74533
12
1.75
Nocturne in B Flat (Opus 16, No. 4)
Paderewski
74765
12
1.75
Nocturne in F Major (Op. 15, No. 1)
Chopin
74545
12
1.75
Nocturne in F Sharp Major (Op. 15, No. 2)
Chopin
74529
12
1.75
Polonaise Militaire (Op. 40, No. 1 )
Chopin
74530
12
1.75
Waltz in C Sharp Minor (Op. 64, No. 2)
Chopin
74539
12
1.75
PAOLI, A., Tenor — See “ Famous Artists of Europe "
PATTI, ADELINA, Soprano
-Patti spent so much of her youth in this country
that she is frequently spoken of as an American. However,
she was born in Madrid, Spain, in 1843. Her father,
anxious to try his fortunes in the new world, came here
when Adelina was ten years old, and became manager
of the Italian Opera House in Chambers Street, New
York. In 1859 at the age of sixteen, Patti made her
operatic debut in New York, in Lucia, and achieved a
tremendous success. Her further career was a wonderful
one, and the mere recital of her triumphs would fill a
volume. No other singer was ever so long before the
public and none was ever so successful in preserving an
unimpaired voice.
Sometime before her death, which occured in 1919,
Mme. Patti sang for the Victor some of the old songs with
which she had delighted millions of her hearers in past years.
THE PATTI RECORDS
Home, Sweet Home
Sir Henry Bishop
95029
12
$5.00
Kathleen Mavourneen — -Irish Folk Song
Crawford Crouch
95035
12
5.00
Martha — Last Rose of Summer
Moore
95030
12
5.00
Old Folks at Home (Swanee River)
Foster
95033
12
5.00
Robin Adair — Scotch Air
Keppel
95031
12
5.00
Serenata In Italian
Paolo Tosti
95038
12
5.00
VICTOR RED SEAL RECORDS
PHILADELPHIA ORCHESTRA
Under the masterful leadership of Leopold Stokowski, the Philadelphia Orchestra
has rapidly taken a leading position among the symphony orchestras of the United States.
The success of the Victor Company in making satisfactory records of a full-sized
symphony orchestra in its entirety has enabled us to offer records by the Philadelphia
Orchestra under its own brilliant conductor. This orchestra was developed from an
amateur orchestra which played under the leadership of Dr. W. W. Gilchrist, a famous
American composer. In 1900 a permanent orchestra was established by Fritz Scheel,
who was succeeded by Carl Pohlig, formerly First Court Conductor at Stuttgart. He
resigned in 1912, and was succeeded by Leopold Stokowski. Under Stokowski the
Orchestra has developed remarkably both in organization and artistic achievement. It is
now almost entirely self-supporting ; a pension fund for the personnel has been established,
and the artistic achievements include memorable performances of Gustav Mahler’s
“Symphony of a Thousand Voices,” which was thus given in America for the first time.
Each year an increasing number of tours have been made by this orchestra in various
parts of the country, though the war necessarily limited its movements for a time.
The New York engagements have also increased, showing that the Philadelphia
PHILADELPHIA SYMPHONY ORC HESTRA
Orchestra is now firmly established among the world’s best symphony organizations
There is something almost uncanny in the thought that the polished black surface of a
disc-record may contain the co-operative efforts of nearly a hundred men ; yet here we
have miniature performances of the Philadelphia Orchestra exactly attuned to the needs
of the living-room of your own home.
THE PHILADELPHIA ORCHESTRA RECORDS
Blue Danube Waltz J. Strauss
Carmen — Prelude to Act 1 Bizet
Eight Symphony, in F Major — Allegretto scherzando Beethoven
Espafia Rapsodie Alexis Emmanuel Chabrier
Festival at Bagdad — (“Scheherazade") Rimsky-Korsakow
Finlandia (Symphonic Poem) (Op. 26, No. 7) Sibelius
Hungarian Dance No. 5 Brahms
Hungarian Dance No. 6 Brahms
Hungarian Rhapsody, No. 2 Liszt
No.
Size
List p.
74627
12
$1.75
64822
10
1.25
74661
12
1.75
74621
12
1.75
74593
12
1.75
74698
12
1.75
64752
10
1.25
64753
10
1.25
74647
12
1.75
(Confirmed on next page )
VICTOR RED SEAL RECORDS
THE PHILADELPHIA ORCHESTRA RECORDS-
-Continued
No.
74598
Size
12
List p.
$1.75
Invitation to the Waltz
Weber
Largo from “New World” Symphony (Op. 95)
Dvorak
74631
12
1.75
Midsummer Night’s Dream — Scherzo
Mendelssohn
74560
12
1.75
Minuet (“Celebrated Minuet”)
Boccherini
66058
10
1.25
Moment Musical (Opus 94, No. 3)
Schubert
66098
10
1.25
Orpheus — Ballet (Dance of the Spirits) Christoph Willibald Gluck
74567
12
1.75
Peer Gynt — Suite No. 1 — Anitra’s Dance
Grieg
64768
10
1.25
Rienzi Overture — Part I
Wagner
74602
12
1.75
Rienzi Overture — Part II
Wagner
74603
12
1.75
Salome’s Dance — Part I (from “Salome”)
Richard Strauss
74729
12
1.75
Salome’s Dance — Part 11 (from “Salome")
Richard Strauss
74730
12
1.75
Samson et Dalila — Bacchanale
Saint-Saens
74671
12
1.75
Symphonie Pathetique — March — Scherzo (Opus 74)
Tschaikowsky
74713
12
1.75
Symphony in G Minor — Menuetto
Mozart
74609
12
1.75
Symphony No. 3 — C Minor Movement (Poco Allegretto) (Op. 90)
Brahms
74722
12
1.75
Tannhauser Overture — Part I
Wagner
74758
12
1.75
Tannhauser Overture — Part II
Wagner
74759
12
1.75
Tannhauser Overture — Part III
Wagner
74768
12
1.75
Walktire — Wotan’s Farewell and Magic Fire Music
Wagner
74736
12
1.75
Walktire — The Ride of the Valkyries
Wagner
74684
12
1.75
Young Prince and the Young Princess No. Size List p.
(“Scheherazade”) Rimsky-Korsakow 74691 12 $1.75
PL ANQON, POL, Bass ( Plan-sohn )
This accomplished and popular singer was bom in the
Ardennes, in 1854, where his boyhood was spent. His father
did not sympathize with his professional ambitions, intending
him for a merchant. Incurring the displeasure of his family,
he entered the Ecole Duprez through the influence of
Ritter. Duprez, who was then the greatest living teacher
of diction, taught young Plan^on in the most thorough man¬
ner, and no artist of the present generation sang with more
artistic finish, and with more careful attention to enunciation,
phrasing and expression. His American debut took place
at the Metropolitan Opera House, New York, during the
season 1893-94. He died in 1914.
THE PLANCON RECORDS ( Sung in French ui
Caid, Le — Air du Tambour Major (Drum Major’s Air)
Damnation de Faust — Serenade de M6phistoph6les
Deux Grenadiers, Les (The Two Grenadiers)
Faust — Serenade de Mephistopheles
J6sus de Nazareth (Jesus of Nazareth)
Magic Flute — Invocazione (Great Isis 1) In Italian
Noel (Holy Night)
Rameaux, Les (Palm Branches) (Easter Air)
dess noted)
No.
Size
Listp.
Thomas
85119
12
$1.75
Berlioz
81034
10
1.25
Schumann
85024
12
1.75
Gounod
81040
10
1.25
Gounod
85065
12
1.75
Mozart
85042
12
1.75
Adolphe Adam
85099
12
1.75
Faure
85020
12
1.75
POWELL, MAUD, Violinist
The late Maud Powell was the greatest of all women violinists. Circumstances of
her death in 1920, in a Pennsylvania city on a concert tour, had about them something of
the heroic. Her memory and her records remain; and both have in them something of the
essence of imperishable things.
This artist was born in Peru, Illinois in 1868, and began taking violin lessons when
she was eight years old. Her first teacher was William Lewis, of Chicago, who, doubtless
VICTOR RED SEAL RECORDS
because of her evident earnestness, took great interest in her.
Through Maud Powell’s veins flowed a strain of Hungarian
blood from her mother’s side, and perhaps this was respons¬
ible for a certain warmth of temperament, gypsy-like in
fervor, which was one of the distinguishing characteristics of
her art, serving to humanize a technique which was almost
too perfect.
Miss Powell studied with Lewis four years, and then
went abroad, a girl of twelve, to study first with Schradieck
and then with Dancla in Paris. Afterward Joachim heard
her play in London and offered to take her into his classes
without obliging her to go through any further preliminary
studies. She returned to New York in 1884 and made
her debut with the New York Philharmonic in the Bruch
G minor Concerto, and since that time she created forever
new standards of violin playing.
THE POWELL RECORDS ( Accompaniments by Falkenstein and Liachowskv)
No. Size List p.
At the Brook (with Harp)
Ren6 de Boisdeffre
64103
10
$1.25
Ave Maria (with String Quartet and Harp)
Schubert
74177
12
1.75
Barcarolle — Tales of Hoffmann
Offenbach
64457
10
1.25
Bee, The (Schubert) (2) Minute Waltz
Chopin
64076
10
1.25
Caprice (Opus 51. No. 2)
Ogarew
64301
10
1.25
Capriccio Valse (Waltz Caprice, Op. 7)
Wieniawski
74173
12
1.75
Cavatina (Opus 85, No. 3)
Joachim Raff
74283
12
1.75
Concerto in G — Allegro moderato (Seventh Concerto, Op. 76) de Beriot
74493
12
1.75
Cygne, Le (The Swan )
Saint-Saens
64265
10
1.25
Czardas — Hejre Kati
Hubay
74324
12
1.75
Deep River — Negro Melody
Colerid ge-T aylor
74246
12
1.75
Elegie (Song of Mourning) (2) Maiden’s Wish
Chopin-Macmillen
74548
12
1.75
Fifth Nocturne (Orchestra acc.)
Leybach
74531
12
1.75
Finale from E minor Concerto (Opus 64)
Mendelssohn
74026
12
1.75
Four American Folk Songs— “My Old Kentucky Home” (Foster);
“Shine On” (Schoolcraft): “Old Black Joe” (Foster) and “King-
dom Coming" (H. Work)
74547
12
1.75
Gavotte — Mignon
Thomas-Sarasate
64454
10
1.25
Guitarrero ( Pianoforte by Loesser)
Drdla
64621
10
1.25
Hejre Kati — Czardas
Hubay
74324
12
1.75
Humoresque
Dvorak
74494
12
1.75
Kol Nidrei (Opus 47)
Bruch
74355
12
1.75
Largo (Air from “ Xerxes ”) (Orchestra acc.)
Handel
74412
12
1.75
Largo (Melody from the opera “ Xerxes ")
Handel
64227
10
1.25
Maiden’s Wish (Chopin-Macmillen) (2) Elegie
Massenet
74548
12
1.75
Mazurka (Opus 26;
A. Zarzycki
64104
10
1.25
Melodie — Air from “ Orpheo ”
Christoph Gluck
64075
10
1.25
Menuett — In D Major, No. 1
Mozart
64073
10
1.25
Minuet in G, No. 2 (arr. by Powell) (Pianoforte by L
oesser) Beethoven
64620
10
1.25
Molly on the Shore (Irish Reel) Setting by Percy Grainger
6461 1
10
1.25
Polish Dance — Kujawiak — 2d Mazurka
Wieniawski
74326
12
1.75
Polonaise (Opus 38)
Henri Vieuxtemps
64028
10
1.25
Poupee Valsante (Waltzing Doll)
Poldini-Hartmann
64734
10
1.25
Romance from D Minor Concerto No. 2 (Opus 22)
Wieniawski
74179
12
1.75
Salut d'amour (Love’s Greeting) (Opus 12)
Elgar
64373
10
1.25
Serenata (Opus 15, No. 1)
Moszkowski
64281
10
1.25
( Continued on next page)
Po
VICTOR RED SEAL RECORDS
THE POWELL RECORDS— Continued
No.
Size
List p.
Silver Threads Among the Gold (Transcription)
H. P. Danks
64459
10
$1.25
Slavonic Cradle Song — Berceuse Slave (Opus 1 1 )
Neruda
64027
10
1.25
Souvenir (Morceau)
Franz Drdla
64074
10
1.25
Spanish Dance (Opus 26, No. 8)
Sarasate
74259
12
1.75
St. Patrick’s Day (Bouquet Americain, Opus 33)
Vieuxtemps
74025
12
1.75
Thais — Meditation (Intermezzo Religieuse) (with Orch.
acc.) Massenet
74135
12
1.75
To Spring (Opus 43, No. 6)
Grieg
64264
10
1.25
Valse Triste (Opus 44)
Jean Sibelius
74402
12
1.75
Will-o’-the-Wisp — “ Farfalla ”
Emile Sauret
74183
12
1.75
Zigeunerweisen (Opus 20) (Gypsy Dance)
de Sarasate
64262
10
1.25
R
RACHMANINOFF, SERGEI, Pianist (Rach-mah'-
nee-noff, Sair-jay)
Sergei Rachmaninoff is one of the great figures of
contemporary music. He is both a conductor and a virtuoso;
and considered as either — or as both — he stands in the
foremost rank of this century’s personalities. He was born
at Novgorod, Russia in 1873. At the age of 9 he entered
the Petrograd Conservatory. He toured Russia as a pianist
in 1 892. He early attracted attention as a composer, and
in London, in 1899, he appeared in the threefold role of
composer, orchestral conductor, and pianist, which he
since has repeated, many times, in many parts of the world.
He visited the United States for the first tour in 1909, re¬
turning to Russia the following year. In 1912 he was
appointed chief conductor of the Imperial Opera in Petro¬
grad. He later returned to the United States. Mr.
Rachmaninoff is a prolific, original and powerful composer,
his works ranging from operatic and symphonic compositions to the piano works by which
he is best known, perhaps, in the United States. As a pianist, he is easily among the first
living masters of the instrument. His first record, one of his own compositions, established
him at once with Victor audiences, with whom he has reached at last that immense and
cosmopolitan public so immense and cosmopolitan an art deserves.
THE RACHMANINOFF RECORDS
Coucou, Le (The Cuckoo) Claude Daquin
Etude in F Minor Dohn&nyi
Golliwogg’s Cake-Walk (No. 6, from “Children’s Corner”) Debussy
Liebesleid (Love’s Sorrow) (Old Vienna Waltz) Kreisler-Rachmaninoff
Minuet (from ”L’ Arlesienne," No. I) Bizet-Rachmaninoff
Polka de W. R. W. Rachmaninoff
Prelude in C Sharp Minor (Op. 3, No. 2)
Prelude in G Major (Op. 32, No. 5)
Prelude in G Minor (Op. 23, No. 5)
Prelude in G Sharp Minor (Op. 32, No. 12)
Spinning Song (Songs Without Words, No. 34)
Rachmaninoff
Rachmaninoff
Rachmaninoff
Rachmaninoff
(Opus 67. No. 4)
Mendelssohn
Study from “The Children's Corner” (Dr. Gradus ad Parnassum) Debussy
Troika en traineaux (In a Three-Horse Sleigh) (Op. 37) Tschaikowsky
Valse in D Flat Major (“Minute Waltz") (Op. 64, No. 1 ) Chopin
Valse in E Flat Major (Op. 18) Chopin
No.
Size List p.
64919
10
$1.25
66059
10
1.25
64980
10
1.25
74723
12
1.75
66085
10
1.25
74728
12
1.75
66016
10
1.25
74645
12
1.75
74628
12
1.75
64963
10
1.25
64921
10
1.25
64935
10
1.25
74630
12
1.75
64971
10
1.25
74679
12
1.75
RENAUD, MAURICE, Baritone ( Ruh-noh ') See " Famous Artists of Europe"
VICTOR RED SEAL RECORDS
i
*
RUFFO, TITTA, Baritone {Roof -f oh)
This famous Italian baritone, who for several years
past has been one of the operatic sensations of Europe and
South America, made his debut in the United States at
the Metropolitan Opera House, Philadelphia, on Novem¬
ber 4, 1912, in Verdi’s “Rigoletto."
The story of Ruffo’s career is a most romantic one.
He is a Tuscan by birth, and at an early age entered the
Conservatory of Santa Cecilia at Rome, but after two years
of study was dismissed by the faculty and advised to seek
another profession, the directors declaring that his vocal
equipment was inadequate for operatic work! Fortunately
for the operatic world, the young man was undismayed,
and, still determined upon a musical career, he went to
Milan and sought the advice of Signor Cassini, a former
artist who made a specialty of vocal training, and with
whom he subsequently studied. He then went to Rio Janeiro, where his first success
was made. After singing in other South American cities, he soon returned to his native
land for a triumph that will ever be memorable.
During the world war he fought with the Italian forces, as an aviator, refusing to
sing or do anything else but what he conceived to be his first and most important duty.
With peace he came to America.
THE RUFFO RECORDS ( Sung In Italian unless otherwise noted )
Africana-Adamastor, re dell’ onde profonde (Ruler of Ocean) Meyerbeer
Africana — All 'erta, Marinar I (What Ho. Mariners 0 Meyerbeer
Andrea Chenier-Nemico della Patria (Enemy of His Country) Giordano
Andrea Chenier-Son sessant’ anni (Sixty Years Hast Thou Served Them)
Barbiere di Siviglia — Largo al Factotum (Room for the Factotum) Rossini
Don Giovanni — Serenata, “ Dei vieni alia finestra ” Mozart
Ernani — Lo vedremo, o veglio audace (1 Will Prove, Audacious
Greybeard) Verdi
Ernani — O de ’verd ’anni miei (Bright and Fleeting Shadows) Verdi
Falstaff — L’Onore! Ladri! (Your Honor! Ruffians!) Verdi
Faust — Rammenta i lieti (Dost Thou Remember?) Gounod
Faust — Serenade Mephistopheles Gounod
Gioconda — Barcarola, “ Pescator, affonda L’esca ’’ Ponchielli
Guitarrico In Spanish A. Perez Soriano
Hamlet — Brindisi, “O vin, discaccia la tristezza" (with La Scala C. ) Thomas
Masked Ball — Eritu (Is It Thou ?) Verdi
Munasterio (The Monastery) Neapolitan S. di Giacomo-P. Mario Costa
Bourget-T remisot
Verdi
Verdi
Leoncavallo
(A Song of Memories)
In Flench Paladilhe
Spaeth-Seismit-Doda
November (Novembre) In French
Otello — Credo (lago’s Creed)
Otello — Era la nolte (Cassio’s Dream)
Pagliacci — Prologo, Part I — Si puo (A Word)
Pagliacci — Prologo, Part II — Un nido di memorie
Patrie — Cantabile de Rysoor (Song of Rysoor)
Querida (My Darling) In Spanish
Re di Lahore — O Casto fior (Oh What Promise of a Joy Divine)
Relicario, El (The Charm) In Spanish Jose Padilla
Rigoletto — Monologo — Pari siamo (We are Equal) Verdi
Sei morta ne la vita mia ! (Your Heart No Longer Lives for Me !)
Capitelli-Costa
Suonn 'e fantasia (La Canzonetta) (Dream and Fantasy) Capolongo
Visione Veneziana — Barcarolle Orvieto-Brogi
Zaza — Buona Zaza, del mio buon tempo Leoncavallo
Zaza — Zaza, piccola zingara (Zaz&, Little Gypsy) Act IV Leoncavallo
RUFFO AND CARUSO
Otello — Si pel ciel (We Swear by Heaven and Earth) Verdi
No.
Size List p.
88622
12
$1.75
87223
10
1.25
88626
12
1.75
87325
10
1.25
88391
12
1.75
87112
10
1.25
87336
10
1.25
88660
12
1.75
88637
12
1.75
87166
10
1.25
87222
10
1.25
88394
12
1.75
87177
10
1.25
88619
12
1.75
88544
12
1.75
87323
10
1 25
87343
10
1.25
88466
12
1.75
88621
12
1.75
88392
12
1.75
88393
12
1.75
88643
12
1.75
87331
10
1.25
88639
12
1.75
87341
10
1.25
88618
12
1.75
87342
10
1.25
87123
10
1.25
87133
10
1.25
87114
10
1.25
87125
10
1.25
89075
12
2.00
VICTOR RED SEAL RECORDS
S
SAMAROFF, OLGA, Pianist
Olga Samaroff is in private life Mme. Leopold Stokow¬
ski. She is by birth an American, having been born in San
Antonio, Texas, of German and Russian descent. She
was reared among fine musical traditions, her mother and
her maternal grandmother both having been pianists of high
accomplishments. She began her studies with them at the
age of five, later going to Paris under Marmontel and Widor.
She studied not only the piano, but the organ and the harp.
Her first professional appearance, defying all musical tradition,
was in the United States, in New York, in 1905. Since
then she has developed and perfected her art to a degree
which places her among the greatest of living pianists.
Her Victor records have been noted for their poetic charm,
their clear, liquid, singing tone possessing a quality altogether
hers.
THE SAMAROFF RECORDS
Liebestraum (Dream of Love) (No. 3 in A Flat) Liszt
Nocturne (Opus 54, No. 4) Grieg
Sparks (fitincelles) (Opus 36, No. 6) Moszkowski
Spring Song (Song Without Words, No. 30) (Op. 62) Mendelssohn
Turkish March (from “The Ruins of Athens”) Beethoven
No. Size List p.
74696 12 $1.75
74785 12 1.75
64995 10 1.25
66075 10 1.25
64965 10 1.25
Walktire — Ride of the Valkyries
Wagner-Hutcheson 74772 12 1.75
SCHIPA, TITO, Tenor ( Skee-pah Tee-toh )
Tito Schipa was born at Lecce, in 1 889, and made his
debut at the Costanze Theatre, in Rome, in “La Traviata.”
Ten years later, he made his first American appearance, in
Chicago, as the Duke in “Rigoletto.” His fine voice, dis¬
tinguished stage presence, and his most intelligent singing,
brought him quickly into recognition, and into favor, in the
new world. He is a tenor of natural gifts, accomplishing
with ease what so many strive for, and so vainly, through
the whole of a lifetime, without success. His voice has
a wholesome, robust, manly quality for all its lyric smooth¬
ness and its ease of production. He is a singer of original
mind, choosing to sing what suits his voice and method, and,
as his records testify, he is a most excellent judge. He is
an important figure in vocal music today, and his popularity
is growing. It deserves to.
THE SCHIPA RECORDS
Ay- Ay- Ay (Creole Song) In Spanish Osman Perez-Freire
Granadinas (Farewell, My Granada) (from “Emigrantes”)
In Spanish Barrera
Manon — II Sogno (The Dream) In Italian Massenet
Pagliacci — Serenata d' arlecchino (Harlequin's Serenade) In Italian
No.
74753
66039
66077
66045
Size Listp.
12 $1.75
10 1.25
10 1.25
10 1.25
SCHUMANN-HEINK, ERNESTINE, Contralto
Mme. Schumann-Heink has been long in America, and has been long and closely
identified with American life. At the age of ten she was sent to the Convent of the
VICTOR RED SEAL RECORDS
i
s
Ursuline Nuns in Prague, where she sang in the choir, but
entirely by ear. Her father was afterward transferred to
Graz, where a teacher named Marietta von Le Clair, who
had recognized the signs which told of a voice worth culti¬
vating, kindly offered to give the budding genius her best
efforts without pay. The girl’s voice at that time was a deep
contralto, with no high notes. The wise teacher kept her
on nothing but exercises for two years before she gave her
songs by Mendelssohn, Schubert and other composers. In
1878 she made her first appearance at the Dresden Opera
House as Azucena in “II Trovatore,” and in the early ’90s
she achieved fame in Berlin. In 1896 she appeared at
Bayreuth and in 1898 created a sensation in London. Her
first appearance in New York was in 1898, and she was
such a great success that American audiences refused to
allow her to return to Europe.
SCH UMANN-H KINK.
THE SCHUMANN-HEINK RECORDS
, All Ye Faithful) Portugal
In Latin ( Piano acc .) Bizet
Gabriele Wrede-Frank La Forge
Brandon-Harold
Alexander MacFadyen
Reese-Salter
Fred E. Weatherly
Loewe
Schubert
Becker
Carrie Jacobs-Bond
John A. Carpenter
Adeste Fideles (Oh Come,
Agnus Dei (Lamb of God)
Before the Crucifix
Child's Prayer, A
Cradle Song
Cry of Rachel
Danny Boy
Erkennen, Das (Recognition) In German
Erlkfinig (The Erlking) (Op. 1 ) In German
FrUhlingszeit (Springtide) In German
His Lullaby
Home Road, The
If 1 Forget Alfred Anderson-De Koven Thompson
In the Sweet Bye and Bye Bennett- Webster
I und mei Bua (I and My Boy) Yodel Song In German MillOcker
Kerry Dance, The Molloy
Lead Kindly Light Newman-Dykes
Leggiero invisibile (Bolero, “Oh, Light Invisible") In Italian Arditi
Lorelei — Volkslied (The Loreley) In German Friedrich Silcher
Lucrezia Borgia — Trinklied (It is Better to Laugh) In German Donizetti
Mignon — Kennst du das Land? (Knowest Thou the Land?) In German
Nearer My God To Thee Adams-Mason
Old Folks at Home (Swanee River) Stephen C. Foster
One Sweetly Solemn Thought Carey-Ambrose
Onward. Christian Soldiers S. Baring-Gould-Sullivan
Prophete — Ah ! mon fils (My son) In French Meyerbeer
Prophete — Prison Scene, Part II In French Meyerbeer
Rosary, The Ethelbert Nevin
Rosary, The Ethelbert Nevin
Samson und Dalila — Der Frtihling erwachte (Song of Spring) In German
Samson und Dalila — Mein Herz (My Heart) In German Saint-Saens
Spinnerliedchen — Spinning Song ( Piano by Mrs. Hoffman) Ger. Reimann
Sometime We'll Understand Cornelius-McGranahan
St. Paul — But the Lord is Mindful of His Own Mendelssohn
Stille Nacht, heilige Nacht (Silent Night) In German Gruber
Still wie die Nacht (Calm as the Night) In German Carl Bohm
Sun of My Soul Keble-Ritter
Taps Musical Setting by Pasternack
Thy Beaming Eyes MacDowell
Traume (Dreams) In German Wagner
Treue Liebe (True Love) (Folk Song) In German
Vom Himmel hoch da komm’ich her (Christmas Hymn) Ger. Luther
When the Boys Come Home Hay-Speaks
When the Roses Bloom Reichardt
No.
Size
List p.
87330
10
$1.25
88416
12
1.75
88548
12
1.75
67094
10
1.25
87286
10
1.25
88336
12
1.75
88592
12
1.75
88550
12
1.75
88342
12
1.75
87012
10
1.25
881 18
12
1.75
87320
10
1.25
87337
10
1.25
87307
10
1.25
88139
12
1.75
88451
12
1.75
87340
10
1.25
88093
12
1.75
88547
12
1.75
88188
12
1.75
88090
12
1.75
87280
10
1.25
88620
12
1.75
88549
12
1.75
87298
10
1.25
88187
12
1.75
88095
12
1.75
88108
12
1.75
87221
10
1.25
88417
12
1.75
88190
12
1.75
87124
10
1.25
87326
10
1.25
88191
12
1.75
88138
12
1.75
87332
10
1.25
87302
10
1.25
87299
10
1.25
87288
10
1.25
88343
12
1.75
87021
10
1.25
88381
12
1.75
87295
10
1.25
87129
10
1.25
VICTOR RED SEAL RECORDS
SCHUMANN-HEINK AND CARUSO No. Size List p.
Trovatore — Ai nostri monti (Home to Our Mountains) In Italian Verdi 89060 12 $2.00
SCHUMANN-HE1NK AND FARRAR
Wanderers Nachtlied (Wanderer’s Night Song) In German Rubinstein 87504 10 1.50
SCOTTI, ANTONIO, Baritone
One of the most valued and gifted artists of the
Metropolitan Opera Company is Antonio Scotti, the well-
known baritone. He was born in Naples, and even as a
child showed a desire to become a singer. His friends
strongly advised him to study music, and he was induced to
consult Mme. Trifari-Paganini, who assured him he had an
exceptionally good voice, and urged him to cultivate it.
He at last yielded, though with little hope of ever becom¬
ing an artist. At the age of 23, after he had studied for
four years he made his debut at the Teatro Reale, in
Malta, as Amonasro in “Aida,” singing later at that house in
nine other roles. Scotti’s career was now open to him.
He sang in turn in many of the great theatres of Italy and
filled six seasons in South America. Engagements at the
Teatro Reale, Madrid, and in Petrograd, Moscow,
Warsaw, Odessa and London, established his reputation.
THE SCOTTI RECORDS ( Sung in Italian unless otherwise noted)
Don Giovanni — Serenata, “Deh vieni alia finestra” (Open Thy
Window) (2) Falstaff — Quand’ ero paggio (When 1 Was Page) Verdi
Falstaff— Quand’ ero paggio (2) Don Giovanni — Serenata Verdi
Faust — Dio possente (Even the Bravest Heart) Gounod
Maria, Mari (Neapolitan Song) Di Capua
Otello — Brindisi (Drinking Song) Verdi
Pagliacci — Prologo (Prologue) Leoncavallo
Tosca — Cantabile Scarpia (Venal, My Enemies Call Me) Puccini
No. Size Listp.
88194 12 $1.75
88194 12 1.75
88203 12 1.75
88083 12 1.75
88082 12 1.75
88029 12 1.75
88122 12 1.75
DUETS BY SCOTTI AND OTHER ARTISTS — See "Caruso/’ " Farrar ”
and “ Sembrich”
TRIO WITH FORN1A AND MARTIN
Madama Butterfly — Lo so che alle sue pene (Naught Can Console) 87503 10 1.50
SEMBRICH, MARCELLA, Soprano
Sembrich was the daughter of a poor musician of
Lemberg, in Galicia, but afterwards adopted her mother’s
maiden name, which was Sembrich. Her father began
to teach her to play the piano and violin when she was
but four years old, and at twelve she was obliged to play
the piano for dances in order to help support the family.
Her musical gifts were noticed by a benevolent Pole
named Lanowich, who sent her first to the Loepel Con¬
servatory, then to Vienna, where Professor Epstein dis¬
covered the natural beauty of her voice, and advised her
to take up voice culture. Her debut was made as Elvira,
June 3, 1877, at Athens; and she was then engaged for the
Dresden opera in 1878. In 1 880 she sang Leonora at Covent
Garden and her success being assured, engagements in
Warsaw, Petrograd, Moscow and Madrid followed.
In 1883 she was engaged for the Metropolitan Opera House, making her American
debut October 24th, in “Lucia,” afterwards singing Elvira, Violetta and Ophelia. As
soon as the public realized that here was the perfect singer at last, her triumphs were
SEMBRICH
VICTOR RED SEAL RECORDS
phenomenal — such perfection of style and beauty of tone, combined with that power of
interpretation which is one of her greatest gifts, won the plaudits of audiences and critics alike.
The retirement of this singer from the opera was a notable event, and in announcing
her departure from the operatic stage she said : “ I wish to make my adieux while the sun
is still high in the heavens— that is all. For me there shall be no pity and while her
admirers may regret this decision, they cannot fail to rejoice that her polished art may
still be enjoyed through the Victrola.
Mme. Sembrich gave a few recitals in aid of the widows and orphans of her
beloved Poland, who have suffered so much from the ravages of war, and her con¬
summate art delighted her audiences just as of old.
THE SEMBRICH RECORDS ( Sung in Italian unless noted )
Barbiere — Una voce poco fa (A Little Voice 1 Hear) Rossini
Cornin’ Thro’ the Rye (Scotch Air) In English
Don Giovanni — Batti, batti, obel Masetto (Scold Me, DearMasetto) Mozart
Faust — Air des bijoux (Jewel Song) In French Gounod
Home Sweet Home In English Payne-Bishop
Lass With the Delicate Air In English Dr. Thomas Arne
Lucia— Mad Scene (Flute obbligato by Lyons) Donizetti
Martha — Last Rose of Summer In English Moore
Merry Widow Waltz — Dolce amor Leh&r
Mignon — Connais-tule pays? ( Knowest Thou the Land?) Frenc h Thomas
Nightingale s Song In Russian
Norma — Casta Diva (Queen of Heaven)
Parla Valse (Speak!)
Puritani — Que la voce (In Sweetest Accents)
Rigoletto — Caro nome (Dearest Name)
Semiramide — Bel raggio lusinghier (Bright Gleam of Hope)
Sonnambula — Ah non giunge (Recall Not One Earthly Sorrow)
Traviata — Ah ! fors’ e lui (The One of Whom I Dreamed)
Voce di primavera — Valse (Voice of Spring)
SEMBRICH AND EAMES
Marriage of Figaro— Che soave zeffiretto (Letter Duet)
SEMBRICH AND SCOTTI
Don Pasquale — Vado Corro (Haste We!)
Alabieff
Bellini
Arditi
Bellini
Verdi
Rossini
Bellini
Verdi
Strauss
Mozart
Donizetti
QUARTET BY SEMBRICH. SEVERINA, SCOTTI AND CARUSO
Rigoletto — Bella figlia dell’ amore (Fairest Daughter) Verdi
SEXTETTE BY SEMBRICH. SEVERINA. CARUSO. SCOTTI.
No.
Size
List p.
88097
12
$1.75
88390
12
1.75
88026
12
1.75
88024
12
1.75
88047
12
1.75
88096
12
1.75
88021
12
1.75
88102
12
1.75
88107
12
1.75
88098
12
1.75
88103
12
1.75
88104
12
1.75
88023
12
1.75
88105
12
1.75
88017
12
1.75
88141
12
1.75
88027
12
1.75
88018
12
1.75
88019
12
1.75
95202
12
2.50
89002
12
2.00
96001
12
3.00
JOURNET AND DADD!
Lucia — Chimifrena (What Restrains Me) No. Size List p.
Act II Donizetti 96200 12 $3.50
SLEZAK, LEO, Tenor (Slau' -zak)
This artist is pronounced to be one of the greatest
of tenors, and such was his popularity abroad that
only with the utmost difficulty was permission obtained
from the management of the Royal Opera, Vienna, for
him to fill a season in America in the days before the war.
Slezak has been called the second Tamagno, and
with good reason, as he possesses not only a splendid
voice, but is a really great actor as well. His recent
appearances caused the critics to be exceedingly enthusiastic
in his praise.
The Victor Company was the first to bring out
records of this great tenor.
SLEZAK
THE SLEZAK RECORDS
Lohengrin — Nun sei bedankt, lieber Schwan (Swan Song)
Lotusblume, Die (The Lotus Flower) (Opus 25. No. 7)
No. Size List p.
Wagner 61203 10 $1.25
Schumann 61207 10 1.25
SMIRNOV, DMITRI, Tenor ( Smir-noff Dmee-tne ) See " Famous Artists of Europe"
VICTOR RED SEAL RECORDS
SOTHERN, E. H.— JULIA MARLOWE
Wherever the English-speaking stage, or its traditions, can be found, the names of
E. H. Sothern and Julia Marlowe are known and beloved. They are among the greatest
modern interpreters of the plays of Shakespeare, the glory of the English tongue. Mr.
Sothern was born in New Orleans, the son of one famous actor and the kinsman of
others. He made his debut
at 20, in a small part. Since
then he has played every
type of role demanded of the
actor, and he has achieved
artistic and personal triumphs
innumerable. Miss Mar¬
lowe, (Mrs. Sothern) was
born in England, coming to
the United States with her
parents as a child. Her
first performance was at
12, in a juvenile produc¬
tion, while yet a schoolgirl.
She gradually was given more
important roles, passing after
a few years into the higher
levels of the dramatic art. Mr. Sothern and Miss Marlowe have made a number of
sympathetic and powerful studies in human character, in their Shakespeare records.
THE SOTHERN RECORDS
As you like it — Seven Ages of Man — “All the world’s a Stage” Shakespeare
Hamlet — Hamlet’s Soliloquy — “To Be or Not to Be" Shakespeare
Hamlet — Hamlet’s Speech to the Players Shakespeare
Julius Caesar — Antony’s Oration — Parti (Friends, Romans,
Countrymen, Lend Me Your Ears) Shakespeare
Julius Caesar — Antony’s Oration — Part II (If You Have Tears,
Prepare to Shed Them Now)
No. Size List p.
74701 12 $1.75
74702 12 175
74703 12 1.75
74699 12 1.75
74700 12 1.75
SOTHERN AND MARLOWE RECORDS
JuliusCaesar — Brutus and Portia Shakespeare 74706 12 1.75
Merchantof Venice — TheCasketScene (with incidental music) Shakespeare 74708 12 1.75
Merchant of Venice (1) Shylock’s Speech (2) The Mercy Speech 74673 12 1.75
Romeo and Juliet — Balcony Scene — Parti Shakespeare 74662 12 1.75
Romeo and Juliet — Balcony Scene — Part II Shakespeare 74663 12 1.75
Taming of the Shrew — Parti (Good-Morrow, Kate) Shakespeare 74704 12 1.75
Taming of the Shrew — Part II (What is Your Will, Sir?) Shakespeare 74705 12 1.75
Twelfth Night — The Duke and Viola No. Size List p.
(with incidental Music) Shakespeare 74707 12 $1.75
SPENCER, JANET, Contralto
Miss Spencer was born in Boston, where she studied
with the best teachers before going abroad. Several years
of hard work and serious study in London and Paris
followed, and at her debut in New York the young
singer made a profound impression ; the critics unanimously
praising her beautiful voice, fine diction and artistic
phrasing.
After several seasons of oratorio and concert engage¬
ments, this artist began a series of New York concerts, and
the character of her reception at these recitals made an an¬
nual concert a certainty. Miss Spencer's Victrola records
are very fine ones, being absolutely faithful reproductions of
her lovely voice.
_ _ VICTOR RED SEAL RECORDS _
THE SPENCER RECORDS ( Sung in English ) j^o g-ze
Elijah-Oh Rest in the Lord Mendelssohn 74290 12 $1.75
Good-Bye, Sweet Day Thaxter-Vannah 64189 10 1.25
STIRES, LOUISE HOMER, Soprano See "Homer and Stires” Duets
T
TAMAGNO, FRANCESCO, Tenor {Tah-mahn -yoh)
On August 31, 1905, at the age of 54, this famous
artist, the greatest tenor of his time, died at Varese,
Italy.
Tamagno was the son of a rural inn-keeper near
Turin, and to his active outdoor life he doubtless owed
his wonderful physique — that great chest and muscular throat
which produced the wonderful robusto tones that are still
remembered.
Though this great singer has passed away, we can
still hear that matchless voice, thanks to science, which
has made it possible to record it imperishably. Delightful
as it is for one’s own diversion to bring back the true
record and ring of a voice that is far away, how much
stranger, how much more extraordinary it seems when we are able to recall from the
world of shadows the sound of a voice that is still !
Tamagno, during his lifetime, made a number of unusual records for the Victor
Company.
THE TAMAGNO RECORDS (Sung in Italian )
Otello — Morte d’Otello (Death of Othello)
Otello — Ora e per sempre (Forever Farewell)
Prophete— Inno (Hymn)
Trovatore — Di quella pira (Tremble, Ye Tyrants)
William T ell — O muto asil (Blessed Abode)
No. Size List p.
Verdi 95002 10 $5.00
Verdi 95003 10 5.00
Meyerbeer 95005 10 5.00
Verdi 95006 10 5.00
Rossini 95009 10 5.00
TERRY, ELLEN ALICIA, Actress
This world famous artist was born in 1 848 at Coventry,
England, her parents being well-known actors. Her first
appearance on the stage was made at the age of eight in
“The Winter’s Tale.” After several years with various stock
organizations, she joined Henry Irving’s company, playing
Katherine in “Taming of the Shrew,” and thus began the
long association with this great actor which terminated
only at his death in 1905. Through the whole of it, her
name was associated with the highest ideals of the English
stage.
Miss Terry once recited for the Victrola portions of the
works in which she made her greatest successes, and the
single remaining record forms a most interesting souvenir
of this noted actress.
THE TERRY RECORDS
Merchant of Venice — Mercy Speech, Act IV
No. Size List p.
Shakespeare 64194 10 $1.25
VICTOR RED SEAL RECORDS
TETRAZZINI, LUISA, Soprano (Tet-trah-tzee -nee)
Mme. Tetrazzini has made one of the greatest suc¬
cesses in operatic history in this country, and has met with
receptions almost unparalleled. During her last operatic
engagements, the great Manhattan and Metropolitan Opera
Houses in New York were crowded every time the famous
soprano appeared, and she has been greeted with a series
of tremendous ovations. It is not the habit of blase New
York audiences to go wild over a singer, but the Tetrazzini
performances were the scenes of some most remarkable
outbursts of enthusiasm.
The management of the Tivoli Opera House in San
Francisco first brought Tetrazzini to the attention of the
English-speaking world. Other countries had already dis¬
covered in her work qualities of extreme excellence ; but it
remained for San Francisco to make her “ world famous.”
Her triumphs in London, New York and elsewhere are too well known to require further
mention.
Tetrazzini’s first concert tour, embracing twenty of the largest cities, was a succession of
ovations. It is a wonderful voice with which this great soprano is electrifying her audi¬
ences; remarkable in its purity and great range, while her colorature work is extremely
brilliant. She has been residing for some years in Italy, and in 1919 was awarded a gold
medal, with diploma of honor of the Italian Red Cross, for her generous efforts on behalf
of disabled and wounded soldiers.
It is perhaps enough to say here that this marvelous voice has been recorded in all
its beauty and power on these superb Victor records, and the list contains all the numbers
with which Mme. Tetrazzini has made her greatest triumphs.
Especially noticeable in this list are the Proch air, one of the diva’s most famous num¬
bers, her singing of it approaching the marvelous ; the favorite Last Rose, the first record
to be sung in English; the Swiss Echo Song, a famous old colorature air, the difficult
variations being given with dazzling brilliancy and consummate ease; David’s beautiful
Charmant Oiseau, which shows to rare advantage the diva’s purity of tones, especially
in the duet with the flute ; and favorite opera airs — from “ Masked Ball,” “ Barber of
Seville,” “ DinOrah,” “Rigoletto,” etc.
THE TETRAZZINI RECORDS ( Sung in Italian unless noted)
Aprile Tosti
Barbiere — Una voce poco fa (A Little Voice I Hear) Rossini
Bonnie Sweet Bessie In English Root-Gilbert
Carnival of Venice — Parti (with Variations) Jules Benedict
Carnival of Venice — Part II (with Variations) Jules Benedict
Dinorah — Ombra leggiera (Shadow Song) Meyerbeer
Grande Valse (Op. 10) Venzano
Lakme — Dov' e" l’lndiana bruna (Bell Song) Delibes
Lucia (Mad Scene) ( with flute obbligato by Oesterreicher) Donizetti
Lucia Sextette (with Caruso, Amato. Journet, Jacoby and Bada) Donizetti
Martha — Last Rose of Summer In English Moore
Masked Ball — Saper vorreste (You Would be Hearing) Verdi
Mignon — Polonese — “ lo son Titania" (I'm Fair Titania) Thomas
Pearl of Brazil — Charmant oiseau (Brilliant Bird) (.Flute obb.) In French
Proch's Air and Variations (with flute obbligato) Proch
Rigoletto — Caro nome (Dearest Name) Verdi
Romeo et Juliette — Valse (Juliet’s Waltz Song) Gounod
Sonnambula— Ah, non giunge (Recall Not One Earthly Sorrow) Bellini
Swallows, The In English Bingham-Cowen
Swiss Echo Song (L’Eco) Eckert
Traviata — Ah! fors’ e lui (2) Sempre libera Verdi
Trovatore — D’amor sull’ ali rosee (Fly On Rosy Pinions) Verdi
Trovatore — Tacea la notte placida (Peaceful Was the Night) Verdi
No.
Size
List p.
88306
12
$1.75
88301
12
1.75
88428
12
1.75
88291
12
1.75
88292
12
1.75
88298
12
1.75
88423
12
1.75
88297
12
1.75
88299
12
1.75
96201
12
3.50
88308
12
1.75
88304
12
1.75
88296
12
1.75
88318
12
1.75
88307
12
1.75
88295
12
1.75
88302
12
1.75
88313
12
1.75
88349
12
1.75
8831 1
12
1.75
88293
12
1.75
88426
12
1.75
88420
12
1.75
THIBAUD, JACQUES, Violinist ( Tee-boh zhahk) See "Famous Artists of Europe"
VICTOR RED SEAL RECORDS
TOSCANINI and LA SCALA ORCHESTRA
Arturo Toscanini is one of the greatest living masters
of the difficult art of conducting an orchestra — which is not
the simple process of “beating time” so many might fondly
suppose, but an art demanding powers of attention — and
perception — given to but few. He is of Italian birth but
cosmopolitan training, for he has conducted everywhere.
His knowledge of music, and his memory for music are
very great, for he never uses a score while conducting,
depending wholly upon a memory little short of prodigious.
He is able, offhand, to conduct any one of more than I 50
operas without notice, and innumerable concert works.
His records made for the Victor Talking Machine Company
with the famous orchestra of La Scala in Milan, the world-
shrine of Italian opera, include examples of both early
and late orchestral music.
TOSCANINI
TOSCANINI and LA SCALA ORCHESTRA RECORDS No.
Carmen — Aragonaise (Prelude to Act 4) Bizet 64999
Damnation of Faust — Rakoczy Hungarian March (Op. 24) Berlioz 74695
Don Pasquale — Overture, Part 1 Donizetti 66030
Don Pasquale — Overture, Part II Donizetti 66031
Farandole (from L’Arlesienne Suite No. 2) Bizet 64986
Fete Boheme (Bohemian Festival) (No. 4 from “Scenes Pittoresques") 74725
Gagliarda (Galliard — An Old Dance) Vincenzo Galilei 74672
Midsummer Night's Dream — Wedding March Mendelssohn 74745
Midsummer Night's Dream— Scherzo Mendelssohn 74779
Pisanelle, La — Le quai du port de Famagouste (The Quay of the
Port of Famagusta) Pizzetti 64952
Secret of Suzanne — Overture Wolf-Ferrari 66081
Symphony No. I in C Major — Finale (Op. 21) Beethoven 74690
Symphony in E Flat Major — -Menuetto (3d Movement) Mozart 74668
Symphony in E Flat Major — Allegro (4th Movement) Mozart 74669
V
VIAFORA, GINA C., Soprano — See " Caruso ”■ — Miscellaneous Quartets
Size List p.
10 $1.25
12 1.75
10 1.25
10 1.25
10 1.25
12 1.75
12 1.75
12 1.75
12 1.75
10 1.25
10 1.25
12 1.75
12 1.75
12 1.75
W
WERRENRATH, REINALD, Baritone
Reinald Werrenrath has been making Victor Records
for some years. As a younger artist (he still is young) his
contributions were made to the Black and the Blue Label
classes. By sheer force of merit he won a place among
the immortals of modern vocal music, and he will in future
contribute to the Red Seal Records.
He has sung with the Metropolitan Opera Company,
and he has sung in concert everywhere throughout the
United States. He is the son of George Werrenrath, who
was himself a famous singer. He was born of Danish
ancestry, in Brooklyn, N. Y., and graduated from New York
University. He has a splendid rich baritone voice, clear,
smooth and sympathetic, and beyond that he sings with
extraordinary understanding and intelligence. Mr. Werren¬
rath has before him a future of great achievement — of greater
achievement than he had in the past, when his early successes might have turned the head of
a less balanced personality. He has an extensive Victor repertoire and his records are in
great demand. Many of these will be found listed in the main body of the catalogue.
VICTOR RED SEAL RECORDS
THE WERRENRATH RECORDS
No.
Size
List p.
Colleen o’ My Heart
Gretchen Dick-Arthur Penn
64931
10
$1.25
Dreaming Alone in the Twilight
Clemson- Moore
64843
10
1.25
Duna
Pickthall-McGill
64863
10
1.25
Gypsy Love Song (from “The Fortune Teller") Smith-Herbert
64897
10
1.25
Herodiade — Vision Fugitive (Fleeting Vision) In French Massenet
74610
12
1.75
Little Shawl of Blue
Teschemacher-Hewitt
66087
10
1.25
Love Sends a Little Gift of Roses
Cooke-Openshaw
64964
10
1.25
Moonrise
Gretchen Dick-Arthur Samuels
66047
10
1.25
Nazareth
Henry F. Chorley-Charles Gounod
74719
12
1.75
On the Road to Mandalay
Kipling-Speaks
74783
12
1.75
Stein Song
Hovey-Bullard
64914
10
1.25
Story of the Rose
“Alice"-Andrew Mack
64950
10
1.25
Tell Me Daisy (“Blossom Time")
Donnelly-Romberg
66032
10
1.25
There's Sunlight in Your Eyes
Lewin-Harling
64987
10
1.25
Where My Dear Lady Sleeps
Weatherly-Breville-Smith
66018
10
1.25
WHITEHILL, CLARENCE, Baritone
Mr. Whitehill hails from the West, having been born
in Marengo, Iowa. He took such a keen interest in music
that at the age of 1 9 he went to Chicago to begin studying
in earnest. He sang in several Chicago churches with
some success, and four years later Mme. Melba advised
him to go abroad for serious study. The young man took
her advice, went to Paris and placed himself under Giraudet
for dramatic action, and Sbriglia for French dramatic roles.
He proved an earnest student and hard worker, and had
soon mastered more than thirty bass roles.
His debut was made at Brussels in 1900 as Friar
Laurence 'm “Romeo.” He returned to Paris for a season at
the Opera Comique, and was then secured by Mr. Savage
for the English opera season at the Metropolitan in 1901.
Returning to Europe in the spring of that year he began
on the advice of Mme. Wagner, to study German opera, and in 1902 appeared in the
“ Ring ” at Liibeck, and as W olfram at Bayreuth in 1 904.
The baritone has chosen a wide variety of selections for his Victor records, in¬
cluding several old-time ballads, which he sings with unusual sympathy and understanding.
Mr. Whitehill makes records for the Victor, and furnishes added proof that American
voices, properly trained, are fully equal to those of any other nation. In point of fact, he
is a living example of the principle that an American artist, with his flexible and un¬
prejudiced mind, his high idealism, and his faithfulness to the necessary long labor of
preparation for the life of the singer, may take and may hold the highest artistic rank.
Sympathetic insight and a fine sense for dramatic values are characteristics which will be
found in the records by Mr. Whitehill which are listed below.
THE WHITEHILL RECORDS
No.
Size List p.
America (My Country, ’Tis of Thee)
Smith -Carey
64677
10
$1.25
Bedouin Love Song
Pinsuti
64279
10
1.25
Bohemian Girl — Heart Bow’d Down
Balfe
74407
12
1.75
Dream Faces (Sweet Dreamland Faces) Hutchinson
74451
12
1.75
Elijah — Lord God of Abraham
Mendelssohn
74320
12
1.75
I’ll Take You Home Again, Kathleen
Thomas P. Westendorf
74425
12
1.75
In the Gloaming
Orred-Harrison
64360
10
1.25
I Want to See the Old Home (with Male Chorus) Dumont-Stewart
74433
12
1.75
Love's Old Sweet Song
Bingham-Molloy
74321
12
1.75
Marching Through Georgia
Henry C. Work
64602
10
1.25
My Homeland
Burnet-Speaks
64719
10
1.25
Nancy Lee
W eatherly-Adams
64613
10
1.25
Old Black Joe
Foster
64359
10
1.25
Parsifal — Amfortas* Gebet (Amfortas’
Prayer) In German Wagner
74406
12
1.75
Some Day
Hugh Conway-Milton Wellings
74452
12
1.75
VICTOR RED SEAL RECORDS
THE WHITEHILL RECORDS— Continued
Some Day I’ll Wander Back Again (with Male Qt.) French-Huntley
Take Me Back to Home and Mother French-Huntley
'Tis but a Little Faded Flower Mrs. Howarth-Thomas
Two Grenadiers, The Schumann
Walktlre — Wotana Abschied, 1 Tell (Wotan’s Farewell) In German
Wagner 64278 10 1.25
No.
64609
64610
64707
74556
Size Listp.
10 $1.25
10
10
12
1.25
1.25
1.75
WILLIAMS, EVAN, Tenor
The fact that Evan Williams is no longer in the land
of the living makes his unforgettable records all the more
valuable. Evan Williams was essentially an American
product. The son of a family in poor circumstances, he
was born in Ohio in 1867, and enjoyed little preliminary
education. He was gifted, however, with a voice of singular
sweetness, and indomitable will power. Coming to New
York, he soon established himself as one of the foremost
concert and oratorio singers of the day. A tour through
England, the home of oratorio, added greatly to his reputa¬
tion, which was still increased upon his return to America.
An artist of the very highest attainments, he never lost sight
of the human side of his art. The list of records below is fairly
representative of the man. Great masterpieces of oratorio
and opera are found side by side with the tender folk songs
of the land of his Welsh ancestors, and with these are found the popular better-class ballads
of our own day. Williams played upon his audiences with the touch of a master, stirring
them with his fire, lulling them with his exquisite tenderness, and this mystical magnetic power
is translated through his records so that it is preserved forever. He died May 24th, 1918.
THE WILLIAMS RECORDS ( Sung in English unless noted)
No.
Size List p.
Absent (Poem by Catharine Glen)
Metcalf
64109
10
$1.25
African — Oh, Paradise ! (L'Africana — O Paradiso) Meyerbeer
74148
12
1.75
Ah, Love, But a Day
Brown ing-Protheroe
64327
10
1.25
Alice, Where Art Thou?
Gurnsey-Ascher
64271
10
1.25
All Through the Night (Welsh Air)
74100
12
1.75
Answer
Alfred Robyn
74205
12
1.75
Auld Lang Syne (Old Scotch)
Robert Burns
64105
10
1.25
Beautiful Isle of Somewhere
Pounds-Fearis
64411
10
1.25
Because
Guy d’Hardelot
64133
10
1.25
Beloved, It Is Morn
Hickey-Aylward
74404
12
1.75
Carmen — Flower Song (This Flower You Gave to Me) Bizet
74122
12
1.75
Chiming Bells of Long Ago
Shattuck
64634
10
1.25
Come Into the Garden, Maud
Balfe
74109
12
1.75
Crossing the Bar (Poem by Tennyson)
C. Willeby
74119
12
1.75
Dream, A
J. C. Bartlett
64078
10
1.25
Dreaming of Home and Mother (with Mixed Quartet) J. P. Ordway
74476
12
1.75
Elijah — If With All Your Hearts
Mendelssohn
74088
12
1.75
Elijah — Then Shall the Righteous Shine Forth
Mendelssohn
64650
10
1.25
Face to Face (Sacred Song)
Herbert Johnson
74477
12
1.75
Favorita — Spirit So Fair (Spirto gentil)
Donizetti
74141
12
1.75
Forgotten (Words anonymous)
Eugene Cowles
74160
12
1.75
Four-Leaf Clover
Brownell
64139
10
1.25
From the Land of the Sky-Blue Water
Eberhardt-Cadman
64516
10
1.25
Good-Bye
Tosti
74550
12
1.75
Good-Bye, Sweetheart, Good-Bye
W illiams-Hatton
64199
10
1.25
Hark, Hark ! the Lark ( Piano acc.)
Shakespeare-Schubert
64218
10
1.25
Her Beautiful Hands
Riley- Ward-Stephens
74551
12
1.75
Holy City
Weatherly- Adams
74356
12
1.75
Holy Night — Cantique de Noel {’Cello obbligato )
Adolphe Adam
64106
10
1.25
Judas Maccabaeus — Sound an Alarm
Handel
74131
12
1.75
( Continued on next page )
VICTOR RED SEAL RECORDS
THE WILLIAMS RECORDS— Continued
Just a-Wearyin’ for You Stanton-Jacobs-Bond
Lass of Richmond Hill, The McNally
Lead, Kindly Light Newman-Dykes
Little Bit o’ Honey, A W. G. Wilson-Carrie Jacobs-Bond
Little Boy Blue (Poem by Eugene Field) Nevin
Loch Lomond — By Yon Bonny Banks (Old Scotch Air)
Lohengrin — Lohengrin's Narrative
Lost Chord, The
Martha — Like a Dream (M’appari)
Mary of Argyle
May Morning, A
Meistersingei — Prize Song (Preislied)
Mentra Gwen (Venturesome Gwen)
Messiah — Comfort Ye My People
Messiah — Ev’ry Valley Shall Be Exalted
Messiah — Recitative — Thy Rebuke (2) Air — Behold and See
Wagner
Proctor-Sullivan
Flotow
Nelson
Weatherly-Denza
Wagner
(Old Welsh Song) In Welsh
Handel
Handel
Handel
Mollie Darling (with Male Chorus) Will S. Hays
Mother, My Dear Nolen-Treharne
My Ain Folk Wilfrid Mills-Laura G. Lemon
My Pretty Jane (The Bloom is on the Rye) Bishop
Ninety and Nine (Gospel Hymn) E. C. Clephane-Ira D. Sankey
Oh, Dry Those Tears Teresa Del Riego
Ol Na Byddai'n Haf (Would It Were Summer Always) In Welsh Davies
Open the Gates of the Temple Mrs. Joseph Knapp
Perfect Day, A (’Cello obbligato by Bourdon) Jacobs-Bond
Pipes of Gordon’s Men J. Scott Glasgow-Wm. G. Hammond
Prodigal Son — How Many Hired Servants Sullivan
Queen of Sheba — Lend Me Your Aid — Part 11 Gounod
Return of Spring Schumann
Sandman, The (with Pianoforte) Pfirshing-Grant-Schaefer
Serenade Schubert
Song That Reached My Heart, The Julian Jordon
Sorrows of Death (From “ Hymn of Praise”) Mendelssohn
Sound An Alarm (From "Judas Maccabaeus”) Handel
Spirit Flower, A Stanton-Campbell-Tipton
Stabat Mater — Cujus animam In Latin Rossini
Star of Bethlehem (Christmas Song) Stephen Adams
St. Paul — Be Thou Faithful Mendelssohn
Sweet Miss Mary W. H. Neidlinger
There Little Girl, Don't Cry James Whitcomb Riley- War d-Stephens
When You and I Were Young, Maggie (with Male Chorus)
Wynken, Blynken and Nod (Piano acc.) Field-Paissiello
Yn iach i ti Gumri (Adieu to Dear Cambria) In Welsh
Y Deryn Pur (The Dove) (Old Welsh Song) In Welsh
No.
Size List p.
64389
10
$1.25
64100
10
1.25
64092
10
1.25
64771
10
1.25
64102
10
1.25
64210
10
1.25
74130
12
1.75
74453
12
1.75
74128
12
1.75
64088
10
1.25
64158
10
1.25
74115
12
1.75
64141
10
1.25
74190
12
1.75
74189
12
1.75
74126
12
1.75
74480
12
1.75
64765
10
1.25
74409
12
1.75
74254
12
1.75
64545
10
1.25
74199
12
1.75
74181
12
1.75
74198
12
1.75
64306
10
1.25
64513
10
1.25
74127
12
1 75
64096
10
1.25
64217
10
1.25
64220
10
1.25
64093
10
1 23
74571
12
1 75
74498
12
1.75
74131
12
1.75
74331
12
1.75
74093
12
1.75
74187
12
1.75
74136
12
1.75
64080
10
1.25
64711
10
1.25
74490
12
1.75
64219
10
1.25
64763
10
1.25
64764
10
1.25
WITHERSPOON, HERBERT, Bass
The Victor Company is able to offer to its pa¬
trons a number of fine records by one of the most suc¬
cessful of American bassos, whose superb work with the
Metropolitan Opera has become one of its finer tradi¬
tions. Mr. Witherspoon is a singer of intelligence, with
a voice and style of unusual beauty. He has an impressive
stage presence, distinguished bearing and much personal
magnetism. His voice is of ample range, exceptionally
well schooled, noble in quality, and he is a master in the
art of phrasing. Mr. Witherspoon has made a number
of records for the Victrola, every one of which has been
contributed in masterly fashion. He made his opera debut
in the United States, but soon extended his triumphs
into Europe.
VICTOR RED SEAL RECORDS
THE WITHERSPOON RECORDS
Arm, Arm, Y e Brave ! (.Recitative and Aria
( Sung in English)
from “Judas Maccabaeus”)
Handel
Bird and the Rose
Elijah — It is Enough
Flow Gently, Sweet Afton — “Afton Water"
Hosanna (Easter Song)
Just You
Lindenbaum, Der (The Linden Tree) (Op. 89, No. 5)
Lost Chord, The
Maria, Mari I (Neapolitan Song) In Italian
Meet Me by Moonlight Alone (English Ballad)
Messiah — The Trumpet Shall Sound
Messiah— Why Do the Nations
Old Oaken Bucket
One Sweetly Solemn Thought Phoebe Carey-R. S. Ambrose
Parsifal — Charfreitags-Zauber (Good Friday Spell) In German Wagner
Rolling Down to Rio Kipling-German
Warrior Bold, A Edwin Thomas-Stephen Adams
Robert S. Hichens-Amy E. Horrocks
Mendelssohn
Burns-Spillman
Granier
Miller-Burleigh
Schubert
Sir Arthur Sullivan
Russo-di Capua
Wade
Handel
Handel
Samuel Woodworth
No. Size List p.
74505
12
$1.75
64751
10
1.25
74082
12
1.75
64108
10
1.25
74279
12
1.75
64535
10
1.25
74348
12
1.75
74137
12
1.75
74418
12
1.75
74071
12
1.75
74080
12
1.75
74072
12
1.75
64743
10
1.25
74417
12
1.75
74144
12
1.75
64151
10
1.25
64528
10
1.25
ZANELLI, RENATO, Baritone ( Tsah-ml-lee )
Renato Zanelli is one of the youngest of the great
operatic singers of the day. He comes from Valparaiso,
Chile, where he quietly studied for a number of years with
Maestro Querze, who for many years taught in Italy. His
original intention was to practice law, but his interest in music
was justified by the discovery that he possessed a baritone
voice of extraordinary sweetness and power. He was offered
an early operatic debut in the United States, but chose,
rather, to continue his studies until he could appear as a
finished dramatic singer. It is all the more remarkable,
in this instance, from the persistent refusal of the artist to
appear in the United States until he was satisfied that his
training had been carried to a degree which would ensure his
acceptability. He kept steadfastly in the background until all
was ready, and he stepped into immediate action. His debut in the United States was made
with the Metropolitan Opera Company of New York. Mr. Zanelli is not simply a great
baritone of the future; he is an artist of the present, and an artist of enviable powers. His
personal history is interesting from the fact that, like many men who came to greatness in the
world of music, he studied against the desire of his family that he should become a musician.
His father was a wealthy nitrate mine owner, of Italian blood, and his mother was a Chilean
lady. It was the wish of his family that he should continue his father’s interests, but his wish
was to study music. He sang in Santiago and Valparaiso, then came to the United States.
THE ZANELLI RECORDS ( Sung in Italian unless noted)
Ave Maria In Latin
Ay-Ay-Ay (Creole Song) In Spanish
Chimes of Normandy — With Joy My Heart (Dans
Los Ojos Negros (Black Eyes) In Spanish
Madrigal de Mai (Madrigal of May) In French
Marianina
O Primavera (Spring Time)
Pagliacci — Prologue, Parti (A Word)
Pagliacci — Prologue, Part 11 (So Then)
Relicario El (The Charm)
Sogno, 11 (The Dream)
Spagnuola, La (Spanish Dancer)
Waliy, La — T’amo ben io ! (I Love You !)
Zaza — Zaza, piccola zingara (Little Gypsy)
ZEROLA, NICOLA, Tenor {Ze/ -oh-lah)
Luigi Luzzi
Osman Perez-Freire
mes Voyages) French
Alvarez
Floris-Nitke
N. Ferri
Bonnetti-Tirindelli
Leoncavallo
Leoncavallo
Jose Padilla
Stecchetti-T osti
Dole-di Chiara
Catalani
Leoncavallo
No. :
Size List p.
74747
12
$1.75
64951
10
1.25
66025
10
1 25
64858
10
1.25
64972
10
1.25
66013
10
1.25
64923
10
1.25
64831
10
1 25
64832
10
1.25
64954
10
1.25
66055
10
1.25
64834
10
1.25
64922
10
1.25
64907
10
1.25
See "Zerola” — White Section
VICTOR RED SEAL RECORDS
ZIMBALIST, EFREM, Violinist (Zim’-bal-ht)
This distinguished Russian violinist was born at Rostoff
on the Don, Russia, April 9, 1889, and disclosed a musical
temperament at an early age. He did not, however, com¬
mence to study the violin until seven years old, when he
took lessons from his father, a distinguished orchestra director.
Later he went to Leopold Auer in Petrograd, and made
rapid progress. His debut in that city was a phenomenal
success, which was repeated in the principal European music
centres. A splendid London debut definitely established
his fame in England, and an equally warm welcome
awaited him in the United States, where he seems now
to be fully “one of us.” His marriage to Alma Gluck
led to the making of some beautiful duet records by these
famous Victor artists.
THE ZIMBALIST RECORDS (Pianoforte by Chotzinoff and Balaban)
Broken Melody Auguste van Biene
Chant d’Automne (Song of Autumn) Tschaikowsky
Chant de la Veslemoy (The Maiden's Song) Halvorsen
Chant Negre (An Idyl) (Op. 32, No. 1) A. Walter Kramer
Cygne, Le (The Swan) (Saint-Saens) (2) Waltz (Opus 64) Chopin
Deluge, The — Prelude (Op. 45) (Piano acc. F. Moore) Saint-Saens
Harlequin's Serenade (“Millions D'Arlequin”) (with Orchestra) Drigo
Hebraisches Lied und Tanz (Hebrew Melody and Dance) Zimbalist
Humoresque Tor Aulin
Hungarian Dances (No. 20 in D Minor — No. 21 in E) Brahms-Joachim
Larghetto (Piano acc. by Alexander Lambert) Handel
Lark, The (L’Alouette) (Romance) Glinka-Auer
Legende (Opus I 7) (Piano acc. by E. Lutsky ) Wieniawski
Long Ago (From “ Four Songs ") (Opus 56) Edward MacDowell
Massa's in de Cold, Cold Ground (Arr. by Pasternack) (with String
Orchestra) Foster
Menuett in G (Beethoven) (2) Gavotte in D
Old Black Joe (with String Orchestra)
Orientale (Kaleidoscope, Op. 50, No. 9)
Polish Dance (From "Drei Slavische TSnze”)
Russian Dance
Salut d’amour (Love’s Greeting) (Op. 12)
Serenade
Serenade (Op. 15, No. 1)
Serenata (Op. 40)
Souvenir
Spring Song (Song Without Words, No. 30)
ZIMBALIST AND ALMA GLUCK
Gossec
Foster
Cesar Cui
Zimbalist
Zimbalist
Edward Elgar
Pierne
Moszkowski
d'Ambrosio
Franz Drdla
Mendelssohn
Angel’s Serenade
Ave Maria In Latin
Chanson Hebraique Hebrew
Elegie (Song of Mourning) In French
Fiddle and 1
God Be With You Till We Meet Again
Hatikva (Our Hope) (Zionist Hymn)
In the Hour of Trial (Organ acc.)
Irish Love Song (Piano acc. by Zimbalist)
Le Nil In French
Lost Chord, The
Nur wer die Sehnsucht kennt In German
Old Folks at Home (Obbligato Doofak's Humoresque )
Rosary, The
Sing Me to Sleep (with String Quartet)
Spielmann, Der (The Minstrel) In German
Swedish Cradle Song (Folk Song)
When the Swallows Homeward Fly In German
ZIMBALIST AND KRE1SLER
Concerto for Two Violins — Part I ( String Quartet acc.)
Concerto for Two Violins — Part II ( String Quartet acc.)
Concerto for Two Violins — Part Ill (String Quartet acc.)
Braga
Gounod
Ravel-Pasternack
Massenet
Arthur Goodeve
J. E. Rankin-W. G. Tomer
In Hebrew Hebrew words by lmber
Montgomery- Lane
Lang
Renaud-Leroux
Proctor-Sullivan
T schaikowsky
Foster
Ethelbert Nevin
Bingham-Greene
Hildach
Abt
Bach
Bach
Bach
No.
Size List p.
74445
12
$1.75
64577
10
1.25
64737
10
1.25
64736
10
1.25
74338
12
1.75
64827
10
1.25
74467
12
1.75
64455
10
1.25
64241
10
1.25
74303
12
1.75
64335
10
1.25
74582
12
1.75
74337
12
1.75
64266
10
1.25
64638
10
1.25
74444
12
1.75
64640
10
1.25
64261
10
1.25
64562
10
1.25
64955
10
1.25
66101
10
1.25
64936
10
1.25
64576
10
1.25
64710
10
1.25
64813
10
1.25
66034
10
1.25
89092
12
2.00
89091
12
2.00
87519
10
1.50
87513
10
1.50
89093
12
2.00
87520
10
1.50
87522
10
1.50
87523
10
1.50
64346
10
1.25
89090
12
2.00
89096
12
2.00
87518
10
1.50
87514
10
1.50
87517
10
1.50
89094
12
2.00
89095
12
2.00
87566
10
1.50
87516
10
1.50
76028
12
2.00
76029
12
2 00
76030
12
2.00
Victor Singers and Players — Black, Blue and Purple Label
SOPRANOS
Cesar, Berthe
Cheatham, Kitty
Clark, Helen
Corsi, Emilia
Day, Edith
Green, Alice
Heilbronner, Mile.
Helena, Edith
Hinkle, Florence
Holt, Vivian
Huguet, Giuseppina
Kline, Olive
Kimball, Agnes
Korsoff, Mile.
Littlefield, Laura
Marsh, Lucy
Romaine, Margaret
Rosedale, Lillian
Rowland, Adele
Rugel, Yvette
Spencer, Elizabeth
Wakefield, Henrietta
Wheeler, Elizabeth
BOY SOPRANOS
Isaacs.Master Claude
Pickets, Master Wm.
CONTRALTOS
Alcock, Merle
Asher, Mrs. Wm.
Baker, Elsie
Brown, Edna
Davis, Lillian
Dunlap, Marguerite
Miller, Christine
Morgan, Corinne
TENORS
Althouse, Paul
Amadi, Alberto
Beyle, Leon
Bieling, John
Brewster, George
Burr, Henry
Campagnola, Leon
Campbell, Albert
Clough, Arthur
Coombs, Frank
Cunego, Egidio
Dalhart, Vernon
De Gregorio, Fr.
Dixon, Raymond
Fields, Arthur
Freemantel, F. C.
Giovannelli, Gino
Harlan, Byron G.
Harrison, Chas.
Hart, Charles
James, Lewis
Jarvis, Harold
Kaufman, Irving
Macdonough, H.
Martinez-Patti, G.
Miller, Reed
McClaskey, Harry
McCool, James
Murphy, Lambert
Murray, Farquhar
Oakland, Will
O’Hara, Geoffrey
Pini-Corsi, Gaetano
Reed, James
Regis, Georges
Reimers, Paul
Roberts, Victor
Robyn, Wm.
Rose, E. K.
Rosenblatt, Jos.
Steel, John
Van Brunt, W. J.
Volkman, Paul
Wells, John Barnes
BARITONES
Badini, Ernesto
Cartwright, Earl
Dadmun, Royal
Dudley, S. H.
Feinhals, Fritz
Francisco, Carlos
Hamilton, Edward
Harrison, James F.
Hemus, Percy
Hill, Hamilton
Janpolski, Albert
MacFarlane, George
Perret, M.
Rodeheaver, Homer
Shaw, Elliott
Turner, Alan
Van, Gus
Van Eweyk, Arthur
Vigneau, M.
Werrenrath, R.
Wheeler, Frederick
BASSES
Cairns, Clifford
Cowles, Eugene
Croxton, Frank
De Segurola, A.
Glenn, Wilfred
Hooley, Wm. F.
Meyer, John
Rossi, Giulio
Sillich, Aristodemo
Stanley, Frank C.
Wilbur. John
COMEDIANS
Bell, Digby
Bernard, A1
Bernard, Barney
Burkhardt, Maurice
Case, Charley
Cawthorn, Joseph
Cohan, Geo. M.
Collins, Arthur
Crawford, Clifton
Devins, James
Gallagher, Ed.
Gitz Rice, Lieut.
Golden, Billy
Heins, Billy
Hill, Murry K.
Hitchcock, Raymond
Hopper, De Wolf
Hughes, Wm.
Jolson, A1
Kennedy, Frank
Lauder, Harry
Marlowe, James
Montgomery-Stone
Murray, Billy
Norworth, Jack
Phillips, Sidney
Porter, Steve
Roberts, Bob
Shean, A1
Sheridan, Mark
Silver, Monroe
Smalle, Ed
Spencer, Len
Stewart, Cal.
Taggart, Chas. Ross
Wildhaclc, Robert J.
Wills, Nat M.
Wright, Horace
COMEDIENNES
Bayes, Nora
Bernard, Rhoda
Brice, Fanny
Cahill, Marie
Dietrich, Rene
Harris, Marion
Janis, Elsie
Jones, Ada
Patricola, Miss
Ring, Blanche
Stanley, Aileen
Walker, Esther
White, Frances
Young, Margaret
WHISTLERS
Belmont, Joseph
Capper, Charles
Gialdini, Guido
McKee, Margaret
YODLERS
Barton, Ward
Carroll, Frank
Pircher Alpensingers
Watson, Geo. P.
MALE QUARTETS
American Quartet
Avon Comedy Four
Chicago Glee Club
Criterion Quartet
Fisk Jubilee Quartet
Hayden Quartet
Orpheus Quartet
Peerless Quartet
Shannon Four
Victor Male Qt.
Whitney Bros. Qt.
OTHER SINGING
ORGANIZATIONS
Heidelberg Quintet
La Scala Chorus
Lyric Quartet
Metropolitan Trio
Orpheus Chorus
Sterling Trio
That Girl Quartet
Trinity Choir
Tuskegee Singers
Victor L’t Opera Co.
Victor Male Chorus
Victor Minstrel Co.
Victor Mixed Chorus
Victor Opera Chorus
Victor Opera Qt.
Victor Vaud. Co.
Victor Women’sCho.
ELOCUTIONISTS
AND SPEAKERS
Battis, William
Sterling
Bingham, Ralph
Bryant, Sara Cone
Burbeck, Frank
Burnley, Mrs. H.
Cheatham, Kitty
Davenport, Edgar L.
Girard, Gilbert
Guest, Edgar A.
Hamlin, Sally
Harding, Warren G.
Hilliard, Robert
Holmes, Taylor
Humphrey, Harry E.
Kelly, Walter C.
Peary, Robert E.
Potter, Pauline
Price, Henry Allan
Riley, James W.
Rodeheaver, Homer
Roosevelt, Theodore
Shackleton, Sir E.
Taft, Wm. Howard
Wilson, Woodrow
2. Instrumental Soloists and Organizations — Black Label
BANDS
Banda De Alabarderos
Band of H. M. Coldstream
Guards
Central American Marimba
Band
Conway’s Band
Fuller’s Famous Jazz Band
Goldman Band
Green Brothers’ Novelty B.
Italian Village Band
Kryl’s Bohemian Band
Original Dixieland JazzBand
Police Band of Mexico
Pryor’s Band
Sousa’s Band
U. S. Marine Band
Vessella’s Italian Band
Victor Military Band
ORCHESTRAS
Apollo Orchestra
Balalaika Orchestra
Benson Orchestra
Biese’s Novelty Orchestra
Blake and His Shuffle Along
Orchestra
Bohemian Orchestra
Castle House Orchestra
Coates and Symphony Orch.
Coleman and His Orchestra
Confrey and His Orchestra
Club Royal Orchestra
Doerr and His Orchestra
Dolin’s Orchestra
Elite Orkester
German Dance Orch.
Green Bros. Marimba Orch.
Hackel-Berge Orchestra
Hungarian Orchestra
International Novelty Orch.
Kandel’s Orchestra
La Scala Orchestra of Milan
McKee’s Orchestra
Neapolitan Orchestra
Orlando’s Orchestra
Ossman Banjo Orchestra
Pitt and Symphony Orch.
Royal Albert Hall Orch.
Selvin’s Novelty Orchestra
Shilking Orchestra
Smith and His Orchestra
Victor Concert Orchestra
Victor Dance Orchestra
Victor Herbert’s Orchestra
Victor Symphony Orchestra
Virginians, The
Waldorf-Astoria Orchestra
Whiteman’s Orchestra
Yerkes Jazzarimba Orch.
INSTRUMENTAL
SOLOISTS
Abt, Valentine, Mandolin
Arden, Victor, Piano
Arndt, Felix, Celesta
Arndt, Felix, Piano
Bacon, F. J., Banjo
Barone, Clement, Piccolo
Berg, Eric, Accordion
Berger, Mme. Kitty, Zither
Boshko, Natalie, Violin
Boshko, Victoria, Piano
Bourdon, Rosario, ‘Cello
Brooke, Arthur, Flute
Butin, Guitar
Clancy, Patrick J., Violin
Clarke, Herbert L., Cornet
D’Almaine, Charles Violin
Davis, Horace, Harp-Guitar
De Greef, Arthur, Piano
Ennis, Tom, Irish Bagpipe
Ferera, Frank, Guitar
Franchini, Anthony, Guitar
Franzen, Arvid, Accordion
Frosini, P., Accordion
Gardner, Samuel, Violin
Gruner, Wm., Bassoon
Gusikoff, Michel, V iolin
Handzlik, Leon L., Cornet
Hanford, Ford, Wood Saw
Harrison, Beatrice, 'Cello
Henton, H. Benne, Saxophone
Hoffmann, Jacques, Violin
Himmelreich, F., Pianist
Jacobson, Sascha, Violin
Johnston, W. G., Bugle
Keneke, Emil, Cornet
Kenna, Arthur P., Piano
Kimmel, J., Accordion
Kindler, Hans, ‘Cello
Kryl, Bohumir, Cornel
La Forge, Frank, Piano
Lager, John, Accordion
Lapitino, Francis J., Harp
Lemmone, John, Flute
Lent, James I., Drum
Lewin, Peter, Xylophone
Lyons, Darius, Piccolo
Maier, Guy, Piano
Moiseivitch, Benno, Piano
Moore, Sam, Octo-Chorda
Moskowitz, Joseph, Cembalom
Mukle, May, ‘Cello
Muller, Albert, Xylophone
Ohman, Phil, Piano
Olson, Eric, Accordion
Ossman, Vess L., Banjo
Pattison, Lee, Piano
Penney, Clarence, Mandolin
Pietro, Accordion
Pilzer, Maximilian, Violin
Place, William, Mandolin
Pollain, Fernand, ‘Cello
Prince, Alexander, Concertina
Pryor, Arthur, T rombone
Rattay, Howard, Violin
Reichl, John, Zither
Reitz, Wm. H., Xylophone
Rinaldi, Michele, Cornet
Ross, Eddie, Banjo
Salvi, Alberto, Harp
Sassoli, Ada, Harp
Schendel, Julius L., Piano
Schuetze, Charles, Harp
Siegel, Samuel, Mandolin
Spross, C. Gilbert, Piano
Tapiero, Mose, Ocarina
Taylor, John, Violin
Touhey, Patrick J., Irish Pipes
Uhe, Arthur,. Violin
Van Eps, Fred, Banjo
Veo, Harold, Violin
Wanat, Jan, Accordion
Wiedoeft, Ruby, Saxophone
Wormser, D., Zither
INSTRUMENTAL
ORGANIZATIONS
All Star Trio — Saxophone,
Xylophone. Pianoforte
Blue and White Marimba B.
Bavarian Zither Trio
Brown Bros. — Six Saxophones
Central Am. Marimba Band
Chicago Glee Club
Estudiantina Trio
Florentine Quartet
Four Sicilians — Clarinet, Gui¬
tar, Mandolin, Double-Bass
Grieg Instrumental Quartet
Hawaiian Trio
Hurtado Bros. Marimba B.
Irene West Troupe — Ha¬
waiian Stringed Instruments
Louise and Ferera — Guitars
Lovat Bagpipe Band
McKee Trio — Violin, ‘Cello,
Pianoforte
Neapolitan Trio — Violin,
Flute, Harp
Palace Trio — Saxophone, Ac¬
cordion, Piano
Philharmonic Brass Octet
Plantation Trio — Banjos and
Guitar
Roumanian Tamburica Or.
Serra-Moura Mandolin Qt.
Smith Trio — Violin, 'Cello,
Pianoforte
Sutcliffe T roup e~Bagpipes,etc.
Tollefsen Trio — Violin, ‘Cello,
Pianoforte
Trio Napolitano
Van Eps Trio — Banjo, Piano,
Drums
V enetian T rio — V iolin, ‘Cello,
Harp
Victor Brass Quartet
Vic. Drum, Fife, Bugle Corps
Victor String Quartet
Vienna Quartet
Wiedoeft- Wadsworth Qt.,
Saxophones, Pianos
3. Singers and Players — Red Seal Classes
SOPRANOS
Abott, Bessie
Alda, Frances
Arral, Blanche
Boninsegna, Celestina
Bori, Lucrezia
Calve, Emma
Destinn, Emmy
Eames, Emma
Farrar, Geraldine
Fornia, Rita
Gadski, Johanna
Galli-Curci, Amelita
Galvany, Maria
Garrison, Mabel
Gluck, Alma
Hempel, Frieda
Jeritza, Maria
Lashanska, Hulda
3. Singers and Players — Red Seal Classes — Continued
SOPRANOS — Cont’d
Melba, Nellie
Michailowa, Marie
Nielsen, Alice
Patti, Adelina
Sembrich, Marcella
Stires, Louise Homer
Tetrazzini, Luisa
Viafora, Gina C.
CONTRALTOS
Besanzoni, Gabriella
Braslau, Sophie
Culp, Julia
Duchene, Maria
Gerville-Reache,
Jeanne
Homer, Louise
Matzenauer,
Margarete
Ober, Margarete
Schumann-Heink,
Ernestine
Spencer, Janet
TENORS
Ansseau, Fernand
Caruso, Enrico
Clement, Edmond
Constantino, Florencio
Dalmores, Charles
Gigli, Beniamino
Hamlin, George
Harrold, Orville
Johnson, Edward
Martin, Riccardo
Martinelli, Giovanni
McCormack, John
Paoli, Antonio
Schipa, Tito
Sirota, G.
Slezak, Leo
Smirnov, Dmitri
Tamagno, Francesco
Williams, Evan
Zerola, Nicola
BARITONES
Amato, Pasquale
Ancona, Mario
Battistini, Mattio
Campanari, Giuseppe
Cigada, Francesco
De Gogorza, Emilio
De Luca, Giuseppe
Gilibert, Charles
Gilly, Dinh
Renaud, Maurice
Ruffo, Titta
Scotti, Antonio
Werrenrath, R.
Whitehill, Clarence
Zanelli. Renato
BASSES
Chaliapin, Feodor
Journet, Marce
Plan<;on, Pol
Witherspoon, Herbert
VIOLINISTS
Chemet, Renee
Elman, Mischa
Heifetz, Jascha
Kreisler, Fritz
Kubelik, Jan
Morini, Erika
Powell, Maud
Thibaud, Jacques
Zimbalist, Efrem
ORCHESTRAS
Boston Symphony
Mengelberg and N. Y.
Philh. Orch.
Philadelphia
Toscanini and La
Scala Orchestra
PIANISTS
Cortot, Alfred
De Pachmann,
Vladimir
Novaes, Guiomar
Paderewski, Ignace Jan
Rachmaninoff, Sergei
Samaroff, Olga
ELOCUTIONIST
Marlowe, Julia
Sothern, E. H.
Terry, Ellen
’CELLISTS
Herbert, Victor
Kindler, Hans
Kreisler, Hugo
STRING QUARTET
Elman String Quartet
Flonzaley Quartet
List of Subject Headings in this Catalogue
Accordion Solos
Africana
Aida
Amherst College Songs
Andrea Chenier
Animal Imitations
Anvil Effects, Records
with
Automobile Songs
Bagpipe Records
Ballet Music
Band and Orch.— De¬
scriptive
Bands and Orch., with
Chorus
Band Records
Bands with Whistling
Choruses
Bandurrias and Guitar
Banjo Acc. Records
Banjo, Mandolin and
Guitar
Banjo Orchestra
Banjo Solos
Barbiere di Siviglia
Base Ball Recitations
Bass-Basso Profundo
Songs
Bassoon Solo
Battle Songs
Belgium, Patriotic Airs
of
Bell Effects, Records
with
Bell Solos
Bible Readings, Stories
Birds, Rec. with Bird
Effects
Bird Song Records
Blue Label Records
Boheme (Leoncavallo)
Boheme (Puccini)
Bohemian Girl
Bohemian Music
Bohemian Orchestra
Bohemian Records
Book of the Opera
Brass Quartets
British Patriotic Airs
Caid, Le
Canadian Patriotic Airs
Canary, Song of
Carmen
Cat Imitations
Cavalleria Rusticana
Celesta Solos
Cello Solos-See “Vio¬
loncello"
Cembalom Records
Children's Records
Chime effects. Records
with
Chimes
Choruses
Christian Science
Hymns
Christmas Records
Church — Records for
College Airs
Comic Operas, Musical
Comedies
Community Singing
Concertina Solos
Concertos, Excerpts
from
Congregational Sing¬
ing
Contes d'Hoffmann
Coon Songs
Cornet Solos
Cradle Songs
Damnation de Faust
Dance Records
Danish Records
Darky Songs
Daughter of the Reg.
Descriptive Specialties
Dinorah
Dixie, Songs of
Dogs, Records about
Don Carlos
Don Giovanni
Don Pasquale
Dramatic Records
Drill Music
Drum, Fife and Bugle
Corps
Drum Solos
Duets, Instrumental
Duets, Vocal
Easter Selections
Educational Records
Elisir d’amore
Ernani
Falstaff
Father, Songs about
(Comic)
Faust (Berlioz)
Faust (Gounod)
Favorita
Field Music
Fife, Drum and Bugle
Corps
Flute Obbligato, Songs
with
Flute Solos
Flying Dutchman
Foreign Records
Forza del Destino
Fra Diavolo
France, Patriotic Airs
of
Freischiitz
French Lessons
French Songs
Gems from Operas
German Comedy
Germania
Gioconda
Gotterdammerung
Grand Marches
Grand Opera Medleys
Great Britain, Patriotic
Airs of
Gregorian Chants
Guitar Records
Guitar, Songs accom¬
panied by
Hamlet
Hansel and Gretel
Harp Records
Harvard University,
Songs of
Hawaiian Records
Health Exercises
Hebrew Comic
Herodiade
Hesitation Waltzes
Home Songs
Horn
Hornpipes
Huguenots
Humorous Recitations
Hungarian Folk
Dances
Hungarian Music
Hungarian Orchestra
Records
Hymns
Imitations
In a Persian Garden
Indian Songs and Inter¬
mezzos
Instrumental Duets
List of Subject Headings in this Catalogue — Continued
Instrumental Quartets
Instrumental Trios
Instruments of the Or.
Ireland, Songs about
Irish Comic Songs—
Specialties
Irish Melodies — Instru¬
mental
Irish Songs — Standard
Italian and Neapolitan
Songs
Italian Dialect Songs,
etc.
Italy, Patriotic Airs of
Jewish Records
Jigs
Lakme
Latin. Selections in
Laughing Songs
Lohengrin
Lucia di Lammermoor
Lucrezia Borgia
Lullabies
Madama Butterfly
Magic Flute
Male Quartets
Male Quartets, Unacc.
Mandolin-Guitar Duets
Mandolin Solos and
Duets
Manon
Manon Lescaut
Marches
Marches, Grand
Marriage of Figaro
Married Life, Humor¬
ous Songs
Martha
Masked Ball
Masses, Records of
Maxixes
Mazurkas
Medleys^ Pop. Vocal
Medleys, Popular In¬
strumental
Mefistofele
Meistersinger
Memorial Day
Messiah
Michigan University
Songs
Mignon
Mikado
Military Songs
Minstrel Records
Monologues
Mother, Songs about
National and Patriotic
Nautical Songs
Neapolitan Songs
Negro Songs
Negro Spirituals
Negro Stories
Niebelungen Ring
Night, Songs of
Nocturnes
Norma
Ocarina Records
Old Time Ballads
One Steps
Opera Airs in English
Opera Airs in Italian
and French
Opera Records
Operettas
Oratorio Records
Orchestra Accomp.
Orchestra Bells
Orchestra, Instruments
of
Orchestra Records
Orfeo
Organ Records
Otello
Overtures
Pagliacci
Parodies on Songs
Parsifal
Patriotic Airs
Pearl Fishers
Pianoforte Solos
Piccolo Solos
Plays, Scenes from
Political Addresses
Popular Songs
Princeton Col. Songs
Prophete
Puritani
Quartets, Instrumental
Quartets, Mix. Voices
Quartets, Women’s
Voices
Queen of Sheba
(Goldmark)
Queen of Sheba
(Gounod)
Quintettes
Ragtime Music
Recitations
Reels
Rigoletto
Romeo and Juliet
Roumanian Music
Rural Comedy
Russian Music
Russian Operatic
Records
Sacred Songs
Samson et Dalila
Saxophone Records
Schools, Records for
Scotch Songs and In¬
strumental
Sea Songs
Selected Records
Selections from Grand
Operas
Sistine Choir Records
Sonnambula
South American Music
Southern Melodies and
Ballads
Spanish Songs, etc
Spring, Songs of
Stories
Street Piano Records
String Quartets and
Trios
Summer, Songs of
Swedish Records
Symphonies, Excerpts
from
Tales of Hoffmann
Tangos
Tannhauser
Thais
Tosca
Traviata
Trios, Instrumental
Trios, Vocal
Tristan und Isolde
Trombone Quartets
Trombone Solos
Trovatore
Turkish Music
Two-Steps for Dancing
Uncle Josh Monologues
United States Patriotic
Selections
Violin-’Cello Duets
Violin Duets
Violin Obbligato,
Songs with
Violin Solos
Violoncello Obbligato
Violoncello Solos
Virginia Reels
Vocal Duets
Vocal Medleys
Vocal Waltzes
Vowel Songs
Walkiire
Waltzes in Concert
Time
Waltzes, Instrumental
Waltzes, Vocal
War Songs
Wedding Music
Welsh Songs
West Point Songs
Whistling Records
Whistling Effects
William Tell
Wireless Telegraph
Wisconsin, University
of
Xylophone
Yale College, Songs of
Yodel Songs
Zither Solos
Pronouncing Table — Composers, Singers and Operas
The constant appearance of new names in the Victor lists will make this
table quite useful. It is not intended to be a complete list, but includes only
those names the pronunciation of which is not clear and those difficult to pro¬
nounce. The sign (/) denotes the syllable to be accented.
Some Remarks on Pronunciation of Foreign Names and Titles
In most pronouncing dictionaries pronunciations are indicated by symbols such
as these : a, e, i, etc., and unless these signs are thoroughly memorized, the key
list must be consulted for each word, which is most inconvenient. The Victor
endeavors to do away with this list by means of syllables which indicate the
approximate pronunciation at a glance, or by using familiar words — using ah for
the sound of a as in barn; oh for o as in boat; and ay for a as in ate; and giving the
short sound of e (hen) and i (hit) by eh and ih.
Some Sounds Difficult to Indicate
It must be understood, however, that it is quite impossible to give exactly the
sound of some foreign letters (such as the French e, and n, or the German w).
For instance, the last syllable of Chopin, indicated pahn — which is about as near as
Pronouncing Table — Composers, Singers and Operas— Continued
one can come in English characters, — is pronounced, as some one has said, by
commencing to sound ng’ , but stopping midway, and closing the back of the
throat to throw the sound through the nose.
The French e (as in de) might be indicated deh, but is pronounced with the
lips almost closed. Put your lips in position to pronounce oo, as in food, then try to
say deh instead, and you will come very near it. The German w (as in ^Vagner) is
neither a W nor a v, but just between them. Begin the word as though it was
spelled Vahgner, but instead of pressing the teeth firmly against the lower lip, press
them very lightly and then go through the motion of sounding the v.
The editor has indicated these pronunciations as nearly as possible, and they
will be found correct enough for practical purposes. But do not pause at each
syllable — pronounce the entire word rapidly without hesitation, putting a decided
accent on the syllable marked with the sign Other pronunciations will be
found in their alphabetical place throughout the Catalogue.
Pronunciation Table — Artists, Composers and Operas
Alpheraky (A hl-fay-rah' -kee)
Alvarez ( Ah-vah-reth )
Andantino (Ahn-dahn-tee' -noh)
Attila (At' -til-lah)
Banda de Policia [or, thee-ah
(Bahn-dah day Po-lee-see -ah)
Banda Pabellon de Rosas
( Bahn-dah Pah-bet' -yon day
Roh! -zahz)
Behrend ( Beh' -rend )
Bellini (Bel-lee -nee)
Blockx ( Blocks )
Blumenthal (Bloom -en-tahl)
Braban^onne ( Brah-ban-sonn )
Burmester (Boor -may -ster)
Caprice Espanol (Kah-prees
Ess-pahn -yol)
Chotzinoff (Chot-zee-noff)
Clavelitos (Klah-oeh-lee' -tos)
Crepuscule (Cray-piis-ktihl)
d’ Albert (Dahl-baer)
David (Dah-veed')
d’Hardelot ( Dard'-loh )
de Luna (day Loo' -nah)
De mon amie
(Duh mon nah-mee )
de Sarasate (Sar-ah-sah' -tay)
Dite alia giovine
(Dee' tay al'-lah gee-oh-vee' -nay)
Dubois ( Du-booah')
El Celoso (El Thay
[or say]-loh'-soh)
Entr’acte ( Ahn-tract )
Epaminondas
( Eh-pah-mee-non'-dahs )
Fedora (Fay-doh' -rah)
Ferree ( Fer-ray ')
Fidelio (Fee-day' -lee-oh)
Fille du Regiment
(Feeyeh d’h Rezh' -ee-mong')
Flegier Flay'-zhyay)
Fliegende Hollander
(Flee1 -gen-deh Hoi' -lan der)
Francesco ( Frahn-chayss' -koh)
Friihlingsglaube
(Frueh' -lings-glou -be)
Ganne ( Gahn )
Gasparone (Gahs-par-oh' -neh)
Genee ( Zheh-nay’)
Gianni Schicchi
(Gee-ah! nee Shee' -kee)
Gillet (Zhil-lay)
Hansel und Gretel
(Haen' -zel oondt Gray' -tel)
Hubay (U-bay)
11 Balen (Eel Bah-len)
II Guarany (Eel Ga-rah' -nee)
Inflammatus (In-flah-mah' -toos)
Iris (Ee-ris)
Jakobowski ( Yah-koh-boff -skee)
Je viens celebrer la victoire
(Juh vee-ahn (nasal) say-lay-
bray' lah vic-twar)
Jocelyn (Joss'-lin)
Jolie Fille de Perth
( Zho-Iee ' Feey-deh" Pairth)
Jongleur (Zhong-gleur')
Jose (Hoh-zay)
Journet (Zhoor-nay)
Kjerulf (Kyer-oolf)
Koschat (Koh' -shaht)
La Braban^onne (Lah
Brah-ban-sonn)
La Cinquantaine
(Lah Sang-kohn-tain)
Lalo (Lah-.ow’)
L’Arlesienne (Lahr-lay -see-enn)
Manzanillo (Mahn-sahn-eel -yoh)
Martinelli (Mar-tin-el' -lih)
Masaniello (Mah-san-nyel -loh)
Mascotte ( Mas-kot' or Mas'-kot)
Mikado (Mih-kah' -doh)
Mirella (Mih-ret-Iah)
Moment Musicale
(Moh-mohn meu-zee-cal' )
Natoma (N ah-toh' -mah)
Oberon (Oh-ber-on)
O mio babbino caro
(Oh mee'-oh Bah-bee no kah-roh)
Orientale (Oh-ryohn-tahl)
Paladilhe ( Pa-la h-dee -leh)
Paraphrase ( Par-rah-frahz)
Pasquale (Pas-quah' -lay)
Pecheurs de perles, Les
(Lay pay-shur' duh-Pairl)
Pescatori di Perle
(Pes-kah-toh' -ree dee Pear -leh)
Pie Jesu (Pee' -ay Y ay -zooh)
Pini-Corsi (Pee-nee-Kor-sih)
Pinsuti (Pin-soo' -tee)
Pourquoi me reveiller
(Poor-kwah muh ray-vay-yea)
Prophete (Pro-feh't or Proph' -et)
Regina di Saba
(Ray-jee -nah dee Sah' -bah)
Rinaldi (Ree-nahl -dee)
Rinaldo (Ree-nahl' -doh)
Robert le Diable
( Roh-ber-V Dee-ah' -bD
Rondino (Ron-dee' -noh)
Safranek ( Sahf' -rahn-ek )
Sala (Sah’ -lah)
Salutaris (Sah-loo-tah' -ris)
Santa Lucia ( Sahn'-tah
Loo-chee’ -ah)
Scharwenka (Shar-Ven -kah)
Scherzo (Skairl -tsoh)
Schubert (Shoo' -baert)
Schumann (Shoc'-mahn)
Schumann-Heink
(Shoo' -mahn Hink ’)
Scipioni (Shee-pee-oh1 -nee)
Semiramide
(Seh-mih-rah-mee' -day)
Serenade Espagnole (Seh-reh-
nahd' Ess-pahn-yohl)
Sgambati (Sgahm-bah' tee)
Strelezki (Stray-let' -skee)
Suppe (Soup-pay)
Tambourin (Tahm-boo-rah')
Thome (Toh-may' )
Toscanini (Tos-kan-nee’ -nee)
Traumerei (Troy-meh-rye')
Ugonotti (Oo-goh-not'-tee)
Vespri Siciliani
( V es -pree See-chee-lee-ah' -nee)
Villoldo (Vil-yol -doh)
Vivandiere ( Vee-vahn-deair')
Vous dansez. Marquise
(V oo dahn-say Mar-keys )
Werther (Fear' -ter)
Wiegenlied (Vee -gen-leedt)
Wienerisch ( V ee'-neh-rish)
Wilhelmj ( Veel-hel'-mlh)
Xerxes (Zehr'-sehz)
Yradier (Ee-rah-deay )
Zaccaria ( Zak-koh-ree' -ah)
Zerola ( Zer ' -oh-lah)
Ziehrer ( Tse'-reh )
Eighty-seven Musical Terms
A Capella —for voice s only.
Adagio — slowly; a slow movement.
Allegro — quick, cheerful.
Andante — slow, moderate.
Arpeggio — chord in which notes are played succes¬
sively, not together.
Berceuse — cradle song.
Bolero — brilliant Spanish dance.
Bowing — art of managing the bow of stringed in -
struments.
Bravura — applied to highly ornamental passages.
Cadenza — ornamental passage to show artist’s skill.
Cantabile — in singing style.
Cantilena — song-like passage.
Caprice — composition in free form.
Castanets — clappers of wood used in Spanish music.
Cavatina — an air of simple character.
Chamber music — music for small room, as opposed
to “concert music.
Chanson — a song.
Chord — simultaneous sounding of several notes of
different pitch.
Chromatic scale — scale progressing by semitones.
Concerto — composition for a single instrument, de¬
signed for public performance.
Con moto — with movement.
Con sordino — with a mute to soften tone.
Cor anglais — tenor oboe.
Counterpoint — art of combining melodies.
Crescendo — becoming louder.
Diminuendo — becoming softer.
Double-stopping — playingtwo notes simultaneously.
Etude — a study.
Extempore — extemporization — created on the spur
of the moment.
Falsetto — the upper, or “ head ” voice.
Fantasie, fantasia — capriciously written composi¬
tion.
Flat — a sign lowering a note half a tone.
Form — the structure of music.
Fortissimo — very loudly.
Fugue — a type of composition combining melodies in
conventional form.
Glissando — gliding effect, produced by running
finger over piano keys or string of other instrument.
Harmonics — tones produced by “ sympathetic vibra¬
tion’’ in instruments and not always distinctly heard.
Their presence or absence determines the “tone-
color” of an instrument. Violin harmonics are
produced by touching the vibrating string of a
violin (or similar instrument ^ with a finger-tip.
Harmony — combination of musical sounds.
Imitation — repetition of a phrase by another voice or
instrument.
Interlude — music played between stanzas or parts of
a composition.
Victor Talking Machine Company, C
Interval — difference in pitch.
Key — scale system of any composition.
Largo — slow, broad.
Legato — tied, connected.
Lento — draggingly.
Libretto — word-book of opera.
Major — applied to scales having two whole tones be¬
tween first and third. Major music is cheerful.
Mazurka — typical Polish dance.
Melody — arrangement of sounds according to pitch.
Minor — applied to scales having half a tone less than
major scale between first and third. Minor music
is less cheerful than major.
Movement — division of a symphony , concerto, etc.
Mute — instrument for diminishing loudness.
Nocturne — night piece.
Obbligato — an added part or melody.
Octave — eighth degree of scale on key note.
Octet — composition for eight voices or instruments.
Opera — drama set to music and sung.
Overtone — same as Harmonic.
Overture — an opening piece.
Paraphrase — rearrangement.
Pastoral — rustic piece.
Pizzicato — plucked with the finger.
Portando, Portamento — glide from one note to
another.
Prelude — an introduction.
Presto — very quickly-
Quartet — composition for four voices or instruments.
Quintet — composition for five voices or instruments.
Recitative — formless passage between numbers of a
vocal work-
Rhythm —arrangement of sounds according to time.
Ritardando — a slowing.
Rubato — intentional altering of time.
Scale — regular succession of adjacent notes.
Scherzo — a quick, capricious movement.
Septet — composition for seven voices or instruments.
Sextet — for six voices or instruments.
Sharp — a sign raising a note half a tone.
Sonata — composition in several movements for single
instrument.
Spiccato — short, bright strokes of the bow.
Staccato — in detached style.
Syncopation — displacement of musical accents.
Symphony — composition in several movements,
usually four, for full orchestra.
Tarantella — a swift Italian dance.
T empo — time.
Tone, tone-color — quality of musical sound.
Trio — (/) composition for three voices or instruments
(2) contrasting movement in various compositions.
Tutti — all the performers.
Unison — in same pilch.
iden, N. J. Printed December, 1922
Scanned from the collection of
University of California
Santa Barbara Library
Coordinated by the
Media History Digital Library
www.mediahistoryproject.org
Funded by a donation from
Richard Scheckman
Live Music
Archive
Librivox
Free Audio
Metropolitan Museum
Cleveland
Museum of Art
Internet
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